|
|
|
|
|
|
Continuing to stamp their way through the early months of 2020, Sydney’s WAWAWOW present a brand new set of off the rails material in their new album, Pink Elephant. Energetic and charged up, the record is the band at their fiery best. Warping and manipulating sounds and influences from across an array of genres at each turn, the four-piece demonstrates flair and a skill for distilling this broad range of influences into a sound completely their own.
Sitting at 13 tracks strong, the band flexes their creative muscle stronger than ever before, fusing indie and electro with a great dash of psych-craziness (‘Rat Porridge’, ‘Elephant Bird’). Recent single, ‘The Big Cookoff’, was an early example of the madness WAWAWOW executed on record. Yet as Pink Elephant continues to roll out, the listener gets a more defined perspective of the band’s vision.
Over various studio and jam sessions, the album came together organically as the band riffed off each other’s energy and ideas. Capturing the essence of WAWAWOW as naturally as possible remained key to the process. “We wanted to find a way to capture the very first jams that we cut together and use them, rather than try later and fail to get the spark.” WAWAWOW
Applying the same attitude to their visuals, the music video for ‘The Big Cookoff’ brings animation courtesy of Shaun Allen together with band and location footage in Sydney, sizing up brilliantly with the batshit nature of the song itself. “This track is our love/hate letter to Sydney in a lot of ways, so we wanted to get in as much of the city as possible. We then used stop motion animation to create the dark but cartoonish version of the city that matched the ridiculousness of the music.” WAWAWOW
|
|
WAWAWOW TOUR DATES
Saturday, February 15th Dicey Riley’s Hotel Wollongong
Album Launch
Saturday, February 22nd Town Hall Hotel Newtown
Album Launch
with Pyjama Sundayz, Cakewalk
Pink Elephant is released Friday, February 14th.
Official Website | Facebook | Instagram | YouTube | Twitter
SUPPORT FOR ‘FALLING OUT’
“I feel like I’ve just swallowed a chilli. it’s got heat from start to finish when you think it’s peaked, there’s moments where it escalates hotter than I thought it could go”. – 4/5 stars
– Declan Byrne – triple j (AUS)
“’Falling Out’ is an excellent introduction to the band if you’re yet to get acquainted, opening with distortion and a rough-around-the-edges tease that this isn’t going to be a clean or overly-polished rock song”.
– PIlerats (AUS)
“‘Falling Out’ comes out snarling, going straight for the jugular with the kind of cyclonic energy that can only be captured through the lens of vigorous punk rock”.
– Blunt Magazine (AUS)
Added to Spotify playlist ‘New Punk Tracks’
Following the release of their latest single ‘Falling Out’, Sydney-based punk band FANGZ have returned with its hectic accompanying video clip – directed by Joel McDonald and Reece Grogan from Yeah Rad Creative.
Filmed in the bathroom of Jacoby’s Tiki Bar in Enmore, the clip is a rollercoaster ride of frenetic performances from the band, intercut with classic late-night examples of bathroom occurrences. These cutaways show people becoming best friends, sneaking drinks in, arguing, making out and passing out. It also features Tom Kennedy from Bare Bones singing the bridge and Adrian the owner mopping the bathroom floor at the end.
FANGZ talk about the production behind the clip:
“The night before the shoot FANGZ were drinking at Jacoby’s until close for Jameel’s birthday and we turned up the next day on two hours sleep. The cutaway scenes in the toilet cubicle were all shot on a static camera to give it a very 90’s feel. We put the call out looking for about 10 extras and ended up with about 30 people and having to make up scenes on the fly. One thing we didn’t take into account was how much the bathroom would echo during playback which made it very challenging to hear”.
To coincide with the release, the band will embark on an East Coast run of headline shows with dates in Sydney, Melbourne, and Brisbane. This continues on from an unrelenting 2019 touring schedule, which saw them perform a sold-out EP launch at The Chippo, before touring with Aussie mainstays Gyroscope, and landing support slots with Canadian hardcore-punk heavyweights Cancer Bats and Comeback Kid.
Since release the track has seen support from Spotify, triple j, triple j Unearthed, Pilerats, Blunt Magazine and SYN FM. Previous singles were strongly praised by Music Feeds, Hysteria Magazine and Australian community radio, including 4ZZZ, Aussie Music Weekly, 2RRR and Radio Adelaide.
‘Falling Out’ is available worldwide now
FANGZ
‘FALLING OUT’ TOUR
SAT 15 FEB | THE VANGUARD, SYDNEY NSW
FRI 21 FEB | THE GASOMETER UPSTAIRS, MELBOURNE VIC
SAT 29 FEB | GREASER BAR, BRISBANE QLD
FOLLOW FANGZ
FACEBOOK | TWITTER | INSTAGRAM | SPOTIFY | APPLE MUSIC
LINK TREE: https://dailynightly.lnk.to/
“Part of the next generation of Australian house music producers” – triple j
“Filled with the sort of sounds you would expect to hear at a bright disco in a very dank basement” – Form
“A house music inquisitor of the finest calibre…His beats bounce across the clouds like a love-filled Cupid chasing his next target.” – Beat Magazine
“Melbourne’s Cassettes For Kids has probably given us one of this year’s best dance releases” – AAA Backstage
“Finely woven lo-fi infused beats to sooth your disco craving ears” – Stoney Roads
Predicted as “Australia’s electronic breakthrough artist of 2019” by Finding Figaro, Melbourne-based producer is living up to the hype with his latest release ‘Dreams’, a two track EP infusing elements of acid and garage house.
