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Megadeth release trailer for Megadeth: Behind The Mask

December 12, 2025

Spilt Milk – Ballarat 2025

December 12, 2025

YUNGBLUD: announces DUNE RATS as special guests for January tour

December 12, 2025

SEPULTURA ANNOUNCE AUSTRALIAN DATES FOR GLOBAL FAREWELL TOUR

December 12, 2025

Jacob Collier + Nai Palm – Sydney, 11 December, 2025

December 12, 2025

Interview: Inside the Spiral – Tanya George on Betrayal, Busking, and Finding...

December 12, 2025

Nessa Barrett Photos – Hordern Pavilion – 10/12/25

December 12, 2025

New K-Pop Festival Is Coming To Australia – March 14, 2026 –...

December 10, 2025

Loyle Carner | Sydney Opera House – December 4, 2025

December 9, 2025

Healing Factor: Rich Delinquent & phem Dive Into the Dark Art of...

December 8, 2025
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The Partae

Music News

Melbourne producer edapollo returns with captivating electronica singles ‘Air’ & ‘Illuminate’

by the partae September 24, 2020
written by the partae
Australian based artist edapollo returns with new double A-side release ‘Air’ & ‘Illuminate’. The two tracks showcase the producers ability to carve out powerful and emotive electronica anthems, which are equally suited to home listening or for a packed out club. Both tracks were written and produced at the start of Melbourne’s Covid-19 lockdown, where the producer found himself confined to his studio for months, with little interaction from the outside world. The resulting tracks encapsulate a reflective melancholy and deep sense of longing for reconnection.

Listen to “Air” & “Illuminate” here: 
https://bit.ly/3iGgYRa

https://www.instagram.com/edapollo/
https://www.facebook.com/edapollouk/
https://soundcloud.com/edapollo
https://twitter.com/edapolloUK
September 24, 2020 0 comments
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The track is a manically high energy and anthemic piece of synth-rock, with a punchy ear-worm chorus and scything vocals. ‘I wrote Eyeliner when I was at rock-bottom and involved in some really toxic relationships.’ says lead vocalist Patrick. The lyric “Sitting on my bedside, I need to ask myself, where to my ambition go?” is literally what I did everyday at the time.’ Gone Sugar Die are Patrick McWilliams (vocals, drums and synth) formerly of The Cut Losses and Mike Hindert (bass) who was previously a notorious member of hit NYC band The Bravery. McWilliams has recently become a voice for the penalized youth of his native Canada after speaking out against backlash from an alleged ‘Party Bus’ incident that was falsely reported to have caused violent scenes in Vancouver city. He has also previously received a letter from the office of John Horgan, the Premier of British Columbia, to recognize and commend his activism, charity and advocacy work. Eyeliner is released on September 18th via Pet Shop Records and is the first new single from a forthcoming EP by the band. The track was exec-produced by Skip Curtis and the music video was made by the band’s bassist Mike. Gone Sugar Die have toured the US and Canada and are planning another run of live performances as soon as it is safe to do so. Social media: https://facebook.com/gonesugardie https://instagram.com/gonesugardie https://twitter.com/gonesugardie
Music News

Los Angeles based glam-synth rock duo Gone Sugar Die return with raucous new single ‘Eyeliner’

by the partae September 24, 2020
written by the partae

The track is a manically high energy and anthemic piece of synth-rock, with a punchy ear-worm chorus and scything vocals.

‘I wrote Eyeliner when I was at rock-bottom and involved in some really toxic relationships.’ 
says lead vocalist Patrick. The lyric “Sitting on my bedside, I need to ask myself, where to my ambition go?” is literally what I did everyday at the time.’

Gone Sugar Die are Patrick McWilliams (vocals, drums and synth) formerly of The Cut Losses and Mike Hindert (bass) who was previously a notorious member of hit NYC band The Bravery. McWilliams has recently become a voice for the penalized youth of his native Canada after speaking out against backlash from an alleged ‘Party Bus’ incident that was falsely reported to have caused violent scenes in Vancouver city.  He has also previously received a letter from the office of John Horgan, the Premier of British Columbia, to recognize and commend his activism, charity and advocacy work.

Eyeliner is released on September 18th via Pet Shop Records and is the first new single from a forthcoming EP by the band. The track was exec-produced by Skip Curtis and the music video was made by the band’s bassist Mike.

Gone Sugar Die have toured the US and Canada and are planning another run of live performances as soon as it is safe to do so.

 

https://facebook.com/gonesugardie

https://instagram.com/gonesugardie

https://twitter.com/gonesugardie

September 24, 2020 0 comments
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AALOK BALA SHARES TRANSPORTIVE 1
Music News

AALOK BALA SHARES TRANSPORTIVE THIRD SINGLE ‘THE HIVE’

by the partae September 24, 2020
written by the partae
Photo credit: Maria Kanevskaya
PRAISE FOR AALOK BALA

“A transcendent fantasy”
Sniffers

“Both celestial and earthy”
KCRW

“Mesmerizing vocals, inviting us to connect with ourselves and our dreams”
Remezcla

“Bala seeks to create music that helps people transcend any earthly reason”
The Deli LA

“Aalok Bala manifests a new world”
The FADER

Aalok Bala today shares her new single ‘The Hive‘, the latest track to be previewed from her forthcoming debut EP Sacred Mirror which premiered overnight by Mary Ann Hobbs on BBC Radio 6. Listen HERE.

The Queens-raised, LA-based producer, songwriter, and visual artist continues to build upon the utopian, otherworldly vision offered on previous singles, ‘Moon Juice‘ and ‘Sueño‘. With warping electronics,  synth chords, and birdsong lingering in the background, ‘The Hive‘ builds hypnotically – almost imperceptibly – to a spiraling crescendo. “Don’t go too far, when nothing can save you” Aalok sings, her spellbinding voice trailing off into the ether as she sweeps you along with her on her journey towards transcendence. By the end, you’re transformed, feeling as though some higher plane has opened up to you. But you’re not quite sure how you got from there to here; such is the power and mystery of Aalok Bala’s music. 

Says Aalok about the new track, “The Hive is about mother earth and all the creatures that share this magnificent globe. We often are so concerned about our own well-being we forget about even the tiniest creatures which we depend on. Allow this story to take you and maybe even transform you into a small honey bee.”

The granddaughter of a renowned Chilean composer, Aalok Bala was exposed to an eclectic variety of musical and cultural influences while growing up in Queens, New York. As a child, she taught herself to play guitar and piano among other instruments, and as a teenager, she became obsessed with the art of recording music, spending countless hours in studios learning production.

Bala’s music is a dizzying blend of these influences, under-ridden by a distinctly contemporary pop sensibility. Marrying traditional Andean flute melodies with analog synthesizers, manipulated percussive loops, and ethereal vocal harmonies, her unique, immersive soundscapes explore themes of consciousness, spirituality, and desire, connecting the past, present and future into one.

‘The Hive‘ by Aalok Bala is out now, buy it/stream it here.

Aalok Bala’s Sacred Mirror EP is out Oct 23rd, pre-order it here.

 

Stay connected with Aalok Bala:
Instagram | Spotify | Facebook | YouTube

September 24, 2020 0 comments
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Elle Músa shares Dro Carey's disco house take on 'Mango Pops'
Music News

Elle Músa shares Dro Carey’s disco house take on ‘Mango Pops’

by the partae September 24, 2020
written by the partae
LOVE FOR ELLE MÚSA 

“There’s an instant nostalgia that swings around as summer days end. The idyllic kind in which you’re living completely in the moment. Until the sun dips and the sand cools and then you’re anything but, with the reminder it can’t always be this way. Elle Músa captures the feeling in with her new single, Mango Pops.” – RUSSH

“When this gets all choral and full i was totally enamoured. just like it’s silly to exert yourself on a real hot day, this is gorgeous pop enjoying a refreshing treat in the shade.” – Declan Byrne (triple J)

“From a strutting bassline to euphoric synths, the most uplifting vocal loop, shuffling beats and so many drops you’ll find yourself falling head over heels for it again and again, this remix is about as good as it gets.” – Purple Sneakers

Hot on the heels of Goodchild’s Madchester-infused remix by Goodchild (aka Reggie Goodchild from Confidence Man), Elle Músa today shares another remix  of her latest single ‘Mango Pops‘ – this time an expertly crafted disco house groove from Sydney producer Dro Carey. 

Having just released his debut LP ‘Nothing Is A Solo Project‘ last week – itself a collection of masterfully produced tracks – his turn on Músa’s ‘Mango Pops’ showcases his innate ability to craft groove-ready bass lines, which he sets below the staccato piano from the original to create a track that, in Elle’s words,  makes you “instantly want to dance.”

For Carey, it was the piano from the original that made him “immediately inspired to flip the chords into a house track.” Whilst for Musa the percussion incorporated into the track by Carey “gives me Quincy Jones vibes when the conga style drums come in and feels me with joy“, and transports the listener to distant places: “I can imagine being on holiday in Europe somewhere and driving around windy roads to arrive at a bar by the ocean.”

