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PRAISE FOR 'PRESSURE' “It's an album that seems to capture the broadness of SCABZ' sound; the pub-punk of acts like Bad//Dreems, the pop of The Divinyls and Stevie Nicks, the mania of acts like Royal Headache all coming together with a deeper emphasis for lyricism that separates SCABZ from the pack.” - Pilerats (AUS) "[‘Guess Who?’] is further evidence that SCABZ are Australia’s unwavering punk heroes." - Life Without Andy (AUS) Lead single 'Guess Who?' premiered on triple j's Home & Hosed Focus track 'Just At The Pub (Gossin' With The Gals)' added to Spotify playlist ‘New Punk Tracks’ Dharawal and Gadigal country-based punk trio SCABZ have just revealed their ingenious debut album ‘Pressure’ – produced and mixed by Dan Antix at Defwolf Studios. ‘Pressure’ is ten tracks of high-octane punk rock, dripping with the sharp wit and fierce attitude of lead singer Siobhan Poynton. The self-proclaimed ‘Newtown’s shittest band’ exude ferocious performances, complemented by driving bass lines, piercing guitar chords and propelling percussion. Opener ‘Used’ kicks off the album with thudding bass lines and reverberating guitar, slowly building into a hostile frenzy full of sharp hi-hats and pumping bass drums. Title track ‘Pressure’ is next up, full of offbeat guitar chords and a steadfast beat, taking cues from punk luminaries The Sex Pistols, The Clash and Joy Division. Lead single and third track ‘Guess Who?’ is a political, satire-drenched commentary on the NSW Police, including unexpected saxophone provided by True Vibenation’s Vuli. This leads to fourth track ‘Heart Of Nothing’, a self-reflecting look at mental health and depression. The album is split down the middle by conversational crooner ‘Covid I Reckon’, a light-hearted and summery mirroring of classic COVID yarns. Focus track ‘Just At The Pub (Gossin’ With The Gals)’ kicks off the second half of the album, featuring a heaving bass line, as the track bounces between the light dialogue of its verses and the potent vigour of its choruses. Track seven ‘Kick Ons’ is a pocket rocket of a track, at one minute and twenty seconds, it parallels Australian punk legends such as Frenzal Rhomb in its explosive nature and hilarious commentary. Continuing on this sentiment is ‘Double Dole’ and ‘Vegan Magnums’, both joyous Australiana anthems erupting in riff-centric euphoria, ripe for backyard sing-alongs. Closer ‘Julia Gillard’s Misogyny Speech’ is a rousing, intense reflection of the original parliamentary speech, full of ominous instrumentation and earnest vocals, ending the album on a definitive punk-rock moment. In the live arena, SCABZ has shared stages with the likes of Skegss, Ruby Fields and Bugs, as well as performances at Yours & Owls Festival, Festival of the Sun, BIGSOUND and Bad Friday. The band also equalled a record for performing the most amount of sets at the King Street Crawl last year, playing an impressive five shows back-to-back. Previous releases have been widely embraced by Australian radio stations triple j, triple j Unearthed, FBi, 3RRR, 4ZZZ, RTR FM, Edge Radio, SYN FM, PBS FM, 2XX, 2SER and Radio Adelaide. They’ve also seen support from online blogs The Line of Best Fit (UK), Pilerats, Life Without Andy, Savage Thrills, Music Feeds, Little Indie Blogs (UK) and Podcart (UK), as well as their video clips being added to rotation on the ABC’s Rage. ‘Pressure’ is available worldwide now Album Track Listing 1. Used 2. Pressure 3. Guess Who? 4. Heart Of Nothing 5. Covid I Reckon 6. Just At The Pub (Gossin’ With The Gals) 7. Kick Ons 8. Double Dole 9. Vegan Magnums 10. Julia Gillard’s Misogyny Speech FOLLOW SCABZ FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC
Music News

SCABZ UNVEIL PERTINENT DEBUT ALBUM ‘PRESSURE’

by the partae November 27, 2020
written by the partae

PRAISE FOR ‘PRESSURE’

“It’s an album that seems to capture the broadness of SCABZ’ sound; the pub-punk of acts like Bad//Dreems, the pop of The Divinyls and Stevie Nicks, the mania of acts like Royal Headache all coming together with a deeper emphasis for lyricism that separates SCABZ from the pack.”
– Pilerats (AUS)

“[‘Guess Who?’] is further evidence that SCABZ are Australia’s unwavering punk heroes.”
– Life Without Andy (AUS)

Lead single ‘Guess Who?’ premiered on triple j’s Home & Hosed

Focus track ‘Just At The Pub (Gossin’ With The Gals)’ added to Spotify playlist ‘New Punk Tracks’


Dharawal and Gadigal country-based punk trio SCABZ have just revealed their ingenious debut album ‘Pressure’ – produced and mixed by Dan Antix at Defwolf Studios.

‘Pressure’ is ten tracks of high-octane punk rock, dripping with the sharp wit and fierce attitude of lead singer Siobhan Poynton. The self-proclaimed ‘Newtown’s shittest band’ exude ferocious performances, complemented by driving bass lines, piercing guitar chords and propelling percussion.

Opener ‘Used’ kicks off the album with thudding bass lines and reverberating guitar, slowly building into a hostile frenzy full of sharp hi-hats and pumping bass drums. Title track ‘Pressure’ is next up, full of offbeat guitar chords and a steadfast beat, taking cues from punk luminaries The Sex Pistols, The Clash and Joy Division.

Lead single and third track ‘Guess Who?’ is a political, satire-drenched commentary on the NSW Police, including unexpected saxophone provided by True Vibenation’s Vuli. This leads to fourth track ‘Heart Of Nothing’, a self-reflecting look at mental health and depression.

The album is split down the middle by conversational crooner ‘Covid I Reckon’, a light-hearted and summery mirroring of classic COVID yarns. Focus track ‘Just At The Pub (Gossin’ With The Gals)’ kicks off the second half of the album, featuring a heaving bass line, as the track bounces between the light dialogue of its verses and the potent vigour of its choruses.

Track seven ‘Kick Ons’ is a pocket rocket of a track, at one minute and twenty seconds, it parallels Australian punk legends such as Frenzal Rhomb in its explosive nature and hilarious commentary. Continuing on this sentiment is ‘Double Dole’ and ‘Vegan Magnums’, both joyous Australiana anthems erupting in riff-centric euphoria, ripe for backyard sing-alongs.

Closer ‘Julia Gillard’s Misogyny Speech’ is a rousing, intense reflection of the original parliamentary speech, full of ominous instrumentation and earnest vocals, ending the album on a definitive punk-rock moment.

In the live arena, SCABZ has shared stages with the likes of Skegss, Ruby Fields and Bugs, as well as performances at Yours & Owls Festival, Festival of the Sun, BIGSOUND and Bad Friday. The band also equalled a record for performing the most amount of sets at the King Street Crawl last year, playing an impressive five shows back-to-back.

Previous releases have been widely embraced by Australian radio stations triple j, triple j Unearthed, FBi, 3RRR, 4ZZZ, RTR FM, Edge Radio, SYN FM, PBS FM, 2XX, 2SER and Radio Adelaide. They’ve also seen support from online blogs The Line of Best Fit (UK), Pilerats, Life Without Andy, Savage Thrills, Music Feeds, Little Indie Blogs (UK) and Podcart (UK), as well as their video clips being added to rotation on the ABC’s Rage.

‘Pressure’ is available worldwide now

Album Track Listing

1. Used
2. Pressure
3. Guess Who?
4. Heart Of Nothing
5. Covid I Reckon
6. Just At The Pub (Gossin’ With The Gals)
7. Kick Ons
8. Double Dole
9. Vegan Magnums
10. Julia Gillard’s Misogyny Speech


FOLLOW SCABZ

FACEBOOK | TWITTER | INSTAGRAM | SOUNDCLOUD | SPOTIFY | APPLE MUSIC

November 27, 2020 0 comments
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MEMPHIS LK Releases new Lee Walker remix of 'Letters In Concrete'
Festival NewsMusic News

MEMPHIS LK Releases new Lee Walker remix of ‘Letters In Concrete’

by the partae November 26, 2020
written by the partae
Praise for Memphis LK ‘Letters In Concrete’

Best New Music – The Guardian

“another shifting, driving slice of garage-infused electro pop with heartfelt lyricism and gentle vocals — and we absolutely can’t get enough.” – Purple Sneakers

“an electronic pop anthem of hope that inspires wishful daydreaming amidst the chaos and uncertainty of the pandemic.” – Earmilk

“Another stunning moment from an artist that just keeps elevating their craft.”
– Dave Ruby Howe, triple j Unearthed

“if there’s any memphis lk doubters left out there i don’t wanna know you.”
– Declan Byrne, triple j Home & Hosed

“Nobody does it like Memph.” – Bridget Hustwaite, triple j Good Nights

Today, Melbourne-based artist & producer Memphis LK releases a new remix of her latest single ‘Letters In Concrete’ by acclaimed UK producer Lee Walker. Here, Walker transforms the sparkling pop track into skittering, club-ready garage, complete with wobbly basslines and chopped up vocals. It’s a remix made with the finesse that earned Walker Annie Mac’s ‘Hottest Record In The World’ on BBC Radio 1 and ‘Future Anthem’ for his edits at Beatport.

