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Festival NewsMusic News

TINASHE SYDNEY 08 JAN 2025

by the partae January 13, 2025
written by the partae

Photography: Josh Ma

Words: Ken Magno

Fresh off an impressive back to back festival run, Tinashe hits Sydney’s iconic Enmore Theatre with her ‘Match My Freak’ Tour; a set that was equal parts sexy and electrifying, her full talents as a performer, song writer and vocalist on full display. Coming in hot off the success of her two most recent albums and an impressive world tour, as well as the viral hot-girl-summer anthem Nasty, the hype for the Kentucky born / California Raised star was unmatched.

The set started out like something out of a WWE match, with Tinashe making an entrance to an EDM remix of her hit song Nasty complete with strobes and visuals that had some wondering if they were at the right concert (in the best way possible). The lights dimmed once more as her entourage of backup dancers made their entrance with the RNB / pop queen herself following shortly behind, starting the night off with hits ‘Getting No Sleep’ and ‘When I Get You Alone’ from her most recent release ‘Quantum Baby’ fading into her viral track ‘Needs’ from her 2023 release ‘BB/ANG3L’, perfectly setting the tone for the rest of the night.

Alongside an impressive discography, playing songs like ‘2 On’ and ‘All Hands On Deck’ from her debut release ‘Aquarius’ as well as her most iconic and popular collaborations like ‘The Worst In Me’ (with Kaytranada) and the 2015 club anthem ‘All My Friends’ (with Snakeships & Chance the Rapper), her full talents came into display through her choreography and her powerful stage presence. Her irresistible movements mixed with her backup dancers conveying a story within each song created an already theatrical experience to what would’ve been just another show, but between each beat and perfectly synced movement Tinashe still found a way to make the set more personal with every member in the crowd – her engagement with the sea of adoring fans was like nothing else, expressing her gratitude for each member of the crowd and creating a connection that felt rare within the music world. 

Tinashe’s show could only be described as a perfect storm of different genres flowing together in a way that no other artist could replicate. There wasn’t a single person not taken over by her infectious energy; from the barricade of screaming fans to the couples swaying and spinning at the back of the venue, her aura could be felt through every beat that shook the walls of the Enmore. The night was a feast for the eyes and ears, a show that was both intimate and explosive down to every tiny detail, and Tinashe absolutely ate and left no crumbs.

January 13, 2025 0 comments
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Music InterviewsMusic News

Interview: Monica Logani On Her Latest Album ‘The Depths’

by the partae January 10, 2025
written by the partae

“The Depths” explores the theme of introspection and uncovering quiet truths. Can you share the personal journey or inspiration behind this album?

“The Depths” was born from my own journey of seeking peace and meaning in life’s quieter spaces. Having lived across continents—Africa, the U.S., India, and now Europe—I’ve learned that external movement often mirrors an internal quest. In a world filled with noise, I wanted to create a space where listeners can pause, reflect, and reconnect with their own truths. This album feels like an invitation to dive deep into one’s self, embracing both the beauty and challenges of introspection.

Your music blends classical and world influences, reflecting your multicultural identity. How do your cultural roots shape your compositions, particularly on “The Depths”?

My multicultural identity is at the heart of my music. Growing up in the U.S. with roots in India, being born in Africa, and now living in Spain, I’ve absorbed a rich tapestry of sounds and traditions. Indian classical music taught me to appreciate depth, patience, and improvisation. Western classical influences brought structure and harmony. Living in Spain introduced me to the passion of Flamenco and the understated elegance of European minimalism. On The Depths, these worlds come together naturally. It’s less about representing any single tradition and more about honoring how these influences have shaped who I am and how I hear music.

You’ve described “The Depths” as both a sanctuary and a guide. What role do you think instrumental music plays in healing and offering clarity in today’s fast-paced world?

Instrumental music has a unique power to heal because it transcends language and speaks directly to the soul. In today’s hyper-connected and overstimulated world, we often neglect moments of stillness. The Depths offers that stillness—a sanctuary where listeners can step away from the chaos and find clarity. Without words, the music allows each person to project their own emotions and experiences onto it. It becomes both a personal retreat and a guide, helping them navigate their inner worlds.

Your previous albums, “Secret Garden” and “The Long Road,” were met with critical acclaim. How has your creative process evolved from those works to “The Depths”?

Each album represents a distinct chapter in my life. Secret Garden was about uncovering hidden beauty through music, a journey of quiet discovery. The Long Road became an outward expression of love, grief, and connection—raw emotions translated into sound. With The Depths, my creative process has matured and become more intentional. I’ve learned to trust the music, allowing it to flow intuitively rather than overthinking. I leaned deeper into minimalism, letting each note breathe and finding power in the spaces between them. It’s a deeper exploration of simplicity and emotional clarity.

“The Depths” flows seamlessly from one piece to the next, creating a meditative experience. How do you approach crafting such cohesion within an album?

Cohesion comes from listening to the music as a whole, rather than as individual pieces. I approach each composition as part of a broader emotional arc, ensuring that one piece naturally leads into the next. Working closely with my producer, we carefully sequenced the tracks to balance their energy and transitions. For The Depths, I envisioned the album as a single narrative—an immersive journey that unfolds gradually, inviting the listener to explore deeper emotional and introspective layers with each piece.

The album is arranged in three distinct phases, each representing a stage in the transformative journey:

The Opening Tracks: Pieces like Dreams of Zagyva and Stars set the tone through a classical lens, telling stories that evoke memory and introspection.

The Middle Section: This phase blends instrumental pieces with piano solos, delving deeper into personal emotions and meditative states.

 The Final Phase: Beginning with Diamond Gaze, the music ascends into spirituality, capturing the essence of offering, transformation, and eternal truths.

Each phase takes the listener on a transformative experience—from quiet reflection to deeper introspection, and ultimately, to a sense of spiritual awakening.

Many listeners connect with your music on an emotional level. How do you translate vulnerability and personal experiences into your compositions?

For me, composing music is an act of vulnerability in itself. I approach the piano with honesty, letting it reflect what I feel in the moment—be it joy, longing, or uncertainty. I believe that authenticity in expressing my emotions allows the music to resonate deeply with others. Rather than telling a specific story, I aim to craft an emotional language that invites listeners to bring their own experiences and interpretations to the music.

Your music has been featured on SiriusXM’s Spa channel and resonates across 86 countries. What does it mean to you to have your work touch such a global audience?

It’s incredibly humbling. Growing up across cultures, I’ve always felt like a citizen of the world, and it’s beautiful to see that reflected in how my music resonates globally. Knowing that a composition created in my quiet moments can bring peace to someone on the other side of the world feels like a shared human connection—one that transcends borders, languages, and backgrounds.

