The Partae
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event

Interview : Inside It’s Coming on Christmas – Jules Reflects on Grief,...

December 5, 2025

Interview: 44 Ardent Returns to His Electronic Roots on ‘Me, Again’

December 5, 2025

HARLEY GIRL drops high-energy new EP The Music, delivering club-ready chaos and...

December 4, 2025

Live at the Gardens announce epic March 2026 season | Royal Botanic...

December 4, 2025

Interview: Sola Rosa on Rebirth, Rhythm and the Making of ‘Jupiter’ –...

December 4, 2025

JULES ANNOUNCES IT’S COMING ON CHRISTMAS EP

December 4, 2025

44 Ardent’s New EP ‘Me, Again’ Marks a Powerful Return to the...

December 4, 2025

Interview: bbyclose steps into her own world with ‘ego’ – confidence, contrasts,...

December 4, 2025

Callum Padgham Turns Life’s Chaos Into Gold on ‘Everything is a Blessing’

December 4, 2025

Legendary NZ producer SOLA ROSA teams up with IVA LAMKUM once again...

December 3, 2025
Author

the partae

the partae

The Partae

Music InterviewsMusic News

Interview: Ren Barlow – From Opera to Intimacy: How Life, Loss, and Love Shaped ‘The Songbook of My Heart’

by the partae October 21, 2025
written by the partae
How has your relationship with music evolved over the years, from opera and ensemble performances to the deeply personal storytelling of ‘The Songbook of My Heart?’

My relationship with music has really evolved alongside my life. I started in classical training and ensemble work, where it was all about discipline, technique, and blending with others — which taught me structure and respect for the craft. As a child and teenager, I was singing jazz, country and Rock n Roll, but as I’ve grown and gone through my own experiences — love, heartbreak, resilience — music has become something far more personal. With ‘The Songbook of My Heart,’ I stepped fully into storytelling. It’s not about perfection anymore — it’s about truth. Every note, every lyric comes from lived experience. It’s my voice, my emotions, my story. I think that’s the beauty of music — it grows with you. Where once I sang to perform, now I sing to connect, to heal, and to remind others that they’re not alone in their own stories.

What does this album represent for you on a personal level, and how does it reflect the chapters of your life you’ve lived through?

This album represents a lifetime of love, heartbreak, loss, growth, and ultimately — self-rediscovery. Every song reflects a chapter of my life — the moments where I lost myself, the times I had to rebuild, and the beautiful, unexpected ways love kept showing up — even when I thought it was gone for good.

‘The Songbook of My Heart’ is really about finding strength in vulnerability. It’s about acknowledging the pain but choosing to keep your heart open anyway. For me, it’s a closing of some chapters and the beginning of a new one — one where I finally sing for me, not for anyone else. When I listen back, I hear the woman I’ve become — softer, wiser, braver — and I’m proud of her. This album is my truth, wrapped in music.

You’ve described Linda Ronstadt’s music as a companion — how has her work influenced your voice and the way you interpret songs in this project?

Linda’s music has been a companion to me through so many stages of my life. She had this incredible ability to move between strength and vulnerability — and that really shaped the way I approach my own singing. When I was creating ‘The Songbook of My Heart,’ I wasn’t trying to be Linda — no one ever could. Linda Ronstadt is her own force, her own magic. I don’t compare myself to her because I’m here to bring my own truth — my own authentic voice and lived experience.

For me, this project was about honouring her artistry while also allowing who I am to come through — the woman, the heart, and the stories behind every note. In many ways, Linda helped me find the courage to be myself.

When reimagining these iconic tracks, how do you strike a balance between honouring their legacy and infusing them with your own soul and perspective?

When I approached these songs, I wanted to honour their legacy with the deepest respect — because they’ve meant so much to so many people, including me. But I also knew I couldn’t just recreate what Linda had already done so perfectly. My responsibility was to find my truth within them.

So, I spent a lot of time sitting with the lyrics, really connecting to the stories and how they related to my own life. I asked myself, “What does this line mean to me now, as the woman I’ve become?”

What do you hope audiences feel as they experience these songs live?

When people come to my shows, I really want them to feel — to go on the journey with me. I want them to feel how I lived through these experiences, because every song in ‘The Songbook of My Heart’ is a true reflection of my life. Each one carries a story — the hurt, the tears, the love, and the strength that shaped who I am today. My hope is that the audience not only connects emotionally but also feels recharged — like the music has helped them release something or remember their own resilience. These songs were my way of healing, and now I want to share that energy so others can feel a little more open, a little more hopeful, and reminded that no matter what we go through, our hearts can always sing again.

Many of these tracks are tied to pivotal moments in your life. Is there one song in particular that holds a deeper meaning than the others?

Yes — ‘Long, Long Time’ holds the deepest meaning for me. It really represents the closure of my marriage and that experience of loving someone who doesn’t truly see you. There’s a heartbreak in that song that’s so honest — it’s the quiet kind of pain that stays with you long after the moment has passed.

When I sing it now, it’s no longer about sadness; it’s about acceptance. It’s about finding peace and strength in letting go. That song became a way of closing one chapter of my life and opening another — one where I love myself first, and where I can sing from a place of truth, not longing.

You’ve channelled your platform into powerful advocacy — from literacy to ovarian cancer research. How do these causes intertwine with your work as an artist?

My main focus has always been literacy — because I believe it’s the foundation for empowerment. For me, literacy isn’t just about reading; it’s about giving children and women the tools to find their voice, to make informed choices, and to shape their own futures. That’s why my work combines reading, music, wellness, and financial literacy — they’re all forms of expression and self-belief.

At the same time, I’ve lost someone very dear to me to ovarian cancer, and I have close friends who’ve been affected. It’s deeply personal — and as a mother of girls and a son. I feel a responsibility to do whatever I can to raise awareness and support research. For me, advocacy and artistry go hand in hand. Music connects the heart, and advocacy gives that connection purpose. Together, they’re how I try to make a difference.

After stepping away for personal reasons, you’ve spoken about finding your voice again. What has that process of rediscovery taught you about yourself?

Stepping away from music was one of the hardest but most necessary decisions I’ve ever made. During that time, I had to face a lot — to heal, to rebuild, and to find the courage to trust my own voice again.

That process of rediscovery taught me resilience — that even when life quiets you, your true voice never disappears, it just waits for you to be ready. It also reminded me to never give up on a dream, no matter how far away it might seem.

Coming back to music has been about freedom and self-belief — realising that my voice isn’t just something I sing with, it’s who I am. And once you reclaim that, no one can take it from you.

Beyond this project, you’re working on a full-length album of original songs. How will that body of work expand on the story you’re telling now?

The full-length album of original songs is really the next chapter of my story. ‘The Songbook of My Heart’ was about honouring where I’ve been — the loves, the losses, and the lessons that shaped me. But this new body of work is about where I’m going. It expands on that story by moving from reflection to rebirth — it’s more confident, more open, and filled with hope. These songs come from a place of strength and freedom, written from my own experiences and truths. It’s about stepping fully into my voice as a songwriter and a woman — still tender, still real, but now completely my own. If The Songbook was about healing, this next album is about becoming. So, watch this space!

Looking ahead, how do you see music and activism continuing to shape your legacy — and what impact do you hope your art leaves behind?

Looking ahead, I see music and activism continuing to work hand in hand. For me, art has never been separate from purpose — it’s a way to shine a light, to empower, and to create change.