Following the success of his collaboration with James Pepper ‘See The Light / If You Only Knew’ mid last year, ‘Dreams’ delivers two crisp house tracks in the midst of Australia’s festival season.
The title track ‘Dreams’ features a sample handpicked from a 1970s blues track. Being the longest song he’s ever released, ‘Dreams’ was influenced by the early stages of a relationship, when the other person is the centre of your world.
Drawing inspiration from house heavyweights John Wink and Bicep, the following track ‘Black Mesa’ contrasts dreamy melodies with acid basslines, in a way that distinguishes it from other acid break tracks.
“I wanted the two elements to crash together and felt that emotive edge is what makes my sound in a way,” explains producer Zak Degenhardt.
Cassettes For Kids has a number of shows under his belt such as Pitch Music and Arts (preview here), Lost Paradise, The Wool Store Warehouse, Duke Street Block Party as well as headlining Australia’s best clubs – XE54 & Civic Underground and securing a coveted slot on triple j’s mix up segment. Always a trusted selector, he has warmed dancefloors for the likes of DJ Koze, KiNK, ANNA, John Talabot and many more. Well-respected by his contemporaries, Cassettes For Kids’ tunes have been spun by the likes of Black Loops & Kettama. Even featuring in Kettama’s recent Rinse FM mix.
EP is available digitally via. Daily Nightly.
FACEBOOK | INSTAGRAM | SOUNDCLOUD | SPOTIFY | PITCH 2020 PREVIEW
Frontier Touring today reveals that for his Revelation Tour, international pop sensation MIKA, will be joined by electro-pop dance artist Chela for his Australian East Coast dates and NZ-born, Sydney-residing pop singer Theia in Auckland. In just eight days time MIKA will make his New Zealand live debut followed by his return to Australia for the first time in 11 years. The tour is also in the wake of his fifth album My Name Is Michael Holbrook, described by Billboard as “his boldest record yet”.
MIKA will be joined by Australian/Filipino alternative pop artist Chela in Brisbane, Sydney and Melbourne. Chela’s inception into the alternative-pop scene was with her breakout single ‘Romanticise’ which has accrued more than 6.8 million combined streams to date. The Melbourne-based artist is no stranger to the stage, having previously performed for huge audiences at SXSW and Coachella festivals.
In Auckland, the Beirut-born performer will be supported by idiosyncratic pop artist Theia. Born in Christchurch, NZ and now making music in Sydney, Theia broke into the scene with her hit ‘Roam’ which has amassed more than 14 million combined streams to date. No stranger to the limelight, Theia has toured Australia, Asia and the United States and has previously opened for the likes of Tones and I, Sia, Broods, LEON and The Kite String Tangle.
MIKA is one of the defining pop artists of his generation, don’t miss out on tickets to one of his first shows on Australian shores in over 11 years and his first ever New Zealand performance.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Ben UFO is an artist adept at making a wide range of genres accessible. Traversing the sounds of techno, drum n bass, garage, and acid, he maintains firm foundations in UK rave. In the club, his sets manage to appear simultaneously thought out, and also spontaneously off the cuff. Not afraid to jump from a distorted broken rhythm into a bass heavy four-to-the-floor groove, his selective prowess and long list of dance floor oddities has earned him sets at Panorama Bar, Fabric, Tokyo’s Air, and a string of notorious international venues.
As the co-founder of Hessle Audio record label alongside Pearson Sound and Pangaea, the Hessle imprint delves into the various sounds that Ben UFO showcases in his sets. Housing works from FJAAK, Ryan Elliott, Radio Slave, Marcel Vogel, Jacques Renault and Cassegrain, Hessle Audio has undoubtedly played a role in Ben UFO’s creative evolution. As a DJ, his contributions to fabric Live mix series, Resident Advisor and BBC Radio 1 with a 2013 Essential Mix exquisitely showcase his talent, and assert his status as one of the industries most beloved DJs. Following a stand-out performance at Pitch Music & Arts 2018 alongside a full-house showcase at Revolver Upstairs, we’re excited to welcome Ben UFO back to the cage.
|
|||||||
|
Following an extensive world touring schedule with many sold-out live shows and performances at the biggest festivals such as Awakenings, Time Warp, Ultra and Sonar, Dutch techno genius Reinier Zonneveld has announced an exciting new chapter in his explosive career.
