|
|
|
|||||||||
|
|
|
|
Perth/Boorloo post-shoegaze outfit Gloam take an introspective look at growth, progress and navigating change with shimmering new single Hinder.
Delving into the intricate dynamics of clinging onto discomfort out of fear, Hinder reflects a struggle with self assurance that ultimately, and aptly, hinders the ability to voice ones truth openly and move towards personal growth and empowerment.
“That fear may manifest in various forms,” tells the band. “Maybe it’s a reluctance to confront situations, an aversion to change, or perhaps another internal qualm. In essence, Hinder encapsulates the daunting conflict of resigning oneself to a subpar reality rather than mustering the courage to enact change or improvement. It’s an abstract that addresses the interplay between comfort and progress, relating to internal conflicts stunting the actualisation of self-fulfillment.”
Mixed and mastered by long time collaborator Cameron Murphy at Opaque Studios, the single debuted on triple j Unearthed TOPS on Wednesday evening, showcasing the band’s unique blend of ethereal soundscapes and relatable lyrical theming.
Forming in early 2022, Gloam are a four-piece that have already carved a name for themselves in their corner of the world. Rowan Hardy takes on vocal duties and guitar while Oli Booth joins as lead guitarist, George Blacklock on drums and Oakie Diggins on bass. Drawing inspiration from iconic shoegaze acts to the likes of Deftones, Diiv, Deafheaven, Nothing, Slowdive, and Whirr, Gloam take listeners on an immersive, genre-defying journey. Their swirling shoegaze style has proven to appeal to a diverse range of fans, resonating with followers of alternative, indie, hardcore, and metal music.
The quartet’s debut single Merchant released in July of 2022 and saw quick success with an add to Spotify editorial playlist Adrenalin, tens of thousands of digital streams and counting. The single was pulled from their warmly received self-titled EP released later that year, offering a tantalising introduction to the foundations of Gloam’s dreamy creativity.
Despite their brief tenure on the live circuit, Gloam has already made a significant impact, sharing the stage with international acts Deafheaven (USA), Movements (USA), Boston Manor (UK), Touché Amoré (USA) and Hubris (CH) as well as a collection of Perth alternative favourites including Daybreak, Idle Eyes, No Brainer, Pinwheel, Shangrila and Vacant Home.
Hinder breaks Gloam’s silence and releases with the promise of more to follow. Hinder is available and streaming everywhere now.
|
|
|
|
|
|
|
|
Title: Lovely Destruction
Label: Decadon/Create Music Group
Las Vegas-based artist Decadon drops his debut full-length album “Lovely Destruction,” a deeply personal 20-track journey that represents his unique sonic style. He has become known for mixing dubstep and melodic bass with his rock music roots, and the body of work is a dynamic representation of all of the above. From the ominous beginning of “Fragile State of Mind” to the punk-rock lyrics mixed with stabbing bass in “My Ever After” and the ethereal, digitized bass of “Talking to Myself,” Decadon’s genre-bending sonic range is nothing short of impressive. “Lovely Destruction” took almost 3 years to bring to life following the death of Decadon‘s father in 2020, and the depth of his emotions while creating this therapeutic project reverberates through each track. By the closing notes of “Save Me,” you can feel the healing that occurred throughout the process of the album, and Decadon hopes that the album will serve as an emotional outlet to others as well.
“This body of work is extremely important to me because it was something my father and I talked about putting together for years. I always wanted my debut album to really show both sides of the music I love. There’s beauty in destruction, even though it’s tougher to see, it’s there. The album truly reaches across a wide range of sounds, I’m so proud of it. This album started as a collection of a few songs I had written very soon after losing my father in 2020. It was my therapy, and then as the music started to flow more and build upon one another, I started seeing a body of work forming.” – Decadon
Decadon, aka Donnie Miller, is an American musician originally from Denver, Colorado and a unique force in dance music. Seamlessly merging the raw energy of rock with the pulsating beats of bass music, he is self-taught in multiple instruments. His intense interest in technology combined with his love of writing and performing music lead him to electronic dance music. He has been supported by industry heavyweights such as The Chainsmokers, Excision, and Diplo, and has collaborated with unique celebrities like Riff Raff, Hulk Hogan and more. His unique blend of DJ performances and live guitar captivate audiences at his shows and festivals. His new album marks a pivotal moment in his career, solidifying his position as a trailblazer in the convergence of rock and bass music, promising a future filled with innovation and sonic exploration.