Through my focus on literacy — empowering children and women through reading, music, wellness, and financial understanding — I hope to help others find their own voices, just as I’ve found mine. And through supporting ovarian cancer research, I honour those I’ve lost and protect the next generation, including my girls.

Ultimately, I hope my legacy is one of impact and authenticity — that people feel I used my platform to lift others, to remind them of their strength, and to never give up on their dreams. If my art can touch hearts, open minds, and leave the world a little better, then I’ve done what I came here to do.

Website

Instagram

October 21, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

THE FINAL JAZZ DOOF OF 2025 – HALLOWEEN EDITION – 25 Oct | 6PM – 3AM 📍 The Industrique, Coburg VIC

by the partae October 20, 2025
written by the partae

🎃 THE FINAL JAZZ DOOF OF 2025 – HALLOWEEN EDITION
For our loyal Jazz Doof crew – $5 off tickets this weekend only!

Use code: GOTOHELL

🗓 Saturday 25 Oct | 6PM – 3AM
📍 The Industrique, Coburg VIC
🎟 Tix from $20 – $30 | Use your exclusive $5 OFF link: [insert link]

Our last Jazz Doof of the year is here – and it’s a Halloween special.
Think: live jazz, deep grooves, spooky sets, strange energy, and YOU as the main character in a horror-jazz dreamscape.

🎶 LINEUP
HORATIO LUNA – Raw, deep, underground jazz bass
ERICA TUCCERI – Haunting, virtuosic multi-instrumentalist
ON-LY – Distorted, eerie, and groove-heavy
WAHALA DEY – Fierce afro-jazz noise
SECRET SET – You won’t see it coming… 👀

DJs:
SARITA (PBS) | QUICKSTICKS (PBS) | HAM | SL TEARS | THE EXORCIST

+ EXTRAS:
🌮 G Day Tacos | 🤠 Mechanical Bull | 👻 Halloween Show

Costumes encouraged. Vibes essential.
Presented by Moor Music and supported by Northside Records, Jazz & Jaffles, The Industrique.

👻 Let’s get weird one last time in 2025. Don’t sleep on this.

BOOK NOW – DISCOUNT TIX LINK
October 20, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

MR. WORLDWIDE PRE-PARTY’ HITS MELBOURNE – ROYAL MELBOURNE HOTEL

by the partae October 20, 2025
written by the partae

MR. WORLDWIDE PRE-PARTY’ HITS MELBOURNE — FREE BALD CAPS, FIREBALL AND A 5-HOUR PITBULL MARATHON BEFORE FRIDAYZ LIVE – ROYAL MELBOURNE HOTEL

Presented by Danny Rants

Royal Melbourne Hotel is turning into ‘Planet Pit’ this Friday, hosting the city’s most ridiculous (and possibly most on-brand) warm-up party before Fridayz Live kicks off at Marvel Stadium.

From 12pm, the team behind RMH are running a 5-hour Pitbull marathon — every era, every remix, every “Dale!” — soundtracking an afternoon of bald-cap giveaways, Fireball shots, and unapologetic chaos and fun.  Guests can score a free bald cap (1000 at the door), sip on Fireball specials from the bar and grab a classic pub feed before the mariachi band leads the crowd (literally) to Marvel Stadium for the main event from 4.30pm.

The party will feature:

1000 Free Bald Caps – because there’s only one Mr. Worldwide energy.

Fireball Suits & Merch Giveaways – the most extra pre-party outfit you didn’t know you needed.

Live Mariachi March to Marvel – kicking off from 4:30pm.

All-Day Parmas, Drinks & Normal Pub Service

5 Hours of Pitbull – every hit, no shame, no stopping.

“Look, if you’re going to see Pitbull, you might as well go full Mr. Worldwide,” said Danny Rants who is hosting the event said. “We’re giving Melbourne permission to be bald, loud and happy for a day.”

The event is free entry, walk-ins only, and expected to be packed by midday — so get in early, grab your cap, and channel your inner Pitbull before Fridayz Live begins.

Royal Melbourne Hotel
629 Bourke St, Melbourne VIC
Friday 25th Oct – from 12 pm | Mariachi March to Marvel from 4:30 pm

Also catch the Danny Rants podcast weekly, chatting with Music Industry icons across Australia – CLICK HERE!

October 20, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Brand new Australian country music festival Strummingbird sells out in Sunshine Coast and reveals set times

by the partae October 20, 2025
written by the partae

Australia’s newest country music festival, Strummingbird presented by Kicks Entertainment has sold out its Sunshine Coast debut and is sitting on the brink of a national sell-out across all three cities in its inaugural year.

Cementing Queensland’s growing reputation as a destination for world-class live music, Strummingbird’s opening event at Sunshine Coast’s Kawana Sports Precinct on Saturday 25 October will see tens of thousands of country fans descend for an unforgettable day of music and country spirit.

The festival brings together some of the biggest names in country and Americana to Australia for the first time including Jelly Roll, Shaboozey and Treaty Oak Revival, alongside homegrown stars such as James Johnston, Kaylee Bell and Wade Forster. With line dancing, rodeo energy, honky tonk vibes and boot-scootin’ singalongs, Strummingbird promises to be an unmissable celebration of modern country culture.

The sold-out success of Strummingbird in its first year is set to deliver significant benefits to the local economy, encouraging visitors to extend their stay across the weekend and driving activity across accommodation, hospitality, retail and transport sectors. Visitors are expected to travel from across Queensland, interstate and internationally to experience the first show of the run.

Launched by the team behind the nationally beloved Spilt Milk, Strummingbird has quickly established itself as a must-attend on the Australian festival calendar. With tickets now selling fast in the Newcastle (1 November) and Perth (2 November), the festival’s early success signals a bright future — and a powerful reminder of how live music can shape the cultural and economic life of regional cities.

Set times are now available in the app HERE or on the Strummingbird website HERE.

For fans who can’t attend the festival, or want to secure a ticket to the sold out Sunshine Coast show, Ticket Return and Resale is now available through Moshtix and Tixel. To learn more about the ticket return and resale process, visit the Moshtix website HERE and the Tixel website HERE.

Final tickets for Newcastle and Perth are selling fast, don’t miss out! Book now at strummingbird.com.au.

STRUMMINGBIRD
Presented by Kicks Entertainment and Live Nation

Saturday 25 October 2025 – Kawana Sports Precinct, Sunshine Coast | Kabi Kabi & Jinibara SOLD OUT
Saturday 1 November 2025 – Newcastle Foreshore, Newcastle | Mulubinba
Sunday 2 November 2025 – Claremont Showground, Perth | Boorloo

MUSIC LINEUP

JELLY ROLL
SHABOOZEY
OAK REVIVAL*^
JAMES JOHNSTON, KAYLEE BELL, MATT HANSEN,
DREW BALDRIDGE, JULIA COLE, THE JACK WHARFF BAND^+,
THE DREGGS, WADE FORSTER, ZAC & GEORGE, RACHAEL FAHIM, DENVAH,
PLUS LATE NIGHT RIOT WITH HOT DUB TIME MACHINE*+ AND Y.O.G.A^

*Sunshine Coast ^Newcastle +Perth

Strummingbird is an all-ages event.

