Festival News

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Beloved Aussie rockers Ocean Alley have announced five massive new shows to their 2026 Summer run, celebrating their acclaimed new album Love Balloon.

With previously announced dates selling fast, the band will now extend their tour along the Australian coast and regional locations this March with shows presented by SummerSalt – kicking off at Exhibition Park, Canberra (7 March), then heading to Torquay Common (8 March), Speers Point Park in Lake Macquarie (14 March), Sunshine Coast Stadium (15 March) and wrapping up at Glenelg Beach, Adelaide (21 March). They’ll be joined by an all-star lineup including DIY heroes Skegss, American rock band Allah-Las (all shows except Adelaide), Byron Bay psychedelic rockers Babe Rainbow, Melbourne garage rockers The Grogans (Adelaide only), indie-rock five piece Mid Drift, indie/psych-pop pals Le Shiv and raw indie-rockers Seaside – making for one of the band’s biggest outdoor tours to date.

Fans can secure tickets via the Artist Presale from 9am on Thursday 30 October until 8am Friday 31 October local. Register for presale access at oceanalley.com.au.

These shows follow Ocean Alley’s capital city run in January, which will mark their largest ever headline dates, with stops in Melbourne, Brisbane, Sydney, Fremantle and Margaret River. East Coast shows feature Nothing But Thieves, Rainbow Kitten Surprise and Ruby Fields, while the West Coast welcomes Skegss, Ruby Fields and rising Perth outfit Smol Fish.

The tour comes on the heels of Love Balloon’s release – the band’s fifth studio album, which debuted at #1 on the ARIA Vinyl and Australian Album Charts, #3 on the ARIA Albums Chart and has remained in the Top 10 Australian Album Charts for six weeks. A journey through love and life in all its colour and chaos, the record is anchored by moments of light, vulnerability and connection, led by the luminous single “Drenched” and its nostalgic early-2000s-inspired video.

The new dates round out a huge 2025 for Ocean Alley – including their biggest headline show to date at London’s Alexandra Palace, two North American tours and their first South American shows across Brazil, Chile and Mexico. The band also made festival appearances at Lollapalooza, Sziget and Austin City Limits, as well as their breakthrough hit “Confidence” placing #65 in triple j’s Hottest 100 of Australian Songs.

With over 1 billion streams and a reputation for magnetic live performances, Ocean Alley have become one of Australia’s most successful musical exports. Across five albums – including 2022’s Low Altitude Living – the six-piece (Baden Donegal, Angus Goodwin, Lach Galbraith, Mitch Galbraith, Tom O’Brien and Nic Blom) continue to evolve their unmistakable sound. With chart success across Australia, New Zealand, the UK and the US – and nine Gold or higher accredited singles – Ocean Alley are stepping confidently into a bold new chapter, with stadium-sized ambition and an enduring global legacy in sight.

OCEAN ALLEY
AUSTRALIAN COASTAL TOUR 2026
With special guests Skegss, Allah-Las*, Babe Rainbow, The Grogans^, Mid Drift, Le Shiv and Seaside
Presented by SummerSalt & Face To Face, Supported by triple j
TICKET INFO HERE

Saturday 7 March – Exhibition Park, Canberra, ACT
Sunday 8 March – Torquay Common, Torquay, VIC
Sat 14 March – Speers Point Park, Lake Macquarie, NSW
Sunday 15 March – Sunshine Coast Stadium, Sunshine Coast, QLD
Saturday 21 March – Glenelg Beach, Adelaide, SA
*Not playing Adelaide, ^ playing Adelaide only

TICKETS ON SALE FRIDAY 31 OCTOBER, 9AM LOCAL
Artist Presale: Thursday 30 October, 9am – Friday 31 October, 8am local
Live Nation and Face To Face Presale: Thursday 30 October, 9am – Friday 31 October, 8am local
Spotify Presale: Thursday 30 October, 11am – Friday 31 October, 8am local

Plus already announced Australian tour, all shows selling fast:
Saturday 24 January – Catani Gardens, Melbourne/Wurundjeri VIC*
Friday 30 January – Brisbane Showgrounds, Brisbane/Meanjin, QLD *
Saturday 31 January – The Domain, Sydney/Eora, NSW*
Saturday 21 February –  Freo Esplanade, Fremantle/Whadjuk, WA^
Sunday 22 February – 3 Oceans Winery, Margaret River/Wadandi, WA^

