Photography: Charlyn Cameron
Words and Photography: Louie Mosscrop
The night had finally arrived – Falling In Reverse’s Popular MonsTOUR in Melbourne. With a sold-out show at Rod Laver Arena, right in the middle of the F1 weekend and competing with a multitude of other artists performing across the city, selling out an arena was no small feat. It was a true testament to the dedication of Melbourne’s music fans.
Upon arrival, the lines surrounding Rod Laver Arena were unlike anything I had witnessed in a long time. There was no option for a fashionably late entrance if you wanted to get through the doors in time to catch the unique musical stylings and high-energy live performance of Hollywood Undead.
Hollywood Undead kicked off the night with their signature blend of hip-hop and rock, immediately energizing the crowd and setting the tone for the evening. Their stage presence added a theatrical element, making their performance as visually captivating as it was sonically dynamic. Their setlist, packed with fan favorites, showcased their ability to merge party anthems with heavier rock elements—a perfect way to start the show.
This was my second time seeing them live outside of a festival setting, my first being at The Rosemount Hotel in Perth around 2013 (if I remember correctly). The transition from an intimate venue to the grand Rod Laver stage was a significant leap, and they made sure to use every inch to their advantage. Their setlist featured hits from across their discography, including California Dreaming, Comin’ In Hot, Hollywood Forever, Bullet, and Undead. Whether it was your first time seeing them or you were a long-time fan, their performance was the perfect way to kickstart the night.
Next up, Black Veil Brides transformed the arena into a gothic spectacle, complete with dramatic lighting and their signature dark aesthetic. Andy Biersack’s commanding vocals, combined with the band’s intricate musicianship, demonstrated both technical skill and artistic vision. His ability to seamlessly switch between clean vocals and powerful screams is a testament to his two decades of experience on stage.
With their last visit to Melbourne being in 2020, it was clear fans had been eagerly awaiting their return. In the general admission section, nearly everyone was dancing or singing along to fan-favorite tracks. Their setlist spanned from their latest release Bleeders to older classics like Devil, Knives and Pens, Perfect Weapon, and In The End, to name a few. The band’s stage presence, combined with an impressive light show, provided not just a treat for the ears but a visual spectacle as well.
As the support acts wrapped up and anticipation for the headliner reached its peak, I want to take a moment to acknowledge the often-overlooked touring crews, venue staff, and behind-the-scenes teams. Seeing the seamless stage transformation between Black Veil Brides and Falling In Reverse, the well-managed GA sections, and the overall smooth execution of the night was a testament to the dedication and hard work of those in the live music and entertainment industries.
Then, it was time for Falling In Reverse. With their popularity only growing year after year—and Ronnie Radke ensuring everyone knows it—they were always going to deliver a visually intense performance.
As Highway to Hell played through the speakers, the lights dimmed, and the band made their way to the stage, led by Ronnie walking through the underground halls of Rod Laver Arena, playing up to the camera and exciting the crowd before finally emerging.
Known for their elaborate productions, Falling In Reverse incorporated striking visuals, pyrotechnics, and dynamic lighting to enhance Ronnie’s commanding performance. Their video clips played in sync with the music on the screens behind them, adding another layer to the experience and creating a multi-sensory spectacle that heightened the emotional impact of each song.
Ronnie wasted no time engaging with the audience, pacing across the front of the stage while pyrotechnics exploded not just behind the band, but in front, between, and even above them—yes, if you looked up, flames were shooting from the roof.
Never one to shy away from controversy, Ronnie introduced the infamous “Asshole Cam,” openly embracing the label and humorously extending it to the crowd. In true Radke fashion, he abruptly left the stage, declaring, “Let’s go to F1,” implying that, as fellow “assholes,” we would follow suit.
The band returned after a backstage skit featuring Steve Irwin, though Ronnie remained offstage for a while. This seemed to be an intentional move, allowing their live video feed to add another dynamic element to the performance—possibly also giving him a moment to cool down.
Despite his self-proclaimed “asshole” persona, Ronnie appeared genuinely appreciative and in awe of the massive turnout Melbourne had given him.
The setlist was stacked, featuring Zombified, I’m Not A Vampire, The Drug In Me Is You, All My Life, Popular Monster, and their collaborations with Tech N9NE and Alex Terrible of Slaughter To Prevail—Ronald and Watch The World Burn. No one in attendance could have left disappointed.
Beyond the technical aspects, the emotional connection between the bands and the audience was electric. The crowd—a diverse mix of ages and backgrounds—shared a collective passion for the music. The energy remained high throughout the night, with fans singing every word, raising their fists in unison, and moving as one across the arena floor, thanks to Ronnie’s direction.
The sheer diversity of the lineup—from the rap-rock fusion of Hollywood Undead to the theatrical metal of Black Veil Brides and the genre-bending style of Falling In Reverse—made for an unforgettable night that catered to a broad spectrum of Melbourne’s music lovers.