Tickets on sale from strummingbird.com.au
Final applications for media accreditation are open HERE

Strummingbird Newcastle is supported proudly by the NSW Government through its tourism and major events agency, Destination NSW.

STRUMMINGBIRD
WEBSITE | FACEBOOK | INSTAGRAM | TIKTOK

 

October 20, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

KING GIZZARD & THE LIZARD WIZARD ANNOUNCE FED SQUARE RAVE SET, TAKING PLACE THIS FRIDAY, 24 OCTOBER

by the partae October 20, 2025
written by the partae

KING GIZZARD & THE LIZARD WIZARD ANNOUNCE FED SQUARE RAVE SET THIS FRIDAY, 24 OCTOBER

+ PERFORMING ROCK & ORCHESTRAL SHOWS IN SYDNEY, MELBOURNE & BRISBANE THIS DECEMBER

Credit: Maclay Heriot

Freewheeling DIY heroes King Gizzard & The Lizard Wizard announce a rave set at Fed Square this Friday, 24 October.

King Gizzard make techno now?? That’s right: live, unscripted, improvised electronic music using their eurorack-modular setups. For casual King Gizz fans, this is outrageous, even for a band known to genre-hop as much as they do. “Aren’t they a rock band?” “Judas!” For folks who follow the band closely, this has been a long time coming and many years in the making.

Frontman Stu Mackenzie shares, “Come on down. Freak out with us. You ain’t never seen this many patch cables in your life.”

The free-all-ages event will be the debut of their rave set in Aus and the band’s first show on home soil in over two years. Taking place at Fed Square, Melbourne’s home of free live music, the King Gizzard rave set follows recent performances from Eddy Current Suppression Ring, KNEECAP, Glass Beams, and Caribou, which have seen huge numbers turning out to dance in the iconic public square.

King Gizzard will be supported by Merve, a trailblazer within the underground dance music community. Now Berlin-based, the Naarm/Melbourne native has performed at some of Australia’s biggest stages. From sweaty underground basement parties to sold-out large-scale festival stages, a set from Merve will pull you in and take you on a journey.

The rave set comes ahead of King Gizzard’s December tour, which will see them play across multiple nights in Sydney, Melbourne and Brisbane. Playing songs from their vast catalogue, including the 2025 album, Phantom Island, the tour includes performances at the Sydney Opera House and Sidney Myer Music Bowl, with a 29-piece orchestra led by conductor and musical director Chad Kelly, in addition to full-length rock shows.

Their ability to switch from a synth-heavy, electronic-influenced rave set to conductor-led orchestral shows and raw rock-and-roll mayhem is another example of why King Gizzard are one of the most prolific and unpredictable bands of our time. Fifteen years and 27 albums into their epic quest, you might think they’d be running out of new frontiers to traverse, new concepts to explore, new ways to radically reshape their paradigm. Their upcoming Australian shows prove the opposite is true, showcasing their latest record, Phantom Island, the 27th entry into the Gizzard Discovery, as not a fixed statement, but as a living, evolving body of work that transforms with each performance and setting.

Prepare to dance and witness KGLW evolve in real time this Friday, 24 October, as they navigate a fully modular synthesis table that shares the same beating heart of their ethos: ambitious, improvised, and epiphanic.

FED SQUARE PRESENTS
King Gizzard & The Lizard Wizard Live (Rave Set)
Friday 24 October 7 pm – 10.30 pm
with support from MERVE
Free / All AgesKING GIZZ DECEMBER DATES
Orchestra Shows w/ Chad Kelly (Conductor & Music Director)
Dec. 2 – Warrane/Sydney, NSW @ Sydney Opera House * (SOLD OUT)
Dec. 3 – Warrane/Sydney, NSW @ Sydney Opera House * (SOLD OUT)
Dec. 9 – Meeanjin/Brisbane, QLD @ Princess Theatre # (SOLD OUT)
Dec. 10 – Meeanjin/Brisbane, QLD @ Princess Theatre # (JUST ADDED)
Dec. 12 – Naarm/Melbourne, VIC @ Sidney Myer Music Bowl %+

Rock N’ Roll Shows
Dec. 4 – Warrane/Sydney, NSW @ Enmore Theatre ~$ (JUST ADDED)
Dec. 5 – Warrane/Sydney, NSW @ Enmore Theatre ~$ (SOLD OUT)
Dec. 7 – Meeanjin/Brisbane, QLD @ Fortitude Music Hall ~
Dec. 13 – Naarm/Melbourne, VIC @ Sidney Myer Music Bowl ^
TICKETS ON SALE HERE

* w/ Sydney Symphony Orchestra
# w/ Queensland Symphony Orchestra
% w/ Orchestra Victoria
~ w/ Party Dozen
$ w/ Destrends
^ w/ Barkaa
+ w/ Folk Bitch Trio

CONNECT WITH KING GIZZARD & THE LIZARD WIZARD 
WEB | INSTAGRAM | BANDCAMP | YOUTUBE
October 20, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

HARDCORE BAND, MASOCHIST, HEADLINING THE HOTEL METROPOLE THIS NOVEMBER, SUPPORTED BY PROBLEM GREEN, L.A.R.M AND THE FEM GREMS

by the partae October 20, 2025
written by the partae
BUY TICKETS

Flaming Heart Records is bringing the DIY punk energy to Lismore on Friday 7 November, with a loud and heavy show at Hotel Metropole.

Headlined by Lismore’s hometown heroes Masochist, the punk quintet will be supported by Problem Green (SYD), L.A.R.M (SYD) and The Fem Grems.

Lismore is known as a breeding ground for some of Australia’s most unique and loud acts. Adding to the energy, two of Sydney’s most exciting up-and-coming bands will join the bill, making this a rare intrastate showcase of fresh heavy sounds.

Don’t miss your chance to thrash on The Met terrace for this special event — tickets are extremely limited!

BUY TICKETS

 

October 20, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

CAMERON WHITCOMB: ADDS SECOND MELBOURNE & BRISBANE SHOWS TO THE HARD WAY TOUR DUE TO HIGH PRESALE TICKET DEMAND

by the partae October 20, 2025
written by the partae

+ New shows presale commences 3pm AEDT today
​+ General on sale for all shows commences Tuesday 21 October, 12pm local time

Following overwhelming demand in today’s presale, Frontier Touring is thrilled to announce additional shows in Melbourne and Brisbane for Canadian country powerhouse Cameron Whitcomb. Proving to be one of the hottest tickets in town, Whitcomb’s The Hard Way Tour is shaping up to be an unmissable debut headline run across Australia & New Zealand this May 2026!

Known for his gritty voice, high-octane performances and raw storytelling, Cameron will play new shows at the Forum, Melbourne (Sun 10 May) and The Tivoli, Brisbane (Wed 13 May). Presale allocation exhausted for the first Forum, Melbourne (Sat 9 May) and The Tivoli, Brisbane (Tue 12 May) shows.

Presale tickets for the two new shows commences 3pm AEDT today, Monday 20 October and joins the existing Frontier Member presale for all previously announced shows, running until Tuesday 21 October (11am local time). The general on sale commences tomorrow, Tuesday 21 October (12pm local time). Tickets and tour info via frontiertouring.com/cameronwhitcomb

Watch: Cameron Whitcomb – Fragile (Official Lyric Video)

Cameron Whitcomb has quickly become one of country music’s most exciting new names. Since the release of his breakout 2024 EP Quitter, the 22-year-old has earned over 600 million global streams, headlined shows across North America and Europe, and landed on Spotify and Amazon Music’s 2025 Artists to Watch lists, all before dropping a full-length album.