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September 24, 2020 0 comments
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PRAISE FOR FELIVAND Apple Music Artist of the Week "FELIVAND’s music is blissfully distinctive. Her lyrics are intimate and have a palpable sense of immediacy" Bandcamp "Floats, but never drifts off too far that you lose interest." Richard Kingsmill, triple j (4.5 stars) "A dreamy slice of R&B that's equal parts thoughtful and fierce" FBi Radio "A genre-fusing act who aims to make her mark with her unique pop-tinged soul music" Earmilk LISTEN HERE 21-year-old producer, singer and songwriter FELIVAND today shares her latest single ‘Midsummer Sun’. Following lead single ‘Trajectory’, ‘Midsummer Sun’ is the second track previewed from the rising neo-soul artist’s forthcoming second EP, Nerve, due out October 16. Listen HERE.  Co-written and produced by close friend Allan McConnel (Close Counters), ‘Midsummer Sun’ lulls you in with easy, quixotic nostalgia before revealing the bite that lies underneath. Artfully and acutely, FELIVAND imparts the painful pull of caring for someone who doesn't care enough for themselves and the helplessness and questioning of watching them give into their own self-destructive tendencies. With bold and resolute synth chords in the foreground, FELIVAND fills ‘Midsummer Sun’ with brilliant arpeggiators, crunchy percussion and warm, earthy melodies, bridging the smooth neo-soul stylings of Jorja Smith and Solange with glimmers of IGOR-era Tyler, the Creator. FELIVAND’s forthcoming sophomore EP follows on from her radiant 2018 debut, In Bloom, which won her early fans from COLORS, Bandcamp, Apple Music (Artist of the Week), triple j and more. Nerve represents a maturation of her sound, a seamless slide into a slinkier, darker shade of pop that simultaneously expands her creative horizons while also capturing that rush of an artist currently coming into her own. Nerve plays like a beguiling trick mirror, reflecting back different images at different moments. Look on one day from a particular angle, and you might hear the soundtrack to long, lonely nights spent spiralling down existential wells of everything ever said and done; look at it on another day and from another angle, and you might now hear the soundtrack to an endless Summer drive, where the wind courses through your hair and the immeasurable beauty of the world prickles at your senses.  ‘Midsummer Sun’ by FELIVAND is out now, buy/stream it here. Nerve EP October 16 Pre-save/order here Stay connected with FELIVAND:  Facebook | Instagram | Twitter | Bandcamp
Music News

FELIVAND SHARES NEW SINGLE ‘MIDSUMMER SUN’ ANNOUNCES NERVE EP OUT OCT 16

by the partae September 24, 2020
written by the partae
PRAISE FOR FELIVAND

Apple Music Artist of the Week

“FELIVAND’s music is blissfully distinctive. Her lyrics are intimate and have a palpable sense of immediacy”
Bandcamp

“Floats, but never drifts off too far that you lose interest.”
Richard Kingsmill, triple j (4.5 stars)

“A dreamy slice of R&B that’s equal parts thoughtful and fierce”
FBi Radio

“A genre-fusing act who aims to make her mark with her unique pop-tinged soul music”
Earmilk

LISTEN HERE

21-year-old producer, singer and songwriter FELIVAND today shares her latest single ‘Midsummer Sun’. Following lead single ‘Trajectory’, ‘Midsummer Sun’ is the second track previewed from the rising neo-soul artist’s forthcoming second EP, Nerve, due out October 16. Listen HERE. 

Co-written and produced by close friend Allan McConnel (Close Counters), ‘Midsummer Sun’ lulls you in with easy, quixotic nostalgia before revealing the bite that lies underneath. Artfully and acutely, FELIVAND imparts the painful pull of caring for someone who doesn’t care enough for themselves and the helplessness and questioning of watching them give into their own self-destructive tendencies. With bold and resolute synth chords in the foreground, FELIVAND fills ‘Midsummer Sun’ with brilliant arpeggiators, crunchy percussion and warm, earthy melodies, bridging the smooth neo-soul stylings of Jorja Smith and Solange with glimmers of IGOR-era Tyler, the Creator.

FELIVAND’s forthcoming sophomore EP follows on from her radiant 2018 debut, In Bloom, which won her early fans from COLORS, Bandcamp, Apple Music (Artist of the Week), triple j and more. Nerve represents a maturation of her sound, a seamless slide into a slinkier, darker shade of pop that simultaneously expands her creative horizons while also capturing that rush of an artist currently coming into her own.

Nerve plays like a beguiling trick mirror, reflecting back different images at different moments. Look on one day from a particular angle, and you might hear the soundtrack to long, lonely nights spent spiralling down existential wells of everything ever said and done; look at it on another day and from another angle, and you might now hear the soundtrack to an endless Summer drive, where the wind courses through your hair and the immeasurable beauty of the world prickles at your senses. 

‘Midsummer Sun’ by FELIVAND is out now, buy/stream it here.

Nerve EP
October 16
Pre-save/order here

Stay connected with FELIVAND:
Facebook | Instagram | Twitter | Bandcamp

September 24, 2020 0 comments
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Single Launch shows: The Vanguard, Sydney – THURSDAY, OCTOBER 15 Lalala’s, Wollongong – FRIDAY, OCTOBER 23 Having spent the past couple of years sweating it out in venues up and down the East Coast of Australia, Eddie Boyd AKA Human Noise (formerly Boydos) has returned with a fresh moniker, revived energy, and his strongest single to date.   Listening to his debut record It’s Alright, Look At Me I’m Young (2019), you wouldn’t have guessed all was not quite well in the camp of the Sydney muso. Swaying between heartful Jeff Buckley-esque songmanship and bouncy indie rock, all the while chronicling his foray into young manhood, IALAMIY quickly established him as one of the most exciting talents in the Australian musical ecosystem. Yet, the name “Boydos”, niggled away at the enigmatic songwriter.   “It always felt like a rushed choice to me” Boyd says of his former title. “I had been stewing on it for a long time and I just didn't feel connected to “Boydos”. I definitely think the new name represents the music better.”   Today we have the first taste of Human Noise’s as yet untitled sophomore album, recorded in New Zealand with NZ Music Award-winning producer Ben Edwards. ‘How Is It You Do That?’, which clocks in at two minutes and six seconds, is a frenetic melodic collage that explodes with energy.   With the drum beat charging toward the finish line, Boyd lets his vocals take center-stage. The emotion that bleeds through the speaker is simply electrifying. Ironically, the track lyrically centers around controlling your mind, or in Boyd’s case, a lack thereof:   “How Is It You Do That?’ is an ode to a friend and his ability to be calm under emotional stress. We were going through similar things at the same time and I really admired the way he could maintain such a rational and forgiving outlook. It was a challenging time for both of us and I’m really happy at how well that angst and frustration was captured in the studio.”   Directed and edited by Boyd himself, with AnnieRose Collis shooting on the night, the video encapsulates the frantic bones of the track. Shot in one take, Boyd gives the song the impassioned performance it deserves as a spattering of colours radiate in the background.   “I was just trying to think of economic ways to make a video clip that wasn’t terrible, and I definitely made a few terrible prototypes. We shot it at half the speed of the final edit, to give it that frantic, unhinged effect. We did a bunch of takes, because if the camera's not steady, it just looks crazy” he says. “There's a hilarious early take of me, loping around suburbia, singing full volume at half speed sounding like a total drunk.”   If you’re late to the Human Noise party, now’s the chance to sink your teeth in. The new record is expected early 2021 and if ‘How Is It You Do That?’ is anything to go by, the birth (or rebirth) of Human Noise is something you don’t want to sleep on.   “I'm really excited for everything to be heard, which is a different feeling than I had with the first album,” Boyd says. “I feel more confident in the lyrics. I just feel like ... Yeah, I feel excited about everything.”   How Is It You Do That? is out now through Ditto Music.   Single Launch shows: The Vanguard (Sydney) – THURSDAY, OCTOBER 15 Lalala’s (Wollongong) – FRIDAY, OCTOBER 23   Ticketing info HERE CONNECT WITH HUMAN NOISE
Festival NewsMusic News

Human Noise releases new single ‘How Is It You Do That?’ + Single Launch Shows

by the partae September 24, 2020
written by the partae

Single Launch shows:
The Vanguard, Sydney – THURSDAY, OCTOBER 15
Lalala’s, Wollongong – FRIDAY, OCTOBER 23

Having spent the past couple of years sweating it out in venues up and down the East Coast of Australia, Eddie Boyd AKA Human Noise (formerly Boydos) has returned with a fresh moniker, revived energy, and his strongest single to date.

Listening to his debut record It’s Alright, Look At Me I’m Young (2019), you wouldn’t have guessed all was not quite well in the camp of the Sydney muso. Swaying between heartful Jeff Buckley-esque songmanship and bouncy indie rock, all the while chronicling his foray into young manhood, IALAMIY quickly established him as one of the most exciting talents in the Australian musical ecosystem. Yet, the name “Boydos”, niggled away at the enigmatic songwriter.

