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Festival NewsMusic News

Sigur Rós Australian Orchestral Tour 2025

by the partae September 27, 2024
written by the partae

Few bands have the ability to cut through the noise and distractions of modern life like Sigur Rós, delivering pure, elemental emotions. Now, the Icelandic group is set to return to Australia, accompanied by a 41-piece orchestra, in support of their most personal and emotionally charged album yet, ÁTTA.

Since their formation, Sigur Rós has masterfully combined ambient electronics, orchestral arrangements, and rock elements, all led by Jónsi’s ethereal falsetto. Their journey began with their debut album, Von (1997), but it was their second release, Ágætis byrjun (1999), that earned them international fame. The critically acclaimed album won the Shortlist Music Prize and was hailed as Iceland’s Album of the Century. Their follow-up, ( ) (2002), furthered their innovation with Jónsi’s unique “Hopelandic” language.

Over the years, Sigur Rós has delivered several chart-topping albums, including Valtari (2012), which topped charts in Iceland and Ireland, and reached No. 7 in the US. Their 2013 album, Kveikur, took the band’s sound in a darker, more assertive direction, earning Top 20 spots worldwide. That same year, Sigur Rós appeared on Game of Thrones and even made a guest appearance on The Simpsons, providing a unique rendition of the show’s theme.

Renowned for their captivating live performances, the band has played at major festivals like Coachella, Glastonbury, and Lollapalooza, as well as selling out venues around the world. Their shows are celebrated for their emotional depth, immersive atmosphere, and breathtaking visuals. After a five-year break from touring, their 2022 world tour marked a triumphant return, delighting audiences with new and classic material.

Their latest album, ÁTTA (2023), marks a decade since Kveikur and reunites Jónsi, Georg Holm, and Kjartan Sveinsson. The album, recorded with a stripped-back approach and strings at Abbey Road Studios, blends lush orchestral arrangements with an intimate emotional focus, reflecting on the post-pandemic world.

Following a successful US tour with orchestras including the Detroit Symphony Orchestra, Sigur Rós will bring this orchestral experience to Australia. Fans can expect a mesmerizing performance that weaves together beloved classics and new material from ÁTTA.

Sigur Rós’ 2022 Australian tour sold out quickly, so don’t miss out on tickets for this highly anticipated return. Presale for Adelaide, Melbourne, and Brisbane begins at 10 am local time on Wednesday, 2 October, with general public tickets available from 10 am local time on Friday, 4 October.

SIGUR RÓS AUSTRALIAN ORCHESTRAL TOUR 2025
Sat 17 May – AEC Theatre, Adelaide
Mon 19 May – Hamer Hall, Melbourne
Tue 20 May – Hamer Hall, Melbourne
Fri 23 May – Venue To Be Announced, Sydney*
Sat 24 May – Venue To Be Announced, Sydney*
Sun 25 May – Venue To Be Announced, Sydney*
Tue 27 May – QPAC Concert Hall, Brisbane
  *Not promoted by Secret Sounds & Double J

TICKETS
Presale available from 10am local time Wednesday 2 October
Tickets on sale to the general public from 10am local time Friday 4 October

September 27, 2024 0 comments
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Festival NewsMusic News

HE.SHE.THEY. Records Announces Global Partnership with Too Lost, Kicking Off at ADE 2024

by the partae September 27, 2024
written by the partae

HE.SHE.THEY. Records has revealed a new flagship partnership with music distribution disruptors Too Lost, launching at Amsterdam Dance Event (ADE) 2024. Celebrating this milestone, HE.SHE.THEY. will host multiple events, including the main stage at Dockyard Warehouse Festival, a stage at Mystic Garden Festival, a mixer, and a boat party. Featured artists include Indira Paganotto, DAX J, SPFDJ, Eats Everything, and Jennifer Cardini, among many others.

HE.SHE.THEY. Records, known for its commitment to diversity and inclusion, has grown significantly over the past six years. With events spanning 20 countries and collaborations with major festivals like Coachella and Glastonbury, the label is recognized for breaking barriers in the electronic music scene. Their new partnership with Too Lost aims to further amplify the voices of cutting-edge artists from the global underground while expanding the label’s reach.

Founders Sophia Kearney and Steven Braines expressed excitement about this new phase for HE.SHE.THEY., highlighting their shared vision with Too Lost to create a more inclusive and diverse music industry. The partnership promises to provide a supportive platform for artists at every stage of their careers, focusing not only on house and techno but on a variety of genres.

Too Lost also praised the partnership, calling HE.SHE.THEY. a leading inclusivity brand in dance music, and expressed their commitment to supporting the label’s continued growth.

The launch of this partnership will be marked by four HE.SHE.THEY. events during ADE 2024, including the Wet Your Whistle Mixer on October 16, and a boat party on October 17. The weekend will culminate with simultaneous parties at Dockyard Warehouse Festival and Mystic Garden Festival on October 19, featuring an array of diverse talent across two venues.

The partnership with Too Lost signals an exciting future for HE.SHE.THEY. Records, continuing their mission to foster equality, diversity, and inclusion in the global music industry.

HE.SHE.THEY. X ADE 2024 EVENTS 

16/10 – WET YOUR WHISTLE MIXER – DUKE OF TOKYO 

Abel – Nyra – Secret Special Guest – The Menendez Brothers – Timanti

17/10 – HE.SHE.THEY X ADE BOAT PARTY

Bella – Cinthie b2b SYREETA – Eats Everything

*Hosted by Brother of Set & Mama Stylist

19/10 – DOCKYARD WAREHOUSE FESTIVAL | HE.SHE.THEY. MainStage (HEMBRUGTERREIN, ZAANDAM) TICKET LINK HERE 

21:00 – 23:00 – Dax J b2b SPFDJ

19:30 – 21:00 – Indira Paganotto

18:30 – 19:30 – SNTS

17:00 – 18:30 – Cera Khin

15:00 – 1700 – Adiel b2b Grace Dahl

13:30 – 15:00 – Chippy Non Stop

12:00 – 13:30 – Wax Wings

19/10 – MYSTIC GARDEN FESTIVAL ADE | HE.SHE.THEY. stage (HAVENPARK, AMSTERDAM)  TICKET LINK HERE 

21:30 – 23:00 – Roi Perez

19:30 – 21:30 – Jennifer cardini  b2b Gabrielle Kwarteng

17:30 – 19:30 – Carlos Valdes b2b Kyra Khaldi

15:30 – 17:30 – Benny Rodrigues b2b SYREETA

14:00 – 15:30 – Elisa Elisa

12:00 – 14:00 – Andy

For more information on HE.SHE.THEY. 

Instagram l Website l Bandcamp

September 27, 2024 0 comments
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Music InterviewsMusic News

Danger Den: “New Year’s Eve” – Heartbreak Inspires Pop-Punk Anthem

by the partae September 27, 2024
written by the partae
What was the inspiration behind “New Year’s Eve,” and how did the personal yarn behind the lyrics shape the track’s vibe?
So long story short ‘New Year’s Eve’ is basically about how I met my girlfriend at the time except it wasn’t on New Year’s Eve though, but a similar party type setting. We met at this nightclub called “Monsoons” while I was still living in Darwin back in 2021. So anyways this song is about that encounter, before I could show her this song she broke up with me but I thought this was a pretty good song anyway so I kept it.

How has the band’s sound evolved since dropping Pull Yourself Together? Have you kept the same flavour or thrown in a few new twists?
 
Our last single before ‘New Year’s Eve’ was ‘Merch Guy Mike’s Favourite Song’ which was released back in February 29th this year and that song had more of a classic rock feel and was a bit heavier sounding. Most of our new stuff is sort of heading in that similar direction, so a little bit more traditional rock n’ roll sounding and a little bit experimental too. But in saying that though, ‘New Year’s Eve’ does have a lot of ‘Pull Yourself Together’ pop-punk vibes to it. We brought back our classic pop-punk sound just for this one.

What was it like working with a top-notch producer on “New Year’s Eve” instead of doing it all yourselves? Did the process feel like a step up from the usual DIY approach?
 