To celebrate the release, Memphis LK will join triple j as their guest DJ for their coveted Friday Mix. Tune in to triple j tomorrow at 2PM AEDT as Memphis performs an exclusive mix of her favourite local artists.

Released last month, ‘Letters In Concrete’ sparks a new euphoric-pop direction for Memphis LK. Packed with powerful lyricism, dreamy synths and danceable lo-fi breaks, the track received support from triple j and claimed the #1 most played track across national community radio. Mixed by UK engineer Dave Emery (Madonna, Bjork, Sam Smith) and with additional production from Running Touch, this release signifies an artist staking her claim as a dance-pop force to be reckoned with.

‘Letters In Concrete’ is Memphis’ second official release for 2020, following on from ‘Green Light’, which landed her in the triple j Unearthed ‘5-star club’ with the second highest star rating from presenters, as well as additions to Apple’s New Music Daily and Midnight City playlists.

Memphis fell in sync with electronic music in her late teens, teaching herself Ableton and eventually combining early soul, pop and RnB influences with her love of underground UK garage, 2-step and breakbeat. 2020 has seen her rise to the BIGSOUND 50, top of Emerging Artists on TikTok, named triple j Unearthed Feature Artist, land the cover of The Sun-Herald’s “Ones To Watch” feature and perform live at Pitch Music & Arts Festival, Loch Hart Music Festival and Isol-AID.

Memphis LK – ‘Letters In Concrete (Lee Walker Remix)’ (Official iPhone video)
Stream / Save / Download: http://memphisLK.lnk.to/lettersinconcreteremix

Memphis LK
Facebook | Instagram | Twitter | YouTube

November 26, 2020 0 comments
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Music News

St. Christoph & Shaade

by the partae November 26, 2020
written by the partae

Where are you currently based?

Sydney, Australia

How did you first start playing music?

I first started recording rap demos of all my high school friends. People would find out that I did this and basically try to get me to record their shit too. I started sampling all the CDs I had at the time and building drum tracks and mixing with instrumental intros of songs. (like the “Horses” intro instrumental part over drum beats i’d make lol) It was really a guise to try and get my shit done too until i met a better producer.

What’s been happening recently and how has your Covid experience been?

Apart from being universally shitty, the silver lining for Covid shutting down gigs and venues is that we’ve had the time and capacity to get into the studio and create music. I don’t think people realise how much actual effort and energy gigging and being constantly out takes from you. With restrictions we’ve had the energy to stay in the studio and make music. Even the times when we are  not in the studio just thinking about the project and pushing it, doing all the other things that go along with pushing an artist project. You never really have that when your focus is taken up by other things 24/ 7. We’ve basically thrown ourselves into creating. We’ve finished this EP and have the structure for the next one set out.

Your new EP ‘Big Mood’ will be out November 27, what influenced the sound and songwriting?

It’s us taking the energy of the 90s/2000s hip hop and R&b and making the stuff that feels good to us. It’s a nostalgic nod but an ever evolving thing too. As music makers first we really just wanted to make stuff that resonates and give us a good feeling. A ”big mood”. 

How did you go about writing Big Mood?

St Christoph is the producer half who drives the production and beats, and we both go in together and build the rest. We look at this project as an outlet not only for us but for our growing little STCXSH community featuring other artists, songwriters and creatives. So it’s a collaborative effort. I don’t need to rap and sing every hook and verse. If we think something might sound good with another voice or texture we lean into that from our network. As i said leaning into that 90s/2000s energy we just wanted songs to stand alone and be a mood in itself. Which all turns into the “Big Mood” as a collection. 

Topic wise were drawing from real life. If that’s a relationship it’s definitely something we’ve been through. If that’s talking about sitting on the sidelines waiting for a chance to do our thing that’s real. That’s been us our whole career even before this project. If you listen to the songs that just us and our personality dialed to 11. For example with our song WFT I think I had to rewrite the verses on that a few times because it got too real. I couldn’t listen to the song without taking me to a dark place so I had to change a whole chunk of it. As a writer it’s good therapy.

Where and when did you record/produce/master and who did you work with?

St Christoph handles all the production in house. He’s really driving this sonically. He’s constantly putting together beat packs and then we both go in and see what resonates for both of us. See what beats move us and where we can take it. If we can catch a vibe on a song well chase it down a rabbit hole and see where we end up. Collaboration wise we’ve been leaning on our network. On this EP we’ve got a featured collab with Jade Alice but the collabs go deeper with contributors ranging from  Voli K, to Maddy Rowe and True Vibenation. 

We recorded, mixed and mastered all of this at our home at Studios 301. Mixing wise we’ve used St Christoph, Stefan Du Randt (Boomchild, Rissa) and Simon Cohen for some additional vocal production and mixing (Justin Beiber, Startley,  Illy) Mastering we’ve got both the legend Leon Zervos and Ben Feggans on the finishing touches.

How did you approach the recording/production process?

What programs/equipment did you use?

What did you find most challenging and rewarding during the creation of Big Mood?

I think the most rewarding part is creating an extended body of work and being able to package that up. Not just focusing on one track and waiting to see if that hits before you roll into the next. Our label Be Rich have really given us the freedom to do that. That way we can basically be true to each song without trying to make them “everything in one” and force them to be something else. It’s like “hey were making a long form project” not just trying to ram everything into one song. It gives each song a chance to breathe. We’re here for the long run, not just a few singles.

The challenging part for me has been keeping up with everyone’s expectations (and mainly my own). I find it really intimidating sometimes if a hook and a super dope beat are there already there and people have high hopes for what’s coming next. (My parts lol) For instance Casual and WTF already had hooks on them before I started writing. I think everyone even wanted WTF to be a single without my verses even on it!!! So I’m like settle the fuck down guys. No pressure or anything lol

What do you like to do away from music?

Talk a whole bunch of shit, throw “shaade” at people, online shop for bargains and eat food with friends. We’ve both engineered our lives around music and the industry 24/7 so the “away from music” is a hard one. I think it’s to try and spend time with friends and fam and get grounded as much as possible.

Who are you listening to at the moment?

Right now I’m listening to a whole bunch of old school garage music, some afrobeat and some old school hip hop shit. Some THEY., Jorja Smith, Tyler The Creator and some Drake. I’ve just started bumping Kanye – My Dark Twisted Fantasy again on the 10 year anniversary of it’s release.

What’s planned for the remainder of 2020 going into 2021?

After we drop BIG MOOD. I think we’re gonna get back into EP mode and try to finish the next and add some new songs so it’s a cohesive body of work. I’m already convinced that we have the songs (all finished in my head) but I have to convince everyone else. It’s gonna be more of evolving our sound and pushing the boundaries. We’ve got a whole new bunch of collaborators lined up. It’s really us leaning more into our community and making music with people we love and respect. This year was about building a solid foundation for us. Next year is about pushing those boundaries even more while doubling down on just making good songs.

Outside of STCXSH, we’ve been collaborating on projects for nearly 10 years together now, so I think we find common ground in making music that we want rather than appeasing certain people. I Feel we’re both positioned as underdogs no matter how long we’ve been doing this or whatever the project so we just want to make good music we love. I’m not sure how that goes down sometimes but it makes my soul happy.

Favourite food and place to hangout?