“It always felt like a rushed choice to me” Boyd says of his former title. “I had been stewing on it for a long time and I just didn’t feel connected to “Boydos”. I definitely think the new name represents the music better.”

Today we have the first taste of Human Noise’s as yet untitled sophomore album, recorded in New Zealand with NZ Music Award-winning producer Ben Edwards. ‘How Is It You Do That?’, which clocks in at two minutes and six seconds, is a frenetic melodic collage that explodes with energy.

With the drum beat charging toward the finish line, Boyd lets his vocals take center-stage. The emotion that bleeds through the speaker is simply electrifying. Ironically, the track lyrically centers around controlling your mind, or in Boyd’s case, a lack thereof:

“How Is It You Do That?’ is an ode to a friend and his ability to be calm under emotional stress. We were going through similar things at the same time and I really admired the way he could maintain such a rational and forgiving outlook. It was a challenging time for both of us and I’m really happy at how well that angst and frustration was captured in the studio.”

Directed and edited by Boyd himself, with AnnieRose Collis shooting on the night, the video encapsulates the frantic bones of the track. Shot in one take, Boyd gives the song the impassioned performance it deserves as a spattering of colours radiate in the background.

“I was just trying to think of economic ways to make a video clip that wasn’t terrible, and I definitely made a few terrible prototypes. We shot it at half the speed of the final edit, to give it that frantic, unhinged effect. We did a bunch of takes, because if the camera’s not steady, it just looks crazy” he says. “There’s a hilarious early take of me, loping around suburbia, singing full volume at half speed sounding like a total drunk.”

If you’re late to the Human Noise party, now’s the chance to sink your teeth in. The new record is expected early 2021 and if ‘How Is It You Do That?’ is anything to go by, the birth (or rebirth) of Human Noise is something you don’t want to sleep on.

“I’m really excited for everything to be heard, which is a different feeling than I had with the first album,” Boyd says. “I feel more confident in the lyrics. I just feel like … Yeah, I feel excited about everything.”

How Is It You Do That? is out now through Ditto Music.

Single Launch shows:
The Vanguard (Sydney) – THURSDAY, OCTOBER 15
Lalala’s (Wollongong) – FRIDAY, OCTOBER 23

Ticketing info HERE

CONNECT WITH HUMAN NOISE
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September 24, 2020 0 comments
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Where are you currently based? We're all based around the inner-west of Sydney City. How did Grids & Dots form? We were originally sort of an art project between myself and Carmen Minikus, before going through a number of different iterations over the next few years few years to becoming the band we are now. I feel like we've really just found our feet (and our sound) over the past year and a half or so. What's been happening recently and how has your Covid experience been so far? Like everyone else, our live shows came to a grinding halt as the world turned upside down in Feburary or March, but I think we were really lucky in a way as we had already just booked in recording and mixing time for our debut EP and we were able to get a lot of done just as the restrictions came into place. There was some down time as we isolated like everyone else, but we've still managed to keep moving! How did you first start playing music? Myself and Carmen first started playing together in a flat share near Chinatown about six years ago, coming from completely different musical backgrounds. She was a classically trained pianist, and I was a guitarist more used to playing in noisy post-rock types of bands. We somehow found some kind of connection in each other's music, but it really took shape when Carmen started playing guitar. We haven't looked back since. Your new single 'The Great Divide' is out now, what influenced the sound and songwriting? I feel like the sound of the song really sits in that pocket of being dream pop, with the reverb-drenched guitar and floating melodies, but it definitely has a driving element to it coming from the rhythm section which makes it sort of an uplifting tune and stops it from being too melancholic, I think. The songwriting itself was influenced by personal experiences of people you care about or used to care a lot about who have become physically or emotionally distant to where you can't find them anymore.  How did you go about writing the single? When I was writing the initial melody and structure, I definitely thought about having Carmen becoming more involved in the singing and writing process and trying to harmonise together. I have always loved bands who used multiple vocal harmonies drifting in and out with each other, like the Byrds or maybe Teenage Fanclub, and I really wanted to try some of that approach in our music. The song was actually still unfinished when we brought it into the studio, and our producer, who is a great songwriter himself, helped give it a few finishing touches. We taught it to the rest of the band on the spot and ran with it. Where and when did you record/produce? Th EP was recorded and produced with Wayne Connolly, at Hercules Street Studio in Surry Hills. The main instrument and vocal tracks were recorded in early March, and then we added more overdubs and layers when we could over the partial lockdown months, before going in and starting to mix everything in the months afterwards. We're still mixing the EP now actually, but hopefully it will all be done soon! How did you approach the recording/production process and who did you work with? Some of these songs had actually been ready for a couple of years before we went into the studio, so they had been demoed a few times already, and we were dying to get them out there. Then there are a couple of songs like the Great Divide which are really new comparatively. We worked with Wayne, whose production work with a number of Australian indie-rock bands we were really big fans of, as well as admiring the bands he himself had played in as well. What do you most enjoy about writing and playing music? For me writing music is pure catharsis. Some people just need some kind of outlet for their happy / sad feelings or else they go a bit nuts, and I think that I am one of them. I write a lot of stuff in the songs that I sometimes find difficult to say. Then there's just the thrill of playing the music to an audience, with some people who you really care about playing with you, and literally creating something out of nothing with them. Nothing can beat that feeling, really! Who are you listening to at the moment? I've been obsessed with Ruby Haunts latest album for about half a year now. Black Marble are another go to band of mine, and I've recently started listening to an old Alt-rock band from 80s New Zealand called The Clean. They were on that amazing Flying Nun record label and the music is just fantastic. What do you like to do away from music? I'm a digital designer by trade, and I like photography and reading a lot, and occasionally playing retro video games. We also go out camping a lot in summertime. What's planned for the remainder of 2020 going into 2021? We have a new single which is a cover of a song by Nick Drake out next month through Scenic Drive records, and then our debut EP will be out early next year. We have an albums worth of material we're writing now which we hope to record in Feb or March next year which we are literally so excited about. Favourite food and place to hangout? One of my favourite restaurants is a small Italian place on Cleveland St. in Darlington called Kindred. Just a super nice local atmosphere and the best food. Our favourite place to hang out and chill is the dog beach behind the main strip in Rose Bay! ‘The Great Divide’ is out now! Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed
Music InterviewsMusic News

Grids & Dots with Daniel Handaru

by the partae September 24, 2020
written by the partae

Where are you currently based?

We’re all based around the inner-west of Sydney City.

How did Grids & Dots form?

We were originally sort of an art project between myself and Carmen Minikus, before going through a number of different iterations over the next few years few years to becoming the band we are now. I feel like we’ve really just found our feet (and our sound) over the past year and a half or so.

What’s been happening recently and how has your Covid experience been so far?

Like everyone else, our live shows came to a grinding halt as the world turned upside down in Feburary or March, but I think we were really lucky in a way as we had already just booked in recording and mixing time for our debut EP and we were able to get a lot of done just as the restrictions came into place. There was some down time as we isolated like everyone else, but we’ve still managed to keep moving!

How did you first start playing music?

Myself and Carmen first started playing together in a flat share near Chinatown about six years ago, coming from completely different musical backgrounds. She was a classically trained pianist, and I was a guitarist more used to playing in noisy post-rock types of bands. We somehow found some kind of connection in each other’s music, but it really took shape when Carmen started playing guitar. We haven’t looked back since.

Your new single ‘The Great Divide’ is out now, what influenced the sound and songwriting?

I feel like the sound of the song really sits in that pocket of being dream pop, with the reverb-drenched guitar and floating melodies, but it definitely has a driving element to it coming from the rhythm section which makes it sort of an uplifting tune and stops it from being too melancholic, I think. The songwriting itself was influenced by personal experiences of people you care about or used to care a lot about who have become physically or emotionally distant to where you can’t find them anymore.

How did you go about writing the single?

When I was writing the initial melody and structure, I definitely thought about having Carmen becoming more involved in the singing and writing process and trying to harmonise together. I have always loved bands who used multiple vocal harmonies drifting in and out with each other, like the Byrds or maybe Teenage Fanclub, and I really wanted to try some of that approach in our music. The song was actually still unfinished when we brought it into the studio, and our producer, who is a great songwriter himself, helped give it a few finishing touches. We taught it to the rest of the band on the spot and ran with it.

Where and when did you record/produce?

The EP was recorded and produced with Wayne Connolly, at Hercules Street Studio in Surry Hills. The main instrument and vocal tracks were recorded in early March, and then we added more overdubs and layers when we could over the partial lockdown months, before going in and starting to mix everything in the months afterwards. We’re still mixing the EP now actually, but hopefully it will all be done soon!

How did you approach the recording/production process and who did you work with?

Some of these songs had actually been ready for a couple of years before we went into the studio, so they had been demoed a few times already, and we were dying to get them out there. Then there are a couple of songs like the Great Divide which are really new comparatively. We worked with Wayne, whose production work with a number of Australian indie-rock bands we were really big fans of, as well as admiring the bands he himself had played in as well.

