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Lexington, KY three-piece Too Close To Touch have dropped the fourth volume of their EP series I’m Hard To Love But So Are You.
“As we close out what has surely been one of the most difficult years for all of us, we’re both humbled and happy to bring you a new batch of songs from Too Close,” says vocalist Keaton Pierce. “I would say that this group is definitely the most diverse, and hits a pretty broad range on the spectrum of what we’ve released in the past. It feels fitting though, as this year has delivered such a wide array of emotions to everyone- Happiness, anger, sadness, hopefulness, and at times, hopelessness. As always, thank you for listening. It means the world to us, and hopefully you as well.”
The band has also released the music video for “Pick Me Up,” animated by Andrew Onorato (Billie Eilish, Childish Gambino), which you can watch, here. The track, produced and mixed by Daniel Muckala (Nick Carter, Echosmith), “relates to experiences dealing and coping with struggles and painful challenges we face,” explains the band. “There’s nothing worse than the feeling of being alone when facing the unfamiliar. Not knowing who or what you can trust. That period of status can make or break us, and lead to seemingly uncontrollable moments where we act out of panic and fear.”
LISTEN TO I’M HARD TO LOVE BUT SO ARE YOU, VOL. 4
Too Close To Touch is Keaton Pierce (vocals), Mason Marble (guitar), and Kenny Downey (drums).
The band’s releases include the EP series I’m Hard To Love But So Are You (Vol. 1, Vol. 2, Vol. 3), the songs series of “Leave You Lonely”, “Before I Cave In”, “Burn,” and their albums Nerve Endings (2015), and Haven’t Been Myself (2016).
In 2016, Too Close To Touch won the award for Best Underground Band at the Alternative Music Press Awards. Haven’t Been Myself debuted on the Billboard charts as the #3 Alternative Artist Album, #9 Top New Artist Album, and #133 Billboard Top 200 Current Album.
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FOLLOW MATT STORM:
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UK house music heavyweights Gorgon City have revealed a new dancefloor focused banger ‘Trapdoor’. The UK & Chicago based duo of Kye Gibbon and Matt Robson Scott have become known for their addictive take on bass driven vocal and deep house; carving out a distinct and instantly recognisable sound after producing a string of chart hits and underground dance floor moments.
The prolific pair have clocked up over 1.5 billion global streams to their name and close to 10 million singles sold across their career.
Gorgon City’s club focused REALM imprint is home to the duo’s more underground and instrumental house cuts, which often emerge to fans for the first time via the duo’s packed DJ sets – previous tracks include ‘Lick Shot’, ‘Delicious’, ‘Elizabeth Street’ ‘Roped In’ ‘Motorola’ & ‘Grooves On The Vinyl’.
Their latest single ‘Trapdoor’; a playfully euphoric and driving house number was no different having been road tested to packed crowds in the Gorgon City REALM club shows in late 2019 and now comes packed alongside three previous label classics.
With an impressively growing discography packed full of outstanding releases, the past 18 months have seen Gorgon City release a series of standout singles. The recent ‘Burning’ ft Brooklyn singer Evan Giia accompanied by remixes from Snakehips and Ben Hemsley. The unmistakable track ‘House Arrest’ with Sofi Tukker clocked up over 12 Million streams in 10 weeks, topped international radio playlists and hit the #1 spot on US Dance Radio. The duo also collaborated with house music royalty ‘MK’ on ‘There For You’ and continued their innovative trailblazing with ‘Nobody’ featuring Chicago duo DRAMA.
The band are working towards and string of live dates for 2021, a staple part of Gorgon City’s offering to fans. 2019 saw amazing live sets around the world including Coachella and EDC Vegas, Israel’s Get Lost Festival as well as sold out UK shows at Printworks, Warehouse Project, Tobacco Dock and dates all around Europe and the US.
Gorgon City ‘REALM’ EP is out now
MACEO PLEX – ‘CINEMAX’
MINISTRY OF SOUND & ELLUM AUDIO
OUT NOW
Maceo Plex unveils his latest single titled ‘Cinemax’. Released via Ministry Of Sound and Ellum Audio, ‘Cinemax’ is available to stream and purchase from today.