If you watch our videos or are following on IG you know we aren’t shy about eating hahah. I think I associate sharing a meal with someone as a form of endearment and love. If you like someone you eat with them! Burgers, fast food and hangs is the vibe. It’s a tradition that when our team is around we do burgers, shakes  and hangs. Usually uber eats to wherever we are or the studio. The Newmarket Hotel/ Manhattan Super Bowl is our local hang near the studio. We’re also hanging out to get to Peanut Butter Bar in Leichhardt as well with the crew. We got offered a year’s supply of tacos from El Sol Mexican in Cronulla so we gotta hit that soon too. Philly Up food truck is a big mood we’ve frequented as well.

https://www.facebook.com/stchristophxshaade

https://www.instagram.com/st_christoph_x_shaade/

https://open.spotify.com/artist/1wnullH5VjXmeCvbTSkDxT?si=0pmAGpzxQaqG5hztinOA6w

November 26, 2020 0 comments
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ANTY! RELEASES ‘ONE STEP BEYOND (TWO BACK)' SINGLE ANNOUNCES ALBUM ‘RUDEBOY.’
Music News

Anty (The Bennies) releases new single and announces album

by the partae November 26, 2020
written by the partae

The first single from ANTY’s debut album, ‘Rudeboy’ is out now and pre-orders are live . You can check it out on your favourite streaming platform here: https://ditto.fm/one-step-beyond-two-back

You can investigate the most excellent vinyl pre-order packs at Artist First here: https://artistfirst.com.au/collections/anty

Rolling Stone Australia on One Step Forward (Two Back) – “Anty is almost paradoxically at his best, providing a message of hope as he performs the track, gearing fans up for one of the most concentrated releases of his entire career.”

“This is reggae hip hop and it’s out of control,” Anty sings, two minutes into Rudeboy, his debut album.

A sound only briefly alluded to in his previous works, Rudeboy is boldly unique from start to finish. Drawing from the innovative reggae sounds of Jamaican producer Mikey Dread to the stream of consciousness poetry of The Streets, Mike Skinner, Rudeboy wouldn’t be out of place in a dive bar or a dance hall.

Having travelled the world, released four full-length albums and played countless major festivals fronting The Bennies. Anty has used the break of 2020 to hone his craft and deliver an unbelievably accomplished debut solo LP.

Lyrically, the album is positively party and just what the world needs in 2020. No regrets and living in the moment. “Rules are rules, they are meant to be broken,” he sings on Officer, in what is an apt description to his mash up approach to music making.

At 16 tracks in total, and almost as many genres, Rudeboy is out December 11th on Melbourne label Disdain Records.

Anty
Facebook https://www.facebook.com/ANTY421
Instagram @anty_420

Disdain Records:
https://www.facebook.com/Disdainrecords
Instagram @disdainrecords666

November 26, 2020 0 comments
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SNEAKY SOUND SYSTEM, THE BEAUTIFUL GIRLS, ASH GRUNWALD, BOO SEEKA, BOOTLEG RASCAL, JAGUAR JONZE + MORE FOR AIRWAVES FESTIVAL 2021 ON SUNSHINE COAST
Festival NewsMusic News

SNEAKY SOUND SYSTEM, THE BEAUTIFUL GIRLS, ASH GRUNWALD, BOO SEEKA, BOOTLEG RASCAL, JAGUAR JONZE + MORE FOR AIRWAVES FESTIVAL 2021 ON SUNSHINE COAST

by the partae November 26, 2020
written by the partae

Space Cowboy will light up the launch pad alongside Sneaky Sound System, The Beautiful Girls, Ash Grunwald, Boo Seeka, Bootleg Rascal, Jaguar Jonze and more at Airwaves Festival – Back to the Future. This space odyssey is set to blast off at the Sunshine Coast’s newly opened NightQuarter on Saturday 23 and Sunday 24 January 2021.

Following the overwhelming success of their drive-in festival that touched down in July that staged artists such as The Chats, Bugs, The Dreggs and Sahara Beck, a call for a comeback motivated organisers to plan their next outer space mission.

Keeping to the festival brand of outer space themes, the team have put together a line up that will have you star-gazing and catching your breath with two days packed to suit an array of audiences. Pointing out UFOs and leading the line up on the first night are Sneaky Sound System with their crowd-pleasing and out-of-this-world dance tunes that will have you releasing your inner astronaut. To keep punters movin’ and groovin’ Bootleg Rascal will be the ‘Falling Star’ you wished upon for a night of good vibes, bringing to the stage their eclectic mix of hip hop, reggae and indie-rock. Joining alongside them will be the electro-pop sounds of Boo Seeka who will keep the energy sizzling like a neon sign on the Miami strip, and the 2020 Triple J Unearthed Artist of the Year finalist, Jaguar Jonze will be also strutting her bona fide banshee.

To keep the good times high but a little more mellow to round off the weekend, Sunday will be headed by Australian folk acoustic kings The Beautiful Girls and Ash Grunwald. Over ten acts a day are included on the stellar line-up, with veteran crowd favourites such as Mason Rack, Dan Hannaford and Hussy Hicks itching to get back on stage with their bands to bust out the blues and Gold Coast rockers Peach Fur will be touching down with their melodic concoction of rock ‘n roll, alongside another local Gold Coast favourite, The Oogars.

Wanting to up the ante and add to the history books, Event Director, Cindy Jensen has tapped into her black book of “Buskers by the Lake” sideshow performers to bring an element of shocking surprise to the event, with human lightning, aerial cosmonauts and energy on fire also thrown into the mix.

“Space Cowboy is a prolific world record holder best known for his sword swallowing and death-defying feats and this time he’ll be bringing a high voltage act like no other!” said Cindy. “My favourite freak will have a million volts of electricity surge through his body to create lightning and it’s definitely a stunt our punters shouldn’t try at home!” 

Hundreds made it into the galactic photo album from the inaugural event and organisers are again encouraging punters to let their inner storm trooper out and dress to impress.   They are also hopeful that come January the fun police can take a back seat and dancing will be permitted in the cockpit.

The festival presented by Hot 91 includes events on Saturday 23 and Sunday 24 January, blasting off at 2pm.  Tickets for each day are sold separately and include entry into the post festival kick-on at Malt Shovel Taphouse, featuring internationally renowned DJ, Niki de Saint.  Spaces on the shuttle deck are extremely limited and on sale now starting with their ‘Out of this world’ First Release price at $69 + BF. Tickets and more info can be found through OzTix, on the Airwaves Festival Instagram and Facebook pages, as well as through www.airwavesfestival.com.au

Proudly supported by Sunshine Coast Council and Mercure Kawana Waters.

AIRWAVES
BACK TO THE FUTURE
Featuring Space Cowboy + Aerial Cosmonauts + Energy On Fire
SAT 23 &  SUN 24 JANUARY 2021
ALL AGES | TICKETS AT OZTIX

LINE UP

SAT 23 JANUARY
SATURDAY TICKETS VIA OZTIX
Sneaky Sound System
Boo Seeka
Bootleg Rascal
Jaguar Jonze
Peach Fur
The Oogars
Lemaire

SUN 24 JANUARY
SUNDAY TICKETS VIA OZTIX
The Beautiful Girls
Ash Grunwald
Mason Rack
Dan Hannaford
Hussy Hicks
Flaskas
Salt and Steel
Alex James Bowen

POST FESTIVAL KICK-ON
FT. DJ, NIKI DÉ SAINT

CONNECT ONLINE WITH AIRWAVES
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November 26, 2020 0 comments
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TERRA RELEASE NEW SINGLE AND VIDEO "FRENEMIES"
Music News

TERRA RELEASE NEW SINGLE AND VIDEO ‘FRENEMIES’

by the partae November 26, 2020
written by the partae

Today, Melbourne rock band Terra drop a video for their new single Frenemies. 

Frenemies, the new single from Terra, is a culmination of experiences musically and personally the band have gone through the past few years with the result being without doubt their catchiest and strongest song the band have written to date. Frenemies combines up-tempo rock with mature dynamics while allowing Cassie’s vocals to shine through like never before.

“The essence of Frenemies lies in the feeling of being betrayed by someone you trust, and let close to you. It unearths all the rage and pain that we sometimes bury to save face. Frenemies is the clear message that you’ve hurt me and I’m not going to pretend I’m okay with it anymore” – TERRA

TERRA – FRENEMIES – OUT NOW
ABOUT TERRA

Terra are a five-piece rock outfit hailing from Melbourne, Australia.

In the early stages of the band, Terra saw success with their pop-rock cover of Vanessa Carlton’s ‘A Thousand Miles’, clicking over 70,000 views on their Youtube channel. Following this the band started to play a number of shows locally and interstate and developed a following off the back of their debut single ‘Talk is Cheap.’

This then saw the release of debut EP ‘Wasted Days’ which saw the start of a string of local shows with Tonight Alive, Knocked Loose and Skillet. The following year Terra were able to cut their teeth nationally playing with Storm The Sky, Yours Truly and Redhook.