With “The Depths” releasing in January 2025, what are your hopes for how this album will be received and the impact it will have on listeners?

My hope is that The Depths offers listeners a sense of peace and perspective—especially in moments when they need it most. I want it to feel like a trusted companion, whether someone is reflecting, healing, or simply seeking stillness. If it helps even one person reconnect with themselves or find clarity, then it has fulfilled its purpose.

Your work is reminiscent of the golden era of New Age piano. Which artists or movements have inspired your approach to composing and performing?

I’m deeply inspired by artists like George Winston, Yiruma, and Yanni, who masterfully blend simplicity with profound emotional depth. The New Age movement, with its focus on music as a source of healing, introspection, and mindfulness, has significantly influenced my approach. At the same time, my exposure to Indian classical ragas has taught me the power of improvisation and the importance of emotional nuance. Minimalism and world music traditions have also enriched my compositions, allowing me to explore diverse textures and moods. Together, these influences have shaped a style that is deeply personal yet universally resonant.

Looking ahead, do you see yourself exploring new themes or genres in your music, or continuing to deepen the introspective and emotional journey you’ve begun with “The Depths”?

I believe there’s always more to explore. While I’m drawn to introspection and emotional storytelling, I’m curious about blending new sounds and themes into future work. I’d love to collaborate with musicians from different traditions, bringing in instruments and influences that push my creative boundaries. But no matter the genre, my focus will always be on creating music that feels authentic, meaningful, and deeply human.

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January 10, 2025 0 comments
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Music News

YOUNG FRANCO RELEASES NEW SINGLE ‘LOSE CONTROL’ FT EARTHGANG & JAFUNK FROM UPCOMING DEBUT ALBUM ‘IT’S FRANKY BABY!’ & ANNOUNCES US TOUR DATES

by the partae January 10, 2025
written by the partae

Globally acclaimed DJ and producer Young Franco returns with a new release to kick off the year today, a soothing hip-hop soulful cut, “Lose Control”, a vibrant collaboration with EARTHGANG and Jafunk, from the hotly anticipated debut album “it’s Franky baby!” out January 24, available to pre-order HERE. Young Franco also announces the North America headline tour in March, following the Australian tour kicking off next month.

“Lose Control” encapsulates Young Franco’s irresistible charm and euphoric energy, with his signature lush, rhythmic beats and infectious synth melodies. Calling on Jafunk, music producer and DJ from Perth now based in Lisbon, and Atlanta Grammy-nominated rap duo, EARTHGANG who add their rich funk, hip-hop entrancing vocals, it’s an uplifting anthem set to ignite the dancefloor this summer.

Young Franco reveals, “I had this beat lying around forever, and in this prolific summer period of 2023/24, there were so many cool artists that I wanted to work with coming to town, and EARTHGANG was one of them. We worked out the time to get it in and made it happen… I know those two boys are really loved in Australia. It was super exciting to get in, and they just smashed it out super quick. It’s sort of a representation of a lot of the older Young Franco catalogue. I think it ties well into a lot of the’ it’s Franky baby!’ songs. So, I really wanted to make sure there was a song that kind of covered all the genres and styles that I like.”

EARTHGANG shares, “we loved working with Young Franco. The energy was organic and Sydney set the best backdrop for this collaboration. Can’t wait until the world hears this one.”

 

The debut album, “it’s Franky baby!” drops later this month on January 24 and is a compilation of Young Franco’s genre-bending and cutting-edge productions. It’s an energetic fusion of disco, Italo-disco, dance music, rap, and punk, weaving influences from the UK, America, Italy, Nigeria and Jamaica. The 10-track album features a slew of trailblazing collaborators; Pell, Denzel Curry, Master Peace, Franc Moody, p-rallel, Dana Williams, Kah-Lo, piri, MC DT, EARTHGANG, Jafunk, General Levy, Tommy Villiers and Muroki. Young Franco has described the collection as “an accumulation of all my friends, everyone I love, and artists I’ve been privileged to work alongside.”

Young Franco will be hitting the dancefloor next month with a series of outdoor day parties to celebrate the release of his debut album “it’s Franky baby!”. Each event will have a party-style atmosphere with vibrant visuals, special guests and plenty of surprises. Today Young Franco announces the North America headline tour in March. The US dates will kick off in Los Angeles at The Roxy Theatre on Friday March 14, then move on to San Francisco at Monarch on Saturday March 15, Miami at ZeyZey on Friday March 21 before wrapping up in Brooklyn at House of Yes on Saturday March 22. Tickets available Wednesday 15th January local time.

Before then you can catch Young Franco at one of the Australian day parties with special guests Kah-Lo, p-rallel and Osmosis Jones. The tour will open in his hometown Brisbane at Dream Valley on Saturday February 15, Sydney at Liberty Hall Courts on Saturday February 22, Adelaide at The Fantail on Friday February 28, Fremantle at Port Beach Brewery on Saturday March 1 and a Melbourne show date to be announced soon. Get ready to groove—this isn’t just a concert; it’s a celebration of everything Franky baby!.

Young Franco ‘it’s Franky baby!’ Australian + US Tour Dates  

Saturday 15 February – Dream Valley, Brisbane

February – To Be announced, Melbourne
Saturday 22 February – Liberty Hall Courts, Sydney
Friday 28 February – The Fantail, Gluttony, Adelaide
Saturday 1 March – Port Beach Brewery, Fremantle

Friday 14 March – The Roxy Theatre, Los Angeles, California

Saturday 15 March – Monarch, San Francisco, California

Friday 21 March – ZeyZey, Miami, Florida

Saturday 22 March – House Of Yes, Brooklyn, New York

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January 10, 2025 0 comments
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Music News

Yolanda Be Cool, Trace & Benny Kane deliver ‘Making My Daydream Real’

by the partae January 10, 2025
written by the partae

Global powerhouses Yolanda Be Cool, Trace & Benny Kane drop their euphoric anthem ‘Making My Daydream Real‘, a link up of world class talent, bound to have dancefloors moving.

Following a string of monumental achievements, Yolanda Be Cool continue their reign as global house music crusaders. Known for their iconic hit ‘We No Speak Americano’ and releases on heavyweight labels such as Black Book Records, Repopulate Mars, and Club Sweat, the duo has spent years perfecting their craft both in the studio and behind the decks. With platinum records, ARIA Awards, and Beatport chart-toppers under their belt, Yolanda Be Cool’s ability to blend the underground with the mainstream remains unmatched.

