Image Credit: Nash Blight
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2025 Coachella Full Line Up
Above & Beyond, A. G. Cook, Alok, Amaarae, Amelie Lens, Amémé, Amyl and the Sniffers, Anitta, Arca, Artemas, Austin Millz, Basement Jaxx, Beabadoobee, The Beaches, Beltran, Ben Böhmer, Benson Boone, Beth Gibbons, BigXthaPlug, Blonde Redhead, Bob Vylan, Boris Brejcha, Ca7riel & Paco Amoroso, Charli XCX, Chris Lorenzo, Chris Stussy, Chase & Status, Circle Jerks, Clairo, Coco & Breezy, Damian Lazarus, The Dare, Darkside, Dennis Cruz, Desiree Triplosm, Disco Lines, Dixon x Jimi Jules, DJ Gigola, Djo, D4vd, El Malilla, Eli Brown, Enhyphen, Erez, Eyedress, Fcukers, FKA twigs, Francis Mercier, Gel, Ginger Root, Glixen, Glass Beams, Glorilla, The Go-Gos, Green Day, Gustavo Dudamel & LA Phil, Haai, Hanumankind, HiTech, Hope Tala, Horsegiirl, Indira Paganotto, Indo Warehouse, Infected Mushroom, Interplanetary Criminal, Ivan Cornejo, Japanese Breakfast, Jennie, Jessie Murph, Jimmy Eat World, Judeline, Julie, Junior H, Keinemusik, Keshi, Klangkuenstler, Kneecap, Kraftwerk, Kumo 99, Lady Gaga, Layton Giordani, Lisa, Lola Young, Los Mirlos, Maribou State, The Mariás, Marina, Mau P, Medium Build, Megan Thee Stallion, Meute, Miike Snow, Mind Against x Massano, Missy Elliott, Mohamed Ramadan, Moon Boots, Muni Long, Mustard, The Original Misfits, Parcels, Parisi, Pete Tong x Ahmed Spins, Polo & Pan, Post Malone, Prison Affair, The Prodigy, Ravyn Lenae, Rawayana, Rema, Saint Jhn, Salute, Sam Fender, Sammy Virji, Sara Landry, Seun Kuti & Egypt 80, Shaboozey, Shermanology, Shoreline Mafia, Snow Strippers, Soft Play, Sparrow & Barbossa, Speed, Still Woozy, Talón, Thee Sacred Souls, Three 6 Mafia, Tink, Tinlicker, Together Pangea, Tops, T-Pain, Travis Scott, Tripolism, Ty Dolla $ign, Tyla, Underscores, Viagra Boys, Vintage Culture, Vs Self, VTSS, Wisp, XG, Yeat, Yo Gabba Gabba!, Yulia Niko, Zedd, 2hollis, and 4batz
Images: @Gxbriellemxry
Words: Josh Ma
LANY transformed Sydney’s Hordern Pavilion into a haven of dreamy pop beats and heartfelt connections. The setlist, a rollercoaster of emotions, delivered everything fans have come to love about the trio: vulnerability, energy, and a sense of community.
The night opened with the fan-favorite “YOU!”, sparking immediate energy across the venue as Paul Klein and the band emerged from behind white curtains and 007 like spotlights, setting the stage for what felt like therapy on a Wednesday night. This show, part of their long-awaited tour, had been delayed due to Klein’s recent motorcycle accident, adding a layer of poignancy to their return to the stage since their last tour in Sydney in 2022. The crowd was in sync with every beat, and from there, LANY didn’t let up. “ex i never had” and “up to me”brought a mix of nostalgia and fresh energy that’s quintessential to LANY’s style. The wistful “It Even Rains in LA” and the introspective “I Pray” showcased lead singer Paul Klein’s emotional range, leaving fans hanging on every lyric.
In a particularly memorable moment, the band segued into “somewhere / Sugar & Cinnamon”, drawing fans deeper into the introspective core of their music before jumping into fan favorite “care less” from their 2021 album, gg bb xx. Klein’s raw vocal delivery paired with airy melodies set the stage for heartbreak anthems like “Congrats” and the soul-baring “I Don’t Wanna Love You Anymore” making everyone including me grove.
As the setlist progressed, LANY continued to guide the crowd through highs and lows, balancing upbeat anthems with reflective ballads. “dancing in the kitchen”sparked joy and movement, while “pink skies” added a magical atmosphere—complete with a surprise proposal. As the intro to this 2016 hit played, Klein invited a fan on stage with his partner where he got down on one knee, prompting cheers from the sold-out crowd at Hordern.
LANY kept the mellow vibe going with “Alonica”, “Thick and Thin”, and “Out of My League”, while “dna”resonated with deeper emotional undertones. The back-to-back performance of “Super Far / Mean It” brought a jolt of excitement, leading into Klein’s acoustic rendition of “13”, a moment fans had eagerly anticipated. The melodic, minor-key rendition of “Hericane” filled the room with raw emotion, even if played only partially, before the band transitioned seamlessly into “’Cause You Have To”.
The evening’s came with the trio’s powerful nostalgic fan favourite off their 2019 album “Thru These Tears” and “Malibu Nights”, both delivering the full scope of LANY’s signature sound: bittersweet lyrics and lush instrumentals that tug at the heartstrings which are suitable for those are in love or are heartbroken. For the encore, “ILYSB” brought the crowd to a fever pitch, with every word shouted back in a unified, emotional wave. Finally, they closed with the powerful “XXL”, a fitting end to a night that felt larger than life, with Klein diving into the crowd multiple times before the band bid farewell to Hordern in true Lonely Tunes style.
The crowd at Hordern Pavilion was left buzzing, carried by LANY’s effortless transitions between joy and heartache. The show was a reminder of how the band continues to build genuine connections with fans through their music and presence. Every track on the setlist was a perfect piece in the tapestry of an unforgettable evening, proving once again that LANY is more than a band—they’re a shared experience.
