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the partae
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General Info
Event: Don’t Let Daddy Know
Location: RAI Amsterdam
Date: Friday March 6th 2020
Times: 22.00 PM – 07.00 AM
Age: 18+
Tickets: dldk.com/2020
MAIN
Dimitri Vegas & Like Mike
Brennan Heart b2b Coone – Headhunterz b2b Wildstylez – Lucas & Steve – Mike Williams – Nicky Romero – Oliver Heldens – Sem Vox b2b Dimitri Vangelis & Wyman – Showtek – Sunnery James & Ryan Marciano – W&W
HARDSTYLE
Adrenalize – Ben Nicky presents Xtreme – Coone
Da Tweekaz – Frontliner – Sub Zero Project
hosted by MC Villain
Sexy by Nature
Fedde Le Grand – Lucas & Steve
Sunnery James & Ryan Marciano (3-hour set) – Third Party – Double Pleasure
Where are you currently based and what is the music scene like there?
Currently based out of Toronto! My heart will always have a soft spot for our music scene. There is a real sense of community and people supporting other people that I really love. It makes navigating this crazy industry feel a lot less lonely when you do it together.
How did you first start playing music?
My little 7 year old self in piano and voice lessons! Music and art were the biggest part of my childhood. Fun fact: I played trombone in highschool!
What’s been happening recently?
I find winter, especially post January there’s this surge of change and it sparks a lot of feelings that get put down onto paper. I’ve also been tapping into other creative aspects of the project, creating some cool visuals for live shows, videos, etc. trying to make the Bedhead experience a little more multi-media which is something I’ve always envisioned. Basically it’s a lot of fabric shopping, I love me some new fabrics.
Your new single ‘Fight No More’ is out now, what influenced the sound and songwriting for this single?
The songwriting just flowed from this heavy emotional space I was in. I started writing the song when I found myself feeling overwhelmed and frustrated with my depression, after years of getting help and feeling like I hadn’t made any progress. The song was born from that moment of “enough’s enough”. For the production, artists like Robyn, Lorde and the Naked and Famous were big influences on the sound for this song.
How did you go about writing Fight No More?
I started writing Fight No More about 2 years ago in the summer at this park near where I live. It started with a few melodies and the main lyric in the chorus. The baseline intro was the next thing written. From there I usually noodle around with a piano or guitar to start putting the pieces of the puzzle together. Although the songwriting process changes every song, I usually start with chords and melodies, and the lyrics sprinkled in between.
Where and when did you record/produce and who did you work with?
I first recorded the song with Feurd Moore, who I’ve worked with before on an earlier project. It started as just a basement recording, but we knew we had something special. There were so many things that Feurd added in that I can’t imagine the song without now, like the guitar licks and bright synths. Later on, we brought on Derek Hoffman of Fox Sounds (who also mixed the track) who really just took what we had to the next level, giving it that extra kick (literally)
How did you approach the recording process?
With this track I really grasped the importance of emotion when delivering a vocal performance, which is a very vulnerable place to be away from the park by yourself to a booth with other people. Having Derek and Feurd there made the process a lot more comfortable, and they are wonderful friends and mentors.
What programs/equipment did you use to record?
We’re all about ProTools!!
What do you like to do away from music?
I love being creative and crafty! I paint a lot, and love taking photos of pretty much everything, but especially nature and animals. My favourite things are going on nature walks, and exploring new places with my friends.
Who are you listening to at the moment?
Tame Impala’s new record The Slow Rush!!
What’s planned for 2020?
As much as I love going out to see shows at the Horseshoe Tavern, there’s nothing like going over to my friends’ place, staying in and playing some board games.