Definitely a step up, I mean you’re working with professionals and with better equipment so it’s a no brainer. Working with Ash and Ev from the Loud Noise Estate was a great experience! I’ll admit that I was kind of expecting a bit of a learning curve with working with them though. It was my first time working with a producer and I’ve just been so used to doing it all myself at the comfort of my own home for many years which is why I had that initial expectation but Ash and Ev were super easy to work with and are great at what they do!

Got any yarns about the recording process? Any moments where you thought, “Bloody oath, this is gonna be a ripper”?
 
Kind of, I do remember this exact moment though when we were tracking the drums, we decided to add China during the breakdowns of the song. When Jaime started playing with the China it just sounded amazing! It was at that moment I knew straight away that this song was gonna be a banger!

How does “New Year’s Eve” stack up against your earlier tracks? Is it in the same ballpark, or have you taken a different route?
 
I honestly think ‘New Year’s Eve’ could be the next crowd favourite! ‘Sugar Rush’ has been the favourite from our friends and fans for a long time but I think ‘New Year’s Eve’ will be the next ‘Sugar Rush’! But yeah like I said earlier though ‘New Year’s Eve’ does have similar pop-punk vibes to our first album but a little bit heavier in my opinion.

What can fans expect from the music video for “New Year’s Eve”? Did you go all out with a mad concept, or keep it more low-key?
 
So for the music video, we actually had this super original idea of getting drunk with our friends in front of a camera! So basically the setting of the music video is a house party gig, which is pretty pop-punk!

How did you tackle filming the music video? Did you bring in a pro to direct, or did you lads keep it DIY?
 
The video was directed by our friend Andrew Bromley. Andy is great at what he does, he also did the music video for ‘Merch Guy Mike’s Favourite Song’. It was fun and easy working with him which was why we asked him to work with us again for ‘New Year’s Eve’! The music video does have a bit of a DIY feel to it though. It kind of reminds me of one of those camcorder house party videos but yeah.

How’s it been moving from Darwin’s laid-back vibes to the hustle and bustle of Melbourne’s music scene? Any big changes?
 
Definitely a lot of changes, I’m loving it so far! There’s always something happening here in Melbourne which is great, just recently I went to a hip hop open mic night with a full band on a Tuesday night and that was great!

What’s on the horizon for Danger Den in 2024? Are you planning to hit the road or drop more tunes?
 
So we’re playing a show on October 19th, Saturday night at Revolver with our friends Jadedstate for their EP launch. After that we’ll be back in the studio again next year in early January to cook up more tunes!

How do you keep your sound true blue to pop-punk roots while still having a crack at new ideas?
 

Well I guess we just try not to overthink it really and just write songs that we want to play regardless of genres. If it sounds good to us that’s all that matters.

October 19th Show Tickets

September 27, 2024 0 comments
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Festival NewsMusic News

The Rions Unveil New EP, Announce Aus Tour

by the partae September 27, 2024
written by the partae

THE RIONS SHARE NEW EP HAPPINESS IN A PLACE IT SHOULDN’T BE AUSTRALIAN HEADLINE TOUR KICKING OFF NEXT MONTH

HAPPINESS IN PLACES AUSTRALIAN HEADLINE TOUR
Presented by triple j, UNIFIED Artist Management and Select Music

Fri 25 Oct – Edge Hill Tavern – Yirrganydji Country / Cairns
Sat 26 Oct – Dalrymple Hotel – Bindal Country / Townsville
Sun 27 Oct – Magnums – Ngaro Country / Airlie Beach
Sat 2 Nov – Hoey Moey – Gumbaynggirr Country / Coffs Harbour
Sun 3 Nov – Miami Marketta – Yugambeh / Gold Coast
Fri 8 Nov – Harvey Road Tavern – Bailai Country / Gladstone
Sat 9 Nov – The Station – Gubbi Gubbi Country / Sunshine Coast
Sun 10 Nov – Beach Hotel – Bundjalung Country / Byron Bay
Fri 15 Nov – Uni Bar – Dharawal Country / Wollongong
Sat 16 Nov – King St Bandroom – Awakabal Lands / Newcastle
Sun 17 Nov – Dee Why RSL – Kuring-Gai Lands / Dee Why
Fri 22 Nov – Horsham Showgrounds – Wotjobaluk Country / Horsham
Sat 23 Nov – The Pier Bandroom – The Pier Bandroom / Frankston
Sun 24 Nov – Torquay Hotel – Wadawurrung Country / Torquay
Fri 29 Nov – Northcote Theatre – Naarm / Melbourne
Sat 30 Nov – Hindley Street Music Hall – Kaurna Lands / Adelaide
Thu 5 Dec – Prince of Wales – Kaniyang Country / Bunbury
Fri 6 Dec – The River – Wardandi Country / Margaret River
Sat 7 Dec – Metropolis – Whadjuk Noongar Country / Fremantle
Fri 13 Dec – Roundhouse – Gadigal Lands / Sydney
Sat 14 Dec – Princess Theatre – Turrbal Lands / Brisbane
Sun 29 Dec – Beyond The Valley – Wataurong Lands / Barunah Plains
Mon 30 Dec – Great Escape Festival – lutruwita / Tasmania
Tue 31 Dec – Lost Paradise – Darkinjung Country / Glenworth Valley

For all dates and details, visit HERE.

Stay connected with The Rions:
23 Profile | Official Website | Instagram | Facebook | Twitter | Unearthed | YouTube

September 27, 2024 0 comments
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Eats & DrinksMusic News

Akuna: A Michelin Star Experience in Ho Chi Minh City

by the partae September 25, 2024
written by the partae

In the bustling heart of Ho Chi Minh City, Akuna stands as a luminous testament to culinary excellence, newly adorned with a Michelin star that reflects its extraordinary vision. Under the astute leadership of Head Chef Sam Aisbett, this restaurant transcends the traditional dining experience, inviting patrons into a sophisticated haven where the art of Vietnamese cuisine is celebrated with both reverence and innovation.

From the moment one steps through the doors, Akuna envelops guests in an exquisite ambiance, seamlessly blending contemporary elegance with subtle nods to local heritage. The design is a harmonious interplay of refined aesthetics, featuring soft lighting and carefully curated decor that create an inviting yet upscale atmosphere—ideal for intimate dinners or significant celebrations.

The culinary offerings are nothing short of breathtaking. Each dish is a masterclass in balance and artistry, crafted with precision and presented with flair. Chef Aisbett’s commitment to showcasing the best of seasonal and local ingredients is evident, with flavors that resonate deeply while also pushing boundaries. The overall dining experience unfolds as a journey of sensory discovery, where each course captivates the palate and leaves an indelible impression.

Accompanying this gastronomic marvel is an impeccable level of service. The staff is not only well-versed in the intricacies of the menu but also genuinely passionate about curating a memorable experience for each guest. Their attentive and informed approach elevates the entire dining affair, creating a seamless interplay between food and service.

With a steadfast commitment to sustainability and ethical sourcing, Akuna exemplifies a modern dining ethos that respects both the ingredients and the environment, setting a high standard in today’s culinary landscape.

In a city renowned for its vibrant food culture, Akuna is an unmissable destination for discerning diners and adventurous food lovers alike. With its stunning atmosphere, exceptional service, and exquisite culinary creations, this Michelin-starred establishment unequivocally deserves its accolades—a resounding 10 out of 10.

9F, Le Méridien Hotel, 3C Ton Duc Thang Street, Ben Nghe Ward, District 1, Ho Chi Minh City, 700000, Vietnam

 

https://akunarestaurant.com

September 25, 2024 0 comments
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Festival NewsMusic News

Peach Pit Announce 2025 Australia & New Zealand Tour

by the partae September 24, 2024
written by the partae

With a new album on the horizon, winsome Vancouver indie outfit Peach Pit today announce their live return to Australia and New Zealand next February/March 2025 – The Magpie Tour. Presented by Frontier Touring, the Canadian four-piece will play five exclusive headline shows in Perth, Brisbane, Melbourne, Sydney and Auckland.

With both their new album title – Magpie, due out October 25 via Colombia Records – and its lead single (listen here) inspired by our favourite birds, Peach Pit are ready to return to our shores once again. Across 11 tracks on the band’s latest and fourth studio album, members Neil Smith (vocals), Chris Vanderkooy (guitar), Peter Wilton (bass) and Mikey Pascuzzi (drums) showcase a masterclass in expansive arrangement and deeply felt songwriting – a winning formula that only continues the incredible trajectory Peach Pit have been on since their star-making debut EP Sweet FA in 2016.