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Sydney – 11am (AEDT), Wednesday 12 March 2025. An unmissable line-up of more than 50 cutting-edge and legendary international and Australian artists has been announced for Vivid LIVE at Sydney Opera House, part of the Vivid Music program of Vivid Sydney. Australia’s biggest festival of light will fuse art, innovation and technology in collaboration with some of the most boundary-pushing artists, musicians, thinkers and culinary experts of our time from Friday 23 May to Saturday 14 June. Transforming the World Heritage-listed building with live contemporary music and art, Vivid LIVE at Sydney Opera House 2025 as part of Vivid Sydney will feature international cult favourites, local trailblazers and influential culture-shapers in Australian exclusives, premieres, an epic orchestral collaboration, one-off projects, anniversaries, Studio Parties and the captivating Lighting of the Sails. Vivid LIVE at Sydney Opera House is curated for the tenth time by Sydney Opera House’s Head of Contemporary Music, Ben Marshall, who says: “There’s nothing quite like Vivid LIVE at Sydney Opera House. As well as gathering many of the world’s greatest musical talents here, we’re welcoming the vibrant communities that infuse our music scene with the sounds of Sydney itself. This is what makes Vivid LIVE stand apart – experiencing this great range of incredible international and local artists inside a living work of art. “From the dazzling display of David McDiarmid’s work on the sails to the subterranean thrum of the Studio Parties by local collectives like dstreet and Mad Racket, from our city’s future music exploding in the Utzon Room with artists like Western Sydney’s SAHXL and neo-soul singer Yasmina Sadiki to the intake of breath before the first notes pierce the air inside the Concert Hall when titans like ANOHNI, Portishead’s Beth Gibbons and Sigur Rós take to the stage – it’s the combination of these magnetic moments that make Vivid LIVE such an unforgettable, singular experience as part of Vivid Sydney.” Vivid Sydney Festival Director, Gill Minervini, said: “Dream is the theme for Vivid Sydney 2025 and we’re encouraging everyone to dream big. Our ongoing partnership with Sydney Opera House further reflects that theme with a stellar lineup of world-class artists, Australian exclusives and, of course, a showstopping projection for Lighting of the Sails featuring David McDiarmid’s bold and unapologetic vision. Having worked with David and been a witness to his incredible artistry firsthand, this year’s Lighting of the Sails is extra special. We can’t wait to showcase his beautiful work to the millions set to visit Vivid Sydney this winter.” The Vivid LIVE at Sydney Opera House line-up includes: LIGHTING OF THE SAILS LIGHTING OF THE SAILS: KISS OF LIGHT BY DAVID MCDIARMID – A celebration of visionary Australian artist and activist David McDiarmid will illuminate the sails during Vivid Sydney. Marking the 30th anniversary of McDiarmid’s death, Kiss of Light showcases his kaleidoscopic queer aesthetic — technicolour markings, swirling hand-painted fabric and prismatic mylar forms — broadcasting an enduring, rallying cry for equality, joy and freedom. Pulsing with the energy and spirit of the counterculture, the seven-minute projection animated by creative technologists VANDAL will honour McDiarmid’s fearless use of colour, humour and fierce intimacy to celebrate diverse identities and creative rebellion. CONCERT HALL ANOHNI AND THE JOHNSONS: Mourning the Great Barrier Reef (Aus excl) – After nearly a decade away, the interdisciplinary artist ANOHNI returns for two exclusive nights as part of her world tour. ANOHNI culminates a month of field research and filming with a program of her currently touring music from My Back Was A Bridge For You To Cross (2023) and other classic work from her impressive recorded oeuvre accompanied by the Johnsons, set to cinematic portraits of the Great Barrier Reef today and Australian scientists who have studied and witnessed the reef across decades. My Back Was A Bridge For You To Cross was named Album of the Year by The New Yorker. BETH GIBBONS – The searing, haunting voice of Portishead, Beth Gibbons presents the Australian premiere of her solo work, performing tracks from her critically acclaimed and most personal album to date, Lives Outgrown (2024), alongside career classics. The legendary British singer’s post-modern sound blends folk, modern classical and jazz textures with her elegant yet gritty, swooping vocals, with highlights including the best-selling recording of Górecki’s canonical Symphony of Sorrowful Songs (2014). SIGUR RÓS with the SYDNEY SYMPHONY ORCHESTRA – Icelandic trio Sigur Rós, known for their pioneering post-rock sound, join forces with the might of the Sydney Symphony Orchestra and UK conductor Robert Ames over three nights, performing epic tracks from their latest album ÁTTA alongside beloved favourites drawn from their extensive back catalogue. JAPANESE BREAKFAST – After an eight-year wait, the Grammy-nominated indie-pop group return for their biggest Sydney show yet, celebrating their highly anticipated, poetic and moody new album, For Melancholy Brunettes (& Sad Women). Fronted by Michelle Zauner, a singer, songwriter, guitarist and bestselling author, Japanese Breakfast continue to captivate fans and critics alike with their singular dreamy rock sound. MARLON WILLIAMS – Aotearoa’s soulful indie-folk crooner presents his groundbreaking fourth solo album, Te Whare Tīwekaweka, recorded entirely in the Māori language. Joined by a local Kapa Haka group for its national premiere, the five-time Aotearoa Music Award winner delivers heart-stopping vocals and an effortless blend of country, bluegrass, folk and synth-pop. PAT METHENY – The 20-time Grammy Award-winning iconic jazz guitarist and composer returns to the Concert Hall for the first time in more than a decade. Playing more than a dozen guitars, Metheny offers songs from his illustrious 50-year career and recent albums, MoonDial (2024) and Dream Box (2023), alongside his rare storytelling. EZRA COLLECTIVE – The BRIT Award and Mercury Prize-winning jazz outfit is celebrated as one of the UK’s most exhilarating live acts, with their effervescent, eclectic sound blending Afro-Cuban rhythms with grime, reggae, Latin, hip-hop and soul. After a sell-out world tour and a 5-star set at Royal Albert Hall, the five-piece return to Australia with their joyous new album Dance, No One’s Watching (2024). JOAN SUTHERLAND THEATRE THE SABRES OF PARADISE (Aus excl) – After a 30-year hiatus, seminal British electronic group The Sabres of Paradise reunite for the first time in their Australian debut. Fusing iconic classics and hidden gems, the Australian exclusive show will channel the energy of their legendary Sabresonic warehouse raves and honour the groundbreaking legacy of co-founder and DJ, the late Andrew Weatherall, all accompanied by a spectacular visual display. WAVYLAND 7TH ANNIVERSARY feat. BKTHERULA, Thaiboy Digital, Babyxsosa + more (Aus excl) – Trailblazers of Australia’s underground scene, WavyLand present two explosive nights of genre-defying soundscapes, left-field beats, cutting-edge audio visuals and electronica. Featuring transcendent Thai-Swedish rap force Thaiboy Digital, boundary-pushing American hip-hop innovators BKTHERULA and Babyxsosa, Brooklyn multihyphenate producer Slauson Malone 1, Stockholm sonic mastermind Oli XL, NYC’s ever-evolving icon Wiki, and groundbreaking Melbourne collective Posseshot. PALE JAY – Mysterious soul singer, jazz pianist and producer Pale Jay, who has kept his identity hidden behind a mask since his 2021 debut EP, comes to Australia for his global live debut and delivers a one-of-a-kind show orchestrated exclusively for Vivid LIVE featuring a