With special guests Ball Park Music on all Aus dates
After much speculation and anticipation, local legends Lime Cordiale today reveal they will hit the road in October for a run of headline shows across Australia and New Zealand.
Playing their biggest rooms to date, Lime Cordiale’s Enough Of The Sweet Talk Tour will kick off at Perth’s HBF Stadium on Thursday 3 October before heading through arenas in Adelaide, Melbourne and Sydney, wrapping up at Brisbane’s iconic Riverstage on Sunday 13 October. The band then heads over to New Zealand for shows in Dunedin, Christchurch, Wellington and Auckland in late-October.
In a massive coup, Ball Park Music will join the Enough Of The Sweet Talk party on all Australian dates, bringing big energy and good times for all!
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Frontier members can access presale tickets from 1pm (local time) on Tuesday 4 June, before general public tickets go on sale at 1pm (local time) on Thursday 6 June.
More information at frontiertouring.com/
Lime Cordiale are taking the world by storm, delivering their infectious live performance to wildly enthusiastic crowds across the globe. Their genuine, generous interactions with their fans have made them one of Australia’s most in-demand acts, selling out shows from Vancouver to Vienna and everywhere in between.
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In 2023 alone, the duo branched out with the release of their own carbon neutral beer Largo, landed four spots in the triple j Hottest 100, completed a regional Australian tour, and were awarded a Rolling Stone Readers Choice Award. Over the course of their career the band have been nominated for multiple ARIA Awards and have released two albums, 14 Steps To A Better You and Permanent Vacation, along with Cordi Elba, their acclaimed collaboration with actor/musician/DJ and record label boss Idris Elba.
Brisbane’s melancholic pop masters, Ball Park Music, are one of Australia’s most beloved contemporary bands and a staple on the touring circuit, frequently playing Splendour in the Grass, Falls Festival, Groovin’ The Moo and selling out their own headline dates.
The indie heroes create music that is “emotionally stirring and witty, filled with melodies and hooks that’ll be rattling around your head after only a few spins” (triple j), with a live show praised as “indie rock uplift” (NME). They’ll bring songs from their latest album Weirder & Weirder along with favourites from their extensive catalogue, when they hit the road around Australia later this year.
If you’re into big charisma, top notch on-stage energy and epic tunes, spend a night with Lime Cordiale and Ball Park Music this spring… you won’t regret it!
In partnership with FEAT. Live, $1 from every ticket sold across the Enough Of The Sweet Talk Tour will go towards a solar slice initiative. More information at feat.ltd
Stay tuned for new music from Lime Cordiale coming soon…!
LIME CORDIALE
ENOUGH OF THE SWEET TALK AUSTRALIA & NEW ZEALAND TOUR
OCTOBER 2024
WITH SPECIAL GUESTS BALL PARK MUSIC*
Presented by Chugg Entertainment & Frontier Touring
FRONTIER MEMBER PRESALE
via frontiertouring.com/
Runs 24 hours from: Tuesday 4 June (1pm local time)
or until presale allocation exhausted
TICKETS ON SALE
Begins: Thursday 6 June (1pm local time)
ALL SHOWS LICENSED ALL AGES
THURSDAY 3 OCTOBER
HBF Stadium | Perth, WA
ticketmaster.com.au
SATURDAY 5 OCTOBER
Adelaide Entertainment Centre | Adelaide, SA
ticketek.com.au
TUESDAY 8 OCTOBER
John Cain Arena | Melbourne, VIC
ticketek.com.au
FRIDAY 11 OCTOBER
ICC Sydney Theatre | Sydney, NSW
ticketek.com.au
SUNDAY 13 OCTOBER
Riverstage | Brisbane, QLD
ticketmaster.com.au
WEDNESDAY 16 OCTOBER
Dunedin Town Hall | Dunedin, NZ
ticketmaster.co.nz
THURSDAY 17 OCTOBER
Christchurch Town Hall | Christchurch, NZ
ticketek.co.nz
SATURDAY 19 OCTOBER
Michael Fowler Centre | Wellington, NZ
ticketmaster.co.nz
SUNDAY 20 OCTOBER
Great Hall, Auckland Town Hall | Auckland, NZ
ticketmaster.co.nz
*Ball Park Music playing on Australian dates only
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Why did you choose ‘This Is Your Night’ for your first major release of 2024?
It has always been a favourite of ours and is a classic 90s club anthem for a reason! It’s a dancefloor filler, has a strong hook and a great energy and vibe. We knew we could bring something special to it and are excited to introduce this song to a new generation of listeners.
What inspired you to give ‘This Is Your Night’ a modern spin?
We’d been listening to a lot of dance and electronic music from some of the bigger international artists and liked how these producers were taking a classic track and flipping it on its head with new melodies and arrangements to create something edgy and modern for today’s audience. With that in mind, we felt ‘This Is Your Night’ would be the perfect track for us to rework, as it lends itself to that big room vocal which we love, as well as inspiring some new melody lines and vocal parts.
When planning a re-do of a classic, how do you decide which song to tackle next? Can you walk us through the process of selecting a classic song and transforming it into something fresh for today’s audience?
From the outset, you need a clear direction of where you’d like to take the track. We personally also need some sort of connection to the song we have selected, whether it’s the melody or lyrics or both. The beauty of music is that a song can be reimagined in various styles and genres and this is the exciting part for us and where the magic happens – taking the original melody in new directions, playing with tempo, adding new harmonies and vocal arrangements etc to make it your own.
How did you approach putting your own spin on the vocals for ‘This Is Your Night’?
When we listened over and over to the track, we could easily hear little chants, new harmonies, ways of delivering the vocals that came naturally to us – that added a different flavour, or that suited the vibe of the musical direction our producer James Ash was starting to take. Often the vocals inspire music but the music also inspires the vocal direction and this was a work in progress along the way which was so fun!
What are some vocal techniques or styles you incorporated to make the song distinctly Slinkee Minx?
People who know our sound will often hear very uplifting, powerful vocals – extra lyrical parts, chants and hooks that aren’t always words but are notes held or sounds we create using the voice, adding a really subtle effect. It can be very understated sometimes or obvious depending on the track! From a production point of view, we also enjoyed incorporating the use of vocoders to give the song that modern vibe.
What’s the studio process like for Slinkee Minx? Can you give us a behind-the-scenes look at what happens during a recording session?
Ha, how long have you got? Studio sessions for us are so much fun and where we get to be the most creative. There’ll not only be writing, recording, sitting around playing with sounds, beats and musical parts, but there could be dance offs, a LOT of laughter, cups of tea, glasses of champagne, filming, photos and more laughter. We love the studio process more than life itself!
How long does it usually take to get the vocals just right for a song like ‘This Is Your Night’?
Sometimes vocals come together so easily – the tone and the pitch just lands perfectly – the delivery comes as it should to suit the vibe of the music. Other times, we can get stuck on how we deliver a line because we are perfectionists and we listen back and think it isn’t quite right. ‘This Is Your Night’ came together pretty quickly because it suited us so much – so probably only 4-6 hours all up!
Were there any particular challenges you faced while reworking this song, and how did you overcome them?