Photo Credit: Jack Moran
With soaring melodies and emotive lyrics, Sydney indie-rock group JET CITY SPORTS CLUB are back with a brand new single titled ‘MINI SKIRT’.
The band’s latest release is a strong addition to a catalogue that has included the Every Single Dream EP; a career defining moment for Jet City Sports Club, continuing to build upon the momentum the last few years have generated. As one of the East Coast’s exciting fresh players, Jet City Sports Club have been working hard on creating music that focuses on the vision they have for their music moving into a brand new year.
With a song like ‘Mini Skirt’, the band is taking strong steps into this new direction.
Recorded with Fletcher Matthews (Trophy Eyes, Dear Seattle, Stumps) at his studio in Glebe, Jet City Sports Club pulled influences from artists they love, including The Cure, Holly Humberstone and The Beaches, while pushing their honest brand of storytelling and delivery further than they had on previous releases.
Of the song, the band describes ‘Mini Skirt’ as being about “growing up” and realising there isn’t necessarily one right way to do things or move through life.
“…you don’t have to be perfect or conform to the ways your friends, family or the world might want you to. The story is narrated from the perspective of a young girl going through serious body image issues and pressure to be someone they might not necessarily be. The verses talk about this and the chorus aims to reclaim a sense of independence and self worth.”
JET CITY SPORTS CLUB
The vibrancy and confidence heard on this music matches the energy Jet City Sports Club have taken into their live performances in recent years as well. Since their debut in 2021, the group has gone from strength to strength, touring with artists including Ruby Fields, Old Mervs, Dear Seattle and more; while also performing sets at Lost Paradise and the Mountain Goat Valley Crawl and with upcoming summer spots at Rolling Sets and Party In The Paddock.
Extensive support via Triple J, Triple J Unearthed and community radio, as well as DSPs (Spotify’s Fuzzy, Fresh Finds; Apple Music’s NMD, Good Times, New Indie, Pop Chill and more), have established Jet City Sports Club as an Australian indie group to watch. With each release the band steps up to the plate and proves all of this and more.
PRAISE
“A glimmering shard of sunshine through heavy curtains, ‘She Don’t Need No One’ contains many small moments of poetic romance: a seat belt tan line from driving topless in the sun; a momentary crush spawned from the brief touch of an arm; a city not feeling the same any more, despite a 40C day…”
THE GUARDIAN
“Holy s**t. Absolutely loving this sound, that build is so satisfying. Great vocals, great guitar, great journey you take us on.”
TRIPLE J, JESS PERKINS
“The kinda song to put a sweet little smile on your face. Love all the textures, it feels calming even when the guitar kicks in. Just gorgeous!”
TRIPLE J CLAIRE MOONEY
Summer 2024/25 is looking to be a busy one for the band, as they prepare to hit the road supporting both Annie Hamilton and Eliza and the Delusionals as well as playing Rolling Sets and Party In The Paddock from December through to February.
JET CITY SPORTS CLUB LIVE SHOWS
Saturday 7 December Rolling Sets Festival Central Coast
Tickets
Friday 13 December The Lansdowne Sydney
Supporting Annie Hamilton
Tickets
Friday 31 January Jive Adelaide
Supporting Eliza and the Delusionals
Tickets
Saturday 1 February Howler Melbourne
Supporting Eliza and the Delusionals
Tickets
Thursday 6 – Sunday 9 February Party in the Paddock Launceston
Tickets
Friday 14 February Oxford Art Factory Sydney
Supporting Eliza and the Delusionals
Tickets
Friday 28 February The Triffid Brisbane
Supporting Eliza and the Delusionals
Tickets
JET CITY SPORTS CLUB: Facebook | X | Instagram | YouTube | Triple J Unearthed
Photo: Beth Saravo
Words: Zac Farr
THE GREAT POP REVIVAL
Static sounds and flickering lights… the screen teased retro super film as the subs began to tease the heart… a voice over transported us into a special place… the Hordern was ready… ready to witness something magical… an eagerness somewhat like when man walked on the moon filled the room… and there she was… the twenty one year old icon… taking her rightful place as the future of pop… taking us to brand new, magical places.
She doesn’t just have a fantastic vocal range or songs that have become the anthems of millions of her fans lives. Tate McRae brings everything pop is onto one stage. The dancers, the sas, the sexy, the songs, the stage design… she has created her own little world and invited us along for the ride and it is no accident. We owe it to the sacrifice she made being placed in the spotlight at 13, a sacrifice that has equip her with a wealth of knowledge throughout all fascists of the industry to add spice where it is needed, write songs with depth, ensure her people are loved with rooftop pop ups and collude dance, lights and ballads to strike the hearts of anyone who found themselves in the Hordern Pavilion at 9pm on a Tuesday night.
Tate showed off her spectacular taste having Seattle born Charlieonnafriday open the night with a wonderful little set full of his hit singles such as Enough, I’m not crazy and After Hours as well showing of pieces of his new album WILD CHILD with tracks such as When it Rains filling the room with pure joy. His eclectic sound that merges pop, country tones and a mellow hip hop forces heads to nod and the hips to sway. The perfect to vibe to warm up the Mcrazies for the main event.
Opening with the heaving hitting Think later had the sea of Jerseys, high ponies and stuffed teddies going word for word alongside her from the get go. With vibrant dance breaks and guitar solos she and her team brought their A-game showing of her latest Album THINK LATER in all of the awe inspiring ways. She also gave the day ones some love including the tracks uh oh and she’s all I wanna be as well as the song that really put her on the musical map at sixteen you broke me first. There is something quite special when someone can bring together the die hards, the fathers, the broken hearted and the joy filled to sing together under one roof tracks like exes next to guilty conscience really emphasising how different people, from different worlds can have such powerful shared experiences.
