Photography: Zane Taprell
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After a whirlwind year of sold-out shows across Australia, the US, UK, and Europe and the release of their critically-acclaimed debut album, the end of year countdown is on for Sydney duo Royel Otis!
Rounding out an absolutely huge 12 months for the band – which included four wins at the recent 2024 ARIA Awards, plus festival slots at Primavera, Reading & Leeds, Sziget and Boston Calling, sold out tours across the globe, and more – Royel Otis are Coming Home this month. Performing their biggest headline show yet at Sydney’s Hordern Pavilion on Saturday 21 December, after a landmark year this is fans’ chance to celebrate on home soil with the Sydney band that’s taken the world by storm!
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Watch: Royel Otis – If Our Love Is Dead
Royel Otis are pleased today to reveal two special acts also performing on the night you won’t want to miss:
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Joining Royel Otis at the iconic Hordern Pavilion is rising Sydney singer-songwriter Nick Ward, who’s been busy making waves in 2024. In early October, Ward released his debut album, House With the Blue Door, which featured the magnetic lead single ‘All Your Life’. Just last month he hit another milestone, supporting Troye Sivan on the pop star’s national Australian and New Zealand tour. Last week, he was named GQ Australia’s Breakthrough Musician of the Year. Ward recently captivated fans with his unforgettable Like a Version on triple j, delivering a stunning cover of Blink-182’s ‘Adam’s Song’. Nick Ward’s music transcends boundaries, weaving together elements of indie pop rock, emo, electronic and hip-hop to create a sound that is uniquely his own, and captivating audiences worldwide.
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Opening proceedings will be Aussie five-piece Le Shiv, who began as a band when they were living in in Los Angeles, after relocating from Sydney a few years ago. Now back home and post-pandemic, the band deliver searing guitars, ear-hooking melodies and gut-punching lyrics through songs that will either make you dance or cry… sometimes both. triple j namechecked them as an Unearthed Feature Artist to watch, thanks to singles such as their infectious track ‘I’m Fine, I’ve Said Too Much, But How Are You?’. 2024 saw the release of Le Shiv’s debut EP, New World Colour, which received widespread support from Spotify and saw the band take their infectious live show across the country.
With two unmissable acts joining the bill alongside the hottest band in Australia right now, this December show is going to be huge. Don’t miss Royel Otis, when they return to Sydney in just over two weeks’ time… tickets on sale now!
ROYEL OTIS – COMING HOME
+ special guests Nick Ward and Le Shiv
AUSTRALIA
DECEMBER 2024
Presented by Frontier Touring
TICKETS ON SALE NOW
via frontiertouring.com/royelotis
Saturday 21 December
Hordern Pavilion | Sydney, NSW
Lic. All Ages
ticketek.com.au
FOLLOW ROYEL OTIS:
Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music
Your debut single “Treading Water” garnered significant attention on triple j unearthed. How did that experience shape your approach to creating your second single, “Chore”?
I will always be so grateful for how ‘Treading Water’ was received. It was completely unexpected, I never thought that when I uploaded that track anyone would see it or really resonate with it. So It taught me to trust my gut and create the music that I want to make, instead of trying to give other people what I thought they wanted to hear.
“Chore” is an empowering track filled with classic teenage angst. Can you delve into the personal experiences or emotions that inspired the song’s lyrics and themes?
‘Chore’ was written about a month after my first real breakup, so writing this song was really empowering. For a minute there it did feel like the end of the world, but I think that’s pretty typical for a teenage girl getting out of her first relationship. I had given so much love, time, and effort into that relationship that I think he walked away with the mindset of “She’s so in love with me that I can go play the field and she’ll be there waiting when I come back”, so in a very dramatic way, this song was my way of saying by the time you figure out what you want, I will have found someone who appreciates all the parts of me that you once called ‘too much’.
You’ve mentioned that your songwriting is heavily influenced by artists like Missy Higgins, Noah Kahan, Lizzy McAlpine, and Phoebe Bridgers. In what specific ways do their styles and lyrical content inspire your own work, and how do you strive to maintain your unique voice within that influence?
My mum introduced me to Missy Higgins’ music when I was really little and I fell completely in love with her songs. She has probably been the biggest influence on my songwriting, particularly when I was first starting out. Mum and I still go to one of her concerts every year as a little tradition, and Missy will never fail to inspire me. Noah Kahan and Phoebe Bridgers became massive inspirations as I developed my own taste in music, Noah has had a great impact on my lyrics and songwriting while Phoebe has been a massive inspiration while developing my sound. Growing up in a household with such an eclectic music taste has helped me form my own sound instead of being too heavily inspired by one particular artist and I think that’s become very apparent through these first two singles. Right now is a great opportunity to play around with different sounds and genres, and it’s so exciting to just be focused on making music that feels honest and representative of me and how I’m feeling.
The production of “Chore” involved working with Spud Thompson at Elusive Creative. What was that collaboration like, and how did his production style contribute to the overall sound and feel of the track?