There are a lot of words in the song so it was finding the balance of ensuring we could get everything sitting nicely in harmony with the beat. It meant we decided to drop a few lyrics here and there that we felt didn’t need to be included in order to really hit the mark of this track!
Given your history of creating dance hits, do you have plans for any remixes of ‘This Is Your Night’?
We sure do! There is one coming out soon by the talented Australian production duo Double Dipped who have created an amazing club mix for us. There may be one or two more – we get asked a lot about mixes (people approach us to remix our tracks) so you’ll have to watch this space!
How was it collaborating with James Ash from Rogue Traders on this project? What did he bring to the table?
James is incredible – his attention to detail, to take on our feedback and direction, to be on top of current sound trends and what is happening globally, is honestly extraordinary. He is amazing and we are so lucky to work with this world-class music producer, songwriter and performer. We consider him one of our best colleagues and friends!
What do you hope new and longtime fans will take away from your rendition of ‘This Is Your Night’?
We hope it’s a song they’ll have on repeat – that makes them happy and connects, and that they cannot help but find themselves singing along to… an earworm, if you will. We loved creating this track and we hope you all love it too. Thank you to everyone who supports us!
Website: https://www.slinkeeminx.com/
Facebook: https://www.facebook.com/slinkeeminx
Instagram: https://www.instagram.com/slinkeeminx
An introduction to being an independent musician, how you got started, and how you ended up where you are?
From the age of four, I was immersed in the world of competitive dance, training in ballet, hip-hop, jazz, and tap. This early exposure to the performing arts instilled in me not only confidence but also a profound understanding of what it takes to captivate an audience—skills that helped set the stage for my music career and have become invaluable in business ventures.
My entrepreneurial journey in music began at the young age of eight when I first picked up an electric bass. This early passion led me to pursue the highest international qualifications in bass guitar while still attending school, complemented by formal studies in business. At just 18 years old, I established my own entertainment company, aiming to showcase exceptional musicians and deliver top-tier performances coupled with stellar customer service. My enterprise flourished, expanding to include a roster of over 30 musicians. We have performed at numerous leading venues and events, including corporate functions and cruises across the South Pacific.
Simultaneously, I continued to advance my career as a session bassist, performing alongside acclaimed artists across Australia, Asia, and the UK. This international exposure not only helped my performance skills but also enriched my business acumen, making every stage and interaction a part of my continuous learning journey.
What has been one major challenge you have overcome, provide a real example of this?
At the age of 19, I faced one of my most significant challenges when I moved to Boston to attend Berklee College of Music on a scholarship. This marked my first time living abroad alone, a stark departure from my home in Sydney, Australia. Simultaneously, my entertainment business was expanding, requiring me to manage rigorous music studies and performances while overseeing a growing company from another continent.
This period was transformative, instilling lessons in resilience and the critical importance of stepping beyond one’s comfort zone. Berklee offered a unique opportunity to collaborate with some of the industry’s most talented individuals, enhancing my musical skills and broadening my professional network, which was instrumental in shaping my career and entrepreneurial spirit.
Living alone in a foreign country at such a young age presented challenges, from navigating daily life without the immediate support of family to balancing intense academic and business responsibilities. Managing these dual commitments demanded meticulous time management and a laser focus on my long-term goals. Throughout this journey, I learned the value of self-reliance and resilience. Staying focused on my objectives helped me navigate through these challenges, reinforcing my confidence and ability to back myself in future decisions. This experience underscored that with determination and a clear vision, one can overcome even the most daunting of circumstances, ultimately shaping me into the entrepreneur I am today.
What has been your greatest personal achievement in your journey and how did you achieve this?
Navigating my entrepreneurial journey as an independent international artist under the stage name Curly Hendo has been a comprehensive masterclass in entrepreneurship. Operating independently means I am wholly responsible for every aspect of my career—from marketing to accounting, bookings, and overall management. This dual role of artist and entrepreneur demands a relentless drive and a multifaceted skill set, closely mirroring the challenges of running my own entertainment business where similar skills are paramount.
The culmination of this hard work and entrepreneurial spirit was vividly displayed when I performed last year with the exceptional artist RAYE at the packed Wembley Stadium for the Capital Summertime Ball. This performance was one of my career highlights amongst many memorable performances with various artists at festivals, concerts, and on television. The exhilaration of live performance and the opportunity to influence others through my music are the driving forces behind my endeavours.
My greatest personal achievement is my role as an international ambassador for a leading music institution which enhances my ability to impact the music industry further. In this capacity, I mentor emerging talents, offering them guidance on navigating the complexities of the music and entertainment industry with practical, strategic advice. This blend of personal achievement and contribution to the development of others encapsulates my greatest accomplishment in my entrepreneurial journey, showcasing the synergy between self-reliance and community support in achieving success.
Can you give a word of wisdom to a fellow independent musician?
Define your goals with clarity and pursue them with unyielding passion. It’s crucial to implement straightforward strategies that focus primarily on people—be it your team, collaborators, or customers. Don’t shy away from challenging your comfort zones; embracing new experiences can lead to greater opportunities and enrich your journey. Remember, the broader your horizons, the greater the rewards.
Bali’s Suara Festival adds Angus & Julia Stone as headliners as well as Neil Frances, Youngr, Brandt Brauer Frick, Ramengvrl and Yung Raja alongside the region’s top collectives
The forward thinking lineup features a number of acts making their Bali debuts while adding to previously announced artists HVOB (live), LP Giobbi, Deer Jade, Geju, Lastlings, Mansionair, Rodriguez Jr., Sainte Vie and more
Bali’s Suara Music and Arts Festival (July 26-28), has today announced its second wave of acts with Australia’s beloved Angus & Julia Stone who have just released their latest album ‘Cape Forestier’ set to headline the three day multi-genre festival extravaganza. Taking place during the highly anticipated opening celebration of the new creative city in Bali, Nuanu, the newly announced acts include some of the world’s most respected indie artists including Brandt Brauer Frick making their Bali debut, Neil Frances (Duo Set) and Youngr alongside regional favourites Ramengvrl, Yung Raja, DJ Wordy, and Jonathan Kusuma. Now in its third year, the must-visit destination festival will bring together a curated international and local lineup of top musicians, selectors, producers and collectives from across Indonesia, Southeast Asia and Australia to showcase the region’s flourishing music scene across nine stages. Set in a stunning seaside sanctuary overlooking the Indian Ocean, Suara (meaning ‘voice’ in Indonesian), caters to those seeking an immersive and culturally inclusive experience in the world’s wellness capital: the Island of the Gods.
Brother and sister duo Angus & Julia Stone first formed in 2006 and have grown to be one of Australia’s most loved folk performers. Having just released their sixth studio album ‘Cape Forestier’, the ARIA award-winning siblings will grace the Suara main stage before kicking off their highly-anticipated ‘Living Room Sessions Tour’ across Australia and New Zealand in August.
Other headline acts announced include electroacoustic ensemble Brandt Brauer Frick known for their sonic experiences reinventing classical music with an electronic dance music twist, the UK’s alt-pop multi-instrumentalist solo performer Youngr, and American alt-pop duo Neil Frances (Duo set).