In 2020 Terra opened the Unify Festival AM/PM pre-show to a warm reception, previewing their new, more polished sound which would be teased through their EP release ‘Into deep Blue.’

Presenting a delicate side to the bands diversity in songwriting, ‘Into Deep Blue’ reimagines older material into an acoustic format and features  new song ‘Song For Maddie’ which the band had been playing in their live shows over the last year.

Although covid-19 lockdowns in Melbourne put a complete halt to all national touring plans and delays on further plans, the downtime has allowed the band to regroup and plan for what hopes to be an exciting 2021

TERRA are
Cassie Sutton (Lead Vocals)
Joey Knight (Rhythm Guitar)
Sean Morris (Lead Guitar)
Darcy Leadoux (Bass)

November 26, 2020 0 comments
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St. Christoph & Shaade
Music News

St. Christoph + Shaade Big Mood EP

by the partae November 26, 2020
written by the partae

Rounding out a breakthrough year, Sydney duo St. Christoph & Shaade are set to release their debut EP titled Big Mood on Friday 27th November 2020. Oozing with class over groovy melodies and smooth vocals, the Big Mood EP consists of 5 tracks including previously released beachside boppers California, Callin’ and Casual supported by global tastemakers including, BBC Radio 1, Triple J, This Song Is Sick, Bristol Funk and more.  

The focal track WTF featuring Melbourne electro-pop songstress / producer Jade Alice is the moody, throwback hip hop tune that bolsters the sun-flecked, good-time vibes of the beginning of the collection; adding soul and their trademark funk to a relatable message. So What follows and concludes the EP with a unique flow and classic St Christoph & Shaade panache.

St. Christoph & Shaade – Big Mood will be available on all streaming platforms worldwide on Friday 27th November 2020. 

Biography:

Evolving beyond the neighbourhood cool kids into connoisseurs of funk, throwback hip hop and new jack swing, Sydney duo St. Christoph + Shaade prove that their penchant for the soulful is exactly what the world needs right now.

With support from audiences and industry including the notorious tastemakers of Triple J, St. Christoph + Shaade’s blend of groovy melodies and smooth vocals, constructed with panache and production prowess will have you dancing all the way to your nearest white sand beach lined with palm trees and seaside bars. 

Combining the elements of à la mode creatives Anderson.Paak and Thundercat, with instantly recognisable influences from genre innovators De La Soul and A Tribe Called Quest, the duo are steadily growing their influence, sharing their sun-flecked good-vibes nationally and internationally. 

With an incoming collection of tunes making up the duo’s debut EP, set for release in November 2020, the sky is truly the limit for St. Christoph + Shaade. 

https://www.facebook.com/stchristophxshaade 

https://www.instagram.com/st_christoph_x_shaade/ 

https://open.spotify.com/artist/1wnullH5VjXmeCvbTSkDxT?si=0pmAGpzxQaqG5hztinOA6w 

November 26, 2020 0 comments
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The only copy of The Lathums’ cover of Northern Soul classic The Snake makes over £4000
Music News

The only copy of The Lathums’ cover of Northern Soul classic The Snake makes over £4000

by the partae November 26, 2020
written by the partae
– 7” project raised funds for fans’ appeal to save Wigan Athletic Football Club and to support the club’s Community Trust in continuing its vital work –

– Cover version of 1968 Northern Soul classic only ever to be released on one, specially-cut vinyl and enters the league of record collectors’ most-wanted and high-value releases – 

Fast-rising indie poets, The Lathums, say they are ‘blown away’ by the response of fans who have raised over £4,000 to be in with a chance of owning the only copy of their cover of 1968, Northern Soul classic, The Snake. Pressed to just one, 7” vinyl copy – and with no digital release planned – the ultra-limited release could only ever be owned, played and heard by one fan. Finding its owner via an online raffle, the record is now in the hands of one, lucky winner.

Instigated by the band to put their growing influence to good and benefit their community, the money raised will be split between the fan-initiated fund to save Wigan Athletic and support Wigan Athletic Community Trust to continue their vital work in the town.

At £4,052, The Lathums’ version of The Snake now sits amongst rarities valued in their thousands and sought after by vinyl enthusiasts with the deepest pockets. Whilst Sex Pistol’s super-rare pressing of God Save The Queen on A&M Records grabbed £13,000 at auction in 2019 and, Frank Wilson’s soul classic, Do I Love You (Indeed I Do) sold for £100,000 in July this year, the Wigan four-piece find themselves in good company at the more predictable end of seldom-seen singles with mega price tags, including Madonna’s withdrawn Erotica 12” picture disk valued at £2,000* and a misspelled, 1962 promo pressing of The Beatles’ Love Me Do/PS I Love You having an estimated worth of £3,000*.

At the halfway stage of 2020, online record collecting community, Discogs, reported that a 1982, 10-track, 7” EP by American hardcore band, Negative Approach sat at the top of their Top 30 Most Expensive Items chart. That changed hands for £4,180, putting The Lathums’ The Snake alongside it in the higher-reaches of this year’s list of most-wanted slabs of sweet vinyl.

Alex Moore, lead singer and songwriter, said: “What we know about football can be written on the back of a postage stamp, but we’ve learned that it means community, shared history, family and hope. The band and I are blown away that over £4,000 can now go towards ensuring fans can believe in a future for the club and the Community Trust gets a little extra help.”

Wigan Athletic’s Head of Community, Tom Flower, said: “We would like to place on record our appreciation to The Lathums for the support their initiative will provide Wigan Athletic Community Trust as we continue to provide vital help to people who need it most in Wigan during these challenging times.”

Originally released in 1968, The Snake became a classic on the dancefloor of Wigan’s legendary Northern Soul club, Wigan Casino and was chosen by the band as being synonymous with their hometown. Northern Soul is reputed for it’s keen, international community of collectors, with rare 7” records changing hands for hundreds, if not thousands, of pounds. Each member has the track ringing in their ears as it was omnipresent at weddings, christenings and birthday parties for as long as they can remember. In Wigan, where there’s cake, there’s The Snake.

The Lathums released their latest single, I See Your Ghost, drawn from the four-track Ghosts EP, in October to a wild response, igniting a busy month which also saw them make their debut appearance on the BBC’s long-standing, flagship music programme, Later… With Jools Holland and return to the stage for the memorable live stream, Live From Blackpool Tower.

Formed in early 2019 of Moore, Scott Concepcion (lead guitar/vocals), Ryan Durrans (drums/vocals) and Jonny Cunliffe (bass), the band’s rare alchemy of wicked wordsmithery and pulse-quickening, sing-along indie connected almost immediately with a fanbase hungry for new heroes. Barely dimmed by the vast challenges presented by a turbulent 2020, The Lathums shine their light into a hope-filled 2021 with a run of completely sold out live dates waiting for them, including landmark shows at Manchester’s O2 Ritz and London’s Electric Ballroom.

For future release news and updates about sought-after tickets for The Lathums’ live shows, connect with the band online at:

https://twitter.com/TheLathums
https://www.facebook.com/thelathums
https://www.instagram.com/thelathums