string quartet. The craftsman of soul-infused heartbreak will showcase his signature sound on Bewilderment (2023), a seductive blend of slow disco, lovelorn soul and Afrobeats. RAVYN LENAE – Redefining the sound of R&B, critically acclaimed neo-soul artist Ravyn Lenae returns to Australia with her honey-sweet vocals and synth-funk. The Chicago-native boasts collaborations with Childish Gambino and Doechii, and her genre-defying sophomore record Birds Eye (2024) was named by SZA as one her favourite albums of the year. MOUNT KIMBIE – Early stars of London’s electronic scene, Mount Kimbie, have evolved from a hot young club duo into a four-piece indie-rock group, exploring avant-garde post-rock, shoegaze and electronica on their latest album, The Sunset Violent (2024). Known for their post-punk rhythms, the forward-thinking alt-rockers bring their expansive new sound to the Joan Sutherland Theatre. JESSICA PRATT – With her bewitching voice and acoustic guitar, Los Angeles-based singer-songwriter Jessica Pratt returns to Australia for the first time in 10 years. The revered folk-pop star’s latest record, Here In the Pitch — which dominated 2024’s year-end lists — blends her signature mellow folk with mystical percussion and chamber pop, evoking the shadows and sunshine of the Californian dream. DRAMA THEATRE ICHIKO AOBA – With just her voice and nylon-strong guitar, Japanese folk singer-songwriter Ichiko Aoba has attracted a global cult following with her enchanting mix of cinematic dream pop and meditative, atmospheric folk. Enamoured by the music of Disney and Studio Ghibli films, Aoba has collaborated with the likes of Ryuichi Sakamoto and just released her ninth studio album, Luminescent Creatures (2025). MISS KANINNA – A fearless storyteller, gifted vocalist and explosive live performer, ARIA-nominated rapper/singer Miss Kaninna has taken the Australian music scene by storm with her arresting mix of hip-hop, neo-soul and R&B. The proud Yorta Yorta, Dja Dja Wurrung, Kalkadoon and Yirendali woman first made waves in 2023, speaking truth to power with her debut single and anti-establishment anthem, Blak Britney. SURPRISE CHEF – Renowned for their slinky soul and groove-infused jazz mastery, Melbourne quintet Surprise Chef will celebrate the release of their hotly awaited new album Superb. With a cult-like following and praise from the likes of Questlove and Jurassic 5’s DJ Nu-Mark, the band continues to make waves internationally. PHOEBE GO – Previously fronting much-loved acts Snakadaktal and Two People, Phoebe Go is the solo project of Australian alt-pop artist Phoebe Lou. Full of hope and lyrically heavy at its crux, Go’s critically acclaimed debut solo album Marmalade (2024) catapulted her to new sonic heights through its introspective exploration of growing up, staying young, losing your feet and finding them again. UTZON ROOM SAHXL – Homegrown vocal prince SAHXL blends R&B and Trapsoul with honest storytelling and powerful melodies. The 21-year-old became the first local artist to sign directly with legendary US label Def Jam, releasing two breakthrough EPs and earning praise from American tastemaker Ebro Darden. 3% – ARIA award-winning First Nations hip-hop collective 3% bring their uncompromising sonic power to deliver a showcase of Blak excellence. Exploding onto the scene with their scorching 2023 anthem OUR PEOPLE, the supergroup comprises Yuin and Thungutti rapper Nooky, Noongar rapper/songwriter and actor Dallas Woods, and soulful Gumbaynggirr singer Angus Field. G2G – Commanders of Sydney’s DIY punk scene, G2g fuse post-punk riffage with playful vocals. Unleashing pep-charged tunes on their long-awaited debut album The Gherkin (2024), the punk rockers’ live shows are known for their infectiously ragged, fun-filled fury. VELVET TRIP – A kaleidoscopic fusion of psych-pop and rock, Velvet Trip will celebrate the release of their forthcoming EP, Glimmers. Fresh from captivating audiences while supporting Djo and performing at Australia’s most renowned festivals, the Gadigal outfit delivers a euphoric performance that pulses with colour, movement and boundless energy. EMILY WURRAMARA – ARIA award-winning artist and Warnindhilyagwa woman, Emily Wurramara returns with her soul-stirring voice and captivating blend of folk, country, blues and R&B. Building on the success of her latest album NARA, Emily continues to explore themes of self-acceptance, connection to country and ancestral storytelling in her music. STATION MODEL VIOLENCE – Sydney post-punk outfit Station Model Violence is the new project formed by DX, best known for Total Control, and Buz from RMFC with members of cult Sydney band Den. After only a handful of live shows and a single demo, the psychedelic rockers have already generated buzz in the lead-up to recording their debut LP this year. YASMINA SADIKI – A seasoned veteran of Sydney’s live music scene, rising neo-soul extraordinaire Yasmina Sadiki brings her shimmering vocals and seductive melodies to the Utzon Room. With cinematic grooves and a love for vocal improvisation, the young singer-songwriter has become one of the city’s most in-demand musicians. STUDIO TRACKWORK 5TH BIRTHDAY feat. Brodinski, Vv Pete & Utility – Sydney label Trackwork will celebrate their fifth birthday with the explosive French producer Brodinksi, the SZA-co-signed Sydney-based rap trailblazer Vv Pete and Trackwork fearless founder and scene-smashing producer Utility. Studio Party by BARNEY KATO feat. Sex Tags – DJ Fett Burger and DJ Sotofett – Beloved anti-hero, Sydney party raconteur and self-proclaimed music snob Barney Kato returns with two of his all-time favourite DJs, Norway’s legendary Sex Tags crew – Fett Burger and Sotofett – known for their unpredictable, mind-blowing long-form psychedelic forays into jungle, techno, dub, disco, house, punk, ambient, breakbeat and outer limits. Studio Party by DSTREET feat. DJ MARIA., Sunju Hargun & Tangela – Back after their wildly popular 2024 Vivid LIVE set, Sydney’s hottest covert party collective dstreet returns to the Studio for a night of deep, psychedelic and immersive sounds featuring Japan’s techno “trance but not trance” queen DJ MARIA., Thailand-based underground tastemaker Sunju Hargun and dstreet founder and homegrown talent Tangela. Studio Party by HOUSE OF MINCE feat. Boris & The Mince Angels – Sydney’s beloved queer dance collective returns for one of Vivid LIVE’s most euphoric offerings with The Mince Angels and legendary Berghain resident Boris, one of the most dedicated protagonists of Berlin’s vibrant queer electronic scene. Studio Party by DUNJ feat. Shackelton, Azu Tiwaline & DUNJ Crew – Known for their bass-heavy and storied DIY parties held around the harbour, the collective of DJs and producers will be joined by world-renowned underground artists, English maestro of psychedelic trance Shackelton and acclaimed Tunisian producer Azu Tiwaline, along with their original DUNJ Crew for a hypnotic, percussive night. Studio Party by MAD RACKET feat. Red Rack’em, Cousin (live) with Mad Racket DJs – The inner west’s longest-running dance party institution, Mad Racket return with its core crew – Sydney DJs Ken Cloud, Simon Caldwell, Zootie and Jimmi James – this time joined by Bristol-based underground mainstay Red Rack’em and Sydney’s Cousin, whose deep and understated, yet powerful take on house, dub and techno continues to soar. KEY INFORMATION WHAT: Vivid LIVE at Sydney Opera House WHERE: Sydney Opera House, various venues What’s On pre-sale: Thursday 13 March, 10am AEDT Vivid Sydney is owned, managed and produced by Destination NSW. |
WA rock’n’roll saviours The Southern River Band have released their towering new single and rally cry, “F**k You, Pay Me”, out now via Civilians. The band will take the single out on a headline tour around the country in May.