“I’ve had the pleasure to work with some of the best in the business on thousands of shows around the world. I’m now blessed with this incredible opportunity to partner with Sergey Solonin on Suara to bring international exposure to Nuanu City. His vision is taking the local festival scene to new heights at what will be the island’s global entertainment hub at a time when Bali is fast establishing itself as an international party capital,” says Suara Festival Co-Founder and CEO Jason Swamy (Do What You Love, Robot Heart, Wonderfruit).
“The lineup is multi-genre, inclusive and cross-cultural — bringing together a number of acts across nine stages in a first for this part of the world at a site that most event producers could only dream of. Between the programming, the venue and everything else that we have in store still to announce, this is going to be unlike anything Bali has ever seen made all the more special by the opening of Nuanu.”
In order to host such a diverse range of artists, nine unique stages will be scattered across Nuanu’s multifunctional venues amongst nature and seaside cliffs. Drawing inspiration from Balinese culture and architecture, attendees can look forward to sunset seaside DJ sets at Luna, cave club pool raves at Utopia, spectacular light shows and state-of-the-art sound at the main stage Garuda, a church-inspired space for intimate performances at Elysium, regional acts at the Labyrinth creative sanctuary and recording studio, as well as inspirational talks and wellness workshops at Ash.
Nuanu spans 44 hectares and is envisioned as a creative city aimed at inspiring and uplifting for positive change. Festivalgoers at the Suara festival will have the exclusive opportunity to explore the City before its official public soft-opening post-Festival. Among its standout features are the Seaside Sanctuaries, reimagining the global beach club experience. Luna, overlooking Nyanyi Beach, showcases a Fibonacci sequence-inspired design crafted by Inspiral Architects and has rapidly become one of the island’s most sought-after venues since its soft opening in March. During Suara, visitors will encounter captivating art installations across the site, including Earth Sentinels by Daniel Popper, a landmark piece, and the Tower of Bhuma by French Architect Arthur Mamou-Mani, that is inspired by the golden ratios and serves as a symbol of inspiration and contemplation. Towering at 30 metres and featuring generative AI mapping projections, the Tower of Bhuma offers an unparalleled immersive art experience, marking a unique milestone in Indonesia’s artistic landscape. Nuanu’s meticulous design and curation reflects a harmonious blend of art, technology and nature.
Rounding out the phase two lineup announcement is eclectic and esoteric groover from Hong Kong Arun R, stalwart of the Australian underground festival scene Uone as well as local favourites Jonathan Kusuma, Kimoji, Walearic, plus many more from a multitude of genres from around the world. The region’s most in demand party crews and collectives including Yeti Out feat. ONJUICY & Mezz (Hong Kong), Disko Afrika feat. Juan G, Batik Boy & Simply T (Bali) Chi Wah Wah (Australia), Escape (
The newly announced acts add to a bespoke roster of previously announced talent such as hypnotic vocalists HVOB (live), W Hotels Global Music Director and DJ and producer LP Giobbi. Other exciting talent on the bill include instrumental samplists and bouncy beatmakers Geju playing in Bali for the first time, Australian pop siblings Lastlings, GRAMMY-nominees Mansionair, award-winning melodic house and techno producer Rodriguez Jr. (live), Akumandra label founder Sainte Vie (live) as well as locals Orasare, We Are Neurotic and Tantra Collective.
From sunkissed days to starlit nights, Suara will be soundtracked by some of the world’s most in demand indie acts at a festival utopia like no other place on Earth. For those at the forefront of the cultural zeitgeist seeking a festival experience complete with wellness activities and local immersion, Suara is fast becoming the must attend destination festival of 2024.
Stay tuned for more acts still to be announced in the phase three lineup as well as further information on Suara’s wellness, culinary, market and speaker program.
With Early-Bird passes now completely sold out, three-day passes to Suara Festival are currently on sale starting at US$149 (standard) and US$299 (premium). For more information and to purchase tickets, head to suarafestival.com.
LINEUP*
(* indicates newly announced):
*Angus & Julia Stone
*Brandt Brauer Frick
Deer Jade
*DJ Wordy
Geju
*Juan G
Lastlings
*Neil Frances (Duo Set)
Mansionair
*Ramengvrl
Rodriguez Jr. (Live)
Sainte Vie (Live)
*Youngr
*Yung Raja
Batavia Collective
*Jonathan Kusuma
*Kimoji
Orasaré
Tantra Collective feat. Archie, Danny, Kai & Ones
*Walearic
We Are Neurotic
Family Of Collectives:
*Yeti Out feat. ONJUICY & mezz (HK)
*Disko Afrika feat. Juan G, Batik Boy & Simply T (IND – Bali)
*Chi Wow Wah (AUS)
Escape (IND – Bali)
*Full Moon (IND – Bali)
*GrooveTop (SG)
*It’s Good to be a Tree (IND – Bali)
*Kang Kao (TH)
*La Piscine Electronique (IND – Bali)
*LiFTED (HK)
*MET (CH)
*small&TALL (HK)
*Soul Collective (SG)
*Spin Sum (HK)
*TOTEM (IND – Bali)
*Unknwn (PH)
Additional artists:
*Aleceo
*Arca Tatasawara
*Arthur Yeti
*Arun R
*Aurora
*Av Acquilla
*Boom Lekha
*Catur Hari Wijaya
*David
Dion
*DJ Rork
*Dory
*Economou
*Gaby Endo
*Gelly
*GESON
*Hartman
*Hartwell
*Harvy Abdurachman
*Himmat
*Hoda Fadel
*Jakrin
*Jfola
*Jinny Ohh
*Joga
*JOSÉ
*Jungle Kitchen
*Kaiser Waldon
*Kalimaya
*Kiko Anpao
*Larry Oz
*Last Gentleman On Playa
*Manish
*Marika Paprika
*Maurice Simon
*Melted heart
*Modjorido
*Nayamul
*Nic
*Papa Gio
*PAPÜ
*POV
*Poyan
*Quentin dcr
*RAAJ
*Raio
*Ritual Frequencies
*Roba
*Rob Rizk
*Sabda Irama
*Samantha Nicole
*Sivanesh
*Sophie Sofree
*STAY GOLDEN
*Swami Harami
*Swamy
*The Cook
*The Karuhun
*Thursday Club
*Tom Yeti
*Tulzy
*Uone
*WAXWOOD
*Willer
*Yansan
+ More to be Announced.
CROWDED HOUSE
RELEASE EIGHTH STUDIO ALBUM ‘GRAVITY STAIRS’
AND ANNOUNCE AUSTRALIAN TOUR DATES
Multi-platinum selling rock band Crowded House have just released their eighth studio album ‘Gravity Stairs‘ via BMG. Order and listen to ‘Gravity Stairs’ HERE. The album’s release is accompanied by a music video for ‘The Howl‘ – click to view HERE.
Produced by the band with Steven Schram (Paul Kelly, San Cisco), ‘Gravity Stairs’ shows Crowded House in its current incarnation — Neil Finn, Nick Seymour, Mitchell Froom, and Finn’s sons Elroy and Liam.