Created this year in the midst of a global pandemic and much political uncertainty, ‘Cinemax’ is the follow up single to ‘Nu World’ which saw all proceeds donated to the American Civil Liberties Union’s campaign to fight voter suppression in the 2020 US election. ‘Cinemax’ sees Maceo Plex sample Alice Russell and The Quantic Soul Orchestra’s ‘Pushin’ On’, utilising the sample to symbolise resilience and unity as we move forward into the new year.
“We are leaving the past behind. Time to unify, leave the racism and division behind us. The lyrics tell this story. The song itself is a deep chugger, always building with forwarding momentum” – Maceo Plex
Returning to Ministry Of Sound following the 2019 single, ‘When the Lights Are Out’ which received an array of media support from the likes of Resident Advisor, Billboard, Mixmag, DJ Mag and more, ‘Cinemax’ is a further exhibition of Maceo Plex’s signature studio output, fusing melodic house and brooding techno. A standout track in recent sets with fans and like-minded artists searching online for news of an official release, Alice Russell’s vocal sample is instantly recognizable and was also used on Oliver Dollar and Jimi Jules’ 2014 house hit ‘Pushing On’. Released via Defected Records and Ministry Of Sound, ‘Pushing On’ peaked at #15 in the UK singles chart
An artist who has crafted a remarkably impressive discography of productions across the sphere of electronic music and beyond, Maceo Plex’s ‘Cinemax’ follows a string of acclaimed singles / remixes this year. Highlighted by two official remixes for Jane’s Addiction frontman Perry Farrell, September’s ‘Nu World’ and most recently, an official remix of Faithless’ ‘Synthesizer’.
The leading electronic producer, artist and live act, Maceo Plex’s accolades are in abundance. The figurehead behind the seminal underground label, Ellum Audio, Maceo Plex has released four studio albums, mix compilations for London’s fabric and !K7’s DJ-Kicks series, along with an impressive catalogue of productions under his Mariel Ito and Maetrik aliases. Having curated several BBC Radio 1 Essential Mix’s, headlining global festivals and gracing the cover of many a magazine from Mixmag to DJ Mag, Maceo Plex has also remixed artists including Coldcut, Röyksopp, GusGus, DJ T, Maribou State, Perry Farrell, Faithless and more. The start of 2020 also saw Maceo Plex announce plans for a new three-part, multidimensional sensory experience live show titled ‘M³’.
Maceo Plex ‘Cinemax’ is out now via Ministry Of Sound & Ellum Audio
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Melbourne pop artist Lakelend finally shares his second single ‘Supernova’, a nostalgic yet contrastingly futuristic project detailing the immediate intensity of falling in love.
Combining electronic beats, synthesised strings and Lakelend‘s honest vocals, ‘Supernova’ traverses through the feelings of uncertainty which is sonically juxtaposed by the overall upbeat tune of the single.
“Sometimes that new person falls into your lap when you least expect it. A breath of fresh air. Something that you haven’t experienced before”, Lakelend explains. “I was all in. Never in my life had I experienced a love for someone that built up so incredibly quickly. I think it’s only human to return love and affection if it’s received well and is something you’re capable of giving back. In hindsight there were certain moments that I was blind to everything happening around me. My close friends, my family and even my own goals and ambitions. I don’t regret it, but I’m just being honest,” details Lakelend.
Lakelend‘s previous debut single ‘Fall Down’ received high acclaim, sitting at nearly 134k streams on Spotify alone on top of praise from Australian tastemakers including Project U, auspOp ThomasBleach and more. The track also received its first play via triple j Unearthed TOPS, and landed on Spotify’s Pop ‘N Fresh and Come Thru just days after its release. Lakelend has spent the last two years collaborating with renowned producers Cam Bluff (Amy Shark, Illy, Hilltop Hoods, Allday), Xavier Dunn (Peking Duk, Graace, Jack River) and the MSquared team Michael Paynter & Michael DeLorenzis (Aloe Blacc, CXLOE) who have helped craft his distinct sound.
The single drops alongside a visualiser and to follow Lakelend will be releasing a new video clip in weeks to come.
So jump on board and take flight with Lakelend as ‘Supernova’ is only chapter two of the promising new artist. Stay tuned for more, coming soon.