Joining them on this titanic release is Uzbekistan’s rising star Trace. A name synonymous with chart success, Trace has dominated Beatport rankings with tracks like ‘Bitch Don’t Kill My Vibe’ and ‘Selecta’. Known for his infectious tech house grooves and support from industry titans such as Solomun, Pete Tong, and Jamie Jones, Trace’s contributions to ‘Making My Daydream Real’ solidify his status as one of the top-selling producers in the scene.

Completing the trio is Benny Kane, one-half of the production duo Apexape and a master of percussive house and disco. With releases on esteemed labels like Strictly Rhythm and Toolroom, and support from BBC Radio 1 tastemakers Pete Tong and Danny Howard, Benny Kane’s resume speaks for itself. From iconic festivals like Glastonbury and Snowbombing to residencies at London’s XOYO and The Box Soho, his fast-paced mixing and cutting-edge edits have cemented his reputation as an unmissable live act.

‘Making My Daydream Real‘ is a seamless fusion of the trio’s collective strengths. Anchored by its infectious melody, rapturous energy, and an irresistible groove, the track effortlessly channels feel-good summer vibes while delivering the polished production fans have come to love from these artists.

On the release, Yolanda Be Cool shared “Whatever time of year it is, it’s summer somewhere and we love summer records. Making My Daydream Real is exactly that. With the help of the internet, we got together with Benny Kane and Trace and made something that we can see soundtracking pool parties all year from our own party we’re doing all summer in Bondi to next season in Ibiza and beyond. We’re super proud of this record and can’t wait to see it grow.”

The track’s release coincides with Yolanda Be Cool’s stacked Australian Summer tour schedule, which included highly anticipated shows across the country, ensuring ‘Making My Daydream Real‘ becomes a staple of their electrifying sets.

With three global forces uniting for one unforgettable anthem, ‘Making My Daydream Real‘ is set to soundtrack the summer – a feel-good hit for the ages.

BUY/STREAM

Stay connected with Yolanda Be Cool:
INSTAGRAM | SOUNDCLOUD | YOUTUBE | FACEBOOK | X

Stay connected with Trace:
INSTAGRAM | SOUNDCLOUD | FACEBOOK | X

Stay connected with Benny Kane:
INSTAGRAM | SOUNDCLOUD | X

January 10, 2025 0 comments
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Festival NewsMusic News

PIV celebrates 10-year anniversary with spectacular festival on May 30th and announces full lineup

by the partae January 9, 2025
written by the partae

Renowned Dutch record label PIV is celebrating a decade of shaping the house music scene with an unforgettable series of events throughout the upcoming year. The first milestone event will take place on May 30th at the iconic Noorderlicht on the NDSM Wharf in Amsterdam, promising an electrifying experience for house music enthusiasts worldwide.

PIV has become synonymous with innovative beats, legendary parties, and its unparalleled B2B energy. The first anniversary festival will be no exception. Attendees can look forward to surprising B2B sets, performances by PIV legends and the unmistakable vibe that has defined the label over the years.

Today PIV announces the full lineup, which promises an unforgettable night of cutting-edge house music. The event is headlined by PIV founder Prunk, Benny Rodrigues, M-High, Dungeon Meat, Kolter, and Sidney Charles. Joining them are a stellar array of talent, including Chesster, Dennis Quin, Iris Menza, Jesse Maas, Job de Jong, Ruze, Wendel Sield and many more. With this full lineup, fans can expect an electrifying experience and there’s still more excitement to come—stay tuned for future reveals!

Full lineup (A-Z)
Artmann
Benny Rodrigues
Chesster
Dennis Quin
Dungeon Meat
Iris Menza
Jesse Maas
Job de Jong
Julian Anthony
Kellie Allen
Kolter
Makèz
M-High
Noumé
Prunk
Project89
Retrouve
Robbie Doherty
Ruze
Sidney Charles
Wendel Sield

A Global Celebration
The Amsterdam festival marks just one of many celebrations around the world to honor PIV’s 10-year milestone. The label has already brought its signature sound to fans in cities like Barcelona, Ibiza, London, Tulum, and Berlin. Each event has showcased the unique spirit of PIV, uniting house music lovers from across the globe. To celebrate their decade long reign PIV will host events not only in Amsterdam, but also in LA, Miami, London, Bali, Ibiza and many more exciting places all over the world. Join PIV in celebrating their 10-year anniversary and keep an eye out on their social media channels for more announcements, ticket info and more.

Early bird tickets for PIV 10-year festival are now available. Demand is expected to be high so, don’t miss the opportunity to be part of this celebration and witness history in the making.

For tickets and more information, head to PIV’s website.


About PIV
Founded in 2015, PIV has grown from a local house music label into a global movement, beloved for its signature sound and high-energy events. Over the past decade, PIV has cultivated a loyal community of music lovers and established itself as a cornerstone of the electronic music scene.

Celebrate 10 years of PIV with us—where music, community, and unforgettable energy come together.

January 9, 2025 0 comments
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Festival NewsMusic News

GROOVE ARMADA ANNOUNCE 2025 AUSTRALIAN TOUR DATES

by the partae January 9, 2025
written by the partae

PRESALE BEGINS MONDAY 13 JANUARY AT 12 PM AEDT

GENERAL ON-SALE BEGINS TUESDAY 14 JANUARY AT 12 PM AEDT

PRESALE REGISTRATION HERE

BUY TICKETS HERE

Legendary dance music pioneers GROOVE ARMADA are thrilled to announce their 2025 Australian tour, bringing their iconic sound and exhilarating DJ sets to Metro City in Perth on Thursday 27 February, and to the Roundhouse in Sydney on Saturday 8 March, presented by Untitled Group. The duo will play a further show in Melbourne as part of Live At The Gardens, presented by Roundhouse Entertainment.

Known for their groundbreaking fusion of house, big beat, and funk influences, Tom Findlay and Andy Cato have been at the forefront of the global dance music scene for more than 25 years. With anthems like ‘I See You Baby’, ‘Song 4 Mutya (Out of Control)’, and the Grammy-nominated ‘Superstylin’’, GROOVE ARMADA has captured the hearts of audiences worldwide, earning three Grammy nominations, a Brit Award nomination, a string of UK Top 10 albums, and achieving five Top 40 albums in Australia. Fresh off the success of their 2022 career-spanning retrospective, GA25, which celebrated a quarter-century of dancefloor classics, GROOVE ARMADA continues to captivate audiences with their timeless sound.

GROOVE ARMADA – 2025 AUSTRALIAN TOUR

*Presented by Untitled Group

*Presented by Roundhouse Entertainment

Thurs 27 Feb – Metro City, Boorloo/Perth*

Sat 8th Mar – Roundhouse, Eora/Sydney*

Sun 9th Mar – Live At The Gardens, Naarm/Melbourne**

Renowned for their ability to craft euphoric dancefloor moments, GROOVE ARMADA’s DJ sets are a journey through iconic hits, deep cuts, and cutting-edge sounds. From unforgettable sets at Glastonbury to packed-out shows at Brixton Academy and festivals worldwide, their performances are a celebration of rhythm, soul, and the boundless energy of dance music.

