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The Partae

Music News

TAME IMPALA RETURNS WITH ‘END OF SUMMER’

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FIRST RELEASE ON NEW LABEL HOME COLUMBIA RECORDS

Photo Credit:  Julian Klincewicz

Today, Tame Impala (Kevin Parker) returns with the release of “End of Summer,” his first recording for new label Columbia Records. The song marks a new dawn for Tame Impala, as Parker once again expands the parameters of the project further into realms unexplored. Drawing from the deep, rich history of dance music, “End Of Summer” recasts Tame Impala as a kind of future primitive rave act. The track harkens back to the acid house summer of ’89, to free parties of the mid-90s, to bush doofs in outback paddocks – to an imagined history, transmuted into something simultaneously present and eternal, still unmistakably Tame Impala. The thrill of spontaneous studio experimentation that has marked Tame Impala recordings since the beginning is more evident than ever, Parker’s mastery of his craft imprinting the track with an array of brain-bending, subtly manipulative sparkle. Listen HERE.

Kevin Parker has emerged as one of the most influential voices of the last decade. A singular artist renowned for carving out a distinct sound all of his own, Parker crafts transcendent genre-bending sonic landscapes playing every instrument and acting as writer, producer, mixer and engineer on his projects. He has been nominated for four GRAMMY awards with one win for his collaboration with Justice on 2024’s “Neverender.” In his home country of Australia, he’s racked up an impressive 13 ARIA Awards and 27 Nominations. He’s won the BRIT Award for Best International Band and scored nominations for two Billboard Music Awards and an American Music Award. Tame Impala has had numerous US Alternative Radio Top 10 songs including two #1’s for “Lost In Yesterday” and “Is It True.” Tame Impala’s “The Less I Know The Better” is part of the Billionaires Club with over 2 billion streams and the project has racked up numerous gold and platinum certifications globally.

Tame Impala has headlined festivals and arenas around the world and released four full length albums – InnerSpeaker, Lonerism, Currents and his most recent album The Slow Rush. The Slow Rush landed at #1 in multiple territories and was his highest charting album to date in both the US and UK, with 14 top 10 chart positions around the world.  As a writer and producer Parker has collaborated with Dua Lipa, The Weeknd, SZA, Lady Gaga, Travis Scott, Mark Ronson, Gorillaz, Thundercat, Kali Uchis, 070 Shake, Rhianna, Miguel, A$AP Rocky and many more.

Follow Tame Impala:

Website | Instagram | YouTube

 

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Festival NewsMusic News

First Look at Ministry of Sound’s brand new £500k VIP Area – The new space is officially open following extensive renovations.

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written by the partae

The sounds of construction have been echoing through Elephant and Castle recently, as Ministry of Sound undergoes a major transformation of its VIP area. Welcome to No Velvet Rope Society – an inclusive new experience designed for true music lovers, with a focus on elevated sound and a new mezzanine overlooking the infamous Box.

Ministry of Sound has unveiled a forward-facing new chapter with its £500,000 transformation – the venue’s first major renovation in 15 years. Guests now enter through a gritty back-alley entrance, a deliberate nod to its raw 90s roots. Inside, a newly built mezzanine offers a high-spec sound experience with direct views into it’s main arena The Box, immersing guests in the iconic Martin Audio sound system that helped make Ministry a global name.

Says Caitlin McAllister, Group Managing Director, Ministry of Sound, “The launch of our new VIP space marks a bold new chapter for Ministry of Sound. This transformation has been a personal passion project of mine for years, and seeing it finally come to life is incredibly special. We’ve literally knocked down walls to open up the space and connect it directly to The Box, creating a seamless, elevated experience that brings guests and artists even closer to the music, the energy, and the atmosphere that define our club. This isn’t just a refurbishment; it’s a reimagining of what a night out should feel like — captivating, electric, and unmistakably Ministry”

No Velvet Rope Society is Ministry of Sound’s fresh take on VIP culture—stripping away the exclusivity in favour of something more meaningful. It’s built for music lovers who want deeper, more connected experiences.

A limited number of founding memberships are available for just £150 a year and include VIP access at all events bar student-only nights, queue jump, birthday Moët with table bookings, 15% off first table spend, and priority access for future reservations.

The new VIP area is now open for reservations Book Here

July 

25.07
Future x We Rave You: Blastoyz, Simon Patterson and Eddie Bitar

26.07
The Foundation – Open Air Courtyard Day & Night

26.07
House Cat: Lovra, Detleft & Sian Owen

27.07
Release Day Party Summer Edition

August 

01.08
Omnya (Afterlife) – UK Debut

02.08
Urge Day Party (Open Air)

02.08
Urge 003: Hector Couto b2b Sante Sansone, Brisotti + more

08.08
Future Citizens Vol.2 – P.O.U, Sam Supplier + more

09.08
Courtyard Day Party: Grooverider, Brockie + more

09.08
Room Service: Dunmore Brothers, Ella Knight + more

15.08
Krewella (UK Exclusive)

16.08
Pressure: Bullet Tooth + Capo Lee

22.08
Smoove: Masterstepz, Maximum, Rampage, Donch + more

23.08
LoveJuice Summer – Bank Holiday

24.98
Trance Sanctuary – Courtyard Party

29.08
Future x Wh0 Plays – Wh0, David Penn, Marco Lys + more

Website

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Music InterviewsMusic News

Interview: Kevin Keller on Arcadia: A Journey Through Death, Light, and the Universal Consciousness

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Arcadia feels like a deeply personal journey through light and darkness. What inspired you to explore themes of the afterlife and transformation in this album?

Not to be morbid, but we are all going to die. It’s a reality that we all live with each day, and we see ourselves aging as those close to us are doing the same. I think it’s important to acknowledge this reality, and to make your peace with it in the here-and-now. I believe that there is a universal consciousness that we are all a part of—a consciousness that exists outside of space and time. Each of us is a unique expression of that universal consciousness, and we each have our own mind and consciousness that is unique to us. When we die, we shed our physical bodies and minds, and we return to the current of universal consciousness that we all came from. For me, that is the “afterlife”.

You blend plainchant melodies with ambient electronics in a really unique way. How do you approach balancing ancient musical traditions with modern sound design?

