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Interview: Figurehead talk new single “Heart Like A Sunset”

April 9, 2026

FESTIVAL OF THE STONE 2026 LINEUP ANNOUNCEMENT Saturday 20 June, Byron Bay...

April 9, 2026

MATT CORBY ANNOUNCES THE TRAGIC MAGIC TOUR – ADELAIDE, PERTH, MELBOURNE, NEWCASTLE,...

April 8, 2026

Karnivool Announce Biggest Headline Shows of Their Career

April 8, 2026

DEAN TURNLEY EXCLUSIVE MELBOURNE SHOW

April 8, 2026

FREMANTLE INDIE ACT FIGUREHEAD RETURN WITH NEW SINGLE “HEART LIKE A SUNSET”

April 8, 2026

JACK WHITE RETURNS WITH TWO NEW SONGS, ‘G.O.D. AND THE BROKEN RIBS’...

April 7, 2026

COURTNEY BARNETT ANNOUNCES CREATURE OF HABIT TOUR ​FOR NOVEMBER 2026

April 7, 2026

EARL SWEATSHIRT, MIKE, AND SURF GANG RELEASE DOUBLE LP – POMPEII //...

April 7, 2026

Arky Waters Turns Up the Heat with New Single ‘Molly’

April 3, 2026
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Joelistics’ new production and concept record, Joelistics Presents Film School
Music News

Joelistics’ new production and concept record, Joelistics Presents Film School

by the partae March 15, 2021
written by the partae

“Joelistics is operating here with the kind of alternative hip-hop sonics yet to reach the Australian scene – in large part because the country’s mainstream rap identity is still finding popular form. It’d be wise to watch his renewed second phase, particularly with the launch of his own label Odd Head Music.” – MTV Australia

“He’s someone always at the cusp of what’s next, pushing forward new and unexplored ideas in a way that makes it feel like his specialty.” – Hayden Davies, Pilerats

Over the past few months Australian hip hop royalty Joelistics has been trickling out the first tastes of his ambitious new production record Joelistics Presents Film School. After rounding out a trio of genre-melding releases – ‘Yokai’, ‘Memory Palace’ and ‘5 Rivers’ – Joelistics is thrilled to finally reveal the remainder of his highly anticipated, moody and angular concept album, of over five years in the making.

OUT NOW via Odd Head Music, Film School is a departure for Joelistics as vocalist and MC, and sees the multi-instrumentalist leaning into his recently lauded ‘Best Producer’ role to concentrate his efforts on an expansive catalog of beats and synths. ‘70s Asian pop samples, psych-rock journey music and studio improvisations weave deep explorations of sonic experimentation, with string compositions, guzheng (Chinese harp), synths, samplers, drum machines and more.

“Who knew in the midst of writing a collaborative album of weird beats and psych jams I would find treasured collaborations with filmmakers and dancers? Joelistics presents Film School is a lot of things, it started off as an album and evolved into a series of collaborative filmed dance pieces that work as a unified whole drawing imagery from Asian ghost stories recontextualised in suburban Melbourne.” – Joelistics

Recalling his love of instrumental hip hop and trip hop from the ’90s and his penchant for post rock stylings, Film School is a record of collaborations. Predominantly instrumental, the few vocalists that feature on the album are all women of Asian descent. Parvyn Singh of The Bombay Royale features on the psych rock groove of ‘Samsara’ and dreamy single ‘5 Rivers’ and Hailey Cramer aka HAYTCH lends her vocals to the future soul of ‘Fool’. Joelistics’ underground string and synth side project, Garden Tiger made up of Francesca Mountfort on cello, Mindy Wang on guzheng and Joel on synths/beats, also feature on the record adding even more dimension to an already sensual piece alluding to fear and its connection to the senses in ‘Memory Palace’.

“With this music and the film, I wanted to weave an eerie feeling, reminiscent of empty streets, a distant sense of dread and the hypnotic patterns of lockdown life. I wanted the dancers to personify our collective fear of sickness and loneliness and how those fears dance at the edge of every moment we hold dear. Musically it is a blend of Pan Asian psychedelia, post rock stylings and lo fi synthscapes, made from the scraps of your ancestor’s vocals, dusty loops and traditional Chinese and Western instruments. The underlying feeling of this project is a meditation on the anxiety of our times and the transcendence that comes from facing fear.” – Joelistics

An ode to surreal dreamscapes and cinematic atmospheres, Film School draws on themes of Asian ghost stories, time displacement and sonic surrealism and traverses left-field beats, kraut rock and traditional Chinese and Indian music.

Joelistics Presents Film School is out now via Odd Head Music

Vinyl available via Joelistics’ Bandcamp

Joelistics Website
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March 15, 2021 0 comments
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SNAKEHEADS IN CELEBRATION OF PETE LUSTY, SNAKEHEADS RELEASE SINGLE 'SHIT I DON'T HAVE TIME FOR (FEAT. A. SWAYZE)' - OUT NOW
Music News

SNAKEHEADS IN CELEBRATION OF PETE LUSTY, SNAKEHEADS RELEASE SINGLE ‘SHIT I DON’T HAVE TIME FOR (FEAT. A. SWAYZE)’ – OUT NOW

by the partae March 15, 2021
written by the partae

On the 15th of March 2020, we lost our dear friend and Ivy League Records founding father, Pete Lusty to cancer. It’s a loss that resonates throughout every single member of our Ivy League family – artists, staff past and present, friends, family, and fellow travellers. We loved him. Without Pete there is a hole in all of our lives that we will never, ever be able to fill.

Exactly one year on from Pete’s heartbreaking departure, Ivy League Records are proud to release the debut single from Snakeheads, a posthumously named garage band partnership between Pete and his lifelong friend and collaborator, James Roden (John Reed Club, The City Lights). The song, ‘Shit I Don’t Have Time For’ is a musical white-knuckle celebration of Pete and James’ older siblings record collections (Buzzcocks, The Jam, The Clash). Featuring one of Pete’s favourite Ivy League artists, Andrew Swayze from A. Swayze and the Ghosts on lead vocals, the song perfectly encapsulates the vitality and endless energy that Pete brought to everything he did, and that swept up everyone in his orbit.

LISTEN: ‘Shit I Don’t Have Time For (feat. A. Swayze) – Snakeheads

The origins of Snakeheads date back Year 7 aged 12 years old when they met and bonded over music. Fast forward to 2014 with Pete and James both back in Sydney together after Pete’s many years traversing the globe managing the likes of The Vines, Jet and Empire of the Sun, the two high school friends were eager to return to their roots. They started jamming together every Monday night (“turning the worst night of the week, into the best”), playing only ‘70s English punk and US hardcore. “We only wanted to play what we loved at 15 years old, with no pressure and no point,” says James. Backed by Kit Warhurst (Rocket Science, The City Lights) on drums and James’ brother Harry (Hoolahan, The City Lights) on bass, the band entered the studio with long-time friend and legendary Australian producer Wayne Connolly in February 2019 to record the fruits of those Monday night sessions.