Overall, Tate was five stars, she inspired the woman to own who they are, back each other, enjoy where they are at and being a little bitter sometimes isn’t such a bad thing. She currently holds a prominent space in the pop scene and with The Kid Laroi on her arm partnered with some of lasts years biggest and best pop songs there is not much stopping her from stealing all of Australia’s hearts.
FROM VIRAL ON TIKTOK, TO AN UNEXPECTED COLLABORATION OUT NOW VIA BASSHALL RECORDS
KYBBA, SEAN PAUL & BUSY SIGNAL – BA BA BAD
LISTEN HERE
International DJ and producer KYBBA has joined forces with Dancehall icons Sean Paul and Busy Signal for the long-awaited track “Ba Ba Bad”. What started as a viral social media sensation (IG/TikTok) quickly evolved into a powerhouse collaboration, surprising fans with Sean Paul’s unexpected appearance alongside Busy Signal.
The hype for “Ba Ba Bad” began with KYBBA’s social media teasers, generating significant traction and capturing the attention of Dancehall legend Sean Paul. Originally featuring only Busy Signal, the track’s infectious beat and captivating rhythm spurred KYBBA to reach out to Sean Paul for a feature. In a whirlwind of creative energy, the track was recorded and finalized within a week, culminating in a collaboration no one saw coming.
“The energy on this track is mad,” KYBBA shared. “It’s been amazing to see it take on a life of its own through social media and to now have both Busy Signal and Sean Paul on it – it’s an honor.”
“Love the energy of this track and truly respect Busy Signal—always one of the realest voices out of Jamaica. It’s a pleasure to work with him again. Especially when I heard this one, I knew I had to jump on the rhythm. Big up to Kybba for the wicked production.” – Sean Paul
With its addictive beats and Dancehall allure, “Ba Ba Bad” is set to make waves worldwide. Having already amassed impressive numbers online prior to its release, fans and industry insiders alike anticipate the track’s explosive success following the official release. “Ba Ba Bad” will be available on all major streaming platforms, bringing KYBBA’s unique production style with the signature voices of Dancehall’s finest, Sean Paul and Busy Signal, for the world to enjoy.
“BA BA BAD” OUT NOW ON ALL STREAMING PLATFORMS VIA BASSHALL RECORDS
About KYBBA
Hailing from Italy, and currently based in Amsterdam, has been captivating global audiences. KYBBA is a force to be reckoned with in the dancehall and urban music scene. Founder of the multifaceted Basshall Movement – a record label, TV channel, publishing arm, and event organizer dedicated to promoting these genres globally – KYBBA’s infectious energy and innovative spirit are undeniable. His unique sound, effortlessly blending dancehall, Latin, and other cultural influences, has garnered him a massive following. With over 100 million streams on streaming platforms and hit songs like “Pon Di Ting,” “Heavy,” “CON TO,” “Dale,” and “Pilot,” KYBBA’s electrifying music translates into a thriving global touring career, with upcoming appearances at prestigious festivals like Tomorrowland.
About Sean Paul
Sean Paul, born Sean Paul Henriques in Kingston in 1973, has become Jamaica’s leading musical export with numerous chart-topping hits, Grammy and Latin Music Awards, and performances in over 120 countries. His international breakthrough began with “Infiltrate” in 1997, followed by dancehall hits like “Deport Them” and “No Bligh.” His collaboration with Mr. Vegas on “Hot Gal Today” further showcased his global appeal, making him VP Records’ highest-selling artist. Success continued with hits like “Gimme the Light” and “Get Busy,” culminating in his Grammy-winning album Dutty Rock. Sean Paul’s influence spans beyond reggae and dancehall, with collaborations alongside Beyoncé, Blu Cantrell, Busta Rhymes, Dua Lipa, and Clean Bandit, and hits like “Temperature” from Trinity cementing his global fame. Honored by the Jamaican Government with an Order of Distinction in 2019, Sean Paul remains a powerful ambassador of Brand Jamaica, his legacy resonating worldwide.
CONNECT WITH KYBBA
| INSTAGRAM | TIKTOK | SPOTIFY | SOUNDCLOUD |
CONNECT WITH SEAN PAUL
FACEBOOK | INSTAGRAM | TIKTOK | SPOTIFY | SOUNDCLOUD
CONNECT WITH BUSY SIGNAL
FACEBOOK | INSTAGRAM | TIKTOK | SPOTIFY | SOUNDCLOUD
Sydney’s BOBBY UNCLE shares new track ‘THE WAY YOU STAND’ from debut EP MIMES MISS THE BEACH
Continuing to delight with his own brand of indie-pop sounds, Sydney songwriter and performer Bobby Uncle has returned with a new single titled ‘The Way You Stand’.
Taken from the artist’s forthcoming debut EP Mimes Miss The Beach, ‘The Way You Stand’ serves as a great gateway into Bobby Uncle’s songwriting style, and the evolution of his soundscapes as we head into the end of the year. Leaning into ‘80s synth and ‘70s guitar-rock influences, ‘The Way You Stand’ encompasses the intoxicating feeling one gets when they come across someone who completely mesmerises them.
Following on from tracks including ‘February (I Know)’, ‘Tragedy Delight’ and ‘Coffee’, ‘The Way You Stand’ is a fun and immersive release from Bobby Uncle that provides cool insight into the rest of the EP project.
“I thought to myself, what is a silly characteristic about someone that makes them so special and in a league of their own, compared to everyone else? I thought, well obviously, the way they stand. I mean, who compliments someone by the way they stand? Yet, if you think about it, the way someone stands can really make them stand out from a crowd. Just look at supermodels and the way they stand on the billboards, or a Hollywood superstar in a movie. You can point them out even if they are walking with a stream of people. Nonetheless, the song is meant to be fun, energetic and to capture that good feeling of a summer love, hence why the lyrics are quite playful.” BOBBY UNCLE
‘The Way I Stand’ was recorded in Neutral Bay, Sydney, at Bobby Uncle’s home studio. The beginnings of the song were coming together in December 2023, though he only returned to it in September 2024 to finish it off into the bright final result we hear today.