Don’t miss the chance to witness GROOVE ARMADA behind the decks in Perth, Sydney and Melbourne. Secure your tickets and join the celebration of one of dance music’s most influential acts.

For more info on Groove Armada, visit:

INSTAGRAM | FACEBOOK | SOUNDCLOUD | YOUTUBE | X | WEBSITE

 

January 9, 2025 0 comments
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Festival NewsMusic News

TERMINAL V CROATIA ANNOUNCES LINE UP FOR 2025 EDITION

by the partae January 9, 2025
written by the partae
Dates: 17th – 21st July, 2025
Location: The Garden Resort, Tisno

Tickets

999999999, Anfisa Letyago, Ben Sims, Dax J, Ellen Allien, Hector Oaks, Kobosil, Mall Grab, Vtss and many more are announced to perform at Terminal V Croatia

World renowned Scottish techno festival Terminal V returns to Tisno, Croatia, for what will be a standout second edition from July 17th to 21st 2025. The scene-leading festival once again offers four open-air stages, beachside dance floors and intimate relaxation areas by the crystal-clear Adriatic Sea at The Garden Resort for thousands of dedicated music lovers. They will assemble for another cutting-edge soundtrack that offers up the very best in techno from across the spectrum and a mix of legends, new school stars and plenty in between.

Terminal V’s inaugural Croatian edition was a remarkable debut that created unforgettable memories for all those in attendance, as well as generating plenty of rave reviews from press and punters alike. Say Derek Martin and Simon McGrath, the festival’s founders, “The first Terminal V Croatia Festival was a new beginning for us. Visitor reactions were overwhelmingly positive, giving us extra motivation to organise the second edition which is now just over 200 days away. We also hope to see some Croatian visitors at our Scottish edition which takes place from April 19th to 20th in Edinburgh!”

Terminal V is known for pulling out all the stops when it comes to production, and that will be the case again in summer with cutting edge light and sound across the superb Barbarella’s, the more secluded Olive Grove, the epic Main Stage and the superb Beach Stage. Tisno’s blissful Garden Resort is a natural hideaway with a sweeping bay, glistening Adriatic sea and the chance to dance under a hot sun or twinkling stars at a range of different venues as well as on unmissable daily boat parties and late night afterparties which run until sunrise. As if this wasn’t enough, there will be plenty of adrenaline-pumping water sports to enjoy by day.

Musically, there is plenty to get excited about with international stars like Hector Oaks, Kobosil, Ben Sims, Ellen Allien and Dax J joined by contemporary heroes such as VTSS, 999999999, Anfisa Letyago, Carv, Miss Bashful and DBBD and Hannah Laing amongst many more. From hard techno to euphoric trance and everything in between, all shades of sound will be catered for.

Terminal V Croatia blends the best underground sounds with a mix of rich local culture, a beautiful destination, plenty of extra activities and much more. Do not miss out and get your tickets now at https://terminalvcroatia.com/.
LINEUP
999999999
ALERICO
ALEX FARELL
ANFISA LETYAGO
AZYR
BASSWELL
BEN SIMS
BENWAL
BIIANCO
BLK.
CARV
CLTX
DARIA KOLOSOVA
DAX J
ELLEN ALLIEN
FANTASM
FISH56OCTAGON
FRANCK
HANNAH LAING
HECTOR OAKS
KETTAMA
KOBOSIL
LEE ANN ROBERTS
LESSSS
MALL GRAB
MARRØN
MCR-T
MISCHLUFT
MISS BASHFUL & DBBD
PEGASSI
SAM ALFRED
SHLOMO
SIM0NE
SNTS
SPFDJ
UPPER90
VTSS
X CLUB
January 9, 2025 0 comments
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Festival NewsMusic News

BLOND:ISH Headlines ICONS At Playa Pacha Pool and Beach Club, FIVE LUXE (Dubai) 7 February 2025

by the partae January 9, 2025
written by the partae
Dubai: Mark your calendar for 7 February 2025 as BLOND:ISH headlines ICONS at Playa Pacha Pool and Beach Club.
More than a DJ, BLOND:ISH is on a mission to help people live their best lives. Her famously high energy levels and on-point selections are what ensure dancers escape each and every time she plays. With her genre-defying sound and magnetic presence, BLOND:ISH creates an atmosphere that opens hearts and heightens the senses.
This party comes a week ahead of her new album ‘Never Walk Alone’, releasing on 14 February 2025 on Insomniac Records and offering a great window into her club-ready sound.
As well as leading the way with her music, BLOND:ISH is also a keen environmental activist who founded the nonprofit charity Bye Bye Plastics to eliminate single-use plastics from music venues and events. Playa Pacha at FIVE LUXE will amplify the volume of BLOND:ISH’s message through its 100% solar powered parties and LEED Platinum rated green entertainment venue.

Backed by 50 years of party expertise from the legendary Pacha Ibiza, this is an unmissable event with another of the world’s most sought after DJs. Availability on the dancefloor is limited, so secure your spot now.

Website: https://www.playapachadubai.com/
Instagram: https://www.instagram.com/playapachadubai/
January 9, 2025 0 comments
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Music InterviewsMusic News

Interview: Joey Sachi & Akinat Collab

by the partae December 27, 2024
written by the partae

‘7 Seconds’ is such a compelling track. Can you tell us about the inspiration behind the song and how Clive Wearing’s story shaped its themes?

Thank you for the kind words! A few months ago, AKINAT sent me the documentary about Clive Wearing’s heartbreaking story, and it had a profound impact on me. I couldn’t stop thinking about him. Clive Wearing was a fascinating British classical musician who lost his memory and now experiences life in brief, seven-second intervals. His story made me think long and hard about the fragility of life. The fact that his wife, Deborah, remains a constant as his condition deteriorates only further proves that love truly transcends time. Drawing from both his story and our own life experiences, we wrote 7 Seconds.

How did the collaboration between the two of you come about, and what was the creative process like working together?

We’ve been collaborating for many years… honestly, the process is always seamless. AKINAT is an exceptionally talented producer, and I always love what we create together. Our history and deep understanding of each other really helps the process—plus, we know when to push one another creatively, which I personally sometimes need! When you’re creating music, it’s easy to get stuck on an idea, so sometimes you need to throw a musical spanner in the works or try something completely out of left field. That’s more often than not where the magic has been hiding.

