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PINEGROVE Announce new feature film and soundtrack Amperland, NY Out Friday 15 January
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PINEGROVE Announce new feature film and soundtrack Amperland, NY Out Friday 15 January

by the partae December 7, 2020
written by the partae
PRAISE FOR PINEGROVE

“Pinegrove (recall) some of the most consistently likable rock bands of the past 20 years in their most easy going phases: There’s the rootsy shamble of early Wilco, the wiggly guitar solos and general guilelessness of pre-prog Built to Spill. But beneath the amiable surface is an intense work about one of the most important things imaginable: how to make our friendships really matter.” – Pitchfork

“There’s a confessional quality to the songs of Pinegrove that feels reassuring. The problems that swirl around Evan Stephens Hall’s head feel universal”  – NPR

“Pinegrove have finally cracked the code to perfecting the warbly emo-country ebullience that only they do so well. Guitars whistle with a sticky-sweet twang, Evan Hall’s striking and sentimental poetry twisting elegantly around the band’s labyrinthine compositions.” – Australian Guitar

“…this ruddy cheeked collective rekindle the guileless spirit of mid-90s alt rock (Wilco; Buffalo Tom).a surge of power-chord melancholy.” – MOJO, ★★★★

“The mournful peddle steel, keening harmonies and thumping analogue rhythms that ornament the deeply introspective songs of Marigold transform…into a vibrantly emphatic experience. The band is in peak form…ruggedly handcrafted tracks that capture charged moments in real time, just as Hall’s trenchant, minutia-filled lyrics do.” (8/10) – UNCUT

“One of the most talented recording and touring bands in the land” (8.5/10) – Under The Radar

Pinegrove have revealed details of a new feature length film, Amperland, NY, and accompanying soundtrack album to be released on Rough Trade / Remote Control on January 15th. The film, scripted from a short story by Pinegrove’s Evan Stephens Hall and directed by Kenna Hynes, was filmed at the band’s long time home in upstate New York, known as “Amperland” to Pinegrove and their fans, prior to the house being sold by the owner earlier this year. The band will screen a ticketed online premiere for fans as a fundraiser for environmental action group The Sunrise Movement on January 14th at 10am AEST for a donation of $5.00 and over. The screening will be followed by a band Q&A moderated by Busy Philipps. Tickets for the screening are available now at Pinegroveband.com along with pre-order for the soundtrack album.

The film, produced in conjunction with Chromeoscope, and described by Evan as “fun, hopefully poignant, definitely weird ”, includes 22 songs – a full set list length of performances – spanning the band’s entire career to date. Those new renditions of old gems, recorded as live in the Amperland house by Pinegrove’s Sam Skinner, will be released as a soundtrack album –  also titled Amperland, NY –  at the same time as the film. Evan explains the film as “threaded by a surreal, giddy narrative – reimaginings of our catalogue and first-time-imaginings of Pinegrovian tall tales.” The band viewed the project as a way of honoring the house that had acted as home, recording studio and important creative haven for their last two albums: Skylight (2017) and Marigold (2020). The news comes with the release of one of the songs from the project: a new live version of ‘Morningtime (Amperland, NY)’, which originally appeared on Pinegrove’s 2012’s self-released debut, Meridian, and reissued on Everything so Far (2015).

The band’s last studio album, Marigold, was released to critical acclaim in January 2020 and led the New York Times to describe them as, “The only male fronted band that matters right now.” Going on to say, “There are very few bands doing what Pinegrove are doing and connectin.”

Formed in 2010 by childhood friends Evan Stephens Hall and drummer Zack Levine, Pinegrove have released four albums —Everything So Far, Cardinal, Skylight, and Marigold (2020) — to widespread critical acclaim, garnering them a growing and devoted listenership. They’ve described their sound as variously as ‘introspective party music’, or ‘energetic music in the folk tradition’; in any case, they have combined catharsis and inventive structures with irrepressible melodies, resonant lyrics and emotive twang.

Zack describes Pinegrove as “a constellation of soulmates.” Zack and Evan have known each other for 26 years and been playing music together for 21, communicating via a “telepathic musical connection.” Nearly everyone they work with are friends and collaborators from way back. Amperland, NY features Evan, Zack, Josh Marre, Megan Benavente, Sam Skinner as well as appearances from Nandi Rose,Nick Levine, Michael Levine and Doug Hall. Sam also engineered and co-produced the record, as he has on every Pinegrove recording since 2015.

Pre-order Amperland, NY: https://pinegrove.ffm.to/amperlandny
Buy / Stream Pinegrove – Marigold: https://pine-grove.lnk.to/marigold

December 7, 2020 0 comments
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Music News

TOO CLOSE TO TOUCH RELEASE I’M HARD TO LOVE BUT SO ARE YOU VOL. 4

by the partae December 7, 2020
written by the partae

Lexington, KY three-piece Too Close To Touch have dropped the fourth volume of their EP series I’m Hard To Love But So Are You.

“As we close out what has surely been one of the most difficult years for all of us, we’re both humbled and happy to bring you a new batch of songs from Too Close,” says vocalist Keaton Pierce. “I would say that this group is definitely the most diverse, and hits a pretty broad range on the spectrum of what we’ve released in the past. It feels fitting though, as this year has delivered such a wide array of emotions to everyone- Happiness, anger, sadness, hopefulness, and at times, hopelessness. As always, thank you for listening. It means the world to us, and hopefully you as well.”

The band has also released the music video for “Pick Me Up,” animated by Andrew Onorato (Billie Eilish, Childish Gambino), which you can watch, here. The track, produced and mixed by Daniel Muckala (Nick Carter, Echosmith), “relates to experiences dealing and coping with struggles and painful challenges we face,” explains the band. “There’s nothing worse than the feeling of being alone when facing the unfamiliar.  Not knowing who or what you can trust.  That period of status can make or break us, and lead to seemingly uncontrollable moments where we act out of panic and fear.”

LISTEN TO I’M HARD TO LOVE BUT SO ARE YOU, VOL. 4

Too Close To Touch is Keaton Pierce (vocals), Mason Marble (guitar), and Kenny Downey (drums).

The band’s releases include the EP series I’m Hard To Love But So Are You (Vol. 1, Vol. 2, Vol. 3), the songs series of “Leave You Lonely”, “Before I Cave In”, “Burn,” and their albums Nerve Endings (2015), and Haven’t Been Myself (2016).

In 2016, Too Close To Touch won the award for Best Underground Band at the Alternative Music Press Awards. Haven’t Been Myself debuted on the Billboard charts as the #3 Alternative Artist Album, #9 Top New Artist Album, and #133 Billboard Top 200 Current Album.

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VANCOUVER MUSICIANS MATT STORM + IVAN HARTLE RELEASE NEW COLLAB TRACK 'MORE TO FIND'
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VANCOUVER MUSICIANS MATT STORM + IVAN HARTLE RELEASE NEW COLLAB TRACK ‘MORE TO FIND’

by the partae December 6, 2020
written by the partae

Vancouver musicians Matt Storm and Ivan Hartle are excited to announce the release of their new collaborative single ‘More To Find’ out today on all digital platforms. Watch video here.