November 26, 2020 0 comments
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What's your name and role within The Grogans? I am Jordan and I am the drummer of The Grogans. Where are you currently based? I’m based at 22 Almurta Road, East Bentleigh. Pop in and say hi. How's your Covid experience been so far? Oh look it wasn’t too bad, it definitely has its pros and cons. Plenty of time to hang out with housemates, do some gardening and stuff but cons are that i can't really do anything else. Your last single before the album was released - 'Got a Girl' - is out now, how did this track come about? Quin and I were jamming, during the covid period and stumbled across it, built on it with Gus a few weeks later and then recorded. It’s a bit heavier but still poppier enough to a boog. Your new album Day/To/Day is out now, what influenced the sound and songwriting? Ahh, I think we took a lot of influence from relaxed surfy rock like allah las, the pesos and heaps of 60s & 70s surf. Also recording the album in ocean grove added to the sound through it being so relaxing. How did you go about writing the album? I don’t think we ever sat down and said “let’s write this now”, they just all happened through jamming. We had a rough idea of what we wanted to do but never knew exactly how many tracks or what exactly those tracks would sound like.  Where and when did you record and who with? Ocean Grove, at the start of the year between isolations and with Quin, our guitarist/singer. How did you approach the recording process? We were trying to record it all at home, but just kept getting too hard because of work. So we just decided to lock ourselves away for a week to just get it done, otherwise we would have just kept adding stuff at home for months and never would have actually finished it.  What programs/equipment did you use? We did it all on Protools. I don’t actually know too much about Quins mics, he’s got a heap of gear. There's heaps of old vintage mics and shit. What did you find most challenging and rewarding during the creation of Day/To/Day? I think maybe in Again and Teach Me when I did heaps of different drum takes in different places because I wasn’t too happy with the sound, then it was most rewarding to finally get that right take in Ocean Grove. Who are you listening to at the moment? Allah Las, The Brian Jonestown Massacre, Amyl and the Sniffers, Adam Newling and Kylie Minogue   What do you like to do away from music? Either walking around the backyard hitting things with a stick, working, relaxing or just driving around. Real hectic life. Any shows coming up? Yes we have 8 sold out shows coming up in Melbourne, might add a few more too. What's planned for the remainder of 2020 going into 2021? Just play some, ah, sit down shows. Will be a bit of a new experience, a bit interesting.  Hopefully next year play some stand up shows again, and maybe release some more music. We’ll see what happens.  Favourite food and place to hangout? Right now I’m really loving ravioli, I haven't had it in a while but it is really tasty. Because of the pandemic, my favourite place to hang out at the moment would have to be the front lawn in the sun. Official Website: https://www.thegrogansband.com/ Facebook: https://www.facebook.com/thegrogansband/ Twitter: https://twitter.com/thegrogansband Instagram: https://www.instagram.com/thegrogansband/?hl=en Youtube: https://www.youtube.com/channel/UCq6DVSu-SB4I8jFhGPln_sg Triple J Unearthed: https://www.triplejunearthed.com/artist/grogans
Music InterviewsMusic News

The Grogans

by the partae November 26, 2020
written by the partae

What’s your name and role within The Grogans?

I am Jordan and I am the drummer of The Grogans.

Where are you currently based?

I’m based at 22 Almurta Road, East Bentleigh. Pop in and say hi.

How’s your Covid experience been so far?

Oh look it wasn’t too bad, it definitely has its pros and cons. Plenty of time to hang out with housemates, do some gardening and stuff but cons are that i can’t really do anything else.

Your last single before the album was released – ‘Got a Girl’ – is out now, how did this track come about?

Quin and I were jamming, during the covid period and stumbled across it, built on it with Gus a few weeks later and then recorded. It’s a bit heavier but still poppier enough to a boog.

Your new album Day/To/Day is out now, what influenced the sound and songwriting?

Ahh, I think we took a lot of influence from relaxed surfy rock like allah las, the pesos and heaps of 60s & 70s surf. Also recording the album in ocean grove added to the sound through it being so relaxing.

How did you go about writing the album?

I don’t think we ever sat down and said “let’s write this now”, they just all happened through jamming. We had a rough idea of what we wanted to do but never knew exactly how many tracks or what exactly those tracks would sound like. 

Where and when did you record and who with?

Ocean Grove, at the start of the year between isolations and with Quin, our guitarist/singer.

How did you approach the recording process?

We were trying to record it all at home, but just kept getting too hard because of work. So we just decided to lock ourselves away for a week to just get it done, otherwise we would have just kept adding stuff at home for months and never would have actually finished it. 

What programs/equipment did you use?

We did it all on Protools. I don’t actually know too much about Quins mics, he’s got a heap of gear. There’s heaps of old vintage mics and shit.

What did you find most challenging and rewarding during the creation of Day/To/Day?

I think maybe in Again and Teach Me when I did heaps of different drum takes in different places because I wasn’t too happy with the sound, then it was most rewarding to finally get that right take in Ocean Grove.

Who are you listening to at the moment?
Allah Las, The Brian Jonestown Massacre, Amyl and the Sniffers, Adam Newling and Kylie Minogue  

What do you like to do away from music?

Either walking around the backyard hitting things with a stick, working, relaxing or just driving around. Real hectic life.

Any shows coming up?

Yes we have 8 sold out shows coming up in Melbourne, might add a few more too.

What’s planned for the remainder of 2020 going into 2021?

Just play some, ah, sit down shows. Will be a bit of a new experience, a bit interesting. 

Hopefully next year play some stand up shows again, and maybe release some more music. We’ll see what happens. 

Favourite food and place to hangout?

Right now I’m really loving ravioli, I haven’t had it in a while but it is really tasty. Because of the pandemic, my favourite place to hang out at the moment would have to be the front lawn in the sun.

 

Official Website: https://www.thegrogansband.com/

Facebook: https://www.facebook.com/thegrogansband/

Twitter: https://twitter.com/thegrogansband

Instagram: https://www.instagram.com/thegrogansband/?hl=en

Youtube: https://www.youtube.com/channel/UCq6DVSu-SB4I8jFhGPln_sg

Triple J Unearthed: https://www.triplejunearthed.com/artist/grogans

November 26, 2020 0 comments
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GEORGIA DUTTON
Music InterviewsMusic News

Georgia Dutton

by the partae November 25, 2020
written by the partae

Where are you currently based?

I am currently based in Brisbane!

How did you first start playing music?

I’ve always had a passion for music, long before I was even aware of it. I’ve been writing songs for as long as I can remember and I played guitar, piano and percussion in school. I always knew I wanted to be a full time musician and I’m so grateful that dream is working out for me.

What’s been happening recently and how has your Covid experience been?

I just dropped a new single so I’ve been enjoying seeing the reaction to that! My Covid experience has been bittersweet, I’ve had so much time to work on music but I really missed performing. I had my first gig since Covid a few weeks ago and it was so magical.

Your new single ”I Wish We Met When We Were 25′ is out now, what influenced the sound and songwriting?

I was really inspired by classic, pop breakup songs. I wanted to have my sassy breakup moment so I definitely did some exaggerating with the lyrics. My producer and I took inspiration from artists like Charli XCX, Taylor Swift and Caroline Polachek. We wanted to add an element of electronica to give more texture and depth.

How did you go about writing the single?

I got the idea for the title randomly one day and wrote it down in notes then didn’t touch the idea for another month. I started humming the melody one night and recorded a voice memo then fleshed it out on the piano the next day. The lyrics definitely came out naturally, I think my best songs are the ones that only take me 5 minutes to write.

Where and when did you record/produce/master and who with?

I recorded 80% of it at my home studio with my producer Levi Kohler at the start of this year then added finishing touches at Airlock Studios with producer Steve Kempnich a few months ago.

How did you approach the recording process?

I always like to finish the structure and lyrics before recording so I have a vision of the finished song. I basically just show my producer some reference tracks and examples of what I want the song to sound like, then we just do what comes natural from there!

What’s planned for the remainder of 2020 going into 2021?

I want to squeeze in some more gigs and focus on recording more tracks for the future

Any shows coming up?

I have a show on December 17th with Sir & Lydia at Tomcat

What do you like to do away from music?

I got into making jewellery during Covid so I’ve been enjoying that!

Who are you listening to at the moment?

I’ve been loving The Neighbourhood’s new album at the moment, it’s so catchy and fun!

Favourite food and place to hangout?

I am a sucker for a good picnic, it’s the ultimate no pressure hangout situation in my opinion!

Links to socials:

www.instagram.com/georgiaduttonmusic

www.facebook.com/georgiaduttonmusic

www.twitter.com/gduttonmusic

November 25, 2020 0 comments
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THE SOUND | Season 2 Episode 5 stars: Birds of Tokyo, Alison Wonderland, Kate Ceberano, Something For Kate + more | Sun 29 Nov, 6pm on ABC + iview
Festival NewsMusic News

THE SOUND | Season 2 Episode 5 stars: Birds of Tokyo, Alison Wonderland, Kate Ceberano, Something For Kate + more | Sun 29 Nov, 6pm on ABC + iview

by the partae November 25, 2020
written by the partae
THE SOUND
SUNDAY 29 NOVEMBER, 6PM ON ABC + iview  
SEASON 2 EPISODE 5 STARS:  
BIRDS OF TOKYO, ALISON WONDERLAND, KATE CEBERANO,
SOMETHING FOR KATE, HAYLEY MARY, ZIGGY RAMO, KIRSTEN SALTY + MORE 
+  SPECIAL GUEST CO-HOSTS DYLAN LEWIS AND TIM MCCALLUM
  • Incredible live music, broadcast direct to your TV each week: watch on ABC and iview – airs Sundays 6pm + repeats Saturdays 1.30pm
  • Season 2 Episode 5 stars: Birds of Tokyo, Alison Wonderland, Kate Ceberano, Something For Kate, Hayley Mary, Ziggy Ramo, Kirsten Salty + more…
  • Special guest co-hosts are television and radio veteran, Dylan Lewis, and sensational classical entertainer, Tim McCallum
  • Tim Rogers, Shane Parsons (DZ Deathrays), Mo’Ju and WAAX honour The Loved Ones and INXS in the weekly ‘Tribute’
  • Don’t miss a moving ‘From The Vault’ performance from Gurrumul

Jimmy Barnes and the ACO mesmerised from Sydney’s State Theatre, the stunning vocals of Julia Jacklin and Tia Gostelow left us breathless, Casey Barnes got us on our feet rocking out, Crowded House took us back to the 1992 ARIA’s, and Dragon’s ‘April Sun In Cuba’ had us singing along word for word – Sunday’s episode of The Sound did not disappoint!