A song of the people from the band who has your back, the single is a middle finger to all the dirtbags who refuse to cough up what’s owed. It’s a tale as old as capitalism – living week to week, watching your hard earned cash flow up into the ivory tower when the rent is due and the bills need to be paid. With its charged-up riff and galvanizing chorus, when the debt starts piling up chuck on the song and shout it with your whole chest.
“This song is for everyone who has ever been stiffed, ripped off, bullshitted or flat out not received what they were promised. To the guilty parties (see; thief) – F**k You, Pay Me.” – Cal Kramer (vocals)
Exploding into the spotlight at the end of 2023 after being featured on every music lover’s favourite YouTube series, Justin Hawkins Rides Again, the rest of the world is starting to see what Australia has known for quite some time – The Southern River Band are the real deal.
Hailing from Thornlie in Western Australia (Where? Exactly), SRB has spent a decade putting in the hard yards and earning their reputation the old-fashioned way: by taking their full-throttle live show anywhere with a stage and a bar. One of those ‘you-just-have-to-see-them-
In 2024, SRB kicked it up a gear with the release of their high-octane fourth record, D.I.Y, that not only landed at #6 on the Aus ARIA Chart, but the vinyl needed to be repressed before it was even released. The record’s breakout six-minute epic “Stan Qualen” thrust the band on the global stage, charting in 23 countries and taking them on their first international tour. The demand for SRB was so insatiable their first UK show sold out in just four days, leading to a venue upgrade more than double the size which, you guessed it, sold out – as did most of the tour. The band has also found a home on the European festival stages, leaving thousands gobsmacked at The Great Escape, Vestrock, Sweden Rock Festival, Rock Wrechter and Down The Rabbit Hole, and they will return in 2025 to dominate Download, Hellfest and Resurrection festivals.
Before the band duck off back to Europe, they’ll take their new single out for a spin on an Australian headline tour – hitting capital cities in May. Tickets on sale March 13 via thesouthernriverband.com.
As Justin Hawkins of The Darkness said, “Now this is a proper f***ing rock band”. But hey, don’t take our word for it, find out for yourself.
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Words: Charlotte Najjar – Photography: Ian Laidlaw
Despite the blistering heat of the first day, Sunday’s run of the Yours & Owls festival (or “Gong Christmas”) brought howling winds and dropped temperatures to the stunning beach side venue. Yet patrons refused to let the sudden change spoil the day. Afterall, it only takes jumping in the pit to get warmed up.
San Cisco was the first stop of the day, their defining indie sound able to be heard from the gates, so of course, I made a beeline for the Harbour stage. Fan favourites like “About You” and “Too Much Time Together” had the crowds up and about throughout the entirety of their very windy 40 minute set.
Then it was time to head off to catch MAY-A’s anticipated return to the stage, which left even those who didn’t know her music rocking out by the time she played her final song of the afternoon. Also debuting a new unreleased track, her catchy tune had all of the crowd chanting lyrics previously unknown to them. With no release date revealed, this will be one to look out for when it drops.
Of course The Veronicas were not to be missed, their set bringing forth a mixed crowd all united by what could be described as the sound of the 2010s. Their newer songs were not to be discounted, “Detox” and “Here to Dance” from their 2024 album “Gothic Summer” cemented themselves as certified dance hits. Much to the screaming fans delight, they wrapped up with everyone’s favourites “4ever” and “Untouched”, leaving the crowd exhausted and out of breath from such an energetic performance by the iconic Aussie sisters.
After some refuelling thanks to the many wonderful food truck options on sight, it was a non-negotiable to catch some of CYRIL’s DJ set. Crowds were thrilled by his well known mix of “Stumblin’ In”, and were absolutely blown away by the mashup of two classic rock songs, “Thunderstruck” and “Black Betty”. With incredible mixes blaring out to the dancing audience, it was almost impossible to drag yourself away, but alas The Kooks are too much of a household name to miss.
Of course, there was nothing more iconic than seeing the English band perform their song “Seaside” on the breathtaking seaside festival site of Flagstaff Hill. It would seem I was not the only one who was enamoured by the views and accompanying soundtrack, multiple crowd members commenting on the perfect choice of song to watch the sun begin to set to. Before I knew it, it was suddenly time to dash across the grounds to catch Slowly Slowly’s performance, but that wasn’t before leaving with a new favourite Kooks song. “Bad Habit” had everyone jumping around to the catchy tune, and it’s safe to say it has found a comfortable place in my daily song rotation.
Never one to miss the chance to mosh, Slowly Slowly’s turn on the Mountain stage was exactly where I needed to be. The Melbourne band brought even more energy than usual, the centre of the crowd not staying still for a single minute, taking every chance to collide into each other. After everyone got in the day’s cardio dancing along to multiple hits from the bands newest album “Forgiving Spree”, we all made a run for the Harbour stage, determined to not miss our favourite Irish band taking the stage.
Fontaines D.C. have been making waves recently with the release of their album “Romance”, however I’ve been sour ever since I missed them at Laneway 2023, so this was not one I was going to miss. Sure enough, they did not disappoint. I know I myself was thrilled to hear my favourite (pun most certainly intended) song off the new album “Favourite”. However, they couldn’t have ended with a better song than “Starburster”, the whole crowd searching to get up onto the shoulders of friends in order to fully immerse themselves in the experience.
As the night came to a close, Honey Dijon and Hockey Dads were the final stop of the evening. It comes as no surprise that Dijon rocked the crowds, even people such as myself who listened from afar, enjoying the electronic hits whilst resting up for the closing act. Her high energy tracks would’ve been a great end to the day, the only thing which could’ve topped it being Hockey Dad closing up the Mountain stage right after, which lucky for all us festival goers, is exactly what happened.
The indie rock group, who funnily enough hail from just a few suburbs over from the festival site, ended the night with everyone’s favourites, “I Wanna Be Everybody”, “Homely Feeling” (a personal favourite) as well as “Join The Club” and of course “Seaweed”. A perfect song to end a perfect festival weekend along the beautiful beach front. The only regret we all have is that we’ll have to wait another year for it to come around again. 
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Following overwhelming community support, the Esoteric Music Festival is excited to announce that the local Buloke Shire Council has tonight voted in favour of holding this year’s event as scheduled this long weekend in Donald from Thursday 7 March to Monday 11 March.
After submitting the Planning Permit in September, festival organiser Sam Goldsmith commended the Council for approving the Planning Permit days out from the event and thanked the local community for throwing their support behind the event.
“This year will be the 8th year that the Esoteric Music Festival will be held in this small Victorian town, and we are so grateful for the local groundswell, the Buloke Shire Council and our beloved Esoteric community for their support in making it happen,” he said.