The story behind ‘More To Find’ is a serendipitous one because Matt and Ivan didn’t set out to create a collab track. In fact, it kind of happened by accident.

“I’ve been producing and recording Ivan’s music for over a year now, and he showed up at the studio one day with a long list of ‘to do’s’ for his songs in progress,” says Matt Storm. “We both sat there feeling a bit overwhelmed with the tasks ahead, so we plugged in a Wurlitzer keyboard and started jamming. Ivan started playing a riff that caught my attention that he had written it the week before. I quickly laid down a percussive rhythm on the body of an acoustic guitar, a technique I’d been toying with for a while, and it set the foundation around the keyboard. Once we had that, Ivan simply said ‘Is this our collab track?’ He could sense I was itching to get on the song. Riding the wave of inspiration, we organized melodies, wrote lyrics, and recorded the entire song in that one day.”

‘More To Find’ has a soul-influenced, laid back vibe perfect for Sunday morning playlists. But despite its chill mood, the song’s deeper meaning is a bit more heavy.

“‘More To Find’ is a song about soul searching, coming to terms with your past, and embracing the uncertainty of your future,” says Ivan Hartle. “Matt and I have similar musical tastes, so this collaboration was long overdue, and it came together with a level of spontaneity and inspiration that’s captured in the recording.”

Matt Storm and Ivan Hartle’s new single ‘More To Find’ is available now on Spotify, Apple Music/iTunes, and other digital retailers and streaming services worldwide. For more information, please visit: mattstorm.ca + ivanhartlemusic.com

 

FOLLOW MATT STORM:
Website | Spotify | Facebook |Instagram | Twitter |  YouTube 

FOLLOW IVAN HARTLE:
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December 6, 2020 0 comments
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New Goldfinger album 'Never Look Back' out now through Big Noise, announce Livestream
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New Goldfinger album ‘Never Look Back’ out now through Big Noise, announce Livestream

by the partae December 6, 2020
written by the partae
TICKETS FOR LIVESTREAM ON DECEMBER 10 AVAILABLE NOW
Punk-rock icons Goldfinger have released their highly anticipated album Never Look Back today, December 4, 2020, via Big Noise. This release marks the official return of original guitarist Charlie Paulson to the band, joining John Feldmann, Mike Herrera, Philip Sneed and Nick Gross. Never Look Back is available to stream today at https://ffm.to/gfneverlookback/
“I think we have made a classic here with a great blend of reggae punk rock and ska music. I hope you all enjoy listening to it as much as I enjoyed making it,” says Feldmann. “I have some of the best musicians on the planet playing on this album and I am so stoked on how it turned out! 25 years into this bands career and we’re still going strong!”
To celebrate the release of their ninth studio album, Goldfinger will be livestreaming a show from The Roxy Theatre on Thursday, December 10, at 6:00pm PST / 9:00pm EST. Tickets and merchandise for the livestream are available now at https://nocapshows.com/artist?name=goldfinger
Goldfinger formed in 1994 and has since been regarded as a contributor to the revitalization of ska music’s popularity in the mid-1990s before leading the charge on the 2000’s pop-punk movement. Outside of their music, Goldfinger has always been active and outspoken about a variety of political and social issues, especially animal rights.

“Goldfinger have shown excellent timing with one of the standout releases of 2020..” – Wall of Sound
“Goldfinger have kept their light, cheeky and youthful sound in Never Look Back..” – Hysteria Mag
Never Look Back is available to stream now at https://ffm.to/gfneverlookback.

Follow Goldfinger:

https://www.goldfingermusic.com/
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https://www.youtube.com/user/goldfingershows

December 6, 2020 0 comments
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GORGON CITY DROP ‘REALM EP’ INCLUDING BRAND NEW TRACK ‘TRAPDOOR’
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Gorgon City Digitally Release ‘Trapdoor’ as part of 4 Track REALM EP | Out Now

by the partae December 6, 2020
written by the partae

UK house music heavyweights Gorgon City have revealed a new dancefloor focused banger ‘Trapdoor’. The UK & Chicago based duo of Kye Gibbon and Matt Robson Scott have become known for their addictive take on bass driven vocal and deep house; carving out a distinct and instantly recognisable sound after producing a string of chart hits and underground dance floor moments.

The prolific pair have clocked up over 1.5 billion global streams to their name and close to 10 million singles sold across their career.

Gorgon City’s club focused REALM imprint is home to the duo’s more underground and instrumental house cuts, which often emerge to fans for the first time via the duo’s packed DJ sets – previous tracks include ‘Lick Shot’, ‘Delicious’, ‘Elizabeth Street’ ‘Roped In’ ‘Motorola’ & ‘Grooves On The Vinyl’.

Their latest single ‘Trapdoor’; a playfully euphoric and driving house number was no different having been road tested to packed crowds in the Gorgon City REALM club shows in late 2019 and now comes packed alongside three previous label classics.

With an impressively growing discography packed full of outstanding releases, the past 18 months have seen Gorgon City release a series of standout singles.  The recent ‘Burning’ ft Brooklyn singer Evan Giia accompanied by remixes from Snakehips and Ben Hemsley. The unmistakable track ‘House Arrest’ with Sofi Tukker clocked up over 12 Million streams in 10 weeks, topped international radio playlists and hit the #1 spot on US Dance Radio.  The duo also collaborated with house music royalty ‘MK’ on ‘There For You’ and continued their innovative trailblazing with ‘Nobody’ featuring Chicago duo DRAMA.

The band are working towards and string of live dates for 2021, a staple part of Gorgon City’s offering to fans.  2019 saw amazing live sets around the world including Coachella and EDC Vegas, Israel’s Get Lost Festival as well as sold out UK shows at Printworks, Warehouse Project, Tobacco Dock and dates all around Europe and the US.

Gorgon City ‘REALM’ EP is out now

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Maceo Plex Releases New Single 'Cinemax' via Ministry Of Sound / Ellum Audio | Sampling Alice Russell & The Quantic Soul Orchestra's 'Pushin' On
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Maceo Plex Releases New Single ‘Cinemax’ via Ministry Of Sound / Ellum Audio | Sampling Alice Russell & The Quantic Soul Orchestra’s ‘Pushin’ On

by the partae December 6, 2020
written by the partae

 MACEO PLEX – ‘CINEMAX’
MINISTRY OF SOUND & ELLUM AUDIO
OUT NOW

Maceo Plex unveils his latest single titled ‘Cinemax’. Released via Ministry Of Sound and Ellum Audio, ‘Cinemax’ is available to stream and purchase from today.

Created this year in the midst of a global pandemic and much political uncertainty, ‘Cinemax’ is the follow up single to ‘Nu World’ which saw all proceeds donated to the American Civil Liberties Union’s campaign to fight voter suppression in the 2020 US election. ‘Cinemax’ sees Maceo Plex sample Alice Russell and The Quantic Soul Orchestra’s ‘Pushin’ On’, utilising the sample to symbolise resilience and unity as we move forward into the new year.