You’ve mentioned that the track draws influence from Fleetwood Mac’s ‘Dreams.’ How did that iconic sound inspire your approach to production and songwriting?

Yes!! Initially, we set out to write a song inspired by Dreams! It’s funny telling people that the Fleetwood Mac classic was an influence for us, as I feel that connection might be a bit difficult to make now. The track went through many iterations before reaching its final version, and I’m really curious to see if people can hear the little nods to that track throughout 7 Seconds.

Your music blends influences from artists like Jamie xx, Sabrina Claudio, and now Fleetwood Mac. How do you balance such diverse inspirations in your work?

Brilliant question! I love the depth and emotional range Sabrina Claudio consistently achieves through her music, the production and artistry of Jamie xx, and the unparalleled creative songwriting that forms the backbone of all Fleetwood Mac songs. I try to weave those influences together naturally—to be honest finding that  balance feels almost effortless because I draw inspiration from each artist in very different ways!

AKINAT, your production style is influenced by electronic greats like Four Tet and Jon Hopkins. How do you incorporate those elements while maintaining Joey’s vocal-driven sound?

I’m in consistent awe of artists like these guys – they’re particularly their ability to create a rolling, driving texture, with each element findings its pocket. It’s in that sense that i was inspired – not through genre but an appreciation of each and every sound arriving in its own time. 

Joey, living in Tokyo has clearly influenced your artistry. How has your time in Japan shaped your sound and opened up new creative opportunities?

For those who haven’t been: Japan, particularly Tokyo, is a living, breathing Blade Runner dreamscape—bustling streets, neon lights, and creativity everywhere you look! Living here and being consistently immersed in this culture has shaped me as an artist, giving me the freedom to explore and experiment, not just in music but beyond. I’ve always been passionate about fashion, and I love blending it with my artistry —the fashion scene in Tokyo is truly unparalleled!

What’s the music scene like in Tokyo compared to Sydney, and how does it influence the way you approach your work?

Live music is everywhere!! That has been the biggest difference I’ve observed between the two. Everyone loves live music here & makes sure there are ample opportunities to both perform and attend, across all genres. Musicians are championed for expressing themselves through their art, particularly Jazz musicians. If and when you visit Tokyo I highly recommend dipping into one of the moody Jazz bars like ‘Blue Note’ in Aoyama, having a cheeky cocktail & seeing where the night takes you! Living here has pushed me to search for live performance opportunities much more than I did previously, there is nothing quite as special as connecting with a person via music.

The themes in ‘7 Seconds’ touch on profound connections and love that transcends memory and time. How do you hope listeners interpret or connect with the story you’re telling?

Oh, I love this question! The beauty of music lies in how uniquely it can be interpreted by each listener. One of the most rewarding aspects of creating music is seeing how people connect with the tracks and relate them to their own life experiences. We also hoped that featuring samples of Clive Wearing himself might encourage listeners to explore his story, if they haven’t already. He captures the essence of life and love in the most profoundly beautiful way.

Since releasing your first single in 2021, your career has gained momentum. How do you feel you’ve evolved as an artist, and what’s next on the horizon for you?

I am feeling immensely grateful as we wrap up 2024. The New Year always feels incredibly cathartic—a chance to reflect and recognize how much I’ve grown over the past year. Heading into 2025, I already have four new songs ready to go. I’ve had the privilege of working with some sensational producers, and I can’t wait to share everything we’ve been creating!

Do you have plans to continue experimenting with different styles and textures in your music, and are there any collaborations or projects in the pipeline we can look forward to?

Absolutely! I will be hitting the ground running in 2025 with a few collaborations I secured at the end of this year. I couldn’t be more excited about the songs we’ve created—they definitely explore different textures/styles, and I’ve really pushed myself out of my comfort zone with songwriting! Keep your eyes peeled!

https://www.instagram.com/joey.sachi/

 

December 27, 2024 0 comments
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Festival NewsMusic News

DJ BORING & LB AKA LABAT HEADLINE UNTITLED DAY PARTY AT THE TIMBER YARD

by the partae December 18, 2024
written by the partae

Untitled Group continues their 10-year anniversary celebrations with the announcement of an Untitled Day Party, featuring global dance music pioneers DJ BORING and LB aka LABAT.

The event will take place on Sunday, 5 January 2025, at The Timber Yard, Melbourne’s iconic industrial, inner-city space set to be transformed into a European-style rave paradise.

Returning to home soil DJ BORING has cemented his status as a global dance music icon since his breakout hit “Winona”. Known for his high-energy sets, DJ BORING has graced some of the world’s most renowned stages, including Glastonbury 2024, Boiler Room, and many more. Catch him fresh from his coveted closing set at Beyond the Valley as the fan favourite returns to his take over The Timber Yard.

French DJ, producer, and label owner LB aka LABAT will bring his signature sound to the lineup. With his top single “Feel the Beat” nearing 2 million streams, LABAT’s innovative take on electronic music has earned him a global following and performances at world-class events across the globe.

This exclusive events lineup will also include Bertie, Ollie Lishman and Sophie McAlister.

For the past decade, Untitled Group has redefined Australia’s live music scene with flagship festivals like Beyond the Valley, Pitch Music & Arts, Wildlands, and Ability Fest, while also excelling in artist touring, management, and a leading booking agency. As part of their 10-year anniversary celebrations, fans can look forward to exclusive merchandise, secret pop-up shows, money-can’t-buy competitions, and more throughout the summer.

Tickets are expected to sell out fast—don’t miss your chance to join the celebrations of a decade of unforgettable experiences with Untitled Group, DJ BORING and LB aka LABAT.

Tickets: Sign up for presale HERE

Presale begins on – Thursday 19 December 12pm AEDT

General tickets available – Friday 20 December 12pm AEDT

Get connected:

https://www.instagram.com/untitledgroupau/

https://www.facebook.com/untitledgroupau/

https://www.untitledgroup.com.au/

https://www.tiktok.com/@untitledgroup?lang=en

December 18, 2024 0 comments
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TWO WEEKS UNTIL BILLIE MARTEN – Less than 100 tickets remain in Melbourne

by the partae December 18, 2024
written by the partae

Fresh from captivating audiences at Beyond The Valley, the UK’s Billie Marten will grace the Corner Hotel on January 2.

Be transported by Billie’s hauntingly beautiful vocals and poignant lyricism. Joining is Perth rising singer-songwriter Ullah.

With Sydney sold out and limited tickets left in Melbourne, don’t miss Billie Marten’s debut Australian tour!