Working with Spud has been incredible. I feel so lucky to work with someone who truly understands and cares about my vision for the music we’re making, as well as bringing in their own unique sound and influence. Being a young artist is sometimes really difficult and intimidating but Spud has never made me feel silly for not knowing what a ‘plug-in’ or ‘headroom’ was. It’s a great but rare thing to have this sort of creative flow with a person, and I’m so lucky to have found that with someone who makes me feel so supported and seen.
Critics have noted the bold melodic strength and anthemic chorus of “Chore.” How do you approach crafting melodies that resonate emotionally with listeners while still being catchy and memorable?
I just try to write and sing how I feel. I believe listeners can always tell when an artist’s music is authentic and I think that’s exactly what has happened here. Sure, there are strategies you can use to refine your melodies like making sure there’s enough contrast between the chorus and verses. But for me, most of the time when I’m writing I’m just focusing on letting the words fall out and seeing where they land.
Your music has been described as contemplative and a little melancholy, yet full of heart. How do you balance these emotional nuances in your songwriting, and what do you hope listeners feel when they hear your music?
My biggest goal in music has always been to connect with people while staying true to myself. I just hope that my music resonates with people in a way that matters, whether that’s giving them a song to stare at the ceiling and cry to, or something to listen to while throwing darts at a photo of their ex.
As a young artist navigating the music industry, what have been some of the biggest challenges you’ve faced so far, and how have you managed to overcome them while maintaining your artistic integrity?
It’s definitely harder to be taken seriously, you’re always seen as a student rather than a peer.
It’s a two sided coin, there are a hundred and one people throwing advice at you on how to handle your career that you didn’t ask for, but there are also beautiful people out there who genuinely care about supporting you and your music, giving you thought out and well-meaning advice. You really just have to trust your gut and believe in yourself and your music and find people who truly want to see you succeed.
With over 20 shows played this year alone, how do you prepare for live performances, and what can audiences expect from your shows in terms of energy and emotional connection?
The shows I’ve played this year have been an absolute highlight. I drink an insane amount of herbal tea before each show and watching live performances of artists I love helps me get motivated. Playing live is probably my favourite part of making music, I love getting to connect with people in real-time and talk more openly about the messages behind each song.
“Chore” speaks to themes of self-worth and recognizing one’s value in relationships. How important is it for you to convey messages of empowerment and self-acceptance through your music, especially as a young artist?
I take great pride in the messages I have conveyed in both ‘Chore’ and ‘Treading Water’. As much as I write these songs as a way to process my own feelings, sharing my music and hearing how it resonates with listeners brings me so much joy. I wanted to start my career off on the right foot, so sending positive messages in my music has been a conscious decision.
Looking ahead, what are your aspirations for the future? Are there specific milestones or projects you hope to achieve in the coming years as you continue to evolve as an artist?
I would love to create a more full-length project like an EP. I’ve been planning one for a long time now, so I’m just waiting for the right time to make it happen. I’m so grateful for the opportunities I’ve been given this year and can’t wait to see where 2025 takes me but bringing this EP to life is absolutely my biggest goal for the coming year.
Website: https://www.natashakatemusic.com/
Triple j unearthed: https://www.abc.net.au/triplejunearthed/artist/natasha-kate/
Instagram: https://www.instagram.com/natashakatemusic/
TikTok: https://www.tiktok.com/@natashakatemusic
Spotify: https://open.spotify.com/artist/1OI1SnV3YFc7ODVYEt2cfG
Photo by Yuto Kudo
Tokyo-via-Sydney singer/songwriter Joey Sachi has teamed up with producer AKINAT on her latest single ‘7 Seconds’; a euphoric electronic-pop track that was inspired by the life story of classical musician Clive Wearing.
Born and raised in Sydney, Joey Sachi is currently living and working in Tokyo – a move that has helped her flourish creatively through work with some amazing artists and producers in the Japanese capital.
Inspired by artists such as Jamie xx, Mount Kimbie & Sabrina Claudio, Sachi’s sound feels like it could truly go anywhere. Not afraid to embrace new styles and textures, on ‘7 Seconds’ she continues to push the envelope, with compelling vocal modulation and dynamic melodies.
On ‘7 Seconds’ Sachi has teamed up with producer AKINAT, and the result is one her strongest releases to date – with a crisp, uplifting instrumental that complements Sachi’s soaring vocals perfectly. With deep roots in Australia, AKINAT is a Tokyo based electronic producer who draws influence from genre-defining electronic artists such as Four Tet and Jon Hopkins. AKINAT combines technical production know-how with subtle convention defying harmonic language in the pursuit of further afield sounds.
Sonically, the pair describe their time working on the track, as they “wanted to experiment making a track inspired by Fleetwood Mac’s ‘Dreams’ with a simple beat/layers and a topline influenced by Stevie Nicks’ melodic creativity.”
Joey Sachi has been surrounded by music since she was born – citing her parents as a key influence on her musical journey. One of her parents was a classical musician – which inspired Joey to eventually study classical music at the Conservatorium of Music in Sydney. In a full circle moment – the themes on ‘7 Seconds’ were directly inspired by British classical musician Clive Wearing; an accomplished conductor, Tenor and pianist who suffered from retrograde amnesia towards the end of his life.