Hailing from British Columbia and with a story as bold as his sound, Whitcomb’s journey from pipeline worker to breakout country star has been anything but ordinary. Cameron Whitcomb is the rare artist with the courage to uncover his most uncomfortable truths. His debut album The Hard Way, shares his most powerful work yet: a selection of songs that willfully stare down his demons, instilling every moment with equal parts grit and sensitivity and explosively poetic detail, including the chart-climbing singles ‘Medusa’ and ‘Quitter’ (ARIA Gold status) and ​ ‘Hundred Mile High’. ​

Don’t sleep on the debut Cameron Whitcomb live shows in Australia and Zealand this May!


CAMERON WHITCOMB
​THE HARD WAY TOUR
​AUSTRALIA & NEW ZEALAND
​MAY 2026
​
Presented by Frontier Touring


NEW MELBOURNE & BRISBANE SHOWS
​FRONTIER MEMBER PRESALE 
​via frontiertouring.com/cameronwhitcomb
​Begins: Monday 20 October, (3pm AEDT) ​

​ALL PREVIOUSLY ANNOUNCED SHOWS
​FRONTIER MEMBER PRESALE 
​via frontiertouring.com/cameronwhitcomb
​Currently running until: Tuesday 21 October, (11am local time) ​
​or until presale allocation exhausted


​
ALL SHOWS – TICKETS ON SALE
​Begins: Tuesday 21 October (12pm local time)


ALL SHOWS 18+


Tuesday 5 May
​Powerstation | Auckland, NZ
​
18+
​ticketmaster.co.nz

Thursday 7 May
​The Gov | Adelaide, SA
​
18+
​oztix.com.au

Saturday 9 May
​Forum | Melbourne, VIC
​
PRESALE ALLOCATION EXHAUSTED
​18+
​ticketek.com.au

Sunday 10 May
​Forum | Melbourne, VIC
​NEW SHOW
​18+ ​
​ticketek.com.au

Tuesday 12 May
​The Tivoli | Brisbane, QLD
​
PRESALE ALLOCATION EXHAUSTED
​18+
​ticketmaster.com.au

Wednesday 13 May
​The Tivoli | Brisbane, QLD
​NEW SHOW
​18+ ​
​ticketmaster.com.au

Friday 15 May
​UNSW Roundhouse | Sydney, NSW
​
18+
​moshtix.com.au

October 20, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Burna Boy Photos- Sydney, Qudos Bank Arena – 18/10/25

by the partae October 20, 2025
written by the partae
Photography: Jake Harm Nam

October 20, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Electric Island announces 2026 return feat. Armand Van Helden, Above & Beyond + Flight Facilities (DJ Set)

by the partae October 17, 2025
written by the partae

T1000 EVENTS ANNOUNCES GRAND RETURN OF

ELECTRIC ISLAND

FEATURING ARMAND VAN HELDEN,
ABOVE & BEYOND + FLIGHT FACILITIES (DJ SET)

TWO EPIC WEEKENDS OF ELECTRONIC MUSIC
ACROSS ADELAIDE, MELBOURNE & PERTH

ACCESS TICKET PRE-SALE HERE

ELECTRIC ISLAND

GLENELG BEACH, ADELAIDE, SA
SATURDAY 11 APRIL, 2PM-10PM
LINEUP: ARMAND VAN HELDEN, FLIGHT FACILITIES (DJ SET) + SPECIAL GUESTSRIVA, MELBOURNE, VIC
SATURDAY 18 APRIL, 3PM-10PM
LINEUP: ARMAND VAN HELDEN, FLIGHT FACILITIES (DJ SET) + SPECIAL GUESTS

SUNDAY 19 APRIL, 3PM-10PM
LINEUP: ABOVE & BEYOND + SPECIAL GUESTS

COTTESLOE BEACH, PERTH, WA
SATURDAY 18 APRIL, 3PM-10PM
LINEUP: ABOVE & BEYOND + SPECIAL GUESTS

SUNDAY 19 APRIL, 2PM-9PM
LINEUP: ARMAND VAN HELDEN, FLIGHT FACILITIES (DJ SET) + SPECIAL GUESTS

Access presale tickets: 8am local Wednesday 22 October
General on-sale tickets: 8am local Thursday 23 October
www.electricisland.com.au

Electronic music festival Electric Island today announces its grand return in 2026, where internationally-acclaimed dance icons meet impeccable beachside locations for the ultimate music experiences. The series will pair headliners Armand Van Helden and Above & Beyond with a slew of unmissable local and international powerhouses, still to be announced.

Kicking off with a one-day instalment at Adelaide’s Glenelg Beach on April 11, the series will next venture to Melbourne’s RIVA and Perth’s Cottesloe Beach for two-day weekenders across April 18 and 19.

Sweeping all three cities will be American electronic titan Armand Van Helden, who across his three-decade long career has undisputedly become one of house music’s most cherished names. Making a name for himself recording for labels such as Strictly Rhythm, Henry St., Logic and ZYX, the Grammy-nominated producer, DJ and high-profile remixer is behind mountains of club and Top 40 hits like “My My My”, “Barbara Streisand” and “I Want Your Soul”, is one-half of widely beloved dance duo Duck Sauce, and has performed prestigious stages across the globe with his unrivalled, endlessly fun DJ sets.

Fellow headliner – hitting Melbourne and Perth’s respective weekenders – is internationally revered, Grammy-nominated dance act, radio hosts and label heads Above & Beyond. Forming in 2000, the esteemed trio are behind an internationally-renowned radio show Group Therapy, have toured the world’s most illustrious clubs and venues – including our own Sydney Opera House – and shaped a catalogue of now-iconic dance anthems. With a brand new album in their arsenal Bigger Than All Of Us – Electric Island is excited to bring Above & Beyond back to their wide Australian fanbase.

Joining Armand Van Helden on all dates are local electronic royalty Flight Facilities (DJ Set). Since emerging with the celebrated global anthem “Crave You” in 2010, the award-winning duo have consistently crafted feel-good soundtracks that make people want to dance, rising to international fame with cult hits like “Clair de Lune” and “Sunshine” and performing the biggest stages at home and abroad, from Splendour in the Grass to Coachella, Glastonbury and more.

Damian Gelle, Electric Island promoter shared “Next year our Electric Island run expands into three states with five open-air shows across some of Australia’s finest shorelines including our debut at Melbourne’s lush Riviera Beach Club in St Kilda.”

Electric Island is brought to the country’s thriving electronic music community by T1000 Events, the independent team behind the long-running Electric Gardens festival. Born in Australia in 2016, the boutique festival has since evolved to become a necessary figure in the Australian dance music scene, over the years hosting some of the world’s most adored names in the business – including Fatboy Slim, Eric Prydz, Jamie Jones, DJ EZ, Craig David and plenty more. After an incredible run in 2025 that sold 25,000 tickets with the birth of Electric Island and Electric Warehouse parties, its sandy and sun-drenched off-shoot is now back fusing cutting edge world-class music with a dip of nostalgia and the backdrop of iconic beachside locations.

See below for the full list of locations, dates and respective billings.
Presale starts 8am local Wednesday 22 October, while general on-sale tickets will be available from 8am local on Thursday 23 October.