For complete tour and ticket information, visit: oceanalley.com.au

*Supported by Nothing But Thieves, Rainbow Kitten Surprise (both exclusive to Mel/Bris/Syd) and Ruby Fields
^ Supported by Skegss, Ruby Fields and Smol Fish

NEW YEAR, SAME START

FIELD DAY CELEBRATES 25 YEARS WITH SYDNEY RETURN ON NEW YEAR’S DAY

CARL COX & JAMIE JONES, DEBORAH DE LUCA, KÖLSCH, PATRICK MASON, PATRICK AND STÜM AMONG WORLD-CLASS NAMES SET TO PERFORM & BRAND NEW PRIDE STAGE DEBUTING IN 2026

A Sydney institution and New Year’s Day tradition, Field Day returns to add another chapter to its legacy with an epic celebration on Gadigal Country this New Year’s Day. Featuring a stacked lineup of Australian and international talent, the festival will once again fill The Domain with music, energy and community spirit.

Across three stages, the Field Day 2026 lineup brings together some of the biggest names in global dance music. Legendary British DJ Carl Cox teams up with Welsh producer Jamie Jones for solo and back-to-back sets that promise to keep Sydney moving well into the night.

Across three decades, Carl Cox has remained one of the UK’s most influential DJs. A multi-award winner at the DJ Awards, International Dance Music Awards and NME Awards, Cox has long been a mainstay at Tomorrowland and Ultra Music Festival. With five studio albums, countless singles, collaborations and remixes for Fatboy Slim, Sofi Tukker and deadmau5, his impact on electronic music is undeniable.

Speaking on his return, Cox said, “I’ll never forget seeing in the year 2000 on Bondi Beach. It’s great to be back with Fuzzy for another milestone, celebrating 25 years of Field Day.”

Jamie Jones, one of the UK’s defining electronic artists, has been shaping global dance culture since his 2006 debut. Voted Resident Advisor’s Top DJ of 2011, he has headlined clubs around the world, built a loyal following through his Paradise residency in Ibiza and played festivals including Coachella, Creamfields and Glastonbury.

Italian powerhouse Deborah De Luca brings her signature techno to Sydney following her 25-track album Hard Pop Vol. 2. Danish producer Kölsch joins the bill, performing material from his critically acclaimed 2025 release KINEMA. British producer and Trick label head Patrick Topping makes his Field Day debut, bringing remixes of Calvin Harris, Robyn and more alongside his standout single Want U.

Australian icons The Presets return with their unmatched live set. The ARIA-winning duo remain leaders in electronic music, commanding festival and club stages nationwide. Rising producer STÜM, whose Solar Safari Tour sold out in minutes across Australia, and Berlin-based Patrick Mason, known for his high-energy house and techno, also join the lineup.

The 2026 roster features ‘Shooting Stars’ duo Bag Raiders, Irish hitmakers Belters Only, and London’s BL3SS, representing the next wave of UK talent. Charlotte Plank brings her ClubLiminal EP back to Sydney, while ARIA-nominated CYRIL makes his debut with tracks from To the World and From Down Under. Fish56Octagon, drum and bass producer SOTA, and French-born, London-based DJ Swimming Paul round out the international lineup.

Field Day’s commitment to homegrown talent continues with Atomic Kiss, Chase Zera, Djanaba, Eva Charley, Jarred Baker, Jessi Lowkey, Tomgraaam, Troy Beman, Yemi Sul and ZOTDOTCOM each set to light up The Domain on New Year’s Day 2026.

Making its debut in 2026 is CAMP GROUND, a new stage dedicated to Sydney’s queer talent. Explaining its creation, organisers Fuzzy said;

 “Field Day has always been a space where LGBTQIA+ communities are welcome and celebrated. Queer artists and revellers have been a big part of Field Day’s 25 years of success, we’re thrilled to honour that by introducing CAMP GROUND to the festival in 2026 – curated by and for LGBTQIA+ communities, spotlighting some of Sydney’s best.”

Now celebrating its 25th year, Field Day remains one of Australia’s most loved festivals. With a lineup that reflects the momentum of electronic music both here and abroad, the event continues to prove its place at the heart of Sydney’s summer.