Speaking about the album title ‘Gravity Stairs’, Neil says it’s the act of climbing those figurative “gravity stairs,” inspired by a heavy stone staircase near where Finn vacations, that he likens to his own mindset as a creator. “The Gravity Stairs are symbolic of the struggle to ascend, acknowledging the opposing forces of weight on the mechanics of living. It’s an act of will every day.”
To accompany the record, Crowded House announced their Australia and New Zealand ‘Gravity Stairs’ Tour, starting in Wellington, New Zealand on Saturday, November 9 and finishing in Meanjin/Brisbane on Saturday, December 14. Tickets are available from crowdedhouse.com now.
Crowded House have sold over 15 million records worldwide as well as earning 13 ARIA Awards, an MTV VMA, and a BRIT Award, the band have generated billions of streams, consistently sold out tours on multiple continents and have been captivating audiences for nearly four decades.
Originally founded by Neil Finn, Nick Seymour, and the late Paul Hester, the group’s self-titled debut in 1986 went platinum, uplifted by iconic smashes ‘Something So Strong‘ and ‘Don’t Dream It’s Over‘ which have been covered by everyone from Miley Cyrus and Ariana Grande to U2, among others.
In 1996, the group delivered a legendary performance to an audience of over 150,000 on the steps of the Sydney Opera House, beginning a hiatus that finished in the wake of Paul’s passing in 2005. This led to albums ‘Time on Earth‘ (2007) and ‘Intriguer‘ (2010) and a return to the Sydney Opera House for three unforgettable nights.
2018 saw Neil join Fleetwood Mac as a full-time member, canvasing the globe on a massive world tour. Two years later, he and Nick led another era of Crowded House, forming the band’s current lineup. They issued their first full-length offering in eleven years, the unanimously acclaimed ‘Dreamers Are Waiting‘ (2021), and the band leapt into a rapturous world tour in support.
From joining his brother Tim in the New Wave favourites Split Enz to leading Crowded House to his numerous solo efforts, Neil’s varied body of work is connected by his knack for penning meticulous, indelible melodies and impressionistic lyrics that demand multiple listens. It’s earned him devoted fans all over the globe.
‘Gravity Stairs’ is available worldwide now via BMG
Order and listen to ‘Gravity Stairs’ HERE
CROWDED HOUSE
‘GRAVITY STAIRS’ AUSTRALIA & NEW ZEALAND TOUR
Tickets available at crowdedhouse.com
SAT 9 NOV | TSB ARENA, WELLINGTON NZ
TUE 12 NOV | TOWN HALL, DUNEDIN NZ
WED 13 NOV | WOLFBROOK ARENA, CHRISTCHURCH NZ
SAT 16 NOV | VAILO ADELAIDE 500, KUWARNA/ADELAIDE SA
TUE 19 NOV | REGENT ON BROADWAY, PALMERSTON NORTH NZ
WED 20 NOV | MERCURY BAYPARK ARENA, TAURANGA NZ
FRI 22 NOV | GLOBOX ARENA, CLAUDELANDS, HAMILTON NZ
SAT 23 NOV | SPARK ARENA, AUCKLAND NZ
FRI 29 NOV | KINGS PARK & BOTANIC GARDEN, BOORLOO/PERTH WA
SAT 30 NOV | KINGS PARK & BOTANIC GARDEN, BOORLOO/PERTH WA
WED 4 DEC | OPERA HOUSE FORECOURT, EORA/SYDNEY NSW
THU 5 DEC | OPERA HOUSE FORECOURT, EORA/SYDNEY NSW
SAT 7 DEC | OPERA HOUSE FORECOURT, EORA/SYDNEY NSW
TU 10 DEC | ROD LAVER ARENA, NAARM/MELBOURNE VIC
FRI 13 DEC | ENTERTAINMENT CENTRE, MULUBINBA/NEWCASTLE NSW
SAT 14 DEC | ENTERTAINMENT CENTRE, MEANJIN/BRISBANE QLD
‘Gravity Stairs’ Track Listing:
1. ‘Magic Piano’
2. ‘Teenage Summer’
3. ‘The Howl’
4. ‘All That I Can Ever Own’
5. ‘Oh Hi’
6. ‘Some Greater Plan (for Claire)’
7. ‘Black Water, White Circle’
8. ‘Blurry Grass’
9. ‘I Can’t Keep Up With You’
10. ‘Thirsty’
11. ‘Night Song’
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Where country music takes the city by storm!
Grab your cowboy boots and saddle up, Ridin’ Hearts Festival returns to Sydney and Melbourne this November! The boot-scootin’ ride of a lifetime will land in Sydney on Saturday 2 November and Melbourne on Sunday 3 November.
Making its debut in 2023, Ridin’ Hearts has captured the hearts of loyal country fans and the country-curious, serving up country charm in the city like never before. The one-of-a-kind daylong festival from the team that brings you CMC Rocks delivered an impressive line-up of country music stars to Sydney and Melbourne last year, headlined by US wunderkind Bailey Zimmerman.
With rave reviews from fans, industry and artists alike, the inaugural Ridin’ Hearts Festival snagged the hottest international and local artists to play across the day, in a bumper celebration that continued into the evening. Epic market stalls and a range of mouth-watering food and beverage outlets provided something to satisfy every craving. Plus a raging silent disco, giant cornhole game and Brixton hat branding station for that unique edge, all amplified by the undeniable energy that only country music can deliver.
Jolene’s Diamond Club took the festival experience to the next level, offering perks to enjoy the festival in style including an exclusive bar and seating, phone charging facilities, premium toilets and powder stations to help keep the country glam on point!
Ridin’ Hearts Festival, an event that caters to both devoted country music enthusiasts and curious newcomers, showcases the undeniable allure of the genre’s diverse sound. In Australia, country music has experienced an unprecedented surge in popularity, captivating a wide range of listeners. Recent statistics reveal Australia as one of the largest country music markets in the world, with the genre attracting millions of new listeners daily.
So save the date, grab your mates, start planning those outfits and get ready to create memories that will last a lifetime. As the weather heats up and days get longer, Ridin’ Hearts returns to Sydney and Melbourne this November!
Stay tuned for lineup and venue details, coming soon.
RIDIN’ HEARTS FESTIVAL
AUSTRALIA
NOVEMBER 2024
Presented by Frontier Touring
SATURDAY 2 NOVEMBER | SYDNEY
SUNDAY 3 NOVEMBER | MELBOURNE
LINEUP, VENUE & TICKETING INFO COMING SOON…!
ridinhearts.com
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Congratulations on the recent release of your debut album Spiderwebs! What inspired the title and the overall theme of the album?
Thank you so much! The title was inspired by the idea of getting stuck in the webs of life or rather the messiness of life and struggling to find your way out. This album explores themes of loss, heartbreak, and control, and how those things can mess with your emotions and views on the world. At the time I wrote it, I was trying to navigate my way through some past traumas, and you can feel my mood in a lot of the songs. I wanted to show how unpretty our thoughts and emotions can be when we feel misplaced.
“Spiderwebs” is an engaging collection of 11 songs that explores the highs and lows of love and self-discovery. What was your songwriting process like for this album, and did you draw from personal experiences?