I guess I don’t really think of it that way when I’m writing. To me, it’s all part of a greater continuum, whether it’s from the 12th century or the 21st century. I’m always searching for the right combination, and this was the one that spoke to me as I was creating “Arcadia”.

The vocal performances by Sofía Campoamor are hauntingly beautiful. How did you come to collaborate with her, and what did she bring to the emotional core of the album?

Sofía Campoamor and I met in 2023 just after “Evensong” was released. I had recently performed at a monthly music salon in Brooklyn called Soundshop, and Sofía performed at the following month’s salon. I fell in love with her voice and her spirit, and she and I became friends over the following year, attending each other’s shows and getting to know each other. At the end of 2024, I asked Sofía if she would be interested in working with me on a new album called “Arcadia”, and she was all-in on both singing and collaborating. This album was the first time that I collaborated with another composer, and together we developed 3 of the 8 tracks on the album. Sofía also helped me with the other tracks by coming into my studio and recording demos as I was writing. The resulting sound is unique because it’s a combination of our two musical voices.

Several tracks feature Latin texts—some original, some traditional. What drew you to Latin as a language for expressing the ideas in Arcadia?

I started with texts from Revelations, and from the traditional Requiem mass, and these are used in the first 2 tracks and on “Et lux perpetua”. For the bulk of the album, I wrote original texts and had them translated into Latin. Since “Evensong” was all in Latin, I wanted to maintain that narrative consistency, as I feel like Latin gives the music a sense of timelessness.

The album moves through a clear narrative arc from darkness to light. Did you have a story in mind as you composed, or did the journey reveal itself as you worked?

It’s funny—the narrative arc of “Arcadia” didn’t fully materialize until the album was done. Before that, I had an idea of what the album was about, but this changed once I heard the whole thing together. Originally, I had thought that the whole story takes place in Arcadia, a mythical paradise where everything is perfect and peaceful. I thought that the album would be about this idyllic paradise, but somewhere along the way, the story developed and became quite dark and dramatic, and I realized that the album is about the journey from death to Arcadia. We don’t actually arrive in paradise until the very last track. Everything leading up to that moment is more like the medieval concept of Purgatory, where the soul goes through a final test and a cleansing before entering Heaven.

Can you share a specific moment during the recording or production of Arcadia that was particularly meaningful or challenging for you?

My favorite part was getting to work with everyone again, in the same studio (Reservoir Studio in NYC), and with the same engineer (Robert L. Smith). We had such a great time making “Evensong” in that environment, and it was a real thrill to be back there 2 years later to make the follow-up album. We’ve become a well-oiled machine at this point!

The instrumentation blends strings, piano, synths, and layered vocals. How did you decide on this particular sonic palette, and how did it evolve during the creative process?

Over the 30+ years that I’ve been releasing music, I’ve always tried to innovate with each new album. I’m always looking for new sonic combinations, and new ways of expressing these big ideas of life and death and existence. Each album builds on the previous one, while also adding something new. Piano, synthesizer, and keyboards have always played a major role in my sound, along with live strings. On “Evensong”, I took the big step of incorporating live vocals in the sound, and “Arcadia” takes this a step further.

Arcadia is described as a sequel to Evensong. How does this album build on or differ from that earlier work, both musically and thematically?

“Arcadia” was written 2 years after the completion of “Evensong”. The music of “Evensong” expressed the journey from conception to death, and it had an open ending that could either return to the beginning of the life cycle or to some other place beyond death. After its release, “Evensong” also became the score for a full-length ballet by choreographer Maria Caruso. Maria’s choreography added a new level of depth to the music, and when I saw the ballet premier in late 2024, I was inspired to create a follow-up. Maria’s dance piece ended with the main dancer disappearing into the wings as the lights faded to black, and I found myself asking “Where did she go?” So, “Arcadia” answers this question.

Ambient music often invites listeners into a contemplative space. What do you hope listeners feel or take away from experiencing Arcadia?

I’m always aiming to take people on a journey. It’s my hope that they are inspired by “Arcadia”, and that it conjures up images and emotions for them.

Finally, as an artist who has worked across many styles and projects, how does Arcadia reflect your growth or shift in creative direction at this point in your career?

“Arcadia” really feels like a pinnacle for me. It feels like the culmination of everything I’ve done since 1994, while also being the start of something brand new. I have a feeling that there will be more music coming in the future from me and Sofia, since this album was such a joy to make.

https://www.kevinkeller.com/

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Festival NewsMusic News

Into The Wild Festival unveils the first artists as part of its electronic music lineup for 2025

by the partae
written by the partae

Making an anticipated return this August 22nd-25th, Into The Wild Festival unveils the first names as part of the lineup for its electronic music stage. The festival, which blends a beloved sense of community, creativity, connection, and nature, will welcome artists and selectors across house, progressive, techno, alternative electronica, and many more.

Celebrated for its diverse programming, inclusive ethos, and annual charity initiatives, the family-friendly festival’s electronic music programming will see a host of names perform at Chiddingly Estate in Sussex, including Woody Cook, SuperCLAUD, Ellie Talebian, DJ Estavia, Heiko, Miss Lightbeam, Eloise Minton, DJ Kristiaan, Nik Valentine, Ross Harper, Temple Hedz, and more, set to be announced.

Renowned for its vibrant mix of live music, workshops, wild crafts, food, and inspiring speakers, Into The Wild is cherished not just as a festival but as a thriving community. What began as a small annual gathering has grown into a space for 5,000 attendees, where friendships are forged, collaborations bloom, marriages are celebrated, and even a birth has taken place.

Wild crafts and workshops remain at the beating heart of the festival experience, and 2025 promises one of the most exciting and expansive offerings to date. With over 200 workshops included in the ticket price, attendees can explore everything from traditional crafts and foraging to fire, den, and chocolate making to flint knapping with Will Lord, medicinal plant walks, yoga sessions, wild spas, and ceramic sessions. All experiences are designed to inspire deep reconnection with nature and self.

Alongside its vibrant cabaret offerings, Into The Wild has confirmed a diverse lineup of global artists, like Daraa Tribe with nomad tunes from North Africa, Ant Bahar Di, Ustad Noor Bakhsh from Rajasthan, UK rapper Viktus, Mongolian Odyssey’s throat singing, the Magic Tree collective, and Welsh folk artist Bethan Lloyd, plus many more.