Like everything in life, when something is right there in front of you, tangible and touchable, you can’t imagine it going away. Like every band, Snakeheads thought they had more time: time to tinker; time to talk; time to record more songs. Tragically, as Pete’s diagnosis arrived and his health declined, that time went from infinite to finite. The seven songs they recorded together were close, close enough to give comfort and a sense of purpose after Pete died. Something to focus on, something to finish, for Pete.

The unending absence began. Music has always been cathartic and now it was traumatic. With Wayne, Kit and Harry, behind him, James began the journey of going through the recordings. Ivy League wanted to help and celebrate the life of its co-founder.

The first single to be released from the recordings is ‘Shit I Don’t Have Time For’. Ivy League’s Andy Cassell suggested Andrew Swayze from A. Swayze and the Ghosts sing the lead vocal. AS&TG were one of the last bands Pete signed to Ivy League Records and epitomised the music, style, and attitude that shaped his life since his early days in the suburbs with James.

Remember that feeling when you’re 15 and drop the needle on your new favourite record? It’s that same energy and passion that is encapsulated in Snakeheads’ debut single. Even the name Snakeheads is a nod to what they might have called their band as teenagers and a reference to Pete’s piercing ‘snake-eyes’. It’s also an audible testament to two best friends (and each other’s best men at their weddings) who both drew inspiration from and championed each other for life. A tangible celebration of their essence. They had each other. In cahoots till the end.

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March 15, 2021 0 comments
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R3HAB, Timmy Trumpet and W&W bring back festival memories with "Distant Memory" (out now)
Music News

R3HAB, Timmy Trumpet, and W&W Team Up For Future Festival Anthem “Distant Memory”

by the partae March 14, 2021
written by the partae

Artists: R3HAB, Timmy Trumpet, W&W
Title: Distant Memory
Label: CYB3RPVNK
Release date: March 12, 2021

Download / Stream

In an epic collision of forces, R3HAB partners with Timmy Trumpet and W&W for the new single “Distant Memory,” a big-room progressive house track that’s destined for future festival anthem status. Opening with haunting, singsong vocals and lullaby-esque melodies, it lulls the listener into a relaxed state before upping the ante with cinematic synths and a driving bassline, working into a goosebump-worthy drop. The contrast between the dreamy vocal verses and the intensified drop makes “Distant Memory” a standout of 2021 thus far, and we hope this isn’t the last collab we’ll see from R3HAB, Trumpet and W&W duo. R3HAB and Timmy Trumpet previously collaborated on 2020’s successful release “911.” Check out below what the artists had to say about the new release:

“Making music for a living is a special feeling, and to do it with friends is a next-level high. I’m excited to work with Timmy Trumpet on our second collab and have been looking for the right song to create with W&W for a long time. ‘Distant Memory‘ is going to be a festival hype builder, but what makes it special is the contrast between the dreamy dazed verses and the drop. Timmy, Willem, and Ward have great energy, which keeps the artistic process fresh and inspired. Hope you love it.” – R3HAB

“There’s nothing I love more than making music with my friends, and these guys are the best in the business. I’ve collabed with both W&W and R3HAB before but never on the same record and you can hear all 4 of us inside its elements. I can’t wait to drop this on stage with all 4 of us and blow up the dance-floor!” – Timmy Trumpet

“It was a real pleasure working with R3HAB and Timmy Trumpet on ‘Distant Memory.’ Both R3HAB and Timmy are really good friends of us which made it very easy going! We also feel it really combines the best of all of us as artists, and we hope you like listening to it as much as we liked working on it!” – W&W

Dutch/Moroccan DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the better part of the last decade. From his breakthrough hit remix of Afrojack, Pitbull and Ne-Yo‘s “Give Me Everything” to his dance anthems, such as “All Around The World (La La La)” and “Lullaby,” which have collectively amassed over 600M streams, to his collaborations with the likes of ZAYN, Andy Grammer, Sofia Carson, Timmy Trumpet and more, R3HAB has proven to be one of the most talented and forward-thinking artists in the game. He partnered with Spotify and GATTÜSO to create the first-ever official “mint” single release. In 2016 he founded his label CYB3RPVNK, which passed one billion streams on its catalog within the first two years since its inception. R3HAB himself continues to evolve and diversify his sound by working with a variety of artists around the globe, experimenting with everything from hip-hop to pop through his collaborations. With his combination of innate artistry and innovative attitude, in 2021 R3HAB is continuing his journey among electronic music’s elite.

https://www.youtube.com/watch?v=c53C5Rfewqs

More info on R3HAB / Timmy Trumpet / W&W / CYB3RPVNK:

R3HAB: Facebook | Instagram | Twitter | Spotify
Timmy Trumpet: Facebook
 | Instagram | Twitter | Spotify
W&W: Facebook
 | Instagram | Twitter | Spotify
CYB3RPVNK: Website
 | Youtube

 

March 14, 2021 0 comments
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Sam Blacky Turns Up The Heat With Travel-Inspired House Single "Body." Out Now on Stabby Records
Music News

Sam Blacky Turns Up The Heat With Travel-Inspired House Single “Body.” Out Now on Stabby Records

by the partae March 14, 2021
written by the partae

Artists: Sam Blacky
Title: Body
Label: Stabby Records

Download / stream

After releasing her debut single “Too Late” just last month, the multitalented LA-based DJ/producer Sam Blacky returns with her follow-up release “Body,” a smoldering vocal house track that was inspired by Sam‘s world travels. Opening with beats that call to mind a frenzied tribal drum circle, Blacky incorporates ethereal vocals for a touch of complexity and contrast. When the deep, driving bassline kicks in, you’ll be taken to a beachside set in Mexico as the sun is going down and the dancefloor is heating up. “Body” perfectly reflects Sam‘s “A New World” video series, which includes her most recent upload from Sian Ka’an, a picturesque secluded peninsula in Mexico.

“‘Body‘ was 100% inspired by my love of travel & tropical, foreign destinations. Obviously, before COVID, what seems like so long ago, I would be in a different country almost every weekend and get exposed to all sorts of new styles of music. I took it all in like a sponge, I was obsessed with every new song I heard & I couldn’t believe how different all the sounds were. I collected bits and pieces from all over the world to culminate my own sound & take different aspects from every place I had been and combine them all together. The song went through tons of rounds of changes and edits because every time I would come home from another trip, I would have something more to add. I hope it comes across in the work, because it truly was inspired by the world.” – Sam Blacky

Samantha Black is a multitalented DJ/producer, model, and influencer professionally known as Sam Blacky. Originally from San Diego, Sam spent several years in Australia, where she first fell in love with producing music and performing live. Since moving back to Los Angeles, music and performing have taken a front seat in her life. In addition to her hectic modeling schedule, Sam has performed live across the world from 2017 to 2021, from Mexico to Ibiza to Bali, racking up over 120 gigs a year at some of the premier electronic festivals and clubs on the planet. With the global pandemic in 2020, Sam released a series of videos on Youtube called “A New World,” where she streamed live sets from some of her favorite places in Mexico, giving viewers a taste of vacation vibes even while staying safe at home. Before all the music, her modeling portfolio included brands such as Nike, L’Oréal, Galore, Marie Claire, Superdry, Guess, Sports Illustrated, Malibu, and Playboy, giving her a unique creative perspective to all types of cultures and styles to bring to her music. With the launch of Sam Blacky‘s label, Stabby Records, and her first releases, 2021 is set to be a breakout year for Sam as she expands her artistic brand.