The songwriting process was really fun for this album because for the majority of it, I started writing by myself in my room and it all kind of just happened so naturally. All these songs are an accumulation of feelings or experiences that I or people close to me have gone through to show how sometimes messy and ugly life can be. I was really drawing from the idea of growing up and being in your little naive bubble as a kid, to then being exposed to the harsh reality of the world as a young adult and how that can sometimes lead to a loss of identity. It explores all the feelings and emotions that we uncover as young adults that show us that although life is beautiful, it can also be really painful.
The opening track and first single, “Spiderwebs,” produced by Ryan Stewart, deals with losing your sense of identity in a relationship. Can you give us the lowdown on the creation of this song and what it means to you?
When I reached my early twenties, I found myself in a relationship where I had no control over myself or my life. It was very isolating and hard to navigate the world after feeling like I was stripped of my identity. This song was an outlet at times when I felt like nobody would understand me or what I was going through. I had it in my back pocket for almost three years before I decided to finally share it with the world, and I am so glad that I did because in releasing it, I have found how many other people could relate to what I had experienced. This song means everything to me because it was the catalyst in taking back my power and creating this album that I am so proud of.
Since dropping your debut single at the age of 13, you’ve evolved into a versatile artist with over 25 million career streams. How has your musical style and approach to songwriting changed over the years?
I think there is a lot that has changed and a lot that hasn’t. My one thing I’ve tried to hold onto is my storytelling and the authenticity behind it. A lot of songs I write are about my life, but a lot of songs are also inspired by people in my life or things I wish I had experienced. There have been times I have definitely stepped outside of that box to cater to what’s current or what would play well on radio, and as proud as I am of all my songs, doing that taught me that the best stuff I write and the stuff that means the most to me are the songs that come from my heart, and I feel like this album really shows that.
Your hit single “Love Me” earned a Top 20 spot on Canadian radio and became the #2 most-added song at CHR Mediabase. How did that success impact your career and your approach to this new album?
I am so proud of that song because we had such a fun time writing it, so to see people love it the way we do as writers and creators made me very happy. Being a Canadian, the support from Canada was so amazing and pushed me to want to create and share more of myself with everyone. As artists, it’s really the public that decides if your music is good or not, so to get that kind of love and feedback allows me to continue doing what I love, and I am very grateful for that.
With tracks like “Ex’s” making it to the Top 20 on CHR and Hot AC radio in Canada, and also breaking into the US market, what challenges and opportunities have you faced in expanding your audience?
‘Ex’s’ was the first time I ever had a song break US radio, so that was a very cool thing to experience. It’s such a different market in so many ways, and as a Canadian independent artist, it can be so hard to break through that wall and get your music out there to more listeners. At the time that it did, I was lucky enough to be signed with a US label and have that support. One thing a lot of people don’t know is the cost of putting your music to radio. In Canada, it is more cost-friendly and easier to try. Although just because you hire a radio promoter, doesn’t mean your song will make the cut. US radio is a whole other ballpark. As an unsigned artist, I’d say that one of the biggest challenges is often finances, so you just have to make music you love, stand by it, and hope that when people find it, they will see how talented you are, with or without a label backing you.
“Spiderwebs” covers a range of emotions from toxic relationships to self-acceptance. Which song on the album is the most personal to you, and why?
It’s so hard to choose because each song is personal to me for different reasons. I’d say ‘Spiderwebs’ for sure because it was the catalyst for creating this whole album and a way for me to take back control over myself and my art. But if I had to name one because it’s my absolute favorite song on this album, it would be “Paper Rose”. It was the first song I had written by myself for the first time in a few years, and I am so proud of that. It reminds me of all the things you wanted but couldn’t have, and although it’s a sad song, for me, it gave me a lot of hope and confidence to keep writing by myself and tell the stories that are often hardest to tell.
As a rising pop star in Canada, what message do you hope listeners take away from your music, especially from the songs on “Spiderwebs”?
When people listen to this album or any of my songs, I hope they feel heard and understood. We all crave that connection and need to be related to. I think it’s a good reminder that although we may have different experiences, we can all relate to many of the feelings conveyed on this album. More than anything, I hope it reminds people to never let someone else dim your light and take away from the thing that makes you who you are.
Twitter: @Oliviapenalva
Facebook: /OliviaMusicLive
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Website: https://oliviapenalva.com
The new single from the forthcoming Watermelon Boy album is Cagi Mudre Vou, a unique piece that’s probably not like anything you’ve ever heard. It’s a spin on a song originally released by Bigwilz and features the co-production of Fijian DJ-producer Christonite Boginikua.
The track opens with the slosh of a wave as soft organ chords and ukulele flow into Bigwilz romantic Fijian vocals.
“The lyrics are about a fresh, sea breeze reminding One of a past love and we wanted to express that interplay, in the production.” says Watermelon Boy. Soon, the track widens with a vibrant beat, booming bass and fuzzy synths. “I’ve always been fascinated by the sounds of the southern continents but dance music has largely been informed by styles from Europe and the US. However, the Watermelon Boy project has often played with influences from Africa and Latin America, especially around the rhythms. On top of that, I also take huge influence from Australian future bass producers like Flume, LRDU, Paces & Slumberjack and the choppy fuzzy synths that I love to use, are testament to that.” Watermelon Boy says that even though Cagi Mudre Vou is a hybrid of styles, it sounds more “Southern” than anything he’s ever done. “The beat is straight out of Funk Carioca (A Brazilian style of club music) but rather than that overdriven sound, we wanted a more transparent drum tone. There’s jumping vocal chops that are similar to some of my favourite West African producers Sarz, Gafacci, DJ Flex & Hagan.” Originally presented the song by friend and collaborator Christonite Boginikua, their shared vision for the track came to light after a few simple discussions. “Chris first sent me the track and he had some really cool elements that I wanted to make sure we kept. The beautiful vocal performance, obviously, we wanted to keep that complete, But also the pulsing lali (Fijian log drum) was crucial to the tone of the song and lead into the woody chorus percussion so perfectly.” Trying to make a club ready re-vamp of an existing song creates the temptation to stick a house beat down and just chop the song around it. “It’s too beautiful of a vocal performance to cut into a cheesy club track. We knew we wanted to make something that came correct and sounded as natural as possible. We had to make space for the main drop so it didn’t detract from the vocal.” It’s the natural feeling of this track that’s so remarkable. A hybrid of styles, a contrast of energies and a convergence of cultures. Cagi Mudre Vou feels like a classic genre piece but for genre that doesn’t exist yet. Watermelon Boy, Bigwilz & Christonite Boginikua – “Cagi Mudre Vou” is out now on All platforms.
Photo by: Nick Dobrow
Today, Sydney’s NORA marks her 2024 return with the release of her infectious new single, ‘Unavailable’. Recorded between Church St Studios in Camperdown and Crash Symphony in Neutral Bay, the track draws on themes from early 2000s pop-rock and punk while expertly capturing the angst and ecstasy of unrequited love.