MELBOURNE TICKETS

MELBOURNE SET TIMES

8pm – Doors
8:30pm – Ullah
9:30pm – Billie Martin

December 18, 2024 0 comments
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Music InterviewsMusic News

Interview: Kyara – Heartbreak, Darkness, and Empowerment Through Music

by the partae December 18, 2024
written by the partae

Can you share the story behind “Into The Dark”? What inspired you to explore  themes of rejection and abandonment in this track? 

‘Into The Dark’ is about the experience of realising that someone you’ve been seeing was  never as invested as they led you to believe. It’s that moment when you’re swept up in the  idea of something special, only to have the rug pulled out from under you with no  explanation. The abandonment comes in the aftermath, when you’re left questioning  everything – the moments you shared, the connection you thought you had – and you’re  haunted by the uncertainty of whether it ever meant anything to them. It’s a deep  emotional spiral, wondering how someone could so easily walk away if they truly cared. 

The music and lyrics became my way of channeling that hurt and turning it into something  more than just a painful memory. Instead of letting the experience feel tragic, I wanted to  create something powerful and cathartic. 

The song evokes a dystopian and cinematic soundscape. How did you approach  creating this atmosphere in your music? 

Heartbreak, especially when it’s paired with so many unanswered questions, can feel  apocalyptic. When I think back to that overwhelming sense of confusion and hurt, it felt like  the world was crashing down around me. I wanted ‘Into The Dark’ to capture that “end of  times” feeling. I layered synths and textures to simulate that intense emotional  overstimulation – like when everything is building up inside you, just on the verge of  exploding. 

In my mind, the soundscape had to feel futuristic, alien – like a chaotic sci-fi world where  nothing is familiar or comforting. This led me to approach the song as a synthwave track,  creating a sonic environment that matched the sense of isolation and turmoil in the story. 

You mentioned that you self-wrote, recorded, and produced “Into The Dark.” Can  you walk us through your creative process for this single? 

The process for ‘Into The Dark’ wasn’t overly planned or structured. It all started when an  arpeggiated synth melody popped into my head one day, and I immediately began laying it  down in my DAW before I could forget it. From there, the song almost wrote itself. I had a  clear vision of the sound and structure, so I just went with it – building the instrumental,  developing the lyrics, and finding vocal melodies as I went along. 

At the time, I’d been listening to a lot of The Midnight, so I wanted to incorporate a  saxophone solo, something I’d been wanting to do for a while. I grew up playing alto sax,  so it felt natural to bring that into my music. Once the song was structured, I refined the  production the next day, cleaning up the track and adding some extra touches like  background vocals and vocoder effects. I think it was completely done – minus mixing and  mastering – in 2 days. 

For the visual concept of ‘Into The Dark’, I wanted to symbolize the journey described in  the song – how the protagonist is pulled from the light, corrupted by their lover, and  ultimately left in darkness. It evokes the image of an angel who has fallen from grace,  tainted by the darkness (the partner) and left alone, reaching desperately for the light. And  so, the cover artwork for the single was created.

You’ve drawn comparisons to the sounds of “Stranger Things.” Which artists or  genres influenced your sound in this track? 

The ‘Stranger Things’ score by Kyle Dixon and Michael Stein is definitely a big influence  for me. I also draw inspiration from artists like The Midnight, FM-84, Timecop1983, and  CHVRCHES.  

When I wrote ‘Into The Dark’, it was around when The Weeknd released ‘Blinding Lights’,  which also tapped into that ‘80s synth-pop vibe. That song really pushed me to explore  how I could merge synthwave with pop elements and vocals, and ‘Into The Dark’ became  the result of that exploration. 

The song delves into profound emotional themes. How do you balance personal  vulnerability with the broader themes of heartbreak and isolation in your music? 

In ‘Into The Dark’, I wanted to express my personal vulnerability while making the themes  of heartbreak and isolation feel universal. While the song draws from my own experience, I  focused on the emotional journey – feelings of doubt, confusion, and being left in the dark –  that anyone can relate to. I aimed to tell the story in a way that allowed listeners to find  themselves in it, even if their situation is different. 

By embracing vulnerability, the song becomes a catharsis, not just for me, but for anyone  going through similar emotions. Heartbreak can be isolating, but it’s also an opportunity for  growth, and I hope listeners can find strength in that transformation. 

The inclusion of vibrant saxophone and lush synths adds a unique layer to the  track. How did you decide on the instrumentation, and what do these elements  represent in the song? 

The saxophone was essential for me – it’s such an iconic instrument in ‘80s music, and it  has this power to grab attention in a way that no other instrument can. Growing up playing  alto sax, it was always going to make an appearance in one of my tracks. In ‘Into The  Dark’, the sax solo acts as the emotional climax, lifting the track just as the tension and  emotion reach their peak. It’s symbolic of that emotional eruption – the point where all the  pent-up feelings explode. 

The synths and other textures were chosen to add a sense of mystery and depth to the  song. I wanted to create an atmosphere that felt “chilling,” something that would leave  listeners wanting more – just like the protagonist in the song, who’s desperately searching  for answers that never come. 

What do you hope listeners take away from “Into The Dark”? How do you want them  to feel when they hear it? 

I want listeners to know that it’s okay to feel your heartbreak, to go through the emotional  rollercoaster without rushing to brush it off. ‘Into The Dark’ is about letting yourself go  through the process and purging those feelings rather than burying them until they  overwhelm you. But beyond that, I want people to take away a sense of empowerment.  Heartbreak doesn’t have to define you – it can become something you transform into  something epic. Use it to fuel your growth, and don’t let it defeat you.

How does this single compare to your debut release? In what ways do you feel  you’ve grown or evolved as an artist since then? 

My debut single, ‘Yearn’, introduced a confident, playful side of KYARA. It was bold,  cheeky, and fun – a perfect introduction to my music. ‘Into The Dark’ marks a shift, though.  It reveals a more vulnerable side, while still maintaining that confidence. Sonically, it’s  darker and more cinematic, with a depth that wasn’t as present in my debut. 

Thematically, ‘Into The Dark’ shows growth. While ‘Yearn’ was about desire and control –  inspired by a deep fantasy, ‘Into The Dark’, explores a reality in some relationships –  processing pain and vulnerability. It’s about embracing all sides of ourselves – the strong,  the confident, the vulnerable. I’ve learned that it’s okay to be both, and that embracing the  darker, more complicated parts of yourself can lead to growth and strength. 

Can you give us a glimpse into what’s next for you after “Into The Dark”? Are there  any upcoming projects or collaborations you’re excited about? 

There’s a lot in the works. I’m continuing to explore the themes ‘Into The Dark’ introduced,  diving deeper into stories of relationships, both romantic and personal, and exploring them  from different angles. You can expect more dark, cinematic electronica fused with pop, but  there’s definitely a shift coming. At some point, I’ll be telling these stories through a  

sweeter, more romantic lens, and I’m really excited to see where that takes me. 