FRANK IERO AND THE FUTURE VIOLENTS REFLECTS ON BARRIERS AND CELEBRATES DIY WITH BASEMENT EYES VIDEO FILMED IN FRANK IERO’S NEW JERSEY BASEMENT
“Three albums in, Iero has made huge strides in his evolution. Lyrically dense and sonically expansive, Barriersis a deeply gratifying and fully engaging listen that tempers suffering with just enough hope to keep going.” – AllMusic, 4.5/5
“Barriers is filled with hat-pin turns both sonically and emotionally.” – Alternative Press
“Introspective but riff-heavy.” – The Boston Globe
Hot off the heels of some BIG announcements pertaining to his ‘other job’ and in cellabration of his most accomplished and successful work to date – the critically-acclaimed 2019 Steve Albini recorded double opus Barriers (out now via UNFD) Frank opened up his inner sanctum home studio to a camera crew in order to document a visual representation of the most personal track on the album: Basement Eyes.
A true look beyond the candelabra, the Basement Eyes video is a fascinating insight into the pscyhe and process that Frank utilizes in creating music. Featuring studio reels, recording notes, tape mixes and title boards from the actual recording of Barriers, the grainy “heart on the sleeve” celluloid also features never before seen documentation of Frank’s ever expanding collection of instruments, guitars, pedals and most importantly fan art gifted to him over the years that adorns the walls of his home.
“We are proud to present you with our latest music video,” says Frank excitedly. “It was directed by the talented David Brodsky and Allison Woest for My Goodeye Visuals. This song is very much about beginnings and ends. Many incredible feats have begun in a basement or a garage. I personally have started almost every musical or creative project of my career in a basement somewhere,” he continues. “I have learned to play instruments, started bands, painted, filmed videos, played shows, written and even recorded records there. It is my preferred creative space and the nucleus of where inspiration and ideas get formed into living, breathing pieces of art.”
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ARCHIE ROACH ANNOUNCES AUSTRALIAN TOUR TELL ME WHY – THE FINAL ROUND 1990-2020
In his final national tour ever, legendary songwriter, “voice of the Stolen Generations” and 2020 Victorian Australian of the Year Archie Roach AM will take his brilliantly reviewed Tell Me Why show to capital cities May through September.
This spectacular live concert will celebrate Roach’s eponymous memoir and companion album. Audiences will hear seminal songs from his back catalogue alongside influential music from his youth and three new autobiographical songs written since completing his memoir.
With well documented health challenges, including a stroke and lung cancer, Archie Roach is by most measures not a well man, but once he takes to the stage a certain majesty takes over and the stories and the songs are as compelling as the voice that sings them.
Roach will be joined onstage by his five-piece band, including award-winning jazz composer and improviser Paul Grabowsky, and special guest vocalist Emma Donovan.For Archie announcing this as his last national tour has not been an easy decision to make. “Releasing my debut album, Charcoal Lane back in 1990, was the most amazing experience in my life. I never imagined that I would be here three decades later still recording and singing on stages in Australia and the world. Music has kept me going, kept me alive. It’s something that I have come to love, especially the relationship I have with those who come to my shows. I am also most grateful to all the people that I have worked with through the years.”
Thirty years after the release of Roach’s two-time ARIA Award-winning debut album Charcoal Lane (1990), Tell Me Why is a compelling account of resilience, strength of spirit, and great love. Through stories of the iconic songwriter and activist’s life, this is an intimate, moving and often confronting musical journey as Roach searches for a deep sense of belonging.
The much lauded Tell Me Why memoir and companion album have shown how inseparable are his life and his songs, with the first single from the album ‘Open Up Your Eyes’ already shortlisted for the prestigious 2020 APRA Song of the Year, the largest peer-voted music award in Australia.
From a stolen child and teenage alcoholic to seeker, lover (with his life partner the late Ruby Hunter), father, musical icon, social advocate and First Nations leader, not many have lived a life as compelling as Archie Roach.
