Southern California twin duo, The Garden, share the video for “Clench to Stay Awake” off their recently released fourth studio album Kiss My Super Bowl Ring. The album debuted #1 on the Alternative New Artists Albums Chart in the US and #6 on the Top New Artists Albums Charts in the US while just clicking over 1 million streams for the album worldwide.
WATCH THE VIDEO FOR “CLENCH TO STAY AWAKE”
The Garden have been carving their own path since their formation in 2011. Known musically for their fast, punk-influenced jungle and DnB styles, they have a total of four studio albums and four EPs under their name, including LPs The Life and Times of a Paperclip (2013), Haha (2015), and Mirror Might Steal Your Charm (2018), Kiss My Super Bowl Ring (2020). Touring at a constant rate across the US, Europe, UK, China, Japan, New Zealand, Australia, Canada, and Mexico since 2013, their show is a mix of aggressive, unpredictable and trickster-ish tendencies. Additionally, The Garden made their Coachella debut in 2019 with previous festival appearances at Camp Flog Gnaw, Sasquatch, Riot Fest, Concrete & Grass in Shanghai, Neon Desert, End of the Road Festival, Tropicalia, and more.
Kiss My Super Bowl Ring, though primarily self-produced, includes tracks co-produced by Dylan Brady, and Wharfwhit, along with tracks featuring Ariel Pink, Khalif Jones (aka Le1f) and even a snippet from Carrot Top. The new album rivals the band’s previous work lyrically and sonically with unmatched belligerence. Kiss My Super Bowl Ring boasts a roster of songs that just might be the most creatively rattling yet from the duo
LISTEN TO KISS MY SUPER BOWL RING NOW
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Two-time Grammy-nominated DJ/producer and entrepreneur, Steve Aoki, has released his star-stuffed genre-bending album, Neon Future IV, alongside lead single ‘I Love My Friends’ featuring Icona Pop.
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After teasing listeners with the releases of “Sexy” and “Love Like That” over the last month, dance music veteran and icon Kaskade releases his highly-anticipated “Redux 004” EP in full. Redux series has become a much-loved tradition for the fans of Kaskade around the globe, and the new installment of the EP delivers a rich dose of intimate, deep and groovy vibes that the concept has become so well known for. In addition to “Sexy” and “Love Like That,” the full release includes two brand new tracks that will transport you to another place and time in dance music, where underground shows were the norm, and the music took precedence over special effects. “Feel It” delivers a deep, driving bassline and liquid melodies that are born for making dark rooms groove. Next up is “Find Love,” a sultry vocal-driven and melodic song on the lighter end of the spectrum for the EP. “Sexy” is perhaps the most provocative track, evoking images of balmy Miami nights, while “Love Like That“‘s haunting piano riffs and sultry vocals will make you want to find a beautiful stranger on the dance floor. Just like its predecessors, “Redux 004” provides an immersive experience that takes listeners to the heart of dance music as it was years ago. It has always been a concept close to the hearts of Kaskade and his fans, and we hope it continues for many years to come.
As a household name in electronic music for nearly two decades, Kaskade needs no introduction. His list of achievements is a mile long: 11 studio albums, 7 GRAMMY nominations, the first solo electronic dance artist to sell out both Navy Pier in Chicago and the Staples Center in Los Angeles, the first DJ to ever secure a Las Vegas residency, and the first electronic artist to headline Coachella. Less tangible but even more important has been his influence on dance music tastes and culture for generations of listeners. Often Kaskade is one of the artists who introduced now-veteran listeners to the genre, and such fans are usually fans for life. In 2019, he worked with multi-award winner Meghan Trainor on “With You” and Gorgon City on “Go Slow,” among solo releases, such as “My Light,” “Come On,” and official remixes for the likes of Alicia Keys, Jennifer Lopez, and Gwen Stefani earlier. Kaskade continues what has become a nostalgic tradition for many dance music veterans and a cherished experience for new listeners. Stay tuned for more news from Kaskade in 2020.
London-based DJ and producer Alex Virgo is the latest artist to debut on TRICK, dropping ‘Cheap Thrills’, a club-ready, four-track EP, out 3rd April.