Magpie, the follow-up to 2022’s From 2 to 3 (which features fan favourites ‘Give Up Baby Go’ and ‘Up Granville’), didn’t come easily. Initially inspired by The Beatles’ Let It Be recording sessions, as seen in Peter Jackson’s Get Back documentary, Peach Pit hoped to adopt a similar spontaneous approach. “We wanted to go into the studio with a bunch of songs that we’d flesh out and write on the fly,” Smith explains. “We’d done that a bunch of times before for singles here and there, so we were like, ‘Let’s try making a record that way’.” But after a few studio sessions in their native Vancouver that ultimately proved fruitless, the band felt creatively stuck. “At a certain point, we were like, “Damn, this isn’t really working for us,” Smith recalls. The band took a break in the process to head to Melbourne for their debut tour of Australia, where they found inspiration.

 

“I was struck by how magpies are seen as both good and bad omens,” says Smith of Australia’s beloved avian. This duality resonated with the singer, especially in relation to his decision to quit drinking as well as the ups and downs the band experienced while creating Magpie. “The album reflects those highs and lows, from heartbreak to new love.”

 

Don’t miss the captivating Peach Pit live on stage in February 2025. Tickets go on sale Monday 30 September 30 at 11am (local time) via frontiertouring.com/peachpit, with presales for Frontier Members starting Thursday 26 September at 11am (local time) – see website for full info.

 

‘Peach Pit pulls fans’ heartstrings with cutting emotional lyrics and guitar riffs that move the soul’ – 303 Magazine

PEACH PIT – THE MAGPIE TOUR
​With special guests tba

​AUSTRALIA & NEW ZEALAND
​DECEMBER 2025
​
Presented by Frontier Touring


FRONTIER MEMBER PRESALE
​
via frontiertouring.com/peachpit
​
Runs 24 hours from: Thursday 26 September (11am local time)
​
or until presale allocation exhausted

TICKETS ON SALE
​
Begins: Monday 30 September (11am local time)


Friday 28 February
​Freo.Social | Perth, WA
​
18+
​moshtix.com.au

Sunday 2 March
​The Fortitude Music Hall | Brisbane, QLD
​
Lic. All Ages
​ticketmaster.com.au

Wednesday 5 March
​Forum Melbourne | Melbourne, VIC
​
18+
​ticketek.com.au

Friday 7 March
​Enmore Theatre | Sydney, NSW
​
Lic. All Ages
​ticketek.com.au

Sunday 9 March
​Powerstation | Auckland, NZ
​
18+
​ticketmaster.co.nz

FOLLOW PEACH PIT:
​
Website | Facebook | Instagram | TikTok | x | YouTube | Spotify | Apple Music |

frontiertouring.com/peachpit

September 24, 2024 0 comments
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Music InterviewsMusic News

Rayhab’s Journey: Exploring Dance, Acting, and Music Influence

by the partae September 24, 2024
written by the partae

Your background in dance, acting, and music is quite diverse. How have these different experiences influenced your sound and approach to music? 

Although diverse, I found after working extensively within the performing arts that emotional expression, vulnerability and human connection to be the defining crossovers within each. I definitely see my learnings from each artform influence the way I approach making music for instance. If I’m ever struggling to find the words when writing, sometimes I may dance to help me tap into what exactly it is I’m feeling and wanting to communicate. Dance was the first art form with which I learnt emotional expression, so I have a certain affinity for it.

The name RAYHAB carries a powerful meaning. What inspired you to choose it, and how does it reflect your personal and artistic journey? 

I don’t think I’m alone in the feeling of not being enough, and at the time the character of ‘Rahab’ really resonated with me. If I’m being completely honest, I was in the church when I came across the story of Rahab and was completely fascinated with the character. I naively wondered why she wasn’t talked about more – I mean a sex worker in the bible, at a time when women were seen as less than even dirt, who god thought she was worthy enough to be in direct lineage of Jesus. I think some dudes in the church like to keep this one under wraps, but I was like, “nah we are going to talk about this.”     

Your music has a cinematic, richly layered quality. Can you walk us through your creative process when building such intricate production? 

Each song within this body of work started at the piano, at the same time that I was growing and exploring my capacity as a producer/engineer. I wanted each track to reflect a full expression of my own humanity and experience, which is why it was so important for me to write, produce and engineer the tracks myself. They didn’t happen overnight, rather the result of about 5 years of refining. I would sketch out demos, reflect on them, build on them, remove sections. I learnt to create software patches that allowed me to draw images, which would turn into sound. For example, I could write the word ‘hope’ and then hear what that would sound like. I converted old telephones into microphones, then ran them through outboard gear to completely distort the sound. I came to find that I loved a combination of acoustic and synthetic sounds for my music, and this is where Rayhab’s sonics currently lie. Somewhere between the smooth ambience of a cello or big reverberated guitar, and strange distorted percussion or a crunchy guitar over a dance beat. I wanted to be able to dance and find strength through hardship.       

‘Overkill’ dives deep into a tough relationship. Was writing the song a therapeutic experience for you, and how did it help you process those emotions? 

It was definitely a cathartic experience. I remember really overthinking my feelings at the time, viewing them as a reflection of my own worth (that old chestnut). It was so nice to put pen to paper with this track and find almost immediate relief. I was like, “oh this is actually not a person I want in my life, this isn’t fun and actually, I don’t think I even enjoy this person’s company.”

Your upcoming EP ‘Residue’ has drawn comparisons to artists like Aurora and Kate Bush. How do you feel about those comparisons, and how do they align with your artistic vision? 

I’m a huge fan of both artists. Mum likes to tell me she was listening to Kate Bush when I was in her belly. For people to be drawing those comparisons, it’s a huge compliment for me. Both visionaries embody dance within their work which I feel totally aligns with my artistic vision.  

You’ve worked with some top names in the industry. What’s one of the most valuable lessons or pieces of advice you’ve gained from collaborating with other artists and producers? 

If it sounds good, it is good. Haha! But in all honesty, I’ve learnt so many valuable lessons, so many producers have their own take on things. You pick up some tricks and drop others, it really depends on what you are working on. I’ve learnt there is some merit in being laborious and perfectionistic, but not if it prevents you from putting your work into the world. They say there is a lot of work for producers who can finish the job.  

As both a producer and songwriter, you have full creative control over your music. What are some of the challenges in managing all these roles, and how do you balance them? 

It can be difficult. I’m a do it all kind of person, but it’s awesome that creatively one flows into the other. I’m learning, as the workload increases, that I need to be strategic with task delegation. Aside from the importance of having another set of ears on my tracks, this is why I won’t master my own songs.

‘Overkill’ addresses themes of deception and heartbreak. What message or feeling do you hope listeners walk away with after hearing the song? 

I hope listeners will feel a sense of empowerment to let go, and comradery in knowing they are not alone.

Since your debut in 2020, you’ve had quite a journey in the music industry. What has been your proudest moment so far, and what’s next for you? 

I don’t know if I’ve felt a proudest moment just yet. I’ve had so many great moments but also challenging ones. At the moment I’m just taking the journey for what it is, and I think I’m proud to have completed a body of work with integrity that truly reflects me – maybe that is my proudest moment.   

Your music is described as ‘experimental’ and ‘playful.’ How do you keep your sound fresh and innovative? Do you ever take creative risks to explore new directions? 

I like to be pretty in the moment when creating and often will work shop things live. I love the happy mistakes and capturing something weird and organic in the room. I’m interested in seeing how far I can stretch the boundaries without losing the fundamental structure of pop. There’s certainly a lot of room for exploration and experimentation. I’m an independent artist. There’s no ‘keep in your lane’ mentality… yet.

INSTAGRAM

September 24, 2024 0 comments
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Music InterviewsMusic News

Bridge Left to Burn Interview: Defying Scene Sexism

by the partae September 24, 2024
written by the partae
“Vile” is described as a defiant response to sexism in the heavy music scene. Can you tell us about the specific experiences that inspired this track? 