What do you most enjoy about writing and playing music?

For me writing music is pure catharsis. Some people just need some kind of outlet for their happy / sad feelings or else they go a bit nuts, and I think that I am one of them. I write a lot of stuff in the songs that I sometimes find difficult to say. Then there’s just the thrill of playing the music to an audience, with some people who you really care about playing with you, and literally creating something out of nothing with them. Nothing can beat that feeling, really!

Who are you listening to at the moment?

I’ve been obsessed with Ruby Haunts latest album for about half a year now. Black Marble are another go to band of mine, and I’ve recently started listening to an old Alt-rock band from 80s New Zealand called The Clean. They were on that amazing Flying Nun record label and the music is just fantastic.

What do you like to do away from music?

I’m a digital designer by trade, and I like photography and reading a lot, and occasionally playing retro video games. We also go out camping a lot in summertime.

What’s planned for the remainder of 2020 going into 2021?

We have a new single which is a cover of a song by Nick Drake out next month through Scenic Drive records, and then our debut EP will be out early next year. We have an albums worth of material we’re writing now which we hope to record in Feb or March next year which we are literally so excited about.

Favourite food and place to hangout?

One of my favourite restaurants is a small Italian place on Cleveland St. in Darlington called Kindred. Just a super nice local atmosphere and the best food. Our favourite place to hang out and chill is the dog beach behind the main strip in Rose Bay!

‘The Great Divide’ is out now!

Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed
September 24, 2020 0 comments
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Exceptional artists added to 2021 Bluesfest
Festival NewsMusic News

Exceptional artists added to 2021 Bluesfest

by the partae September 23, 2020
written by the partae

THE CHURCH

KATE MILLER-HEIDKE

THE LIVING END

THE ANGELS

ROSS WILSON AND THE PEACENIKS

BLUE KING BROWN

JEFF LANG

KARA GRAINGER

And many more to be announced!

Get your tickets on-sale now

The 2021 Bluesfest Third Artist Announcement is a legendary list of exceptional artists who join what is already an incredible line up of Australian talent confirmed to perform next Easter on April 1 – 5th at the beautiful green Tyagarah Tea Tree Farm located 10 minutes north of Byron Bay.

 Commenting on the announcement Festival Director, Peter Noble OAM says “Look at this line up – all that talent. When it comes to musical talent Australia is an embarrassment of riches and it is a privilege to create a line up to clearly showcase that very fact.”

 Legendary psych-rock guitar stars The Church step on to the Bluesfest stage for the very first time and headline this Third Artist Announcement for 2021 Bluesfest.  Award winning singer-songwriter and Euro Vision 2019 success story Kate Miller- Heidke will bring her touch of class,  whilst punk inspired rock band The Living End with their blend of rockabilly and punk and eternal rock-stars The Angels bring their exhilarating and raw live energy to this powerful line up.  Rock royalty and bona fide legend  Ross Wilson & The Peaceniks have signed on and will be pumping out the non-stop hit machine featuring songs from Daddy Cool to Mondo Rock.  Joining them are festival favourites Blue King Brown,  headed up by the dynamic no-holds- barred pocket rocket Nattali Rize. “Bluesfest is one of our favourite festivals on the planet. We’re looking forward to returning to Australian shores and bringing the full power Blue King Brown show home!” Says Nattali Rize.

With 14 Bluesfest performances behind him, the first in 1994, Jeff Lang is a legend in his own right. Said to play the guitar with the devils in his fingers,  Jeff has won three ARIA Awards and his live performances are always a guaranteed showstopper. Adding more femme force to the bill is the return to Australia from the now Nashville based singer-songwriter Kara Grainger,  her soulful vocals and unique style of slide guitar has earned her ‘opening’ performance slots with Peter Frampton, Buddy Guy and Taj Mahal to name a few. Many in the business will be watching what this lead singer from the much-loved “Papa Lips” is doing now.

The Church

Australian psych-rock guitar masters The Church enter their fifth decade of making music with all the fierce creative energy of their early years. With new members introduced, the band are deep into recording the band’s 25th studio album, 40 years after their formation and will perform at Bluesfest for the first time in 2021. The 2020 epic line-up is bassist, vocalist and founder Steve Kilbey; with longtime collaborator Tim Ebandit Powles drummer and producer across 17 albums since ’94; guitarist Ian Haug who joined the band in 2013 and Jeffrey Cain, touring multi-instrumentalist who is now a full-time member of The Church since the departure of Peter Koppes in early 2020. The band have also recently recruited one of Australia’s finest and most respected guitarists Ashley Naylor (Even, The Grapes). Ashley and Steve have collaborated on many different projects over the years and now was the perfect time to bring Ashley into the band.

Kate Miller-Heidke 

Award winning singer-songwriter and Euro Vision 2019 success story Kate Miller-Heidke traverses the worlds of contemporary pop, folk, and opera.  She has released four studio albums including the top 5 album O Vertigo!, and Curiouser, which reached double platinum sales and featured the multi-platinum hits ‘The Last Day On Earth’ and ‘Caught In The Crowd’, which won Grand Prize in the 2009 International Songwriting Competition.

She won the 2016 Helpmann for Best Australian Contemporary Concert.

Trained as a classical singer at the Queensland Conservatorium, Kate has performed at the Metropolitan Opera in New York and several roles for the English National Opera. Her debut opera as a composer, The Rabbits, won 4 Helpmann Awards including Best Score and Best New Australian Work. With her collaborator Keir Nuttall, she has written the music and lyrics to Muriel’s Wedding: The Musical, which premiered at the Sydney Theatre Company and played throughout 2019 in Sydney, Melbourne and Brisbane.

 The Living End

The Living End consider themselves to be a rock ‘n’ roll band based on punk ethics, citing The Clash, Iggy Pop, The Who and The Jam as influences and bands with whom they share the same ideals.  Formed in 1994 and since 2002 the line up consists of Chris Cheney (vocals, guitar), Scott Owen (double bass, vocals) and Andy Strachan (drums).  The band rose to fame in 1997 after the release of their double A-sided single, ”Second Solution” / “Prisoner of Society”, which peaked at No. 4 on the Australian Singles Chart and went on to sell triple platinum. They have released seven studio albums and two reached the No. 1 spot on the Australian Albums Chart - self-titled album (12 October 1998) and State of Emergency (4 February 2006). They have also gained chart success in the United States and the United Kingdom.  Said to be one of Australia’s most ferocious live acts, their blistering live performances have earned the band an enviable position as one of Australia’s greatest live bands.

The Angels

Delivering raucous hard rock in the tradition of contemporaries like AC/DC and Rose Tattoo, the Angels are among the longest-lasting and most beloved bands ever to emerge from the Australian pub circuit. Their roots date back to 1973, when singer Doc Neeson and guitarist Rick Brewster first teamed up, but it was really in 1976 when they really started making their mark. Discovered by  AC/DC‘s Angus Young and Bon Scott, and signed to their label Albert Productions, their first single, ‘Am I Ever Gonna See Your Face Again’ was an instant hit – and set The Angels on their loud and proud rock journey.

Albums ‘The Angels,’ No Exit’, ‘Face To Face’, ‘Night Attack’, ‘Beyond Salvation’ and more followed …
and the Angels rock juggernaut rolled on through the decades. They lost two original members, Chris Bailey and Doc Neeson, but have never wavered in their musical mission.

Thirteen studio albums, eight Top 10 albums, 17 Top 40 singles … but that tells only part of The Angels story. It’s the relationship with the audience that means everything to the band, built via thousands of gigs. An exhilarating exchange of energy, legendary live shows, raucous audience ‘call-backs’, high-energy, high-voltage sets have made The Angels synonymous with Aussie pub-rock – and continues to keep The Angels at the forefront of our music industry as one of the most beloved rock bands in Australia. The Angels remain fierce and uncompromising. They have always done things their own way. So many of their songs   ‘Am I Ever Gonna See Your Face Again’, ‘Take A Long Line’, ‘Comin’ Down’, ‘Shadow Boxer’, ‘No Secrets’ … and more…. are bone-fide Australian anthems, calling out to be sung at high volume in a hot sweaty atmosphere. Featuring Dave Gleeson [Screaming Jets] on lead vocals and still run by founding members John Brewster and Rick Brewster you better answer that call and rally front and centre when The Angels play their first Bluesfest show.

Ross Wilson and The Peaceniks

From ‘Daddy Cool’ to ‘Mondo Rock’ and as a solo artist with no less than 26 ARIA Top 40 hits to his credit as a singer, songwriter and producer, Ross Wilson is one of Australia’s most awarded, respected and well-known artists! The legendary band ‘Daddy Cool’ whose number one anthem ‘Eagle Rock’ smashed all previous sales records in Australia, to the 1977 formation of ‘Mondo Rock’, delivering 80’s hits ‘Cool World’, ‘State of The Heart’, ‘Chemistry’, ‘No Time’, and ‘Come Said The Boy’ and into the 21st century as a solo performer, Ross Wilson has never been out of the limelight. Twice inducted into the ARIA Hall of Fame, Wilson has written hits for Jimmy Barnes, John Farnham and Joe Cocker, and produced smash hit albums for Jo Jo Zep and the Falcons, Skyhooks and Screaming Jets. Come back again to see an absolute solid gold legend of rock and his full band ‘The Peaceniks’ perform all his hits this year at 2021 Bluesfest.