SUPPORT FOR ‘CRITICAL HIT’
“Big, distorted guitars, pummelling drums and a low slung bassline, with the vocal hook ‘I’ll bring you back to the menu soundtrack’ sure to be stuck in your head before the first listen is over.”
Pilerats (AUS)
Boorloo/Perth-based nu metal band Indigo Blaze have just revealed their new single ‘CRITICAL HIT‘ – produced and mixed by Matt Templeman (Make Them Suffer, Voyager, Sly Withers).
‘CRITICAL HIT’ is a fiery exemplar of vigorous nu metal, emphasised by walls of rhythmic distorted guitars and the distinctive delivery of lead vocalist Rhys Gahan. A dynamic mix helps the interplay between more instrumentally reserved verses and the titanic, riff-heavy choruses, creating a raucous live energy.
The band talk about the inspiration behind recording ‘CRITICAL HIT’:
“Lyrically, the track comments on believing in yourself even when others don’t and being determined to push through and fight back the critics. As always, though, with Rhys’ unique style of wordcraft with some video game references thrown in. ‘Bring you back to the menu soundtrack’ – calls out to the old arcade days when you beat your opponent. All in all, for us, this song is a sly and not too serious shot back at the critics who doubt what we’ve been creating when the crowd and vibe we generate at our shows say different.”
In the live arena, the band have sold out multiple hometown headline shows and supported the likes of Gyroscope, Ocean Grove, The Southern River Band, Late 90s and SHANGRILA.
Previous singles have seen support from Spotify and Apple Music, as well as online tastemakers Pilerats, MILKY, HEAVY Mag, Hardbeat (UK) and Illustrate Magazine (UK). They’ve also received radio love from the likes of triple j, Double J, triple j Unearthed and Australian community stations FBi, RTR, 4ZZZ, Radio Adelaide and Aussie Music Weekly.
Taking cues from luminaires Limp Bizkit and Beastie Boys, Indigo Blaze has quickly created a fervent fanbase through their electric live shows. The band explain, “Our first mixtapes had tracks influenced by classic rock, disco funk, indie and electronic, but as we started playing shows, our heavier roots couldn’t be denied, and the nu-metal influence we’ve since fully embraced came to be. We pride ourselves on our live show energy; no matter the crowd or the show, we give everything we have. We are a group of blue-collar lads from the working-class suburbs of Perth, and we make our music for those who want to let their hair down a bit and get a little silly.”
‘CRITICAL HIT’ is available worldwide now
Click to stream ‘CRITICAL HIT’
FOLLOW INDIGO BLAZE
FACEBOOK | INSTAGRAM | TIKTOK
SPOTIFY | APPLE MUSIC | AMAZON MUSIC | SOUNDCLOUD | YOUTUBE |
Welcome back to Australia, Emily! After living in the UK for 20 years, how does it feel to return home and share your music with your roots again?
Thank you very much! It feels so good to be home after such a long time away. I’m loving being close to family and the Indian ocean! Until now I’ve not released any of my albums whilst living in Australia so although I’m in the UK right now at time of release (because it’s where most of my fanbase is) I’ll be back shortly after to do a series of West Australian, then east coast, tour dates.
Your new album, “Fragile as Humans,” explores deeply personal themes. Could you tell us about the inspiration behind this shift towards more introspective storytelling?
It was an introspective time because the UK was in lockdown and Western Australia so firmly shut its borders so there was no way of getting back. Touring stopped and life became smaller. There was time to think, to go deep, to read, to witness and sit with sides of myself that I hadn’t previously had time for. Alongside the discomfort of self reckoning was a whole load of beauty though and I came to see the time as a gift. I think despite the songs being introspective, they’re potentially far-reaching in that so many people could relate to what I’m exploring lyrically.