“Clive Wearing is a British classical musician whose life was devastatingly impacted by a rare and severe form of memory loss. The profoundly beautiful part of Clive’s story is that his wife Deborah remained a constant in his life – the deepest of connections…almost instinctual, that despite his memory resetting every few seconds allowed him to always seek comfort amongst his fragmented existence. Inspired by his story we created ‘7 Seconds’, exploring the divine beauty in a love so deep, one that endures all the ebbs and flows of life.” JOEY SACHI
Since releasing her first single ‘If I Ask’ back in 2021, Sachi has continued to build momentum within all corners of the industry, at home and abroad. Making waves locally with airplay on stations such as 4ZZZ, 2SER and 2RRR, and praise from tastemakers such as Happy Mag, Backseat Mafia & AAA Backstage; Sachihas also seen seen support overseas, with adds to editorial playlists from Spotify & Apple Music in Japan for her collaboration with Japanese artist STAR GUiTAR on ‘One Way’ in 2023.
PRAISE FOR JOEY SACHI
“(Joey)Sachi is an artist with an immeasurable future ahead of her”
BACKSEAT MAFIA
“Australian songwriter Joey Sachi sketches new contours of her dynamic sound with ‘Reverie’, a new single that’s every bit as dreamy as its title suggests.”
HAPPY MAG
“Sachi’s original material is textured and diverse in its sonic influences”
BROKEN 8 RECORDS
‘7 Seconds’ is out Now
JOEY SACHI:Official Website | Twitter | Instagram | TikTok | YouTube | Triple J Unearthed
AKINAT: Soundcloud | Youtube
Two of the world’s biggest names in electronic music, Dom Dolla and Solomun, are set to make history with a one off, four-hour back-to-back set at The Wool Store. This Australian exclusive will take place on December 8th. Presented by 10 Years of Untitled and Good Fortune, this monumental celebration will feature a stacked lineup (to be announced) spread across multiple stages, as well as the world-class production Untitled Group has become synonymous with.
This collaboration isn’t the first for Dom Dolla and Solomun, who previously shared the stage when Solomun invited Dom to perform at his legendary Solomun +1 residency at Pacha Ibiza. This four-hour B2B marks the first time the two will perform together on Australian soil, set against the backdrop of The Wool Store—an iconic 1940s warehouse steeped in history reimagined as a European-style warehouse rave.
Australian dance music powerhouse Dom Dolla returns home amidst his sold-out national tour. Dom has experienced a meteoric rise to becoming a global sensation, amassing over 1 billion streams, recently winning an ARIA Award for Best Dance/Electronic Release for his record ‘Saving Up’, a Grammy nomination, and headlining festivals like Coachella and Tomorrowland.
Joining Dom is Solomun, whose ability to craft unforgettable sets has earned him accolades like Mixmag’s DJ of the Year, a Boiler Room set which has racked up over 66 million views, and his era-defining residencies at Pacha Ibiza.
Both artists’ connection to Untitled Group runs deep. With Dom having performed at Untitled’s flagship Beyond The Valley an impressive eight times, with Solomun’s connection to Untitled dating back to 2018 when he headlined his own historic Wool Store show. This B2B is both a homecoming and a celebration of shared history and nostalgia.
“Having Dom Dolla and Solomun together for our 10-year celebration feels like the perfect way to honor Untitled Group’s journey. Both artists have been pivotal to our story, and this back to back will be something truly special for our Untitled community,” said Nicholas Greco, Co-Founder and Managing Partner of Untitled Group.
Over the past decade, Untitled Group has redefined Australia’s live music landscape with flagship festivals like Beyond The Valley, Pitch Music & Arts, Wildlands and Ability Fest as well as artist touring, artist management and a booking agency. Their dedication to world-class events has seen them rise as a leader in the live music landscape over the past decade.
Tickets are on sale tomorrow now. Tickets are expected to sell out fast – don’t miss your chance to be a part of this historic event.
Words: Gabrielle Cruden
Photo Credit: Josh Ma
A fortnight ago, the Newcastle Entertainment Centre was transformed into a pulsating hub of music, art, and community as the Spilt Milk House Party brought its unique festival energy to town. With an impressive lineup of global stars, rising talents, and local favourites, the event delivered an unforgettable day that highlighted Newcastle’s growing appeal as a destination for live music.
The day began with a proud moment for Newcastle as Georgie Winchester opened the festival. Her set, featuring tracks from her debut EP Pretty Things and songs written during her extensive Australian tour, captivated the early crowd. I personally saw a few fans buying her G-string merch, which l am sure that a few lucky lovers will be seeing in the coming months.
Raave Tapes, another local gem, kept the energy high with their hard-edged dance-punk sound. Playing hits like “Goodbye” and “k hi,” they turned the floor into a lively dance party, reminding everyone why Newcastle’s music scene is one to watch bringing the kinetic energy to the dancefloor once again.
Sycco wowed the crowd with her jazzy, genre-blurring sound. Her live electronic set included fan favourites like “Dribble” and “Ripple,” alongside new tracks from her debut album Zorb. Her innovative performance style left a lasting impression and marked her as a name to watch.