Blue King Brown

Hailed by Santana as “The voice of the street and the band of the future!” Blue King Brown, is Australia’s premier live urban roots & reggae powerhouse act. Their cross-generational groove and socially conscious sound is lead by the multi talented, relentless energy of Nattali Rize. Powerful vocal & lyrical delivery’s meet a roots, rock & afro groove mash-up built on an irrepressible percussive foundation, cementing their highly regarded live reputation. A force of nature onstage Blue King Brown are festival favourites and return to Bluesfest for the eighth time this year.

Jeff Lang 

This will be the 15th Bluesfest performance for Australian guitarist-songwriter-vocalist-producer, Jeff Lang who made his Bluesfest debut in 1994. Jeff has built a reputation for making startling music that is accomplished, intricate, gutsy, melodic and loaded with soul. Often taking unexpected turns, he has consistently inspired his audiences by creating a stylistically diverse catalogue of over 30 albums.  As many journalists have written over the years, Jeff is not one to be easily pegged, though in a general sense it’s fair to say he largely trades in roots-oriented rock; wider reaching in collaborations with the likes of roving guitar anthropologist the late Bob Brozman, American blues-rocker Chris Whitley, India’s desert-dwellers Maru Tarang and world music virtuosos Bobby Singh and Mamadou Diabate. Jeff’s work with the latter won the 2010 ARIA for Best World Music Album, while he and Brozman took one home for Best Blues and Roots Music Album in 2002. Jeff received that same award on his own in 2012 for the album ‘Carried In Mind’. In 2020 Jeff published his first book – “Some Memories Never Die” – a memoir of three decades on the road; Memories of gigs where the pay was akin to blood money, reflections on how the road’s twists and turns can be lightened by the presence of fellow travellers and occasionally darkened by them too.

Kara Grainger

Some people just have music running through their veins. Kara’s music journey has taken her all around the globe. From her inner city beginnings in the town of Balmain, Sydney Australia, she has since performed and toured in Japan, Indonesia, India, Switzerland, Germany, the UK, and the USA. Her soulful vocals and unique style of slide guitar has caught the attention of many well renowned artists, she’s opened the show for Peter Frampton, Buddy Guy, Johnny Lang, Taj Mahal, Marc Cohen and Eric Johnson to name a few. Kara has been based in Nashville and returns to Australia after a long stint abroad. Many will be watching what she will bring to the stage on this occasion.

All ticket types and Add-Ons are on-sale now.

For further information on the line-up or artists please see here.

Bluesfest 2021 is being held from 1 – 5 April 2021. Tickets are on sale now via Moshtix.

 

Keep in touch via Facebook | Twitter | Instagram

September 23, 2020 0 comments
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DJ Chus Remixed By Sparrow & Barbossa Beatport Stream
Festival NewsMusic News

DJ Chus Remixed By Sparrow & Barbossa // Beatport Stream

by the partae September 23, 2020
written by the partae

BEATPORT LIVE STREAM XX STEREO 2020

Last Thursday, September 17th (Pacific Time) and Friday 18th (European Time), the Spanish label hosted a Beatport Live Stream from a unique location, the Calderon Theater in Valladolid, in Spain. The event revolved around the concept of defense of culture and Art. The line-up featured familiar Stereo names and also brand new talents: DJ Chus, Sparrow & Barbossa, Óscar de Rivera, Oscar L, D-Formation and La Santa. During the DJ session, Kike Garcinuño captured in one of his paintings what he called the ‘Techno Virus of 2020‘. The Work will be auctioned, and the proceeds will be donated to a non-profit organization to help artists affected by the Pandemic.

 

DJ CHUS REMIXED BY SPARROW & BARBOSSA

Stereo Productions, for the celebration of its 20th anniversary, launches an extraordinary project.

For the celebration of the 20th anniversary of Stereo Productions, we have an extraordinary project in which Chus himself has chosen his favorite producers to remix three of his most iconic studio productions: ‘El Amor,’ ‘World Routes,’ and ‘Black Rain.’

But the relationship didn’t start there. Read our full story:

Emiliano (AKA Uru) Haberli and Bryan Coletta are the names behind the infamous duo Sparrow & Barbossa. Uru (Barbossa) was the original percussionist in DJ Chus & Joeski’s ‘El Amor’ back in 2003. The stars aligned when Chus got in touch with the duo after they reached #1 with their Yeke mix, one of Chus’s favorites. Now, 20 years later, Uru has crafted the drums sequence again. Bryan (Sparrow) is a pianist and comes from a musical family. His father is the legendary guitarist Francis Coletta, who worked with artists like Whitney Houston, Quincy Jones, and Frank Sinatra.

‘El Amor (Sparrow & Barbossa Remix)’

The Pirates duo has kept the original essence of Caterina’s sensual and enraptured Brazilian voice blending in perfect harmony with the timeless bossa nova bassline. Uru rebuilt the percussion section, giving it an extra samba-esque breeze; meanwhile, Bryan plays the afro synths with new sounds that rouse emotive reactions.

‘World Routes (Sparrow & Barbossa Remix)’

The original track was one of the most significant pillars of Iberican Sound, colored with plenty of organic elements. This gem takes on new skin with Sparrow & Barbosa bringing in afro rhythms, dense basslines, and a tribal house atmosphere while keeping the sensuality of the ethnic vocals, imprinting a confident message of joy and celebration.

‘Black Rain (Sparrow & Barbossa Remix)’

Black Rain is one of the most mature and profound of Chus’s works, based on the planet’s origins and the ancestral influences of his music. This Eden of organic elements builds a cinematographic soundscape in which the duo preserves the roots and emphasizes the bassline, capturing the original’s natural strength in an eyes-closed epic.

‘El Amor‘ will be available from September, 23rd via Stereo Productions.

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September 23, 2020 0 comments
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SAM FELDT, JULIAN JORDAN AND JUSTIN MYLO ANNOUNCED TO HEADLINE A THREE-DAY ONLINE EVENT BRINGING LIVE HOUSE MUSIC TO YOUR HOUSE PRODUCED AND HOSTED BY ON AIR 24th - 26th September, 2020
Music News

SAM FELDT, JULIAN JORDAN AND JUSTIN MYLO ANNOUNCED TO HEADLINE A THREE-DAY ONLINE EVENT BRINGING LIVE HOUSE MUSIC TO YOUR HOUSE PRODUCED AND HOSTED BY ON AIR 24th – 26th September, 2020

by the partae September 23, 2020
written by the partae
Bringing live house music to your house; global live entertainment streaming platform ON AIR today, reveals another stellar line-up for a unique weekend of music from your home. 
Spinnin’ Records Sam Feldt is joined by fellow Danish dance alumni, Julian Jordan and Justin Mylo, to stream their DJ sets live for dance music fans across the globe, this coming weekend of the 24th – 26th September. Supporting Feldt, will be emerging dutch DJ and producer, Dyro.
Fans worldwide can enjoy exclusive pre-recorded DJ performances, from the comfort of their homes, all whilst doing their bit to support live music. Each of the three events promise state-of-the-art production with Feldt, Jordan and Mylo accompanied by a backdrop of boundary-pushing visuals, with a real DJ Booth, LED video panels, lighting and sound, overseen by experienced director Rolf Meter and lighting designer Jeffrey Goes.
Event go-ers will also be able to adapt the visuals on screens and in real time, for set enlargement and deeper visual experience, via the additional AR techniques for physical extension of the set using a Mo-Sys tracking system.
Sam Fedlt shot to global recognition with his recent 2019 standout hit ‘Post Malone ft. RANI’ and reached Top 10 in the UK. A DJ, producer and entrepreneur Feldt, has built a career upon his distinctly feel-good sound and already has a double album and a multitude of top-selling releases under his belt. Besides his music career, Feldt is currently spearheading a movement that will help influencers adopt a more sustainable lifestyle, giving back to the planet to reduce and compensate their own environmental impact and encouraging others to do the same.
Another representation of the artists arising from The Netherlands; Julian Jordan has graced all corners of the earth with his charismatic music and roaring live performances. Now part of Martin Garrix’s STMPD RCRDS family, Julian has previously extended his talents to revered labels like Spinnin’ Records, DOORN Records, and Revealed Recordings. Alongside, gaining a nomination for Best Dutch Act at the MTV EMAs, a monthly residency at Las Vegas’ prestigious Omnia, and high-octane performances at Tomorrowland, EDC, Amsterdam Dance Event, and Ultra Miami among heaps more. 
Rising star Justin Mylo, is only a mere 24 years old and has already graced some of the most prestigious festival stages & venues like Tomorrowland, Sunburn & World Club Dome. His summers have been filled by playing at the residential shows of Martin Garrix at Ushuaïa Ibiza & Omnia Las Vegas and headline shows throughout Europe. With over 50 million streams in total, Mylo amassed an impressive 10 million streams on his standout solo release ‘Chasing Shadows’ & his massive collab with Martin Garrix ‘Burn Out’.
Support to Feldt, Dyro made history by becoming the youngest ever, highest new entry in the DJ Mag Top 100 DJs poll back in 2014. Since then, Dyro has elevated his strong, stable output, placing within the DJ poll for another consecutive 3 years that has witnessed this enigmatic young DJ come of age, as he continues to take the world by storm. Tipped by the likes of Laidback Luke and Pete Tong, Dyro’s music has also received support from heavy-hitters including Diplo, Knife Party, Martin Garrix, RL Grime and many more. Fast forward just a few short years and Dyro continues to explode as an entity in his own right.
With the world still in varying stages of lockdown, music fans can now be united in their support of their favourite DJ’s and artists, whether it’s with a sound system or from their armchair through headphones …