“With Small We Start” is the opening track on your album and seems to set a warm, acoustic tone. What was the creative process like for this song, and why did you choose it to kick off the album?
‘With Small We Start’ felt like a light entry to an album that contains some weightier content and in some ways the song is more akin to some of my previous work in style (whereas I think some of the other songs are more of a departure stylistically). I had the verse melody for this song kicking around for a while. I kept coming back to it but couldn’t match it with a chorus / other section. I finally found the rest of the song when I was on a writing retreat in Stroud and going for really long walks through the woods on the grounds of Hawkwood. I actually had two choruses and couldn’t decide which one was working best so decided to use both – that’s what you hear at the end with the faint backing vocals singing ‘northern lights’…
“Feathered Thing” addresses themes of grief and loss, inspired by personal experiences. How did you approach translating such intimate emotions into your music?
Sometimes I write more on the nose but at the time of writing this song I’d just had a miscarriage and found it too painful to write about directly. I was reading a lot of Emily Dickinson and kept coming back to her poem ‘Hope is a thing with feathers…’ This idea of hope manifested in the image of a bird, stuck with me and became central to the lyrics in ‘Feathered Thing’. I’d just seen the devastation of some bushland in the southwest of Australia and a tiny blue wren sifting through the ash which to me symbolised life after tragedy.
Your collaboration with producer Luke Potashnick on this album seems to have been quite intensive and collaborative. Can you share with us a bit about that process and how it influenced the final product?
I’ve never worked with a producer in this way before where he became my editor as well. We put each line under the microscope and it was brilliant because sometimes as a writer you go…”well, that’s good enough for that line I think” – he spotted every one of those I’d done and asked me to dig a bit deeper, be persistent. I loved that. I think it’s ultimately made the songs stronger even though it was just a few tweaks here and there. Sonically, I trusted Luke’s vision and musicianship from the get-go. We seemed to be on the same page immediately and both felt the songs had a cinematic feel to them that the production should push. I’m so pleased with what the songs became, couldn’t be happier.
The album features a mix of solo tracks and full-band productions. How did you decide which songs would benefit most from a fuller arrangement?
We knew it would be an album of roughly half solo(ish) and half band. I think the only one that changed was ‘The Quiet Ways’ which started without drums but I think the drum sound on that track might be my favourite thing about the record! So yeah, we had ideas on this before and also it was partly to fit with budget, but it was cool that there was the possibility to respond to the moment and change tack.
Your single “Wild to be Sharing This Moment” has a cinematic quality to it. Can you elaborate on the production choices behind this song and how they contribute to its atmosphere?
This album has a lot of drones, Wild to be Sharing perhaps has the most. That means there’s constant tension and release throughout as the drone notes sit more comfortably within certain chords and then more awkwardly in others. I feel this creates a cinematic atmosphere. Also, we wanted to really push the dynamics to give it scale. There’s so many quiet, quiet moments on the album that we contrast with epic ones.
You mentioned experimenting creatively throughout the album. Could you share an example of a moment where you pushed yourself outside of your comfort zone during the recording process?
I pushed myself harmonically in these songs in terms of chord progressions and extensions. I wanted to favour the odd and unexpected but pull it together melodically. I think with Luke’s taste too, he pushed some of the production sounds beyond what I might have thought safe and I’m soooo glad for it. They’re now my favourite sounds on the record.
“Call it a Day” reflects on your experiences living in the UK for over two decades. What aspects of your time there influenced your songwriting the most?
I think it influenced me topically. I couldn’t stop writing about “home”. What it means. Is it the people? The place? The story? But I think also the sound here, there’s an introversion here that has always appealed to me and allowed me to access the quieter, more vulnerable sides of myself.
Your upcoming shows in Perth must be exciting after returning home. How do you envision these performances reflecting the themes and energy of your new album?
Yeah I can’t wait to gig this record on homeshores! I’ll be doing a range of solo, duo (with Lukas Drinkwater on double bass), and also full band shows. I think, in keeping with the record, I want to make sure there’s loads of dynamic range and lots of drones.