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Cover art by Cameron Spratley
Photo by Roya Ansari
TRACKLIST
LIFE OF PIG
I FALL (feat. Aalok Bala)
N.I.4.N.I
NOT ME (feat. Sol)
CONTROL 2002
SOIL FOR THE ORCHIDS
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Homegrown multi ARIA award winning, singer-songwriter Amy Shark has today announced a massive headline tour of Australia in June/July 2021 in support of her highly anticipated sophomore album, CRY FOREVER, set for release April 30, 2021 and available to pre-order now. Shark’s national CRY FOREVER tour will be the Gold Coast local’s most ambitious live undertaking yet in some of the largest venues Australia has to offer, and to celebrate the announcement she’s today shared a new tune from the album, ‘All the Lies About Me’. The tour will kick off at Qudos Bank Arena (Sydney) on June 12, before moving through to Rod Laver Arena (Melbourne) on June 18, Wrest Point Lawns (Hobart) June 19, HOTA (Gold Coast) June 25, Riverstage (Brisbane) June 26, Adelaide Entertainment Centre July 1, and will finish up in Perth at RAC Arena on July 3. Tickets go on sale Friday 11 December at 10am local time and are available from www.amyshark.com.
Amy Shark sold in excess of 45,000 tickets in 2019 across her metro and regional tours, with her regional tour last week picking up the ARIA for ‘Best Australian Live Act’, paired with her ARIA win for ‘Best Pop Release’ for ‘Everybody Rise’. The CRY FOREVER tour will see Shark level up, rolling out world class production and musicianship as she brings her anticipated new album to life in arenas across Australia.
No stranger to the big stage, Amy Shark has headlined many major festivals, along with winning over the entire stadium at Fire Fight and wowing a huge national audience with her recent NRL Grand Final appearance. Guaranteed to delight fans across Australia, this career defining must-see tour promises to feature stand out performances of songs from the critically acclaimed LOVE MONSTER album, fan faves from the NIGHT THINKER EP and of course brand new music from CRY FOREVER including ARIA winning, platinum accredited ‘Everybody Rise’which is nearing 20 million streams globally and spent 12 weeks in the top 10 Australian airplay chart.
“I am so proud of this album and it’s time to hand these songs over to the fans,” says Shark. “To announce a tour of this size, after the year we have been through, gives me hope that the world is heading back to normality. I will give every show every part of me, this is going to be massive and I am counting down the days to perform.”
CRY FOREVER is the follow up to Amy Shark’s 2018 #1 ARIA Album Of The Year, LOVE MONSTER and is available to pre-order now via Wonderlick/Sony Music Entertainment. Written and recorded between the US, UK, New Zealand and Shark’s home studio on the Gold Coast, her exceptional songwriting is on full display here, co-producing with A-List producers: Dann Hume (ARIA 2018 & 2019 Producer Of The year), M-Phazes (Ruel, Eminem)
Through Shark’s honest and emotional storytelling, CRY FOREVER is set to be an evolution from her debut album LOVE MONSTER, “I am now a more confident musician and person than the Amy of 2018, and I feel like I am ready to share some moments from my life that I wasn’t previously ok to talk about,” says Shark, “These are some of the most personal and confronting songs I’ve ever written, and I can’t wait to share them with everyone.” And to celebrate the album and tour announcement, Shark has dropped a new track, ‘All The Lies About Me’, featuring her trademark soaring vocals, powerful lyrics and acoustic guitar. “This song is me at my most confused, broken and lonely. It’s not easy hearing things about yourself that simply aren’t true. Sometimes the noise gets too loud, so I had to write this song as it’s the only way I can talk.”
Amy Shark has come a long way since her breakthrough single Adore. As shared on her Instagram account – in just a few years she has gone from moving 82 tickets in her home state of Queensland, to selling out arena-sized venues all across the country. After bursting on to the global music scene in 2016, her 5 x Platinum single ‘Adore’ put her on the map as one of Australia’s most formidable emerging songwriters. This was followed by 4 x Platinum and number one Australian Airplay Chart hit, ‘I Said Hi’ and the 2019 2 x platinum single ‘Mess Her Up’. Shark’s debut/
Undoubtedly, 2021 is poised to be an even bigger year for Amy Shark with the release of her sophomore record and national CRY FOREVER tour.
CRY FOREVER is set for release on April 30, 2021 and is available to pre-order now via Wonderlick/Sony Music Entertainment Australia.
The CRY FOREVER tour will be held with a commitment to a COVID Safe environment. TEG LIVE will work closely with and comply with all requirements of the public health authorities in respect of these shows.