Get in quick to avoid missing out on Australia’s most unforgettable beach parties this Summer.

ELECTRIC ISLAND
FACEBOOK | INSTAGRAM | WEBSITE

October 17, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Fool Nelson – Release ‘Bad Dreams’ EP & Expand Worldwide Team

by the partae October 17, 2025
written by the partae

SUPPORT FOR FOOL NELSON

“One of the most exciting bands to come out of Australia’s indie-rock scene in years.”
Rolling Stone

“One of the most exciting up and coming WA bands to be watching.”
Claire Mooney – triple j

Rapid-firing, Fool Nelson are midway through their ‘Bad Dreams‘ EP Tour, supporting the release that drops today, and announce they are expanding their worldwide team.

‘Bad Dreams’ captures the band at their most assured, threading together anthemic grooves, heartfelt lyricism and an unmistakable warmth. Produced and mixed by Andy Lawson (The Buoys, Death by Denim), and mastered by George Georgiadis (Ruby Fields, Hockey Dad), the result is a collection that cements Fool Nelson’s knack for crafting hook-laden sing-alongs with depth, grit and charm.

Darcy Steven talks about the inspiration behind the EP:

“Overall, the EP is about sticking close to the people you love. Often we’ve found ourselves pushing away those relationships when things are difficult or uncertain, but we’re learning to put those things first amidst anxiety, ambition, and uncertainty. For us, the EP definitely serves as a bit of an outlet for our anxieties, but hopefully also serves as a reminder of what’s important.”

The band are now represented by Harry Young at Pure Represents for worldwide bookings (excluding AU/NZ, N. America), marking an exhilarating chapter for the band after a string of successful releases and tours domestically. The Boorloo/Perth-based trio are also pleased to reveal they have signed a global recordings deal with AWAL, and have partnered with Rick Bridgman of Good Intent for Management.

Their most recent release, ‘Big Shot‘, kicked the door down, and they announced their biggest national headline tour to date, with their Boorloo/Perth all-ages show selling out within 48 hours.

Appropriately noted as ‘Ones To Watch‘ by triple j and selected as the Unearthed Competition Winner for Busselton’s One Night Stand (the only ever act to win an Unearthed Competition, twice) they have Rolling Sets Festival on the horizon, and look back at impressive sets at HYPER FEST, NYE On The Hill, Out & About Festival, Groovin the Moo Festival, Tone City Records Festival. They have also impressed on support-act duties for luminaries Spacey Jane, Old Mervs, Ball Park Music, The Grogans and The Rions.

Fool Nelson’s recent single ‘Bad Dreams‘ hit top 5 most played song on triple j, and previous release ‘Don’t Feel Right‘, climbed Shazam Charts in Perth, Adelaide and Melbourne, and was the most played song on triple j for multiple weeks. Their past 5 singles have all been added to rotation on triple j, widely embraced by Australian radio, they were cover stars of ‘Rock Out.‘ on Spotify and added to countless Apple Music and Spotify playlists across the globe.

‘Bad Dreams’ (EP) is available worldwide now via AWAL

FOOL NELSON

‘BAD DREAMS’ EP TOUR AUSTRALIA
Tickets available at foolnelson.com.au

FRI 10 OCT | THE TOTE, NARRM/MELBOURNE VIC
SAT 11 OCT | JIVE, TARNTANYA/ADELAIDE SA
THU 16 OCT | VINNIES DIVE, MUNDHARABA/SOUTHPORT QLD
FRI 17 OCT | THE BRIGHTSIDE, MEANJIN/BRISBANE QLD
SAT 18 OCT | SOLBAR, MAROOCHYDORE/SUNSHINE COAST QLD
FRI 24 OCT | THE LANSDOWNE HOTEL, EORA/SYDNEY NSW
SAT 25 OCT | LA LA LA’S, DHARAWAL/WOLLONGONG NSW
FRI 31 OCT | THE Y HQ, BOORLOO/LEEDERVILLE WA
SAT 1 NOV | THE Y HQ, BOORLOO/LEEDERVILLE WA *SOLD OUT*
FRI 7 NOV | PORT BEACH BREWERY, BOORLOO/NORTH FREMANTLE WA
FRI 5 DEC | HARBORD HOTEL, GARIGAL/FRESHWATER NSW

Additional Live Shows 

THU 27 NOV | SOLBAR, MAROOCHYDORE/SUNSHINE COAST QLD*
FRI 28 NOV | HOTEL BRUNSWICK, BRUNSWICK HEADS NSW*
SAT 29 NOV | ROLLING SETS, EBENEZER PARK, GUGAY/TWEED HEADS NSW
SAT 6 DEC | ROLLING SETS, MEMORIAL PARK, KARAGI/THE ENTRANCE NSW

*Supporting DICE


FOLLOW FOOL NELSON
INSTAGRAM | TIKTOK | TRIPLE J UNEARTHED | WEBSITE
SPOTIFY | APPLE MUSIC | AMAZON MUSIC | SOUNDCLOUD | YOUTUBE

October 17, 2025 0 comments
0 FacebookTwitterPinterestEmail
Music News

Tame Impala release new album ‘Deadbeat’ + Releases Official Video for “My Old Ways”

by the partae October 17, 2025
written by the partae
Photo by Julian Klincewicz

Tame Impala (Kevin Parker) has released his fifth full-length album, Deadbeat via Columbia Records today.

Tame Impala teased the release of Deadbeat with three advance singles, ‘Loser‘, ‘End of Summer‘, and ‘Dracula‘ which broke into the ARIA Singles Chart and Billboard’s Hot 100 with his biggest debut yet. Today he will share a music video at 2pm AEDT for the album opener ‘My Old Ways’, directed by Kristofski and featuring cinéma vérité footage the director took throughout the process of Parker making the record in various locations around the world.

On Deadbeat, Parker sculpts a collection of wickedly potent club-psych explorations as a vehicle for some of his most direct, brain-wormy songwriting to date. The album is deeply inspired by Australian bush doof culture and particularly the local scene centered around Margaret River in Western Australia in the 90s, recasting Tame Impala as a kind of future primitive rave act in the process. “In the past 15 years, arguably no other rock musician has straddled multiple worlds quite as well as Parker,” says critic Grayson Haver Currin in his GQ Hype cover story. “Tame Impala began as a modernized psych-rock band with exploding-world drums and skyscraping hooks that made it clear Parker also loved pop, soul, and hip-hop. As Tame Impala has steadily morphed into something stranger and self-renewing, where spoken-word stories about picking up laundry led to late-night confessionals, Parker has become a key collaborator to some of the biggest stars in the world. Deadbeat feels like a last act of resignation and acceptance, with Parker finally coming to terms with the person he has always been and may always be. He is suspended in an emotional stalemate, wondering if he can be more than he knows he is.”

Conceived in various locations over the last few years, the album was largely galvanised between Parker’s hometown of Fremantle and his studio, Wave House in Injidup, Western Australia in the first half of 2025. Deadbeat sounds like the work of an artist with a leveled-up mastery, crafted with a newfound embrace of spontaneity for the renowned perfectionist. How that manifests is a distinct minimalism and crunch, with timbres and textures that add an ineffably new dimension to the sound, as well as a richer, more playful vocal range than ever.