Environmental and social responsibility remain at the heart of Into The Wild. This year, the festival will welcome leading organisations and charities such as the Captain Paul Watson Foundation, WWF, Greenpeace, The Twelve Step Fellowship, and the Sussex Wildlife Trust, further strengthening its long-standing commitment to conservation, activism, and ecological awareness.

Originally founded in 2014, the festival has grown to create its own CIC Wilderlands, helping to Rewild, support wildlife, and create habitat for nature. The festival continues to champion a family-friendly, inclusive, and nature-focused ethos, making it a standout experience in the UK festival landscape year after year.

Electronic Lineup

Woody Cook | SuperCLAUD | Ellie Talebian | DJ Estavia | Heiko | Miss Lightbeam | Eloise Minton | DJ Kristiaan | Nik Valentine | Ross Harper | Temple Hedz

 

Tickets Here

Find Out More & Follow 

Into The Wild Instagram | Website

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Music News

GREATER GOOD RETURNS IN FIFTH YEAR WITH $30K PACKAGE FOR INDEPENDENT ARTISTS

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Good Intent – Announce Fifth Year of Greater Good

Returning in it’s fifth year, Good Intent are proud to announce applications are open for their independent artist initiative ‘Greater Good‘. The package has helped guide and support the next generation of exceptional musical talents by providing one lucky artist in-kind services and a cash grant totalling over $30,000 AUD. In addition to this, there are twenty shortlisted applicant packs available.

In 2025, the package boasts partners APRA AMCOS, Forbes Street Studios, Jungle Merchandise, PHILTER, Zenith Records, Media Arts Lawyers, Billy Zammit, PLAKKIT, Louder Accounting, and this year includes a 1:1 Creative Consultation Session with TikTok‘s Ollie Wards. The pack includes a $4,000 AUD cash grant to further develop their career. Any unsigned artists (recording/publishing), from all walks of life and at all levels are encouraged to enter.

Rick Bridgman of Good Intent notes, “We’re very privileged to be able to help grow our industry through this initiative, in collaboration with our incredible collection of partners. We’ve discovered so many exceptional artists over the years (some established, many brand-new), with over 600 applicants alone last year. We’re honoured to provide this package, guidance and skill development to the winner, plus the 20 shortlisted applicants and more to help shape their futures. Can’t wait to get stuck in again!”.

This year’s Industry Assessment Panel hosts key figures across the wider music landscape to help assess applications and guide decision-making, with Caitlin McGregor (MusicNSW), Glenn Dickie (Sounds Australia), Jannah Beth (Offbeat Collective), Daniel Morgan (Astral People), Emmy Mack (RedHook / triple j), Jess Wust (Cult Artists), Brittany Green (Campbelltown Arts Centre) and Rick Bridgman (Good Intent), collaborating on the initiative. Greater Good is proudly supported by organisations Music Victoria, QMusic, MusicACT, Music SA, and WAM.

Photo Credit: Billy Zammit

Previous winners include ixaras (2024), LAZY GHOST (2023), PENI PARKER (2022) and Jelly Oshen (2021). Last year’s shortlist was stacked with outstanding talent from across the country including Belle Haven, Civic Video, DoloRRes, Elle Shimada, Empress, Erica Tucceri, Good Pash, Holly Hebe, isaac puerile, LATE 90s, Mannequin Death Squad, Oscar the Wild, PA777IENCE, RISSA, Ruby Jackson, Selfish Sons, THOM, Thunder Fox and Velvet Bloom.

Good Intent offers a range of services across PR & Digital Marketing, boast a management roster of Bootleg Rascal, Close Counters, FANGZ, Fool Nelson, handling venue bookings for The Lansdowne Hotel, Kelly’s On King / Bootleggers and The Troc, plus run a photography/videography studio Good Loco out of their Bulanaming/Marrickville-based office.

Current clients include Akon, Aloe Blacc, BMG, Bootleg Rascal, Bryan Ferry, Chromeo, Close Counters, COTERIE, Crowded House, Daily J, Destroy All Lines, Everything Everything, FANGZ, Fool Nelson, Future Static, Klangkarussell, La Roux, Pacific Avenue, RedHook, SOFT PLAY and The Terrys. Over the years, Good Intent has also worked with the likes of A.GIRL, Adam Port, Anjunadeep, American Hi-Fi, Astral People, Bas, Chugg Music, DOPE LEMON, Freddie Gibbs, Handsome Tours, La Roux, LUUDE, Sony Music, TMRW Music and Universal Music Group.

GREATER GOOD INITIATIVE
The winning recipient will receive the below:

Grant For Release Promotion & Career Development
• A cash grant of $4,000 AUD to kickstart Artist’s career.
• Funds to be used for but not limited to: Release Promotion, Touring Expenses and Marketing.

Artist Services Supported Release Package
• 1 x 1:1 Songwriting Rights Management Consultation Session with APRA AMCOS Representative
• 1 x  1:1 Creative Consultation Session with TikTok’s Ollie Wards (Director of Music, Australia / New Zealand)
• 1 x Single Campaign project managed by the Good Intent senior management team (Rob Carroll, Rick Bridgman and Nick Moran).
• PR and Label Services provided by Good Intent, which includes PR, Radio Plugging, DSP Servicing and Digital Marketing Service.
• Artist Management Consultation Meetings.

Recording & Production Package – Forbes Street Studios
• 2 days Recording in Studio 1 with Lewis Mitchell (The Kid Laroi, Gang Of Youths, Ziggy Ramo)
• Mix and Master (including engineer + studio fees).
• Dolby Atmos Mix (including engineer + studio fees).

Vinyl Package – Zenith Records
• 150 x 7” Black Records, packing in white inner paper sleeves / full Colour Printed Glued pocket / outer plastic sleeve.

EPK Development – Billy Zammit
• Photography Shoot with Billy Zammit (Ninajirachi, Paris Texas, Peach PRC, Genesis Owusu, Peking Duk and Matt Corby).
•  2 x Days Photography Studio Hire and Lighting Package at Good Loco in Marrickville, Sydney.
• EPK Development in collaboration with Billy Zammit and the Good Intent team.

Merchandise Package – Jungle Merchandise
• 51 x Screen Printed Artist Logo Tees (AS Colour Basic Tees).
• 20 x Embroidered Caps.
• 100 x Stickers.