AMY SHARK ‘CRY FOREVER’ TOUR 2021
Fans can also take advantage of Ticketek’s world-leading partnership with Afterpay for Amy’s Cry Forever Tour. Available via the Ticketek app or website, Afterpay is the world’s largest buy-now-pay-later service, offering fans greater flexibility to pay for tickets in four equal instalments and secure seats with the first payment.
For further information, head to www.amyshark.com
ABOUT TEG LIVE:
Whether it’s winter or summer where you are, there’s never a bad time to bring some musical sunshine into your life. Spanish vocalist Levop & motorcycle champion-and-artist Christian Meyer have got what you need in the form of their glorious new single ‘Sacala Al Sol’. The accompanying music video starring both artists delivers the ultimate summer vibes. Watch it, here.
Brimming with good vibes from the first note, this Latin firecracker is a delight from start to finish. Sumptuous vocals float over muted pads, and a sexy trap/R&B beat is teased to get the hips moving — but the track takes you by surprise, unexpectedly switching to an Afrobeat / reggaeton rhythm as the chorus beckons. The infectious refrain is bolstered by sweet melodic sounds and warm bass thrusts, combining beautifully to transport you right to the beach. It’s the sound of partying by the sea, running in the sand with friends, sipping cocktails and finding holiday romance.
“’Sacala Al Sol is a song inspired by everyday events which transmits joy and optimism” explains Meyer. “Good vibes are so necessary in these moments that we are living. Also ’Sacala Al Sol’ means exposing yourself and chasing your dreams.” The history of the song stretches back a couple of years, as Levop explains. “I started writing this song during my stay in Maryland in the summer of 2018, and I finished it with Christian in Spain, between mountain strolls and cooking sessions. Now it is for the whole world.” Well marinated and matured, this beautiful song has been worth the wait.
Christian Meyer is one of the pioneers of freestyle MX motorsport, with many trophies and firsts to his name over the years. His move into music was an unexpected one, but on the strength of this wonderful single, it’s been a wise one. Classically-trained Spanish-born singer Levop makes for the perfect accompaniment.
Levop & Christian Meyer – ‘Sacala Al Sol’ is out now.
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NYC-based DJ/producer duo LUNDØN has once again linked up with L.A.-based rock singer/songwriter, Julian Comeau for their newest collaboration, “Only Drug.” The track follows shortly after their successful summer release with “Don’t Turn This Car Around” as well as their recent release ‘Ride Or Die’ alongside Kramos. “Only Drug” drops December 4th on all streaming platforms.
*STREAM/DOWNLOAD: LUNDØN – “ONLY DRUG” FT. JULIAN COMEAU*
The harmonious, textured vocal, courtesy of Julian Comeau effortlessly flows throughout the track’s entirety, serving as a prime accompaniment to LUNDØN’s hefty basslines and heart-soaring drops. Just when you thought the track couldn’t get any better, the second drop takes a pleasantly unexpected turn with head-banging dubstep beats. The melancholic theme of the tune is executed flawlessly, in large part due to the raw emotion and power behind Comeau’s harmonious singing of the track’s profoundly rich lyrics. Overall, LUNDØN’s hard-hitting dance music production elements act as a great addition to the pop-rock sensibilities Comeau is also known for, in turn crafting the perfect sonic marriage between dance music and indie rock.
STREAM: LUNDØN – “DON’T TURN THIS CAR AROUND” (FT. JULIAN COMEAU)
LUNDØN is a NYC-based electronic dance music DJ duo that recently formed within the last year. Consisting of Justin Peeling and Jeff Updike (formerly known as Stvylight), the pair’s first time working with one another was on October 2019’s “Whoever’s Next” alongside Reece Young and Brandon Elgar. Stemming off its success and wanting to take things further, they eventually decided to link up with one another to form LUNDØN, marking their second release with “Only Drug.”
Where are you currently based?
I live in beautiful Langley, BC, Canada 🙂
How did you first start playing music?
My Dad was in a band when I was little. It was a Christian band and they used to play in church, so I would sit in the front row and with every song memorized, I would sing at the top of my lungs. I’m sure most people thought, “Can someone please shut this curly haired kid up?”
From there, I did piano lessons from ages 6 – 15, alto saxophone from grade 7 – grade 12 and was in every choir I would possibly have time for right into college. My Dad’s band came back together the year I came home from “Canadian Idol” and opened for me at my homecoming concert. Talk about full circle!