Breaking into the scene, I expected challenges, but it’s one thing to face the typical nerves of showcasing your work and trying to network—it’s another to constantly be treated like you don’t belong. Dealing with condescending comments and people being ‘shocked’ to see a woman on stage added a whole new level of isolation. You start feeling like you have to prove yourself over and over to people who’ve never even touched a microphone.

I remember when I first began experimenting with heavy vocals while forming a band with a group of guys. They were beginners too, but instead of supporting me as I transitioned from just singing to screaming, they offered nothing but ridicule. The drummer would laugh and mock me at every rehearsal, and none of them seemed interested in putting in the hard work of actually building a band. It was beyond frustrating—it made me feel like a joke, like I was back in high school. And since then, the ‘You can scream… for a chick!’ comments have become something I hear all too often.

I wish it stopped there but it didn’t. I’ve been sent unsolicited photos from men in higher up bands, some of which had women fronting their bands! PREACHING for equality in the scene but offering me nothing but disrespect. I’ve been harassed on social media, and had to fend off sleazy comments from older men. I’ve worked with bands I admired, only to have married members make inappropriate passes at me, physically grab me and make me feel like an object. One time, I was told straight to my face, ‘You only got that opportunity because they want to f*** you.’ It wears you down over time. I started developing imposter syndrome, constantly feeling like I had to prove myself to male vocalists. I even stopped talking to other bands at shows out of fear that simply starting a conversation would be misinterpreted as flirting. So, I stuck to managing logistics and quietly getting on and off stage.

Then, when we released our single ‘Palace Of Lies,’ someone anonymously sent it to two American guys on YouTube for review. I was so excited to hear their feedback, but they confirmed all of my worst fears: ‘Cliché,’ ‘She’s just screaming for the sake of it,’ and the final insult, ‘Who gave somebody’s girlfriend the microphone?’ That one stung. I laughed, cried, and then laughed again—but I knew I had to channel that anger. That’s when I decided it was time to hit the studio and create a track that was a direct ‘f*** you’ to all of it. And that’s how ‘Vile’ was born.

– Vocalist Ava Sukkar

What does the title “Vile” represent to you, and how did you choose it as the name for this song?
 
We didn’t actually settle on the title ‘Vile’ until after the song was fully recorded, mixed, and mastered. The word comes from a line in the breakdown, and when our bassist Jayden suggested it, nothing else felt as fitting. I couldn’t think of a better word to capture the raw intensity and disgust I feel toward the subject matter. It perfectly embodies the anger and defiance behind the track.
– Vocalist Ava Sukkar

The use of a sexist comment clip in “Vile” is powerful. Can you talk about how you decided to incorporate that and what message you’re hoping to send with it?
 
The message is simple: ‘Don’t f*** with us anymore.’ We’re done tolerating it. We refuse to stand by and let this behavior slide or dismiss it as ‘just how the scene is.’ I hate that I ever felt the need to prove myself to a group of men, or that I sought acceptance into a boys’ club. Fortunately, I’m surrounded by bandmates who’ve never made me feel less capable and have always treated me as an equal.

I’ll admit, it might feel a little petty—but it’s incredibly satisfying to channel that frustration into something creative and powerful. It’s about taking all the negativity and turning it into fuel. Every time men laugh at us, trust me, my bandmates and I are laughing even harder. It’s easy to hide behind a screen or make sexist remarks from the sidelines, but it’s not easy to build a band, teach yourself to scream, and step onstage. That’s the message we’re sending with this track—we’re here, and we’re not backing down.

– Vocalist Ava Sukkar

Sexism in the heavy music scene is a long-standing issue. How have you navigated these challenges as a band, and what keeps you pushing forward despite them?
 

What keeps us going is knowing that not everyone in the scene behaves that way. We’ve been lucky to meet incredible people who genuinely support us. Our friends in ‘Elara,’ a local Sydney band, have been nothing but amazing. They’re down-to-earth and truly supportive, which is rare in the local heavy scene. They’ve invited me to jump on stage with them for guest vocals, offered us a headline slot at their ‘Your Locals’ All Ages event, filled in on drums when needed, and supported us without expecting anything in return. That kind of support means the world to us, and we’re grateful for the friendship we’ve built with them.

On the other hand, there’s a Facebook group called ‘Silly Goose Club,’ meant for the alternative scene in Australia, where people from other local bands preach about equality for women and how they’re ‘taking a stand.’ But some of those same people are the ones who’ve made me feel isolated, thrown out sexist comments, and built up a boys’ club. It’s hard to watch, and I’ve often wanted to speak up. These are not the people driving real change. The real progress comes from women who continue to perform and push forward, despite the judgment we face. Bands like Reliqa, The Last Martyr, Volatile Ways, Terminal Sleep, Vilify, Krave, Wicked Envy, Torizon, and Identity Error are leading the way in creating a more positive and inclusive community.

I don’t want people to be fooled by a few Facebook posts from guys pretending to be allies. It’s just for show—they’re playing a game and building a following under false pretenses. True change comes from action, and it’s the women in the scene who are making that difference by pushing forward, no matter the challenges.

– Vocalist Ava Sukkar

Metalcore has always been about aggression and catharsis. How do you channel those emotions, especially in a track like “Vile,” to make a statement without losing musicality?
 
When we’re writing, we always ask ourselves, “What does this add to the track?” If an idea is thrown in just for the sake of it, it’s not always beneficial. We make sure not to get carried away and focus on refining our ideas to keep everything purposeful. In the studio, especially while recording vocals, I find that getting input from the whole band really helps elevate my performance.

I’ve always admired bands like The Used, especially how Bert McCracken can convey so much raw emotion just through his voice. For me, it’s essential to channel that same level of feeling, making sure that listeners feel seen and heard through the music. That’s the balance we aim for in a track like ‘Vile’—delivering a powerful message without sacrificing the musicality that drives it.

– Vocalist Ava Sukkar


What role does resilience and empowerment play in your songwriting process, especially when confronting social issues like sexism?
 
Resilience and empowerment are at the core of our songwriting, especially when addressing social issues like sexism. There’s a strong focus on making sure every vocal line is packed with emotion and intention, so the message hits with raw, unapologetic force. I always strive to write lyrics that have meaning, and with ‘Vile,’ it was crucial that the message came across clearly.

As the only woman in the band, my bandmates are always supportive of making sure my voice is heard in exactly the way I want. Once we agree on a theme, everyone contributes ideas, and with ‘Vile,’ we were all aligned in wanting to deliver something powerful. The entire process was about channeling resilience and empowerment, and we’re all proud of how the track turned out.

– Vocalist Ava Sukkar

How has the local scene responded to your message of defiance and empowerment, particularly with the release of “Vile”?
 
The local scene has responded amazingly to ‘Vile’ in just a few days since its release! It’s thrilling to see how deeply people are connecting with the track, especially since it’s our heaviest one yet. We’ve received support not only from community radio and local heavy music publications but also from international outlets, which has been incredibly uplifting. Being able to share our message of defiance and empowerment means the world to us, and witnessing the community rally around it adds so much significance to the experience. It’s clear our message resonates, and that connection inspires us to keep moving forward.
 
– Vocalist Ava Sukkar

What can fans expect from Bridge Left to Burn in the near future? Are there more tracks addressing similar themes or different directions you’re excited to explore?

Fans can expect Bridge Left to Burn to continue exploring a variety of themes and directions in our music. We love experimenting and drawing inspiration from many artists and bands we admire, which keeps our sound fresh and engaging. Crafting a track we’re proud of takes time, and we’re committed to refining our music until it’s something both we and our fans can truly embrace.

We owe a huge thanks to Clayton Segelov & Angie Watson at The Brain Studios for helping us elevate our sound during recordings. Their guidance has pushed us to raise the bar in our songwriting as a group. We’re excited to see where our musical journey takes us next, and we can’t wait to share more with our listeners!

– Guitarist Julian Nicutescu


As a band standing up against sexism, what advice would you give to young women trying to break into the heavy music scene?

As a band standing up against sexism, my advice to young women breaking into the heavy music scene is to never let anyone make you feel incapable. Don’t stay silent in the face of sexist remarks; stand up for yourself in whatever way you can. I know how daunting it can be to establish a band, perform your first show, and navigate the scene. But once you start, keep pushing forward—you’ll be amazed at what you can achieve.