Sponsorship Package – PHILTER BEER
• Rider contribution for 2 x National Tours in 2025/26.

Poster Print & Distribution Package – PLAKKIT
• 50 x B0 Full Colour Print + Distribution in Eora/Sydney.
• 50 x B0 Full Colour Print + Distribution in Naarm/Melbourne.

Accounting Consultation – Louder Accounting
• Artist Consultancy and Business Advice meeting with Matthew Tan (Business Manager).
• Business Health Check, Structure, Insurance, Tax, Banking and Business Set Up Advice.

Legal Consultation – Media Arts Lawyers
• One hour consultation and strategy session with Music and Entertainment Lawyer, Rob Glass (Partner).

–––––––––––––––––––––––––––––––––––––––––––––

GREATER GOOD INITIATIVE
20 x Shortlisted Applicants will receive:

GOOD INTENT

• Artist Consultation with the Good Intent senior management team (Rob Carroll, Rick Bridgman and Nick Moran).
• 20% Discounts on future services via Good Intent (to be used within 6 months).

GOOD LOCO

• 25% Discount on Weekday Dry Hire and Lighting Package services at Good Loco, and studio hire at Good Loco (to be used within 6 months).

PLAKKIT

• 15% discount on future postering (new clients only).Artist Applications Open now via goodintent.com.au/greater-good

 

FOLLOW GOOD INTENT
FACEBOOK | TWITTER | INSTAGRAM | SPOTIFY | WEBSITE

FOLLOW GOOD LOCO
FACEBOOK | INSTAGRAM | WEBSITE

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Festival NewsMusic News

LIVE NATION’S ONES TO WATCH sets its sights on Byron Bay featuring talented artists DOBBY, LOREN RYAN, DEM MOB and ROX LAVI

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Fresh off the back of staging its debut event on the West Coast in Fremantle, Live Nation’s ONES TO WATCH returns to New South Wales, this time posting up in the lush coastal surrounds of Byron Bay. Coming to the iconic Backroom at THE NORTHERN on THURSDAY 24 JULY, this edition of ONES TO WATCH celebrates and amplifies Indigenous Australian excellence, putting the spotlight on four of the country’s most striking names: DOBBY, LOREN RYAN, DEM MOB and ROX LAVI.

A proud Filipino/Murrawurri musician, producer and composer, DOBBY’s musical journey is intrinsically tied with his own journey through young adulthood, into a space where he carries the stories and lessons of his people forward in a way where he is able to impart knowledge onto a new generation of creatives. DOBBY’s sound has seamlessly blended rap with expansive and contemporary arrangements – a fusion that has brought DOBBY Australian and international acclaim. The release of his 2024 album Warrangu: River Story re-established DOBBY as an Australian talent to watch; his personal brand of storytelling breaking open new dialogue around how fascinating and exciting the work of our First Nations artists currently is, and continues to be.

Next on the line-up comes young Gamillaraay woman Loren Ryan, a quickly-rising star in Australia’s country music scene. Winner of the 2023 Toyota Star Maker award, and a nominee of last year’s prestigious Golden Guitar Award for New Talent of the Year, Loren’s journey has seen her performing with the likes of Troy Cassar-Daley, Jessica Mauboy, and harmonising with pop legend Kelly Rowland on The Voice AU. Known for incorporating her mother tongue into her original music as well as renditions of well-known beloved pop songs – with her breathtaking cover of Cold Chisel’s ‘Flame Trees’ having amassed over 707K streams – Loren weaves culture into her art at every turn.

Hailing from the APY lands in the community of Pukatja, DEM MOB are hip hop trailblazers in their own right – they are not only the first hip hop group from their region, but they are the first MCs to rap in Pitjantjajara language. Born out of a desire to empower youth and their community through a powerful connection of culture and music, DEM MOB has become more than just a music group: they are a movement. Their work as musicians has seen them perform internationally – to date, they are the first and only Indigenous Australian artists to have performed at Barcelona’s Primavera Sound – while constant music releases have landed them praise from tastemakers around Australia, including triple j and triple j Unearthed. 

22 year old Gomeroi man ROX LAVI has emerged as a fiercely talented young artist in only the last two years. Ipswich born and raised, Rox Lavi (in his words) was raised by rap music, and gravitated to wordplay and poetry at an early age. While hip hop remains within the core of his music’s DNA, Rox Lavi’s music today thrives on an expanded palette of influences that incorporate indie and alt-rock influences, and that fans of artists including BROCKHAMPTON and Dominic Fike would love.

Returning to host this year’s ONES TO WATCH event will be the Gen Z voice of Australian music media, Tait McGregor. A multi-platform content creator, the presenter specializes in music, from TV, radio & podcasts, to sweaty mosh pits. Having written for the likes of MTV Australia, Tone Deaf & The AU Review, she has also worked on productions for Netflix, STAN, VEVO & more.

 

ABOUT ONES TO WATCH

The ONES TO WATCH series has made a solid impact within the Australian music community. In Australia since 2021, the series has been serving industry and fans exclusive opportunities to see some of the country’s best talent perform in intimate environments across Melbourne, Sydney, Darwin and Brisbane, highlighting the talent of the current wave of Australian talent primed to make their impact in other markets.

Since its establishment in North America, the ONES TO WATCH series has been able to support and promote artists such as Dua Lipa, Olivia Rodrigo and Halsey early in their careers. So far in Australia, ONES TO WATCH has platformed artists including Mariae Cassandra, Ghost Care, Ullah, Salty, Lotte Gallagher, Fletcher Kent, Chanel Loren, J-MILLA, Georgia Lines, Ishan, Adrian Dzvuke, Phebe Starr, J.Tajor, Yung Milla, Juran, Blake Rose, Sophisticated Dingo, STUMPS, Forest Claudette, Teenage Joans, Carla Wehbe, ZPLUTO, WIIGZ, Hoodzy, East AV3, Colourblind and Saint Lane at events around the country. 