Australian music lovers ready yourselves, Episode 5 is on the way and ready to knock socks off around the country. With the 34th annual ARIA Awards screening this evening and Aus Music Month drawing to a close, what better way to celebrate epic local talent than to dive into The Sound at 6pm this Sunday 29 November!

Tune into ABC and iview to catch:

Platinum certified, ARIA and six-time APRA award-winning WA outfit, Birds of Tokyo, have grown exponentially from their independent roots to become one of Australia’s most popular contemporary rock bands. They perform their brand new single ‘Weekend’ for the first time in a TV exclusive this Sunday, bringing their iconic sound to screens around the nation. ‘Weekend’ is the band’s first release since their album ‘Human Design’ debuted at #1 on the ARIA Album Charts earlier this year.

Alison Wonderland needs no introduction. The Billboard-topping DJ has established herself globally as one of the most exciting artists of the genre, taking on stages at some of the world’s premiere music festivals and more. She joins us from the rooftop of LA’s iconic Capitol Building with her latest single ‘Bad Things’.

Multiple ARIA Award-winner Kate Ceberano is without doubt one of the nation’s most prolific recording artists, chalking up 28 albums across her 35-year career. Kate delivers a stunning performance of ‘Sweet Inspiration’ from Sydney’s City Recital Hall, exclusively for The Sound this Sunday. Kate’s brand-new album ‘Sweet Inspiration’ is out February 5th, 2021 and available for pre-order now.

With a career spanning over two decades, critically acclaimed Melbourne trio Something For Kate continue to be one of Australia’s most beloved trios. They perform their latest single ‘Come Back, Before I Come To My Senses’ from their just-released album, and first in over 8 years, The Modern Medieval.

Hayley Mary has quickly cemented herself as one of nation’s most exciting solo artists. Hayley’s bold new track ‘The Chain’ is an anticipated follow up to her captivating 2019 debut EP The Piss, The Perfume,  she performs it this week from Anita’s Theatre on the NSW South Coast.

Originally hailing from Arnhem Land, Sydney-based hip hop artist Ziggy Ramo is an important emerging First Nations voice, addressing social injustice through his music. Lifted from the Deadly Hearts compilation, Ziggy performs ‘Tjitji’ from the Cell Block Theatre in Darlinghurst; gifting audiences with one of the most moving musical moments ever seen on The Sound.

Boasting a moody mix of bold R&B and sophisticated pop, Sydney’s 20-year-old Kirsten Salty will take to The Sound this Sunday following the release of her debut single ‘Je Ne Sais Quoi (feat Taka Perry)’.

Joining Jane Gazzo and Bridget Hustwaite this week as special guest co-hosts are much-loved television and radio veteran, Dylan Lewis, and extraordinary entertainer Tim McCallum, who wowed with his rendition of the Australian national anthem at last month’s AFL Grand Final.

But wait, there’s more: this week’s showstopping ‘Tribute’ collaboration celebrates two great quintessential Australian rock bands – The Loved Ones and INXS – and includes some of Australia’s favourite musicians. The must-see rock line-up will feature:

You Am I frontman and ARIA winning soloist Tim Rogers

Shane Parsons, vocalist and guitarist of sonic-punk trio DZ Deathrays

Lauded Melbourne-based singer-songwriter Mo’Ju

Brisbane rockers and live music sensations, WAAX

Finally, our ‘From The Vault’ clip this week is from Yolgnu man, Gurrumul.

Don’t miss The Sound – airing this Sunday 29 November at 6pm on ABC and iview.

THE SOUND
SEASON 2

EPISODE 5
SUNDAY 29 NOVEMBER, 6PM ON ABC TV + iview

REPEATS SATURDAY 5 DECEMBER, 1:30PM

Starring
BIRDS OF TOKYO
ALISON WONDERLAND
KATE CEBERANO
SOMETHING FOR KATE
HAYLEY MARY
ZIGGY RAMO
KIRSTEN SALTY

TIM ROGERS, SHANE PARSONS (DZ DEATHRAYS), MO’JU and WAAX
pay tribute to
THE LOVED ONES and INXS

GURRUMUL
‘From The Vault’

Hosted by
JANE GAZZO, BRIDGET HUSTWAITE
and special guests DYLAN LEWIS and TIM MCCALLUM

#TheSoundAU

THE SOUND
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November 25, 2020 0 comments
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SLY WITHERS RETURN WITH NEW SINGLE AND VIDEO ‘BOUGAINVILLEA’
Music News

SLY WITHERS RETURN WITH NEW SINGLE AND VIDEO ‘BOUGAINVILLEA’

by the partae November 25, 2020
written by the partae

“Wonderful songwriting that is both aggressive and tender.” – Tone Deaf

“They’ve transformed and blossomed into something remarkably special.” – Pilerats

“Sly Withers have found their own groove, which makes the prospect of a new full-length all the more enticing.” – The Music

In a year where most of the local music industry has been hamstrung by world events, Perth indie rock four-piece, Sly Withers, have bucked the trend and gone from strength to strength. That success only looks certain to continue with the release of their blistering new single, ‘Bougainvillea.’

It follows in the footsteps of ‘Cracks’ – arguably their biggest release to date. That powerful track, which was heralded by fans and media upon release earlier in the year, has quickly found a home on regular rotation at triple j, while continuing to build the national following they had been harvesting over recent years with songs like ‘Lately’ feat. Carla Geneve, ‘Explode Into View’ and ‘Closer.’

Now the band returns with the barnstorming, ‘Bouganvillea’ – a pure slice of punk with yet another swing for the fences chorus, boasting a wall of guitars and backing vocals, thunderous drums and an explosive atmosphere that all combines to form a giant, triumphant, mountain of celebration rock.

LISTEN TO SLY WITHERS’ NEW SINGLE ‘BOUGAINVILLEA’ HERE

Produced by Matt Templeman (Make Them Suffer – Worlds Apart), who has proven to be the X-factor that has unlocked the band’s true studio potential over their most recent singles, ‘Bougainvillea’ is the latest chapter to showcase how Sly Withers has evolved from a local Perth scene favourite, into an act with the potential to become one of the biggest names on the national stage.Theirs is an unavoidably endearing story – going from mates in music class, busking Jack Johnson tunes in shopping malls; through to becoming stalwart of the fertile West Australian music scene winning both WAM and NLMA trophies; and now establishing themselves as a sought after presence on national radio and on stages across Australia and beyond. It’s a heart-warming tale of perseverance, self-belief and mateship that fans can’t help but get behind.

That sense of comradery permeates all their music, in particular the readily identifiable and relatable stories in their lyrics, and it’s what really makes the listener feel a part of the Sly Withers story. It’s also set to be an integral element of all the songs on their forthcoming new album, scheduled for release in the first half of 2021.

“This upcoming album feels like a defining moment in terms of us being able to make the exact kind of album we wanted to make,” says guitarist, vocalist, and songwriter Sam Blitvich. “The songs feel like the most accurate representation of our taste and our songwriting that we possibly could have presented at this point in time and we’re really proud of what we’ve created.”

The release of ‘Bougainvillea’ arrives with yet another fantastic video, directed by their friend and regular collaborator, Tim Elphick. Featuring a spectacularly shit talent competition, it does also feature some of the band’s best acting work… although that also could be easily chalked up to the wigs and silly fake moustaches.