Bobby Uncle has been on a strong upwards trajectory since emerging back in 2021 – with significant support from radio and editorial outlets alike. Previous single’s ‘Summertime (Make It Happen)’ and ‘Coffee’ both saw heavy airplay on stations such as triple J, triple J Unearthed, iHeart Radio, SYN and 4ZZZ; and have been praised by tastemakers such as Rolling Stone Australia, Scenestr, Frankie Magazine and AAA Backstage upon release.
PRAISE
“Sydney’s Bobby Uncle has brewed up “Coffee” – a fun pop single about sleepless nights over a crush who doesn’t feel the same way.”
ROLLING STONE AUSTRALIA (‘Coffee’, 2024)
“Bobby Uncle reels you in with luscious melodies and an upbeat tone – loving this new one <3”
TRIPLE J UNEARTHED, ANIKA LUNA (‘Coffee’, 2024)
“Your voice goes in some really interesting and unexpected places here. Bring on that EP!”
TRIPLE J, ABBY BUTLER (‘Summertime (Make It Happen)’, 2024)
“‘Coffee’ weaves through many different moods and tones throughout its runtime – creating a consistently compelling listen, filled to the brim with catchy ear worms that are sure to stick around long after the song has finished.”
THE ROCKPIT (‘Coffee’, 2024)
“Here, whirring synths accompany Uncle’s voice, which on the chorus becomes distorted with a hazy vocoder flair. Pulling together such eclectic sounds, Uncle coalesces the track around an insatiable, ever-catchy rhythm, and some truly earwormy refrains.”
HAPPY MAGAZINE (‘Pendulum’, 2024)
Official Website | Facebook | X | Instagram | YouTube | TikTok | Triple J Unearthed
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PENNYWISE + MILLENCOLIN CO-HEADLINE AUSTRALIAN TOUR 2025
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It’s been a few years since your last visit to Australia. What are you most looking forward to about reconnecting with your fans here?
The energy from the crowd was so exciting in 2017 because it had been a while since I played in a country for the first time. I wanted to come back sooner, and it didn’t work out. And I’ve been just dreaming about it since! I found the people so cool and exactly my vibe. I feel like Australians are like my people.
Your new EP, No Land’s Man, feels like a fresh direction. What inspired this project, and how would you describe its sound and themes to listeners?
I got the opportunity to compose the score for my wife Megan Park’s new movie, My Old Ass, which put me in a whole different headspace musically for a while. When I was done with the project, I had some time to record songs I had written, but I didn’t want to leave the mellow space I was in from the score, which was really inspired by the sleepy lake town in Muskoka, ON — where the movie filmed. I wanted this music to feel like something that could be in a movie. I’ve been living in Canada raising kids, and it was really reflective of my current life tempo.
You’ve mentioned that performing live is important to you. How has the meaning of performing evolved for you, especially after the pandemic and spending more time on other projects?
I used to take it for granted, and now I realize how important it is to me personally, creatively, and musically. There’s a magic in performing live that can’t be replicated anywhere else, and it’s become necessary for my life in a way that it wasn’t before.
What are some of your favorite memories from your previous Australian tour, and what are you excited to revisit or experience for the first time?
Being introduced to flat whites in Sydney! It’s still my go-to coffee order. Being attacked by rain leeches with Kate Voegele on what was otherwise a beautiful tropical hike in Brisbane. And buying a beautiful acoustic guitar in Melbourne, made of Australian wood. I’m excited to revisit the coffee, the food and — if my daughter comes — the Bluey House in Brisbane.
A lot of fans know you from your role as Chris Keller on One Tree Hill. How does it feel to have that character still resonate with fans, and does that connection shape your music in any way?
It doesn’t shape my music, per se, but there’s so much of my own personality in Chris Keller that it does give me permission to have fun with a crowd in a way that we both can connect on — like an inside joke between me and 500 other people.
You’re bringing music from across your career to this tour. Are there any songs you’re especially excited to perform for Australian audiences?
The new songs are always the most meaningful because they’re most current with who I am now, but I’m so excited to be touring again that I’m just down to take requests and just have a blast playing whatever the fans want to hear!
With your work in music, film, and now a children’s book, you’re juggling a lot of creative roles. How do these different projects impact each other, and what inspired you to write a children’s book?
I just try to stay interested in what I’m doing, and it helps stave off boredom or feeling stale. As for the children’s book, I had my first kid and I was reading to her so much, and these books were such a part of our day that they started to read and feel like songs. Just felt like something I wanted to take on and try!
You’ve shared the stage with some iconic artists, including Taylor Swift and Keith Urban. What have been some standout lessons from those experiences that you’re taking with you on this tour?
It’s hard not to learn a lot by being around people who have been doing it on such a high level for so long. Longevity isn’t an accident. One thing I find across the board with people who have been successful that long is that they’re genuinely cool and are hard workers. There’s no shortcut for that kind of success.
The new tour is organized by MRG LIVE, marking their first major Australian production. How has the partnership been, and what unique elements can fans expect from this tour?
These have been some of the best promoters I have worked with. I would play anywhere in the world they wanted me to play. Good people, hard workers, and every show we’ve done together has been great! I couldn’t have a better partner to return to Australia with.
For fans who have been following you since the early days, what would you say to them about this tour and your current musical journey? What do you hope they’ll experience at your shows?
I’m just hoping for a lot of fun, and I’d love for them to have a night of singing along with some laughter, and if there’s a moment of goosebumps thrown in, that would be a bonus. There’s nothing like a good live show, and I’d love to be someone who gives that to people.
TYLER HILTON AUSTRALIAN TOUR DATES
Tickets via www.mrglive.com
MRG Presale: 9am AEDT, Wednesday 13 November
General Onsale: 9am AEDT, Thursday 14 November
Thursday 6 February Lefty’s Music Hall Brisbane Tickets
Friday 7 February Mary’s Underground Sydney Tickets
Saturday 8 February Northcote Social Club Melbourne Tickets
TYLER HILTON: Official Website | Facebook | X | TikTok | Instagram | YouTube
“Drunk Plans” has such a relatable theme. What inspired you to write about unfulfilled plans and the honesty that comes with them?