I also hope to experiment with different sounds within electronic music to see how they can  complement and enhance my existing sonic aesthetic. 

How important is it for you to engage with your audience on platforms like  Instagram and TikTok? What role do you think social media plays in the music  industry today? 

Social media is crucial, especially for independent artists like me. It’s not just about  marketing – it’s about building a community and connecting with people who resonate with  my music. Platforms like Instagram and TikTok give us the opportunity to share our work  and stories with a broader audience, and they’re invaluable in creating genuine  connections with listeners. For me, it’s less about just promoting my music and more about  fostering a sense of belonging, where fans can connect with each other and with me. It’s  how you can share the real side of being an artist, beyond just the music. 

Additionally, social media is a valuable tool for receiving feedback from listeners. It allows  you to consider different ideas and perspectives, helping you grow as an artist and better  connect with your audience by understanding what they want to hear.

INSTAGRAM

December 18, 2024 0 comments
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Festival NewsMusic News

FRANKSTON’S WATERFRONT FESTIVAL RETURNS IN 2025

by the partae December 17, 2024
written by the partae

Frankston City Council’s iconic Waterfront Festival returns on Friday 7 February and Saturday 8 February, featuring a music line-up of some of Australia’s best artists, delicious food and plenty of activities for all-ages both in and out of the water.

A highlight of the summer season, Waterfront Festival returns bigger and better than ever, with a new format and some exciting new additions coming in 2025. For the first time, Waterfront Festival will kick off on Friday evening, offering the perfect way to unwind and ease into the weekend. Headlining the mainstage will be legendary Aussie duo Sneaky Sound System, who will bring their signature dance anthems to the stage as the sun sets over the bay. They will be joined by Sunshine & Disco Faith Choir, Amaru Tribe and Coco Michelle.

On Saturday, the festival kicks into full gear, offering a day filled with free activities and entertainment. Check out the Rotary Duck Race as colourful ducks take over the creek, explore the stalls and interactive activities for some hands-on fun, or take part in the Frankston Swim Classic – whether you’re competing or cheering from the sand!

Saturday’s music line-up offers a more relaxed vibe, headed up by indie folk duo Pierce Brothers, who are currently celebrating ten years since their breakout EP, The Night Tree, with a nationwide tour. Also on the bill is the ultra charismatic Queenie, whose powerful voice and heartfelt songwriting never fails to captivate any audience, and nine-piece West African/Cuban collective Ausecuma Beats. There’s also performances by Steph Strings, Lotte Gallagher, George & Noriko and Natasha Kate. As the music winds down, the festival wraps up with a dazzling fireworks display over the bay.

Across both days, food trucks will offer an array of flavours, from local favourites to international fare with the new addition of The World Kitchen. Presented by Ventana, The World Kitchen is a food performance venue showcasing varying cultures and traditions through food. The World Kitchen is the place where sharing food becomes the universal language.

Waterfront Festival is the place to be for good vibes in the sun – take in the atmosphere with family and friends on the lawn, listening to tunes and sipping drinks from the garden bar. Don’t miss Frankston’s signature summer event, proudly brought to you by Frankston City Council. See you there!

WATERFRONT FESTIVAL
Friday 7 February: 5 – 10pm
Saturday 8 February: 12 – 10pm | Fireworks display: 9.45pm

For more info visit www.imaginefrankston.com.au/waterfront-festival or follow us on Facebook and Instagram (@waterfrontfest) to stay in the loop.

Waterfront Festival is proudly presented by Frankston City Council

 

Waterfront Fest Waterfront Fest
@waterfrontfest @waterfrontfest
Imagine Frankston Imagine Frankston

 

December 17, 2024 0 comments
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Music InterviewsMusic News

Interview: Joey Sachi: “7 Seconds” Love, Memory, and Inspiration

by the partae December 17, 2024
written by the partae

‘7 Seconds’ is such a compelling track. Can you tell us about the inspiration behind the song and how Clive Wearing’s story shaped its themes?

Thank you for the kind words! A few months ago, AKINAT sent me the documentary about Clive Wearing’s heartbreaking story, and it had a profound impact on me. I couldn’t stop thinking about him. Clive Wearing was a fascinating British classical musician who lost his memory and now experiences life in brief, seven-second intervals. His story made me think long and hard about the fragility of life. The fact that his wife, Deborah, remains a constant as his condition deteriorates only further proves that love truly transcends time. Drawing from both his story and our own life experiences, we wrote 7 Seconds.

How did the collaboration between the two of you come about, and what was the creative process like working together?

We’ve been collaborating for many years… honestly, the process is always seamless. AKINAT is an exceptionally talented producer, and I always love what we create together. Our history and deep understanding of each other really helps the process—plus, we know when to push one another creatively, which I personally sometimes need! When you’re creating music, it’s easy to get stuck on an idea, so sometimes you need to throw a musical spanner in the works or try something completely out of left field. That’s more often than not where the magic has been hiding.

You’ve mentioned that the track draws influence from Fleetwood Mac’s ‘Dreams.’ How did that iconic sound inspire your approach to production and songwriting?

Yes!! Initially, we set out to write a song inspired by Dreams! It’s funny telling people that the Fleetwood Mac classic was an influence for us, as I feel that connection might be a bit difficult to make now. The track went through many iterations before reaching its final version, and I’m really curious to see if people can hear the little nods to that track throughout 7 Seconds.

Your music blends influences from artists like Jamie xx, Sabrina Claudio, and now Fleetwood Mac. How do you balance such diverse inspirations in your work?

Brilliant question! I love the depth and emotional range Sabrina Claudio consistently achieves through her music, the production and artistry of Jamie xx, and the unparalleled creative songwriting that forms the backbone of all Fleetwood Mac songs. I try to weave those influences together naturally—to be honest finding that  balance feels almost effortless because I draw inspiration from each artist in very different ways!

AKINAT, your production style is influenced by electronic greats like Four Tet and Jon Hopkins. How do you incorporate those elements while maintaining Joey’s vocal-driven sound?

I’m in consistent awe of artists like these guys – they’re particularly their ability to create a rolling, driving texture, with each element findings its pocket. It’s in that sense that i was inspired – not through genre but an appreciation of each and every sound arriving in its own time. 

Joey, living in Tokyo has clearly influenced your artistry. How has your time in Japan shaped your sound and opened up new creative opportunities?

