the partae

“The new record rushes like a runaway ghost train, eagerly shifting between funk, horrorcore stadium rock, pop, grunge and electronic.” – The Independent

“From the horror-rave of The Dead Walk to the blood-spattered rock riffs of Cemetery and Skeleton, there are plenty of dark treats here to soundtrack fearful, sleepless nights.” – Kerrang!

“Immersive and powerful…. It’s the sound of genius, lurking in the shadows.” – Metal Hammer

” He’s never met a supernatural entity he can’t pair with thumping darktronica and stalking rock guitar.”  – MOJO

“This third engrossing outing conjures worlds from chilly, pulsing synths and waspish guitar.” – Uncut

“Irresistible and viscerally pleasing… Thoroughly captivating.” – The Wire

“The familiar, leaden pulses and the odd skittering rhythms still have the power to make the skin itch and the listener wonder just what it is they can see out of the corner of their eye.” – Prog

“The fact that he’s still creating — and that it’s this vital, this vicious, and this urgent — only further fulfills his moniker as the Master.” – Consequence of Sound

“Neon-tinged, dance floor-friendly menace.” – AV Club

John Carpenter releases his third studio album of “soundtracks for the movies in your mind”, ‘Lost Themes III: Alive After Death’ via Sacred Bones Records.

Following the stomping “Weeping Ghost,” the dancefloor-ready “The Dead Walk,” and suspense-filled title-track “Alive After Death“ brought to life with animations by Boneface, the album is now revealed in its entirety.

‘Lost Themes III: Alive After Death’ streaming options: https://geni.us/LostThemesIII

Underpinning Carpenter’s renaissance as a musician has been his collaboration with Cody Carpenter and Daniel Davies. They’ve composed and performed as a trio since the first ‘Lost Themes’ album in 2015: on studio albums, on soundtracks, and onstage. Here, the trio reaches a new level of creative mind meld. Richly rendered worlds are built in the interplay between Davies’s guitar and the duelling synthesisers played by the Carpenters.

“We begin with a theme, a bass line, a pad, something that sounds good and will lead us to the next layer,” John says of the trio’s process. “We then just keep adding on from there. We understand each other’s strengths and weaknesses, how to communicate without words, and the process is easier now than it was in the beginning. We’ve matured.”

Much has changed in the trio’s musical life since 2016’s ‘Lost Themes II’. Following the release of that album, the group went on their first-ever concert tour, performing material from the ‘Lost Themes’ albums, as well as music from Carpenter’s classic film scores. They re-recorded many of those classic movie themes for 2017’s ‘Anthology’ album. The following year, John was asked to executive produce and compose the music for the new Halloween movie directed by David Gordon Green, which promptly became the highest-grossing instalment in the series. Whereas the original ‘Lost Themes’ album came as a surprise after years of relative silence from Carpenter, the third instalment sees him in the midst of a resurgent moment as a cultural force. The 2018 ‘Halloween’ score gave his music its biggest audience in decades, and the world he releases his new album into is one that has, at long last, given him the credit he deserves as a founding father of modern electronic music.

SUPPORT FOR ‘CARAMEL SLICE’

“Infectious downbeat psychedelia that’s bursting with groove.”
– Deafen County (AUS)

“It’s a mesmerising, bare bones, jammy type one that had me daydreaming. Oh and thanks, now i feel like a caramel slice.”
– Declan Byrne – triple j (AUS)

“I always go for the caramel slice at the bakery as my go-to treat, and this song is just that – woozy, rich and leaves you feeling full as a goog.”
– Pip Rasmussen – triple j Unearthed (AUS)

Following on from their critically praised single ‘Pomegranate’, Sydney-based indie-rock quartet Silky Roads have just unveiled their soothing new single ‘Caramel Slice’.

Channelling a surf-rock infused vigour, ‘Caramel Slice’ bursts with an explosion of sunshine, as reverb-soaked guitars and spacious percussion playfully intertwine. As the track unfolds, subtle fuzz-laden verses effortlessly build into a soaring chorus, capping off a meticulously composed psych-pop number.

Silky Roads talks about the meaning behind ‘Caramel Slice’:

“‘Caramel Slice’ was written during the Black Summer fires; Lyrically the song expresses how we felt fed up with the blind eye that the people in power give towards global issues. We thought it was fitting to add sirens and commotion, as well as a surprise uproar at the end to further translate this point. However, as always, the meaning of the song is up to the listeners interpretation.”

Previous single ‘Pomegranate’ was embraced by Australian radio stations triple j, triple j Unearthed, 4ZZZ and Radio Adelaide. The track also received support from online blogs Atwood Magazine (USA), The Soundcheck, Forte Magazine, AAA Backstage and Something You Said.

While they’ve only been a band for a short period, Silky Roads have shown themselves to be a prolific up and comers. The four songwriters take inspiration from the likes of Ocean Alley, Lime Cordiale and Mako Road, creating a unique blend of indie and psych-rock, with further releases on the horizon for 2021.