“Ensuring festival goers are safe is our number one priority and we have demonstrated for the better part of a decade our competency as a safe, compliant, and well-run festival. Now that we have Council planning approval, the festival build can progress, and the site will be ready for festival goers on Thursday when gates open and the party begins.
“Tickets are nearly sold-out and the local community who faced a nervous wait on this can get now go about their plans to prepare for the influx of tourists from all over the world.”
Since 2017 Esoteric Music Festival has been an important feature on the Victorian music festival calendar and injects more than $15 million into regional tourism in the state, the local community of Donald and surrounds. It is the single largest event in the Wimmera Mallee tourism region, which comprises 14 per cent of the state of Victoria.
More than 7,000 festival goers will descend on Donald this weekend and the festival continues to provide thousands of jobs to industry personnel and local contractors.
We continue to work closely with Buloke Shire Council and the relevant authorities on making this a sustainable event for future years. Subject to a further Place of Public Entertainment Permit being approved by the Municipal Building Surveyor in the coming days, the festival will proceed as planned.
Members of the public are encouraged to purchase a ticket to support the event sell-out. Tickets on sale here: https://esotericfestival.com.au/tickets/
After an 8-year hiatus from Australian stages, ILL NIÑO, the trailblazing Latin-influenced metal band that redefined heavy music, is set to return for a blistering run of shows across Australia. This long-awaited tour will feature special guests ADEMA.
ILL NIÑO, known for their explosive live performances and genre-defining fusion of heavy metal and Latin influences, will bring their unique sound to Australian venues in September 2025. The band’s return is highly anticipated, as they prepare to deliver a high-octane setlist filled with fan-favourite hits and new tracks. ILL NIÑO released their ground-breaking debut album Revolution Revolución in 2001. Whilst their sophomore album Confession boasting the U.S. smash hit single ‘How Can I Live’, hit the Billboard Top 40 and has gone on to sell over 600,000 copies.
Joining ILL NIÑO on their Australian journey, for the first time ever are U.S. Post-Grunge, Alternate Metal band Adema, who will bring their signature sound of hard-hitting electronic rock and nu-metal to the stage.
The two bands are set to deliver an evening of hyped-up intensity, bringing a mix of heavy riffs, Latin infused percussion, emotionally engaging lyrics, and powerful performances that will make this an unmissable experience.
ILL NIÑO and ADEMA September 2025 Australian Tour Dates
Friday 12th September SYDNEY, Liberty Hall
Saturday 13th September MELBOURNE, Max Watts
Sunday 14th September BRISBANE, The Trifid
General Public on sale: Monday 3rd March 9:00am AEDT: https://www.octoberpresents.com/illnino2025
Photo Credit: Ewan Ogden
Set to make their long-awaited Australian return in March, Blossoms are bringing with them their latest chart-topping album, GARY. Ahead of their national tour supporting British indie icons Kasabian, the Stockport five-piece share focus track ‘I Like Your Look’ – a key entry in GARY’s sprawling tapestry of fun and dynamic sounds.
Co-written with breakthrough Irish musician and performer CMAT, ‘I Like Your Look’ is a homage to the aesthetic and sounds of the ‘80s, with vocalist Tom Ogden noting, “‘I Like Your Look’ is a tipping of the hat to Blondie’s ‘Rapture’ and a wink to Joan Baez ‘Time Rag’, and lyrically it explores a tongue-in-cheek approach to high fashion. ’Mothers’ is an ode to my and Joe’s friendship and it references the fact that our mothers were friends back in the 80s.’”
Their fifth studio album, GARY sees Blossoms engage with some of their most dynamic music to date. Having consistently released music that has remained in line with the energy of their earlier releases, the five-piece have also kept their focus very much trained on new sounds and directions that keeps the chemistry within the band fresh and tight.
GARY is a perfect example of such chemistry. Their first studio record as independent artists, there is a spirit of rejuvenation that threads its way through the record; from its singles in ‘Gary’, ‘Perfect Me’ and ‘What Can I Say After I’m Sorry?’, the album captures a unique turning point in Blossoms’ journey. The music is fun without losing poignancy in songwriting; dynamic without sacrificing precision in execution.
The impact of GARY only speaks to Blossoms’ continued staying power – debuting at #1 on the UK Albums Chart, the album has become the band’s fourth #1 record and has gone on to spark two special additional editions: a deluxe edition, and a covers edition featuring reworks of songs by artists including Radiohead, Whitney Houston, Caroline Polachek and Lady Gaga.
Selling over 100,000 tickets in the last year alone, as well as logging excellent sets at festivals including Glastonbury, Blossoms are set to have another busy and fruitful year with the release of GARY putting them back on the map as a band not to be missed.
Since forming in 2013, Blossoms have enjoyed widespread success and acclaim. Their 2016 debut Blossoms topped the album charts for two consecutive weeks and went on to earn the band BRIT Award and Mercury Prize nominations, while 2018’s Cool Like You charted at Number 4 in the UK album chart, spawning the anthemic singles I Can’t Stand It, There’s A Reason Why (I Never Returned Your Calls) and How Long Will This Last? Their third studio album, 2020’s Foolish Loving Spaces was the band’s second UK Number 1 album, while their fourth studio LP Ribbon Around The Bomb gave the band their third UK Number 1 album, with the record’s standout tracks Ode To NYC, The Sulking Poet and Care For well established as fan favourites. Blossoms have had five top 5 albums in the UK, including their In Isolation/Live From The Plaza Theatre, Stockport release.
PRAISE
“At the top of their game…”
ROLLING STONE UK
“A band who gets better with each release…”
SUNDAY EXPRESS
“A cohesive, well-crafted and captivating album which is testament to their artistry.”
CLASH MAGAZINE
“Gary is Blossoms’ most accessible, cohesive record to date.”
LOUDER THAN WAR
“Gary is the most fun you’ll have with any band in 2024.”
DORK UK
BLOSSOMS AUSTRALIAN TOUR DATES
SUPPORTING KASABIAN
Tickets via destroyalllines.com
Tuesday 11 March Forum Melbourne
Wednesday 12 March Forum Melbourne SOLD OUT
Saturday 15 March Enmore Theatre Sydney SOLD OUT
Sunday 16 March Enmore Theatre Sydney
Tuesday 18 March Fortitude Music Hall Brisbane
GARY is out now.
BLOSSOMS: OFFICIAL WEBSITE | FACEBOOK | X | INSTAGRAM | YOUTUBE
FIREWORKS, FOOD AND FANTASTIC TUNES!