“We are leaving the past behind. Time to unify, leave the racism and division behind us. The lyrics tell this story. The song itself is a deep chugger, always building with forwarding momentum” – Maceo Plex

Returning to Ministry Of Sound following the 2019 single, ‘When the Lights Are Out’ which received an array of media support from the likes of Resident Advisor, Billboard, Mixmag, DJ Mag and more, ‘Cinemax’ is a further exhibition of Maceo Plex’s signature studio output, fusing melodic house and brooding techno. A standout track in recent sets with fans and like-minded artists searching online for news of an official release, Alice Russell’s vocal sample is instantly recognizable and was also used on Oliver Dollar and Jimi Jules’ 2014 house hit ‘Pushing On’. Released via Defected Records and Ministry Of Sound, ‘Pushing On’ peaked at #15 in the UK singles chart

An artist who has crafted a remarkably impressive discography of productions across the sphere of electronic music and beyond, Maceo Plex’s ‘Cinemax’ follows a string of acclaimed singles / remixes this year. Highlighted by two official remixes for Jane’s Addiction frontman Perry Farrell, September’s ‘Nu World’ and most recently, an official remix of Faithless’ ‘Synthesizer’.

The leading electronic producer, artist and live act, Maceo Plex’s accolades are in abundance. The figurehead behind the seminal underground label, Ellum Audio, Maceo Plex has released four studio albums, mix compilations for London’s fabric and !K7’s DJ-Kicks series, along with an impressive catalogue of productions under his Mariel Ito and Maetrik aliases. Having curated several BBC Radio 1 Essential Mix’s, headlining global festivals and gracing the cover of many a magazine from Mixmag to DJ Mag, Maceo Plex has also remixed artists including Coldcut, Röyksopp, GusGus, DJ T, Maribou State, Perry Farrell, Faithless and more. The start of 2020 also saw Maceo Plex announce plans for a new three-part, multidimensional sensory experience live show titled ‘M³’.

Maceo Plex ‘Cinemax’ is out now via Ministry Of Sound & Ellum Audio

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BLR delivers massive banger on Heldeep Records with 'Limbo' Out now on Heldeep Records
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BLR delivers massive banger on Heldeep Records with ‘Limbo’ Out now on Heldeep Records

by the partae December 6, 2020
written by the partae
LISTEN HERE

BLR, The alias of renowned producer Leon Bolier shows a new side to himself in his mission to adopt a more deep, dark yet melodic club focussed sound. With his latest track ‘Limbo’ he once again proves his versatility and ability to showcase multiple facets of his musical style.

Delivering energy from the first beat, BLR wastes no time in getting down to business. Soon after the drop hits, a bouncy synth builds up to a percussion melody. A mischievous techno bass hook soon cuts through, accompanied by a bouncy synth layered with a percussion melody that proceeds to provide the hook for the duration of the track. It’s cutting-edge and hard-hitting tune while a round bassline to ensure the track.

After racking up over 10 million Spotify streams for his first-ever BLR release ‘Nungwi’, the Dutch DJ and producer continued to push a more experimental yet dancefloor friendly sound. Crossing over 100 million YouTube views with his track ‘Taj’ and releasing his 15-track journey on his debut album ‘Odyssee’ in 2019, and invites to play at festivals such as Tomorrowland and Mysteryland and club gigs all over the globe, BLR is an indispensable part of our scene.

About Heldeep Records:
International superstar Oliver Heldens founded Heldeep Records to create a platform to showcase the new music of budding producers after receiving 1000s of demos. Since 2014, Heldeep Records has grown from a modest imprint into a fully-fledged label, featuring respected mainstay acts like ALOK, Chocolate Puma, & Dada Life as well as hosting stages at leading festivals across the globe like Tomorrowland, Mysteryland, Electric Forest, Spring Awakening Music Festival and South West Four. Heldeep artists are showcased weekly on Heldeep Radio, which is syndicated across 91 stations, in 66 countries and reaches 118 million people a week.

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LAKELEND RELEASES SECOND SINGLE 'SUPERNOVA'
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LAKELEND returns with his second single ‘Supernova’

by the partae December 6, 2020
written by the partae

Melbourne pop artist Lakelend finally shares his second single ‘Supernova’, a nostalgic yet contrastingly futuristic project detailing the immediate intensity of falling in love.

Combining electronic beats, synthesised strings and Lakelend‘s honest vocals, ‘Supernova’ traverses through the feelings of uncertainty which is sonically juxtaposed by the overall upbeat tune of the single.

“Sometimes that new person falls into your lap when you least expect it. A breath of fresh air. Something that you haven’t experienced before”, Lakelend explains. “I was all in. Never in my life had I experienced a love for someone that built up so incredibly quickly. I think it’s only human to return love and affection if it’s received well and is something you’re capable of giving back. In hindsight there were certain moments that I was blind to everything happening around me. My close friends, my family and even my own goals and ambitions. I don’t regret it, but I’m just being honest,” details Lakelend.

Lakelend‘s previous debut single ‘Fall Down’ received high acclaim, sitting at nearly 134k streams on Spotify alone on top of praise from Australian tastemakers including Project U, auspOp ThomasBleach and more. The track also received its first play via triple j Unearthed TOPS, and landed on Spotify’s Pop ‘N Fresh and Come Thru just days after its release. Lakelend has spent the last two years collaborating with renowned producers Cam Bluff (Amy Shark, Illy, Hilltop Hoods, Allday), Xavier Dunn (Peking Duk, Graace, Jack River) and the MSquared team Michael Paynter & Michael DeLorenzis (Aloe Blacc, CXLOE) who have helped craft his distinct sound.

The single drops alongside a visualiser and to follow Lakelend will be releasing a new video clip in weeks to come.

So jump on board and take flight with Lakelend as ‘Supernova’ is only chapter two of the promising new artist. Stay tuned for more, coming soon.

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December 6, 2020 0 comments
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DAVEY RELEASES SOULFUL NEW CUT 'I FALL FEAT. AALOK BALA' DEBUT SELF-TITLED EP OUT NOW
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DAVEY RELEASES SOULFUL NEW CUT ‘I FALL FEAT. AALOK BALA’ DEBUT SELF-TITLED EP OUT NOW

by the partae December 6, 2020
written by the partae

PRAISE FOR DAVEY

“He goes by a regular name. But Davey’s music is anything but”
Billboard

“A world away from the sound of Vallis Alps — but every bit as powerful”
Red Bull Music 

“Another display of bare-bones musical potency from the producer”
Conscious Electronic

“Davey Uses Music To Get Closer to Truth”
American Songwriter

“A minimal but searing industrial hip-hop track featuring Seattle rapper Sol”
NME Magazine

“Frenetic, intense and chaotic electro cuts which thrash, heave and go the fuck off over and over again”
Purple Sneakers

davey, the solo project of Vallis Alps‘ David Ansari, today officially releases his self-titled debut EP. Listen to the davey EP HERE and watch the visualizer for the new focus track ‘I Fall ft. Aalok Bala‘ HERE.