This song started with the fact that I am notorious for making plans, especially when I’m out and about. I came in with the idea of writing a song about making brunch plans, which quickly turned into drunk plans. I just think it’s such a fun take on a universal topic.
How was it working with Brad Hill on this track, and what unique qualities did he bring to the production?
Working with Brad is always a lot of fun. He has such great intuition when it comes to the musical direction of a song and how to tie that to who I am as an artist. He’s really great at tailoring his production to each artist, so getting to collaborate with him has been pretty special.
“Drunk Plans” leads your upcoming EP. Can you give us a sneak peek into the themes or stories we can expect in the rest of the EP?
The upcoming EP feels pretty unapologetic. I really wanted to write what I felt and not worry so much about outside opinions so I could get back to the root of why I started music. A lot of the writing on this EP feels empowered, with a level of self-awareness in each song. It comes down to me dialing in who I am and acknowledging or poking fun at certain parts of my personality. It’s been pretty reflective writing this project, haha!
You’ve had a phenomenal year, from your debut at CMA Fest to performances with iconic artists. What has been the most surreal moment so far?
It’s been a pretty surreal year, that’s for sure. It’s hard for me to nail down one moment because there’ve been so many, but if I had to choose, it would probably be CMA Fest. Playing that festival has always been a dream of mine, and being invited to make my debut was a huge reminder that I’m on the right path.
Your ballad “If This Is Love” resonated with many fans. How did it feel to see it gain over 1.5 million streams and win you two BCCMA Awards?
That was a huge milestone for me. “If This Is Love” still stands as one of my favorite songs I’ve released, so to see a song I was so attached to find that success was such a career highlight.
After being named Rogers Media’s “One to Watch,” how has that recognition influenced your career or approach to music?
It reassured me to trust myself in the kind of music I want to create. Watching “If This Is Love” find success on radio and streaming was a big catalyst for creating this current project. It let me know that I can make the style of music I love and carve out a space for myself in the industry. That recognition changed a lot for me and my approach.
You’ve performed in diverse settings, from Canadian festivals to Nashville’s Song Suffragettes. How do these different audiences impact your performance?
It definitely prepares you for any situation. I’ve been lucky to be part of so many incredible shows, and I think it builds your performance chops. Writers rounds have made me more comfortable sharing my life and letting people into an experience, which has made me more open in bringing that same vulnerability into a full band show.
As an Alberta-raised, Nashville-based artist, how do these places influence your sound and songwriting?
Growing up in Alberta, I was surrounded by country music. It was always playing around the house, and that’s where I really found my love for it. Moving to Nashville has been one of the biggest influences on my most recent writing style. Being surrounded by talent here builds confidence in your originality. There’s a lane for everyone, and Nashville has been pivotal in learning that.
Your recent single “Sendin’ Myself to Church” was well-received. What message or feeling were you hoping to convey with that track?
“Sendin’ Myself to Church” was such a fun song to write. I’d love to think I’m always level-headed and watching my P’s and Q’s, but I can admit that every now and then things tick me off, haha! I love the idea of admitting when we need a little help to keep it together because taking the high road doesn’t always feel like the easiest path.
With “Drunk Plans” out now, what are you most excited about for your fans to experience with this release?
I’m excited for people to get to know my personality a little more, and I think it’s a great indication of where I’m headed musically. “Drunk Plans” is a lighthearted take on the empty plans and promises we make, and that kind of self-awareness carries throughout this project.
Instagram: @taylorrae.official
Twitter: @taylorrae_music
Facebook: @taylorraeofficial
Website: taylorraeofficial.com
Pitch Music & Arts have unveiled the music and arts programme for their eighth iteration, returning once again to the picturesque Grampian Plains. Set to take place across four indulgent days from March 7-11, the lineup features a roster of illustrious artists from across the globe, including DJ, producer, and fashion icon Honey Dijon, Colombian born, Berlin-based Funk Tribu, hard-edged electro duo 2manydjs (DJ SET), a back-to-back set from Daria Kolosova and SPFDJ and the hugely anticipated 999999999.
Joy Orbison, whose tracks ‘better’ and ‘flight fm’ were teased in the most recent video [IG | YT] from Pitch Music & Arts will be making his long awaited debut in Australia, having never toured the country before. The vivacious ‘Ice Cream Dream Boy’ creator Shanti Celeste will bring her entrancing energy to the stage, FJAAK will debut their LIVE set, Gabber Eleganza will present their standout Hakke Show for the first time in Australia featuring a DJ, vocalist, multiple gabber dancers and their immensely hard techno, Afro Pasifika DJ, producer and trailblazer Lady Shaka is set to dominate the stage, while fan favourite Job Jobse is returning due to high demand.
Local talent this year includes UKG and speed garage pioneer Osmosis Jones, the technically impeccable Moopie who will go back to back with Gunai/Kurnai & Yorta Yorta artist DJ PGZ, Stev Zar, Jennifer Loveless and boundary pushing DJ and producer Mabel who will make her Pitch Music & Arts debut.
Other international artists featured on this year’s music programme include BASHKKA, Funk Assault, ISAbella, Ogazón, southstar, Midland, Dax J, Anetha, Audrey Danza, BADSISTA, Baraka (LIVE), D. Tiffany, Diffrent, DJ Fuckoff, DJ Gigola, DJ Paulette, Ela Minus (LIVE), Elli Acula, Fadi Mohem, GiGi FM, Kasper Marott, Lacchesi, Leo Pol, Maara, Maruwa, Mia Koden, Miley Serious, Objekt, Pablo Bozzi, Pegassi, Sugar Free, Surf 2 Glory, Taylah Elaine, The Illustrious Blacks, Trym, VOLVOX, and Y U QT
Continuing the representation of homegrown talent will be 2 LUBLY, 6 SENSE, Ed Kent, Guy Contact, Kia, Kuzco (LIVE), Mikalah Watego, Naycab, Ned Bennett, and Ollie Lishman bringing a rich tapestry of evolving sounds through state-of-the-art Funktion-One sound systems across Pitch’s three distinct, architecturally designed stages: Pitch One, Pitch Black, and the Resident Advisor Stage.