Keep your head held high, and remember that my inbox is always open if you need someone to confide in. I’m committed to fostering a supportive community for women in this scene because we need to have each other’s backs. Together, we can create a healthier and more empowering environment for everyone.

– Vocalist Ava Sukkar

Beyond the message of “Vile,” how does Bridge Left to Burn want to impact the metalcore scene, and what legacy do you hope to leave behind?

Beyond the message of “Vile,” Bridge Left to Burn aims to make a meaningful impact on the metalcore scene by promoting inclusivity and inspiring individuals from all backgrounds to get involved. We truly value the friendships and unforgettable moments we’ve created with other bands, and we believe that a more diverse array of voices will enrich the scene.

Our goal is to encourage more artists to take the leap and share their music, as each new band contributes to a more vibrant and dynamic industry. We envision the metalcore scene as a welcoming space where everyone feels empowered to express themselves.

Ultimately, we want our band to be recognized for our dedication and creativity. By fostering an environment of authenticity and resilience, we hope to inspire future generations of musicians to pursue their passions with confidence, knowing their voices matter and can create positive change in the scene.

– Guitarist Orion Henning

Stream ‘Vile‘ Now!
Available on all major streaming platforms
Spotify | Apple Music | Amazon Music
 
Follow Bridge Left To Burn on Facebook |  Instagram

 

September 24, 2024 0 comments
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Festival NewsMusic News

WHEN KEV MET BOB RIDES AGAIN – Nov/Dec Aus Tour

by the partae September 24, 2024
written by the partae

WHEN KEV MET BOB RIDES AGAIN: AUSTRALIA’S BELOVED MUSICAL ICONS KEVIN MITCHELL & BOB EVANS REUNITE FOR NATIONAL TOUR IN NOV/DEC

Off the back of the monumental success of the inaugural When Kev Met Bob tour last year, Australia’s beloved musical icons Kevin Mitchell and Bob Evans are reuniting for another momentous national tour in November and December, returning to capital cities and playing at a haul of new regional markets. Igniting audiences with its innovative blend of rock and melodic folk, and playing to sold-out venues across the country in 2023, Kev is thrilled to announce the return of the tour, aptly titled When Kev Met Bob Rides Again, with tickets onsale now from www.bobevans.com.au.

Two great singer-songwriters, Kevin Mitchell—frontman of the iconic post-grunge ‘90s rock band Jebediah, and treasured folk artist Bob Evans—both men driven by an unrelenting curiosity and desire to push boundaries. The fact they’re one and the same individual hardly matters, to Kev and Bob it’s all about the music.

When Kev Met Bob Rides Again will launch across the country, kicking off in Brunswick Heads on November 14, before making stops at Gold Coast, Brisbane, Belgrave (Victoria), Perth, Adelaide, Newcastle, Caringbah, Bulli and Sydney, finally, returning to Kev’s adopted hometown of Melbourne for a grand finale at the Northcote Social Club on December 14.

Fans can expect a captivating performance that spans over 30 years of music, blending the high-energy rock anthems of Kev’s seminal masterwork, Jebediah, with the reflective, acoustic melodies of his ARIA award-winning alter ego Bob Evans, featuring a carefully curated selection of fan favourites, alongside new additions from Mitchell’s extensive 12 album catalogue.

The tour will blur the lines between Kev and Bob’s unique styles, swapping out electric and acoustic instruments as needed. For diehard fans of both acts, the upcoming shows will be a celebration of what makes these two artists so special and revered by music fans across the country. “Last year I took the plunge with something that had been at the back of my mind for many years, playing a show that combined my Jebediah and Bob Evans songs together for the first time ever,” explains Kev. “For nearly 30 years I had kept them completely separate but now felt ready to step into a new era.  The result was much more than I had expected, sold out shows and a peculiar feeling of completeness that was new.  Simply put, it was the most satisfying run of shows I had done in years, and I knew straight away that I had to do it again.  So why not now, at the end of 2024?  In a year where Jebediah released their first new album in over a decade and with so many other Jebs and Bob songs to choose from, this new round of When Kev Met Bob shows will revisit the best moments from the last tour and add a whole batch of different songs into the mix, stretching all the way back to 1996 and right up to the present”.

When Kev Met Bob Rides Again is not just a return of a successful tour; it is a testament to Mitchell’s enduring love for music and his dedication to his craft. Kev’s alter-ego Bob was born even as Mitchell was at the height of his success with radio and festival mainstay Jebediah. While the band was recording their second album Of Someday Shambles in 1999, Kev began penning songs under his Bob Evans moniker. Since then, Bob has won multiple ARIA awards across his six-album career, with his most recent Tomorrowland released in 2021, and Jebediah just this year released OIKS, the band’s first new album in 13 years, with OIKS catapulting their iconic past and present into a dazzling new era. Over nearly three decades, Kev has continued to push the boundaries of his artistry, from the fuzz pedal guitar-driven energy of Jebediah’s alt-rock to the semi-acoustic stylings of Bob Evans.

When Kev Met Bob Rides Again promises to be an unmissable event, offering a unique opportunity to see two of Australia’s most beloved musical personas in the flesh, as one artist delivers a performance at the height of his creative achievement.

Decades of musical excellence and innovation once again culminate in a concert for the ages. When Kev Met Bob Rides Again promises to be an extraordinary tribute to one of this country’s best loved troubadours.

Tickets to When Kev Met Bob Rides Again are on sale now from www.bobevans.com.au.

WHEN KEV MET BOB RIDES AGAIN NATIONAL TOUR
Presented by Select Music and Catherine Haridy Management

THU 14 NOV | BRUNSWICK PICTURE HOUSE, BRUNSWICK HEADS NSW | 15+ | supported by Liv Marlton
Tickets available from www.eventfinda.com.au | 1800 710 499 | All Eventfinda Outlets

FRI 15 NOV | MO’S DESERT CLUBHOUSE, GOLD COAST QLD | 18+| supported by Liv Marlton and Bronte Eve
Tickets available from www.mosdesertclubhouse.com | 0480 170 681 | Venue

SAT 16 NOV | THE BRIGHTSIDE, BRISBANE QLD | 18+| supported by Katie Wighton
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets

FRI 22 NOV | SOOKI LOUNGE, BELGRAVE VIC | 18+| supported by Amaya Laucirica
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets

FRI 29 NOV | ROSEMOUNT HOTEL, PERTH WA | 18+| supported by Artfool
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets

SAT 30 NOV | GRACE EMILY HOTEL, ADELAIDE SA | 18+| supported by Katie Pomery
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets

THU 5 DEC | FLAMINGOS LIVE, NEWCASTLE NSW | 18+
Tickets available from www.  | 02 4956 2066 | Venue

FRI 6 DEC | LANSDOWNE HOTEL, SYDNEY NSW | 18+| supported by Georgia Mooney
Tickets available from www.moshtix.com.au | 1300 GET TIX | All Moshtix Outlets

SAT 7 DEC | HUXLEYS, CARINGBAH NSW | 18+| supported by Georgia Mooney 
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets

SUN 8 DEC | HERITAGE HOTEL, BULLI NSW | 18+| supported by Georgia Mooney 
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets

SAT 14 DEC | NORTHCOTE SOCIAL CLUB | MELBOURNE VIC | 18+| supported by Amaya Laucirica
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets

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September 24, 2024 0 comments
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Mollono.Bass drops magical single ‘Orange Sky’

by the partae September 23, 2024
written by the partae

Mollono.Bass drops new magical single ‘Orange Sky’ on 3000Grad Records

Mollono.Bass, the innovative German producer and co-founder of the acclaimed labels Acker Records and 3000° Records, continues to captivate the electronic music scene with his distinctive blend of organic house and melodic techno. With a career spanning over two decades, his music combines a rich emotional depth with the driving energy of the dancefloor, reflecting his rural surroundings and long-standing passion for experimentation​.

His latest release, Orange Sky, is another mesmerizing addition to his ever-evolving soundscape. The track showcases Mollono.Bass’s signature ability to weave together intricate, sensual melodies with deep, pulsating basslines. The bass in Orange Sky flows effortlessly, like a mountain stream gliding over smooth rocks, while the emotional core of the track emerges from delicate piano notes and subtle vocal harmonies. The song’s atmospheric layering evokes the beauty of a sunset, with each sonic element mirroring the soft transitions of light across the sky​.