PRE-SALE REGISTRATION

FIELD DAY 2026

MONDAY 1 JANUARY THE DOMAIN SYDNEY, GADIGAL COUNTRY

Pre-Sales: 12pm AEDT, Wednesday 29 October
General Sales: 12pm AEDT, Thursday 30 October

First Release: $159.90
Second Release: $169.90
Third Release: $179.90
Final Release: $199.90
VIP: $265.90
Fast Forward add on: $40
*All ticket prices listed are before fees

A-Z
CARL COX & JAMIE JONES (B2B and SOLO SETS)
DEBORAH DE LUCA
KÖLSCH
PATRICK TOPPING
THE PRESETS (LIVE)
STÜM
PATRICK MASON

A-Z
BAG RAIDERS (LIVE)
BELTERS ONLY
BL3SS
CHARLOTTE PLANK
CYRIL
DJANABA
FISH56OCTAGON
SOTA
SWIMMING PAUL

A-Z
ATOMIC KISS
CHASE ZERA
EVA CHARLEY
JARRED BAKER
JESSI LOWKEY
TOMGRAAAM
TROY BEMAN
YEMI SUL
ZOTDOTCOM

FIELD DAY: Instagram | Facebook

Sydney alternative metal newcomers nightdive continue to turn heads with the release of their haunting new single “Occulent”, out everywhere today. The track arrives as the band prepare to launch it live, supporting Ladders on Tables – the new project from Trenton Woodley (formerly of Hands Like Houses) – at upcoming shows in Newcastle and Sydney in November. Tickets on sale now.

“Occulent” was mixed and mastered by Simon Grove (Plini, Intervals, Protest The Hero) with drum engineering by Mitta Norath. Lyrically, the song is a haunting reflection on mortality and the psychological weight of illness. “The song moves through the experience from multiple angles: the person living inside a failing body, the friends and family watching from the edges, and the lingering ache of loss that outlives the diagnosis,” says the band.

“It’s not just about death – it’s about the slow erosion of hope, the fragility of connection, and the quiet persistence of love in the face of it all. It’s an exploration of what it means to lose control of your body, your world, and the people who make it feel worth saving.”

Formed only this year, nightdive is Sam Thomlinson on vocals and guitar, Mitch Clews on guitar, Jared Philips on guitar and Jack Robert on drums. The band have already made a confident entrance into Australia’s heavy music scene, with early support from triple j, Unearthed and tens of thousands of digital streams. Their sound lands with a weight that belies their short existence, showcasing an all-consuming clash of light and dark, ambience and volatility mixed with melody and menace. Flaunting a sound not unlike that of Deftones, Underoath, and Thornhill, nightdive are already staking their claim among Australia’s rising alternative heavyweights.

Blending dense guitars with evocative textures and introspective lyricism, the band sets out to craft music that sits somewhere between heavy and vulnerable, exploring the moments that linger in the aftermath. The quartet are currently at work on a four-track collection, due early 2026, each track serving as a descent into the emotional undercurrents that define the band’s identity – immersive and unflinchingly human.

“Occulent” is available and streaming everywhere now.

WED 12TH NOV – KING ST WAREHOUSE, NEWCASTLE (18+)
SUPPORTING LADDERS ON TABLES

THURS 13TH NOV – CROWBAR, SYDNEY (18+)
SUPPORTING LADDERS ON TABLES WITH DAYS LIKE THESE

INSTAGRAM

Photography: Jake Harm Nam

Frontier Touring is excited to announce indie-folk singer-songwriter, Hazlett, will bring his Coming Home Tour to Australia and New Zealand for the first time in January and February 2026.

Following the release of his highly anticipated album last night you said you missed me, the Australian-born, Swedish-based singer will return home, performing debut shows at Astor Theatre, Perth on Tuesday 27 January, Princess Theatre, Brisbane on Saturday 31 January, Sydney’s Metro Theatre on Tuesday 3 February, Melbourne’s Corner Hotel on Thursday 5 February and Lion Arts Factory, Adelaide on Friday 6 February, before heading over to Auckland for a final show at The Tuning Fork on Sunday 8 February.

Frontier Members can access the presale from 10am local time on Thursday 30^th October, before tickets go on sale from 11am local time on Friday 31^st October. Tickets and tour information via frontiertouring.com/hazlett.

After a whirlwind few years, releasing his debut album Bloom Mountain in 2023, to opening for Noah Kahan at BST Hyde Park just two years on, Hazlett’s fast-growing popularity lays testament to what is to come for indie-folk’s next biggest star.