For the first time, Pitch Music & Arts have revealed their esteemed Arts program alongside the music lineup, featuring a range of Australian and international artists curated to encompass a broad scope of mediums and provide visual delight, rest, and play to patrons. This year’s program includes Adnate, Anatolik Belikov, Ash Keating, Builders Club, Clayton Blake, EJ Son, ENOKi, Georgia Treloar, Henry Howson & Ambrose Zacharakis, Jaqui Munoz, Joan Sandoval, Lukas Rafik Mayer, ØFFËRÎNGŠ (aka Melissa Gilbert), Petra Péterffy, Rachel Lyn & Cameron Trafford, Raquel Villa, Reelize Studio, Sam Hayes, TERRAIN, Tetrik, and UnitePlayPerform.
Returning to the festival will be the Pitch Pavillon and Pitch Precinct joined by new addition, Club Serra. Curated and produced by ØFFËRÎNGŠ (aka Melissa Gilbert ) – the creative force behind the UnitePlayPerform universe – Pitch Pavilion offers a hybrid habitat designed for the exploration of tangible artworks, contemporary performances and immersive sonic landscapes including ambient DJ sets, wellbeing workshops, inspirational talks and mindful activities.
Pitch Precinct, hidden among the campgrounds away from the main arena, will be hosted by some of Australia’s most revered, forward-thinking crews including Animalia, Kayzar, Kiki Bouba, Luna Blessings and Urban Analytics, fostering a safe space and eclectic music hub.
The newly added Club Serra, named after the rolling hills of the Serra Range in the Grampians, is designed as an ode to community and fostering connection. Club Serra will celebrate local talent with a lineup of collectives, labels, and parties such as Bex, Hannah D, Toni Yotzi [b3b], House of Silky, Mind Detergent, Vessel Records, Chuleo Club and Skylab Radio.
Following three consecutive sold-out events, tickets for Pitch Music & Arts will again be secured through the ballot system. This process once more requires patrons to agree to the ‘Pitch Pledge,’ which encourages positive contributions to the Pitch community, respectful behaviour, and a ‘leave no trace’ approach. Ballot registrations are now open and will close on Monday 25th November at 9am AEDT with tickets to go on sale to those drawn in the first ballot draw later that day.
Pitch Music & Arts invites patrons to escape the ordinary, immerse themselves in nature and delve into an amalgamation of music and art. The festival offers the opportunity to forge and foster connections with fellow electronic enthusiasts and savour the enrichment of shared experiences.
FULL LINEUP (A-Z):
2 LUBLY
2manydjs (DJ set)
6 SENSE
999999999
Anetha
Audrey Danza
BADSISTA
Baraka (LIVE)
BASHKKA
D. Tiffany
Daria Kolosova b2b SPFDJ
Dax J
Diffrent
DJ Fuckoff
DJ Gigola
DJ Paulette
DJ PGZ b2b Moopie
Ed Kent
Ela Minus
Elli Acula
Fadi Mohem
FJAAK (LIVE)
Funk Assault
Funk Tribu
Gabber Eleganza presents the Hakke Show
GiGi FM
Guy Contact
Honey Dijon
ISAbella
Jennifer Loveless
Job Jobse
Joy Orbison
Kasper Marott
Kia
Kuzco (LIVE)
Lacchesi
Lady Shaka
Leo Pol
Maara
Mabel
Maruwa
Mia Koden
Midland
Mikalah Watego
Miley Serious
Naycab
Ned Bennett
Objekt
Ogazón
Ollie Lishman
Osmosis Jones
Pablo Bozzi
Pegassi
Shanti Celeste
southstar
Stev Zar
Sugar Free
Surf 2 Glory
Taylah Elaine
The Illustrious Blacks
Trym
VOLVOX
Y U QT
Pitch Music & Arts
7-11 March 2024
Moyston, VIC
Enter the ballot: HERE
Ballot registrations close – Monday 25th November 9am AEDT
Ballot Tier 1 – Monday 25th November 6pm AEDT
Ballot Tier 2 – Tuesday 26th November 12pm AEDT
Remaining tickets On Sale: Tuesday 26th November 6pm AEDT
Get Connected:
https://www.pitchfestival.com.
https://www.instagram.com/
JACK WHITE
NO NAME TOUR
AUSTRALIA & NEW ZEALAND
DECEMBER 2024
TICKETS ON SALE FRIDAY 22 NOVEMBER
In response to high demand for presale tickets today which saw allocations exhausted in Melbourne and Sydney, Frontier Touring is pleased to announce 2nd & final shows in both cities for 12 x time GRAMMY winner Jack White – bringing his highly anticipated No Name Tour to Australia and New Zealand next month.
In Melbourne, a 2nd show will take place at Forum Melbourne on Tuesday 10 December (following the previously announced date on Monday 9 December).
In Sydney, a 2nd show has been added for the Enmore Theatre on Saturday14 December (joining the first scheduled show on Friday 13 December).
Fans can get early access to all shows – including today’s new dates – via the Frontier Member presale, which is currently live. The two new dates added will be on sale today at 12.30pm AEDT.
Head to frontiertouring.com/jackwhite for more information.
Tickets for the No Name Tour will go on sale to the general public on Friday 22 November (10am local time) via frontiertouring.com/jackwhite.
Don’t miss Jack White, live on stage this December!