More info on Sam Blacky:

Facebook | Instagram | Twitter | Website

 

March 14, 2021 0 comments
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Bill Jr. Jr.
Music InterviewsMusic News

Bill Jr. Jr.

by the partae March 14, 2021
written by the partae

Where are you currently based?

Vancouver, Canada.

How did you first start playing music?

Around the house as a lad, borrowing my stepdad’s guitar (much to his chagrin).

What’s been happening recently and how has your Covid experience been?

Right now, I’m on a little west coast island trying to get into a songwriting headspace. I noticed that I wasn’t sitting down to play or write much at home this past year. For whatever reason, I’m sure Covid has something to do with it, I haven’t felt that inspired to write any music. One thing that is missing as a result of the pandemic is getting to play with other people, which can be a major source of inspiration for me.

Your new album ‘Homebody’ came out recently, what influenced the sound and songwriting?

The sound of the record had a lot to do with my other collaborators, namely the producer and bassist Daniel McNamara. I compose on guitar and write the lyrics and sing so we built around that foundation but he did a lot of the heavy lifting. The Athens crew of musicians and Daniel really helped give ‘Homebody’ it’s flare and colour.

I tried to write songs about my home (Vancouver) and about the people and places I was connected to there.

 How did you go about writing the album?

I started by setting up a schedule to practice regularly and just stuck to it. I try not to really worry about each day’s productivity but rather trust that as long as I keep showing up, things will come to completion in time. That’s how I approached ‘Homebody’.

Where and when did you record/produce/master and who with?

Chase Park Transduction Studios in Athens, Georgia is where we recorded and the record was mastered by CPS Mastering in Vancouver.

How did you approach the recording process?

We scheduled everything really well because recording studios cost lots of money each day that you rent them. We went into tracking pretty well rehearsed so that was helpful. After the beds were down, we brought in other musicians for keys, back up vocals, etc. At this point we were happy to express what we wanted them to do but were also open to their unique style and interpretation of a part. I think that this approach helped ‘Homebody’ sound so full.

What did you find most rewarding and challenging during the creation of ‘Homebody’?

Geez…all these people coming together around an idea that I had for an album was very rewarding. Them being onboard felt great and was so so necessary. Challenges arose for me when I had to let go of being in control of something.

How has the reaction been from fans?

Pretty good I think. Everyone I chat with about it has nice things to say. It’s certainly my biggest effort to date and I think fans felt that leap from the previous two records. Although, any song or album you put out, no matter the budget or effort or scale, has its own magic.

Your new single ‘Blue’ is out now, what did this single mean to you?

I like this song because musically speaking, it’s a good example of an “off” take on a traditional style. The weird twangs and the bridge and the chords kind of make it strange enough to feel interesting to listen to I think. Plus it’s personally interesting to me because it’s about wandering around my neighbourhood, thinking thoughts and feeling feelings, two things I do quite often. So, it felt great to write a tune that captured my own subjective experience of something that is wholly regular and benign.

How did the concept for the ‘Blue’ music video come about?

I wanted to make a video that looked and felt different than the other videos I was seeing. Parameters can help me focus so I applied this logic to the location of where we would play: my van. In the van we could only do so much, which felt comforting and I think we all felt pretty loose as a result. And, any musician will tell you that the best music comes when you’re feeling loose.

Where and when did you film and who did you work with?

November 2019. It was kind of cold actually, we may have run the vehicle for heat in between takes. Matt Sawatzky made the video, he did a great job.

Who are you listening to at the moment?

Aofie Nessa Frances, John Fahey, Cian Nugent, Rex Orange County.

What do you like to do away from music?

Body movement stuff, cooking, chit chatting the day away.

What’s planned for 2021?

We’ve got three more tunes from that same recording session in Athens that couldn’t fit on the record. So expect some more videos in unique settings.

Favourite food and place to hangout?

Chips, my couch.

Website | Spotify | Facebook | Instagram 

March 14, 2021 0 comments
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Music News

HUSSYKAT NEW SINGLE “THINGS ARE GETTING BETTER” AVAILABLE NOW!

by the partae March 12, 2021
written by the partae

Sydney producer/rapper is back with a new single! ‘Things Are Getting Better’ is available on all music platforms NOW! 

The single has a future bass theme with the usual Hussykat old school hip hop flow and the one liners the rapper is known for. In addition, there was some heavy 808 bass all over and some catchy melodies. The Sydney rapper expressed how he feels about the year 2020 in general and how from now on, everything will keep getting better and better.

The single is produced, Recorded and mixed by Hussykat himself and mastered by veteran sound engineer Nicholas Di Lorenzo, it’s safe to say HussyKat is making a statement with this single, you can keep up to date with his future releases via his social media links below.