As you prepare for these live shows, are there any particular songs from “Fragile as Humans” that you’re especially eager to perform live, and why?
‘Wild to be Sharing This Moment’ feels particularly pertinent at this time and, having performed it live quite a bit already, I can see that it moves and connects people in the crowd. That feels like the hugest honour.
Finally, if you could convey one overarching message or emotion to your audience through “Fragile as Humans,” what would it be, and why is it important to you?
I’m glad you asked. In a word: compassion. We desperately need more of it to navigate this complex and polarising world in which we find ourselves.
Ixara Dorizac (known as ixaras), the 16-year-old musical prodigy known for her infectious indie rock tunes and unwavering commitment to inclusive live music experiences, proudly announces the launch of her record label, Anti Dismal. Born out of her own frustration with age restrictions in the music industry, Anti Dismal aims to break down barriers and provide accessible live music opportunities for all ages.
The triple j unearthed High finalist has long been a vocal advocate for youth access to live music. Her journey began at the age of 14 when she founded Anti Dismal in response to being denied performance opportunities at 18+ venues. Now, Anti Dismal stands as a beacon of inclusivity and accessibility in Brisbane’s music scene, offering not only captivating live shows but also serving as a record label and event management company.
Anti Dismal‘s mission is multi-faceted, with a focus on creating, distributing, and promoting music while also managing and organising all-ages gigs. The label’s commitment to providing safe and engaging spaces for young music enthusiasts has garnered widespread acclaim, with events regularly attracting diverse audiences spanning multiple generations.
In an exciting development, Anti Dismal is proud to announce a partnership with Brisbane-based music distribution company, DistroDirect. This collaboration will enable Anti Dismal to amplify its reach and impact, leveraging DistroDirect‘s robust infrastructure to support emerging artists and further expand access to quality live music experiences.
“We’re thrilled to partner with DistroDirect,” says Dorizac. “Together, we will continue to champion the importance of youth access to live music and provide a platform for emerging artists to thrive.”
With the launch of Anti Dismal and its partnership with DistroDirect, Ixara Dorizac and her team are poised to revolutionise the music industry, one inclusive gig at a time.
For more information on Anti Dismal and upcoming events, visit the instagram
|
|
|
|
|
|
|
|
|
|
|
|
How did being stuck in lockdown and dealing with personal stuff shape “Better”? Was it like pouring all those emotions into the music?
So, why “Better” for the EP title? How does it vibe with the themes you’re exploring in your tunes?
You mentioned each track on the EP’s got its own flavor, but they all fit together like a tight playlist. How’d you piece that puzzle together?
Tell us about teaming up with your buddy Leon Antonov. How did that duo dynamic play out when you were laying down tracks?
“Sunny” and “Bad Days” are like sunshine and rainbows in song form, even though you wrote them during some heavy times. How’d you turn those tough moments into feel-good tunes?
What hurdles did you face turning the project into a solo gig after hitting some roadblocks? How’d you slam dunk those obstacles?
Walk us through your EP track list game. How’d you pick the tunes and line them up to tell your story of chasing brighter days?
How do you see your music hitting home with listeners, especially those who are battling their own storms and looking for a musical lifeline?
What’s next on the horizon for your music journey?
Great Gable Release: “Think Again Motherf*cker” follows their 2023 EP “Read The Room” and marks their second release of the year, following the February single “Best Friend.” The band is gearing up for an exciting period, embarking on a 15-date UK/EU tour with Death By Denim, Ryan Edmond, and Matija throughout May and June.
Title: Warmth (feat. Jono Dorr)
Label: Kanary Records
The summer anthem you’ve been craving for is finally here! “Warmth,” the new single by the chart-topping duo DVBBS and producer Boaz van de Beatz, featuring Jono Dorr, is more than just a song – it’s a sonic journey that promises to envelop you in euphoria. Imagine soulful vocals, uplifting melodies, and a euphoric drop that will have you swaying with a smile at your next big event with best friends or a significant other. This isn’t just a release; it’s an invitation to embrace the warmth of connection, be it a cherished memory or a loved one’s touch. So, put on your dancing shoes and get ready to be drawn in by the track’s irresistible production and positive vibes. “Warmth” follows DVBBS‘ latest hit “Let You Down” with Gabry Ponte and Sofiloud, and serves as a promise for an amazing festival season ahead.