What’s been happening recently and how has your Covid experience been so far?
I think that like for everyone, I’ve had my ups and downs. So anytime I know I’m starting to hit the slide, I make sure to call someone, write something, organize something or make something. Anything to keep me going and feeling productive. It’s weird but it’s what we have right now.
Your new single ‘Too Strong’ is out now, what influenced the sound and songwriting?
This song was kind of a fluke and started after a long studio day. Jeff Johnson – one of my co-writer/producers on the single – and I were just chatting about life, and we ended up recording some rough late night musical bits and pieces into our phones. In the morning, we laughed and listed to what we had…. but that’s when we went, “Hey… this is pretty rad, I think we have a chorus here!”
Then Mitch Merrett (the other co-writer/producer on the single) and Chad Kroeger (the other writer) heard it and said, “We are finishing this song right now!”
We had it written and roughly recorded in less than 24 hrs. 🙂
How did you go about co-writing Too Strong?
Everyone on this project really equally brought their craft to the table. These boys are so talented that I’m amazed to be sitting in the same room as them. We all spoke our own truths and wrote what came naturally to us. It’s a testament to why I love co-writing so much!
Please tell us about the story behind the single:
This song was intended to give a message of strength to not give up, because we are too strong to let this break us. It started out as a message to anyone going though a tough relationship – there are so many of us who have had these kinds of struggles in the past. The easiest thing is to just give up, it’s really hard to be strong and fight when there is no fight left. But we can – we absolutely can.
I feel like as this year kept going, the meaning took on a second meaning to me, as we deal with this world we need to remember that we are in this together and we are too strong to give up. We need to carry each other.
Where and when did you record/produce?
We wrote this song in mid Dec. 2019 at Chad Kroeger’s place and recorded it in his home studio. Then Jeff Johnson took the track home with him back to the Okanagan and sent it out to a few key players to add some bells and whistles on it (not literally but hey.. bells and whistles and cow bells are cool too!).
How did you approach the recording process?
We were all so excited about this song there was no time to think. I was literally recording it as we were writing it. It was so cool!!
What programs/instruments did you use?
Avid Pro Tools, Drums, Bass, Guitars, Fiddles, Mandolins, Acoustic Guitars, Shakers, Tambourines and Vocals…. Along with Nacho Chips & Salsa, Perogies, Wine, Whiskey and Tequila!
Award winning producers Jeff Johnson and Mitch Merrett co-produced the single, how did this come about and how was the experience?
This team is amazing!! They are so talented in their own way I feel lucky to have them.
What I love the most about having both of them on this project is that they are so different. They both bring such unique ideas and lend their crafts to the project with such passion.
I have been buddies with Mitch Merrett for about 15 years now and when it came time to start my last project, “Under The Covers in Muscle Shoals”, I approached him with only the idea of doing a live off the floor record. He then took that idea and ran with it way bigger than I could have imagined. This lead to recording with some of the original Swampers, and at the world famous Fame studios in Alabama. Mitch and Mike Pyle (Bobby Wills) co-produced that record for me.
Fast forward to a year from that release and I really wanted to get back into writing and recording my own material. The “Under the Covers” album was an 11 song covers record and it was time to get creative again. I was singing at a fundraiser that Chad Kroeger was also attending and after I was done he came up to me, took my phone put his number in it, and said, “We are gonna work together on something, call me.”
So… I did and after a couple of meetings, he picked up the phone, called Jeff (whom I was friends with in the industry for years but had never worked with yet) and said I think you guys should record together. Jeff and I chatted, and got excited about writing. We then called Mitch and planned a writing weekend away at my place in the Okanagan, and the rest is… history!
I look up to this team big time, they have taught me so much.
How does Too Strong relate to the current Covid pandemic?
I hope it gives people a message of strength, a message of unity. We are going through this wild world together, and eventually it’s going to feel different. So we can’t give up, we have to stay strong because we are “Too Strong” to give up.
Please tell us about your experience recording your last album at the legendary Fame Studios in Muscle Shoals, Alabama:
This was one of those “once in a lifetime” times for me. If I didn’t take this opportunity, I knew I would never have that chance again and I am so glad I did.
Mitch and I had talked about doing a live off the floor record when he called me and said “I think we need to go where this was done at its best.”