facebook.com/HussyKat  ||  instagram.com/hussykat

March 12, 2021 0 comments
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Where are you currently based? Toronto, Ontario, Canada How did you first start playing music? I come from an incredibly musical family and in a way, music was a part of my life right from the beginning. I still have vivid memories of my mom singing in 5-part harmony with her brothers and sisters and father around campfires when I was very young and my parents singing to and with me even long before then. Music was a big part of my life until I started royal conservatory piano lessons, which honestly turned me away from it for a while, haha.  After a bit of time away from the rigidness of the lessons, I started to fall in love with playing songs by ear again and making things up on guitar and piano. This led to me eventually write my first songs. I loved the process and the outlet so much that I never stopped and haven’t looked back since. What's been happening recently and how has your Covid experience been? If Covid had to hit, it happened at the perfect time for me. I absolutely love performing live and miss it like crazy, but because of how often I was playing for people before Covid, I never took the time to finish a recording project. In the forced solitude and open time that the pandemic gave me, I finally finished my first EP. My days consist now of everything that’s involved with sharing the music I made and it’s an incredible feeling that I didn’t know I was missing.  Your debut EP 'Only Pieces of The Truth' will be released on March 12, what influenced the sound and songwriting? The songs on this EP were written over the past 6 years of my life as a performing artist. They explore a desire to deepen my relationships with the people in my life and with myself. Sonically, I was influenced by all of the music that has inspired me most throughout my life as a musician. I think listeners will be able to hear everything from my love of roots, electronic, orchestral and experimental music. I think all of those influences thrown into a mixing pot with who I am as a live performer, and tossed around within the boundaries of my simple home studio set up created the unique and eclectic sound of this EP. How did you go about writing Only Pieces of The Truth? Only Pieces of the Truth was lyrically inspired by a couple in my life who really love each other but are fighting through a distance that came with a build-up of little unresolved tensions over a significant period of time. While I can say what it is about with confidence now, this inspiration happened subconsciously, as almost all of the melodies and lyrics in this song came from an improvisation. I find that my favourite lyrics and melodies that I write come when I am able to get my brain out of the way and flow in an improvisation.  Where and when did you record/produce/master and who with? I recorded and played all of the instruments myself in my home studio in Toronto, as well as a bit in Alberta while I was visiting family using my portable studio set up. The EP was then mixed by my friend Jason Dufour and mastered by Joao Carvalho. How did you approach the recording process? Each song on this EP came with a different approach. For example, Docks (the opening track), came together as a collage of improvised ideas. Nothing was pre-envisioned; it was all just done by playing with interesting delays and sounds, massaging them together and then improvising over the result. In contrast, I Don’t Want to Let You Go and Freedom (both of which I had been performing for quite a while before I brought them into the studio), were put together very intentionally with a clear vision in mind before laying down the first tracks. Only Pieces of the Truth was probably the most difficult. I must have produced more than 10 distinctly different versions of that song before I found one that felt right. What programs/instruments did you use? I primarily use Logic as my DAW and use software from UAD, Fabfilter and Soundtoys daily. In terms of instruments on this EP, I played a variety of guitars, percussion instruments and keys as well as many different software instruments ranging from pianos to synths that I created myself.  What does the EP mean to you? This one means a lot to me! It’s the first body of work that I created fully on my own. I am planning to explore collaboration with many different writers and producers in the future, but it will always be special to be able to look back and know that I started with something that was just me. With all of its flaws and imperfections, it’s a snapshot of who I am at this time in my life. I really hope that this music helps people find peace and vulnerability in themselves as they listen to it and that the songs become theirs now as much as they are mine. Who are you listening to at the moment? Right now, I can’t seem to turn off Leif Vollebekk’s music! His vibe is just perfectly complimenting the way I’ve been feeling lately. Other than that, I always love to hear songs from Matt Corby, Frank Ocean, Bon Iver, Labrinth, Jacob Collier and Novo Amor, just to name a few.  What do you like to do away from music? I love playing basketball! It’s been tough now that it’s winter and the gyms are closed for the pandemic. I’m itching to get back out when it all clears up. Other than that and music, my favourite thing to do is to be in beautiful places with people I love. Give me a campfire by a mountain lake, a guitar and my friends and family and I will die a happy man.  What's planned for 2021? I am actually just putting the finishing touches on another EP that I am planning to release soon after my first! After that, I hope the pandemic clears up so that I can sing with and for people again. I have so much pent-up performance energy. Feels like I could tour for a couple years straight now and not take it for granted. I hope that’s in the cards for this year or next! Favourite food and place to hangout? My favourite food right now is sushi and I love hanging out in this secluded spot by the water in Toronto where my friends and I go to have driftwood fires in the summer. I don’t want to say exactly where it is because for now, we seem to be some of the only people that know about it but if you ever come this way, we’d love to take you there!  https://www.jordanhartsound.com https://twitter.com/jordanhartsound https://www.instagram.com/jordanhartsound/ https://www.facebook.com/jordanhartsound
Music InterviewsMusic News

Jordan Hart

by the partae March 12, 2021
written by the partae

Where are you currently based?

 

Toronto, Ontario, Canada

 

How did you first start playing music?

 

I come from an incredibly musical family and in a way, music was a part of my life right from the beginning. I still have vivid memories of my mom singing in 5-part harmony with her brothers and sisters and father around campfires when I was very young and my parents singing to and with me even long before then. Music was a big part of my life until I started royal conservatory piano lessons, which honestly turned me away from it for a while, haha. 

 

After a bit of time away from the rigidness of the lessons, I started to fall in love with playing songs by ear again and making things up on guitar and piano. This led to me eventually write my first songs. I loved the process and the outlet so much that I never stopped and haven’t looked back since.

 

What’s been happening recently and how has your Covid experience been?

 

If Covid had to hit, it happened at the perfect time for me. I absolutely love performing live and miss it like crazy, but because of how often I was playing for people before Covid, I never took the time to finish a recording project. In the forced solitude and open time that the pandemic gave me, I finally finished my first EP. My days consist now of everything that’s involved with sharing the music I made and it’s an incredible feeling that I didn’t know I was missing. 

 

Your debut EP ‘Only Pieces of The Truth’ will be released on March 12, what influenced the sound and songwriting?

 

The songs on this EP were written over the past 6 years of my life as a performing artist. They explore a desire to deepen my relationships with the people in my life and with myself. Sonically, I was influenced by all of the music that has inspired me most throughout my life as a musician. I think listeners will be able to hear everything from my love of roots, electronic, orchestral and experimental music. I think all of those influences thrown into a mixing pot with who I am as a live performer, and tossed around within the boundaries of my simple home studio set up created the unique and eclectic sound of this EP.

 

How did you go about writing Only Pieces of The Truth?

 

Only Pieces of the Truth was lyrically inspired by a couple in my life who really love each other but are fighting through a distance that came with a build-up of little unresolved tensions over a significant period of time. While I can say what it is about with confidence now, this inspiration happened subconsciously, as almost all of the melodies and lyrics in this song came from an improvisation. I find that my favourite lyrics and melodies that I write come when I am able to get my brain out of the way and flow in an improvisation. 

 

Where and when did you record/produce/master and who with?

 

I recorded and played all of the instruments myself in my home studio in Toronto, as well as a bit in Alberta while I was visiting family using my portable studio set up. The EP was then mixed by my friend Jason Dufour and mastered by Joao Carvalho.

 

How did you approach the recording process?


Each song on this EP came with a different approach. For example, Docks (the opening track), came together as a collage of improvised ideas. Nothing was pre-envisioned; it was all just done by playing with interesting delays and sounds, massaging them together and then improvising over the result. In contrast, I Don’t Want to Let You Go and Freedom (both of which I had been performing for quite a while before I brought them into the studio), were put together very intentionally with a clear vision in mind before laying down the first tracks. Only Pieces of the Truth was probably the most difficult. I must have produced more than 10 distinctly different versions of that song before I found one that felt right.

 

What programs/instruments did you use?

 

I primarily use Logic as my DAW and use software from UAD, Fabfilter and Soundtoys daily. In terms of instruments on this EP, I played a variety of guitars, percussion instruments and keys as well as many different software instruments ranging from pianos to synths that I created myself. 