Hazlett’s unique brand of “Indie Ballroom Folk” has gained global attention from his home in Stockholm, Sweden to his native Brisbane, Australia, which led to the highly-anticipated September release of the singer’s latest album last night you missed me, which has impressed both fans and critics alike.

Los Angeles’ rock mainstays Allah-Las are heading back to Australia in March 2026 for a run of headline shows in Melbourne, Adelaide, Sydney, Byron Bay and Perth.

Following a busy run of international shows across the globe, the band will bring their sun-baked sound back to Australian shores for the first time since releasing Zuma 85 full-length LP and latest instrumental singles “Countryman ‘82” b/w “Dume Room.”

For more than a decade, Allah-Las have distilled the atmosphere of California’s coastlines and cityscapes into a sound that drifts between surf, folk and rock. Across albums including Allah-Las, Worship The Sun, Calico Review, LAHS and Zuma 85, they’ve developed a rich catalogue steeped in warm analog tones and timeless melodies. Having toured the world, the band’s live show has become a transportive journey through the band’s ever-evolving catalogue.

Tickets are expected to move quickly, with past Australian tours selling out in advance. Don’t snooze.

Presale opens: Thursday 23 October at 9am local
Sign up for presale here.

General On Sale: Friday 24 October at 9am local
Tickets on sale here.

ALLAH-LAHS AUSTRALIAN TOUR Presented by Handsome Tours Tuesday 10 March 2026 Croxton Bandroom, Melbourne Tickets Thursday 12 March 2026 Lion Arts Factory, Adelaide Tickets Friday 13 March 2026 Beach Road Hotel, Sydney Tickets Tuesday 17 March 2026 Beach Hotel, Byron Bay Tickets Wednesday 18 March The Rechabite, Perth Tickets On sale Friday October 24 via handsometours.com

FOLLOW ALLAH-LAS

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Sleaford Mods will release their new album, The Demise Of Planet X, on 16 January 2026 via Rough Trade Records / Remote Control Records. The record is available to pre-order and pre-save now.

Sleaford Mods will return to Australian and New Zealand shores in April 2026, playing shows in Perth, Melbourne, Sydney, Adelaide, Brisbane, Wellington and Auckland. Tickets are on sale now via https://www.handsometours.com/tours/sleaford-mods-2026/.

Andrew Fearn and Jason Williamson’s most expansive and ambitious release to date, the album features a rare guest appearance from former Life Without Buildings frontwoman Sue Tompkins, plus collaborations with Aldous Harding, soul singer Liam Bailey and grime MC Snowy, the latter two both hailing from band’s hometown Nottingham.

In her first foray into music, actress Gwendoline Christie (Wednesday/Severance/Game Of Thrones) also joins Midlands band Big Special on Sleaford Mods new single ‘The Good Life‘, which is released today accompanied by a video directed by Ben Wheatley (The Kill List/A Field In England/Bulk).

Boasting the duo’s most varied and expressive musical approach so far, The Demise Of Planet X charts, critiques and satirises our times, while offering a universal cry of anger and release of energy that pushes against the encroaching cultural darkness.

Contemplating the world coming to an end not with a big bang but in slowly rising tide of irritating mundanity, The Demise Of Planet X strikes back with vivid sonics, acerbic words, enveloping atmospheres and a engaging wit across 13 tracks that will move hearts, minds and feet.

“The Demise Of Planet X represents a life lived under immense uncertainty, shaped by mass trauma,” declares frontman Jason Williamson. “When we wrote the last album, it was about stagnation, a country that felt like a lifeless corpse. Three years later, that corpse has been split open by war, genocide, and the lingering psychological fallout of Covid whilst social media has mutated into a grotesque, twisted form of digital engineering. It feels like we’re living among the ruins. A multi-layered abomination etched into our collective psyche.”

He adds: “I don’t want to pat myself on the back while the rest of the world falls to shit, but we’re really happy with The Demise Of Planet X. The music and ideas are really fresh and it’s in your face, but it pays to put your glasses on to look at the ingredients.”

First single, the aforementioned ‘The Good Life’, captures this mix of public and personal apocalypse, as Andrew Fearn’s urgent beats and enticing melodies combine with Williamson’s machine gun diction to chart the impact of some of the Sleaford Mods’ frontman’s more infamous comments on the current music scene. Big Special and Gwendoline Christie give voice to his conflicted and tormented inner voices mopping up the fallout his outburst cause.