Meanwhile, West Australia’s strict boarders has proven to be an advantage, and seen the band return to playing sold out hometown shows the last few months. That is set to continue into the summer, and for tickets and info, head to their website. For the rest of us, we’ll have to wait until 2021 to sing our hearts out with our fists in the air, but thankfully by then we’ll have a full deck of Sly Withers anthems ready to go.
Sly Withers’ New Single ‘Bougainvillea’ Is Available Now Via Dew Process and Universal Music Australia
Follow Sly Withers:
website | facebook | instagram | twitter | dew process
November 25, 2020 0 comments
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Where are you currently based? I’m currently based in Sydney, Australia  How did you first get into music? When I was 7 years old I was listening to channel (V) used to be my favourite on a Saturday morning and I’d sing along to all the songs.  “I wish I was a punk rocker” by Sandi Thom had just finishing playing I started singing it and my family relative came out of the kitchen saying she loved the song but stopped when she realised it was me singing and not the TV.  She turn to my mum and said “you need to put her in singing lessons” my mum ended up working three jobs just to put me into singing lessons.  What's been happening recently and how has your Covid experience been so far? The past couple of months have been pretty crazy for me prepping for my single release as well as writing new songs and coming up with concepts and ideas for music videos as well as other releases.  I remember when everything first started getting serious with COVID I felt so strange definitely deflated because there were certain plans that I had made that got put on hold.  Your house burnt down, please tell us how things have changed for you since: I tend to tell people that my house burning down in one of the best things that ever happened to me. They call me crazy of course but before my house burnt down I was not in a good place at all.  When I was 16 years old I was on The Voice Australia.  After being eliminated in the battle rounds I didn’t cope well at all.  I suffered from depression & anxiety for 4 years, I couldn’t keep a job, I couldn’t write any music, I didn’t even want to leave my bed.  That all changed when my house burnt down.  It wasn’t over night, I couldn’t just forget about all the things lost.  It was one of the hardest things I ever had to watch.  My mum and I lived in a homeless shelter for 4 weeks following the fire, it really opened my eyes. Your new single 'Top Spot' is out now, what influenced the sound and songwriting? I was working as a housekeeper when I wrote Top Spot, I remember the day like it was yesterday.  I remember being so tired whilst driving from one hotel to the next I was working a double shift and had been working crazy hours all week.  I knew why I was doing it I knew that the long hours, the sore feet it was only for one thing and that was so I was able to make music.  I started to think about all the crazy stuff people do to get where they want to be and started writing.  I wanted it to be relatable, quirky & new.  Where and when did you record/produce/master and who with? My producers name is Philippe-Marc Anquetil We have been working together ever since I was on the voice.  We recorded & mastered Top Spot in his Studio.   Top Spot was recorded in April this year.  How did you approach the recording process? I always like being prepared when heading into the studio.  I normally go in with 3-5 songs that I have recorded a demo to at home.  We listen to all of the song and make the decision, I was really nervous about Top Spot because it was unlike anything I had ever written before.  What does Top Spot mean to you? Top Spot reminds me of where I was when I wrote it and how far I have come in that time.  Who are you listening to at the moment? Post Malone for sure I love all of his stuff.  Saweetie is also on repeat SZA, Kiana Lede and Mali-Koa’s new album. What do you like to do away from music? My life pretty much just music if I’m not in the studio I’m usually thinking about going into the studio. I love food so cooking & baking when I get the chance.  What's planned for the remainder of 2020 going into 2021? I’m heading back into the studio over the next couple of weeks and starting to prep for my next release which will be early next year.  I’m hoping to be able to perform Top Spot live by the end of the year if not really early next year.  Favourite food and place to hangout? My favourite food is a pepperoni pizza for sure.  Favourite place to hang out would have to be my studio.  https://www.instagram.com/shyjanamusic https://m.facebook.com/shyjanamusic https://vm.tiktok.com/ZSq4UhNY https://twitter.com/officialshyjana https://www.shyjanamusic.com
Music InterviewsMusic News

SHYJANA

by the partae November 25, 2020
written by the partae
Where are you currently based?

I’m currently based in Sydney, Australia.

How did you first get into music?

When I was 7 years old I was listening to channel (V) used to be my favourite on a Saturday morning and I’d sing along to all the songs.

“I wish I was a punk rocker” by Sandi Thom had just finishing playing I started singing it and my family relative came out of the kitchen saying she loved the song but stopped when she realised it was me singing and not the TV.
She turn to my mum and said “you need to put her in singing lessons” my mum ended up working three jobs just to put me into singing lessons.

What’s been happening recently and how has your Covid experience been so far?

The past couple of months have been pretty crazy for me prepping for my single release as well as writing new songs and coming up with concepts and ideas for music videos as well as other releases.

I remember when everything first started getting serious with COVID I felt so strange definitely deflated because there were certain plans that I had made that got put on hold.

Your house burnt down, please tell us how things have changed for you since:

I tend to tell people that my house burning down in one of the best things that ever happened to me. They call me crazy of course but before my house burnt down I was not in a good place at all.

When I was 16 years old I was on The Voice Australia.

After being eliminated in the battle rounds I didn’t cope well at all.

I suffered from depression & anxiety for 4 years, I couldn’t keep a job, I couldn’t write any music, I didn’t even want to leave my bed.

That all changed when my house burnt down.

It wasn’t over night, I couldn’t just forget about all the things lost.

It was one of the hardest things I ever had to watch.

My mum and I lived in a homeless shelter for 4 weeks following the fire, it really opened my eyes.

Your new single ‘Top Spot’ is out now, what influenced the sound and songwriting?

I was working as a housekeeper when I wrote Top Spot, I remember the day like it was yesterday.

I remember being so tired whilst driving from one hotel to the next I was working a double shift and had been working crazy hours all week.

I knew why I was doing it I knew that the long hours, the sore feet it was only for one thing and that was so I was able to make music.

I started to think about all the crazy stuff people do to get where they want to be and started writing.

I wanted it to be relatable, quirky & new.

Where and when did you record/produce/master and who with?

My producers name is Philippe-Marc Anquetil.

We have been working together ever since I was on the voice.

We recorded & mastered Top Spot in his Studio.

Top Spot was recorded in April this year.

How did you approach the recording process?

I always like being prepared when heading into the studio.

I normally go in with 3-5 songs that I have recorded a demo to at home.

We listen to all of the song and make the decision, I was really nervous about Top Spot because it was unlike anything I had ever written before.

What does Top Spot mean to you?

Top Spot reminds me of where I was when I wrote it and how far I have come in that time.

Who are you listening to at the moment?

Post Malone for sure I love all of his stuff.

Saweetie is also on repeat SZA, Kiana Lede and Mali-Koa’s new album.

What do you like to do away from music?

My life pretty much just music if I’m not in the studio I’m usually thinking about going into the studio. I love food so cooking & baking when I get the chance.

What’s planned for the remainder of 2020 going into 2021?

I’m heading back into the studio over the next couple of weeks and starting to prep for my next release which will be early next year.

I’m hoping to be able to perform Top Spot live by the end of the year if not really early next year.

Favourite food and place to hangout?

My favourite food is a pepperoni pizza for sure.

Favourite place to hang out would have to be my studio.

https://www.instagram.com/shyjanamusic
https://m.facebook.com/shyjanamusic
https://vm.tiktok.com/ZSq4UhNY
https://twitter.com/officialshyjana
https://www.shyjanamusic.com
November 25, 2020 0 comments
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What is your name and role within Harves? My name is Matthew Wright and my role in Harves includes singing/songwriting, playing keys and panicking about things I don’t need to. Where are you currently based? Based in Melbourne, Australia. How did Harves form? Sam and I spent many years sending song files back and forth and loosely collaborating over the internet. Until mid-2020, we didn’t really have a clear vision for what we were attempting to do. Our first single (Do Your Worst) was placed in a film through our publishers, and that was really the catalyst for us getting our shit together. What's been happening recently and how has your Covid experience been so far? We’ve mostly been writing and preparing for our next release. Covid has certainly made things tougher for us. We’ve worked together in person only a handful of times this year, but in that time we’ve managed to launch the band, and finish and release 2 songs. We’re adapting I guess. Your new single 'The River' is out now, what influenced the sound and songwriting? Harves take influence from wherever we can. Between the two of us, our taste in music is incredibly broad. We don’t really make a conscious effort to sound any particular way. I think our music is a perfect blend of everything we like, and the River is a great representation of that. How did you go about writing The River? Sam sent through the instrumental idea about a year ago and the vocal came to me almost instantly. It was one of those songs that takes on a life of their own. Apart from some changes the chorus, nearly everything was written within a couple of hours. Where and when did you record/produce/master and who did you work with? We record and produce our own songs. Sam is also Produces/Mixes/Masters by trade. Harves are a pretty self-sufficient unit.  How did you approach the recording process? Due to Covid, The River was recorded entirely from our respective houses. I did the vocals in my bedroom and Sam took care of mostly everything else in his home studio. What does The River mean to you? The River is a metaphor for the place that my mind goes when I create music. It can be a really dark and often lonely place, but coming out the other end is almost always worth it. Who are you listening to at the moment? Right this very second I’m listening to John Coltrane. Also been giving the new HEALTH record a lot of love. We’re both massive fans of nearly everything they do.  What do you like to do away from music? We’re both pretty avid gamers. I’d say we’re nearly as passionate about video games as we are about music. We draw a lot of inspiration from that world. Writing for video game soundtracks is a big goal for us. What's planned for the remainder of 2020 going into 2021? We’ll be spending the rest of the year writing and preparing for our next release. We’re still undecided on what that release will be, but time will tell. Now that Covid restrictions are easing, we’ll no doubt start looking into playing some shows. Favourite food and place to hangout? Honestly, my favourite place to hang out is in the comfort of my own home. I’m a bit agoraphobic, so the thought of going out makes me kinda anxious these days. My favourite food is dill pickles - I could (and often do) eat them all day, every day. https://www.facebook.com/harvesmusic
Music InterviewsMusic News