LIVE NATION AUSTRALIA

 Official Website | Facebook | Twitter | Instagram  

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Festival NewsMusic News

ED SHEERAN RETURNS TO AUSTRALIA + NEW ZEALAND THIS SUMMER WITH HIS ALL-NEW LOOP TOUR – JANUARY, FEBRUARY & MARCH 2026

by the partae
written by the partae

Frontier Touring and MG Live are thrilled to announce the hotly anticipated return of global superstar Ed Sheeran, who is heading back to Australia and New Zealand next January, February and March with his all-new Loop Tour for a massive run of stadium shows.

Having already sold over 2.5 million tickets across Australia and New Zealand to date, Ed Sheeran’s Loop Tour sees the beloved singer returning to our shores with a brand-new live show that’ll follow the release of his new album, Play (pre-order here) – out Friday 12 September. Performing at stadiums in Auckland, Wellington, and Christchurch (his first show there in 11 years), before heading to Perth, Brisbane, Sydney, Melbourne and Adelaide, Ed’s new live show promises to be filled with surprises, new music, as well as his biggest hits.

Watch: Ed Sheeran – Sapphire

Sheeran is an era-defining artist who has sold nearly 200 million records globally. Recently he was celebrated as a 12-time member of Spotify’s Billions Club, while Apple Music revealed his 2017 hit ‘Shape Of You’ was their most-streamed song of the last decade. Moreover, Ed recently surpassed 100 million monthly listeners on Spotify, seeing him become the platform’s 4th most-listened to artist in the world. Last on our shores in 2023 – when he played to a record-breaking 200,000 fans across two nights at Melbourne’s iconic MCG – Sheeran’s mammoth Mathematics Tour spanned countless shows across the globe, continuing his streak of breaking records and making history.

Telstra Plus Members (AU shows) can access presale tickets from Friday 25 July (times staggered) via telstra.com/presale, while Frontier Members can access presale tickets from Monday 28 July (times staggered). Tickets go on sale to the general public from Tuesday 29 July (times staggered). For full tour and ticket information visit frontiertouring.com/edsheeran.

To protect fans, strict anti-scalping measures will be in place. All tickets will be digitally delivered and accessible via official ticketing apps only. For full FAQs and ticketing details, visit edsheeran.com or frontiertouring.com/edsheeran. Fans are strongly advised to only purchase tickets from official ticketing partners. 

Watch: Ed Sheeran – Azizam

Led by lead singles ‘Azizam’ (certified Gold and #1 at radio in AU), ‘Sapphire’ and ‘Old Phone’,​ Play marks the beginning of a fresh new chapter for Sheeran. The singer-songwriter’s latest work is an explorative, technicolour pop album that captures the fun, chaos, and heart of an artist reinvigorated by life and travel. Promising all-new stage production centred around the joyful, expansive sound of Play, the upcoming stadium shows will incorporate new visuals, intimate acoustic moments alongside his renowned loop pedal performances, and the full stadium singalongs only Ed Sheeran can deliver.

Inspired by musical cultures from around the globe – particularly Indian and Persian cultures and their surprising melodic connections to the Irish folk tradition he grew up with through shared scales, rhythms and melodies – Play encompasses an eclectic and borderless sound. On the album Sheeran has teamed up with producers and musicians from across the globe, showcasing his limitless musicianship.

With a brand-new album, a renewed creative spirit and a catalogue of global hits, Ed Sheeran’s 2026 stadium tour is set to be one of the most anticipated live events of the year. Don’t miss the return of one of the world’s most loved live performers!

ED SHEERAN – THE LOOP TOUR 
​AUSTRALIA + NEW ZEALAND 
​JANUARY, FEBRUARY & MARCH 2026
​Presented by Frontier Touring and MG Live

TELSTRA PLUS MEMBER PRESALE (AU SHOWS)
​via telstra.com/presale
​Runs 48 hours from: Friday 25 July 
​or until presale allocation exhausted
​Presale timings staggered per show, visit website for more details

FRONTIER MEMBER PRESALE 
​via frontiertouring.com/edsheeran
​Runs 24 hours from: Monday 28 July 
​or until presale allocation exhausted
​Presale timings staggered per show, visit website for more details ​

TICKETS ON SALE
​Begins: Tuesday 29 July (times staggered, see below)

ALL SHOWS ALL AGES*
​* Children 14 and under must be accompanied by a parent/legal guardian
​This event is recommended for patrons aged 6+

Friday 16 January
​GO Media Stadium | Auckland, NZ
​Lic. All Ages
​On sale: Tuesday 29 July (2pm NZST)
​axs.com/nz

Wednesday 21 January
​Sky Stadium | Wellington, NZ
​Lic. All Ages
​On sale: Tuesday 29 July (1pm NZST)
​ticketek.co.nz

Saturday 24 January
​Apollo Projects Stadium | Christchurch, NZ
​Lic. All Ages
​On sale: Tuesday 29 July (4pm NZST)
​axs.com/nz

Saturday 31 January
​Optus Stadium | Perth, WA
​Lic. All Ages ​
​On sale: Tuesday 29 July (3pm AWST)
​ticketmaster.com.au

Friday 13 February
​Accor Stadium | Sydney, NSW
​Lic. All Ages ​
​On sale: Tuesday 29 July (1pm AEST)
​ticketek.com.au

Saturday 14 February
​Accor Stadium | Sydney, NSW
​Lic. All Ages ​
​On sale: Tuesday 29 July (1pm AEST)
​ticketek.com.au

Friday 20 February
​Suncorp Stadium | Brisbane, QLD
​Lic. All Ages ​
​On sale: Tuesday 29 July (4pm AEST)
​axs.com/au

 Saturday 21 February
​Suncorp Stadium | Brisbane, QLD
​Lic. All Ages ​
​On sale: Tuesday 29 July (4pm AEST)
​axs.com/au

Thursday 26 February
​Marvel Stadium | Melbourne, VIC
​Lic. All Ages ​
​On sale: Tuesday 29 July (3pm AEST)
​ticketmaster.com.au 

Friday 27 February
​Marvel Stadium | Melbourne, VIC
​Lic. All Ages ​
​On sale: Tuesday 29 July (3pm AEST)
​ticketmaster.com.au

Thursday 5 March
​Adelaide Oval | Adelaide, SA
​Lic. All Ages ​
​On sale: Tuesday 29 July (11.30am ACST)
​ticketek.com.au

Patrons are advised to purchase tickets only through authorised ticket sellers. 