“’The Good Life’ talks about slagging bands off and the joy and misery that causes me. I’m asking myself why am I slagging bands off. Why is it a continuing thing with me? My inner voices are brought to life by Gwendoline and Big Special, debating that internal tension between me enjoying a good life or submitting to the mayhem,” explains Williamson.

The track’s video, available to watch now via the band’s YouTube channel, brings these voices together in the flesh under Ben Wheatley’s charismatic direction.

“It’s brilliant to be working with Andrew and Jason again on a Mods promo, this time teaming up with the amazing Gwendoline Christie and Big Special,” declares the British director who was previously responsible for Sleaford Mods’ Mork n Mindy video. “I’m a long-time fan so it’s always exciting to get the call to come out to play.”

Alongside ‘The Good Life’, the album features cliche-bursting 2025 single ‘Megaton’, ‘Elitest G.O.A.T.’ with its light-as-cloud guest vocals from Aldous Harding, the reflective, toxic masculinity pricking ‘Bad Santa’ and the Magic Roundabout-infused bouncy rap of the title track.

Nottingham singer-songwriter Liam Bailey adds a soulful lament to world-weary MAGA takedown ‘Flood The Zone’; grime rapper Snowy drops decisive bars on ‘Kill List’s’ horror hip hop (its central imagery inspired by Ben Wheatley’s film of the same), while for ‘No Touch’ Sleaford Mods managed to lure Sue Tompkins from the much-missed Life Without Buildings back into the studio. Duetting with Williamson, the pair’s distinctly human voices intertwine over a slinky bass and music box keyboard motif.

Several limited-edition versions of The Demise Of Planet X will be available on release, which can be pre-ordered now.

For the next 48 hours only, an exclusive ‘black label’ starlight sparkle vinyl version of the album will be available via the band’s mailing list. A glow in the dark edition, boasting a luminous LP and glow in the dark gatefold sleeve design is available from the band and Rough Trade Records’ webstores, while independent record shops are selling an exclusive, neon green marbled edition. The album will also be available on black vinyl, CD and cassette, the latter coming in a fetching shade of toxic green.

Additionally, in a salute to their hometown, the ‘Nottz picture-disc’ edition will be exclusively on sale only from shops within Nottingham.

The Demise Of Planet X follows Sleaford Mods’ 2023 state-of-the-nation album, UK GRIM, the duo’s most successful record to date which earned them their highest UK chart position, going straight in at Number 3. As previously announced, Sleaford Mods will hit the road following its release.

Pre-order / Pre-save The Demise Of Planet X: https://sleafordmods.ffm.to/demise
Buy tickets: https://www.handsometours.com/tours/sleaford-mods-2026/

Photo Credit: Michelle G Hunter

Acclaimed Melbourne-based songwriters Paris Wells & Finley François are gearing up to debut their new project – set to play through their album ‘Lounge Of The Flamingo’ for the very first time on the 27th of November at George Lane in Melbourne. 

Released in August this year, ‘Lounge Of The Flami ngo’ is a lush, Latin-inspired lounge masterpiece. Drawing subtle influences from Nouvelle Vague, Astrud Gilberto, and Cesária Évora, the project highlights Wells’ & Francois’ versatility, refined artistry and a 20-year working partnership. 

Paris Wells has had a career full of achievements and milestones over the last two decades. She’s supported the likes of Rod Stewart, Justin Timberlake, Robyn & Plan B on tour and played at festivals such as Falls Festival, Big Day Out, Meredith, Sydney Music Festival and the 2010 AFL Grand Final. She has collaborated with international DJs such as Kaz James, and made TV appearances on Spicks & Specks, Adam Hills In Gordon Street, Good News Week & Rockwiz. She toplined for Bliss N’ Eso’s ‘Field of Dreams’, taken from the ARIA Award winning album ‘Flying Colours’ (2012) and shot to worldwide fame with her single ‘Overbite’ which was used by Elie SaaB for their Cannes Film Festival campaign in 2014. To this day she has over 1 millions streams to her name, across her catalogue. 

Finley “pHinioUS” François, originally from the picturesque shores of Mauritius and now based in the vibrant hub of Naarm, is a multifaceted artist in music. His journey, marked by curiosity and creativity, began with spinning vinyl at parties and has evolved into crafting a rich tapestry of sounds as a DJ, producer, and musician. His early career included airplay on Kiss FM and being part of Fizard, one of Australia’s pioneering live hip hop groups that won Triple J’s Unearthed competition in 2003. Over the years he has been commissioned to write music for various shows and installations, including projects for NICA and Arts Access; has performed at iconic festivals such as Mona Foma, the Adelaide Fringe Festival, the Cabaret Festival, St Kilda Festival, and Womadelaide; & has shared the stage and collaborated with artists such as GrandMaster Flash, Chris Brown, Rod Stewart, Kelly Rowland and most recently Snoop Dogg at the 2025 AFL Grandfinal along with the likes of Jessica Mauboy, Tash Sulatana and Baker Boy.