What makes Orange Sky stand out is its versatility. Different versions of the track are designed to fit various moods, whether you’re immersed in a sunset groove at an open-air festival or seeking an intimate, reflective moment at home. Mollono.Bass continues to push the boundaries of electronic music, offering listeners a uniquely emotive and immersive experience. Whether you’re new to his music or a longtime fan, Orange Sky promises to deliver a profound journey through sound.

https://www.instagram.com/mollono.bass/

 

September 23, 2024 0 comments
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‘Modern Tragedy’ Cheat Codes & Julia Church Soundtrack

by the partae September 22, 2024
written by the partae

Multi-platinum Artists – Cheat Codes and Julia Church, Collaborate on Soundtrack To Dating Let-downs – ‘Modern Tragedy’

Artists: Cheat Codes, Julia Church
Title: Modern Tragedy
Label: Self-release (distributed via Create Music Group)

Download / Stream

In an impressive team-up of talent, the Los Angeles trio Cheat Codes and acclaimed Durban-born and London-based singer-songwriter Julia Church combine forces for their new single – “Modern Tragedy.” The track sits at the Cheat Codes‘ signature intersection of dance-electronic and pop, riding on undulating basslines, driving beats, and ethereal melodies from the famed producers, while Julia‘s breathy and soulful vocals bring some wistful and yet hopeful emotions to the entire composition.

“In a world where tragedy seems to be the only constant, we took that pain and transformed it into something greater. Working with Julia, we didn’t just make a track – we created a story that speaks to the struggle and finds beauty in the darkest moments. It’s a reminder that even in the chaos, there’s a harmony waiting to be found.” – Cheat Codes

“‘Modern Tragedy‘ is about navigating the trials and tribulations of modern dating. Feeling as though you’re stuck in a perpetual merry-go-round of excitement and let-downs. I wrote this after being ghosted by someone I really liked. Sometimes all you can do is laugh (and write a song about it).” – Julia Church

Church has worked with some A-list electronic acts in the past, such as John Summit, Diplo, Sub Focus, Kaskade, CamelPhat, Gorgon City, Robin Schulz, to name only a handful, and her performance truly shines when added to Cheat Codes‘ dynamic and creative production prowess. After putting out a pop ballad – “Bloom” with Train, last month, “Modern Tragedy” sees them returning to the dance-electronic realm.

Cheat Codes

Los Angeles trio Cheat Codes remains an inescapable musical force hopscotching through electronic, dance, pop, and now country genres, leaving an impact of innovation and collaboration throughout popular culture. Their total stream tally eclipses a staggering over 6 billion plays. Maintaining a prolific pace, they’ve steadily amassed a diverse discography, including the platinum Pop Radio Top 5 smash “No Promises” (feat. Demi Lovato), the gold-certified “Feels Great” (feat. Fetty Wap, CVBZ), and gold-selling breakout “SEX” with Kriss Kross Amsterdam. Speaking to their international impact, “Only You” (feat. Little Mix) soared to #1 on pop radio in the UK, while they received dozens of platinum certifications in 20 countries. On top of this, they have also done remixes for pop sensations Ed Sheeran and Sam Smith. Igniting clubs worldwide, their 2019 “Level 2” EP yielded the #1 Dance Radio hit “Who’s Got Your Love” (feat. Daniel Blume) in addition to “Ferrari” (feat. Afrojack) and “Be The One” (feat. Kaskade). Acclaimed by Rolling Stone, Paper, TIME, Billboard, and more, the musicians have shut down The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel LIVE! and Good Morning America with stunning and show-stopping performances. Over the past two years, the band has released 4 very different and acclaimed albums focusing on the guys personal style and taste – “Hellraisers Part 1” (pop), “Hellraisers Part 2” (alternative), “Hellraisers Part 3” (dance) and “One Night in Nashville” (country). Collaborations included Tyson Ritter, Travis Barker, blackbear, Icona Pop, Felix Jaehn, and country legends Dolly Parton, Lady A, and Lee Brice just to name a few. Cheat Codes recently released “Location” featuring A7S and “You Don’t Even Know Me” with Sam Feldt, as they are currently focused on returning to their dance-pop roots.

Julia Church

Based in London by way of Durban, South Africa, Julia Church is a multi-platinum-selling artist and songwriter. Her collaborations include John Summit, Diplo, Sub Focus, Kaskade, CamelPhat, Gorgon City, and Robin Schulz, to name a handful. The music she has been involved with has topped Billboard charts, radio airplay charts, and club charts globally, with streams amassing over 300M. She has become notorious for her infectious melodies and distinctive soulful honey-like vocals and has solidified herself as a gem in the electronic and pop world, writing for some of the space’s most respected artists and songwriters. She has also performed at the likes of Printworks, Tomorrowland, Electric Brixton, Outernet and Melkweg. Church is no stranger to writing for other artists. Recent cuts include Australian breakthrough artist Grentperez, DJ Zinc, Eli & Fur, Will Clarke, Joel Corry, Le Youth, Hayden James, and more. Julia is also well accustomed to the cinematic world, having worked with musician and composer Tom Ashbrook + BAFTA and Ivor Novello award winner Rob Lane, with three of their collaborations featuring on Sky Atlantic‘s “A Discovery Of Witches,” recorded at AIR Studios. Julia Church continues to write and perform for some of the most recognized names in music, with her biggest cuts and collabs yet to come.

Cheat Codes‘ forthcoming tour dates:

Sep 28 – Dallas, TX – Bottled Blonde
Oct 05 – San Francisco, CA – Temple
Oct 11 – Monterey, CA – Worlds Away Pre-Party
Oct 24 – Coral Gables, FL – University of Miami
Oct 25 – Charleston, SC – Trio
Oct 26 – Greenville, SC – Voyage Music Festival
Nov 29 – New York City, NY – Marquee
Nov 30 – Boston, MA – Big Night Live
Dec 06 – Denver, CO – Church Nightclub
Dec 07 – Salt Lake City, UT – Sky
Dec 31 – Scottsdale, AZ – Barstool

More info on Cheat Codes / Julia Church:

Cheat Codes: Facebook | Instagram | X | Spotify
Julia Church: Facebook
 | Instagram | X | Spotify (Kapuchon)
September 22, 2024 0 comments
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Australian artist and producer RAYHAB releases cathartic new single, Overkill

by the partae September 19, 2024
written by the partae

RAYHAB is the stage name for independent singer, songwriter & producer Natasha K Newling.

With a unique background in professional dance, acting and music production as well as significant personal adversity, Newling has created an empowered artistic vision, one that presents the experience of the world around her through her moniker RAYHAB. 

On her artist’s name, Newling comments “I created RAYHAB to establish a distinct identity, separating my work as a producer and engineer from my journey as a recording artist. The name resonated with me. It stems from a sex worker in the bible, the world saw her as nothing but through conviction she was deemed to be worth so much more.”

Newling is an authentic storyteller, her music can be described as eclectic, alt-pop with an experimental playfulness. Embodying a sense of opulence, with rich, layered production that evokes a cinematic experience.

Her latest offering titled, ‘Overkill’ dives into the emotional rollercoaster of a relationship that turned sour with lies and deceit. Newling draws inspiration from a short-lived romantic encounter. Each element feels intentional, weaving together to tell a compelling story through lyric and sound. The storytelling in the song is deeply emotive, drawing listeners in, with heartfelt lyrics and dynamic vocals. Pop with depth, catchy melodies with emotional complexity that lasts long after the song ends.

On writing the song, Newling says, “I imagined continuing a life with a cold and indecisive partner. Through songwriting it was easy to see that I need not lament on a relationship lacking in communication, as it revealed all roads would lead to sadness.” 

Newling first burst onto the music scene with her debut release “Will It End?” in 2020, garnering airplay on community radio, Triple J, and ABC Rage. Behind the scenes, Newling honed her production and engineering prowess, working alongside Australia’s top producers and is now a resident producer at Sydney’s Forbes Street Studios. She has racked up credits assisting on various  projects including Women Of Soul, Moaning Lisa, and Emilee South; co-writing Will Not Let Them Win for Jess Hitchcock’s latest album, UNBREAKABLE; and engineering and producing for newly formed artist, Marigolden.