The title track kicks things off, a slick, synth-driven dancefloor-filler that sets the tone for the rest of the EP. ‘Flex’ then follows a similar route – high-energy, pumping house music that builds to a climax, before ‘Tallywhacker’ shifts things into more metallic, techno-oriented waters while losing none of the intensity. EP closer ‘Chorus Tool’ asserts itself with the kind of four-to-the-floor throb that the TRICK imprint is quickly becoming synonymous with.
“So excited for these tracks to get released,” Alex enthuses. “Patrick has been hammering them for a while now so I can’t think of a better home than TRICK.” It follows on from ‘The 302’, DJ Deeon & Gettoblaster’s rollicking EP that marked TRICK’s first release of the new decade.
Something of a fledgling artist, Alex Virgo launched his own label, Pomme Frite, last year, kicking it off with the release of his ‘Let Me Through’ EP, which received support from the likes of Dan Shake, Horse Meat Disco and Mella Dee.
TRICK was initially launched as a platform to exhibit Topping’s versatility as a producer, as well as a platform to showcase the wealth of emerging talent which he has been pushing in his DJ sets.
Four masterful, dancefloor-focused cuts, TRICK 007 could well have been made by a dance music James Bond.
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Franky Rizardo announces the launch of his new label, LTF Records with four-track EP ‘Primrose’. The culmination of a number of years hard work, the Dutch DJ, producer, promoter and now label head proudly presents an outlet for his own music.
Encompassing an immersive feeling of energised focus, involvement, and enjoyment of his journey within the industry so far, LTF Records (Listen To Flow) is Franky Rizardo’s new platform to transport his listeners and followers into a flow state of mind.
One of The Netherlands finest exports, Franky Rizardo has long established himself as an international touring artist, as well as a name well renowned within his own country. Being ever present on Dutch national radio station, SLAM! has provided him with the perfect platform to develop and nurture a label that is crafted with clear intentions and identity; delivering uncompromising music based on his own experiences with the industry. Building a career based on strong philosophies, Franky has consistently aimed to do his own thing, keep everything in perspective and most of all, have fun.
From ingraining himself within the ANTS and elrow camps, to releasing on labels such as Strictly Rhythm, Rejected, Saved and 8Bit, Franky has become a name synonymous with deep driving house music that blurs the lines between Techno and House. The multi-faceted Dutch artist has also represented himself and his brand FLOW, at events such as Tomorrowland, Fabric – London, Shelter – Amsterdam, Amnesia – Ibiza and Soho Garden Dubai, further cementing his status as a one of electronic music’s most dynamic individuals.
Across four-tracks on the ‘Primrose’ EP, Franky focuses his energy firmly on the dancefloor, keeping people locked into his flow state. Opening with ‘Primrose’, the tracks low-end rumbles throughout, supplying the perfect atmosphere to keep the crowd moving. ‘Faze’ offers a wonky blissed out vocal alongside stabbing synth. Whereas ‘DC Terrace’ is a nod to the peak-time movements at Ibiza’s famous club, DC10. Closing the EP ‘Clouds’ provides an energised up-tempo focus track to engage to zone.
The label launches at time when authenticity within the industry is key. Franky continues to focus on his own output, never taking himself too seriously and always keeping full perspective on the task at hand. Inviting you to join him with LTF Records, Franky wants you to enter his flow state of mind.
Franky Rizardo’s ‘Primrose’ EP is out now via LTF Records.
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VIRGIN EMI
GORGON CITY & DRAMA – ‘NOBODY’
OUT NOW
Following the success of their 2019 hit single ‘There For You’ in collaboration with US DJ producer MK amassing over 45 million global streams, Gorgon City are set to drop their first new music of 2020. Here they collaborate with Chicago soul / dance duo DRAMA bringing an emotive, beautiful and fluid house jam entitled ‘Nobody’.
With each release setting a new standard for Gorgon City, ‘Nobody’ is a deviation in sonic feel for them as producers and also for their own imprint Realm. ‘Nobody’ shows the acts varied and versatile production range, downtempo but retaining its energetic feel, with a soulful vocal at its core making it a standout and unique release.
Collaborators DRAMA are Ne’el Shehade and vocalist Via Rosa, a multicultural collaboration blurring the lines between R&B, Soul and Dance. The pair have self-released several EPs and have just released their debut album as well as previously working with Chance the Rapper and Kanye West. Matt & Kye (Gorgon City) discovered DRAMA and fell in love with their sound and Via Rosa‘s amazingly stirring
‘Nobody’ also comes equipped with a new video involving a street dance interpretation of ‘West Side Story’, shot in DRAMA’s hometown of Chicago with a local street dance crew, paying homage to the city that inspired Gorgon City & Drama’s collaboration.