‘Lounge Of The Flamingo’ sees the pair hitting new heights collaboratively – with a sexy-stillness and persistent groove throughout the LP that doesn’t force the big moments, but reels you in with a confident calmness and attention to detail. Wells and François were a well-oiled machine at the time of recording, with Wells’ explaining “The team in this project was so solid and the happy musical partnership with Finley really shines through, we are a the point of finishing each others sentences, that shit takes time, this is my/our best body of work yet.”

Thematically, the album is less social commentary, and more of a reflection of Wells’ life right at this moment; “this time I was determined to capture not only humor, but calm and passion and family. I refuse to make any more ‘sad vagina’ music, I’m a happily married mum, shit can be hard but I want to give people the calm we all strive for. The Lounge of the Flamingo cares not about your social pages, Kardashian cages and your friends with strangers. It cares not about keeping up with the Joneses, or running away with the crowd. The Lounge only asks for your calm, so sit back, relax and enjoy the journey.”

Recorded live at the Frying Pan Studios housed within the iconic MONA gallery in Tasmania, Wells was pregnant throughout the session – described by the pair as ‘sitting down like a ripe queen’ throughout the process. The album also features vocals from Kylie Audist (the Bamboos, Cookin’ on 3 Burners) on ‘Down In Mexico’, as well as a string composition from renowned Tasmanian composer Dean Stevenson & his orchestra for ‘Strange Days’.

Talking on that time writing and recording at MONA, François comments;“What’s not to love about Afro Latin music! Paris and I spent many years backstage & on the road speaking about a jazz base album as a side project, but that didn’t stick for me. When the opportunity to record at the newly built Frying Pan Studio, Paris mentioned she’d been diggin’ some lounge vibe tunes. I said “yes” let’s do that! Flamingo was born! My  journey on piano started with Afro Latin jazz music so it was a beautiful place to return too, our reinterpretations of  the covers was a dope process- rock to lounge! There’s always a positive energy in this genre, a celebration of all that is life! 

Tickets for their launch show in Melbourne on the 27th of November are available now. On what fans can expect from the special performance, the duo say; “Think Peggy Lee meets Karen Meets Astrid Gilburto. Lounge of the flamingo could easily be Bad Bunnies Aussie warm up band without wanting to speak to the manager after”

ALBUM LAUNCH 

Thursday November 27 George Lane Melbourne VIC

 TICKETS

Paris Wells: Facebook | Instagram | YouTube 

Finley François: Facebook | Instagram | YouTube 

Lounge Of The Flamingo: Official Website | Facebook | Instagram

The 6000-capacity space promises a full spectrum experience with game changing light and sound 

A nightlife revolution is coming to central Bangkok with the opening of FVTURE, a new global nightlife landmark built to hold a staggering 6,000 people. FVTURE is the first Asian Hyperclub to be built on this vast scale and is the most technologically adventurous venue in the region. It has been built from scratch with a unique vision and unwavering passion that will set a new benchmark in entertainment, sound and immersive design. FVTURE is set to launch this December.

Designed to rival the most iconic venues across Ibiza, Las Vegas and Berlin, FVTURE is a leap into tomorrow; a purpose-built, next-generation hyper club where cutting-edge audio-visual technology and world-class electronic music converge in one multi-sensory explosion. 

FVTURE arrives at a pivotal time for Thailand’s creative economy as the government opens the doors to global events like Tomorrowland, EDC, Creamfields and Circoloco. Until now, Bangkok has lacked a singular venue capable of hosting artists and audiences on an international scale. FVTURE fills that void and then some.

With state-of-the-art production, VIP lounges, modular side stages and a calendar open to global touring shows, label takeovers and live performances, FVTURE is poised to position Bangkok firmly at the heart of the Asian electronic music scene. 