Following the recent release of single, Only 21, Newling’s focus is firmly back on RAYHAB, as she gears up to unleash her meticulously crafted, self-written, produced, and engineered debut EP ‘Residue’ which has drawn comparisons to luminaries such as Aurora, Grimes, and Kate Bush.

Overkill is out now on all digital streaming platforms.

September 19, 2024 0 comments
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Bridge Left to Burn Unleashes ‘Vile’: Metalcore Against Sexism

by the partae September 19, 2024
written by the partae

Bridge Left to Burn Unleashes Defiant Metalcore Anthem “Vile” – A Brutal Response to Sexism in the Heavy Scene

 

Brace yourselves for a thrilling new release as Bridge Left To Burn unveils their latest single, “Vile”, a blistering metalcore track that is here to obliterate stereotypes and serve up some serious attitude. This powerhouse track is more than just a song; it’s a defiant middle finger to the naysayers and a rallying cry for women in the heavy music scene.

“Vile” isn’t just a song; it’s a statement. It’s for every woman who’s ever been underestimated, sidelined, or dismissed. It’s for those who’ve fought to be heard in a male-dominated space and are sick of being told they don’t belong. This is more than music; it’s a declaration of power and a testament to resilience.

Right before the brutal breakdown, “Vile” features a clip from a sexist comment that was made towards the band by a YouTuber, setting the stage for a sonic onslaught that will make you want to throw your horns up and scream. This provocative element underscores the song’s message: a resolute “screw you” to anyone who has ever tried to undermine or diminish the role of women in heavy music.

“We wanted ‘Vile’ to be more than just a song” says [Vocalist Ava Sukkar]. “It’s a statement of resilience and empowerment. By using the clip of the sexist comment, we’re turning negativity into fuel, showing that we won’t be silenced or sidelined. This is our way of saying ‘We’re here, and we’re not going anywhere.’”

 

Facebook, Instagram, Spotify

September 19, 2024 0 comments
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Festival NewsMusic Interviews

RL GRIME ANNOUNCES MELBOURNE EXCLUSIVE SHOW

by the partae September 18, 2024
written by the partae

Friday 3 January – The Timber Yard, Naarm/Melbourne

PRESALE REGISTRATION

Electronic music icon, RL Grime has announced a Victorian exclusive headline show in Melbourne this summer. Presented by TEG Live and Untitled Group, the artist’s long-awaited return will take place in Melbourne at The Timber Yard, on Friday 3 January 2025.

RL Grime’s return to Australian shores marks his first headline appearance since 2018 followed closely by a series of festival performances in 2019 that left fans eagerly awaiting his return. His exclusive Melbourne show is part of his January visit, including performances at Wildlands Festival in Perth and Brisbane.

RL Grime’s viral remixes of Chief Keef’s “Love Sosa” and Kanye West’s “Mercy” garnered huge attention and praise, cementing him as an artist to watch. His unmistakable sound, sleek monochromatic aesthetic, animated music videos, and infamous annual Halloween mixes, featuring highly anticipated voice cameos from the likes of Pharrell, T-pain, Tony Hawk, and Guy Fieri, set him apart as one of the most innovative figures in his field.

The uncompromising artist has become a fixture in the fabric of live, electronic music across an entire list of flagship festivals, including Coachella & Lollapalooza as well as a pioneer in electronic music creation and production. His debut album “VOID” (2014) premiered as the top Electronic album in the United States, holding the #1 spot for a month. Prior to releasing his second album, he made rare appearances in collaborations with artists including Big Sean, Miguel, and Skrillex where shortly after in 2018 his second album “NOVA” was released. His latest album “PLAY”, released in 2023 under his own label Sable Valley, has been described as “a masterclass in innovation” by EDM.com.

Joining RL Grime on this one off show will be the incredible Ninajirachi and Kaliopi.

Tickets will disappear for RL Grime’s only Melbourne headline show. Do not miss the chance to experience this truly one-of-a-kind, innovative artist live in Melbourne.

Presale Registration HERE

Presale tickets go on sale 12PM AEST Wednesday 18 September

Tickets on sale 12PM AEST Thursday 19 September

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September 18, 2024 0 comments
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Festival NewsMusic News

GRINSPOON KICK OFF 43 DATE AUS TOUR

by the partae September 17, 2024
written by the partae

GRINSPOON KICK OFF ‘whatever, whenever, wherever’ 43 DATE AUS TOUR

Australian rock icons Grinspoon are psyched to hit the road for their anticipated whatever, whenever, wherever tour, set to kick off tonight with a sold out show at Ballina RSL, before rolling on to sold out shows at Vinnie’s Dive Bar (Gold Coast) tomorrow and The Tivoli (Brisbane) on Friday, before moving to Toowoomba on Saturday and back to the Gold Coast on Sunday.  The extensive tour, a run of 43 shows nationally, has fans from all pockets of the country eagerly anticipating the chance to see Grinspoon perform live at some of Australia’s best loved venues.

Following the release of the band’s new album, whatever, whatever, Grinspoon landed an impressive #3 ARIA Album chat debut for their 8th studio album release, their first new release in 12 years. The record’s success underscores the band’s enduring appeal and their ability to deliver music that resonates deeply with their audience.

Grinspoon’s tour promises an electrifying experience, celebrating their new music while paying homage to the hits that have defined their career. Each show will feature a dynamic setlist that includes tracks from whatever, whatever alongside fan favorites from their extensive back catalogue.

“One cannot help but be bursting at the proverbial seams with the imminent arrival of the ‘whatever, whenever, wherever’ tour.  We cannot wait to play these songs to people because they’re new; we also cannot wait to see the people because we haven’t seen them for so long. Mackay I’m looking at you, Cairns, what’s it been? Seven years?
It fills us with great excitement, joy, and danceathons, anticipating our touchdown in the regional areas and in the capital cities, especially on Tuesday nights. Why Tuesday nights? Because Tuesday night is a night that people could be partying but they don’t. It’s kind of the rejected night, Tuesdays. Where restaurants and movie theatres run special offers to fill empty seats. We want to bring Tuesdays back to the masses. We wanna make Tuesdays part of the vernacular again. What are you doing Tuesday? This should be the new, ‘what are you doing Friday?’ This is our mission. What are you doing Tuesday? We’re seeing Grinspoon. That’s what we’re doing. What are you doing Wednesday? We’re gonna go see Grinspoon again, because they were so good on Tuesday. So forget Friday, forget Saturdays. Let’s do Tuesdays. See you soon? – Phil Jamieson.

Tickets for the remaining shows are selling fast, and fans are encouraged to secure their spots soon to avoid disappointment. For more information on tour dates and ticket availability, please visit Grinspoon’s official website.

With 13 ARIA Award nominations, over half a million records sold, and an untouchable live reputation, their impact on contemporary Australian rock is undeniable. Grinspoon’s influence continues to shape the Australian rock scene, and whatever, whatever is a testament to their lasting legacy and creative rejuvenation.
​​
Set to tear up stages around Australia with Press Club as main support for all shows, tickets to the band’s extensive 43 date ‘whatever, whenever, wherever’ tour are moving fast.

Ballina, Southport, Brisbane x 2, Gladstone, Mackay, Townsville,  Coffs Harbour, Port Macquarie, Pooraka, Adelaide, Barwon Heads and Perth shows are already sold out.

Tickets to remaining shows are available from grinspoon.com.au/.