For those who haven’t been: Japan, particularly Tokyo, is a living, breathing Blade Runner dreamscape—bustling streets, neon lights, and creativity everywhere you look! Living here and being consistently immersed in this culture has shaped me as an artist, giving me the freedom to explore and experiment, not just in music but beyond. I’ve always been passionate about fashion, and I love blending it with my artistry —the fashion scene in Tokyo is truly unparalleled!

What’s the music scene like in Tokyo compared to Sydney, and how does it influence the way you approach your work?

Live music is everywhere!! That has been the biggest difference I’ve observed between the two. Everyone loves live music here & makes sure there are ample opportunities to both perform and attend, across all genres. Musicians are championed for expressing themselves through their art, particularly Jazz musicians. If and when you visit Tokyo I highly recommend dipping into one of the moody Jazz bars like ‘Blue Note’ in Aoyama, having a cheeky cocktail & seeing where the night takes you! Living here has pushed me to search for live performance opportunities much more than I did previously, there is nothing quite as special as connecting with a person via music.

The themes in ‘7 Seconds’ touch on profound connections and love that transcends memory and time. How do you hope listeners interpret or connect with the story you’re telling?

Oh, I love this question! The beauty of music lies in how uniquely it can be interpreted by each listener. One of the most rewarding aspects of creating music is seeing how people connect with the tracks and relate them to their own life experiences. We also hoped that featuring samples of Clive Wearing himself might encourage listeners to explore his story, if they haven’t already. He captures the essence of life and love in the most profoundly beautiful way.

Since releasing your first single in 2021, your career has gained momentum. How do you feel you’ve evolved as an artist, and what’s next on the horizon for you?

I am feeling immensely grateful as we wrap up 2024. The New Year always feels incredibly cathartic—a chance to reflect and recognize how much I’ve grown over the past year. Heading into 2025, I already have four new songs ready to go. I’ve had the privilege of working with some sensational producers, and I can’t wait to share everything we’ve been creating!

Do you have plans to continue experimenting with different styles and textures in your music, and are there any collaborations or projects in the pipeline we can look forward to?

Absolutely! I will be hitting the ground running in 2025 with a few collaborations I secured at the end of this year. I couldn’t be more excited about the songs we’ve created—they definitely explore different textures/styles, and I’ve really pushed myself out of my comfort zone with songwriting! Keep your eyes peeled!

‘7 Seconds’ is out Now
JOEY SACHI:Official Website | Twitter | Instagram | TikTok | YouTube | Triple J Unearthed

December 17, 2024 0 comments
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Festival NewsMusic News

The Cruel Sea announced for Live At The Gardens – With special guests Mark Seymour & The Undertow, Vika & Linda, Loose Content | Sat 8 March – Royal Botanic Gardens Melbourne

by the partae December 16, 2024
written by the partae

TICKETS ON SALE TUESDAY 17 DECEMBER

The honeymoon definitely ain’t over – legendary Aussie rockers THE CRUEL SEA are set to light up the Live At The Gardens stage with a very special performance at the Royal Botanic Gardens Melbourne on Saturday 8 March, 2025, delivering an unforgettable evening of raw energy and homegrown hits under the stars.

Joining THE CRUEL SEA are some of Australia’s most revered and exciting artists – MARK SEYMOUR & THE UNDERTOW, VIKA & LINDA and rising indie-alt rockers LOOSE CONTENT.

Presented by Roundhouse Entertainment, in conjunction with MG Live, this show is the latest addition to the highly anticipated March series of Live At The Gardens, set against the breathtaking backdrop of the Royal Botanic Gardens Melbourne.

Tickets for THE CRUEL SEA Live At The Gardens go on sale Tuesday 17 December from Ticketmaster at 11.00am local time, with Live At The Gardens and Roundhouse presales beginning Monday 16 December at 10.00am local time.

Formed in 1987, THE CRUEL SEA carved their place in Australian music history with a genre-blurring sound, fusing blues, roots, surf, rock, soul and cinematic soundscapes, led by charismatic frontman Tex Perkins.  Their albums The Honeymoon Is Over (1993) and Three Legged Dog (1995) catapulted them to national stardom, earning them eight ARIA Awards and cementing their legacy with hits like Better Get a Lawyer, Black Stick, Just A Man and The Honeymoon Is Over.

Their 1993 masterpiece, The Honeymoon Is Over, became the soundtrack of a generation, spending more than a year in the ARIA album chart, solidifying the seminal album its place in Australian history.

This Live At The Gardens show coincides with the release of THE CRUEL SEA’s first album in 23 years, Straight Into The Sun (released 7 March), marking an exciting new chapter in the band’s celebrated career and featuring the return of the classic lineup of Tex Perkins, Jim Elliott (drums), Ken Gormly (bass), Dan Rumour (guitar) and longtime collaborator, Matt Walker (guitar). “The Cruel Sea are back, and it feels so right,” declared Double J, echoing the excitement surrounding their highly anticipated return.

More than 30 years later, their live shows remain electric, with critics hailing their live performances as “a masterclass in atmosphere and grit”.

“An elite performance by an all-time great Australian band at the top of their game.”
Hi Fi Way Live

“Perkins remains one of this country’s more entertaining frontmen and his ability to swagger across the stage, engaging with the crowd is mesmerising.”
The Rockpit 

“The Cruel Sea’s return to the stage after ten years was a joyful triumph.”
The Music

 

All event information liveatthegardens.com.au

 TICKETING

ROUNDHOUSE MEMBER PRESALE
Sign up here
Runs from: Monday 16 December 10.00am local time
For 24 hours or until presale allocation exhausted 

LIVE AT THE GARDENS MEMBER PRESALE
Sign up here
Runs from: Monday 16 December 10.00am local time
For 24 hours or until presale allocation exhausted 

GENERAL PUBLIC ON SALE – THE CRUEL SEA
Tickets on sale Tuesday 17 December at 11.00am local time
From Ticketmaster

TICKET PRICE
General Admission $119.90
*A handling fee of $5.95 applies per transaction

Sign up HERE and be the first to hear about Melbourne’s newest outdoor music event, Live At The Gardens and gain access to exclusive member presales.

EVENT INFORMATION
Live At The Gardens is Licensed All-Ages. Strictly no BYO alcohol or food. Broad offering of food and beverages will be available on site with every attempt to ensure all dietary requirements are catered for. Everyone requires a paid ticket excluding babies in arms 24 months and under. Patrons under 18 must be accompanied by a parent or adult guardian at all times.

TRANSPORT & PARKING
For all public transport and parking information
liveatthegardens.com.au/transport

Sign up here to become an a day on the green member to keep up to date on all the latest tour information and access presale offers, competitions and more.

thecruelsea
Facebook | Instagram
Spotify | YouTube | AppleMusic

liveatthegardens.com.au

 

December 16, 2024 0 comments
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