 

What does the EP mean to you?

 

This one means a lot to me! It’s the first body of work that I created fully on my own. I am planning to explore collaboration with many different writers and producers in the future, but it will always be special to be able to look back and know that I started with something that was just me. With all of its flaws and imperfections, it’s a snapshot of who I am at this time in my life. I really hope that this music helps people find peace and vulnerability in themselves as they listen to it and that the songs become theirs now as much as they are mine.

 

Who are you listening to at the moment?

 

Right now, I can’t seem to turn off Leif Vollebekk’s music! His vibe is just perfectly complimenting the way I’ve been feeling lately. Other than that, I always love to hear songs from Matt Corby, Frank Ocean, Bon Iver, Labrinth, Jacob Collier and Novo Amor, just to name a few. 

 

What do you like to do away from music?

 

I love playing basketball! It’s been tough now that it’s winter and the gyms are closed for the pandemic. I’m itching to get back out when it all clears up. Other than that and music, my favourite thing to do is to be in beautiful places with people I love. Give me a campfire by a mountain lake, a guitar and my friends and family and I will die a happy man. 

 

What’s planned for 2021?

 

I am actually just putting the finishing touches on another EP that I am planning to release soon after my first! After that, I hope the pandemic clears up so that I can sing with and for people again. I have so much pent-up performance energy. Feels like I could tour for a couple years straight now and not take it for granted. I hope that’s in the cards for this year or next!

 

Favourite food and place to hangout?

 

My favourite food right now is sushi and I love hanging out in this secluded spot by the water in Toronto where my friends and I go to have driftwood fires in the summer. I don’t want to say exactly where it is because for now, we seem to be some of the only people that know about it but if you ever come this way, we’d love to take you there! 

 

https://www.jordanhartsound.com

https://twitter.com/jordanhartsound

https://www.instagram.com/jordanhartsound/

https://www.facebook.com/jordanhartsound

 

March 12, 2021 0 comments
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jofi
Music InterviewsMusic News

Jofi

by the partae March 12, 2021
written by the partae

Where are you currently based?

I live in Sydney, Australia

How did you first start playing music?

I started piano lessons when I was 7 or 8. I first realised I could sing in year 6 of primary school when I auditioned for the school musical and got a lead role. I wrote my first songs on piano and self-taught guitar when I was 13 (I recorded me playing them on my webcam at the time- humorous content which I may leak someday)

What’s been happening recently and how has your Covid experience been?

Recently I’ve been doing a residency program at Church Street Studios and have been busy creating music there. I’m also working on songwriting and producing collaborations with a few international artists which I’m excited about!

I found myself making the most of quarantine- I wrote songs (I’ve got a quarantine-themed track called ‘All My Friends Have Boyfriends’), I became a better producer, I drank wine, and had plenty of time with my family and my dogs (one is sitting on my lap as I write this).

Your new single ‘Catastrophe’ is out now, what influenced the sound and songwriting?

I was listening to a lot of contemporary rnb around the time I made Catastrophe, artists like Snoh Aalegra, Lolo Zouai, H.E.R. I can definitely hear a combination of the genres of music that I love: pop, indie, rnb. I think my production style of including lots of vocal harmony is a defining factor to my music. I have a degree in classical composition which has influenced the way that I arrange vocal harmony in all my tracks, and especially in catastrophe.

How did Catastrophe come about?

Catastrophe was an assortment of different ideas that came together. I first had the ‘ah’ melody (which is heard behind the verse melody at the start of the song, and in the ‘breakdown’ sections).

I developed the main melody off of a few samples – I’ve never done production before melody before but that’s kind of how it turned out. I had the words ‘lean on me’ but I quickly realised the song was destined for a different meaning and it became ‘catastrophe’. The rest of the lyrics rolled out after that.

I’ve spoken a lot about the creation process on my Instagram (@jofimusic) if you’re interested to know more.

What does the single mean to you?

It was pretty cathartic to write about my character flaws and lay them all on the table for me to reflect on (and for everybody who hears it, whoops). Making the track was healing, to reflect on the times I did things I regret, learn from it and move forward with the hope of not being much of a catastrophe in the future.

Where and when did you record/produce/master and who did you work with?

Most of it I recorded and produced at home. I had mixing done by Jerome Blazé and a final mix + tightening of production ideas with David Muratore. The track was mastered by Becki Whitton (Aphir). I worked with Robbie Walcott on producing the retro-90s music video which you can find on my YouTube channel.

How did you approach the recording process and what programs/equipment did you use?

I lay down all the vocals at home, and I had the opportunity to redo some using a great mic at Noodle Music Studio. I originally took a can opening sample off the internet, but David and I recorded it live by opening a beer can next to a mic in the studio. Everything else heard in the track is midi! The DAW I use is Logic Pro X.

Please tell us about any new music on the way:

Catastrophe is the first single from an EP of tracks I made last year! Very excited to get more music out this year.

What do you like to do away from music?

Listen to true crime podcasts, read, go running.

Who are you listening to at the moment?

Becky and the Birds, Kelsey Lu, Sevdaliza.

What’s planned for 2021?

I’m currently working on a live show so definitely some shows plus more music!

Favourite food and place to hang out?

I’m too indecisive a person to know what my favourite food is. Favourite place to hang out is wherever live music is happening.

Official Website | Facebook | Twitter | YouTube | Instagram | Triple J Unearthed

March 12, 2021 0 comments
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Kids Of Yesterday Drop Video For Latest Single Horsin' Around Debut Album Escape Planet Out Now
Music News

Kids Of Yesterday Drop Video For Latest Single Horsin’ Around Debut Album Escape Planet Out Now

by the partae March 11, 2021
written by the partae

Today, Sydney skate punk band Kids Of Yesterday drop a video for their latest single Horsin’ Around, off their debut album Escape Planet.  

Watch The Video For Horsin’ Around

“Based on true events, ‘Horsin’ Around’ aims to make you think twice about chucking that pineapple on the trots. The gambling and racing industry create ‘wastage’ that extends far beyond the lives that wind up in your pets bellies. If you manage to squint through it’s fun sensory overload, you’ll see it for the machine churning suffering into profit that it is” – Duncan Davidson

Escape Planet was recorded at The Grove studios on the central coast of NSW. The album was produced by the band and Jack Nigro (DMA’s, Skegss, Vacations).

Kids Of Yesterday have combined elements of Frenzal Rhomb, Bad Religion, Rise Against, Frank Turner and NOFX with their own brash form of punk on their debut album Escape Planet. For fans of late 90’s classic skate punk from Fat Wreck Chords and Epitaph Records. 

LISTEN TO ESCAPE PLANET 

Escape Planet opens up with uptempo punk number Twenty Fifteen which sets the tone for the rest of the album. Thought provoking lyrics, aggressive yet melodic guitars along with vocal harmonies akin to Green Day, this is seriously some of the catchiest, well written skate punk to come out of Australia in a long, long time.