Grinspoon ‘whatever, whenever, wherever’ tour
Presented by Triple M, with Press Club as main support

TUE 17 SEP | BALLINA RSL, NORTHERN RIVERS | NSW | 18+ GA / AA | 7-10 pm *SOLD OUT
Tickets available from the Club & https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

WED 18 SEP | VINNIE’S DIVE BAR,  SOUTHPORT, GOLD COAST NRTH | QLD | 18+ GA | 7-10 pm *SOLD OUT
Plus IXARAS. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

FRI 20 SEP | THE TIVOLI THEATRE, BRISBANE | QLD | 18+ GA | 7:30-10:30 pm *SOLD OUT
Plus IXARAS. Tickets available from www.ticketmaster.com.au | 1300 446 925 | All Ticketmaster Outlets

SAT 21 SEP | THE POWERHOUSE, TOOWOOMBA | QLD | 18+ GA | 7:30-10:30 pm *final tx
Plus IXARAS. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

SUN 22 SEP | MIAMI MARKETTA LANEWAY, GOLD COAST | QLD | 18+ GA Floor O12+Guardian | 4-8pm *low tx
Plus IXARAS. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

TUE 24 SEP | THE DAG PUB, D’AGUILAR | QLD | 18+ GA / AA+ Guardian | 7-10 pm *low tx
Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

WED 25 SEP | MULTIPLEX CONVENTION CENTRE, BUNDABERG | QLD | 18+ GA / AA+ Guardian | 7-10 pm *venue upgrade
Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

FRI 27 SEP | HARVEY RD TAVERN, GLADSTONE | QLD | 18+ GA | 7:30-10:30 pm *SOLD OUT
Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

SAT 28 SEP | GREAT WESTERN HOTEL, ROCKHAMPTON | QLD | 18+ GA /AA | 7:30-10:30 pm
Plus IXARAS. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

TUE 1 OCT | SEABREEZE HOTEL, MACKAY |QLD | 18+ GA | 7-10 pm *SOLD OUT
Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

WED 2 OCT | MAGNUMS HOTEL, AIRLIE BEACH | QLD | 18+ GA | 7-10 pm *final tx
Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

FRI 4 OCT | QUEENS BEACH HOTEL, BOWEN | QLD | 18+ GA | 7:30-10:30 pm *low tx
Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

SAT 5 OCT | DALRYMPLE HOTEL, TOWNSVILLE | QLD | 18+ GA | 7:30-10:30 pm *SOLD OUT
Plus IXARAS. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

MON 7 OCT | HINCHINBROOK SHIRE HALL, INGHAM |QLD | 18+ GA | 5:30-9 pm *final tx
Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

FRI 11 OCT | BURDEKIN MEMORIAL HALL, HOME HILL (AYR) | QLD | 18+ GA | 7:30-10:30 pm *final tx
Tickets from www.burdekintheatre.com.au/burdekin-memorial-hall Box Off: 07 4783 9880

SAT 12 OCT | BROTHERS LEAGUES CLUB, CAIRNS | QLD | 18+ GA / AA | 7:30-10:30 pm *final tx
Plus IXARAS. Tickets available from the Club https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

WED 16 OCT | THE STATION, SUNSHINE COAST | QLD | 18+ GA/AA/VIP | 6:30-9:30 pm
Tickets available from https://www.moshtix.com.au/v2/a/grinspoon | All Moshtix Outlets

FRI 18 OCT | RACEHORSE HOTEL, IPSWICH | QLD | 18+ GA | 7:30-10:30 pm *final tx
Plus IXARAS. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

SAT 19 OCT | THE PRINCESS THEATRE, WOOLLONGABBA | QLD | 18+ GA Floor/ AA seated balcony | 7:30-10:30 pm *SOLD OUT
Plus IXARAS. Tickets available from www.ticketmaster.com.au | 1300 446 925 | All Ticketmaster Outlets

SUN 20 OCT | DISTILLERY ROAD BREWERY, BEENLEIGH | QLD | 18+ GA Floor / 12+ AA | 4:30-8pm
Plus IXARAS. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

TUE 22 OCT | METRO THEATRE, SYDNEY | NSW | 18+ GA Floor, AA RES Balcony | 7-10 pm *low tx
Tickets available from www.ticketek.com.au | 132 849 | All Ticketek Outlets

FRI 25 OCT | SAWTELL RSL, COFFS HARBOUR | NSW | 18+ GA | 7:30-10:30 pm *SOLD OUT
Plus Purple Disturbance. Tickets available from Club & https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

SAT 26 OCT | WEST TAMWORTH LGS, TAMWORTH | NSW | 18+ GA | 7:30-10:30 pm
Plus Purple Disturbance. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

SUN 27 OCT | FINNIAN’S TAVERN, PORT MACQUARIE | NSW | 18+ GA  5-8:30pm *SOLD OUT
Plus Korderoy. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlet

TUE 29 OCT | UNI – BAR ON THE HILL, NEWCASTLE | NSW | 18+ GA /AA | 7-10 pm *low tx
Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

WED 30 OCT | DRIFTERS WHARF, GOSFORD| NSW | 18+ GA| 7-10 pm *low tx
Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

FRI 1 NOV | SYDNEY COLISEUM, ROOTY HILL| NSW | 18+ GA & RES / AA balcony | 7:30-10:30 pm
Plus Purple Disturbance. Tickets available from www.ticketek.com.au | 132 849 | All Ticketek Outlets

SAT 2 NOV | THE CUBE, CAMPBELLTOWN | NSW | 18+ GA | 7:30-10:30 pm *final tx
Plus PUFF.  Tickets available from https://www.thecube.net.au Box Office Ph 02 4625 0000

SUN 3 NOV | WAVES TOWRADGI BEACH HOTEL, WOLLONGONG |NSW | 18+ GA | 7-10 pm
Plus PUFF. Tickets available from https://www.moshtix.com.au/v2/a/grinspoon | All Moshtix Outlets

TUE 05 NOV | 170 RUSSELL ST, MELBOURNE | VIC | 18+ GA | 7-10 pm *final tx
Tickets available from https://www.moshtix.com.au/v2/a/grinspoon |All Moshtix Outlets

FRI 8 NOV | BRIDGEWAY HOTEL, POORAKA, ADELAIDE | SA | 18+ GA | 7:30-10:30 pm *SOLD OUT
Plus Ocar The Wild. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

SAT 9 NOV | THE GOV , ADELAIDE | SA | 18+ GA / AA+ guardian | 7:30-10:30 pm *SOLD OUT
Plus Ocar The Wild. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

SUN 10 NOV | NORTHERN SOUND SYSTEM EVENT CENTRE, ELIZABETH | SA| LIC/AA |5-8pm *final tx
Tickets available from NSS Tickets available from https://www.moshtix.com.au/v2/a/grinspoon | All Moshtix Outlets

TUE 12 NOV | COMMERCIAL HOTEL, SOUTH MORANG |VIC | 18+ GA | 7-10 pm *final tx
Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

WED 13 NOV | VILLAGE GREEN, MULGRAVE | VIC | 18+ GA | 7-10 pm *final tx
Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

FRI 15 NOV | PIER BANDROOM, FRANKSTON | VIC | 18+ GA | 7:30-10:30 pm *final tx
Plus Daddy Issues. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

SAT 16 NOV | ALL SEASONS, BENDIGO | VIC | 18+ GA | 7:30-10.30 pm *final tx
Plus Daddy Issues. Tickets from https://www.moshtix.com.au/v2/a/grinspoon |  www.oztix.com.au  | 1300 762 545 | & All  Outlets

SUN 17 NOV | BARWON HEADS HOTEL, SURF COAST | VIC | 18+ GA / AA TBC | 6:30-9:30 pm *SOLD OUT
Plus Daddy Issues. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

TUE 26 NOV | ASTOR THEATRE, PERTH | WA | 18+ GA Floor, AA Balcony | 7-10 pm *SOLD OUT
Tickets available from www.ticketek.com.au | 132 849 | All Ticketek Outlets

FRI 29 NOV | MUNDARING WEIR HOTEL, MUNDARING | WA | 18+ GA | 6:30-10:30 pm *low tx
Plus Lonesome Dove. Tickets available from https://grinspoon.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

TUE 3 DEC | COUNTRY CLUB TASMANIA, LAUNCESTON | TAS | 18+ GA & RES/ AA Balcony | 7-10 pm *low tx
Tickets available from www.ticketmaster.com.au | 1300 446 925 | All Ticketmaster Outlets

WED 4 DEC | FRANKIE J’s, DEVONPORT | TAS | 18+ GA | 7-10 pm *final tx
Tickets from https://www.moshtix.com.au/v2/a/grinspoon |  www.oztix.com.au  | 1300 762 545 | & All  Outlets

FRI 06 DEC | ODEON THEATRE, HOBART | TAS | 18+ GA Floor, RES Balcony AA | 7:30-10.30pm
Tickets available from https://www.moshtix.com.au/v2/a/grinspoon | All Moshtix Outlets

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