Kevin Parker has emerged as one of the most influential voices of the last decade. A singular artist renowned for carving out a distinct sound all of his own, Parker crafts transcendent genre-bending sonic landscapes, playing every instrument and acting as writer, producer, mixer and engineer on his projects. He has been nominated for four GRAMMY awards with one win for his collaboration with Justice on 2024’s “Neverender.” In his home country of Australia, he’s racked up an impressive 13 ARIA Awards and 27 Nominations. He’s won the BRIT Award for Best International Band and scored nominations for two Billboard Music Awards and an American Music Award. Tame Impala has had numerous US Alternative Radio Top 10 songs including two #1’s for “Lost In Yesterday” and “Is It True.” Tame Impala’s “The Less I Know The Better” is part of the Billionaires Club with over 2 billion streams and the project has racked up numerous gold and platinum certifications globally.

Tame Impala has headlined festivals and arenas around the world and released four full-length albums – InnerSpeaker, Lonerism, Currents and his most recent album The Slow Rush. The Slow Rush landed at #1 in multiple territories and was his highest charting album to date in both the US and UK, with 14 top 10 chart positions around the world.  As a writer and producer Parker has collaborated with Dua Lipa, The Weeknd, SZA, Lady Gaga, Travis Scott, Mark Ronson, Gorillaz, Thundercat, Kali Uchis, 070 Shake, Rhianna, Miguel, A$AP Rocky and many more.
PLAY/LISTEN

Deadbeat tracklisting
1. My Old Ways
2. No Reply
3. Dracula
4. Loser
5. Oblivion
6. Not My World
7. Piece of Heaven
8. Obsolete
9. Ethereal Connection
10. See You On Monday (You’re Lost)
11. Afterthought
12. End of Summer
Follow Tame Impala:
Website | Instagram | YouTube | TikTok
October 17, 2025 0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Interview: Luna Returns on “Guardians of the Multiverse”: A Cinematic Beginning, a Mythic Universe, and a Continuum Beyond Music

by the partae October 16, 2025
written by the partae
“Guardians of the Multiverse” feels more like the beginning of a cinematic saga than just a single, how did this concept first come to life for you?

It started with an awareness, a need to understand ourselves and to express emotion in a way that truly connects. Guardians of the Multiverse became that outlet, a reflection of the battles we all face internally. It’s more than a song; it’s a statement of self-recognition, of letting what’s buried rise to the surface in sound.The mythology around the Guardians and the Architects is rich and complex. What sparked the creation of this universe and its deeper story?

Guardian III had a dream, Luna spoke to them. They shared that vision with the rest of us, and from that moment, the world of the Guardians and the Architects began to take shape. The lore wrote itself through that inspiration, and the rest, as they say, is history.The Resonance Manuscript plays a big role in this project. How does the written lore shape the way you approach the music?

The Resonance Manuscript was written by Guardian III to serve as a foundation, a guide to help us understand Luna’s evolution and the purpose of the masks. It’s not just a story; it’s a reflection of the emotional and spiritual architecture behind what we create. Every line in the book connects to a sound, a lyric, or a visual. It gives the music meaning beyond melody, it gives it memory.Your decision to stay masked strips away the individual identity behind the art. What does anonymity allow you to express that you couldn’t otherwise?

Anonymity frees us. It removes ego, expectation, and pressure. Behind the masks, we can fully immerse ourselves in the purpose, not the performance. It allows us to write without thinking about how we look or how we’ll be perceived. Instead, we focus purely on the message, the energy, and the emotion we want to deliver. It’s not about hiding, it’s about becoming what the music demands.There’s a powerful tension between aggression and atmosphere in the track. How did you strike that balance in the studio?

We wanted to demonstrate both our musicianship and our production depth. Forrester Productions gave us the foundation to shape our sound, but ultimately, we built it ourselves. Once we understood the story we were telling, the balance came naturally, the aggression of collapse against the serenity of rebirth. The synth motif became Luna’s voice throughout, threading the chaos together into something cohesive.Each element, from the drums to the synth layers, seems to serve the story. Can you talk about how sound design became part of the narrative?

The music always came first. Guardian III created the initial concept and shared it with the others, letting the sound sculpt the story before lyrics were even written. Every instrument had a role to play, the drums as the heartbeat of the universe, the guitars as the pulse of creation, and the synths as Luna’s lingering presence. Once the emotion was built sonically, the lyrics followed to anchor the lore and the feeling together.You describe Luna Returns as more of a vessel than a band. What does that philosophy mean to you in practice?

Luna Returns is not a collection of individuals, it’s a channel. A vessel that carries messages from a place beyond ourselves. The three Guardians represent aspects of that energy, but Luna is the constant, the guiding consciousness. In practice, that means everything we create is done with purpose and intention, as if we’re receiving rather than inventing. We’re simply conduits for something larger than us.The song explores ideas of collapse and rebirth. How do those themes connect to the current moment in your own life or in the world at large?

We all face moments where the world feels like it’s falling apart, personally, globally, spiritually. Guardians of the Multiverse is about finding light in that collapse, seeing that destruction isn’t always the end but the beginning of understanding. Pain, grief, and struggle can all lead to awakening. It’s universal, and we wanted that message to resonate no matter who’s listening.For listeners diving into this project for the first time, what do you hope they feel or question by the end of “Guardians of the Multiverse”?

Whatever they need to feel. Whether that’s anger, peace, sadness, or defiance, any emotional response means connection. We don’t want people to force themselves to like us; we want them to interpret the music in their own way. The meanings are flexible. The song becomes theirs the moment they listen, that’s the true essence of resonance.How far ahead have you mapped out this universe, and how do you see the story evolving across future releases?

This is only the beginning. What’s been released so far is just the prologue to something much larger. The next chapter arrives on October 31st, 2025, diving deeper into Luna’s fractured state of mind. Guardian I takes more of a lead on that release, while Guardian II steps back vocally to shift the focus. We’ve already built the foundations for two to three albums, each connecting to the next through lore, music, and message. Luna Returns is not a moment. It’s a continuum.

INSTAGRAM

October 16, 2025 0 comments
1 FacebookTwitterPinterestEmail
Festival NewsMusic News

REN BARLOW SET TO RELEASE EMOTIONAL ALBUM & EVENT ‘THE SONGBOOK OF MY HEART’

by the partae October 16, 2025
written by the partae

Ren Barlow is an Australian singer, songwriter and soulful female artist with deep country roots.  Classically and contemporarily trained in voice, Ren has been performing since she was a young child. Both as a solo artist and as part of various ensembles. Her impressive career includes performances with Melbourne Opera, Melbourne City Opera and the Gilbert and Sullivan Society of Victoria among others. Ren’s musical journey follows three distinct paths: Acoustic Covers (A reimagining of her favourite songs over the years, spanning both male and female artists, delivered in her signature acoustic style), Original Works (A diverse collection of songs blending classical, pop, rock and country influences, with a production leaning towards the sounds and sensibilities of country rock and Tributes to Legends (Ren’s unique take on the timeless music of 1950s rock and roll pioneer, Buddy Holly and Linda Ronstadt).