Say Co-founders Victor and Michele Wang, “FVTURE is a statement of intent. Bangkok has long deserved a venue that stands alongside the global greats and that’s exactly what we’ve built. From sound to visuals to community, we’ve designed FVTURE from the ground up to really break into new frontiers and give Asia the truly mind-blowing club it’s long deserved. The team we build is key to this – we put big importance on personality when hiring staff and only bring onboard people that are excited about FVTURE. This helps us set exactly the right and define the special character of the whole project.”

FVTURE’s main room is powered by the first ever L2 & L2D L-Acoustic system in Asia, boasting over 40 subwoofers and a multi-array configuration for unparalleled sound clarity and punch. Visuals are equally mind-blowing with 500sqm of LED wall at the front and another 500sqm of modular LED throughout the venue creating a 360° visual playground. .

FVTURE is the brainchild of a team with deep roots in nightlife, music and international hospitality: Victor Wang brings expertise in cross-border nightlife operations. COO Michele Wang is a seasoned operations leader driving long-term sustainability and execution and Pablo Vas is an acclaimed music director and DJ behind concepts like Down Temple and Tucan Bangkok who will lead FVTURE’s sound and programming.

FVTURE is built to welcome Bangkok locals, regional tastemakers and international ravers. With a huge capacity, sound and visuals designed to stun, and a team dedicated to elevating the scene, FVTURE is here to reshape the future of clubbing in the region.

Follow FVTURE at the following channels to be the first to hear about news and lineup announcements; instagram.com/fvture.bkk | https://fvture.co/

FVTURE BANGKOK

6th Floor, BRAVO Mall, RCA, Bangkok, Thailand

Are you ready for more YUNGBLUD? Due to phenomenal demand during the presale, YUNGBLUD has added an additional show in Brisbane and upgraded the Sydney venue to Qudos Bank Arena for his IDOLS world tour in Australia. ​

The British performer and industry disruptor will now play 6 hotly anticipated shows as part of his biggest Australian tour to date in January 2026. General sale tickets for all shows, including the new and upgraded shows go on sale today at 3pm local time. Tickets and tour information via frontiertouring.com/yungblud.

IDOLS World Tour Australian dates:

Sat 10 Jan – Qudos Bank Arena, Sydney – VENUE UPGRADE ​
​Tues 13 Jan – Sidney Myer Music Bowl, Melbourne ​
​Thurs 15 Jan – AEC, Adelaide ​
​Sat 17 Jan – Riverstage, Brisbane* ​
​Sun 18 Jan – Riverstage, Brisbane – NEW SHOW ​
​Tues 20 Jan – Ice Cream Factory | Perth*

*Presale Allocation Exhausted ​ ​

His fourth full length release, IDOLS, landed YUNGBLUD his third number one debut in the UK and is his most personal and ambitious work yet. The multi-instrumentalist, songwriter, and performer is known for his electrifying stage presence, blending elements of rock and punk to monumental effect. Rapidly becoming one of the most influential musical voices of his generation, the IDOLS world tour looks set to cement YUNGBLUD his place in music history, with his 24-date North American tour selling out in one minute and new dates, including an arena show added in Australia to meet fan demand.

Australia, don’t miss your chance to kick off the new year with the star that’s redefining rock. Tickets on sale at 3pm local time today! ​ ​

YUNGBLUD
​IDOLS THE WORLD TOUR
​AUSTRALIAN TOUR ​
​JANUARY 2026 ​
​Presented by Frontier Touring

TICKETS ON SALE ​
​Begins: Tuesday 21 October (3pm local time)
​via frontiertouring.com/yungblud

Saturday 10 January ​
​Qudos Bank Arena | Sydney, NSW ​
​VENUE UPGRADE 
​Lic. All Ages ​ ​
​ticketek.com.au

Tuesday 13 January ​
​Sidney Myer Music Bowl | Melbourne, VIC ​
​Lic. All Ages ​
​ticketek.com.au

Thursday 15 January ​
​Adelaide Entertainment Centre | Adelaide, SA ​
​Lic. All Ages ​
​ticketek.com.au

Saturday 17 January ​
​Riverstage | Brisbane, QLD  ​
​Lic. All Ages ​ ​
​ticketmaster.com.au

Sunday 18 January ​
​Riverstage | Brisbane, QLD  ​
​NEW SHOW 
​Lic. All Ages ​
​ticketmaster.com.au

Tuesday 20 January ​
​Ice Cream Factory | Perth, WA ​
​18+ ​
​eventbrite.com.au

Patrons are advised to purchase tickets only through authorised ticket sellers. 

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

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