For Gorgon City their REALM releases came in thick and fast last year to include singles; ‘Lick Shot’, ‘Delicious’, ‘Elizabeth
On top of a busy year of productions, Gorgon City had a packed touring schedule, the duo played out across the globe at festivals including Coachella, EDC Vegas, Israel’s Get Lost Festival as well as sold out UK shows at Printworks, Warehouse Project and Tobacco Dock, in addition to dates all around Europe and the US.
With over 1.2 billion global streams to their name and over 8 million singles sold across their careers, Gorgon City are titans of making house music hits, with each release reaffirming their status.
Gorgon City & DRAMA’s ‘Nobody’ is out now on Virgin EMI
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It was April 2017 and as the sun rose on the North American West Coast, it seemed something particularly outrageous would ensue on the beautiful coastline. Landing in San Diego, a pair synonymous with a thirst for life, German electronic duo and ‘Superhouse’ pioneers Andhim arrived to embark on their North American Tour, yet something different was afoot; they would travel for an entire 10 days, 2,000 miles in a 30ft RV, hunting the American dream for beers, boobs and burgers. Now bringing together a detailed and aptly humorous account of their travels, Andhim present their west side story tour diary and movie, ‘Miles To Go’.
“We rented this 30feet speed monster for a 10-day road trip along
the west coast of America. In the end we went 4000 kilometres in this RV.” – Andhim
A crew of five, Simon, Tobi, Camera man Manoah and tour managers, Griffin and Josh, they took for the open road, immersing in an array of musical, cultural and culinary experiences as they travelled across San Diego, LA, San Francisco, Portland and Seattle, before ending in Vancouver. Following the highs and lows of their journey, ‘Miles To Go’ sees Andhim proceed in true Andhim style; the lows were always approached with a distinct sense of comedy; overflowing toilets, fridges flying open in transit and 39 cent microwave burritos that tipped the scales on their inadequately arranged eating habits across the tour.
“The whole tour was terrible for our bodies. Shitty food, no motion, no sleep
and a lot of parties. It was like an anti-health campaign. A defiant protest
against all the cold pressed juices and Acai bowls in the world.” – Andhim
Embracing the wild and whacky areas of their trip, Andhim can be found eating interesting, off-kilter taco selections and hosting an after-hours at their RV in San Diego, moonwalking across Hollywood’s walk of fame, camping in the Red Woods of California, before spontaneously heading towards Big Sur. Embracing the freedom that travelling in an RV offered, ‘Miles To Go’ is an amplification of Andhim’s outward charm and infectious hilarity.
Having been shown at film festivals across the globe including Filmarte Festival, Berlin, Filmfest Bremen and Universal Film Festival in Kansas City, ‘Miles To Go’ was awarded ‘Best Score’ at Swindon Independent Film Festival, UK and ‘Best Documentary Feature’ at San Diego’s IKFF.
Andhim’s ‘Miles To Go’ is an all-encompassing look at two DJ’s taking touring back to its roots and ditching the private jet and champagne lifestyle.
Shown At:
Filmarte Festival – Berlin 2019 (Germany)
On Art Film Festival (Poland)
Filmfest Bremen 2019 (Germany)
Universal Film Festival, Kansas City (USA)
Cuzco Underground Cinema Festival (Peru)
Short Long World Festival, Corrientes (Argentina)
BangkokThai International Film Festival, Bangkok (Thailand)
Great Message Int’l Film Festival, Pune, Maharashtra (India)
Awards:
Best Score – Swindon Independent Film Fest (UK)
Best Documentary Feature – San Diego IKFF (USA)
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Jemma Tweedie, otherwise known as LILURA, has announced the release of her new track Disaster. Released today, it was planned for a Summer release date alongside tour dates but with those now postponed indefinitely given the current situation she decided to share it with the world today.
LILURA, said: “Disaster came about when I was out on a writing trip in LA back in 2017 so I’ve had the song for a while now. It was originally written about a confusing crossroads between two relationships, so it has a bit of a dark meaning, but it still sounds fun and bouncy. I wanted to get that feeling across to the listener also. However bad a situation is we can always find a bit of a bright side! In the current world climate, I feel like it now takes on a bit of a double meaning. This is why I had the urge to release it now, it just feels right!”