Artemas delivered a theatrical, high-energy performance, transforming the stage into a mansion-themed house party. His magnetic stage presence brought tracks like “how could you love somebody like me?” to life. He also charmed the crowd with a heartfelt rendition of “I Like the Way You Kiss Me,” adding an intimate touch to his dynamic set.
The anticipation for G Flip’s set reached a fever pitch. Bursting onto the stage with a rainbow flag, G Flip performed a mix of new tracks from their album DRUMMER and fan favourites like “Drink Too Much.” Their cover of Taylor Swift’s “Cruel Summer” had the entire crowd singing along. G Flip’s ability to lead the crowd was unmatched— even those unfamiliar with their music were dancing and singing by the end. Their heartfelt gratitude toward fans created an emotional and inclusive atmosphere that was a true highlight of the day.
Troye Sivan’s Newcastle debut was a festival highlight. Fresh from the sweat tour with besfriend Charli XCX, Troye performed hits like “Got Me Started,” “Talk” and “My My My!” whilst backed by stunning production and dancers which made everyone lose their breaths. His connection with the audience reminded why he is Australian music Royality after taking out the ARIA for album of the year a few days earlier. Whilst Troye coming to Newcastle was not on my bingo card this year, no one was complaining as he performed banger after banger seducing his crowd his steamy set.
English rockers Glass Animals closed the night with a mesmerizing set, playing anthems like “Gooey” and “Heat Waves.” In their galactic set. Their dynamic energy was the perfect finale, leaving the audience dancing and dreaming of summer with the phones coming out once again for “Tokyo Drifting,” featuring Denzel Curry who is set to return to Australia’s shores once again next year.
As the echoes of Glass Animals’ final notes faded, the sentiment was clear: this event was more than just a festival—it was a celebration of Newcastle’s potential as a cultural hub. Events like Spilt Milk bring new energy to the city, attracting visitors and putting Newcastle on the map for major international acts.
Fans are already looking forward to what’s next, with hopes that Spilt Milk will return in its full glory next year. With its mix of global talent, local pride, and top-tier production, Spilt Milk House Party has set the stage for Newcastle to become a must-visit stop on Australia’s live music circuit with many local punters hoping that major touring artists will consider stopping in the years to come.
Congratulations on the upcoming release of Levitator! How does it feel to be sharing this deeply personal album with the world?
Jim: Like a deep cosmic sigh of relief. This album has been through global pandemics, marriages, births, and deaths. The songs are snapshots of different periods in our lives, and they represent so much of our personal growth, as well as our growth as a band. It’s been a long journey, and it feels nice to finally unleash it on people’s ears.
Your sound has been compared to legends like Nick Cave and Tom Waits. How do these influences shape your music, and how do you make it uniquely your own?
Jim: I think what really stands out about artists like Tom Waits and Nick Cave is their individuality and the sense of weirdness they bring to their music. It’s ingrained in everything they do, and their authenticity is key. Take Tom Waits, he can hear a metal stool being scraped across a studio floor and immediately recognise it as something musical. That kind of freedom in thinking allows them to push boundaries too. We aim to make music that’s grounded in rock and roll but with a few weird, unexpected edges.
This album was created during a period of grief and transition for the band. How did that experience influence the themes and energy of the songs?
Jim: I’m writing this on the anniversary of Yianni and I’s father passing, so this question hits a bit harder than it usually would. But that’s the way grief works, it never really goes away, it comes in waves, and you learn to cope with it. It paints your perspective of things going forward and you start to appreciate things you might’ve taken for granted before. Some of the songs came from the very depth of it, when it was still raw and painful and that’s reflected in the confusion, the anger. And then as you move forward you see colour in the world again, and without consciously realising that we were setting that feeling to music in the album, the way it begins is very dark and minimalist and then ends on a note of optimism.
The lead single, ‘God Mode,’ and tracks like ‘Dance The Evil’ and ‘Well of Wishes’ showcase a range of moods and styles. How did you approach creating such a dynamic tracklist?
Jim: The easy answer is, we didn’t! We’d been living with these songs for so long that we all had our own ideas about how the album should flow. So, we got together and played the album this way and that way, front to back, back to front, and then our manager proposed a tracklisting, and it just worked. It was like that scene in Some Kind of Monster where the therapist hands Metallica their lyrics, only this time, it actually worked.
Lindsay Gravina has worked with some iconic artists. What was it like collaborating with him, and what did he bring to the production process?
Jim: He was integral in helping us cement the sound we’d been hearing in our heads. We were all familiar with his work with Magic Dirt and Rowland S Howard but his level of collaboration in getting the right sound for a track was second to none. Plus, after years and years working together, only towards the end, did I ever see him drink water. We’d work pretty much exclusively at night. I showed him the trailer for the new Nosferatu movie and he smiled and said it looked like a nice documentary.
The name Levitator feels symbolic. What inspired the title, and how does it tie into the album’s overarching themes?
Yianni: In a way, the whole album is about navigating tension, between light and dark, grief and healing, confusion and clarity, and Levitator became the perfect metaphor for that space where you’re caught between the earth and the sky. It’s about finding balance in the turmoil, or at least a way to keep moving, even when it feels impossible. The title Levitator felt big and epic enough to carry the weight of that journey. And I think Dodecahedron was already reserved for Liam Gallagher.