Broadcast Schedule
Justin Mylo | 24 September at 20:00 CET |  https://bit.ly/2RGAwcl  
Julian Jordan | 25 September at 20:00 CET | https://bit.ly/2FLAKwa
Sam Feldt | 26 September at 21:00 CET | https://bit.ly/3iIzxEv

About On Air 

On Air are a global live entertainment streaming platform for home audiences. On Air are genre agnostic, allowing fans to “virtually” attend live shows, accessing and experiencing iconic live moments no matter where they are via an easy to use interface.  Performances are shot globally, using state of the art registration and distribution technology, available pay-per-view in collaboration with the artist, with no subscriptions necessary. 
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September 23, 2020 0 comments
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Shore Track Listing Wading In Waist-High Water: lyric video HERE Sunblind: lyric video HERE Can I Believe You: lyric video HERE Jara: lyric video HERE Featherweight: lyric video HERE A Long Way Past The Past: lyric video HERE For A Week Or Two: lyrics video HERE Maestranza: lyric video HERE Young Man's Game: lyric video HERE I'm Not My Season: lyric video HERE Quiet Air / Gioia: lyric video HERE Going-to-the-Sun Road: lyric video HERE Thymia: lyric video HERE Cradling Mother, Cradling Woman: lyric video HERE Shore: lyric video HERE For More Information on Fleet Foxes - Contact: Dave Jiannis - Diamond Creative Services dave@diamondcreativeservices.com Facebook Website Instagram
Music News

FLEET FOXES RELEASE SURPRISE FOURTH ALBUM SHORE ALBUM OUT DIGITALLY ON ANTI- TODAY

by the partae September 23, 2020
written by the partae

Today, Fleet Foxes surprised fans with the release of their fourth studio album Shore. The bright and hopeful album, released via Anti-, is available to stream and for physical pre-order HERE for a February 5th street date.

In addition to the album, a 16 mm road movie of the same name by Kersti Jan Werdal that showcases the landscapes of the Pacific Northwest set to the score of the album is available to view at https://fleetfoxes.co.

Shore was recorded before and during quarantine in Hudson (NY), Paris, Los Angeles, Long Island City and New York City from September 2018 until September 2020 with the help of recording and production engineer Beatriz Artola.

The fifteen song, fifty-five minute Shore was initially inspired by frontman Robin Pecknold’s musical heroes such as Arthur Russell, Nina Simone, Sam Cooke, Emahoy Tsegué-Maryam Guebrou and more who, in his experience, celebrated life in the face of death. “I see “shore” as a place of safety on the edge of something uncertain, staring at Whitman’s waves reciting ‘death,’” commented Pecknold. “Tempted by the adventure of the unknown at the same time you are relishing the comfort of the stable ground beneath you. This was the mindset I found, the fuel I found, for making this album.”

Pecknold continues:

Since the unexpected success of the first Fleet Foxes album over a decade ago, I have spent more time than I’m happy to admit in a state of constant worry and anxiety. Worried about what I should make, how it will be received, worried about the moves of other artists, my place amongst them, worried about my singing voice and mental health on long tours. I’ve never let myself enjoy this process as much as I could, or as much as I should. I’ve been so lucky in so many ways in my life, so lucky to be born with the seeds of the talents I have cultivated and lucky to have had so many unreal experiences. Maybe with luck can come guilt sometimes. I know I’ve welcomed hardship wherever I could find it, real or imagined, as a way of subconsciously tempering all this unreal luck I’ve had.

By February 2020, I was again consumed with worry and anxiety over this album and how I would finish it. But since March, with a pandemic spiralling out of control, living in a failed state, watching and participating in a rash of protests and marches against systemic injustice, most of my anxiety around the album disappeared. It just came to seem so small in comparison to what we were all experiencing together. In its place came a gratitude, a joy at having the time and resources to devote to making sound, and a different perspective on how important or not this music was in the grand scheme of things. Music is both the most inessential and the most essential thing. We don’t need music to live, but I couldn’t imagine life without it. It became a great gift to no longer carry any worry or anxiety around the album, in light of everything that is going on. A tour may not happen for a year, music careers may not be what they once were. So it may be, but music remains essential.

This reframing was another stroke of unexpected luck I have been the undeserving recipient of. I was able to take the wheel completely and see the album through much better than I had imagined it, with help from so many incredible collaborators, safe and lucky in a new frame of mind.

Shore Track Listing

  1. Wading In Waist-High Water: lyric video HERE
  2. Sunblind: lyric video HERE
  3. Can I Believe You: lyric video HERE
  4. Jara: lyric video HERE
  5. Featherweight: lyric video HERE
  6. A Long Way Past The Past: lyric video HERE
  7. For A Week Or Two: lyrics video HERE
  8. Maestranza: lyric video HERE
  9. Young Man’s Game: lyric video HERE
  10. I’m Not My Season: lyric video HERE
  11. Quiet Air / Gioia: lyric video HERE
  12. Going-to-the-Sun Road: lyric video HERE
  13. Thymia: lyric video HERE
  14. Cradling Mother, Cradling Woman: lyric video HERE
  15. Shore: lyric video HERE
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September 23, 2020 0 comments
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PRAISE FOR BOY PABLO “Boy Pablo make the kind of balmy daydream music that perfectly assuages the sting of a breakup, making it clear that their success is more than a viral fluke" Pitchfork “‘Everytime’ was good. Really bloody outstanding, in fact; so much so that it cut through the barrage of adverts and caught people’s attention" NME “You want to listen to his tunes, but also talk shit and make memes with him" i-D "In just over a year gone from one-hit-wonders to Norwegian Grammy winning, Coachella-playing champs" Clash Norwegian bedroom pop star boy pablo today shares his new single 'leave me alone!' along with B-side 'be with me'. Listen HERE.  The track is probably his most catchiest, most blissed out and radio-friendly tracks he has written to date.  His debut album Wachito Rico (out October 23, 2020 on 777 Music). You can pre-order here. He has also announced an extensive Spring 2021 tour, covering Sweden, Denmark, Germany, Austria, the UK, Portugal, Spain and more. Tickets can be purchased at: boypablo.com While his career took off in 2017 with the viral, outsider-pop anthem 'Everytime', boy pablo's Nicolas Muńoz has since found himself more connected to his art than ever. While boy pablo initially started out as a project just for fun, Muńoz, now 21, has since honed a cohesive, creative vision, becoming a fully-fledged force to be reckoned with in the indie-pop space.  The roll out to his highly anticipated debut album has seen boy pablo rapidly expanding his audience on the back of singles 'hey girl' and 'honey' as well as their serialised music videos telling the tale of 'wachito rico'. Wachito is the title character of the album and pablo's alter ego that has curly hair. The series continues with his new single 'rest up' and b-side 'people', songs about mental health/anxiety and loneliness/depression respectively. Although the tracks deal with some darker and more serious subject matter they still carry pablo's signature care-free, upbeat and super catchy touch.  Speaking on 'leave me alone!' boy pablo shares: "This is actually one of the first songs I've written on tour. I wrote the demo in Montreal with Esteban last year. The song is based on a feeling I remember from when I was a little kid. I was at a birthday party and I was having so much fun, and then my parents say that we had to go home, completely out of nowhere, and I was so disappointed and grumpy the rest of the night. I finished the song in the studio where I produced it with Esteban and Erik It was one of the fun songs to record."  As for 'be with me', he says: "I started making this song when I was living with Erik, and he was putting his son to sleep. I brought it to the studio and I finished making the song with Esteban and Erik. A good friend of mine, Benjamin Schandy (better known as Jimi Somewhere) wrote the second verse and I got to sing his verse, which is a thing I haven't done much before. When we were making plans for how the album would sound like, the song came up, but it sounded too different compared to what I wanted the album to sound like. But it was too good of a song to just keep it unreleased."  More info on Wachito Rico: Taking its title from a Chilean expression that translates to a fondness for a “handsome boy”, pablo’s debut LP is a hybrid conceptual and autobiographical record, tracing the ebbs and flows of the titular character’s love story while threading this narrative through with pablo’s own experiences as a young man, blurring the identities of Wachito Rico and the real-life Nicolas Muñoz into one curious, indistinguishable whole. 'leave me alone!' by boy pablo is out now via 777 Music, buy/stream it here. Stay connected with Boy Pablo: Website | Facebook | Twitter | Instagram | Youtube | Soundcloud
Music News

BOY PABLO SHARES NEW SONG ‘LEAVE ME ALONE!’ WACHITO RICO LP OUT OCTOBER 23RD ON 777 MUSIC

by the partae September 23, 2020
written by the partae

PRAISE FOR BOY PABLO

“Boy Pablo make the kind of balmy daydream music that perfectly assuages the sting of a breakup, making it clear that their success is more than a viral fluke”
Pitchfork

“‘Everytime’ was good. Really bloody outstanding, in fact; so much so that it cut through the barrage of adverts and caught people’s attention“
NME

“You want to listen to his tunes, but also talk shit and make memes with him”
i-D

“In just over a year gone from one-hit-wonders to Norwegian Grammy winning, Coachella-playing champs”
Clash

Norwegian bedroom pop star boy pablo today shares his new single ‘leave me alone!’ along with B-side ‘be with me‘. Listen HERE.