LIVE AT THE GARDENS RETURNS THIS WEEK
FIVE UNMISSABLE SHOWS OVER TWO HUGE WEEKENDS IN MELBOURNE
ROYAL BOTANIC GARDENS MELBOURNE
7-9 MARCH & 14-15 MARCH
FINAL TICKETS ON SALE NOW
Melbourne, we’re back! Following a sensational debut in November, Live At The Gardens returns to the breathtaking Royal Botanic Gardens Melbourne for two more unforgettable weekends of live music, great food and open-air magic. A collaboration between the beloved venue and Roundhouse Entertainment – the creators of a day on the green – this unique outdoor concert experience transforms the lush Observatory Precinct into a vibrant wonderland of music, food, and festivities under the stars.
Kicking off this Friday night, 7 March, the series will bring a dynamic mix of dance, rock, indie, electro, jazz and soul to the stunning surrounds of the Garden’s Observatory Precinct in the heart of the city. Don’t miss RÓISÍN MURPHY (Friday 7 March), THE CRUEL SEA (Saturday 8 March), GROOVE ARMADA DJ SET (Sunday 9 March / Sold Out), BOY & BEAR (Friday 14 March) and LAKE STREET DIVE (Saturday 15 March).
Adding to the spectacle, Melbourne’s Labour Day weekend fireworks – part of the Moomba Festival – will light up the night sky, providing a breathtaking backdrop for the first weekend of concerts with dazzling displays each evening.
“Turning the Observatory Precinct at the Gardens into a concert space is a new feat. Brought about by a partnership between the Gardens and Roundhouse Entertainment (A Day On The Green), their combined experience at successfully transforming a space was evident.”
Arts Hub
“As for the lineup, it hits right in those summer feels.”
Urban List
“Cleverly bringing two of Melbourne’s favourite pastimes together: drinking in the park and live music.”
Scenestr
Come for the music, stay for the feast! Our tasty lineup of food and drink vendors will keep you fuelled for the ultimate garden party.
Step into The Eatery for a feast of global flavours.
From Greek delights at The Greek Trojan Yiros and vibrant Thai dishes from Mai Thai Food Truck to Mexican favourites at Taco Station and rich Spanish paella from Melbourne Paella, there’s something for every craving. Dig into fragrant Indian curries from Two Fat Indians, wood-fired pizzas from Primo Pizza, crispy chicken schnitzels from Schnitty Schnitty, and freshly made gozleme from Gozleme Food Truck. Plus, don’t miss out on gourmet toasties from Little Eutopia, delicious burgers from Goldie Boy and all-natural artisan ice creams from Billy Van Creamy. You definitely won’t go hungry!
And of course, no Melbourne event is complete without great coffee. Little Eutopia has you covered with expertly brewed coffee, alongside refreshing cold-pressed juices, chai teas and hot chocolates.
Sip on a selection of beers and ciders from Melbourne’s own Mountain Goat Brewery, longtime champions and supporters of live and local music.
For wine enthusiasts, indulge in a selection of premium Victorian-sourced wines by Mt Duneed Estate, including Sauvignon Blanc (Yea Valley), Rosé (Yarra Valley) and Shiraz (Yea Valley), along with their sparkling Blanc de Blanc (Yarra Valley).
Meet ISLA Vodka – an all-natural, irresistibly smooth, Australian-made, great tasting, deliciously refreshing range of premium ready-to-drink vodkas, best shared with friends as the music plays and the sun sets.
And we’re squeezing the last bit of summer with a refreshing lineup of your favourite spritzes and cocktails. Don’t miss the Aperol Spritz Bar in the eye-catching Airstream, where signature good vibes meet iconic cocktails. Plus, el Jimador Tequila is rolling in with their Margarita truck, pouring premium tequila, freshly made margaritas and a variety of delicious mixed drinks.
Don’t miss the ANZ Circle Happy Hour! Enjoy 20% off your drinks purchase when you pay with an eligible ANZ Visa debit or credit card for the first hour after gates open.
The series kicks off on Friday 7 March, with Ireland’s queen of indie electronic pop RÓISÍN MURPHY, joined by special guests MIDNIGHT JUGGERNAUTS DJ SET and DJ PAULETTE, setting the stage for an electrifying opening night that will have you dancing all night long.
Saturday night – 8 March – sees Aussie legends, five-time ARIA Award winners THE CRUEL SEA joined by an all-star lineup of MARK SEYMOUR & THE UNDERTOW, VIKA & LINDA and LOOSE CONTENT, promising to be a night of unforgettable performances, gritty rock anthems and soulful harmonies, in a celebration of Aussie music.
Sunday night – 9 March – is set to be a SOLD-OUT celebration as GROOVE ARMADA bring their iconic DJ set to the Gardens, transforming the space into a pulsating outdoor dancefloor, delivering an epic journey through their legendary record collection for an unmissable night of non-stop grooves. Joining the dance party are special guests TIFF CORNISH and MIRAMAR.
The music keeps flowing into the following weekend, with BOY & BEAR headlining on Friday 14 March for a night of compelling indie-folk anthems. Joining them on this fantastic bill are SARAH BLASKO, AUGIE MARCH and DE PORSAL.
Finally, on Saturday 15 March we wrap up the series in spectacular style with Brooklyn quintet LAKE STREET DIVE bringing to the stage their unique blend of soul, pop and jazz. They’ll be joined by Melbourne musicians PLAYLUNCH and BATTS, for a night of pure musical magic.
For a smooth and enjoyable experience, we highly recommend using public transport. The Royal Botanic Gardens Melbourne is easily accessible via convenient tram and bus routes, with Flinders Street Station only a short stroll away.
The music, food and beverages are sorted … now all we need is you! Set against the magnificent backdrop of Melbourne’s iconic Royal Botanic Gardens, get ready for an unforgettable garden party at Live At The Gardens. Incredible artists, an iconic location – we’ll see you under the stars!
Tickets on sale now from Ticketmaster.
LIVE AT THE GARDEN DATES
Friday 7 March
Róisín Murphy FINAL TICKETS
with special guests Midnight Juggernauts (DJ Set) and DJ Paulette
Saturday 8 March
The Cruel Sea FINAL TICKETS
with special guests Mark Seymour & the Undertow, Vika & Linda and Loose Content
Sunday 9 March
Groove Armada SOLD OUT
with special guests Tiff Cornish and Miramar
Friday 14 March
Boy & Bear FINAL TICKETS
with special guests Sarah Blasko, Augie March and De Porsal
Saturday 15 March
Lake Street Dive FINAL TICKETS
with special guests Playlunch and BATTS
IMPORTANT INFORMATION
Patrons are advised to purchase tickets only through authorised ticket sellers. Ticketmaster are the authorised ticketing agency selling tickets for Live At The Gardens. We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Live At The Gardens, MG Live and Royal Botanic Gardens Melbourne websites.