Tracks like Reefer Madness, Cause Tomorrow and OH MY GAIAI! sees Kids Of Yesterday at their most energetic while the songs Woman Of Stars and The Directors Cut show the softer side of the band. On recent single Mad World they belt out their own punk rock version of the Tears For Fears hit single. A late edition to the album, the cover was added during the last days of recording. Considering what everyone has been going through this year, you can understand why Kids Of Yesterday decided that this song needed a revival. While the track has been covered many times, the band make it their own, starting off acoustic, it develops into an up-tempo punk rock anthem.
Kids of Yesterday is the brainchild of singer/ guitarist / chief songwriter Duncan Davidson. The band first formed in 2010 in the jam room of a Tempe share-house. Over the years founding members Duncan Davidson and Joseph Lamond have been joined by many talented musicians in the line up, as the band gigged frequently throughout Sydney, while self-releasing several EP. Fast forward to 2020 and we have the culmination of all those years with the release of of the bands debut album Escape Planet.
March 11, 2021 0 comments
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KIRSTEN SALTY RELEASES IRRESISTIBLE NEW TRACK 'LIMBO'
Music News

KIRSTEN SALTY RELEASES IRRESISTIBLE NEW TRACK ‘LIMBO’

by the partae March 11, 2021
written by the partae

Kirsten Salty today reveals her irresistible new track ‘Limbo’, the second single released by the up-and-coming artist hailing from Sydney.

Another peak into the chronicles of Kirsten Salty, ‘Limbo’ accentuates the restlessness of new relationships; the unknown of whether to keep moving forward while never wanting to take a step back. ‘Limbo’ shines a shimmering light on the situation with a bright and colourful instrumental all the while being enriched by Kirsten’s cunningly apt lyrics, it’s an ode to the fantasy of new love in all its shapes and forms.

“’Limbo’ is about a period that I like to call ‘the question mark phase’. This can be in a relationship, friendship, work, family drama… it’s that time when you’re unsure and not on the same page. I was in a situation where me and this certain someone were playing cat and mouse but never saw it going anywhere because we were both so stuck in Limboland. It’s just something everyone can relate to and that’s one of my favourite things about music.” – Kirsten Salty

‘Limbo’ is the compelling follow up to November’s debut ‘Je Ne Sais Quoi’ produced by and featuring Taka Perry which Kirsten performed live on ABC’s ‘The Sound’. ‘Je Ne Sais Quoi’ was welcomed with acclaim from fans and critics alike, earning Kirsten a #13 debut on Spotify’s New Music Friday along with playlisting in Front Left, Indie Arrivals, We Be Vibin’ plus loads more and gaining 22.9k streams in its release week. Apple Music followed suit with the track winning spots in Breaking: Pop, Pop Chill, Mellow Days and Alt Pop as well as earning praise from tastemakers at triple J Unearthed:

“Loving this! It’s got a bit of oomph, an easy flow, you sound effortless Kirsten and it just sticks” – Claire Mooney StarStarStarStar

“This one leaps off the page, what a debut! Such vibrance and style and the Taka touch is brilliant.” – Declan Bryne StarStarStarStar

Following the release of ‘Je Ne Sais Quoi’, Kirsten supported Fergus James at his sold out Great Southern Nights shows, with those in the room being some of the very first to hear the project live.With her moody mix of bold R&B and sophisticated pop, Kirsten oozes prowess in new track ‘Limbo’. Fearless in her sound, don’t miss out on what’s next to come from Kirsten Salty.

For Fans Of: BENEE | Merci, Mercy | George Alice | MAY-A | Stevan

 

KIRSTEN SALTY
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March 11, 2021 0 comments
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CRUMB release new single 'Trophy'
Music News

CRUMB release new single ‘Trophy’

by the partae March 11, 2021
written by the partae
Photo Credit: Crumb by Third Pupil

Today, Crumb return to share the new song and video, ‘Trophy‘. The accompanying visual, directed by frequent collaborator Haoyan of America, soundtracks the track perfectly, meeting the band in the middle of a car racing championship ceremony through a surrealist, and at times animated, lens.

Watch the video for Trophy (with original animations from Truba Animation) below.

Crumb is Lila Ramani, Bri Aronow, Jesse Brotter and Jonathan Gilad. ‘Trophy‘ is their first taste of new music this year following the Brooklyn band’s 2019 debut full-length Jinx, Pitchfork noting that “the album’s hypnotic quality grows ever more romantic and tense with repeat listens.”

Listen to and watch ‘Trophy‘ above and stay tuned for more from Crumb.

Listen / Save / Download ‘Trophy’ https://crumb.ffm.to/trophy

Crumb – ‘Trophy’ is out now via Crumb Records

Crumb
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March 11, 2021 0 comments
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Photo Credit: Pooneh Ghana Download Hi-Res Image Courtney Barnett today launches a unique and wonderfully detailed online archive of her touring and performing history. The project was initially conceived as a way to give Barnett’s fans a simple way to experience her live performances at a time where touring was made impossible, but during the website’s development it became clear it could become so much more. View the site here. Courtney played her first ever show at an open mic night at The Lark Distillery in Hobart in 2007, she has since played almost 800 live shows ranging from solo sets through to 7-piece backing bands. Her biggest headline shows to-date are at Los Angeles’ Greek Theatre, London’s Brixton Academy and the Prospect Park Band-Shell in Brooklyn. She has graced some of the world’s most prestigious festival stages including multiple shows at Coachella, Primavera Sound, Glastonbury, Splendour In The Grass, Fuji Rock Festival, Roskilde and Newport Folk Festival. Taking inspiration from the legendary online archives of Neil Young and The Grateful Dead (and more personally, from the extensive excel tour spreadsheets of Courtney’s Mum) the website now gathers together 14 years of touring history, never-before-heard desk-mixes, live television performances and a rich trove of specially commissioned show-posters. The site is designed to delight the most casual fans or indeed the most passionate and knowledgeable. It’s possible to lose months in the archive or simply admire the beauty and simplicity of the site's design by collaborator and long time Barnett fan, Raphael Ong and developers Undertide. Barnett’s fans are encouraged to participate in the growth of the archive by submitting their own pictures, videos and audio recordings. To celebrate the launch of the live experience, Barnett has also made available the extraordinary full concert footage of her only full band live show of 2020. Shot at the height of yet another heatwave in the midst of Australia’s worst ever bushfire season, the film opens with the following statement "At the beginning of 2020 Australia was in the midst of its largest ever bushfire crisis - we felt afraid, overwhelmed and angry…”. The emotion of the concert is visceral as Barnett and band (Bones Sloane and Dave Mudie) tear through a scorching hour of live music in a room that stank of bushfire smoke. A year later our circumstances have all changed and it feels like a different universe watching 800 people crammed into a room, heaving to Barnett’s furious feedback-drenched live performance. Watch it here. The Live at the Corner Hotel concert was shot and edited by Natalie van den Dungen and mixed by Lara Soulio. Courtney Barnet Online Live Music Experience & Archive is available now at courtneybarnett.live
Festival NewsMusic News

COURTNEY BARNETT Launches Online Live Music Experience & Archive Premieres Live At The Corner Hotel performance video (2020)

by the partae March 10, 2021
written by the partae
Photo Credit: Pooneh Ghana
Courtney Barnett today launches a unique and wonderfully detailed online archive of her touring and performing history. The project was initially conceived as a way to give Barnett’s fans a simple way to experience her live performances at a time where touring was made impossible, but during the website’s development it became clear it could become so much more. View the site here.