‘Caramel Slice’ is available worldwide now

https://fanlink.to/eH4tzz

FOLLOW SILKY ROADS

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STREAM / PURCHASE ‘AFSILA’ HERE

DESTIINO – ‘AFSILA’
LUMIÈRE NOIRE RECORDS
____________________________________________________________________________________

Announced today, French electronic producer Pierre-Alexandre Busson, better known as Yuksek, reveals the first details of his new alias, Destiino. Sharing the inaugural taster of the project, Destiino’s debut single, ‘Afsila’ is out now via Chloé’s Lumière Noire Records. ‘Afsila’ is the first track taken from a soon to be released EP of the same name on February 19^th.

The origins of the project and Yuksek’s tormented alter-ego of Destiino revert back to 2017, when the Rheims-born electronic producer was invited to take part in a unique experiment – a residence at visual artist Xavier Veilhan’s Studio Venezia. The installation, as part of The 57th Venice Biennale, invited musicians to make use of its instruments in order to compose live in front of an audience.

Inspired by the spontaneity and improvising nature of the experience, Yuksek returned home with a new sonic focus to push the limits of his artistic boundaries, break conventional creative processes and surrender to spontaneity by recording improvised tracks in one sequence on his armada of analogue machines.

“Destiino is Yuksek’s alter ego, it came out straight from the synthesizers PCB, without over thinking. It’s the result of lonely recording sessions when I pushed the ‘stop recording button’ when exhausted. It also came out of public recording sessions at Xavier Veilhan exhibition in Venice Biennale. I could hardly describe the style, but I can only say that it’s most of the time one shot recording, nearly no editing, like sur-realist’s automatic writing, like joy in the machine.” – Destiino

Embarking on a series of experimental music sessions between Venice and Yuksek’s studio in Rheims, the output very almost didn’t see the light of day. By his own admission, Yuksek didn’t quite know what to make of the unclassifiable tracks, which comprised both of pieces that were too moody for dance-music labels and others that were too club-focused for more experimental imprints. It was with Lumière Noire, a label that defies classification, that the project found an open ear.

Along with label boss Chloé, who shares an equal love and inclination towards shifting away from club formatted sounds and holding a deep appreciation for narrating stories with music, Yuksek created edited versions of his recordings which withhold the desired raw musical feel. As time-progressed and ideas between the two artists were exchanged and flourishing, the Destiino project was born.

Dark atmospheres and frantic melodies conjured by the unmistakable aura of analogue hardware create a body of music which encompasses experimental sounds from lo-fi, to electronica, cinematic scores and acid-tinged techno.

With more Destiino music forthcoming this year, ‘Afsila’ is out now via Lumière Noire Records.

Connect with Yuksek / Destiino

“I’ve said it previously but I’m gonna keep saying it – Yibby is one of the strongest voices in the vanguard of Sydney hip-hop right now. Pay attention.” – Tommy Faith, triple j Unearthed

“Yibby’s energy and enthusiasm are innate – spitting bars with a confidence beyond his years without so much as breaking a sweat.” – FBi Radio

STREAM ‘CIGAR FT LORD APEX’ HERE

Further showcasing his disparate nature, idiosyncratic rapper YIBBY returns for his first offering of 2021 in the form of the hazy, boom bap track ‘Cigar’ featuring prolific London powerhouse Lord Apex.

Driven by a trap inspired beat from regular collaborators Clockwork Odyssey, ‘Cigar’ addresses the differences between the real and what’s a facade. Of the track’s main line, YIBBY says “I got the cigar line from that saying “close but no cigar” I actually thought the saying was “all smoke and no cigar” until I read up, but I liked it too much, so I kept it haha.”

With the constraints of border closures, this international alliance came together entirely over the internet with YIBBY stating “I’ve been listening to Apex heavy for a couple years now, so when I heard that beat and how it was really murky but also had a bounce I knew I wanted him on it, so I hit him up. I tried to do the hook too but as soon as I heard his tone on it, it was a wrap.” 

Forever a melting pot of genres, YIBBY’s music always comes accompanied with coming of age tales and food for thought bars. His debut single ‘Woah’ came in late 2018 signalling the start of a rapid fire first year for the now 21-year-old which consisted of the Lost In Translation EP and a hard-hitting team up with fellow up-and-comer Raj Mahal.

Quickly gaining recognition from fans and media, in 2019 he came in at #14 on FBi Radio’s Most Played Artists. He also left his mark on triple j’s Bars of Steel and FBi Radio’s Independent Play series whilst garnering fans from Sniffers, Tone Deaf, Life Without Andy, Purple Sneakers and more. Single ‘Folk’, pulled from his debut EP, was added to spot rotation on triple j, as well as full adds on triple j Unearthed, FBi Radio, SYN Radio, 4ZZZ and EDGE Radio, and spins on Beats Radio 1.