“Unavailable’ is about falling in love with someone who doesn’t love you back. Whether it be in a situationship, or them being uninterested all together, I wanted to express the rush that is falling in love with someone who’s not giving you the same thing in return.” – NORA
Mixed by the talented Luca Dimakoplolous (The Carry-On, Luke Hansen, The Assets) and mastered by Tahlia-Rose Coleman (Perry Street Park, Greta Stanley, Charlotte Adele), ‘Unavailable’ is bursting with energy from start to finish. Influenced by girl-rock icons like Olivia Rodrigo, Avril Lavigne, and Paramore and intertwined with NORA’s unmistakable flair, this track undoubtedly positions NORA as an emerging artist to keep tabs on.
This release comes off the back of a monumental year for NORA where she performed on stages such as Taylor Swift’s The Era’s Tour Fig Grove Stage and Music Box Stage as well as the P!NK Summer Carnival Music Box Stage, only a stones throw from the stadiums themselves.
In addition to keeping busy on stage, over the past 12 months NORA has also generated great success with the release of two singles ‘Damn!’ & ‘Nicotine’, both of which have surpassed 10k in streams across DSPs and received praise from Australian media.
The launch of ‘Unavailable’ was supported by neighbouring artists Gia Darcy and Lily B at Kelly’s On King in Newtown on May 10.
PRAISE
“Keep an eye out for this up-and-coming singer…”
Purple Sneakers
“An absolute bop!”
CoastFM
“‘DAMN!’ is insanely catchy”
Electric Dream Media
Unavailable is out now!
NORA: Facebook | Instagram | TikTok | Triple J Unearthed
Sam Green and The Time Machine are set to enchant audiences with their soulful melodies and thought-provoking lyrics at the Caulfield Town Hall on June 9th. This promises to be an unforgettable musical experience that transcends boundaries and touches the hearts of all who attend.
About Sam Green
Sam Green, an established soul singer-songwriter with over 40 years of industry experience, has captivated audiences worldwide. His journey began at a young age, and with unwavering dedication, he has established himself as a true luminary on stage. Beyond music, Sam is also a visionary filmmaker known for creating captivating light-version earth-found films that transport viewers into a world of wonder. Additionally, he is a highly regarded inspirational author whose uplifting and motivational books resonate with readers from all walks of life.
Concert Details
- Date: June 9, 2024
- Venue: Caulfield Town Hall, Melbourne, Victoria, Australia
- Time: Doors open at 7:00 PM
- Tickets: Secure your tickets now for just $25, which includes a complimentary CD. Click here to purchase tickets1.
Sam Green’s Music
Sam proudly released new albums on April 9, 2024:
- Heaven Knows We Care (Nine Tracks)
- Bird Watching in Time (Performed by Sam Green and The Common Ground, 19 Tracks)
- Soul Food for the Heart (Performed by Sam Green and The Time Machine, 21 Tracks)
You can listen to Sam Green’s soulful music on platforms such as Spotify and iHeartRadio.
Exclusive Books
Sam Green’s wisdom extends beyond music. His exclusive books, printed in Victoria, Australia, offer deep insights and provide readers with a roadmap to living in harmony and finding purpose in life.
Don’t Miss Out!
Secure your tickets now and immerse yourself in the harmonic odes to the soul that only Sam Green can deliver. Book online and be part of this extraordinary musical event at Caulfield Town Hall2.
Dolly: The world is in a lot of turmoil and it’s taking its toll on us all. Part of that turmoil is social disconnection, people are losing meaning, losing a sense of belonging. “Loneliness Epidemic” is a term you hear a lot now. Even if you don’t feel it, you’re affected by it.
Lin: This was the first track we wrote after a break of over a year. Clef started jamming the chords on the guitar, and I quickly built a beat around it so I could then switch to laying down some keys. We work fast in the studio, and while we were doing that, Dolly was singing ideas straight down, through a vintage echo unit. I kept that echo track in the song, as it had this kind of claustrophobic “locked in a box” sound to it, which seemed in keeping with the theme of the song.
Celf: The riff was the first thing that came out when we hit record. The drive and the grit I think inspired the moodiness of the track, but to me what stands out is how much it captures in few words. I often think about what it means to be real, to be me, if there even is such a thing as “real” versus unreal, fictional, tangible. So I get a lot from the lyrics, but it was Dolly who wrote them, haha.
The video for “Lost Touch” just dropped on YouTube via Boomsmack Records. What was the creative process behind the video, and how does it add to the song’s message?
Dolly: French cinema has done amazing things with visuals since the beginning. We used scenes from Feuillade’s Les Vampires where a woman playing a vampire becomes a victim to demonstrate losing connection, losing touch with who you thought you were.
Lin: We put the live performance take down while we were in a rehearsal for our debut show.. Our time together as a band is always brief, and I was like “let’s get a couple of quick takes for the video”. I love what Dolly did with the edit, interspersing us with that great vintage footage.
Clef: Dolly made the video too and it’s smashing! DIY and juxtaposed with classic footage, super cool. The video has very good use of the Kuleshov effect, where juxtaposed and unrelated video elements played in sequence communicate an emotional state.
Your new album “Release” is set to drop on May 31st. How does this album build on your previous work, and what can fans expect in terms of new sounds and themes?
Lin: For me, this album shows an evolution with us feeling even more comfortable leaning into our moodier vibe, which is there is some of our earlier tracks, if you dig, but more at the forefront here. While there’s still tracks to make you dance on this new record, we’ve drawn more on edgier guitar tones and post-punk moods, blending with our signature synths and love of electronic music.
Clef: The album was made much the same way as our EPs, recorded in a weekend and perfected by Lin, Dolly and I in small steps afterward. I moved away for a year and wasn’t sure I was coming back, but decided eventually that I had to be home. I think the songs on this album were less concerned about what the Bae sound was, which is why it sounds the most authentically Bae to date. I like that we can explore so many sonic avenues.
Dolly: An intentionally darker mood than previous Bae Baracus records, ‘Release’ explores the double-edged themes of liberation and the ennui that accompanies it. Like a 3am coffee, the album is both energetic and angst-ridden. Filled with nocturnal post-punk dance, it abandons all hope of sleep and embraces the night.
Clef created a unique collage for the album cover of “Release.” Can you walk us through the inspiration and creation process behind this artwork, and how it ties into the album’s themes?
Celf: I wanted to make a cover that was a physical piece of art rather than a digital one. When I make a piece of art, I tend to land on a process that is very stream of consciousness. My ADD went full hyper focus on this one, and I ended up making the whole thing in about 6 hours, starting around 8pm. I asked Lin and Dolly to send me personal photos and I decided whatever I got would be my full collage palette. The result is weird, but satisfying to look at. And now the collage is being de-constructed for art’ sake!
Lin: We knew we wanted something special for this album’s cover, and when Clef suggested he do a collage, Dolly and I were totally up for it. I love what he did, it’s so unique and feels really meaningful.
After “Release” hits the shelves, what’s next for Bae Baracus? Any upcoming tours, collabs, or projects you’re keen to share with your fans?
Dolly: We have another video coming out for ‘Move into the Sea’ – the final track on Release. As for tours, we’re really a studio project but we will be doing a super rare one off hometown show in August.
Lin: When this album drops, we’ll have a total 21 songs in our repertoire, not bad for a band who’ve only been in the studio a total of less than 3 weeks together! We recently played our first show and people absolutely loved it, so the focus will be a switch to live shows. Between us, we have a lot of commitments with day jobs and families, so while a full blown tour might not be on the table just yet, we’re definitely up for one-off shows when we can.