With a dedication to impulsivity and creative recklessness, davey is a reflection of everything David was consuming during that time. An amorphous project that encompasses subterranean techno (‘N.I.4.N.I‘, ‘SOIL FOR THE ORCHIDS‘), industrial hip hop (‘NOT ME ft. Sol‘), deconstructed glitch pop (‘CONTROL 2002‘, ‘LIFE OF PIG‘), cathartic, soul-infused house (‘I Fall feat. Aalok Bala’) and more. Feeling burnt out from years of touring and multiple transcontinental moves, the project began taking shape when Ansari returned to the studio, loosely playing around with beats as he learned how to have fun with music again.

Of the duo’s collaboration, davey shares that “I Fall is an outlier on the EP, both musically and conceptually – while the rest of the EP explores the chaos around us, this song is about making sense of what’s within. And it’s fitting, given how much ‘I Fall’ pummeled me creatively – I spent two years throwing ideas at the wall and went through vocal after vocal trying to find the right collaborator. But something about Aalok’s voice was just different – she wrote this melody that brought a sense of timelessness to the track, something that is so rare in electronic music these days.” Aalok Bala explains further, “I Fall offers an inside look into the inner dialogue and conflict of following your intuition.”

From his training in jazz piano to the musical education of his formative high school years, in which he developed an omnivorous appetite for all things weird and chaotic, davey is energised by what he calls “this adrenaline element that I crave in everything I listen to.” A reflection of the stresses that were consuming him at the time, David began engineering his sounds to feel dark and gritty. Building stark beats around found fragments and aural artifacts with competitive instrumentals undergirding them, davey hit upon a dormant sense of aggression.

“Everything coalesced at the right time. I was in the studio with no expectations, no deadlines, no rules. So I spent a lot of time experimenting with synths and FM radios, and seeing how far I could degrade sound quality until everything became unusable. Meanwhile, I was adjusting to being back in the states, with all of its idiosyncrasies, and trying to wrap my head around why it sort of felt like I was stepping back into a burning building. So the whole EP came together from sampling news broadcasts and making beats around reporters talking about climate change, or the VMA’s, or whatever,” he explains of his debut self-titled EP

The result of those sessions, his self-titled debut EP, holds a mirror up to the absurdity surrounding him. ‘I Fall‘ marks the EP’s cathartic release with LA-based, Chilean-American experimental artist Aalok Bala providing a memorable vocal backdrop to glitchy, manipulated samples, coarse percussion, and a bass-line that lingers in your chest long past its drop. Like tinkering with a toolbox, Ansari transforms ‘I Fall‘ into a banger that represents every step of his journey thus far – throwing the rulebook away after years spent adhering to the precise and rigid rules of pop songwriting, piecing together elements that shouldn’t work but now do.

Though he didn’t set out to create an intentionally angry record, the energy that animates davey is a reflection of what he saw when he surveyed his own environment, a jarring exercise in raw, minimal musical potency that’s constantly fighting against both itself and its creator. In this way, the project represents a return to David’s roots – and a step forward at the same time.

davey EP is out now, buy/stream it here.

Cover art by Cameron Spratley
Photo by Roya Ansari

TRACKLIST
LIFE OF PIG
I FALL (feat. Aalok Bala)
N.I.4.N.I
NOT ME (feat. Sol)
CONTROL 2002
SOIL FOR THE ORCHIDS

Stay connected with davey:
Website | Facebook | Twitter | Instagram | Soundcloud | Youtube

December 6, 2020 0 comments
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Homegrown multi ARIA award winning, singer-songwriter Amy Shark has today announced a massive headline tour of Australia in June/July 2021 in support of her highly anticipated sophomore album, CRY FOREVER, set for release April 30, 2021 and available to pre-order now. Shark’s national CRY FOREVER tour will be the Gold Coast local’s most ambitious live undertaking yet in some of the largest venues Australia has to offer, and to celebrate the announcement she’s today shared a new tune from the album, ‘All the Lies About Me’. The tour will kick off at Qudos Bank Arena (Sydney) on June 12, before moving through to Rod Laver Arena (Melbourne) on June 18, Wrest Point Lawns (Hobart) June 19, HOTA (Gold Coast) June 25, Riverstage (Brisbane) June 26, Adelaide Entertainment Centre July 1, and will finish up in Perth at RAC Arena on July 3. Tickets go on sale Friday 11 December at 10am local time and are available from www.amyshark.com.    Amy Shark sold in excess of 45,000 tickets in 2019 across her metro and regional tours, with her regional tour last week picking up the ARIA for ‘Best Australian Live Act’, paired with her ARIA win for ‘Best Pop Release’ for ‘Everybody Rise’. The CRY FOREVER tour will see Shark level up, rolling out world class production and musicianship as she brings her anticipated new album to life in arenas across Australia.    No stranger to the big stage, Amy Shark has headlined many major festivals, along with winning over the entire stadium at Fire Fight and wowing a huge national audience with her recent NRL Grand Final appearance. Guaranteed to delight fans across Australia, this career defining must-see tour promises to feature stand out performances of songs from the critically acclaimed LOVE MONSTER album, fan faves from the NIGHT THINKER EP and of course brand new music from CRY FOREVER including ARIA winning, platinum accredited ‘Everybody Rise’which is nearing 20 million streams globally and spent 12 weeks in the top 10 Australian airplay chart.     “I am so proud of this album and it’s time to hand these songs over to the fans,” says Shark. “To announce a tour of this size, after the year we have been through, gives me hope that the world is heading back to normality. I will give every show every part of me, this is going to be massive and I am counting down the days to perform.”   CRY FOREVER is the follow up to Amy Shark’s 2018 #1 ARIA Album Of The Year, LOVE MONSTER and is available to pre-order now via Wonderlick/Sony Music Entertainment. Written and recorded between the US, UK, New Zealand and Shark’s home studio on the Gold Coast, her exceptional songwriting is on full display here, co-producing with A-List producers: Dann Hume (ARIA 2018 & 2019 Producer Of The year), M-Phazes (Ruel, Eminem), Joel Little (Lorde, Taylor Swift), Jamie Hartman (Lewis Capaldi, Rag ‘n’ Bone Man), Dan Wilson (Adele, Leon Bridges) and Sammy Witte (Harry Styles, King Princess). CRY FOREVER will also see Shark team up with Grammy award winning artist Keith Urban following on from her latest collaboration with Blink 182’s Travis Barker on new single, ‘C’MON’.    Through Shark’s honest and emotional storytelling, CRY FOREVER is set to be an evolution from her debut album LOVE MONSTER, “I am now a more confident musician and person than the Amy of 2018, and I feel like I am ready to share some moments from my life that I wasn’t previously ok to talk about,” says Shark, “These are some of the most personal and confronting songs I’ve ever written, and I can’t wait to share them with everyone.” And to celebrate the album and tour announcement, Shark has dropped a new track, ‘All The Lies About Me’, featuring her trademark soaring vocals, powerful lyrics and acoustic guitar. “This song is me at my most confused, broken and lonely. It’s not easy hearing things about yourself that simply aren’t true. Sometimes the noise gets too loud, so I had to write this song as it’s the only way I can talk.”   Amy Shark has come a long way since her breakthrough single Adore.  As shared on her Instagram account - in just a few years she has gone from moving 82 tickets in her home state of Queensland, to selling out arena-sized venues all across the country. After bursting on to the global music scene in 2016, her 5 x Platinum single ‘Adore’ put her on the map as one of Australia’s most formidable emerging songwriters. This was followed by 4 x Platinum and number one Australian Airplay Chart hit, ‘I Said Hi’ and the 2019 2 x platinum single ‘Mess Her Up’. Shark’s debut/breakthrough #1 ARIA album and Platinum-certified LOVE MONSTER was recognised in 2018 with four ARIA awards (Album of the Year, Best Female Artist, Best Pop Release, Best Producer [Dann Hume]), and was nominated for another five. LOVE MONSTER went on to become the highest selling album by an Australian artist for 2018.    Undoubtedly, 2021 is poised to be an even bigger year for Amy Shark with the release of her sophomore record and national CRY FOREVER tour.    CRY FOREVER is set for release on April 30, 2021 and is available to pre-order now via Wonderlick/Sony Music Entertainment Australia.   The CRY FOREVER tour will be held with a commitment to a COVID Safe environment.  TEG LIVE will work closely with and comply with all requirements of the public health authorities in respect of these shows.   AMY SHARK ‘CRY FOREVER’ TOUR 2021 Saturday 12 June 2021 | Sydney | Qudos Bank Arena Friday 18 June 2021 | Melbourne | Rod Laver Arena Saturday 19 June 2021 | Hobart | Wrest Point Lawns Friday 25 June 2021 | Gold Coast | HOTA Saturday 26 June 2021 | Brisbane | Riverstage Thursday 1 July 2021 | Adelaide | AEC Theatre Saturday 3 July 2021 | Perth | RAC Arena TICKETING INFORMATION Telstra is offering their customers an exclusive Telstra Plus presale from 2pm (local) Monday 7 December to 2pm (local) Wednesday 9 December. For more details regarding the presale, please visit https://www.telstra.com.au/plus/tickets/music   The general public will have the opportunity to purchase tickets from 10am (local) Friday 11 December from https://www.amyshark.com   Fans can also take advantage of Ticketek’s world-leading partnership with Afterpay for Amy’s Cry Forever Tour. Available via the Ticketek app or website, Afterpay is the world’s largest buy-now-pay-later service, offering fans greater flexibility to pay for tickets in four equal instalments and secure seats with the first payment.   For further information, head to www.amyshark.com   ABOUT TEG LIVE: TEG Live is wholly owned by TEG, Asia Pacific’s leading ticketing, live entertainment and data analytics company. TEG Live is a dynamic and diverse promoter of live content in music, sport, family entertainment, eSports and exhibitions. TEG Live connects millions of fans every year with unique live experiences and adds value to events with hospitality and sponsorship services. For more information, visit http://www.teglive.com.au
Festival NewsMusic News