Last year his major release ‘No Sweat’ was added to Spotify’s tastemaker playlists Local Hype, Beats n’ Bars and The Drip and was included in The Guardian’s Best Music for May.

On the live circuit he’s cut his teeth supporting Winston Surfshirt, Boo Seeka, Drapht, Arno Faraji, Milan Ring and Kuren as well as performing a show-stopping set at Bad Friday Festival. 

YIBBY
‘Cigar ft. Lord Apex’
OUT NOW

Returning in a sparkling pop creation via a proven collaboration, we see platinum producer Felix Cartal and celebrated songstress Kiiara defy the usual industry standards and allow their creativity to guide them on their latest single. “Happy Hour” is an uplifting tune paired with wry, personal lyrics that will provide the next anthem for 2021, out now via Physical Presents. Who needs romantic perfection when you have radiant happiness and a drink in your hand?

Felix Cartal says about the song: “The idea and lyrics for this song were created during a writing session in Norway. I think my time in Scandinavia was really beneficial to my songwriting process because they have this effortless approach to pop writing. We had a breakthrough when we started thinking of juxtaposing ‘Happy Hour’ with darker lyrics. It kind of all fell together once we figured out how to attack it, and I dub it my ‘uplifting loser anthem.’ It felt sort of pop, but sort of unconventional, and to have Kiiara feature on it was unreal because I felt that her pop music has that same unpredictable quality.”

Kiiara tells us about the collaboration: “Felix and I have been meaning to work together on an original song of our own for years. I’ve always been a fan of his work. I remember him sending me a remix of my song ‘Feels’ a few years back and I was blown away. I’m really excited about our new song ‘Happy Hour.’ It’s a melodramatic emo anthem (lol that’s both of our specialities).”

With over 270 Million Spotify plays and counting, Vancouver based Felix Cartal has three platinum singles “Get What You Give” “Love Me,” and “Mine” under his belt, as well as an award for Dance Recording of the Year at Junos 2020. His music has been featured on major Youtube channels Trap Nation, Mr. Suicide Sheep, Mr. Revillz, Chill Nation, Selected, and xKito amongst others, accumulating over 90 Million views. He has also seen support from BBC Radio 1‘s Danny Howard and Diplo & Friends and SiriusXM Chill has also heavily supported several singles, while his Weekend Workout radio show was featured on SiriusXM Diplo’s Revolution. Felix has collaborated with several major artists such as Kaskade, R3HAB, and Gallant; additionally, he has created official remixes for the likes of Selena Gomez, Zedd, Galantis, Dillon Francis, MØ, Ellie Goulding, Diplo and more recently, Anne-Marie & Doja Cat as well as Daya & Shallou‘s “Older.”

Kiiara‘s breakout single “Gold” reached no. 5 on Billboard’s US Top 40 charts and over 675 million streams alone. In total, she’s amassed over 2 billion streams across platforms. The singer has been featured by several industry mammoths including David Guetta, Linkin Park, and Cheat Codes. Kiiara has also collaborated with blackbear on the single, “So Sick” which was recently remixed by Martin Jensen. “Happy Hour” is the first release since her debut album “lil kiiwi” from October 2020.

The incredibly gifted Kelly McMichael (also known as RENDERS) has released her new single “Out The Window.”   It’s an instantly beguiling tune that (as Kelly puts it) celebrates “Two friends convince each other to quit their crappy jobs and boyfriends and go out on a tear…Dedicated to quality babes raising the bar.”   Originally from Peterborough Ontario, and now based in St. John’s Newfoundland – Kelly is known for her commanding stage presence, captivating voice, and classic-sounding songwriting. She has a unique ability, via her creative process, to conduct powerful musical energy through a wide range of sounds.  And now, after a number of setbacks, the planets have finally aligned to allow Kelly to record and release her dream debut full length album.

https://kellymcmichael.bandcamp.com/

https://www.facebook.com/kellymcmichaelmusic/

Critically-acclaimed Canadian recording artist and versatile singer-songwriter Colin Fowlie has arrived on the scene with an abundant horn of plenty in the life experience department. He brings with him a storied past, new and compelling compositions in song, and charismatic vocal stylings that turn heads. His lifelong journey as a songwriter and touring performer has culminated as his primary focus, along with family and a passion for exploring the open road with the wind in his face. The unique character of his songs fuse elements of folk, rock, blues and Americana/Canadiana into a special blend of universally themed storytelling that, along with his down-to-earth personality, create magic that audiences adore.

Colin’s discography has garnered radio airplay on campus, community and commercial radio across Canada and has graced various charts, both regionally and nationally. He has accrued more than 3 million views on YouTube and was awarded the coveted gold standard status at MusicFest Canada (1994) and Maritime MusicFest (1995).

https://www.colinfowlie.com/

https://twitter.com/ColinFowlieNB

https://www.instagram.com/colinfowlienb/

https://www.facebook.com/ColinFowlieNB/