Clef: We have a gig in the summer to celebrate the release of ‘Release’, and from there who knows! I think it’d be cool to play a city show at some point, lots of travel and timing to consider. But Bae is strong!
“Lost Touch” delves into feeling disconnected and finding your way back to yourself. How does this track reflect your band’s evolution and current artistic direction?
Dolly: ‘Release’ is darker, as said. But Bae doesn’t stay on the same trajectory for long. We zig, then we zag. You’ll see with our next video, which goes in a very direction from ‘Lost Touch’.
Clef: Interesting question. I am deeply concerned about the spirit of artistry in the music industry these days, because it feels as though more and more of what I see is for feeding the algorithm. But it’s so much worse than trying to be popular or a hit, because obviously artists have egos and want to see their art exist, but this current age is more like the music CAN’T exist without being referential, nostalgic, captivating, technically and proficiently excellent and visionary. It’s like the bar has gotten so high it’s almost inhuman. And yet, the AI machines are getting exponentially better at making music that sounds like human music. So, how do we connect with art on a meaningful level? Is meaning still meaningful? My only answer to this is to wave off the question and keep playing, because it’s fun and I know how to do it.
The themes of “Lost Touch” speak to the disconnection we feel in today’s interconnected world. How do you reckon your audience will resonate with these themes, and what message do you hope they take away from the song?
Dolly: I’ve no doubt that it will resonate with many of those who hear it. The simple message to take away from the song is “I see you. You’re not alone in your loneliness.”
Title: Ronaldinho
Label: Easier Said
Powerhouse LA-based DJ/producer Sam Blacky partners with Grammy-nominated African singer-songwriter hailing from Nigeria, Niniola, for their new single “Ronaldinho,” which celebrates the former’s love for afro house and the latter’s Nigerian history in a dynamic, soulful sonic journey. Sam has long loved pushing the boundaries of dance music and breaking music genres’ molds, and over the past few years, it’s become apparent that her true passion lies in creating globally-inspired, dance-worthy records. “Ronaldinho” is a shining example of this with its undulating, deep basslines, percussive instrumentals, and ethereal melodies courtesy of Sam, while Niniola‘s shining vocals truly turn the song into a spiritual listening experience. With the summer festival season just heating up, “Ronaldinho” is about to be heard on the beach, the festival stage, and the club dance floors around the world. The track is out now on Easier Said, which finds Sam exercising her artistic freedom by once again joining a formidable roster of forward-thinking artists such as Barclay Crenshaw, Life on Planets, Maya Jane Coles, Party Pupils, and Todd Terry.
“As the years have passed, my passion has become more and more integrated with what we know as afro house. When the opportunity came up to work with one of the original, most iconic singers in that realm, all the way from Nigeria, there was no question. I heard what Niniola had done with the vocals for Ronaldinho and knew I had to make this song with her. Having someone who is such an amazing storyteller, with such an incredible voice, who has lived this life through and through brings an entirely different message and meaning to the music.” – Sam Blacky
Sam Blacky
Sam Blacky is a multitalented DJ, Producer, and Cultural Icon from San Diego, USA. She spent several years in Australia, where she first fell in love with producing music and performing live. Since moving back to the US, music, performing, and fashion have taken a front seat in her life. Performing since 2017, she’s graced the stages from Mexico to Ibiza, Bali to Europe, and some of the world’s premier electronic music festivals and clubs. Since her first self-released EP in 2021, Sam has released on esteemed labels such as Repopulate Mars, Terms & Conditions, Easier Said, Thrive Music, and Hood Politics. Her standout remix of “Gaslight” for Grammy-nominated Inji was a viral sensation. Sam‘s signature style of blending Afro-House, Latin House, and everything in between is connecting with global audiences and has earned her the coveted 1001 Tracklists‘ “Future of Dance” producer list two years in a row. Her latest release – “Amor,” was remixed by Brazilian producer Illusionize and cemented her place worldwide as a one to watch.
Sam Blacky‘s forthcoming dates:
May 26 – Brooklyn, NY – We Belong Here
Jun 05 – Los Angeles, CA – Academy LA
Jun 08 – Montréal, QC – New City Gas
Jun 22 – San Diego, CA – Horizon Music Festival
Jun 23 – Long Beach, CA – Day Trip Festival
Jul 06 – Kristiansand, NO – Palmesus Festival
Niniola
Niniola participated in several social activities and competitions. She finished third runner-up in the sixth season of Project Fame West Africa. Niniola released her debut single – “Ibadi,” on 19 March 2014. The song received positive reviews, topped national music charts, and gained extensive airplay. Her singles “Ibadi” and “Gbowode” were included in the soundtrack for season 2 of “Gidi Up.” Niniola was nominated in the Most Promising Act to Watch category at the 2015 Nigeria Entertainment Awards. In 2017, Niniola went on to release another single titled “Maradona,” which went on to become a global hit. “Maradona” enjoyed a good 13 weeks on the South African charts and was at the No.1 spot for over 6 weeks. It also earned Niniola a BET Awards and SAMA nominations. Since then, Niniola has gone on to receive nods from international heavyweights like Drake, Timbaland, and others. In 2019, elements of the single were sampled on “The Lion King: The Gift Album” by Beyoncé on the track “Find Your Way Back,” where she also appeared as a songwriter and composer of the song, which has gone on to get Niniola a Grammy nomination. In April 2020 and later in June 2021, she received her 1st, 2nd Grammy nomination certificate for her work as a composer. In June 2021, she’s got inducted into the Grammy Recording Academy Class of 2021. In July 2021, Niniola‘s single, “Maradona” was certified gold in South Africa by the Recording Industry of South Africa RISA.
Toronto’s very own Dani Nash has unveiled her latest musical offerings with the release of two captivating singles: “Ordinary Love” and “Anything At All”.
Nash’s profound dedication to music has propelled her into a revered figure within Toronto’s vibrant music scene. Her journey has been marked by numerous collaborations, tours, and recordings alongside fellow artists. With over a decade of experience, she has showcased her exceptional talent as a drummer and multi-instrumentalist, gracing stages with renowned Canadian acts such as Sarah Harmer, Andy Shauf, and Fefe Dobson. Most notably, she has recently joined forces with Toronto’s own JULY TALK as their esteemed 6th member.
Beyond her instrumental prowess, Nash has established herself as a formidable songwriter, stepping out from behind the drum kit to release a critically acclaimed self-titled album in March 2022. Garnering praise and widespread radio airplay, her album has been lauded by Exclaim! magazine as “the perfect end theme to a John Hughes film.”
Continuing her artistic evolution, Nash’s upcoming double feature single release delves into themes of nostalgia intertwined with the nuanced experiences of the queer community, offering a poignant follow-up to her previous work.