– Weekend Australian“This powerful memoir is a generous gift to the whole of Australia. A captivating unputdownable story.” – Herald-Sun
It has been 12 years since then-Prime Minister Kevin Rudd delivered the Australian Government’s National Apology to Aboriginal and Torres Strait Islander peoples. Roach’s story shows how his extraordinary odyssey through love and heartbreak, family and community, survival and renewal is a testament to the healing power of music.Roach has also received a Human Rights Achievement Award for his iconic Stolen Generations song, ‘Took the Children Away’; a first for any songwriter.
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MEADOW WELCOMES MORE ACTS TO ITS MASSIVE LINEUP FOR THE FESTIVAL’S SEVENTH INSTALMENT WITH DONNY BENÉT, MR. TEENAGE, POOKIE AND MORE ADDED TO THE BILL
Meadow – March 27 – 29, 2020
Bambra, Victoria
MUSIC – CAMPING – BYO
Final Release Tickets on sale now
The seventh annual Meadow festival lineup just got even tastier. Festival organisers, The Locals are proud to announce the final pickings for the smorgasbord of aural delights set to take over the iconic Bambra Bowl this March.
Joining previously announced festival headliners Angie McMahon and Rolling Blackouts Coastal Fever will be beloved 80s channeling Italo-disco heavyweight Donny Benét, dynamic alt-country outfit Caitlin Harnett & The Pony Boys, newfangled rock supergroup Mr. Teenage, and euphonious wordsmith POOKIE, as well as exploratory indie outfit Snowy Band and regular Meadow frequenters The Attics.
Nestled amongst the mighty Otway gums, Meadow takes place in the regional Victorian town of Bambra for three days and two nights of non-stop audio-visual stimuli. The tasty lineup is coupled by an even more mouth-watering spread of local produce and regionally focussed sips, with craft beers from Salt Brewing, gin from Great Ocean Road Gin, plus hand-picked cool climate wines from neighbouring Otway Hinterlands vineyards including acclaimed newcomer, Heroes. Select food stalls will boast some of the best bites of the region, operated by local restaurants and businesses such as Sticks And Bones BBQ (Geelong), Pete’s Woodfired Pizzas (Aireys Inlet), Tin Can Alley Café (Lorne) plus more still to be announced.
The final release tickets now moving fast with just over five weeks to go.
Don’t sleep on it.
MEADOW 7
March 27-29, 2020
Bambra, Victoria
Final release tickets available at $185.00 + BF
Glamping available – $330 for two people, $450 for four people
Includes double mattress, super soft linen bedding, towels, cushions, blankets, chairs,
LED lanterns and decorations.
+ Children under 12 free and Children over 12 can enter on a full price ticket
On Sale now until 24 February (unless sold out prior)
2020 LINEUP
ANGIE MCMAHON
ROLLING BLACKOUTS COASTAL FEVER
FRANKIE COSMOS
SHEER MAG
DONNY BENET
DYSON STRINGER CLOHER
CLOSE COUNTERS
YOUTH GROUP
LOURE
ELIZABETH
EMILY WURRAMARA
COOL SOUNDS
3K
DARCY JUSTICE
SWEET WHIRL
FIRST BEIGE
ELLE SHIMADA COLLECTIVE
COLETTE
EGOISM
SURPRISE CHEF
100
CAITLIN HARNETT & THE PONY BOYS
MR. TEENAGE
POOKIE
SNOWY BAND
SWAZI GOLD
THE ATTICS
MATT BOURKE & THE DELUSIONAL DRUNKS
Tickets, information, artist profiles – https://www.meadowmf.com/
CHRISTIAN LEE HUTSON SIGNS TO ANTI- RECORDS, ANNOUNCES NEW ALBUM BEGINNERS, OUT MAY 29 ON ANTI- PRODUCED BY PHOEBE BRIDGERS
Newly signed to ANTI- Records, Christian Lee Hutson today announced his new album Beginners—produced by Phoebe Bridgers—will be released on May 29th, 2020.