The track is probably his most catchiest, most blissed out and radio-friendly tracks he has written to date.  His debut album Wachito Rico (out October 23, 2020 on 777 Music). You can pre-order here. He has also announced an extensive Spring 2021 tour, covering Sweden, Denmark, Germany, Austria, the UK, Portugal, Spain and more. Tickets can be purchased at: boypablo.com

While his career took off in 2017 with the viral, outsider-pop anthem ‘Everytime‘, boy pablo‘s Nicolas Muńoz has since found himself more connected to his art than ever. While boy pablo initially started out as a project just for fun, Muńoz, now 21, has since honed a cohesive, creative vision, becoming a fully-fledged force to be reckoned with in the indie-pop space.

The roll out to his highly anticipated debut album has seen boy pablo rapidly expanding his audience on the back of singles ‘hey girl‘ and ‘honey‘ as well as their serialised music videos telling the tale of ‘wachito rico‘. Wachito is the title character of the album and pablo’s alter ego that has curly hair. The series continues with his new single ‘rest up‘ and b-side ‘people‘, songs about mental health/anxiety and loneliness/depression respectively. Although the tracks deal with some darker and more serious subject matter they still carry pablo’s signature care-free, upbeat and super catchy touch.

Speaking on ‘leave me alone!‘ boy pablo shares: “This is actually one of the first songs I’ve written on tour. I wrote the demo in Montreal with Esteban last year. The song is based on a feeling I remember from when I was a little kid. I was at a birthday party and I was having so much fun, and then my parents say that we had to go home, completely out of nowhere, and I was so disappointed and grumpy the rest of the night. I finished the song in the studio where I produced it with Esteban and Erik It was one of the fun songs to record.” 

As for ‘be with me‘, he says: “I started making this song when I was living with Erik, and he was putting his son to sleep. I brought it to the studio and I finished making the song with Esteban and Erik. A good friend of mine, Benjamin Schandy (better known as Jimi Somewhere) wrote the second verse and I got to sing his verse, which is a thing I haven’t done much before. When we were making plans for how the album would sound like, the song came up, but it sounded too different compared to what I wanted the album to sound like. But it was too good of a song to just keep it unreleased.” 

More info on Wachito Rico:
Taking its title from a Chilean expression that translates to a fondness for a “handsome boy”, pablo’s debut LP is a hybrid conceptual and autobiographical record, tracing the ebbs and flows of the titular character’s love story while threading this narrative through with pablo’s own experiences as a young man, blurring the identities of Wachito Rico and the real-life Nicolas Muñoz into one curious, indistinguishable whole.

‘leave me alone!‘ by boy pablo is out now via 777 Music,
buy/stream it here.

Stay connected with Boy Pablo:
Website | Facebook | Twitter | Instagram | Youtube | Soundcloud

September 23, 2020 0 comments
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Festival NewsMusic News

SKY BALL ANNOUNCES MORE ACTS, MORE CONCERTS AND MORE TICKETS

by the partae September 23, 2020
written by the partae

Wow, it’s been a wild six-month ride to get to the Sky Ball.

Testimate to the mighty Pie in the Sky, Dashville has held on, riding the rollercoaster all the way through to today, where we can finally be proud to share with you the full program and playing times for Sky Ball kicking off from next weekend.

And somehow through the fog of the unknown, Dashville has managed to include more acts, more concerts and more tickets for what has now become a seated Covid-safe five-concert series for Sky Ball!  While the Sky Ball will look different to previous Dashville events in that there will be one single stage, folks can enjoy the performances within their own separate seated ‘party pen’ (holding groups of up to 10).

Sky Ball will roll a second weekend, on the 9th and 10th October.

Another two concerts have been added to the Sky Ball concert series, creating an overflowing cup of 4 local and regional NSW acts performing each night – over a series of 5 nights, across two weekends.

Artists included to the series line up include the heavy blues trio Chase The Sun, local Americana songwriter James Thomson, emerging soul diva Georgie Jones and a very special all-female project put together by the amazing Gleny Rae, titled ‘The Darlings of Dashville Show’.

Session 1 – 2nd October
Kim Churchill / Eagle & the Wolf / Dave Favours & The Roadside Ashes / Lachlan X. Morris

Session 2 – 3rd October
William Crighton / Fanny Lumsden / Justin Ngariki & The Dastardly Bastards / Corey Legge

Session 3 – 4th October
Catherine Britt / Chase The Sun / Ben Leece & Left Of The Dial / CJ Stranger

Session 4 – 9th October
Gleny Rae’s Darlings Of Dashville / Dave Wells / Johnston City / Georgie Jones

Session 5 – 10th October
Dashville Progress Society / Andy Nelson / James Thomson / Hedy Blaazer

Wow, how did this all happen you say?
Without going into it too much, let’s just say that due to a minor update in the wording on the NSW Government Public Health Order, where as of Sept 11, it now mentions that music festivals ‘attended by less than 2000 people’ are illegal. We had to prove to the local authority that Sky Ball was indeed a concert series and not operating as a music festival.

FUN FACT #1 
Of the significant hurdles imposed by the government’s current legislation on the music industry, the biggest one is the fact that you need to be a ‘concert’ and a ‘concert’ can not have more than 4 acts or go for any longer than 5 hours. Any more than 4 acts in succession is not a concert, and even if it’s not a music festival by definition, it basically is a music festival and is illegal regardless of how many people attend. 

FUN FACT #2
On the same weekend as Sky Ball, if you live within earshot, you’re likely to hear the 40,000 or so people at ANZ stadium, screaming away for their favourite football team.

So yes please rest easy music lovers, safe in the knowledge that after 5hrs of listening to live music, you won’t catch COVID off the gum trees, because funnily enough 4hrs and 59mins is the exact period of germination.

Despite the live music restrictions imposed by government legislation, you can still come and camp for 3 days, walk the bush, visit the vineyards, hang by your camp, busk under a gum tree. The prestigious Swoop Inn and Bird Bath Bar will be open breakfast, lunch and tea.

So the choice is yours, just make sure you’re front and centre when the music kicks off at 6pm.

With limited tickets still available, we’d love for you to join us if you can!

Whilst the large outdoor concert held at Dashville will only feature a small audience of around 250 people socially distanced, an additional component for punters to get excited about is the huge online component known as Sky Ball TV, which will feature all the artists performing, via a pay to view streaming concert series kicking off on Saturday 3rd October, running for the month of October.  Click here for details.

Background…

Here in Australia, whilst the situation remains relatively steady in NSW, the hard working team at Dashville, an outdoor venue based at Belford in the Hunter Valley, hit hard by the sudden closure, have kept their chin up and are working through this devastating period with valor.

In the thick of huge financial loss and uncertainty, the predominantly husband and wife team have successfully produced a series of small open air concerts for around 150 people (Dashville Nights), utilising a party pen‘ model that Event Producer Magpie Johnston, intrinsically came up with by himself.

‘When we were looking into the requirements of hosting a COVID Safe event, it was June and we were trying to work out how to lay it out. Wondering how the dynamic would work if people couldn’t hang by the fire. So in a sensible brain snap, we decided to give everyone their own small fire basket to sit by and that’s essentially how our now famous ‘party pen’ model started.’

With the success of Dashville Nights, came the vision for how to host the very special one off Sky Ball, a 3 day concert series that had been scheduled for the October Long Weekend. 2-4 October 2020.

The Sky Ball was created in haste as a recovery plan back in March when The Gum Ball was first cancelled. Information about the event has remained relatively dormant throughout winter as the situation with COVID unfolded. Now 2 weeks out, with an achievable vision in mind, it has evolved into a exciting concert series, with an amazing line up or local and regional NSW artists ready to converge on the property.

The title of the event is a testament to the two mighty Dashville festivals that never happened in 2020, The Gum Ball and Dashville Skyline. But the event itself is designed to be a sign of hope for a struggling industry battling to stay afloat amidst the COVID pandemic.