All event information liveatthegardens.com.au
Bringing the party to Australia, New Zealand and Bali
Ultimate party starter Hot Dub Time Machine is back for 2025 and he just can’t stop bringing the energy with a new headline tour around Australia, New Zealand and Bali. Across 8 nights in 3 countries, Hot Dub’s brand new show will be celebrating some of the best in dance music from 1962-2025, delivering on his promise of the BEST. PARTY. EVER.
TICKETS
Kicking off in March, the Can’t Stop Tour will bring the good times to Adelaide, Bali, Melbourne, Auckland, Christchurch, Hobart, Brisbane and Sydney. Grab your best friends and get ready for a dancefloor that just won’t quit, in what will be an epic tour you won’t want to miss.
Since first launching his time-travelling, ‘dance-through-the-decades’ audio-visual party concept in 2011, Sydney’s Tom Lowndes has taken Hot Dub Time Machine from humble beginnings to global acclaim. A regular on festival main stages, Hot Dub has brought his one-of-a-kind experience to some of the world’s biggest festivals, including Coachella, Tomorrowland and Splendour in the Grass.
Hot Dub headline tours continue to thrill fans across Australia, playing to sold-out crowds at the iconic show Hot Dub on the Harbour, 100% Bangers Tour around the country, and now the much anticipated Can’t Stop tour. Internationally, Hot Dub has wowed fans with headline performances at London’s Printworks for Hot Dub Rave Machine and a sold out 5,000-pax Hot Dub Boogie show in Glasgow.
Beyond festivals, Hot Dub’s epic party energy has taken over major sporting events like the Australian Open, Formula One, Hong Kong Sevens and Summernats. Hot Dub Time Machine is a constantly evolving high-energy experience that unites crowds, electrifies dancefloors, and keeps the good times rolling.
Showcasing songs from every decade and genre of music, weaving it into one expansive, electrifying, music history lesson, Hot Dub has become a worldwide sensation, winning over audiences with his iconic, celebratory shows.
Get ready for the BEST. PARTY. EVER!
HOT DUB TIME MACHINE CAN’T STOP TOUR DATES
Saturday 8 March 2025
Gluttony @ Fringe
Adelaide, SA
Friday 21 March 2025
Ulu Ciffhouse
Uluwatu, Bali
Saturday 29 March 2025
Hot Dub on the Bay
Melbourne, VIC
Friday 4 April 2025
Town Hall
Auckland, NZ
Saturday 5 April 2025
Ngaio Marsh Theatre
Christchurch, NZ
Saturday 26 April 2025
The Goods Shed
Hobart, TAS
Friday 2 May 2025
The Tivoli
Brisbane, QLD
Saturday 24 May 2025
The Hordern Pavilion
Sydney, NSW
TICKETS
Words + Photography: Louie Mosscrop
Knotfest Australia kicked it off in Melbourne, this wasn’t just a concert; it was a pilgrimage, a day where the city’s metal faithful gathered under the blazing Australian sun to partake in a sonic ritual. From the early afternoon’s first crushing chords to the final, echoing roar from Slipknot, the day unfolded as a meticulously crafted tapestry of metal, each thread contributing to the festival’s overwhelming power. The anticipation was palpable, a collective hum of excitement that vibrated through the crowd, a testament to the enduring and evolving power of metal in the Australian music scene.
The lineup was a masterclass in metal diversity, a carefully curated selection that showcased the metal’s breadth and depth.
Vended, with their raw, youthful energy, brought a fresh and ferocious sound, proving that the next generation of metal is ready to take the stage. Their performance was a jolt of adrenaline, a reminder of metal’s ever-evolving spirit.
Slaughter To Prevail, emerging with a visceral intensity, owned the stage with unrelenting heaviness. Alex Terrible’s guttural vocals and their crushing breakdowns resonated with a primal force, leaving the crowd stunned and invigorated, unfortunately having to stop mid set to get medics to assist with what we hope is a now fully healed festival goer. Despite their brutal nature Alex and the band made sure they were out of further harms way before continuing their set.
Knotfest’s atmosphere was a living, breathing entity, a testament to the power of shared passion. The mosh pits, far from being mere displays of aggression, were expressions of communal release, a physical manifestation of the music’s emotional intensity. The crowd, a diverse tapestry of metalheads, was united by a shared sense of belonging, a feeling of being part of something larger than themselves. The festival grounds buzzed with a sense of camaraderie, with fans exchanging stories, sharing their favorite bands, and celebrating the unifying power of heavy music. Beyond the music, the festival offered a vibrant marketplace, with merchandise stalls, food vendors, and interactive displays, creating a holistic festival experience. The sense of community was palpable, making Knotfest more than just a concert, but a genuine cultural event, even under the intense Australian sun.
Polaris, delivered a performance that was both technically precise and emotionally charged. Their blend of metalcore and progressive elements was met with thunderous applause, solidifying their position as a leading force in the Australian metal scene.
Within Temptation, bringing a touch of symphonic grandeur, offered a captivating contrast. Their soaring vocals and intricate arrangements created a mesmerizing atmosphere, proving that metal can be both heavy and beautiful. This being their first visit down under, lets hope not the last.
BABYMETAL, the enigmatic Japanese trio, injected a dose of theatricality and infectious energy into the festival. Their fusion of kawaii aesthetics and heavy metal riffs was a captivating spectacle, a testament to the genre’s capacity for innovation and cross-cultural appeal.
The intense heat of the Australian summer day, coupled with the physical demands of the mosh pits, underscored the importance of hydration and sun protection. Despite these minor considerations, the overall festival experience remained overwhelmingly positive. The festival’s meticulous organisation, and well-maintained facilities contributed to a smooth and enjoyable experience for attendees, some more shade wouldn’t have gone unnoticed however.
Hatebreed, with their signature brand of hardcore intensity, delivered a set that was pure, unadulterated aggression. Their relentless energy and empowering lyrics ignited the crowd, creating a swirling vortex of moshing bodies.
A Day To Remember, with their sing-along anthems and infectious stage presence, provided a welcome moment of collective catharsis. Their blend of pop-punk sensibilities and metalcore aggression created a singalong atmosphere, uniting the crowd in a shared moment of passionate release.
Finally, Slipknot, the architects of modern metal mayhem, delivered a performance that was nothing short of a sonic and visual assault. Their iconic masks, frenetic stage presence, and timeless anthems ignited the crowd, transforming the festival grounds into a swirling vortex of energy. Delivering an all new show it was a spectacle to witness and a show no one will forget any time soon.