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

FOLLOW ED SHEERAN:
​Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music 

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Festival NewsMusic News

The Grogans Stagger LP AUS/NZ Tour

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The Grogans are kicking off their Stagger album tour this August at iconic venues across Australia including Metro Theatre, The Tivoli, 170 Russell and more with a hometown U18s show at Naarm’s Northcote Social Club, before they jet over to the states for an East Coast US Tour in October. Joined by Caitlin Harnett & The Pony Boys for the whole tour, the shows will feature local supports across different cities from indie-pop rock outfit Jet City Sports Club, alt-rockers Platonic Sex, and South Australian garage band Ethanol Blend. 

Capturing the magnetic energy of their live shows, Stagger touches on themes of mental health, taking care of yourself and your loved ones, the occasional love song, and more. As the catchy chorus first single and album opener ‘Oh Boy’ leads into sonic powerhouse of a tune ‘Come Up (Goes Down)’, ‘In My Heart’ slows it down to a new easy listening direction, followed by ‘Have a Little Dream’ – as dreamy as the title suggests – and the big open echoed instrumentation of ‘Once In A While’. Adding new textural effects in ‘Roll Back’ and last single ‘Roundabout’, ‘Happier Man’ dips into a heavier psych realm with a reminder that “striving to be a better and happier person should be a goal for everyone.” ‘Worry About Everything’ is an upbeat tune sure to have you worrying about nothing, and feel good album closer ‘All My Days’ ends on a more serious note that outlines the beauty and the beast of live music and the personal struggles that come with the lifestyle and touring.

Stagger out now CW Records

Stagger Album Tour Dates: 
Friday 1 August

Metro Theatre – Eora (Sydney), NSW

Saturday 2 August 
The Tivoli – Meanjin (Brisbane), QLD

Friday 8 August
The Rechabite – Boorloo (Perth), WA

Saturday 9 August 
The Gov – Kaurna (Adelaide), SA

Friday 15 August 
170 Russell – Naarm (Melbourne), VIC

Friday 22 August 
Republic Bar – Nipaluna (Hobart), TAS

Saturday 30 August 
Northcote Social Club (U18) – Naarm (Melbourne), VIC

Wednesday 3 September 
Loons – Ōtautahi (Christchurch), NZ

Thursday 4 September 
Yonder – Tāhuna (Queenstown), NZ

Friday 5 September
San Fran – Te Whanganui-a-Tara (Wellington), NZ

Saturday 6 September 
Double Whammy – Tāmaki Makaurau (Auckland), NZ

Tickets: On sale Wednesday 28 May @ 10 am AEST
Via: www.thegrogansband.com

 
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Arcadia: Kevin Keller’s Luminous Journey Through the Afterlife

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Kevin Keller once again puts a modern spin on medieval sounds with Arcadia, the sequel to 2023’s Evensong. Like its predecessor, Arcadia features plainchant melodies, reverberant keyboards, and live strings, this time taking the listener through the afterlife.

Vocalist and songwriter Sofía Campoamor brings both her ethereal voice and her original plainchant melodies to such tracks as the softly radiant “Me solum me invenio” and the luminously ambient “Et lux perpetua”. The album texts come from biblical and liturgical sources, along with original Latin texts written by Keller, expressing the journey through darkness and light.

After setting the scene calmly with “Et vidi caelum” (“And I saw the sky”), the tempo livens up with “Et nox ultra” (“And night is over”), a Notre Dame‑style organum juxtaposed with pulsating electronic rhythms. Later, the surprise modulations and building layers of “In tenebris” (“In darkness”) lead to an ominous climax, ending with the distant call “…but I will find a way…”

The opening cello swells of “Mare, littus, flammam” (“Sea, shore, flame”) suggest a foghorn heard across rough seas, ushering in a beautiful modern folk song over a deep heartbeat. This leads to the album’s climax “In equo fugit” (“She flees on horseback”), building from moonlit mystery to a galloping escape, and finally to the radiant sunrise of “Et lux perpetua” (“And eternal light”). The journey concludes with the softly sung lullaby “Veni intus” (“Come inside”), setting us down gently in a final resting place of eternity and peace. kevinkeller.com+5kevinkeller.com+5fye.com+5

Release Date: Pre‑Order now — releases August 22, 2025 – https://www.kevinkeller.com/arcadia

Album Credits

Composed and produced by: Kevin Keller

Performed by: Sofía Campoamor (lead vocals), Katherine Wessinger, Danya Katok, Wendy Baker (sopranos), Sarah Zun (violin), Angela Pickett (viola), Laura Metcalf (cello) kevinkeller.bandcamp.com+2kevinkeller.com+2kevinkeller.com+2

Recorded by: Robert L. Smith at Reservoir Studios, NYC

Assistant Engineer: Peter Jensen

Associate Producer: Deeba Montazeri

Mixed by: Robert L. Smith

Mastered by: Chris Frasco in Nashville, TN

Art Direction: Kevin Keller

https://www.kevinkeller.com/

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Festival NewsMusic News

Meet the Artist: SHARE

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Ibiza-based DJ SHARE (also known as Sharon Pieksma) has long outgrown the title of hidden gem. With an expanding catalog of releases on respected labels and a resume of global performances, she’s become a standout force in the electronic music world. Her distinct sound and super energetic stage presence continue to turn heads.

From DJ Booth to Studio: A Seamless Transition

SHARE began spinning tracks over a decade ago, infusing her DJ sets with deeper messages from the very beginning. Environmental consciousness has consistently been at the heart of her creative journey.

While many might remember her as Miss Universe Netherlands 2019, that title was merely a platform for her greater cause, advocating against single-use plastics and spotlighting ecological issues on a global stage.

Later that same year, she naturally progressed into music production. Her debut single, Avatar, was released in 2022 through Abracadabra, the record label of none other than BLOND:ISH. The track debuted during an Abracadabra showcase and a Bye Bye Plastic benefit, an initiative founded by BLOND:ISH aimed at eliminating plastic waste in the music scene.

SHARE hasn’t paused since. With EPs like Firewalk and Moon, she has carved out a unique sonic identity. Her track Oh Please (featuring Def Eff) landed on Crosstown Rebels, the iconic label headed by Damian Lazarus.

Taking Her Sound Global

Though SHARE initially started out as a minimal DJ, she made a name for herself with an organic sound. However, her style has grown to embrace elements of indie house and tech house. This evolution mirrors her development as a versatile artist.