AMY SHARK ANNOUNCES 2021 HEADLINE TOUR + SHARES NEW TRACK ‘ALL THE LIES ABOUT ME’ + ANNOUNCES SOPHOMORE ALBUM ‘CRY FOREVER’ FOR APR 30

by the partae December 6, 2020
written by the partae

Homegrown multi ARIA award winning, singer-songwriter Amy Shark has today announced a massive headline tour of Australia in June/July 2021 in support of her highly anticipated sophomore album, CRY FOREVER, set for release April 30, 2021 and available to pre-order now. Shark’s national CRY FOREVER tour will be the Gold Coast local’s most ambitious live undertaking yet in some of the largest venues Australia has to offer, and to celebrate the announcement she’s today shared a new tune from the album, ‘All the Lies About Me’. The tour will kick off at Qudos Bank Arena (Sydney) on June 12, before moving through to Rod Laver Arena (Melbourne) on June 18, Wrest Point Lawns (Hobart) June 19, HOTA (Gold Coast) June 25, Riverstage (Brisbane) June 26, Adelaide Entertainment Centre July 1, and will finish up in Perth at RAC Arena on July 3. Tickets go on sale Friday 11 December at 10am local time and are available from www.amyshark.com.

Amy Shark sold in excess of 45,000 tickets in 2019 across her metro and regional tours, with her regional tour last week picking up the ARIA for ‘Best Australian Live Act’, paired with her ARIA win for ‘Best Pop Release’ for ‘Everybody Rise’. The CRY FOREVER tour will see Shark level up, rolling out world class production and musicianship as she brings her anticipated new album to life in arenas across Australia.

No stranger to the big stage, Amy Shark has headlined many major festivals, along with winning over the entire stadium at Fire Fight and wowing a huge national audience with her recent NRL Grand Final appearance. Guaranteed to delight fans across Australia, this career defining must-see tour promises to feature stand out performances of songs from the critically acclaimed LOVE MONSTER album, fan faves from the NIGHT THINKER EP and of course brand new music from CRY FOREVER including ARIA winning, platinum accredited ‘Everybody Rise’which is nearing 20 million streams globally and spent 12 weeks in the top 10 Australian airplay chart.

“I am so proud of this album and it’s time to hand these songs over to the fans,” says Shark. “To announce a tour of this size, after the year we have been through, gives me hope that the world is heading back to normality. I will give every show every part of me, this is going to be massive and I am counting down the days to perform.”

CRY FOREVER is the follow up to Amy Shark’s 2018 #1 ARIA Album Of The Year, LOVE MONSTER and is available to pre-order now via Wonderlick/Sony Music Entertainment. Written and recorded between the US, UK, New Zealand and Shark’s home studio on the Gold Coast, her exceptional songwriting is on full display here, co-producing with A-List producers: Dann Hume (ARIA 2018 & 2019 Producer Of The year), M-Phazes (Ruel, Eminem), Joel Little (Lorde, Taylor Swift), Jamie Hartman (Lewis Capaldi, Rag ‘n’ Bone Man), Dan Wilson (Adele, Leon Bridges) and Sammy Witte (Harry Styles, King Princess). CRY FOREVER will also see Shark team up with Grammy award winning artist Keith Urban following on from her latest collaboration with Blink 182’s Travis Barker on new single, ‘C’MON’.

Through Shark’s honest and emotional storytelling, CRY FOREVER is set to be an evolution from her debut album LOVE MONSTER, “I am now a more confident musician and person than the Amy of 2018, and I feel like I am ready to share some moments from my life that I wasn’t previously ok to talk about,” says Shark, “These are some of the most personal and confronting songs I’ve ever written, and I can’t wait to share them with everyone.” And to celebrate the album and tour announcement, Shark has dropped a new track, ‘All The Lies About Me’, featuring her trademark soaring vocals, powerful lyrics and acoustic guitar. “This song is me at my most confused, broken and lonely. It’s not easy hearing things about yourself that simply aren’t true. Sometimes the noise gets too loud, so I had to write this song as it’s the only way I can talk.”