Your lyrics often explore raw emotions and introspection. What’s the process for crafting such honest, poetic songs?
Yianni: I have a lot of personal meltdowns.
Society of Beggars has built a strong reputation for its live performances. How does your approach to playing live influence your songwriting or recording process?
Yianni: When we play live, whether it’s an incredible night or a rough one, whether you’re with us or not, we give everything we have. We’re loud, heavy, and emotional. We bring that same energy into the studio. We don’t hide behind artifice or gimmicks. We’re not pretending to be something we’re not. We’re not trying to be “bogan rock” or “yacht rock,” or any other persona. We are who we are, and that’s what you get.
Rock music has evolved significantly over the years. How do you see your place in the current rock landscape, and what do you hope to bring to the genre?
Yianni: Rock and roll is a spirit. For those of us who still find comfort in it and are captivated by it, there’s a responsibility to ask: what does it mean in 2024? Is it just about macho bullshit? Or longing for the days of yesteryear? I really hope not. I hope it’s about people making music that’s not afraid to be vulnerable, intense and honest.
With the album release on the horizon, what’s next for the band? Are there plans for tours, music videos, or new projects?
Yianni: We’ve got plans for all three. We’ll be hitting the road soon, shooting a new music video, and keeping the creative fire burning on for whatever comes next.
Spotify Link: https://open.spotify.
Instagram: www.instagram.com/
Congratulations on the release of China White! Can you tell us about the inspiration behind the song and how it fits within the Pinky Ring Live EP?
It’s just a classic angry heartbreak fueled story that hopefully helps people let out some frustration and emotion when they hear it.
You’ve mentioned that China White was written just hours after a breakup. How did that raw emotional state influence the writing and recording process?
When something terrible happens I sometimes don’t let myself do anything else till the songs done and I think that helps harness all the emotion while it’s fresh.
Recording the EP live adds an exciting layer of energy. What made you decide to take this approach, and what were some challenges or highlights during the sessions at DefWolf Studios?
A lot of times you hear an amazing band live then go check out their music and it doesn’t hit the mark so with these songs we really wanted to make sure people that have seen them live get the same vibe when they pump them in the car.
The lyrics of China White are deeply personal, exploring themes of heartache and temporary escapes. How important is vulnerability in your songwriting, and how do you channel it into your music?
Unlike Noel Gallagher I’m not blessed with writing beautiful songs about canonballs flying down halls. They have to be about real life so if I couldn’t be vulnerable with my own experiences I wouldn’t have anything to say.
Your live performances are known for their energy and connection with the audience. How did you ensure that this same vibe was captured in the recording of the EP?
Reschs mostly.
Sydney’s music scene has shaped many bands, including Pinky Ring. How has the city influenced your sound and creative direction?
I love Sydney but I can’t say it’s shaped our direction the whole worlds music has.
You’ve supported notable acts like South Summit and The Slingers, while also headlining your own shows. What have been some standout moments from your live performances so far?
When your playing and someone is singing the words in the crowd is something that’ll never get old.
The Pinky Ring Live EP follows a string of releases in 2024. How does this project differ from your previous records like No More Parties In Sydney and Bruschetta?
Those 2 were made with just me and a producer (Pete Covington) whereas I thought this was important to get the whole band cranking on.
With upcoming shows in Sydney and Wollongong, how are you preparing to translate the intensity of the Pinky Ring Live EP to the stage?
The band is really clicking at the moment as soon as the first notes played we all click into gear and feed off each other and when the crowds loving it it gives us even more energy.
Looking ahead, what’s next for Pinky Ring in 2024 and beyond? Are there any new projects or collaborations we can look forward to?
We have a big headline show at Beach Road Bondi on the 10th of Jan and possibly playing a little festival in Feb but that’s TBC. Plenty of songs ready to be recorded too once the year kicks off.
PINKY RING LIVE SHOWS
Sunday 15 December North Gong Hotel Wollongong Free Entry
Supporting Little Green
PINKY RING: Official Website | Facebook | Instagram | YouTube | Triple J Unearthed
SLIPKNOT ANNOUNCE 2025 HEADLINE SIDESHOWS
SET TO PERFORM EXCLUSIVELY IN ADELAIDE AND AUCKLAND NEXT MARCH
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KNOTFEST AUSTRALIA 2025 LINEUP:
Slipknot
A Day To Remember
BABYMETAL, Slaughter To Prevail, Polaris
Within Temptation, Enter Shikari, Hatebreed
In Hearts Wake, HEALTH, Miss May I, Vended, Sunami
DATES AND VENUES:
Friday 28 February 2025 – Flemington Racecourse, Melbourne
Sunday 2 March 2025 – Brisbane Showground, Brisbane
Saturday 8 March 2025 – Centennial Park, Sydney
Tickets on sale from Knotfest.com/Australia
Underground Legend Loco Dice Links Up with Iconic Producer Skrillex and Future of Afrobeats Fireboy DML on “Heavy Heart” Single as 1st Track from His Upcoming Project. Out Now on Universal Music/Virgin Records
Title: Heavy Heart
Label: Universal Music/Virgin Records
When three major names come together in a single collaboration, expect a striking burst of energy. That’s exactly what happens when underground heavyweight DJ and producer Loco Dice teams up with nine-time Grammy-winning DJ, producer, and songwriter Skrillex, alongside platinum and gold-certified artist Fireboy DML, to present “Heavy Heart.” Delivering a unique sound, this new release blends each artist’s signature style into a gripping track destined to become an instant classic. Released under Virgin Records, “Loco Dice, Skrillex, Fireboy DML – Heavy Heart” is available on all major digital streaming platforms starting November 29th. Featuring an exquisite fusion of house, techno, and synth touches, the track embodies the perfect energy to vibe non-stop. Blending their talents and crafting a magnetic sound, “Loco Dice, Skrillex, Fireboy DML – Heavy Heart” is an absolute demonstration of the magic that comes from high doses of talent working together. Poised to become a must-have in your playlist, the track will surely keep the party rolling while offering a good time.