After playing at beloved Dutch festivals like Gardens of Babylon, Pleinvrees, and Thuishaven, her performances quickly expanded across borders. She’s since graced the stages of international festivals and clubs, including SXM Festival in St. Maarten, Portugal’s Goat Community and Nomad Souk, La Karavane in Morocco, Dubai’s Soho Beach, and Panama’s Reactor and Playa Venao.

Now based in Ibiza, SHARE has become a fixture in the island’s vibrant scene. This summer, she’ll return several times to the mystical WooMoon nights at Cova Santa. She’s also set to make her highly awaited debut at the renowned Hï Ibiza, performing alongside legends like Black Coffee and Damian Lazarus.

Upcoming Shows

August
 • 10 – Untold Festival – Romania
 • 15 – WooMoon – Ibiza

September
 • 20 – Hï Ibiza – with Black Coffee & Damian Lazarus


Want to feel the energy of a SHARE set for yourself? Her tour calendar is packed, with more dates to be announced. Follow her on Instagram for the latest updates:
 @share.musica

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Lauren Tatyana Continues Her International Rise with “Stone Cold”

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Australian singer-songwriter Lauren Tatyana is fast solidifying her place on the global stage — and her latest single, “Stone Cold,” is the fiercest proof yet.

The hypnotic, emotionally-charged track marks the newest release from Lauren’s upcoming EP Reasons I Can’t Sleep and arrives on the heels of an impressive run of achievements. With “Stone Cold” already amassing tens of thousands of streams in its first week, it’s clear the track is resonating — and positioning Lauren as one of Australia’s most compelling emerging voices.

Co-produced by the dynamic team at Evoke Sounds, the single blends sleek, high-impact production with Lauren’s signature soulful delivery, drawing sonic inspiration from the likes of The Weeknd, Dua Lipa, and Mike Dean. It’s a celebration of clarity, confidence, and personal power — catchy, cathartic, and made to move.

The boldness of “Stone Cold” extends to its official music video, directed by Frederick McHenry (GQ, Adidas, Hypebeast). Filmed with exclusive access to Melbourne’s vibrant Archie Brothers arcade after hours, the clip bursts with energy, colour and attitude — capturing the playful defiance at the heart of the track. “We honestly forgot we were working — it was that fun,” Lauren says.

This new release follows the success of “2AM”, a dreamy late-night anthem produced in Los Angeles with acclaimed producer Kyle McCammon, known for his work on 13 Reasons Why, Never Have I Ever, Bojack Horseman, and Apple’s Carpool Karaoke. With credits alongside artists such as Banks, Julia Stone, Sam Dew and Doe Paoro, McCammon brings an added depth to Lauren’s evolving sound- highlighting her international calibre, credibility, and creative reach.

But Lauren’s journey began long before Stone Cold. She first turned heads with her chart-topping collaborations with Melbourne DJ JPA, hitting #1 on Kiss FM with “Beautiful Liar” and landing a Beatport Top 10 with “Hold Me.” Since then, her music has been championed by major tastemakers — including legendary Argentine DJ Hernán Cattáneo, who featured her track during his set at the iconic Sunset Mendoza Festival.

Her growing global impact is not limited to the studio. A seasoned performer, Lauren has graced stages from intimate acoustic sets to large-scale festival slots, with a standout performance at the AFL Women’s Finals broadcast nationally to hundreds of thousands.

“Stone Cold” is proving to be a defining moment in Lauren Tatyana’s career — one that signals her growing global impact. As anticipation builds for the full EP release, Lauren continues to stake her claim as one of Australia’s most exciting exports — an artist whose voice, vision, and vulnerability are resonating on an international stage.

Listen: Stone Cold

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Festival NewsMusic News

Athens goes Global: Primer Unveils Epic 2025 Festival Lineup

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The leading Greek festival, ranked #42 in DJ Mag’s Top 100 Festivals, shows exactly why it earned its spot with a lineup including Armin van Buuren, Boris Brejcha, Alesso, Faithless (Live), and many more.

Following its move to the iconic Olympic Athletic Center of Athens, Primer Music Festival now announces its full 2025 lineup—showcasing exactly why the star-studded event is seen as the beating heart of Greece’s thriving electronic scene. Brimming with industry heavyweights, indelible icons, and local favorites alike, this year’s event ups the ante for the European festival season at large.

With a billing that spans both genres and generations, Primer 2025 offers more than a top-heavy lineup—it delivers an immersive festival experience built to stand the test of time.

Kicking off the festivities each day is Primer resident DJ, Maus, whose dynamic sets will open both days, setting the perfect tone and energy for what’s to come.

Saturday – Helios & Lunar Stage

Saturday’s action begins on the festival’s brand-new mainstage for 2025: the stunning Helios Stage, with local duo MĪMĪ x FY and Purple Disco Machine laying the foundation for a weekend to remember.

As the sun sets, the music will pull fans deeper into the experience with captivating sets from AMÉMÉ and ARTBAT, tapping into lush spiritual rhythms and melodic techno overtones.

As night falls, the Helios Stage reaches a zenith point with trance icon Armin van Buuren headlining, delivering his unrivaled brand of blissful rave energy.

Meanwhile, the action shifts to the Lunar Stage, where German techno maestro Boris Brejcha headlines a deep, driving lineup. He’s joined by Italian duo Fideles, known for their signature melodic techno sound.

The night continues with performances from Greek trance titan Hi Profile, breakout artist Afshin Momandi, and rising local star Kalamo, who will carry fans to the brink of dawn.

Sunday – Live Sets & Multi-Genre Showcase

Sunday brings a renewed energy, as the Helios Stage treats fans to timeless live performances from Faithless (Live) and Paul Kalkbrenner (Live)—followed by a headline set from global superstar Alesso.

Living up to its multi-genre promise, Sunday also brings irresistible rhythm with afro-house sensation Massuma, and the next-gen house and techno grooves of SKINNY.

A Festival to Remember

With its new home at OAKA, a growing international presence, and its most ambitious lineup yet, this year’s Primer Music Festival is set to be its most defining edition yet.

With tickets moving quickly, there’s no better time to secure your place on the dancefloor.