Christian Lee Hutson also shared the Zoe Donahoe and Adam Sputh-directed video for the stirring first single “Lose This Number,” which features backing vocals by Bridgers and a string arrangement by Nathaniel Walcott (Bright Eyes). “I think ‘Lose This Number’ is about someone fixating on the past, wishing they could go back and change things,” explains Hutson. “My friends Zoe and Adam made fake rain, granny’s basement, dragged a mattress onto a rooftop, and vacuumed up thousands of feathers in order to bring their beautiful video for this song to life.” Donahue and Sputh add, “We believe in the imagery that Christian’s music already presents, and wanted to create something that allows you to bask deeper in its lyrical and sonic intimacy, instead of distracting you. We opted for something overwhelmingly honest that takes you with Christian through a few dreamy scenarios in life, which often tend to unfold through immeasurably small moments.”
On “Lose This Number,” Hutson reveals one of his greatest strengths as a songwriter: a rare ability to infuse his lyrics with myriad idiosyncratic detail, yet leave the narrative slippery enough for the listener to fill in their own meaning. Throughout the song, his storytelling is threaded with incisive turns of phrase (e.g., “It’s like I was born on the back of a bullet/With your name written on it”). News of Beginners and “Lose This Number” follows the Los Angeles-based Hutson’s previous single “Northsiders,” released last year as an early preview of the album to praise from outlets including The New York Times, Rolling Stone (‘Song You Need To Know’), Stereogum, Uproxx, Paste, and Brooklyn Vegan, among many others.
On Beginners, Hutson embeds every lyric with his most intimate self-dialogue, sharing painful confessions and private jokes, imagined conversations and elaborate daydreams. The album spotlights a nuanced songcraft and understated candor that all but erases the distance between feeling and expression. Throughout this collection of songs, Hutson ultimately speaks an illuminating truth about regret and forgiveness and the endless confusion in growing up.
“I went with Beginners as the title because that’s where I feel like I am in my life—like I’m still just learning and trying to figure out how to navigate the world,” Hutson notes.
Hutson—who also co-wrote a song on the 2018 boygenius EP and two on the 2019 Better Oblivion Community Center LP—and Bridgers recorded Beginners at L.A.’s legendary Sound City Studios, but purposely preserved the homespun quality of his cell-phone-recorded demos. The album mines its subtle textures from Hutson’s warm vocals and graceful guitar work, and also unfolds flashes of sonic brilliance achieved with the help of its guest musicians—including Bridgers herself, as well as Walcott (who created all the string arrangements for the album, in addition to playing trumpet).
A. SWAYZE & THE GHOSTS RELEASE NEW SINGLE ‘MESS OF ME’ & VIDEO + ANNOUNCE NORTH AMERICAN TOUR DATES
A.Swayze & the Ghosts have unleashed ‘Mess of Me’, a rollicking punk anthem that’s as fun and bold as their theatrical live shows. The track received its world premiere by Matt Wilkinson on Beats 1 and is accompanied by a groundhog-day inspired video, directed by Nick Green.
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Sydney’s Micra have today released their swirling and euphoric new single, ‘Chemical Freedom’ via Liberation Records. ‘Chemical Freedom’ marks the start of an exciting chapter for the rising dreampop duo and is a spellbinding example of their ability to turn a melting pot of influences into their own hallucinatory indie pop perfection.
A technicolor journey through #NSFW chemical-fuelled erotic encounters, the theatrics of ‘Chemical Freedom’ is presented in a stunning music video directed by Justin Ridler. Having worked in the past with Baz Luhrmann and Iraxta Ansa, Justin perfectly captures the essence of the track using motion capture animation through psych-tinged lens distortion. The song and video arrives as music lovers around Australia continue to battle with state governments over harm minimisation approaches to chemical consumption. Speaking on video, Justin said “I was really interested in Roger Penrose’s theory of the fractal universe and I think that plays into the clip. There’s also a kind of paradigm shift that’s occurring in the contemporary cultural landscape around drug use which I wanted to reflect in the abstract narrative that plays out.”