He made some calls, had me watch the amazing documentary “Muscle Shoals Live” and then called me and said, “Not only does Mike Pyle of Muscle Shoals want to work on it but he thinks he can round up some of the original Swampers to play on it.”
After watching the documentary and then hearing some of the recognizable names coming onto the project, I couldn’t believe it. We then decided to take this project one step farther and do an 11 song covers record with 10 of those recorded in Muscle Shoals, at Fame Studios and recorded with some of the same guys.
Let me tell you, standing in the exact same place, same isolation booth, as Etta James, Aretha Franklin, and Bob Dylan stood (to name a few), singing their songs while looking out onto the floor at these master musicians – which included some of the original players who played on the exact same song from back in the ‘60s & ‘70s (Jimmy Johnson, Clayton Ivy, Bob Wray) – was the most surreal moment of my entire life. Bar none.
Then to top it all off, the founder and owner of Fame comes in and stands on the floor for 30 minutes before going into the control room. He then throws some cans on and starts to talk to me through my ears. I just about died.
“Ok Little Lady, let’s take it again from the top.”
He produced ‘Respect’ with Aretha, and he produced ‘Mustang Sally’. How in the world am I standing here right now? Rick Hall passed away a few months after that session, and Jimmy Johnson shortly after that. I don’t know how I was able to grab onto this once in a lifetime opportunity but I thank my lucky stars I did. RIP friends and thank you.
How did Canadian Idol help kick off your career and what did you learn from the experience?
Exposure is always what one strives for in this industry, especially as an indie artist. So to be on a show that was watched by 6.1 million people was pretty cool. I am so thankful for that opportunity. Once it was done and I kept going, radio and TV kept caring about what I was doing next. It helped so much and I will forever be grateful for that.
I definitely learned that no one is going to come running to you. You can’t come home from something like that and sit on the couch expecting to get the “big call.” It can happen yes, but most likely not and it’s all in what you do with it. I tried to remember that moving forward and that has been a great lesson to keep in the back of my head all the time. It’s always hard work, you can’t sit down, how bad do you want to make music. Then do it.
Who are you listening to at the moment?
Jess Moskaluke’s new single “Mapdot” is so good. We release on the same day, always great to cheer a girlfriend on! I am also loving Brothers Osborne probably too much. My whole house has no choice but to hear them on repeat daily – haha.
What do you like to do away from music?
If I am not hanging out with my family or friends, you will probably find me in my kitchen making “Earthya”.
I started this little hobby company in April after the pandemic started. I was finding myself slowly sliding, watching all my shows cancel one by one, and thought, “No way Karen – create busy in a different way.”
So I took my little hobby that I had been doing for about a year prior, rebranded, renamed it and actually told people about it outside my family and close friends. So now I have over 100 products that I make from home. They are all 100% organic made with premium essential oils. Household and beauty products including lip balm, lip glosses, bar soap, surface cleaners, room sprays, etc.
What’s planned for the remainder of 2020 going into 2021?
My plan for the rest of 2020 is to just stay in contact with people, talk about my new single, and my new video. I also want to interact with people and through that, I hope that my music helps in some way. I also need to de-clutter, so that’s a goal of mine, too. Out with the old, create new. Then come 2021, I am looking forward to releasing my next single. I CAN’T wait!! It’s unlike any release or write I have ever done and I can’t wait to hear what people think. I hope to put a much needed smile on some faces!!
Favourite food and place to hangout?
Oh man, well where food is concerned, I do love sushi but I don’t really “hang out” at sushi restaurants – haha.
But my favourite place to hang out is of course, the stage. I love the people and the energy that goes with performing and I look forward to the day when we can go back and do it again!
Facebook: @KarenLeeBatten | Instagram: @KarenLeeBatten | Twitter: @KarenLeeBatten
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“There’s something really exciting about Big Orange and throughout 2020, despite everything going on, we’ve had the opportunity to see that begin to blossom.”
Pilerats
“Big Orange come off like some of the best power-popsters such as The Posies combined with the rollicking feel and dry wit of Ben Folds.”
Amrap (Australian Music Radio Airplay Project)
“This band knows how to write a classic pop song.”
Triple J Unearthed, Dave Ruby Howe
“They could be the next big thing out of WA, everyone could be talking about Big Orange.”
FBi Radio, Al Grigg
An Ode To Odious is out now!
Facebook | Twitter | Instagram | YouTube | Triple J Unearthed