Loco Dice
Loco Dice is an underground pioneer in the industry who knows exactly how to fill the floors with his top-notch sets & productions. As a major creative force, the DJ and producer has been shaping the sound of house and techno over the past decade. Loco Dice has been the brain behind influential labels such as Desolat, En Couleur and SB Recordings while, as an acclaimed live performer, he spends much of his year touring the hottest clubs around the world. The producer has earned a vast reputation for collaborating with fashion labels to create unique soundscapes for runway shows, and in 2023, he launched Serán Bendencidos, his own fashion brand. He has collaborated with some of the music industry’s biggest names and keeps cooking his signature fusion of hip-hop and electronic music. Get ready for way more to come in 2025!
Skrillex
Sonny Moore, better known as Skrillex, is an international heavyweight in the electronic dance music scene and needs no introduction. With a record-setting of 9 x Grammy wins, he holds the title of the most Grammy-awarded EDM artist in history. The DJ, producer, singer, and songwriter has earned his place at the top with his unique dubstep style, with iconic tracks like “Where Are Ü Now“, “Bangarang“, “In Da Getto“, to mention a few. Boasting over 18 million monthly listeners on Spotify and with billions of streams across platforms, Skrillex has been a fixture among the top names in the DJ Mag Top 100 DJs list since 2011.
Fireboy DML
The cherry on top of this thrilling collaboration is music star Fireboy DML. Since his debut in 2019, the singer and songwriter has captivated not only millions of fans worldwide but also critics. Praised as the “future of Afrobeats” and with four released albums, Fireboy DML‘s vocal versatility has earned him a loyal fanbase, accumulating over 2 billion streams and 7.4 million monthly listeners on Spotify alone. His breakthrough hit, “Peru,” reached #2 on the UK and US charts and topped the radio charts in 22 other countries.
LIVE STREAM X FAIRGROUND FESTIVAL X ARTE CONCERT feat. Boris Brejcha, Marlon Hoffstadt, Argy x Gordo, Deborah de Luca, Hi-Lo, Danny Avila and more.
Worldwide exclusive premiere by ARGY X GORDO performing a first time ever b2b set.
Fairground Festival in Hannover, Germany and Arte Concert will bring you a special live stream from the event on 30 Nov 2024. It features exclusive live streams from amazing artists such as Boris Brejcha, Marlon Hoffstadt, Deborah de Luca, Hi-Lo, Danny Avila and more. The show also presents a worldwide exclusive premiere with the first ever back to back set by Argy and Gordo! This is definitely something to check out.
Arte Concert is one of the most state of the art music platforms streaming events like Time Warp and several other premium festival brands. Its the second year now that Arte and Fairground team up for the media and streaming partnership. So don’t miss out on some amazing and exclusive performances being showcased at Fairground Festival on 30 Nov 2024.
Link:
UNTITLED GROUP ANNOUNCE THEIR 10 YEAR CELEBRATIONS KICKING OFF WITH A RETURN TO THE WOOL STORE
Untitled Group, Australia’s leading independent music and events company, has launched its 10th-anniversary celebrations, marking a decade of redefining live music experiences. As part of this milestone, Untitled Group is preparing for its biggest summer yet, featuring a series of special events at unique venues and unforgettable performances.
A return to the iconic Wool Store on December 8th will kick off the festivities. This heritage-listed venue, transformed by Untitled Group into a European-style warehouse rave for a series of sold out shows in 2018, will once again come alive, along with carefully refined production and world-class sound that has become synonymous with Untitled Group.
Since its founding in 2014 by Nicholas Greco, Filippo Palermo, Christian Serrao and Michael Christidis, Untitled Group has cemented its place at the forefront of Australia’s live music scene. With flagship festivals such as Beyond The Valley, Wildlands, Pitch Music & Arts, and the inclusive Ability Fest, the group has shaped Australia’s cultural landscape, delivering more than 300 annual events featuring over 1,000 artists across tours, festivals, and club shows.
“Untitled Group has always been about creating cultural moments that resonate with audiences and stand the test of time. Over the past 10 years, we’ve brought world-class music experiences to Australia and created a community that we’ve grown up with. This summer is our way of saying thank you to everyone who’s been part of the journey,” said Nicholas Greco, Co-Founder and Managing Partner of Untitled Group.