Title: My Girl
Label: Tomorrowland Music
Multi-platinum DJ and producer R3HAB and famed Norwegian hardstyle duo Da Tweekaz combine their forces for the new collaborative single “My Girl” which breaks genre barriers with its dance-pop-hardstyle fusion, which keeps owning the dancefloors across the globe since 2023. Uniting for the first time ever, the boys deliver an explosive production with true rave energy courtesy of R3HAB and hardstyle-influenced beats from Da Tweekaz, making for a memorable debut collaboration and a guaranteed crowd-pleaser just in time for the summer festival season. “My Girl” first premiered last summer at Tomorrowland 2023 and has since become one of the most notable IDs in R3HAB‘s and Da Tweekaz‘s epic performances. The track is finally out now on Tomorrowland Music for the entire world to enjoy.
“After months of finessing the track at the world’s biggest stages, Da Tweekaz and I are happy to share our festival banger ‘My Girl.’ We premiered it together onstage at Tomorrowland 2023 mainstage and now feels like the perfect time to release it ahead of the upcoming festival season. The hardstyle energy is a bit more powerful than my recent releases, and it’s been a big hit with my fans. Hope you love it.” – R3HAB
“We’ve been playing this tune since last summer and it still goes off every single time. Now that this year’s summer is about to start, it’s the perfect moment to finally release this absolute party starter together with our buddy R3HAB on Tomorrowland Music, which we are beyond excited about.” – Da Tweekaz
R3HAB
Multi-platinum DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the past fifteen years. From his breakthrough remixes for Rihanna, Drake, Taylor Swift, and Calvin Harris to anthems such as Platinum-certified “All Around The World (La La La)” and “Lullaby,” to his collaborations with the likes of Ava Max, ZAYN, Luis Fonsi, Sean Paul, and more, R3HAB has proven to be one of the most forward-thinking artists in the game. His work has collected over 11 billion streams to date, including more than 1.2B in 2023 alone. R3HAB founded his label CYB3RPVNK in 2016, which has passed 4B streams across platforms since its inception. R3HAB continues to evolve and diversify his sound by working with artists around the globe, pushing the boundaries of dance music as he collaborates across genres and languages. He is Spotify’s Most Discovered Artist, one of Spotify’s top 350 most streamed artists, ranked #14 on the prestigious DJ Mag’s Top 100 DJs chart, and has earned over 80 Diamond, Platinum, and Gold certificates. R3HAB has embarked on multiple sold-out worldwide tours and was the first dance music artist to sell out 15 consecutive shows in China. On top of that, he performed at the world’s top festivals, such as EDC, Ultra Music Festival, Tomorrowland, Balaton Sound, Coachella, Summer Sonic Festival, DWP Jakarta. With his combination of innate artistry and innovative attitude, R3HAB has earned his place as a household name in dance music.
Da Tweekaz
Kenth Kvien and Marcus Nordli, aka Da Tweekaz, are a Norwegian hardstyle duo. These two incredibly talented guys are especially known for being the ultimate party starters with their uplifting, contagious, and unique energy. When not behind the decks or in the studio, you can probably catch them partying in the front with their fans. From intimate clubs to huge festivals, you can always count on them to bring the party to life. Da Tweekaz have taken the world by storm, collaborating with top-tier artists both within and outside of the Hard EDM genre, racking up tens of millions of streams. Some of their countless hits include “Jagermeister” & “How Far I’ll Go” and remixes of huge songs such as “On My Way” by fellow Norwegian Alan Walker. When the pandemic hit in 2020, the boys came up with “Tweeka TV” so they could stay connected and bring joy to their fans through a hard time. Up to 15,000 viewers tuned in every week to watch the boys with their signature sunglasses on, Jagermeister on tap & lots of special guest appearances. With such success with the show, the duo has continued to run the show every month, even as life has returned to normal. With tours around the world and stages on every continent, there is no stopping this one of a kind duo. Da Tweekaz are regulars at some of the biggest events worldwide, including EDC, World Club Dome, Reverze, Defqon.1, and twice playing Mainstage at Tomorrowland. There’s no stopping this power duo as their passion spreads on stage to electrify any event.
Tomorrowland Music
Tomorrowland has expanded the family with its own music label: Tomorrowland Music. Tomorrowland Music is a dedicated music division within Tomorrowland, collaborating closely with both artists and labels, supporting them in all their recording and release activities. Tomorrowland Music has partnered with Virgin Distribution and Virgin Records. As part of the Universal Music Group, Virgin has been one of the industry leaders in music distribution and independent record labels for many years. Tomorrowland Music is delighted to be working closely with Virgin and looking forward to taking the label to a higher level together. Stay tuned for a stellar line-up of renowned artists from all different levels who can’t wait to release their music on Tomorrowland Music, encompassing a multitude of genres.
Title: SKELETON
Label: OneHundred/Spinnin’ Records
Danish artist and the “Car Music” movement foreman Matt Hawk returns with his newest release – “SKELETON,” a unique heater with both emotive and hard-hitting elements. Opening with ominous melodies that meld into a deep, undulating bassline with dark synths and menacing vocals throughout, Hawk steps out on a ledge with the driving style of the track while staying in his element of the “Car Music” genre. “SKELETON” is both low-fi urban and also bass-heavy EDM influenced, making it a versatile record that will also make the listener feel the darkness behind the lyrics while amping up the energy a few notches. Hawk previously released “Hood To The Hills” with his fellow Danish partner in crime – HEDEGAARD, back in March, and “SKELETON” is another strong track from this talented artist. Read on to see what Matt had to say about his latest release:
“The process was a bit different than usual, which ended in a very interesting result. While it exists within the familiar universe of my musical style of low-tempo EDM/urban sound, the production of ‘SKELETON‘ drives the energy forward, where the theme and message touch a more emotional journey and invite the listener to visit sublayers of the mind. It was important for me to maintain a recognizable signature in my music while experimenting with new sounds and moods. The result is a single that challenges the listener – and is different in expression.” – Matt Hawk
Matt Hawk, the next big star in Car Music, is all about minimalism and genre clashes – two things that make him stand out from other DJs. The 33-year-old art director from Aalborg, Denmark, started dreaming of a music career in his teens when he began mixing styles and genres in his creation of new and unique productions. Today, his dream has come true, and he is producing hits with Denmark‘s most prominent DJs. In collaboration with HEDEGAARD, Matt Hawk has produced and released the single “SA-MY-D,” which is closing in on 8 million streams on Spotify alone, while their joint remix of the rap classic “Ni**as in Paris” has surpassed the 4,5 million stream mark on the platform. A constant curiosity and the untamable urge to create means that he is, again and again, which has never been combined before. On the single “SYMPHONY,” he reworked Beethoven‘s classic “Symphony no. 5,” generating an output that contains a magical combination of Nate Dogg-sounding vocals combined with all the best elements from the heavy club universe of the Car Music genre. It debuted on the weekly QQ Music EDM Chart in China as no. 21 and has amassed more than 4,5 million streams on Spotify since then, reaching 1 million streams within the first 40 days in the market. The follow-up single, “GANG GANG,” was also built on a Beethoven sample from the classical masterpiece “Für Elise.” The latest single, “OneHundred,” was created with his label buddies HEDEGAARD and CANCUN? and was produced without the use of samples. The single reached 1 million streams within the first 20 days in the market and became Matt Hawk‘s first Top 20 single on the QQ Music EDM Chart in China, debuting as no. 17. His latest release, “Hood To The Hills,” also went in Top 20 on QQ Music EDM Chart.