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Where are you currently based and what is the music scene like there?
I live in Vancouver, BC. The music scene has a ton of brilliant and diverse artists, but many from here leave for opportunities in Montreal and Toronto, where I lived for a few years. There are financial and socio-political challenges that this city poses, which make it tough for artists to stick around. I do miss that side of the country, but the west coast has always been home.
How did you first start playing music?
I started when I was 6 and saw a piano for the first time at my school. I was immediately obsessed.
How did Noble Oak start?
The project came about after I received a Rhodes piano from a very close friend, and I became lost in its sound. I had been writing songs on and off since I was a kid, but it was the arrival of this new instrument that really drove the creation of Noble Oak.
What’s been happening recently?
Lots of preparation for new songs, shows and the release of my next record, Horizon on Last Gang Records.
Your new single ‘Morning’ is out now, what influenced the sound and songwriting for this track?
The sound is very much an extension of the sound I’ve been working to create over the last 8 years. I can’t put my finger on any one single influence for the piece.
How did you go about writing Morning and what is the meaning behind the song?
It took a very long time to complete Morning, over 5 months in fact. I was stuck on the direction of the piece after composing the initial opening and piano melody. It was a few months later that the song came to completion once I figured out the vocal melody. I was in a deeply confused and uncertain place, which ended up being the exact place I needed. The song reflects on the depths of entrapment we feel in our lives, and what we can do to survive it and change it.
Where and when did you record and who with?
Morning was written during the first half of 2017 and recorded and engineered alone in my home studio.
What programs/equipment did you use?
I used Ableton Live, which has been the foundation for my production across the Noble Oak project. I’ve begun to use Logic for some songs, since it has some terrific sounds and processing. Other equipment used include my Nord Stage for piano layers, my upright piano, a Telecaster for the guitar parts, OP-1 and MicroKorg for some of the synth parts, and a collection of drum samples.
How did you approach the recording and production for Morning?
The same way I approach every song I make- by letting the ideas spill out as naturally as they can. Nothing is ever forced, if an idea comes and is good, it remains.
Please tell us about how the concept for the Morning video came about:
I wanted to work with my friend and creative visionary Nancy Lee to devise a world that best represented the feeling of the song. Nancy has been experimenting and studying VR and volumetric video production for several years and was graciously happy to put their skills to use on this video. With a bit of programming help from some friends, the result turned out fantastically.
Where did you film and who with?
It was all filmed at their studio, with only myself, Nancy and a small team of assistants providing graphical textures and programming advice for Unity, the software where all the depth/image data and graphics were realized together.
What did you find most challenging and rewarding during the filming and editing process?
Most challenging was making sure all of the shots aligned perfectly with the words, since it was sometimes tough to tell which part was being sung based on the moving volumetric image. Most rewarding was seeing all the various components layered together so nicely in the final edit.
You have an upcoming album ‘Horizon’ label release coming up soon, what can we expect?
Expect a ton of new sounds and energies! I’m quite proud of this record so hopefully this will be your new favourite too.
What do you like to do away from music?
I like spending time with my loved ones, walking by the ocean and skiing/hiking in the mountains as much as I can.
Who are you listening to at the moment?
Some old and some new stuff, ranging from Joni Mitchell to Bruce Hornsby, The Japanese House and Tame Impala.
What’s planned for 2020?
More music, the long-awaited release of Horizon, and hopefully a tour or two!
Favourite food and place to hangout?
Sushi is my favourite food of all time, and if I’m not hanging with friends at someone’s home, or working on music, you can probably find me outside by the beach.
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Boiler Room announces lineup for Sydney event in March feat. Ayebatonye, Bamounou, DJ BORING, Ex-Terrestrial, Merph and Nazira
Today, Boiler Room announces the much-anticipated lineup for Boiler Room TEN: Sydney. Cruising into final release tickets, this year’s stellar lineup boasts international talent and homegrown favourites including DJ BORING, Bambounou, Nazira and more. Taking place in the city’s Roundhouse, the underground music platform will be celebrating ten years of connecting music and culture to millions around the world, and in true Boiler Room fashion, will be broadcast to the world live from 19:00-22:00 AEDT on Saturday, March 21.