“We wrote ‘Warmth‘ in the winter & now that the seasons are changing and we get to finally share this piece of art with the world, is really special to us. We hope you enjoy our new record and it brings some great memories to your summer 2024” – DVBBS
DVBBS
Only a few producers have risen to the top in the electronic music scene as quickly as DVBBS, who captured the industry’s attention with hits like “Tsunami” and “Not Going Home” and never let it go. The Canadian brothers Alex and Christopher have been continuously cultivating their sound since their debut in 2012 and have racked up an impressive display of collaborations with renowned names from diverse musical backgrounds, such as blackbear, 24kGoldn, Jasmine Thompson, Belly, NERVO, Juicy J, Galantis, Cody Simpson, Aloe Blacc, Icona Pop, GASHI, and more. DVBBS continue to prove there’s nothing they can’t accomplish. Their hits, such as “La La Land,” “Gold Skies,” and the breakthrough “Angel” are staples in every dance music fan’s library. DVBBS perform a staggering 250 dates per year at some of the world’s hottest music festivals and top-tier clubs, including Tomorrowland, EDC Las Vegas, Ultra Music Festival, Hakkasan Las Vegas or Ibiza‘s Amnesia, and Ushuaia. Throughout their career, DVBBS has proved they are relentlessly dedicated to expanding their global footprint and bringing cutting-edge new music to their listeners.
Boaz van de Beatz
A true alchemist of sound, Dutch record producer and DJ Boaz van de Beatz (born Boaz de Jong) isn’t content with staying in one lane. He ignited the Dutch hip-hop scene by founding the Nouveau Riche label, a launching pad for talents like Mr. Polska and Jebroer. But Boaz craved a wider sonic canvas. Since 2013, he’s morphed into a dance music maverick, dropping genre-bending EPs on Mad Decent while weaving his magic for superstars like Madonna, Ariana Grande, Pharrell Williams and Diplo (even co-creating with Major Lazer). Boasting 3 consecutive Dutch “Best Producer” awards, Boaz van de Beatz isn’t just blurring the lines between rap, dance, and electronic music – he’s redefining the future of sound itself.
Title: Mockingbird
Label: Musical Freedom
Tiësto, Dimitri Vegas & Like Mike, and Gabry Ponte teamed up to take on a bold project–putting an electronic spin on Eminem‘s iconic hit “Mockingbird” from 2005. While remaking an Eminem track is never something to take lightly, the artists leveraged their collective 30+ years in production to craft a version that pays homage to the original and carves out its unique identity. Opening with a haunting xylophone solo, “Mockingbird” then ups the ante with heart-pounding four-on-the-floor bass combined with hardstyle-influenced synths that make for an absolute dance floor heater. The distinct nostalgic sound has seen a resurgence in the modern era, making “Mockingbird” a perfect follow-up to Tiësto, Dimitri Vegas & Like Mike, Dido, and W&W‘s “Thank You (Not So Bad)” from December 2023, which already gathered over 130M streams on Spotify alone. Furthermore, “Mockingbird” is already a highly anticipated release since Tiësto dropped it in his main stage set at Miami‘s Ultra Music Festival back in March this year.