JACK WHITE
NO NAME TOUR
AUSTRALIA & NEW ZEALAND
DECEMBER 2024
Presented by Frontier Touring
FRONTIER MEMBER PRESALE
Now live via frontiertouring.com/jackwhite
or until presale allocation exhausted
TICKETS ON SALE
Begins: Friday 22 November (10am local time)
Thursday 5 December
The Fortitude Music Hall | Brisbane, QLD
18+
ticketmaster.com.au
Friday 6 December
SOLD OUT
Civic Hall | Ballarat, VIC
* Presented by ALWAYS LIVE & Frontier Touring
Saturday 7 December
SOLD OUT
Corner Hotel | Melbourne, VIC
* Presented by ALWAYS LIVE & Frontier Touring
Monday 9 December
Forum Melbourne | Melbourne, VIC
18+
axs.com/au
Tuesday 10 December
Forum Melbourne | Melbourne, VIC
NEW SHOW!
18+
axs.com/au
Wednesday 11 December
Odeon Theatre | Hobart, TAS
18+
moshtix.com.au
Friday 13 December
Enmore Theatre | Sydney, NSW
Lic. All Ages
ticketsearch.com
Saturday 14 December
NEW SHOW!
Enmore Theatre | Sydney, NSW
Lic. All Ages
ticketsearch.com
Tuesday 17 December
Auckland Town Hall | Auckland, NZ
Lic. All Ages
ticketmaster.co.nz
FOLLOW JACK WHITE:
Website | Facebook | Instagram | TikTok | YouTube
Clockenflap 2024: Full Lineup Announced for Hong Kong’s Iconic Music and Arts Festival
The iconic music and arts festival returns to Central Harbourfront on November 29–December 1, 2024. Previously announced acts include Jack White, Air, Suede, St. Vincent, Jamie xx, and Glass Animals.
Clockenflap, Hong Kong’s biggest international outdoor music and arts festival, today announced its full lineup for this year’s event, including the hotly anticipated Saturday headliner.
British hip-hop sensation Central Cee will headline the festival on Saturday night, while other newly announced highlights include Alt-R&B songstress Jillian Rose Banks AKA BANKS, Hong Kong singer-songwriter Serrini, local music legend Carl Wong and the Hats On Band ft. Jer Lau, Korean indie-rock act The Black Skirts, American shoegaze artist Wisp, Taiwanese Mandopop star Misi Ke, Chengdu-based indie-rockers Hiperson, Filipino-Japanese singer-songwriter ena mori, and electrifying Japanese collective TURTLE ISLAND.
The newly announced acts join an eclectic lineup of international, regional, and local artists already confirmed for this year’s festival, including maverick rock titan and Sunday night headliner Jack White, legendary French duo and Friday night headliners Air, UK indie icons Suede, critically acclaimed US singer-songwriter St. Vincent, trailblazing UK DJ/producer Jamie xx, and British psychedelic pop-rockers Glass Animals.
The festival takes place at Central Harbourfront from Friday, November 29 to Sunday, December 1, 2024, with tickets priced at:
- HK$1,990 for three-day weekend tickets
- HK$1,280 for single-day tickets
- Under-18 tickets at HK$1,590 for three days and HK$880 for single days.
- Children aged under three years can attend the festival for free (pre-registration for children aged under three is not required).
Showcasing the full, world-class festival experience that music fans in the city have come to know and love, this year’s Clockenflap will once again feature a spectacular outdoor environment with multiple stages, a mouthwatering array of top-quality F&B outlets, and an eclectic lineup of must-see international, regional, and local acts.
Newly Added Acts
Central Cee: British rapper and Saturday night headliner who has taken the hip-hop world by storm with chart-topping singles and albums, amassing more than 4 billion streams on Spotify alone. Known for hits like Doja and Sprinter.
BANKS: Alt-R&B songstress Jillian Rose Banks makes her Clockenflap debut.
Serrini: One of Hong Kong’s most compelling singer-songwriters, performing on Saturday.
Carl Wong and the Hats On Band ft. Jer Lau: Local music legend Carl Wong will be joined by Jer Lau from the boy band Mirror, along with an all-star band including Jun Kung, Jason Kui, Herman@The Hertz, The Absent Brother, Wilson Ng, and more.
The Black Skirts: Indie-rock project led by South Korean singer-songwriter Jo Hyu-il.
Wisp: American shoegaze artist Natalie R. Lu.
Misi Ke: Taiwanese Mandopop star.
Hiperson: Chengdu-based indie-post-punk heroes.
ena mori: Filipino-Japanese singer-songwriter.
TURTLE ISLAND: Eclectic Japanese ensemble blending traditional minyo music, taiko drumming, punk, psychedelic rock, and global influences.
A host of incredible Hong Kong acts have also been confirmed, including Lucid Express, Clav, Biascut, Jerold & Friends, The Afroseas, Wantamnam, and R.O.O.T.
Must-See Legends
Jack White: Performing on Sunday night, the former White Stripes, Raconteurs, and Dead Weather frontman will bring the festival to a triumphant conclusion with tracks from his latest album, No Name.
Air: The influential French duo will headline Friday night, performing their 1998 debut album Moon Safari live in its entirety.
St. Vincent: The groundbreaking artist will draw fans with her set featuring tracks from her career and this year’s album, Born Screaming.
Trendsetters
Jamie xx: One-third of Mercury Prize-winning British indie act The xx, the trailblazing DJ/producer debuts at Clockenflap.
Glass Animals: The British psychedelic pop-rockers arrive on the back of their fourth album, I Love You So F**ing Much*.
Porter Robinson: Atlanta DJ/producer known for his infectious blend of electro-house and synth-pop.
Fiji Blue: Genre-bending Los Angeles act captivating fans with dreamy indie pop and electronica.
Best of Japan
Showcasing Japan’s electrifying music scene, the lineup features:
Creepy Nuts: Magnetic hip-hop duo.
yama: Enigmatic J-pop vocalist.
toe: Post-rock/math rock masters.