After spending much of 2019 on the road with their EP Good Time, Hideous Sun Demon are back for a new decade with what is perhaps their most direct piece of music yet – the cranking ‘Gimmicks’. Sitting somewhere between Eddy Current Suppression Ring, Gang of Four and King Gizzard and The Lizard Wizard, the newest from Hideous Sun Demon will sit well with longtime fans, while introducing a new and tight sound to the public as a whole.
Admitting that they were growing bored with the sounds that had formed the foundations of their early material, Hideous Sun Demon went back to the drawing board when conceptualising this new phase of the band and what they wanted it to sound like. Working with Casey Hartnett (King Gizzard and The Lizard Wizard), Jeremy Giddings (Hot House Studios) and Joe Carra (Crystal Mastering), ‘Gimmicks’ came together as a reimagination of the music the trio loves, the essence of their dynamic as performers. “We had kinda gotten into this formulaic approach to songwriting that was defined by fuzzy guitars and doomy riffs. We were eager to adopt a wider breadth of influences, especially since Jake and Vin bonded over their love of post-punk and New Wave in their youth. We’ve started playing with cleaner guitars, writing songs that have a higher focus on tight playing rather than balls to the wall noise, as well as broadening what our sound can be. That’s essentially what Gimmicks is.” Hideous Sun Demon
Throughout last year, Hideous Sun Demon were honing their craft on stages throughout Europe, with the Good Time EP bringing them to the radars of many. Following on from 2018’s FAME, EROTIC, DREAM album (the band’s third), their 2019 material showcased a band that was further exploring their sonic identity. Heading into 2020, Hideous Sun Demon are flexing their songwriting and live muscles more than ever.
PRAISE FOR HIDEOUS SUN DEMON
“Hideous Sun Demon are both the odd kid on your street burning their toys with a magnifying glass and the warped, melting plastic figures themselves. Reckless abandon and gleeful horror all at once.”
Triple J Unearthed, Dave Ruby Howe
“A young band kicking genre’s expectations in the teeth.”
The AU Review
“Hideous Sun Demon have a solid sound that makes them stand out in the most beautiful way possible…they are easily one of the most exciting and interesting bands around.”
Beat In My Bones
Gimmicks is released Friday April 3rd
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The Delivered, Live inaugural streaming festival kicks off at 5pm on Saturday April 4th and organisers are thrilled to reveal the set times for performers, as well as the chosen venues and crew members nominated to receive a portion of the revenue.
The live music industry has taken a huge hit due to cancellations nationwide brought on by the COVID-19 outbreak, with many venues, crew, musicians and other industry workers losing their only source of income. Delivered, Live is a concept set to kick start the live music ecosystem again. A percentage of ticket sales and sponsorship will be directed to one venue and one crew member, nominated by each artist on the bill.
For this week’s event the recipients of those funds are as follows:
Alex Lahey nominates – The Evelyn and Sarah Maidigan
Ali Barter nominates – The Corner Hotel and Chad Halford
Bob Evans nominates – The Workers Club Geelong and Jason Brown
C.W. Stoneking nominates – The Théâtre Royale Castlemaine and Gareth Lindsay
Even nominates – Northcote Social Club and Stuart Morris
Henry Wagons nominates – The Spotted Mallard and Simon Aarons
Teeny Tiny Stevies nominates – Thornbury Theatre and Heath Mckay
Punters can also support the regional wine and brewery industry by ordering a mystery box of wine and beer for $140 from www.deliveredlive.com.au with the contents all produced in the High Country & Gippsland Regions, with funds going directly to the producers.
Delivered Live thanks its sponsors for getting on board this first event – Victorian Government, Four Pines, The Music, Oztix, Small Time Group, Harry The Hirer.
The event is made possible by The Handshake Agency
Tune in to Delivered Live at 5pm on April 4 at www.deliveredlive.com.au
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Karnivool have rescheduled their upcoming Australian tour. The Decade of Sound Awake Tour originally slated for April 2020 will now take place in September 2020.
Tickets on sale now at Karnivool.com
All tickets for the April 2020 tour dates are valid for the new rescheduled shows. For those who can no longer attend, refunds are available from point of purchase until April 30.
Karnivool apologise to all fans affected by the postponement and are looking forward to celebrating their landmark album, Sound Awake, in full this September.
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