Amy Shark has come a long way since her breakthrough single Adore.  As shared on her Instagram account – in just a few years she has gone from moving 82 tickets in her home state of Queensland, to selling out arena-sized venues all across the country. After bursting on to the global music scene in 2016, her 5 x Platinum single ‘Adore’ put her on the map as one of Australia’s most formidable emerging songwriters. This was followed by 4 x Platinum and number one Australian Airplay Chart hit, ‘I Said Hi’ and the 2019 2 x platinum single ‘Mess Her Up’. Shark’s debut/breakthrough #1 ARIA album and Platinum-certified LOVE MONSTER was recognised in 2018 with four ARIA awards (Album of the Year, Best Female Artist, Best Pop Release, Best Producer [Dann Hume]), and was nominated for another five. LOVE MONSTER went on to become the highest selling album by an Australian artist for 2018.

Undoubtedly, 2021 is poised to be an even bigger year for Amy Shark with the release of her sophomore record and national CRY FOREVER tour.

CRY FOREVER is set for release on April 30, 2021 and is available to pre-order now via Wonderlick/Sony Music Entertainment Australia.

The CRY FOREVER tour will be held with a commitment to a COVID Safe environment.  TEG LIVE will work closely with and comply with all requirements of the public health authorities in respect of these shows.

AMY SHARK ‘CRY FOREVER’ TOUR 2021

Saturday 12 June 2021 | Sydney | Qudos Bank Arena
Friday 18 June 2021 | Melbourne | Rod Laver Arena
Saturday 19 June 2021 | Hobart | Wrest Point Lawns
Friday 25 June 2021 | Gold Coast | HOTA
Saturday 26 June 2021 | Brisbane | Riverstage
Thursday 1 July 2021 | Adelaide | AEC Theatre
Saturday 3 July 2021 | Perth | RAC Arena
TICKETING INFORMATION
Telstra is offering their customers an exclusive Telstra Plus presale from 2pm (local) Monday 7 December to 2pm (local) Wednesday 9 December. For more details regarding the presale, please visit https://www.telstra.com.au/plus/tickets/musicThe general public will have the opportunity to purchase tickets from 10am (local) Friday 11 December from https://www.amyshark.com

Fans can also take advantage of Ticketek’s world-leading partnership with Afterpay for Amy’s Cry Forever Tour. Available via the Ticketek app or website, Afterpay is the world’s largest buy-now-pay-later service, offering fans greater flexibility to pay for tickets in four equal instalments and secure seats with the first payment.

For further information, head to www.amyshark.com

ABOUT TEG LIVE:

TEG Live is wholly owned by TEG, Asia Pacific’s leading ticketing, live entertainment and data analytics company. TEG Live is a dynamic and diverse promoter of live content in music, sport, family entertainment, eSports and exhibitions. TEG Live connects millions of fans every year with unique live experiences and adds value to events with hospitality and sponsorship services. For more information, visit http://www.teglive.com.au
December 6, 2020 0 comments
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Motorsports champion Christian Meyer joins Levop to deliver a joyful sunshine jam on his musical debut ‘Sacala Al Sol’ with stunning music video
Music Interviews

Motorsports champion Christian Meyer joins Levop to deliver a joyful sunshine jam on his musical debut ‘Sacala Al Sol’ with stunning music video

by the partae December 6, 2020
written by the partae

Whether it’s winter or summer where you are, there’s never a bad time to bring some musical sunshine into your life. Spanish vocalist Levop & motorcycle champion-and-artist Christian Meyer have got what you need in the form of their glorious new single ‘Sacala Al Sol’. The accompanying music video starring both artists delivers the ultimate summer vibes. Watch it, here.

Brimming with good vibes from the first note, this Latin firecracker is a delight from start to finish. Sumptuous vocals float over muted pads, and a sexy trap/R&B beat is teased to get the hips moving — but the track takes you by surprise, unexpectedly switching to an Afrobeat / reggaeton rhythm as the chorus beckons. The infectious refrain is bolstered by sweet melodic sounds and warm bass thrusts, combining beautifully to transport you right to the beach. It’s the sound of partying by the sea, running in the sand with friends, sipping cocktails and finding holiday romance.

“’Sacala Al Sol is a song inspired by everyday events which transmits joy and optimism” explains Meyer. “Good vibes are so necessary in these moments that we are living. Also ’Sacala Al Sol’ means exposing yourself and chasing your dreams.” The history of the song stretches back a couple of years, as Levop explains. “I started writing this song during my stay in Maryland in the summer of 2018, and I finished it with Christian in Spain, between mountain strolls and cooking sessions. Now it is for the whole world.” Well marinated and matured, this beautiful song has been worth the wait.

Christian Meyer is one of the pioneers of freestyle MX motorsport, with many trophies and firsts to his name over the years. His move into music was an unexpected one, but on the strength of this wonderful single, it’s been a wise one. Classically-trained Spanish-born singer Levop makes for the perfect accompaniment.

Levop & Christian Meyer – ‘Sacala Al Sol’ is out now.

CONNECT W/ LEVOP
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December 6, 2020 0 comments
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UNUM FESTIVAL RETURNS FOR 2021 AS ALBANIAN GOVERNMENT APPROVES USE OF RAPID TESTING June 3rd - 7th 2021 Shengjin, Albania
Festival NewsMusic News

UNUM FESTIVAL RETURNS FOR 2021 AS ALBANIAN GOVERNMENT APPROVES USE OF RAPID TESTING June 3rd – 7th 2021 Shengjin, Albania

by the partae December 6, 2020
written by the partae
Unum Festival is to return to the gorgeous beaches and pine forests of Shenghin on the Albanian Riviera from June 3rd to 7th 2021. After careful discussions with the Ministry of Tourism and Environment, and the Ministry of Health, all necessary measures will be undertaken to ensure that rapid tests will be offered at the open air festival venue so that you can enjoy world class music in a stunning, sun kissed setting next summer. This makes Albania the first country in the world to approve of testing for social and cultural events.
The advancing technology and accuracy of rapid tests currently allows for results within 10-15 minutes, which is all that would be required to ensure you can enjoy the festival in the way it should be enjoyed. On top of that, vaccines will likely have arrived early next year so that plans for this small, perfectly formed festival are now well underway, all with the support and backing of the Albanian government.
In 2019, the close-knit UNUM was a brand new festival that made an immediate mark in its first year because it was a friendly coming together of real music lovers in an amazing region of the world. It played out on the beautiful, organic and natural Albanian Riviera with a world class line-up of house, minimal and techno DJs such as Luciano, Ricardo Villalobos, Butch, Margaret Dygas, Petre Inspirescu, Praslea, Sonja Moonear, Zip and more. Expect more of these cult underground selectors when the full line up is announced soon.
The festival really shined a spotlight on Rana e Hedhun, the last untapped corner of Europe in the town of Shengjin, on the idyllic Albanian coastline. Music played, and will play again, across day and night, with blissful sunrise and sunset parties, water sports, plenty of local culture, food and drink offerings and a music loving crowd from all corners of the world. Beyond the music there is lots to explore in this natural paradise, from  isolated bays and gold sand beaches to the Albanian Alps. 
Until next June, take care of yourself, family, and friends and save your energy for what will be some seriously good vibes for Unum 2021. 
@UNUMFestival
Website http://www.unumfestival.com/
Facebook https://www.facebook.com/unumfestival/
Instagram https://www.instagram.com/unumfestival/