Sakurazaka46: Mesmerizing girl group.
Cody・Lee(李): Indie-pop band.
Indie Trailblazers
Clockenflap’s tradition of championing indie artists continues with:
Mother Mother: Canadian indie-rockers promoting their ninth album, Grief Chapter.
Last Dinosaurs: Japanese-Australian four-piece touring their fifth album, Kyoryu.
Bubble Tea and Cigarettes, FAZI, Fat Dog, An Id Signal, and YĪN YĪN.
Regional Highlights
deca joins, Gigantic Roar, JADE, Golden English Party from Taiwan.
Thai singer-songwriter Violette Wautier.
South Korean guitar princess MEMI.
Electronic Heroes
Keeping the dancefloor alive all weekend:
A-Trak: Canadian DJ/producer mixing electro and hip-hop.
Partiboi69: Australia’s anarchic ghetto house star.
Dave Clarke: “The Baron of Techno.”
Yung Singh: Representing the UK’s Asian underground sound.
Plus, a special DJ set by ROBOT, celebrating its 25th anniversary with Clockenflap co-founders Jay and Mike.
Get Your Tickets Now!
Join the festivities from November 29 to December 1, 2024, at Central Harbourfront.
Congrats on the release of ‘Clutter’! Could you tell us a bit more about the story behind the track? What sparked the inspiration for that ‘cluttered’ feeling in the song?
Thank you so much! The inspiration for ‘clutter’ came from the emotional whirlwind of being deeply affected by someone. I’m a very emotionally driven person, and I tend to feel things very intensely. When I’m going through something, I take those feelings straight into my songwriting. With this track, I wanted to capture what that initial spark feels like, meeting someone new and finding yourself unable to stop thinking about them!
You’ve nailed that feeling of a mind swirling with thoughts of someone special. Was there a particular moment or experience that helped you tap into those emotions?
I’m so glad it resonates! In terms of tapping into those emotions, I’d say that my current relationship definitely played a big role in bringing the song to life. I think it helped give the song personal authenticity and I hope others can relate to it too.
The music video for ‘Clutter’ has such a warm, early 2000s vibe. What was it like working with Nikola Jovanovic to bring that aesthetic to life, and how did the location choice, The Press Coffee and Book House, come into play?
Picking a visual aesthetic for my music is always one of my favourite parts of the creative process—I usually have a vivid idea of how I want it to look. For ‘clutter,’ I drew a lot of inspiration from early 2000s fashion and media, and my friend Siena helped bring that to life by creating a lookbook to style me. I envisioned a cluttered, book-filled background, and The Press felt perfect. I was able to organise a shoot after hours, and it turned out exactly as I imagined. Working with Nikola is awesome and we just have this great creative synergy that makes every shoot feel effortless.
Your music blends so well with influences like Gracie Abrams and Olivia Rodrigo. How do you bring your own spin on indie-pop while pulling inspiration from these artists?
Thank you! I have so many music influences across different genres, and while they don’t always directly reflect in the sound of what I create, they definitely inspire me. When I hear a great song, it’s less about wanting to replicate it and more about the way it motivates me to write and create something of my own. I think that’s how I bring my own spin to indie-pop—I channel that inspiration into my emotions and experiences, making the music feel authentic to me.
‘Clutter’ captures the light-hearted yet intense emotions of a crush beautifully. How did you go about layering the romantic piano melodies with the livelier elements of the chorus to build that feeling?
Working with Gracie, my producer, is such an amazing part of the creative process. I don’t always know how to put exactly what I’m imagining into words, but I always have a distinct sound in my head—and it’s like Gracie can read my mind. She just gets it. For ‘clutter,’ she really helped flesh out the layers, It’s amazing to watch her bring those visions to life so effortlessly.”
With each new release, you seem to grow more confident in your sound. How has your style evolved since your debut EP ‘Bleed’ last year?
I totally agree! I think most artists would say that as they grow, their music grows with them. ‘Bleed’ is such a special part of my journey—I can listen back and instantly feel who I was and what I was going through when I wrote it. It’s like a time capsule. With my newer releases, I feel like I’m really starting to find my sound, and that’s so exciting. I’m looking forward to writing more and seeing where this path takes me next!
What was it like performing alongside acts like Taj Ralph and Seb Szabo? Did sharing the stage with them influence your approach to live shows?
Performing with Taj and Seb was such an amazing experience. One of the best things about being a new artist is getting to watch people you look up to and seeing how they do things on stage. It’s so inspiring and helps me figure out my own style. I love performing, and it was such an honour to support them.
Triple J and Triple J Unearthed have shown such strong support for your music. How does it feel to get that recognition from platforms so integral to Aussie music?
I’m so grateful for the support and feedback I’ve received from the Triple J and Unearthed teams. Unearthed is such an amazing platform for emerging artists—it’s incredible to have a space that champions new music like that. It’s been so encouraging, and I really hope to keep building connections and fostering those relationships in the future.
With Newcastle being such a key part of your journey, how has the local music scene helped shape you as an artist? Do you feel there’s something unique about creating music here?
The Newcastle music scene is something I’m incredibly grateful for. I’ve felt so welcomed and supported since I started making music and playing live. Being in a smaller city, there’s this tight-knit community where everyone in the scene is really connected—it genuinely feels like a family. That sense of closeness and support has definitely shaped me as an artist and made creating music here feel really special.
‘Clutter’ explores vulnerability in such a refreshing way. What do you hope listeners take away from the track, especially those who might be caught up in their own version of a ‘cluttered’ crush?
Thank you so much! I hope listeners find comfort in knowing they’re not alone in the overwhelming feelings that come with a crush and that it’s okay to embrace it. Being emotional or even an overthinker can actually be a blessing—those cluttered feelings often lead to something really special. I want the track to remind people that those moments of vulnerability can be just as beautiful as they are intense.
MISHAYLA: TikTok | Instagram | YouTube | Triple J Unearthed