“I’m thrilled to be teaming up with these incredible dance music artists to put our spin on an iconic early 2000s hit. This is one of those tracks that continues to get better with time, and I hope our version continues to breathe life into this incredible record.” – Tiësto
“This track has been an absolute monster in our sets lately, so we’re excited to give it an official release finally. Paying homage to a classic of this scale is always difficult, but we’re pleased to see the reaction so far has been so positive. Teaming up with Tiësto and Gabry in the studio is always a pleasure, and this one is extra special because it’s one of several big releases we’ve lined up for this year’s festival season.” – Dimitri Vegas & Like Mike
“Teaming up with legends like Tiësto and Dimitri Vegas & Like Mike is like pure energy! Taking Eminem‘s Mockingbird melody and weaving it into our new anthem is like adding rocket fuel to the dancefloor fire. The result? Pure energy that’s already blown up the dance floors at major festivals!” – Gabry Ponte
Tiësto
GRAMMY® Award-winning, platinum-certified, international icon, Tiësto has over 8B global streams across platforms, 36M+ total record sales, 30M+ social audience and over 160M TikTok video views across users. The DJ and producer is the only artist to ever hold the titles of “The Greatest DJ of All Time” courtesy of Mixmag, #1 DJ according to Rolling Stone, and “The Godfather of EDM,” as proclaimed by Billboard. From his underground dance floor bangers to his high-profile Las Vegas residency and crossover success, Tiësto created the blueprint that defines what it means to be a success in today’s dance music world.
Dimitri Vegas & Like Mike
Since their debut in 2007, Dimitri Vegas & Like Mike have been making waves with hits like “Mammoth,” “Tremor” with Martin Garrix, “The Hum,” “Higher Place” in collaboration with NE-YO, and “Hey Baby” with Diplo, all of which went Platinum and spent record amounts of time on the Billboard Dance charts. Further flexing their prowess, the brothers teamed up with Hans Zimmer to rework “Dead Men Tell No Tales” from the 5th instalment of “Pirates of the Caribbean.” Then teamed up with David Guetta and Kiiara on “Complicated,” which has over 170M streams on Spotify and more than 90M YouTube views, and released one of the biggest songs of the summer 2019 – “Instagram,” which also featured David Guetta, Afro Bros, Daddy Yankee, and Natti Natasha. Pairing these chart-topping accomplishments with a packed tour schedule that has included Tomorrowland, EXIT festival, Lollapalooza, Untold, Creamfields, EDC Las Vegas, and more, the world has fallen in love with the duo’s high-energy performances and dynamic style. They have consistently been ranked on DJ Mag’s Top 100 DJs and became the first duo to take the #1 spot, further flexing their prowess by teaming up with hitters like Wiz Khalifa, Snoop Dogg, Martin Garrix, Steve Aoki, Afrojack, Fatboy Slim to Lil Jon, and remixing superstars like Coldplay, Lady Gaga, Jennifer Lopez, The Chainsmokers, Major Lazer and many more. Currently ranked #3 on the prestigious DJ Mag’s Top 100 DJs chart, marking a decade-long reign in the top five of the Poll, the brothers have clearly shown they are among the most recognisable artists in dance music history. Constantly evolving with the times, clocking up 35 million fans on social media, combined with billions of music streams and video views of their live performances and music, Dimitri Vegas & Like Mike are certainly ones to watch for many more years to come.
Gabry Ponte
In 1998, he made waves with the debut single “Blue (Da Ba Dee)” alongside his band Eiffel 65, a chart-topping hit that sold over 8 million copies worldwide. Following this success, his solo career took off immediately, garnering the same level of acclaim from fans. His collaborations with LUM!X on tracks like “Monster” and “Thunder“, released in 2019 and 2021, have dominated the dance market, amassing millions of streams and earning multiple certifications, including 2 diamond records in France. Another standout moment is his collaboration with Aloe Blacc on “Can’t Get Over You“, released in December 2021. Aloe Blacc, renowned for his vocals on hits like “Wake Me Up” and “SOS” with the legendary DJ producer Avicii, brought his signature magic to this track. The year 2023 marked a pivotal moment for the Italian DJ producer as he made his debut at the prestigious Tomorrowland Festival, adding another milestone to his already impressive career. During the 2024 Tour, renowned venues in Italy such as the Forum in Milan, Inalpi Arena in Turin, and Unipol Arena in Bologna witnessed sell-out shows, hosting over 40,000 enthusiastic fans.