 

December 6, 2020 0 comments
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Music News

LUNDØN Blend Electronic With Rock in “Only Drug” Ft. LA-Based Vocalist Julian Comeau

by the partae December 6, 2020
written by the partae

LUNDØN Blend Electronic With Rock in “Only Drug”  Ft. LA-Based Vocalist Julian Comeau

NYC-based DJ/producer duo LUNDØN has once again linked up with L.A.-based rock singer/songwriter, Julian Comeau for their newest collaboration, “Only Drug.” The track follows shortly after their successful summer release with “Don’t Turn This Car Around” as well as their recent release ‘Ride Or Die’ alongside Kramos. “Only Drug” drops December 4th on all streaming platforms.

*STREAM/DOWNLOAD: LUNDØN – “ONLY DRUG” FT. JULIAN COMEAU*

The harmonious, textured vocal, courtesy of Julian Comeau effortlessly flows throughout the track’s entirety, serving as a prime accompaniment to LUNDØN’s hefty basslines and heart-soaring drops. Just when you thought the track couldn’t get any better, the second drop takes a pleasantly unexpected turn with head-banging dubstep beats. The melancholic theme of the tune is executed flawlessly, in large part due to the raw emotion and power behind Comeau’s harmonious singing of the track’s profoundly rich lyrics. Overall, LUNDØN’s hard-hitting dance music production elements act as a great addition to the pop-rock sensibilities Comeau is also known for, in turn crafting the perfect sonic marriage between dance music and indie rock.

STREAM: LUNDØN – “DON’T TURN THIS CAR AROUND” (FT. JULIAN COMEAU)

LUNDØN is a NYC-based electronic dance music DJ duo that recently formed within the last year. Consisting of Justin Peeling and Jeff Updike (formerly known as Stvylight), the pair’s first time working with one another was on October 2019’s “Whoever’s Next” alongside Reece Young and Brandon Elgar. Stemming off its success and wanting to take things further, they eventually decided to link up with one another to form LUNDØN, marking their second release with “Only Drug.”

https://www.facebook.com/LundonMusic

December 6, 2020 0 comments
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Karen Lee Batten
Music InterviewsMusic News

Karen Lee Batten

by the partae December 6, 2020
written by the partae

Where are you currently based?

I live in beautiful Langley, BC, Canada 🙂

How did you first start playing music?

My Dad was in a band when I was little. It was a Christian band and they used to play in church, so I would sit in the front row and with every song memorized, I would sing at the top of my lungs. I’m sure most people thought, “Can someone please shut this curly haired kid up?”

From there, I did piano lessons from ages 6 – 15, alto saxophone from grade 7 – grade 12 and was in every choir I would possibly have time for right into college. My Dad’s band came back together the year I came home from “Canadian Idol” and opened for me at my homecoming concert. Talk about full circle!

What’s been happening recently and how has your Covid experience been so far?

I think that like for everyone, I’ve had my ups and downs. So anytime I know I’m starting to hit the slide, I make sure to call someone, write something, organize something or make something. Anything to keep me going and feeling productive. It’s weird but it’s what we have right now.

Your new single ‘Too Strong’ is out now, what influenced the sound and songwriting?

This song was kind of a fluke and started after a long studio day. Jeff Johnson – one of my co-writer/producers on the single – and I were just chatting about life, and we ended up recording some rough late night musical bits and pieces into our phones. In the morning, we laughed and listed to what we had…. but that’s when we went, “Hey… this is pretty rad, I think we have a chorus here!”

Then Mitch Merrett (the other co-writer/producer on the single) and Chad Kroeger (the other writer) heard it and said, “We are finishing this song right now!”

We had it written and roughly recorded in less than 24 hrs. 🙂

How did you go about co-writing Too Strong?

Everyone on this project really equally brought their craft to the table. These boys are so talented that I’m amazed to be sitting in the same room as them. We all spoke our own truths and wrote what came naturally to us. It’s a testament to why I love co-writing so much!

Please tell us about the story behind the single:

This song was intended to give a message of strength to not give up, because we are too strong to let this break us. It started out as a message to anyone going though a tough relationship – there are so many of us who have had these kinds of struggles in the past. The easiest thing is to just give up, it’s really hard to be strong and fight when there is no fight left. But we can – we absolutely can.

I feel like as this year kept going, the meaning took on a second meaning to me, as we deal with this world we need to remember that we are in this together and we are too strong to give up. We need to carry each other.

Where and when did you record/produce?

We wrote this song in mid Dec. 2019 at Chad Kroeger’s place and recorded it in his home studio. Then Jeff Johnson took the track home with him back to the Okanagan and sent it out to a few key players to add some bells and whistles on it (not literally but hey.. bells and whistles and cow bells are cool too!).

How did you approach the recording process?

We were all so excited about this song there was no time to think. I was literally recording it as we were writing it. It was so cool!!

What programs/instruments did you use?

Avid Pro Tools, Drums, Bass, Guitars, Fiddles, Mandolins, Acoustic Guitars, Shakers, Tambourines and Vocals…. Along with Nacho Chips & Salsa, Perogies, Wine, Whiskey and Tequila!

Award winning producers Jeff Johnson and Mitch Merrett co-produced the single, how did this come about and how was the experience?

This team is amazing!! They are so talented in their own way I feel lucky to have them.

What I love the most about having both of them on this project is that they are so different. They both bring such unique ideas and lend their crafts to the project with such passion.

I have been buddies with Mitch Merrett for about 15 years now and when it came time to start my last project, “Under The Covers in Muscle Shoals”, I approached him with only the idea of doing a live off the floor record. He then took that idea and ran with it way bigger than I could have imagined. This lead to recording with some of the original Swampers, and at the world famous Fame studios in Alabama. Mitch and Mike Pyle (Bobby Wills) co-produced that record for me.

Fast forward to a year from that release and I really wanted to get back into writing and recording my own material. The “Under the Covers” album was an 11 song covers record and it was time to get creative again. I was singing at a fundraiser that Chad Kroeger was also attending and after I was done he came up to me, took my phone put his number in it, and said, “We are gonna work together on something, call me.”

So… I did and after a couple of meetings, he picked up the phone, called Jeff (whom I was friends with in the industry for years but had never worked with yet) and said I think you guys should record together. Jeff and I chatted, and got excited about writing. We then called Mitch and planned a writing weekend away at my place in the Okanagan, and the rest is… history!

I look up to this team big time, they have taught me so much.

How does Too Strong relate to the current Covid pandemic?

I hope it gives people a message of strength, a message of unity. We are going through this wild world together, and eventually it’s going to feel different. So we can’t give up, we have to stay strong because we are “Too Strong” to give up.