Harves

by the partae November 25, 2020
written by the partae

What is your name and role within Harves?

 

My name is Matthew Wright and my role in Harves includes singing/songwriting, playing keys and panicking about things I don’t need to.

Where are you currently based?

 

Based in Melbourne, Australia.

How did Harves form?

 

Sam and I spent many years sending song files back and forth and loosely collaborating over the internet. Until mid-2020, we didn’t really have a clear vision for what we were attempting to do. Our first single (Do Your Worst) was placed in a film through our publishers, and that was really the catalyst for us getting our shit together.

What’s been happening recently and how has your Covid experience been so far?

 

We’ve mostly been writing and preparing for our next release. Covid has certainly made things tougher for us. We’ve worked together in person only a handful of times this year, but in that time we’ve managed to launch the band, and finish and release 2 songs. We’re adapting I guess.

Your new single ‘The River’ is out now, what influenced the sound and songwriting?

 

Harves take influence from wherever we can. Between the two of us, our taste in music is incredibly broad. We don’t really make a conscious effort to sound any particular way. I think our music is a perfect blend of everything we like, and the River is a great representation of that.

How did you go about writing The River?

 

Sam sent through the instrumental idea about a year ago and the vocal came to me almost instantly. It was one of those songs that takes on a life of their own. Apart from some changes the chorus, nearly everything was written within a couple of hours.

Where and when did you record/produce/master and who did you work with?

 

We record and produce our own songs. Sam is also Produces/Mixes/Masters by trade. Harves are a pretty self-sufficient unit.

How did you approach the recording process?

 

Due to Covid, The River was recorded entirely from our respective houses. I did the vocals in my bedroom and Sam took care of mostly everything else in his home studio.

What does The River mean to you?

 

The River is a metaphor for the place that my mind goes when I create music. It can be a really dark and often lonely place, but coming out the other end is almost always worth it.

Who are you listening to at the moment?

 

Right this very second I’m listening to John Coltrane. Also been giving the new HEALTH record a lot of love. We’re both massive fans of nearly everything they do.

What do you like to do away from music?

 

We’re both pretty avid gamers. I’d say we’re nearly as passionate about video games as we are about music. We draw a lot of inspiration from that world. Writing for video game soundtracks is a big goal for us.

What’s planned for the remainder of 2020 going into 2021?

 

We’ll be spending the rest of the year writing and preparing for our next release. We’re still undecided on what that release will be, but time will tell. Now that Covid restrictions are easing, we’ll no doubt start looking into playing some shows.

Favourite food and place to hangout?

 

Honestly, my favourite place to hang out is in the comfort of my own home. I’m a bit agoraphobic, so the thought of going out makes me kinda anxious these days. My favourite food is dill pickles – I could (and often do) eat them all day, every day.

 

https://www.facebook.com/harvesmusic
November 25, 2020 0 comments
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CLUBBING TV ANNOUNCES CLUBBING.LIVE, A NEW, INTERACTIVE LIVE STREAMING PLATFORM
Festival NewsMusic News

CLUBBING TV ANNOUNCES CLUBBING.LIVE, A NEW, INTERACTIVE LIVE STREAMING PLATFORM

by the partae November 25, 2020
written by the partae
Over the last 10 years, Clubbing TV has successfully produced and broadcast more than 1500 hours of live streams from all around the globe. From studios, clubs, roof tops and crazy boat parties to some of the biggest festivals in the world, Clubbing TV has hosted impeccable live broadcasts to over 50 different countries where their TV channel is broadcasted. With the lockdowns, the live scene has been forced to rest, but live DJ streams have flourished all over the web on various platforms such as Facebook, Twitch, Youtube and Instagram — all of which have prompted a new wave of online creativity.
Unfortunately, the new content ID policy of these platforms restrains DJs, meaning they often perform DJ sets for their followers but get cut off if they don’t own the music right of the tracks they play. This is a further muting of the voices of artists who are not still not allowed to play in a club, a bar or a festival for sanitary reasons – and now – even online due to copyright restrictions.

These new measures have inspired Clubbing TV to create their own legal and licensed live streaming platform: Clubbing.live.

Clubbing.live is a minimalist live-streaming platform conceived by the team at Clubbing TV for both music lovers and live streamers. Free, easy to use and interactive, Clubbing.live lets dance music fans watch various DJ sets, live performances, talk-shows and 3D virtual experiences every day! The Clubbing.live interactive chat allows users from all over the globe to talk to each other’s during all the live shows or even send audios and animated gifs, re-creating a real participative experience.

Clubbing TV is broadcast on traditional TV (so cable, satellite, DTT, IPTV) in 50 countries around the world and into 100 million households. This means that anyone who plays on Clubbing.live could be selected for broadcast on the main channel internationally and simultaneously. This is a truly unique offering that puts Clubbing.live head and shoulders above the competition in terms of artist exposure.

For the official launch of Clubbing.live, rendez-vous on November, 28th at 8pm CET to watch an exclusive set from Worakis² at Positiv Festival at the wonderful Roman Theater of Orange, France.

Worakls and the cellist Antonin Winter performed an epic live set in front of the Clubbing TV cameras and the show will be broadcasted on Clubbing TV and on Clubbing.live for the very first time. If you were not able to attend any festival in 2020, this show will make you feel like you were there.

Worakls, a French musician and producer, is mostly known for his classic tracks Porto, Salzburg andCloches. He will soon unveil two new big releases: Worakls feat Eivør – Red Dresses (Ben Böhmer Remix) out on Hungry Music on December 11th and Worakls & Rusanda – Storm out on Sonate on December 18th.

Clubbing.live is now open to media partners, clubs, festivals and will be opening soon to all artists willing to live stream on a dedicated music platform.

Media partners, clubs, festivals, promoters – if you want to stream smoothly with a high quality image and sound and no interruption? Please contact us at live@clubbingtv.com for onboarding.

DJs, producers, performers – do you also want to stream smoothly with a high quality of image and sound and no interruption? Feel free to pre-register on www.clubbing.live

And for all music lovers, join us now on Clubbing.live and check our calendar to see what will be your next virtual party!

 

About Clubbing TV
Clubbing TV is the World’s first lifestyle TV channel dedicated to clubbing, DJs and Electronic music culture.

We offer the best live events, DJ sets, lifestyle programs, music videos, party reports from the hottest dance floors, interviews with the most famous DJ & producers plus exclusive shows, festivals and concerts gravitating all over the international dance music scene. From Ibiza to Amsterdam, Miami to Mumbai through Paris, from the smallest underground clubs in London or Tokyo to the massive mainstream festivals like Tomorrowland or the Ultra Music Festival, Clubbing TV represents all the electronic music styles and flavors. We bring the party to you!
Being the official media partner of some of the world’s biggest electro festivals, Clubbing TV is able to bring you in the heart of massive events such as the worldwide famous Amsterdam Dance Event, the Miami Winter Music Conference, the International Music Summit in Ibiza, Time Warp, Tomorrowland, Exit Festival, the best Ibiza superclubs and many more insane parties and events.
Clubbing TV… Louder than your speakers!

 

www.clubbing.live
https://www.facebook.com/clubbingtvofficial/ 
https://www.instagram.com/clubbingtv/?hl=en 
 

 

November 25, 2020 0 comments
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