On Saturday 29 August, he’ll organise the very first edition of his own festival, Live NOW Festival, at the Hembrugterrein near Amsterdam. This won’t be your usual festival experience though, where your attention is pulled in myriad different directions; there will be just one stage. And there will be only one artist, performing live for an astonishing 11 hours.
After his many sold-out all-night-long live shows in renowned clubs around the world already, Zonneveld is ready for the next step with his Live NOW Festival. Here he will do what he does best; treat the crowd on one of his signature marathon live sets. This time around he will play a staggering 11-hour-straight live set, bringing all his studio gear on stage making for an incredibly innovative festival experience. All of the vibes and atmosphere will be shared among every single attendant, with the incredible music complemented by all the other essentials for a great day out. Expect a live performance with familiar classics and plenty of unreleased material alongside spur-of-the-moment improvisation from the man behind the music. With so much time to play with, you can expect him to take the crowd on a serious journey full of peaks and troughs, all combined with an a-class production on a new festival site.
Live NOW Festival will be one of only three festival dates in the Netherlands for Filth on Acid label head Zonneveld this summer. Don’t miss the launch of this spectacular feat, which is sure to sell out and become a staple on the techno festival calendar.
Ticket sale will start Wednesday, February 26th 6PM CET via Live NOW Festival.
The start of the ticket sale will be accompanied by a special release announcement on Reinier Zonneveld’s socials starting at 6PM CET on February 26… Stay tuned!
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
US multi-instrumentalist, songwriter and producer CLAIRO has announced her return to Australia in support of her debut album Immunity. She brings her captivating live show to Fremantle’s Freo.Social on Tuesday 28 April, Melbourne’s Max Watt’s on Thursday 30 April, Brisbane’s The Triffid on Tuesday 5 May, and Sydney’s Metro Theatre on Wednesday 6 May. Clairo will also tour the country as part of Groovin’ The Moo 2020.
Returning after last year’s sold out shows and stand-out Laneway Festival sets, the lo-fi pop prodigy left local audiences raving:
“… her musical production screams years of experience.” – Scenestr
“… soaring melodies and enticing choruses.” – Tone Deaf
Deeply moved by the Australian bushfire crisis, Clairo has decided to donate all proceeds from her headline dates to bushfire relief charities; Fire Relief Fund For First Nations Communities, Foodbank and Animals Australia.
Clairo’s unique brand of dream-pop sees intimate confessions laid delicately over washed out textures and clean beats. Since first experiencing viral fame with the sardonic smash ‘Pretty Girl’ – that has since amassed 45 million views on YouTube and 96 million streams on Spotify – she has more than proved her skills, with self-produced smashes ‘Flaming Hot Cheetos’ and ‘4EVER’ coming next.
With last year’s stellar debut album Immunity, Clairo took her deeply felt songs from the bedroom to the world stage, cementing herself as a global force of indie-pop. Co-produced by Clairo and Rostam Batmanglij (formerly of Vampire Weekend), the record married her DIY roots with sophisticated production that took in trip-hop, indie-rock and hymns – punctuated by her now-trademark diaristic lyricism.
“The uptempo tracks are breezy and chill; the ballads are lush and deeply felt.” – Pitchfork
“Clairo is a superstar …the album is bulletproof from start to finish.” – Zane Lowe / Beats 1
Clairo’s crystalline voice has been widely sought-after, and she features on the tracks ‘February 2017’ by Charli XCX, ‘Are You Bored Yet’ by Wallows, ‘I Don’t Think I Can Do This Again’ by Mura Masa, ‘Better’ with SG Lewis, and more.
As well as touring with Tyler, The Creator; Khalid and Dua Lipa, Clairo has appeared at Coachella, Lollapalooza and Pitchfork Music Fest, and delivered gob-smacking performances on Ellen and Jimmy Kimmel Live. Audiences in the US will soon be treated to her live set when she supports Tame Impala on their upcoming tour.
Step into Clairo’s intimate universe when she returns to Australia in April and May 2020.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
It is with great excitement that I OH YOU reveal Violent Soho’s fifth studio album, Everything Is A-OK, with scorching second single, ‘Lying On The Floor’. Recorded by Australian producer Greg Wales (You Am I, Sandpit, Youth Group), it will be released into the world on Friday 3 April. In true Soho fashion, the Mansfield boys are celebrating the news by throwing a series of sold out, exclusive shows in Melbourne, Sydney and Brisbane this weekend.
Premiered this morning via triple j Breakfast, ‘Lying On The Floor’ is an energetic track packed with slacker attitude and the raw energy that Violent Soho are famous for. Opening line, ‘I don’t want to be a photograph / They’re like handing out brochures that a rapture is close’ burns into your brain like only a Luke Boerdam lyric can, but where we might have come to expect a certain wry suspicion and existential despair from the Brisbane four-piece, we are instead met with a song that suggests a band that is content; ‘Lying on the floor is all I wanna do / So thank you’.
|
|
|
|
|
|
|
|
|