Kicking off the Australian celebrations and joining the list of locals is DJ and selector Ayebatonye, who will ignite the Roundhouse dancefloor with her renowned mix of uplifting house cuts and global rhythms. French tech innovator Bambounou will make his return to Sydney, distilling his love of dystopian sci-fi and techno into a powerful forward-thinking birthday set. The Parisian-born producer is no stranger to Boiler Room, delivering one of 2019’s most memorable moments at Italy’s roBOT Festival.
The anything-but-dull DJ BORING will make his well-awaited homecoming following last year’s epic Boiler Room throwdown at AVA Festival, Belfast. The now London-based producer first made waves with the 2016 track “Winona”, characterised by atmospheric synth, melodramatic chords and a poignant sample of a now-infamous Winona Ryder interview. Montreal’s Ex-Terrestrial will join the international ranks, debuting his unique sound to Sydney’s Roundhouse, following the release of his dreamy ambient debut album Gamma Infolded in November 2019.
Sydney’s Merph will also take to the Boiler Room TEN stage, with her genre-spanning selections indicative of a passion for research and exploration. A well-seasoned act on the local circuit, Merph has supported the likes of Motor City Drum Ensemble, Moodymann and Jayda G, as well as headlining Melbourne’s Carefree & Daydreams and Canberra’s Dente. Rounding off the bill is the electrifying Nazira, a key player behind Kazakhstan’s underground electronic scene. Following her Boiler Room debut in 2019, Nazira will join the birthday lineup to deliver on her much-loved blend of techno thumpers and frenetic beats.
Emerging from the UK’s rich pirate radio heritage in 2010, Boiler Room started a movement which would change the way we listen to and experience music across the globe. From a warehouse with a webcam taped to a wall, to curating monumental events featuring some of the music industry’s most influential DJs, Boiler Room has rooted itself into the DNA of dance music culture since its inception.
Boiler Room’s impressive archive includes over 4,000 events, featuring 5,000 artists, spanning 150 cities and countless memories made for the millions who have experienced a Boiler Room event. Highlights include music deity Carl Cox’s mega set in Ibiza, techno powerhouse Sama’, the energetic David August and Honey Dijon’s viral Sugar Mountain set on Australian soil in 2018, which remains one of the most iconic Boiler Room moments with over 4 million streams to date.
Over the past ten years, Boiler Room has continued to evolve, delving into new realms of music, everything from jazz to grime, as well as pioneering thought-provoking documentaries and short films focusing on the music space. Entering the new decade, Boiler Room promises to bring even more unmissable memories to the stage, connecting people through music, no matter the time or location.
Boiler Room TEN: Sydney is the first event in a series to mark the music platform’s tenth birthday. Kicking off in Sydney, Boiler Room will be curating a number of iconic sets throughout the year, showcasing more of the best music talents coming together under one roof across Australia.
With some of the world’s most exciting acts in electronic music, this is one birthday party not to be missed. Final Release tickets are available via Ticketek. Hurry, tickets won’t be around for long.
We’ve just released our debut album, Pink Elephant, which has been a huge project for us and a massive relief that it’s finally out. Alongside this we’ve taken on two new members, Duncan Bell who plays the baritone guitar and Adam Pilcher our new lead guitarist. They have been absolutely amazing at dealing with our unusual approach to music, and it’s been surprising how well they’ve picked up the nuances of each song. Since they’ve joined we’ve played around 10 gigs and they’ve been a great success – looking forward to a packed year of playing our music now that we’re back.