Courtney played her first ever show at an open mic night at The Lark Distillery in Hobart in 2007, she has since played almost 800 live shows ranging from solo sets through to 7-piece backing bands. Her biggest headline shows to-date are at Los Angeles’ Greek Theatre, London’s Brixton Academy and the Prospect Park Band-Shell in Brooklyn. She has graced some of the world’s most prestigious festival stages including multiple shows at Coachella, Primavera Sound, Glastonbury, Splendour In The Grass, Fuji Rock Festival, Roskilde and Newport Folk Festival. 

Taking inspiration from the legendary online archives of Neil Young and The Grateful Dead (and more personally, from the extensive excel tour spreadsheets of Courtney’s Mum) the website now gathers together 14 years of touring history, never-before-heard desk-mixes, live television performances and a rich trove of specially commissioned show-posters.

The site is designed to delight the most casual fans or indeed the most passionate and knowledgeable. It’s possible to lose months in the archive or simply admire the beauty and simplicity of the site’s design by collaborator and long time Barnett fan, Raphael Ong and developers Undertide. Barnett’s fans are encouraged to participate in the growth of the archive by submitting their own pictures, videos and audio recordings.

To celebrate the launch of the live experience, Barnett has also made available the extraordinary full concert footage of her only full band live show of 2020. Shot at the height of yet another heatwave in the midst of Australia’s worst ever bushfire season, the film opens with the following statement “At the beginning of 2020 Australia was in the midst of its largest ever bushfire crisis – we felt afraid, overwhelmed and angry…”. The emotion of the concert is visceral as Barnett and band (Bones Sloane and Dave Mudie) tear through a scorching hour of live music in a room that stank of bushfire smoke. A year later our circumstances have all changed and it feels like a different universe watching 800 people crammed into a room, heaving to Barnett’s furious feedback-drenched live performance. Watch it here.

The Live at the Corner Hotel concert was shot and edited by Natalie van den Dungen and mixed by Lara Soulio.

Courtney Barnet Online Live Music Experience & Archive is available now at courtneybarnett.live
March 10, 2021 0 comments
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CIVIC ANNOUNCE DEBUT ALBUM 'FUTURE FORECAST' OUT 26TH MARCH 2021 ? NEW TRACK AND VIDEO 'TELL THE PAPERS' OUT NOW ?
Music News

CIVIC ANNOUNCE DEBUT ALBUM ‘FUTURE FORECAST’ OUT 26TH MARCH 2021 ? NEW TRACK AND VIDEO ‘TELL THE PAPERS’ OUT NOW ?

by the partae March 10, 2021
written by the partae

CIVIC have this morning announced that their debut album ‘Future Forecast’  will be released on March 26th, 2021. The album comes as a follow up to their highly sought after ‘New Vietnam’ EP (2018) and is their first major release through Flightless Records.

Pre-save Future Forecast HERE 

 

Following the release of ‘Radiant Eye’  (Nov 2020)  the band have shared their second single from the album, ‘Tell The Papers’. The track explodes with thunderous energy, every riff a visceral harness of power and propulsion, before snapping into a slide guitar driven hook that commands attention with its brazen assurance. Listen HERE, and watch the video HERE. The video, shot by Oscar O’Shea, boasts a new visual direction for the five piece. Taking a shift from their previous lo-fi videos (Radiant Eye and Call The Doctor), for a more conceptualised approach.

 

“Jim and I wanted to do something that would capture the narrative of the song, whilst still remaining abstract and outside of that – aiming to create a video that was driven by visuals and feeling, rather than the narrative itself”, O’shea says. “We took some simple shots that we felt would work well to the song, whilst at the same time, trying to create some sort of world and story line for it to exist in. CIVIC’s sound is unique in that it is both catchy and playful, while remaining fast, hard hitting, and at times dark, especially on this album. That is what we tried to capture here visually, it’s a new direction for the band and this speaks to that”.

 

Vocalist Jim McCullough speaks of the idea behind the Future Forecast cover art:

 

“The image can be read in many ways. Its ominous uncertainty and sense of apocalyptic aftermath is maybe a reflection on recent times and a glimpse into the future. It seemed fitting to have this as the face of the record, for me it gives off a sense of totalitarianism and a vastness. it’s like an iron curtain or something from space or maybe it’s just a wall”.

 

Driving and tenacious, but never losing sight of a good hook and how to use it – CIVIC don’t tip-toe around the edges, but obliterate them with primal intensity. Finding a home somewhere between 80’s glam rock and Australia’s 70’s greats, they break the pieces of influence before crafting them into their own beast on debut LP ‘Future Forecast’.

 

Full Bio:

 

An origin story since time immemorial, the five piece came together in 2018 through the traps of the Melbourne music scene. Bonding over a shared love of tightly coiled riffs and a collective musical ethos, they channelled this into their first EP ‘New Vietnam’. In a head rush recording session, the 7 tracks were slammed out in a single day, with the underground hit going on to sell more than 1500 units worldwide. Making a name for themselves through the intensity of their live shows, their ‘New Vietnam’ launch would become one of those folklore moments within Melbourne. Taking to the stage with a contoured cheek and darkened eyes, McCullough’s glamoured stage presence beamed and boomed over the sold out crowd. Cutting through the scene with cult-like vigour, their garnered momentum would lead them to a string of sold out 7 inches, a European tour, a spot on the beloved Golden Plains Festival, a new found home on the revered Flightless Records, and a fan in punk icon Henry Rollins, “I am digging that band… not one bad track in their recorded catalogue”.

 

With momentum in the tank, they took to various locations across Victoria to get the beds of Future Forecast down. From Richmond’s historic Bakehouse Studios in all its grandeur, to a DIY run storage shed on High St, there’s consideration for the new and old on this album. Paying homage to the classics, but pivoting on them with avant-charged edge. It’s raw, searing guitars; pummeling rhythms; driving bass; with vocals that lock into and synergise with their wall of sound. Balanced by the raucous and restrained weaving of melodies and textures, the imbued sense of nostalgia, and the vocal variation which broadens their sound past any one genre label. There’s the horn fuelled drive of album opener ‘Radiant Eye’, the power pop ladden hook of ‘As Seen On Tv’, the emotively atmospheric and vocally subdued ‘Sunday Best’, culminating with closer ‘Come To Know’, before ending in a tightly wound splay of feedback and groove.