|
|||||
|
Since becoming the first hip hop artist to win the triple j Unearthed High competition in 2017, Arno Faraji has become a mainstay of Perth’s bustling hip-hop scene, and is now at the forefront of a greater, nation-wide rap explosion. Inspired by the grooves of Kaytranada and Smino, his verses have the ability to move between the playfulness of Goldlink and the ferocity of Childish Gambino, and this refreshing approach to hip-hop has cemented Arno as one of the genre’s most exciting and forward-thinking names. Garnering acclaim through a series of self-written and largely self-produced solo tracks including ‘On The Move’ and ‘Gravity’, Arno has collaborated with the likes of REMI and Sensible J on ‘Bless (What It’s Like)’, Two Another on ‘Just A Phase’, as well as the Milan Ring-assisted ‘Scalin’’.
Not only a jack-of-all-trades across rapping, production and songwriting, Arno Faraji is a force to be reckoned with on the live stage as well: captivating crowds across Vivid LIVE, Groovin The Moo, FOMO and Yours & Owls Festival, and collected fans while warming stages for Little Simz, Rejjie Snow, Cosmo’s Midnight and The Streets among others. With his debut mixtape now on the horizon, #FARAJISZN is only just beginning.
ARNO FARAJI
Return To Raji Mixtape
September 12, 2024
PRE-SAVE HERE
‘Boss Energy‘ is out now, buy/stream it here.
Stay connected with Arno Faraji:
23 Profile | Website | Spotify | Instagram | X | YouTube
|
|
|
|
|
ZACHARY LEO
ANNOUNCES UPCOMING EP AND SHARES LIVELY RELEASE ‘ON MY MIND’
SUPPORT FOR ‘ON MY MIND’
“Vintage synthesisers add to the sparkle, accompanied by gorgeous harmonies. It’s a summer-soaked immersive journey that hits in so many directions.”
The AU Review (AUS)
Naarm/Melbourne-based funk-pop artist Zachary Leo has just announced his exciting new EP, out Friday, June 14. Accompanying this announcement is his latest single off the record, ‘On My Mind‘ – produced and mixed by Tobias Priddle and mastered by Pieter De Wagter.
‘On My Mind’ erupts with pulsating bass grooves and soul-drenched vocals, enveloped in the velvety embrace of plush pads that effortlessly intertwine funk, jazz and rock. Vintage synthesisers punctuate the arrangement, injecting a burst of dynamism, while the chorus ascends with precision, adorned with crisp, staccato harmonies and intricate picking patterns.
Zachary Leo talks about the inspiration behind ‘On My Mind’:
“‘On My Mind’ is about trying to reach out to someone close to you to tell them something is wrong but struggling to find the words to explain how you are feeling. The song’s meaning is backed by an upbeat disco/pop-style groove that contradicts the lyrical theme. It kind of represents how I go about my day-to-day life; inside, I am struggling, and on the outside, I am full of beans and ready to take on the day.”
To celebrate the release of the upcoming EP, Zachary Leo will be performing at The Bergy Bandroom in Naarm/Melbourne. In the live arena, Zachary has previously shared the stage with acts such as Cub Sport, Thirsty Merc, Pacific Avenue, Great Gable, Big Words and The Moving Stills, along with multiple sold–out headline shows.
Previous tracks have been supported by the likes of triple j, triple j Unearthed and Australian community radio stations such as FBi Radio, 2SER, SYN Media, 3RRR and 4ZZZ. In the online space, releases have also seen support from Backseat Mafia, Beat Magazine, MILKY, Music Feeds, Pilerats, The Australian Music Scene and The AU Review. His previous music video for ‘Pretty Girl‘ was also added to MTV Upload.
‘On My Mind’ is available worldwide now
ZACHARY LEO
UPCOMING EP LAUNCH SHOW
SAT 27 JULY | THE BERGY BANDROOM, NAARM/MELBOURNE VIC
FOLLOW ZACHARY LEO
FACEBOOK | INSTAGRAM | TWITTER
SPOTIFY | APPLE MUSIC | AMAZON MUSIC | SOUNDCLOUD | YOUTUBE |