 Ren is excited to present her new album release ‘The Songbook of My Heart.’ The album is more than music, it is a tapestry of memories, love, and longing, stitched together through songs that have shaped Ren’s journey. The melodies hold the echoes of joy and sorrow, resilience and hope and the tender spaces in between. ‘The Songbook of My Heart’ isn’t a tribute to Linda Ronstadt, it is Ren’s story, told through the songs that gave her a voice when she didn’t have the words. These songs have been with Ren through love, heartbreak, family and the moments where she had to find the strength to begin again. “When I sing them, I’m not just revisiting the past, I am opening the chapters of my own life. Linda’s music has always felt like a companion and now it becomes the lens through which I share who I am, where I’ve been, and what I carry forward. This album is deeply personal. It’s my journey written into song, my truth, my memories and my heart,” – Ren explains.

On October 16, Ren will take to the stage for a very special evening, performing ‘The Songbook of my Heart’ a heartfelt tribute to one of her greatest musical influences, Linda Ronstadt. With reverence and artistry, Ren will breathe new life into Ronstadt’s iconic songs, reimagining them with her own soulful style and emotional depth. “I love the process of putting my own take on the songs, pulling them apart and creating a new sound, keeping them simple and raw. It’s been so much fun and such a wonderful journey,” says Ren.

Ren is currently working on a full-length album of original songs, written and performed by herself, with accompanying music videos. These songs, shaped by truth, longing, love, and resilience, reflect a life lived with passion and purpose. Beyond her own music, Ren’s passions are rooted in creative expression and empowering others through literacy and education. As well as mentoring young musicians, helping them build a solid foundation in the industry and supporting them in pursuing their musical dreams.

 

THE SONGBOOK OF MY HEART – SHOW DETAILS:

SHOW DATE: 16/10/2025

TIME: Doors 7pm, Show 8pm

VENUE: Memo Music Hall – 88 Acland Street, St Kilda

EVENT LINK HERE!

TICKET LINK HERE!

 

Songs that shaped a woman, a voice, a life. In ‘The Songbook of My Heart,’ singer-songwriter Ren Barlow invites you into an intimate evening of music and storytelling—a reflection on love, loss, strength, and the turning points that shaped her life. Framed by the unforgettable songs of Linda Ronstadt, Ren shares her journey through raw and honest reflections, weaving personal stories with music that once held her, moved her and helped her find her voice again. These aren’t just covers, they are emotional postcards from Ren’s own path, delivered with deep soul and vulnerability. Featuring songs like ‘Long Long Time,’ ‘Blue Bayou,’ ‘You’re No Good,’ ‘Desperado’ and more, this show is not a tribute — it’s a reclamation. A musical memoir for anyone who has ever been cracked open and somehow stitched themselves back together with a melody.

 

Ren Barlow Music History:

Released ‘Raining in my Heart’ and had a Buddy Holly show (Sold Out Show) 

Collaborated with Tim Wild (Taxi Ride), Karl Lewis (Killing Heidi) & Darren Steel

‘Blue Days Black Nights’ went Top 5 and the album went Top 10 in the Country charts

Ren Barlow’s charity work & advocacy

After time away due to personal reasons, Ren returns as her most authentic self as a person & Artist in ’The Songbook of My Heart’ 

Profits for the show will be going to support OCRF (Ovarian Cancer Research Foundation) via their October campaign ‘Frocktober.’ Ren is a big supporter of the foundation and sits on one of their finance boards.  Ren has sadly lost family & friends to ovarian cancer.  For ‘Frocktober’ they will be creating 31 dresses, 31 days, one cause. Ren has also been a driving force behind the ‘White Shirt’ campaign.

Ren’s true passion is around Literacy – Four areas 

Reading for young children

Financial literacy for woman

Wellness Literacy for woman and girls 

Music Literacy for children 

Ren has created a personal foundation which is based around Literacy ‘The Literacy Gift’ (originally called ‘Children’s Literacy Gift’).  Ren has personally put reading corners into schools which have limited resources.  Countries include:  Australia, Fiji and Papua New Guinea.   The foundation also supports indigenous communities with resources for literacy including the employment of teachers. ’The Literary Gift’ also has various partners involved in regard to Women’s Financial literacy.

Ren works closely with another charity where they place Music Teachers into school, through ‘The Song Room.’ 

Ren was also lucky enough to be a part of this year’s UN congress in New York, meeting with other women to discuss what other things can be done in this space. Prior to that journey, Ren spent some time on Necker Island with Richard Branson through the charity ‘Igniting Change’ where she also got to spend some time with Mary Robinson – who is a part of the Elders group to help our planet.  Ren calls herself a Peacemaker for humanity.  She doesn’t judge religion, race, political views, or status, and believes that every person and animal deserves to feel safe no matter what. 

“For a long time, I felt caged and unable to have a voice. There was a part of me for many years that was squashed,  Now I feel like I have my voice back. I hope to share my journey so I can not only heal parts of me, but I can help other people as well. Whether a young child, musician, woman, I feel like I have been gifted an opportunity to do this, through music and literacy.” – Ren Barlow

For more information, please go to:

Website

Instagram

October 16, 2025 0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities

by the partae October 16, 2025
written by the partae

“Mirage” feels both intimate and expansive. How did that vision first take shape when you sat down to write it?

Honestly, it started really naturally, more as a feeling than an idea. Tomcbumpz and I were just vibing in the studio. I told him I wanted something that felt psychedelic but still emotional, something that pulls you in. He started playing around with melodies on the Prophet 6, I added more layers, he added drums, and then I freestyled, singing it in one take. The first demo came together super fast, and it just had that dreamy, floating energy that I connected to right away.

You’ve described the track as psychedelic R&B. What draws you to that sound, and how do you make it your own?

I’ve always loved R&B, but I’m also obsessed with texture — sounds that feel hazy or surreal. Psychedelic R&B lets me merge those worlds. I think what makes it my own is how I build space in the production. I love layers, harmonies, and ambient synths that make you feel like you’re in a memory instead of just listening to a song.

Tell us about your creative dynamic with tomcbumpz — what clicked between you two in the studio?

We actually met through Instagram. I had taken him to a rooftop to shoot some photos since I also do urban photography. I told him I make music, and we ended up hitting the studio after. He has a great ear for synths and I loved his sound design, so it felt easy to create together. The chemistry was instant — I think we just understood each other’s creative language.

The song dives into the complexities of personal relationships. Was there a particular moment or experience that inspired those lyrics?

Yeah, “mirage” came from a past relationship I was in. There was still love, but everything felt uncertain, like we were trying to hold onto something that was already slipping away. The lyric “We went back and forth back and forth for days / Trying to display our love / But it was never the same yeah never the same” really captures that. It’s about the exhausting push and pull, the moments where you’re giving your all, trying to make it work, and yet realizing deep down that the connection has shifted. It’s that feeling of repeatedly trying to show love, but knowing that things can’t go back to what they once were. The song is about acknowledging that truth while still holding on to the memories and emotions that made it meaningful.

You mixed and mastered “mirage” yourself, which is rare. What does having that level of control mean to you as an artist?

It means everything. I’ve been producing since I was 8, and I grew up around music — my grandpa is an audio engineer, so I learned from the best. I’ve always cared about every detail, from the vocals to the smallest reverb. Mixing it myself lets me protect the feeling of the song. It’s not just about making it sound clean, it’s about making sure it still feels the way it did when I wrote it.

The visuals — from the Queensborough Bridge to the subway tunnels — feel like an extension of the music. How do you see the relationship between your sound and your visual storytelling?