 

CIVIC – FUTURE FORECAST
1. Radiant Eye
2. As Seen On TV
3. Just A Fix
4. Tell The Papers
5. Sunday Best
6. Shake Like Death
7. Back To You
8. Hollywood Nights In Hamburg
9. Velvet Casino
10. Clone
11. Come To Know

 

CIVIC are: David Forcier (drums), Jim McCullough (vocals), Lewis Hodgson (guitar/ backing vocals), and Roland Hlavka (bass).

Album discography:
 New Vietnam 12″ EP (2018), Those Who No 7″ (2018), Selling, Sucking, Blackmail, Bribes 7″ (2019), Radiant Eye 7″ (2020), Future Forecast (2021).

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March 10, 2021 0 comments
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UNUM Festival Albania Finalises Headliners for 2021 Sven Vath and Ben Klock join Other New Additions Such as Mathew Jonson, Dana Ruh, Tobi Neumann, Manu Gonzalez, Jamie Roy, Andy Luff and Colin Chiddle June 3rd - 7th 2021 Shengjin, Albania
Festival NewsMusic News

UNUM Festival Albania Finalises Headliners for 2021 Sven Vath and Ben Klock join Other New Additions Such as Mathew Jonson, Dana Ruh, Tobi Neumann, Manu Gonzalez, Jamie Roy, Andy Luff and Colin Chiddle June 3rd – 7th 2021 Shengjin, Albania

by the partae March 10, 2021
written by the partae
Europe’s most exciting new underground event just got even better as UNUM Festival 2021 adds a pair of standout headliners in Sven Väth and Ben Klock, plus Mathew Jonson, Dana Ruh, Tobi Neumann and more global greats. On top of this come 15 talented and local stars who are quickly on the rise, and forward-thinking partnerships with iconic brands like Sunwaves, Modernity, Club Der Visionaere, Nordsten, and sCs, plus a guarantee from the Albanian Ministries of Tourism, Environment, and Health that the event will go ahead this year from June 3rd – 7th.

UNUM has already cemented itself amongst the European elite for a number of reasons – the close-knit first edition was a memorable gathering of real music lovers in an upcoming region of the world. The festival really shined a spotlight on Rana e Hedhun, the last untapped corner of Europe in the town of Shengjin, on the idyllic Albanian coastline. It is a rare natural, organic and uncommercialised setting that allows for non stop music night and day, plus sunrise and sunset parties, beach parties, water sports, plenty of local culture, food and drink offerings as well as isolated bays and gold sand beaches to explore.

This year the bar will be raised again with the news that world class clubs and promotions will line up as partners. Each of these collectives will bring their own special know how and sense of underground style to UNUM and include cult Romanian techno festival Sunwaves, the unique party in the Alps that is Modernity, Berlin’s underground haven Club Der Visionaere plus the River Rhine’s floating nightclub Nordsten and more.

Now also playing across the five days of enchanting and escapist hedonism will be techno pioneers like Cocoon’s Sven Vath and Berghain’s own Ben Klock, plus the always essential master of his machines that is Mathew Jonson plus deep house’s finest Dana Ruh, Cocoon’s long time tastemaker Tobi Neumann as well as Manu Gonzalez, Jamie Roy, Andy Luff, Colin Chiddle and over 15 local artist who bring their own distinctive house and techno flavours and perspectives. Already announced are the likes of Ricardo Villalobos, Priku, Praslea, tINI, Sonja Moonear, Shaun Reeves, Raresh, Cesar Merveille, Dyed Soundorom, Leon and more.
Website Unum Festival – Become one
Facebook https://www.facebook.com/unumfestival/
Instagram https://www.instagram.com/unumfestival/
YouTube –  https://www.youtube.com/watch?v=QtxXAPPDcAc
Tickets – https://www.festicket.com/festivals/unum-festival/
Swallow Events – https://www.swallowevents.com/covid19-testing-and-compliance
@UNUMFestival
March 10, 2021 0 comments
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IBEYI Release new song 'Recurring Dream' From film How To Stop A Recurring Dream
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IBEYI Release new song ‘Recurring Dream’ From film How To Stop A Recurring Dream

by the partae March 10, 2021
written by the partae
Photo Credit by Gio Kardava

Afro-French Cuban musical duo Ibeyi have released a new song titled ‘Recurring Dream‘ which the duo wrote and composed for writer-director Ed Morris’ feature film debut How To Stop A Recurring Dream. Starring Ruby Barker (Marina Thompson in Bridgerton), the film, which will be released across global digital streaming platforms today, won Best Feature and Best Actress awards at December’s British Urban Film Festival. Watch the film’s trailer here and the film here.

Ibeyi first started working with Ed Morris in 2014, who directed the twins first music video for their critically-acclaimed single ‘River.’ Thereinafter the trio worked on two more videos together: ‘Ghosts,’ a track off their self-titled album and ‘Deathless,’ the lead single from their stunning sophomore album Ash.  Morris’ debut film will feature Ibeyi’s original piece of music, alongside, previously released music from the duo’s catalogue.

Ibeyi are Naomi and Lisa-Kaindé Díaz. The twin sisters are currently at work on their third studio album. They released their critically-acclaimed sophomore album Ash in 2017 which featured appearances from Michelle Obama, Kamasi Washington and Meshell Ndegeocello. The duos’ globally acclaimed, eponymous debut album (2015) earned the twins fans and collaborators in some of the most iconic artists of today include Beyoncé, Alvin Ailey, JR, and Chanel, a result of Ibeyi’s uniquely, captivating blend of Yourban music with modern jazz, soul, and hip-hop.

HOW TO STOP A RECURRING DREAM is produced by Polly du Plessis, with TV and radio presenter Edith Bowman as executive producer. Exploring themes of separation and loss, this dreamy trip takes place over a weekend in the lives of two sisters whose relationship is being tested to its limit. After Mum and Dad announce an imminent, split- custody separation, Yakira – the oldest daughter – kidnaps her younger sister and takes to the road, in an attempt to reconnect before they part.

The film’s lead, Ruby Barker, has recently become a breakout star following the huge success of Netflix’s Bridgerton. Writer-director Ed Morris is director of commercials and music videos for such bands as Massive Attack, and is best-known for the now-banned documentary This Is Not – An Interview with Tony Kaye, an intimate conversation with the American History X director, whose eccentric stunts while working in Hollywood earned him a reputation for controversy within the studio system.

Ibeyi – ‘Recurring Dream’ is out now via XL Recordings / Remote Control
Ibeyi Website / Facebook / Instagram / Twitter
March 10, 2021 0 comments
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