Even amid the challenges of the COVID-19 pandemic, Untitled Group emerged stronger, breaking industry trends and thriving while many others faltered. In 2023 alone, the group sold over 500,000 tickets across its events and is on track to surpass 650,000 in 2024, thanks to festivals like Beyond The Valley and Wildlands, as well as blockbuster tours featuring artists like Dom Dolla, Kaytranada, Kesha, Anyma, Solomun, Sugababes and more.
Untitled Group’s impact goes beyond ticket sales. With philanthropic initiatives such as Ability Fest, co-founded with Dylan Alcott, the group has raised over $1.5 million to support children living with disabilities.
They’ve earned recognition as the #12 global ranking on Pollstar’s list of top promoters based on box office sales as well as making the 2024 AFR Fast 100 list, IG Magazine’s 2024 Indie Champions list, the 2023 Smart 50 Award, the 2023 Forbes 30 Under 30 list and more.
Central to the celebrations is the revival of The Wool Store, a venue steeped in history. Built in the 1940s, it originally played a vital role in Australia’s post-war wool boom. Untitled Group’s 2018 reimagining of the space brought it back to life as one of Australia’s most unique event spaces. For their 10-year anniversary, Untitled Group promises to elevate the Wool Store experience further, with meticulously curated artists, stage designs, and unforgettable dancefloor moments.
The Wool Store event is just the beginning. Fans can look forward to exclusive merchandise, secret pop-up shows, money-can’t-buy competitions, and more throughout the summer. Untitled Group’s ability to innovate and adapt ensures that the next decade will be even more exciting than the last.
Save the date—December 8th—and join Untitled Group in celebrating 10 years of groundbreaking events, cultural impact, and unforgettable moments.
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Untitled are celebrating their 10th anniversary and the festivities kick off at the Wool Store on the 8th of December. Ticket registration is open now via https://arep.co/m/woolstorewaitlist
ElementxL, one of the most exciting emerging artists in EORA’s music scene, is gearing up to release his latest single, “Playing Games”, on November 29, 2024. Known for his genre-defying sound that blends R&B, Indie, and Hip Hop influences, ElementxL continues to push boundaries and deliver fresh, relatable music.
“Playing Games” takes listeners on a groovy, emotional journey, capturing the rollercoaster ride of trying to connect with someone who’s emotionally distant. With its smooth, melodic guitar lines and infectious R&B vibes, the track showcases ElementxL’s signature flow and introspective lyricism. The song explores the uncertainty and excitement that come with modern romance, a theme ElementxL describes as both “lighthearted and fun” yet deeply real.
“It’s all about the ups and downs of meeting someone new, not knowing what’s gonna happen. There’s so much uncertainty, but it’s also a part of the fun!” says ElementxL.
Fans of his previous hits, including “Hazy,” “NOSEBLEED,” “HOLD UP,” and “Re: Self Love,” will find “Playing Games” another strong addition to his growing catalog. The track combines relatable storytelling with an inviting, catchy melody that’s sure to resonate with listeners navigating the complex world of love and relationships.
In the coming year, ElementxL is set to continue his musical journey, with plans for more releases and international touring. As his sound evolves, so does his connection with his ever-growing fanbase.
“Playing Games” is out now!
SOCIALS
https://www.instagram.com/elementxl_/
https://www.facebook.com/ElementxL/
https://www.abc.net.au/triplejunearthed/artist/elementxl/
SYDNEY’S PINKY RING REVEAL NEW SINGLE ‘CHINA WHITE’ TAKEN FROM ‘PINKY RING LIVE’ EP, OUT NOW!
Having thrown themselves into 2024 with a full slate of music and projects to deliver, Sydney indie group PINKY RING is continuing to hurtle through into the end of the year with the release of new single, ‘CHINA WHITE’.
The single, taken from PINKY RING LIVE EP,which is out now is a fitting addition to an ever-growing catalogue of dynamic music that traverses emotion as easily as it does great lyricism and a clear passion for tight melody and arrangement. A breakup song at its core, ‘China White’ captures the energy of wanting to throw oneself into vices that only offer temporary relief from heartache.
“‘China White’ was written a few hours after a long term relationship ended, I couldn’t think of anything to help other than get absolutely cooked. The verses are me telling myself it doesn’t mean anything to me and the chorus is the realisation it actually does.”
SAMUEL VICKARY, PINKY RING
Recorded at DefWolf Studios, PINKY RING laid the thick live energy of the band’s hectic shows on the studio recording. Matching the ferocity and emotion behind the lyrics, ‘China White’ is carried by songwriter and vocalist Vickary, while being fleshed out by the talented instrumentalists that have formed a tight live group in recent years.
Threading this similar energy into the live EP recording, PINKY RING have left nothing on the table with the creation of this music. The heart, sweat and pure euphoric connection between artist and music is evident.
“I took the whole song written over two chords in my book to our friend Tom Joseph’s house and a few hours later we had a fully shaped song demo recorded. After that, I was super excited about it. When it came time to actually record it, we decided to do it live and harness the energy and anger of the song.”