MORE LIFE WITH DETH THRASH ICONS DAVID ELLEFSON & CHRIS POLAND TOUR AUSTRALIA THIS MAY
David Ellefson, legendary co-founder and bassist of iconic ‘Big 4’ Thrash Metal titans Megadeth, will bring his eponymous solo band, including vocalist Thom Hazaert, to Australia in May, reuniting with Megadeth’s classic Peace Sells era guitarist Chris Poland for a once in a lifetime thrash event!
This will be the first time David & Chris have toured together in 37 years!!
Fresh off the boat from Megadeth’s MEGACRUISE, where Ellefson and Hazaert performed a crushing set of tracks from their debut 2019 release Sleeping Giants, alongside Megadeth classics and deep cuts, featuring guest appearances from Megadeth’s Kiko Loureiro and Dirk Verbeuren, dedicated to Dave Mustaine, absent from the cruise due to his throat cancer diagnosis. Now Ellefson’s More Live With Deth tour comes to Australia, featuring full sets from Ellefson and Poland, with an epic finale any thrash fan will not want to miss!
Ellefson and Poland appeared together on Megadeth’s debut, 1985’s Killing Is My Business.. And Business Is Good and their landmark 1986 album, Peace Sells But Who’s Buying, widely regarded as one of the most influential thrash albums of all time.
With a career spanning four decades, David Ellefson is a Grammy-Award winning musician and best-selling author, with one of the most recognisable and distinctive bass guitar sounds in Metal. The opening bass riff to Peace Sells was immortalised as the intro music to the long running MTV News, and is ranked #11 in the 40 Greatest Metal Songs Of All Time by VH1.
In 2019, Ellefson also released his second memoir MORE LIFE WITH DETH, co-written with Hazaert, recounting both the early days of Megadeth, and his journey since re-joining the band in 2010.
Chris Poland’s unique lead playing on the first two Megadeth albums, undeniably contributed to their rise to the top of the thrash pile. He left the band in 1987 and returned for 2004’s The System Has Failed.
After his departure from Megadeth, Poland went on to release his classic 1990 solo debut Return to Metalopolis, celebrating its 30 year anniversary in 2020 with a reissue from Ellefson’s Combat Records, as well as Damn The Machine, Ohm (which would later include late former Megadeth drummer Nick Menza), and several other acts that perfectly showcased his distinct jazz-infused thrash/rock style, as well as performing on albums for Lamb of God, Tourniquet, and more.
In 2020, Poland was inducted into the Metal Hall of Fame, at a star-studded induction ceremony, which also included inductees Steve Vai, Joe Satriani, Prong, Don Dokken, Geoff Tate, and more, where he was inducted by Hazaert, and Vio-lence/former Machine Head guitarist Phil Demmel, who also joined him onstage for a blistering live performance.
In 2019 Poland reunited with Ellefson, making a guest appearance on Sleeping Giants, which also included contributions from Mark Tremonti (Alter Bridge, Creed), Eric AK (Flotsam and Jetsam), DMC, John Bush (Armored Saint, Ex-Anthrax), and more. Poland later joined Ellefson, Hazaert, and the “Sleeping Giants” band live in Fullerton, CA at The Slidebar, for a surprise guest appearance that set the internet on fire, with Mega-fans hungry for more! And from that moment, MORE LIVE WITH DETH was born.
Ellefson says of Poland: “It was great to reconnect with Chris, musically and personally, who is still, and always has been, one of the most innovative players in metal. Playing with him live again was amazing, and the fans really loved it. We’re so excited to be able to do it again, and bring it to Australia!”
Grab your tickets now for the most exciting Thrash reunion of the year!