Knotfest Melbourne was a resounding success, a testament to the enduring power of heavy music and the passionate community that surrounds it. The festival’s meticulously curated lineup, electric atmosphere, and dedicated fanbase combined to create an unforgettable experience. It was a day of sonic immersion, a tribal gathering where metalheads from all walks of life came together to celebrate their shared passion under the Southern Cross. Knotfest’s Melbourne has undoubtedly left an indelible mark on the city’s music scene, forging a legacy of metal mayhem and communal celebration. For those who were there, the memories of Knotfest Melbourne will resonate long after the final notes have faded, a testament to the power of live music to unite and inspire, even under the harsh Australian sun.
…So when does the 2026 line up drop?
ULTRA Worldwide unveils Phase 2 lineup for 2025 editions of ULTRA Australia and ULTRA Beach Gold Coast
Nora En Pure, Joel Corry, Blasterjaxx, BYØRN, Simon Patterson, and more join the star-studded lineup
Previously announced headliners include Axwell, Da Tweekaz, Deborah De Luca, Knock2, Martin Garrix, and Sub Zero Project
ULTRA BEACH GOLD COAST – FRIDAY, 11 APRIL 2025
BROADWATER PARKLANDS
ULTRA AUSTRALIA – SATURDAY, 12 APRIL 2025
FLEMINGTON RACECOURSE IN MELBOURNE
ULTRA Worldwide has unveiled the Phase 2 lineup for ULTRA Australia and ULTRA Beach Gold Coast 2025. The single-stage ULTRA Beach Gold Coast is set to take place Friday, April 11, 2025 at Southport’s picturesque Broadwater Parklands for its second edition, while the multi-stage ULTRA Australia will once again touch down in Melbourne on Saturday, April 12 for the festival’s sixth instalment.
As previously announced, both festivals will feature star-studded headlining sets from Martin Garrix, Axwell, Da Tweekaz, Sub Zero Project, and Knock2. At ULTRA Australia, they will be joined by Italian techno maestro Deborah De Luca.
The festival will also feature performances from deep house queen Nora En Pure, British dance sensation Joel Corry, Dutch electro-house duo Blasterjaxx, Belgian hard techno producer BYØRN, and trance/tech virtuoso Simon Patterson.
Rounding out the lineup, ULTRA Australia adds a bevy of regional talent including Tazi, Laura King, Brent Honey, Brooke Powell, Sammy La Marca, Dimatik, KAOS, and many more.
ULTRA Australia takes pride in creating an all-encompassing entertainment experience for its fans from around the world. Revel in mesmerizing performances from the ULTRA Angels, relax in the designated, shaded ‘chill out’ areas, enjoy culinary delights from a vast array of local food trucks, and taste cocktails from the various bars stationed throughout the festival grounds.
ULTRA Worldwide continues to cement its status as the world’s most international music festival brand, boasting active events on all six inhabited continents. The global festival brand is celebrated for delivering an unparalleled combination of top-tier electronic talent, cutting-edge technology and large-scale productions.
For all details head to www.ultraaustralia.com
ULTRA BEACH GOLD COAST 2025 LINEUP (A-Z)
HEADLINERS (A-Z)
Axwell
Da Tweekaz
Knock2
Martin Garrix
Sub Zero Project
SUPPORT (A-Z)
Blasterjaxx
Joel Corry
ULTRA AUSTRALIA 2025 LINEUP (A-Z)
HEADLINERS (A-Z)
Axwell
Da Tweekaz
Deborah De Luca
Knock2
Martin Garrix
Sub Zero Project
SUPPORT (A-Z)
Blasterjaxx
BYØRN
Joel Corry
Nora En Pure
Simon Patterson
ADDITIONAL SUPPORT (A-Z)
Benjamin
Brent Honey
Brooke Powell
Colin Hennerz
DARLEY
Dimatik
Ely Oaks
Etwas
Hannah
Highup
KAOS
Lance
Laura King
Only You
Ph4ntam
Rockafellas
Sammy La Marca
Sarah Armstrong
Scott Alert
Suae
Tazi
Teddy Cream
Yamatamoya
Words + Photography: Nate Hill
It’s a perfect summer evening in Melbourne. Sixty thousand people have gathered at Marvel Stadium with the roof open to bare witness to Green Day on The Saviours Tour. Here to celebrate 30 years of ‘Dookie’ and 20 years of ‘American Idiot’, the crowd were buzzing with excitement.
Private Function kicked off the night with a wild, unpredictable energy that instantly set the tone. The band tore through their set with playful chaos, throwing themselves into it both figuratively and literally. Both of the bands singers strutted confidently down the stage like it was his personal runway, owning every inch of the spotlight, balancing rockstar bravado with a sharp sense of humour. It was clear they were taking in the spectacle of playing a stadium show. At one point Chris Penney said “This ain’t the Tote”.
In a bold move, they encouraged the crowd to boo them, challenging the audience with a grin, promising to win them back — and they did. The call-and-response moments crackled with energy, turning the pit into a wave of raised hands and clapping by the time the last song rolled around. It was a performance that blurred the line between rebellion and charm, a perfect cocktail of punk spirit and crowd engagement.
Following the chaotic charm of Private Function, AFI took the stage and instantly shifted the atmosphere. From the first note, it was clear this was a band at the peak of their craft — a masterclass in precision and passion. The vocals were flawless, with Davey Havok’s voice soaring effortlessly from haunting whispers to gut-punching screams, every lyric hitting with emotional weight.
The band was impossibly tight, each member locked into the rhythm with an intensity that only comes from years of playing together. The balance between polished professionalism and raw, emotive energy made the set feel both larger-than-life and deeply personal.
But tonight was all about Green Day and they proved exactly why they’re rock royalty. From the moment they hit the stage, the energy was electric — and the crowd was one of the loudest I’ve ever heard. The call-and-response moments were deafening, a sea of voices echoing Billie Joe Armstrong’s every word, turning the arena into one massive choir. Tonight Marvel Stadium was converted into the church of Green Day and they were there to be our Saviours.
The show wasn’t just about sound — it was a full-blown spectacle. An inflatable plane soared over the crowd, and flames roared around the drum kit, adding a fiery edge to the already explosive atmosphere. But Green Day knows how to strip it back too — at one point, it was just Billie Joe and his guitar, the crowd singing every lyric in perfect unison, a raw and intimate moment amid the chaos.
It was an epic two and a half our set that included the band playing their iconic albums ‘Dookie’ and ‘American Idiot’ in full.
A playful interlude of All by Myself brought a lighthearted break. One of the highlights had to be when they pulled a fan from the crowd to join them on Know Your Enemy— a dream come true for one lucky person and a reminder of the band’s connection to their fans.
Green Day didn’t just perform — they ignited a fire, blending punk anthems, unforgettable theatrics, and pure rock ‘n’ roll magic. Fans of all ages were treated to a masterclass in stadium rock and we hope to see them again sooner rather than later.