Guarantee the prime time of your life and book your tickets for PRIMER Music Festival, happening September 6 & 7.

WEBSITE

About PRIMER Music Festival

Since its debut in 2018, PRIMER Music Festival has swiftly risen to become Greece’s premier dance and electronic music event. Held annually in the Greek capital, the festival merges top-tier electronic talent with passionate fans for a weekend of extraordinary performances, spectacular visuals, and unforgettable memories.

From heart-pounding house to mind-bending techno, PRIMER covers the full spectrum of electronic music, offering something for every kind of raver.

Ranked #42 in DJ Mag’s Top 100 Festivals, PRIMER isn’t just a music event—it’s a celebration of the global dance community. It has hosted some of the most sought-after DJs and producers in the world, pushing the boundaries of sound and creativity with every edition.

Whether you’re dancing under the stars or witnessing awe-inspiring stage productions, the sheer scale and intensity of PRIMER make it a must-attend for electronic music lovers everywhere.

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Avantika Debuts On Get Physical With Spellbinding ‘Moody Koyal’ EP

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Burgeoning breakthrough star Avantika makes her debut on the revered Berlin-based label Get Physical Music with her bold and genre-defying Moody Koyal EP. Known for championing global talent and shaping the sound of contemporary club culture, Get Physical provides the perfect platform for Avantika’s visionary sound. 

With this striking two-track release, the rising Indian artist fuses traditional influences with modern club energy crafting a distinctive voice that’s both deeply rooted and forward-thinking. Avantika’s artistic identity is a rich tapestry of contrasts: classical Indian training meets a rock vocal background, layered with tribal, Afro, Latin, Middle Eastern, and Indian electronic textures.

Her hybrid live DJ sets, where she sings while performing, have already captivated audiences worldwide. As the first Indian DJ to play at Exit Festival and with standout sets across many countries and continents, Avantika is fast becoming one of the most exciting new voices in global dance music.

Her DJ sets themselves are also powerful and uniquely groove-driven, with a distinct energy, and emotional depth that reflect her musical identity.

Opening track Maro Dum reimagines the iconic Dum Maro Dum as a deep, seductive club cut. Dreamlike vocals float above pulsating rhythms and swirling synths, creating a hypnotic blend that pays homage to the past while boldly pushing into new sonic territory.

Title track Moody Koyal is a fierce, sensory tribute to India’s wildlife. Tribal percussion, eerie Koyal birdsong, growling basslines, and snippets of monkey chatter combine with edgy synth stabs to create a raw, electrifying jungle journey. Primal yet futuristic, the track is a vivid soundscape that commands attention.

With Moody Koyal, Avantika doesn’t just make a statement, she tells a story. One that crosses borders, blends traditions, and invites listeners into a space where emotion and rhythm coexist.

Rooted in India but resonating far beyond, Avantika is a sonic shapeshifter. Her fearless fusion of genres, languages, and lived experience makes her not just a producer to watch, but a transformative force in electronic music, one who turns dancefloors into spaces for release, connection, and cultural celebration.

Out now on Get Physical Music

Stream / Buy

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MCR-T, DJ Gigola & MRD tickets on sale now

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THE TRILOGY BEGINS: USHUAÏA IBIZA REVEALS STELLAR LINE-UP FOR PART ONE OF IBIZA’S HISTORIC 2025 CLOSING WEEKEND

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Tickets on sale at theushuaiaexperience.com

FULL CLOSING PARTY 2025 LINEUP (A-Z): ADAM BEYER / CHRIS AVANTGARDE / ERIC PRYDZ / FRANKY WAH / J RIBBON / KOROLOVA / PAUL KALKBRENNER (LIVE) / TRIPOLISM / YULIA NIKO

This October, Ibiza’s closing season reaches new heights with The Trilogy — a groundbreaking, multi-venue finale that unites three of the island’s most iconic clubs for one historic weekend. Created by The Night League, The Trilogy unfolds across Ushuaïa Ibiza, Hï Ibiza, and the island’s newest giant, [UNVRS], across two unforgettable days: 11 & 12 October 2025.
The journey begins at Ushuaïa Ibiza on Saturday 11 October, where Part One of The Trilogy will transform the legendary open-air stage into a celebration of electronic music. As day turns to night, a meticulously curated lineup of global icons and the scene’s most exciting new talent will set the tone for the weekend ahead — and for a new era in Ibiza’s closing tradition.
Headlining Part One is the inimitable Eric Prydz, making his only Ushuaïa Ibiza appearance of the summer. Fresh off his acclaimed [UNVRS] residency, Prydz brings his signature blend of progressive power and stadium-sized emotion to a stage built for big moments. He is joined by the legendary Paul Kalkbrenner, returning with his celebrated live show — a raw, analog-driven experience built on timeless anthems and unmatched presence. Adam Beyer, one of techno’s most enduring forces, adds serious weight to the bill with a high-octane set shaped by the sound of his Drumcode legacy, guaranteed to push the dancefloor into overdrive.
Pushing melodic boundaries, Chris Avantgarde arrives from Berlin with cinematic intensity and boundary-pushing sound design, riding high from standout collaborations with Anyma and Kevin de Vries. Franky Wah brings his emotive, rave-infused sound back to Ushuaïa Ibiza, while Ukrainian star Korolova delivers soaring melodic techno with euphoric precision. Yulia Niko adds a hypnotic edge with deep, rolling grooves and sleek production finesse, bringing an underground pulse to the day’s energy. Tripolism, a Danish trio blending live instrumentation with club-ready storytelling, are set to be one of the weekend’s most talked-about revelations. Completing the lineup is J Ribbon, a name on the rise whose layered, progressive soundscapes make him one to watch for the season ahead.
As the sun sets on another unforgettable summer, The Trilogy – Part One stands as both a celebration and a statement — a bold expression of Ushuaïa Ibiza’s commitment to curating lineups that honour the heritage of electronic music while shaping its future.
Lineups and tickets for Part Two and Part Three of The Trilogy will be revealed soon. Combo tickets will be available and Part One ticket buyers will receive exclusive priority access.
Stay tuned for more revelations as the full story of The Trilogy unfolds.
Follow Ushuaïa Ibiza | Website | Instagram | Facebook | TikTok | YouTube | X
Follow The Night League | Website | Instagram | LinkedIn
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