Please tell us about your experience recording your last album at the legendary Fame Studios in Muscle Shoals, Alabama:

This was one of those “once in a lifetime” times for me. If I didn’t take this opportunity, I knew I would never have that chance again and I am so glad I did.

Mitch and I had talked about doing a live off the floor record when he called me and said “I think we need to go where this was done at its best.”

He made some calls, had me watch the amazing documentary “Muscle Shoals Live” and then called me and said, “Not only does Mike Pyle of Muscle Shoals want to work on it but he thinks he can round up some of the original Swampers to play on it.”

After watching the documentary and then hearing some of the recognizable names coming onto the project, I couldn’t believe it. We then decided to take this project one step farther and do an 11 song covers record with 10 of those recorded in Muscle Shoals, at Fame Studios and recorded with some of the same guys.

Let me tell you, standing in the exact same place, same isolation booth, as Etta James, Aretha Franklin, and Bob Dylan stood (to name a few), singing their songs while looking out onto the floor at these master musicians – which included some of the original players who played on the exact same song from back in the ‘60s & ‘70s (Jimmy Johnson, Clayton Ivy, Bob Wray) – was the most surreal moment of my entire life. Bar none.

Then to top it all off, the founder and owner of Fame comes in and stands on the floor for 30 minutes before going into the control room. He then throws some cans on and starts to talk to me through my ears. I just about died.

“Ok Little Lady, let’s take it again from the top.”

He produced ‘Respect’ with Aretha, and he produced ‘Mustang Sally’. How in the world am I standing here right now? Rick Hall passed away a few months after that session, and Jimmy Johnson shortly after that. I don’t know how I was able to grab onto this once in a lifetime opportunity but I thank my lucky stars I did. RIP friends and thank you.

How did Canadian Idol help kick off your career and what did you learn from the experience?

Exposure is always what one strives for in this industry, especially as an indie artist. So to be on a show that was watched by 6.1 million people was pretty cool. I am so thankful for that opportunity. Once it was done and I kept going, radio and TV kept caring about what I was doing next. It helped so much and I will forever be grateful for that.

I definitely learned that no one is going to come running to you. You can’t come home from something like that and sit on the couch expecting to get the “big call.” It can happen yes, but most likely not and it’s all in what you do with it. I tried to remember that moving forward and that has been a great lesson to keep in the back of my head all the time. It’s always hard work, you can’t sit down, how bad do you want to make music. Then do it.

Who are you listening to at the moment?

Jess Moskaluke’s new single “Mapdot” is so good. We release on the same day, always great to cheer a girlfriend on! I am also loving Brothers Osborne probably too much. My whole house has no choice but to hear them on repeat daily – haha.

What do you like to do away from music?

If I am not hanging out with my family or friends, you will probably find me in my kitchen making “Earthya”.

I started this little hobby company in April after the pandemic started. I was finding myself slowly sliding, watching all my shows cancel one by one, and thought, “No way Karen – create busy in a different way.”

So I took my little hobby that I had been doing for about a year prior, rebranded, renamed it and actually told people about it outside my family and close friends. So now I have over 100 products that I make from home. They are all 100% organic made with premium essential oils. Household and beauty products including lip balm, lip glosses, bar soap, surface cleaners, room sprays, etc.

What’s planned for the remainder of 2020 going into 2021?

My plan for the rest of 2020 is to just stay in contact with people, talk about my new single, and my new video. I also want to interact with people and through that, I hope that my music helps in some way. I also need to de-clutter, so that’s a goal of mine, too. Out with the old, create new. Then come 2021, I am looking forward to releasing my next single. I CAN’T wait!! It’s unlike any release or write I have ever done and I can’t wait to hear what people think. I hope to put a much needed smile on some faces!!

Favourite food and place to hangout?

Oh man, well where food is concerned, I do love sushi but I don’t really “hang out” at sushi restaurants – haha.

But my favourite place to hang out is of course, the stage. I love the people and the energy that goes with performing and I look forward to the day when we can go back and do it again!

Facebook: @KarenLeeBatten   |   Instagram: @KarenLeeBatten | Twitter: @KarenLeeBatten

December 6, 2020 0 comments
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Perth’s BIG ORANGE unleashes debut album AN ODE TO ODIOUS
Music News

Perth’s BIG ORANGE unleashes debut album AN ODE TO ODIOUS

by the partae December 4, 2020
written by the partae
Big Orange put themselves out there wholeheartedly, presenting their debut album, An Ode To Odious. Releasing this eight track collection of alt-rock as we head into summer, Big Orange are giving fans an album that will uplift and rouse – it’s an album that cuts through the density that has been 2020 and instead, breaks things open for more hopeful times ahead.

Featuring already released singles ‘Apocketlipstick’, ‘Goodnight Kiss Vampire Bite’, ‘The Reason’ and their latest cut from the album, ‘I Wanna Know’, An Ode To Odious is an album that presents the perfect snapshot of the dynamism of one of WA’s strongest rock acts.

Uplifting melodies and bright percussion meet warm guitars and impassioned keys, giving the album moments of rich indie depth (‘In The Shadows’). From songwriter Daniel Davis, we hear some strong pop songwriting chops, as he channels energy that will remind listeners of early Arcade Fire and The Jezabels (‘Dangerous Times’, ‘I Wanna Know’).
“I usually write about existentialism, morality, sadness, self-loathing, misanthropy, lost love and apocalypse; so I hope people can enjoy an album’s worth of my pessimistic world view. I’m glad we could get this album before the world ends. This album has been a long time coming and a lot of work but we think we’ve made a really good record that we can be proud of.” Daniel Davis, Big Orange

The album was recorded by Davis at his home studio in West Leederville and also by Dave Parkin (Spacey Jane, San Cisco) out at Perth’s Blackbird Sound Studio, An Ode To Odious keeps the fresh essence of Big Orange at the fore, highlighting their musicality, particularly with the introduction of new drummer – Jamie Gallacher – to the group.

With new blood in the fold, the album making process went through many different phases, ultimately arriving at cohesive and refined presentation of the band Big Orange are continuing to flourish into.

“We’ve been chipping away at this album for quite some time now. Some tracks are new but others have been kicking around for what seems like eternity. It’s not a long album, just eight tracks that felt right together at this point in time. We have so much in the pipeline, it feels good to get this train a-rollin’.” Emma Adams, Big Orange

PRAISE FOR BIG ORANGE

“There’s something really exciting about Big Orange and throughout 2020, despite everything going on, we’ve had the opportunity to see that begin to blossom.”
Pilerats

“Big Orange come off like some of the best power-popsters such as The Posies combined with the rollicking feel and dry wit of Ben Folds.”
Amrap (Australian Music Radio Airplay Project)

“This band knows how to write a classic pop song.”
Triple J Unearthed, Dave Ruby Howe

“They could be the next big thing out of WA, everyone could be talking about Big Orange.”
FBi Radio, Al Grigg

An Ode To Odious is out now!
Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

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