GET YOUR CONCERT TICKETS & SKY BALL TV TICKETS HERE

SKY BALL runs 2, 3, 4 and 9, 10 October 2020.

SKY BALL TV is a pay-to-view streamed event, happening via the internet from Saturday 3rd October 2020.   

Head to Dashville for more info.

September 23, 2020 0 comments
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October will see Social Avenue continue but with new Covid regulations starting this weekend https://www.facebook.com/SocialAvenueMCR https://www.facebook.com/jbmmusicuk Manchester's Social Avenue continues to lead the way in safe but atmospheric socially distanced partying with the news of their full September and October schedule. Playing over the next few weeks at Trafford Park will be the likes of Patrick Topping, Solardo, Yousef, Josh Butler B2B Bontan, Mr Scruff, Norman Jay MBE, Enzo Siragusa, Darius Syrossian, Steve Lawler, Alan Fitzpatrick, Kreature and East End Dubs amongst many more.  Word has now spread nationwide about Social Avenue, which has set a benchmark for socially distant but hugely enjoyable days and nights out. Each event finds you set up with your social bubble at your own table, while a world class ‘Void Tri Motion’ sound system supplies the sounds. On-site bars are all fully stocked and there is a wealth of delicious street food, and further entertainment comes from cameo areas where you can set up the perfect social media selfie shot, all while saying at a safe distance. Of course, one-way systems will be in place in toilet areas, bars and around the site to keep you safe, and face masks and coverings are advised, with sanitiser stations available throughout the site. Musically the next few months are mouthwatering once again, with Hit & Run kicking off on September 25th with Bou & Randall B2B Chimpo for all your cutting edge d&b needs. The following evening, Circus Recordings are in town with head honcho Yousef, plus a special back to back between Josh Butler and Bontan. Sunday brings a wealth of legends in for  La Discothèque with the deep digging vinyl obsessive Mr Scruff, funk and soul great Norman Jay MBE, plus local house and techno heroes James Holroyd and Krysko. In October there will be trio of big names all playing two consecutive nights each, with Trick founder Patrick Topping on October 3rd and 4th, Manchester's Solardo, who run their own Sola on October 10th and 11th and Jamie Jones bring his years of house know how over two dates on October 17th and 18th. As well as this, on the 2nd, Kaluki serve up a sensation tech house sound track from Fuse founder  Enzo Siragusa and Rossi, Moxy Muzik returns once more on the 16th with the aways on form Darius Syrossian and Lauren Lo Sung, then for more edgy house thrills, Viva Warriors and Steve Lawler headline on October 23rd, and there is then a Do Not Sleep double header as the much loved Ibiza crew bring techno mainstay Alan Fitzpatrick and Kreature on the 24th and rolling dub tech and minimal men East End Dubs, Chris Stussy and Ray Mono on the 25th.  Line ups: Friday 25th September – Hit & Run w/ Bou & Randall B2B Chimpo Saturday 26th September – Circus Recordings w/ Yousef, Josh Butler B2B Bontan, James Organ Sunday 27th September – La Discothèque w/ Mr Scruff, Norman Jay MBE, James Holroyd, Krysko Friday 2nd October – Kaluki w/ Enzo Siragusa, Rossi October 3rd & 4th - Patrick Topping  October 10th & 11th - Solardo Friday 16th October – Moxy Muzik w/ Darius Syrossian, Lauren Lo Sung Friday 23rd October – Viva Warriors w/ Steve Lawler  Saturday 24th October – Do Not Sleep w/ Alan Fitzpatrick, Kreature Sunday 25th October – Do Not Sleep w/ East End Dubs, Chris Stussy, Ray Mono
Festival NewsMusic News

Social Avenue Announce new Socially Distancing Line ups and Guidelines for October

by the partae September 23, 2020
written by the partae
October will see Social Avenue continue but with new Covid regulations starting this weekend
https://www.facebook.com/SocialAvenueMCR
https://www.facebook.com/jbmmusicuk
Manchester’s Social Avenue continues to lead the way in safe but atmospheric socially distanced partying with the news of their full September and October schedule. Playing over the next few weeks at Trafford Park will be the likes of Patrick Topping, Solardo, Yousef, Josh Butler B2B Bontan, Mr Scruff, Norman Jay MBE, Enzo Siragusa, Darius Syrossian, Steve Lawler, Alan Fitzpatrick, Kreature and East End Dubs amongst many more.
Word has now spread nationwide about Social Avenue, which has set a benchmark for socially distant but hugely enjoyable days and nights out. Each event finds you set up with your social bubble at your own table, while a world class ‘Void Tri Motion’ sound system supplies the sounds. On-site bars are all fully stocked and there is a wealth of delicious street food, and further entertainment comes from cameo areas where you can set up the perfect social media selfie shot, all while saying at a safe distance. Of course, one-way systems will be in place in toilet areas, bars and around the site to keep you safe, and face masks and coverings are advised, with sanitiser stations available throughout the site.
Musically the next few months are mouthwatering once again, with Hit & Run kicking off on September 25th with Bou & Randall B2B Chimpo for all your cutting edge d&b needs. The following evening, Circus Recordings are in town with head honcho Yousef, plus a special back to back between Josh Butler and Bontan. Sunday brings a wealth of legends in for  La Discothèque with the deep digging vinyl obsessive Mr Scruff, funk and soul great Norman Jay MBE, plus local house and techno heroes James Holroyd and Krysko.
In October there will be trio of big names all playing two consecutive nights each, with Trick founder Patrick Topping on October 3rd and 4th, Manchester’s Solardo, who run their own Sola on October 10th and 11th and Jamie Jones bring his years of house know how over two dates on October 17th and 18th. As well as this, on the 2nd, Kaluki serve up a sensation tech house sound track from Fuse founder  Enzo Siragusa and Rossi, Moxy Muzik returns once more on the 16th with the aways on form Darius Syrossian and Lauren Lo Sung, then for more edgy house thrills, Viva Warriors and Steve Lawler headline on October 23rd, and there is then a Do Not Sleep double header as the much loved Ibiza crew bring techno mainstay Alan Fitzpatrick and Kreature on the 24th and rolling dub tech and minimal men East End Dubs, Chris Stussy and Ray Mono on the 25th.
Line ups:
Friday 25th September – Hit & Run w/ Bou & Randall B2B Chimpo
Saturday 26th September – Circus Recordings w/ Yousef, Josh Butler B2B Bontan, James Organ
Sunday 27th September – La Discothèque w/ Mr Scruff, Norman Jay MBE, James Holroyd, Krysko
Friday 2nd October – Kaluki w/ Enzo Siragusa, Rossi
October 3rd & 4th – Patrick Topping
October 10th & 11th – Solardo
Friday 16th October – Moxy Muzik w/ Darius Syrossian, Lauren Lo Sung
Friday 23rd October – Viva Warriors w/ Steve Lawler
Saturday 24th October – Do Not Sleep w/ Alan Fitzpatrick, Kreature
Sunday 25th October – Do Not Sleep w/ East End Dubs, Chris Stussy, Ray Mono
September 23, 2020 0 comments
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TOM SNOWDON COVERS MEN AT WORK'S 'WHO CAN IT BE NOW?' CHANNEL EP OUT OCTOBER 7
Music News

TOM SNOWDON COVERS MEN AT WORK’S ‘WHO CAN IT BE NOW?’ CHANNEL EP OUT OCTOBER 7

by the partae September 23, 2020
written by the partae

After releasing his Kylie Minogue cover earlier this month, Tom Snowdon today shares the second instalment of forthcoming covers EP Channel. Listen HERE.

The new single is ‘Who Can It Be Now?‘, originally written and performed by Men At Work in 1981. The minimal arrangement of Snowdon’s interpretation serves to highlight the reclusive lyrics. Over plucked strings & a heart-beat drum, the beseeching vocals bend and soar, building to a euphoric end.

Snowdon hails from Mparntwe/Alice Springs. Family holidays meant looong road trips across the desert to the coast – south, east or north… “Mum and Dad had this album FM Rock Classics from the 80s and we wore the thing out playing it so much. “Who Can It Be Now” was my favourite track on that compilation. I remember vividly the long stretches on the Stuart Highway with that song on repeat. I’d sit for hours just gazing out the window at the landscape and listening. I’d picture a sad man in his house, pushing people away, wanting to be alone – sad but content. Only much later did I start wondering about the deeper messages about fear, isolation and anxiety in those words. That especially has felt relevant amidst the lockdowns we’ve been facing this year.” 

‘Who Can It Be Now?‘ by Tom Snowdon is out now, buy/stream it here.
For our friends at community radio, you can also download the track via AMRAP here.

The EP will be released 7th October Out on Pieater

Stay connected with:

Tom Snowdon: Facebook | Twitter | Instagram | YouTube

Pieater: Pieater.net | Instagram | Twitter | Facebook | YouTube | Tumblr

September 23, 2020 0 comments
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