For me, visuals and sound are one and the same. I see music in images, colors, movement, places. Climbing the Queensborough Bridge and shooting in the subway tunnels was my way of showing the duality of “mirage.” It’s about illusion and perspective, and I wanted to capture that visually — the beauty and the chaos coexisting. The bridge represents distance and longing, while the tunnels represent being trapped in his maze, running and trying to find a way out. I like using real environments to reflect emotional states, because my world and my art are deeply connected. Every location tells part of the story — it’s not just where the video takes place, it’s what the emotion feels like.

You’ve cited artists like Jhené Aiko and SZA as influences. What have you learned from their work that shaped this track?

I think Jhené and SZA both taught me how to blend softness with strength. They create such emotional worlds through sound; it’s honest but still dreamlike. That inspired me to embrace vulnerability in my music, but also to not overthink — to just flow.

The studio where you recorded “mirage” seems to hold special meaning for you. How does the space you create in affect the final result?

Totally. Tom’s studio in Brooklyn has this cozy, safe energy. It’s warm and low-key, and that makes it easy to be creative. I’ve made a lot of good memories there, so the environment definitely shaped how open I was when recording.

You’ve said music is a reflection of life’s illusions and realities. What illusion are you exploring most deeply right now?

Lately, I’ve been exploring the illusion of connection — not just in love, but with friends and family too. Especially since I just moved, I’ve been feeling the push and pull of relationships, and just trying to make sense of everything. In “mirage,” that illusion shows up in the push and pull of love that’s fading, when you’re trying to read someone’s eyes for a truth that isn’t there anymore. It’s that space between what you wish something was and what it’s actually become.

What do you hope listeners feel or think about after they’ve heard “mirage” and watched the visuals?

I hope listeners reflect on their own relationships, especially if they’re caught in that in-between, illusion state — the back-and-forth where you’re chasing something that feels real but keeps slipping away. The song and visuals are about facing that truth and recognizing the reality of shifting love. Even when love changes or fades, the emotion was still real, and I want them to recognize that sometimes love changes, and even if it will never be the same, that doesn’t make it any less meaningful. I want listeners to feel the weight of that — the ache, but also the acceptance. I hope they feel encouraged to face the complexity of love with awareness and to find growth and meaning even in the moments that may not last.

Website: linktr.ee/luxsyel

YouTube: www.youtube.com/…uxsyel

Instagram: www.instagram.co…uxsyel

TikTok: www.tiktok.com/@…uxsyel

October 16, 2025 2 comments
1 FacebookTwitterPinterestEmail
Festival NewsMusic News

Central Coast Alt-rock artist DARCY PILTZ returns with anthemic new single ‘WISHING YOUR LIFE AWAY’

by the partae October 15, 2025
written by the partae

Photo Credit: Eddy Hill

Central Coast singer, songwriter and multi-instrumentalist Darcy Piltz has today released his latest single ‘Wishing Your Life Away’; a grunge-tinged pop-punk tune that reflects on all the highs and lows of being in your 20s. 

Sonically aligned with bands such as Dear Seattle, Luca Brasi and Sly Withers, Darcy manages to combine uplifting, emotive lyricism and crunchy, hard-hitting riffs perfectly on the track – laying it all out on the table with a passionate vocal performance.

On the songs lyrics, Darcy explains “This track really hones in on being in your 20’s. Everything feels crazy and chaotic, people are having kids and buying houses, others are really just getting started on their own story. It’s about working those shit jobs to try and make money to do the things you want. At it’s core, this song is about trying to be present and appreciate what you’ve achieved so far, before immediately trying to chase the next ‘thing’. Feels like a bit of a ‘note to self’ to remember what it’s all about and trying not to get caught up in the rush.“

Mixed and produced by Toby Wells at Sonara Studios with mastering from Jack Nigro (Rum Jungle, Vacations, The Terry’s) – Darcy, who played all instruments on the recording, describes his time in the studio and guidance from the Sonora team as a crucial part of the process that helped him bring the idea to life.  

“Wishing Your Life Away came about super easily. I wrote and recorded everything you hear on this one (same as all my other songs). Like all my tracks it was born from mucking around with chord progressions on my guitar at home in my little studio. Most of the time, I’m writing about things I’ve felt or things I’ve seen others go through, and this one was the same. 

Once the lyrics were fleshed out, I jumped straight onto doing the demo as I felt something special was in this song. The drums probably took me the longest to work out as I wanted to get them perfect, and I think taking the time to figure them out really paid off. After sending Toby (producer/mixer) the world’s shittiest demo of the track, we jumped into Sonora Studios and pumped it out in 1 day and everything went smooth as butter. Luckily Toby saw the vision, and he crushed it with the production and mix. Doing it all myself can sometimes be stressful but Sonora Studios is starting to feel like home!” DARCY PILTZ

Darcy Piltz has been making his name up and down the NSW coast for a little while now, supporting the likes of Fool Nelson, Dear Sunday, Gully Days, Pisco Sour & Playlunch in his time. Looking forward, Darcy will be playing at The Lin and Pin in Woy Woy supporting Great Job! On the 24th of October, and will be launching the single at Six Strings Brewery in the Central Coast on the 29th of November. 


UPCOMING SHOWS 

October 24 Link & Pin Woy Woy NSW

Supporting Great Job! INFO

November 29 Six Strings Brewery Central Coast NSW

 

PRAISE 


“Love hearing your fire and spirit through this one Darcy! Looking forward to hearing more!”

CLAIRE MOONEY, TRIPLE J UNEARTHED

‘Wishing Your Life Away’ is out Now

Darcy Piltz: Official Website | Facebook | X | Instagram | YouTube | Unearthed 

October 15, 2025 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Recent Posts

  • Interview : Inside It’s Coming on Christmas – Jules Reflects on Grief, Nostalgia and the Beautiful Complexity of the Holidays
  • Interview: 44 Ardent Returns to His Electronic Roots on ‘Me, Again’
  • HARLEY GIRL drops high-energy new EP The Music, delivering club-ready chaos and emotional release
  • Live at the Gardens announce epic March 2026 season | Royal Botanic Gardens Melbourne
  • Interview: Sola Rosa on Rebirth, Rhythm and the Making of ‘Jupiter’ – The First Signal of a Bold New Era

Recent Comments

  • Shannon Austbo on RUNYAMOUTH hits the scene with explosive debut single HEAD ON A STICK
  • Anna on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Claire P on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Joe Travers on Trevor Kidd Teams Up with INXS and The Tea Party Legends for Explosive New Track “Sunshine”
  • Will s on Exploring Ego: Inside Pallas Haze’s Groovy Musical Odyssey Interview

Archives

  • December 2025
  • November 2025
  • October 2025
  • September 2025
  • August 2025
  • July 2025
  • June 2025
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2018
  • April 2018
  • February 2018

Categories

  • Eats & Drinks
  • Fashion & Culture
  • Festival News
  • Music Interviews
  • Music News
  • Others

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

MyListing is the most advanced directory theme made for WordPress. MyListing 2.0 improves and refines all aspects of the theme

 

  • Upload Event
  • Upload Listing
  • More Pages
  • [27-icon icon=”icon-box-2″] More
  • Categories
  • More Categories
  • More Categories #2
  • Locations
  • More Locations
  • Place
  • Event
  • Jobs
  • Real Estate
  • Cars
  • Create your own!
  • More demos
  • Facebook
  • Instagram

The Partae © 2025


Back To Top
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event