SAMUEL VICKARY, PINKY RING
PRAISE
“Ooft… I could not think of a more perfect team up! PINKY RING and Ellen Soffe with the collab of your dreams <3”
TRIPLE J UNEARTHED, ANIKA LUNA (‘The Road to Eldorado ft. Ellen Soffe’, 2023)
“Although the music itself develops an uplifting narrative, it is the lyrics and vocal performance that take centre stage to explore and tell a story around personal struggles, functioning as a tribute and recognition to these.”
RMAS PODCAST
Since making their debut in 2022, PINKY RING has evolved into one of Sydney’s most exciting new names. Easily one of the city’s hardest working new groups, PINKY RING have released a streak of projects including this year’s No More Parties In Sydney, Bruschetta and Anzac Day records. They have supported the likes of South Summit and The Slingers, while also continuing to craft an enviable headline presence of their own.
To celebrate the release of this new music, PINKY RING will be performing two special shows in Sydney, as well as Wollongong in November and December.
PINKY RING LIVE SHOWS
Sunday 15 December North Gong Hotel Wollongong Free Entry
Supporting Little Green
PINKY RING: Official Website | Facebook | Instagram | YouTube | Triple J Unearthed
Can you tell us about the inspiration behind your new single, “Playing Games”? What was the creative process like for this track?
“Playing Games” was inspired by that feeling you get when you see someone new who’s unavailable. It’s about being drawn to them, feeling really into it, but then realising it’s just not going to work out. It’s that emotional rollercoaster of wanting something to happen, but coming to terms with the fact that you can’t change the outcome, so you learn to find peace with the process.
Creatively, it came together like most of my music. It started as an idea on guitar, and then the melody and vocals grew around it. I keep a DIY approach with my music and just go with whatever I’m feeling in the moment.
You describe “Playing Games” as capturing the ups and downs of modern romance. What personal experiences influenced the lyrics and themes of this song?
The song is based on a situation I had where I was into someone, and they were into me too, but they would pull back emotionally. It really started messing with my head. The lyric “sometimes my brain’s trapped in a maze when I see you” sums it up pretty well, haha. It’s just one of those experiences where things get complicated, and your mind starts spinning.
Your music blends R&B, Indie, and Hip Hop influences. How do you approach genre fusion in your work, and what do you think it brings to your sound?
I listen to a lot of different music, so all those influences naturally show up in my work. I try to let the song lead the way. With this one, it just felt like a groovy, laid-back vibe, so those influences came out naturally. I think it helps keep my sound fresh and allows me to explore different textures.
Your previous singles have garnered a lot of attention. How do you think “Playing Games” compares to your earlier work, like “Hazy” and “NOSEBLEED”?
“Playing Games” is definitely different from those tracks. “NOSEBLEED” had more of a hip-hop/alternative vibe, and “Hazy” was more lo-fi and stripped back. But in terms of the process, it’s the same—I record everything at home, just capturing whatever I’m going through emotionally at the time. “Playing Games” has more of a summer-y, laid-back feel, and I brought more of my guitar work into this one, blending some blues and jazz voicings into the song.
You mentioned that the song is both “lighthearted and fun” yet deeply real. How do you balance those contrasting emotions in your music?
It just kind of happened naturally. There’s a big contrast between the upbeat, groovy instruments and the lyrics, which are pretty raw and honest. I wanted to keep that playful vibe, but still have it grounded in real emotion.
What do you hope listeners take away from “Playing Games”? Is there a particular message or feeling you want to convey?
I want people to feel good and to feel at peace with whatever they are going through. I always try and find a state of peace with whatever life throws at me and making music helps me achieve that. I hope it brings some sort of joy and good energy to people’s lives
As an emerging artist in the EORA music scene, what challenges have you faced, and how have they shaped your musical journey?
I think it’s pretty hard to ‘make it’ regardless of where you are these days in the music industry, or any creative industry for that matter. What helps me stay grounded and focused is just being emersed in what I love in life, to go to as many gigs as I can and to listen to all the artists I’m inspired by.
You have plans for more releases and international touring in the coming year. Can you share any details about what fans can expect from you in 2025?
Fans can expect to see more diversity in the music I release. I am super excited to play live shows and that’s where my music will come to life. A lot of energy and good vibes is what I’m about!
How has your connection with your fanbase evolved since you first started releasing music? What role do they play in your artistic development?
I get a lot of really nice messages from fans, telling me how my music has impacted them or inspired them. I try to keep my creative process as authentic as possible, and while it’s tempting to repeat something that’s doing well, I always try to stay true to what I’m feeling in the moment. So far, my fans have stuck with me on this journey, and I’m really grateful for that. I definitely want to keep growing that connection, especially as I start to do more live shows.
Lastly, what do you think sets “Playing Games” apart from other songs in the current music landscape? Why should listeners be excited about this release?
I think the way “Playing Games” was recorded sets it apart from other songs in today’s music scene. Like all of my music, it’s a very DIY project, written and recorded in my bedroom. The flow between the guitar and vocals helps bring the lyrics to life in a unique way, creating a genuine connection that I think listeners will feel! Hope you like it!!
SOCIALS
https://www.instagram.com/elementxl_/
https://www.facebook.com/ElementxL/
https://www.abc.net.au/triplejunearthed/artist/elementxl/