TOUR DATES
Friday, May 22: Max Watts, Melbourne
Saturday, May 23: Manning Bar, Sydney
Sunday, May 24: Crowbar, Brisbane
Monday, May 25: The Basement, Canberra
Tuesday, May 26: Enigma Bar, Adelaide
Pre sale begins, Friday, Feb 21
General on sale, Mon, Feb 24
Tickets & VIP upgrades available from
www.destroyalllines.com
LIDO PIMIENTA ANNOUNCES NEW ALBUM MISS COLOMBIA OUT APRIL 19 ON ANTI-
LISTEN TO “ESO QUE TU HACES” HERE
CONFIRMED TO APPEAR AT SXSW 2020
“The Art Pop Warrior of the Latinx Underground” – The Fader
“The Toronto-based artist is a creator of worlds … tenebrous electronic textures meet Colombian percussion, and Pimienta’s piercing voice transports us to places new and uncharted.” – Remezcla
“Besides boasting incredible talent and a rapturously potent voice, Pimienta speaks eloquently — and with no qualms — about complex issues. She chooses her words with care, deploying terms such as anti-settler-colonialism with surgical precision. This is a woman whose words, art and music are weapons now — and for the future.” – NPR Music
Lido Pimienta has announced the release of Miss Colombia (April 17, ANTI-), the anticipated follow-up to La Papessa, which was awarded the Polaris Music Prize in 2017. The Colombian-born, Toronto-based global beats trailblazer recorded the album in her home studio, with some additional recording done in the historic Colombian town of San Basilio de Palenque.
Miss Colombia boasts 11 new and original songs that boldly celebrate Lido’s ecstatic musical hybridity of electronic meets cumbia, and is at once defiant and delicate, exploratory and confrontational. All of the songs were written and arranged by Lido, and she co-produced the album with Matt Smith aka Prince Nifty.
Watch the video for “Eso Que Tu Haces” below
The album title was partly inspired by the Miss Universe gaffe in 2015, when Steve Harvey mistakenly awarded the crown to Miss Colombia instead of Miss Philippines. It caused Lido to reflect on the anti-blackness she’s experienced, and how she was viewed as an outsider in adolescence, a “weird artistic tomboy” for not adhering to the expected norms projected upon her. Lido – an Afro-Indigenous, queer feminist – created Miss Colombia as a canvas for introspection, with pieces about love (and self-love), and loss. Other songs confront divisive politics in Colombia, Indigenous inequality and racism, and ultimately to bring her closer to home.
Musically it digs deeply into the history of Afro-Latin musics, from Palenque to cumbia – styles that Lido embraced after being introduced to Sexteto Tabala, one of the most representative musical expressions of the African communities in Colombia (who are also featured on the album). The album also features Bomba Estereo’s Li Saumet. Lido has an affinity for acts like A Tribe Called Red and Inuk throat singer Tanya Tagaq, but her work also resonates with British-Sri Lankan rapper MIA and she draws unabashed inspiration from the New York-bred Dominican-Trinidadian rap queen Cardi B.
TOUR DATES
13/3 – 22/3 – Austin, TX – SXSW 2020
Wiki announces Agung Mango (Melb), Dameeeela [DJ Set] & Threebeds (Bris) + Slim Set (Syd) as supports for ‘The OOFIE World Tour’ | Kicks off next week
I OH YOU, Illusive Presents and Frontier Touring today reveal that New York City rapper Patrick ‘Wiki’ Morales will be joined by supports, Agung Mango (Melbourne show), DJ Dameeeela and Threebeds (Brisbane show) plus producer-rapper duo Slim Set (Sydney show) on the Australian leg of his OOFIE World Tour. The tour is in celebration of Wiki’s latest album OOFIE and will kick off in eight days at Melbourne’s The Tote.
For the Melbourne leg of his OOFIE World Tour, Wiki will be supported by 21-year-old rapper Agung Mango. Hailing from the Western suburbs of Melbourne and heavily influenced by experimental hip hop, alternative R&B and indie rock, Agung Mango is one to watch and impossible to ignore. Mango will bring his high energy and diverse genre-bending sounds, as showcased in tracks ‘WOKEUPINJAPAN’, ‘HOME N AWAY’ as well as his most recent release ‘RODENT’.
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