Photography: Aiden Parker
Photography: Aiden Parker
9 Years After Working with Hardwell, Wiwek Is Back on Revealed Recordings With His New Hard-Hitting Jungle Terror Single “Remedy”
Title: Remedy
Label: Revealed Recordings
After 9 long years, the Dutch DJ and super-producer Wiwek returns to Hardwell‘s Revealed Recordings with his new release “Remedy.” As the creator of his signature genre “jungle terror,” Wiwek truly brings the heat with this one; the track begins with a driving, minimal bassline and prominent whistle effects, then he turns things up a notch with multiple layers of adrenaline-inducing beats. The crescendo of “Remedy” has a nearly hardstyle flavor, making for a sinister sonic experience that’s bound to heat up the rest of the summer and beyond. Wiwek last released on Revealed Recordings in 2015 with his collaboration with Hardwell himself, “Chameleon,” and some listeners may even find the return ironic with the slightly nostalgic rave sound of “Remedy.” The single follows Wiwek‘s “Rush” (Rave Culture) and his “Jungle Terror vol. 5” EP (Barong Family) from earlier this year.
A true rebel with a cause, Wiwek isn’t just a DJ, he’s a genre pioneer. Carving out his own sonic space with “jungle terror,” a wild fusion of electronic madness, tribal percussion, and animalistic energy, Wiwek has soundtracked international films, collaborated with Skrillex on genre-bending anthems like “Killa,” and built his own creative haven, Maha Vana Records, a label that lets artists run wild. Fresh off his debut album “Cycles,” Wiwek is ready to unleash a new sonic adventure, one that promises to push boundaries and ignite dance floors. He’s also the mastermind behind the “The Free and Rebellious” EP, which became the soundtrack to a film shot in Bangkok, further solidifying his unique blend of music and storytelling. With a constant stream of new music and exciting projects brewing, 2024 is shaping up to be another explosive year for Wiwek.
Can you tell us about the inspiration behind your latest single, “Dream About You”?
Dream About You was lyrically inspired by the murkiness of modern relationships and how the unspoken is often more of what we experience than reality itself. Sonically, we were all collectively listening to a lot of pop and dance music at the time and I think with all of us in the band having simultaneously experienced relationship trials at the time, the song came together pretty naturally.
How did the recording process at The Grove Studios influence the sound of “Dream About You”?
We love recording at The Grove Studios, being able to stay at the same place you record creates an undeniable sense of calm and comfort which always makes for a better recording environment. Taking out the stress of commuting back and forth from the studio is always nice. Also being amongst nature and isolated from the hustle and bustle of the city makes it easy to lock in and focus on just recording music. We love the flavour that The Grove Studios has and the awesome gear they have makes it easy to get great sounds too.
What was it like working with Jack Garzonio and Steve Smart on mixing and mastering your single?
We’ve been working with both Jack and Steve for quite a few of our latest releases, they’re both amazing at what they do and very inspiring to work as you know you’ll get a great final result no matter what we throw at them.
“Dream About You” has been described as having a 70s Soft Rock influence. What artists or bands from that era inspire your music?
We all listen to a lot of different music so although 70s soft rock was definitely an influence on the track, there’s so many different artists from different eras that inspire our music. From that era specifically, we’ve been listening to quite a bit of Fleetwood Mac and Steely Dan so I’d say their influence definitely creeped into the track.
The themes in “Dream About You” revolve around modern romance. How do you approach writing about personal experiences in your music?
Personal experience is the cornerstone of what influences our music. We always strive to make our music genuine both lyrically and sonically and so inevitably personal experience plays a massive part in achieving that. I think being as open and honest as you can with your experiences in the writing process allows for people to connect and relate to it more with their own experiences too. I think the goal is to share something that everyone is feeling or experienced but hasn’t quite figured out how to express themselves.
You’ve supported acts like The Smith Street Band and Rum Jungle. How have these experiences shaped your development as a band?
We’ve been very fortunate to support so many amazing bands and it has definitely shaped our development. The live show has always been a massive part of what we do and it shapes our writing process as we often take into consideration how certain songs make people feel in a live setting or how they fit into the flow of our set. Supporting these bigger bands has allowed us to continue exposing our music to new audiences and continue to gain new reactions from people which in turn helps us to refine our set and musicianship. Also being able to watch all those awesome headline acts play their sets is very inspiring for us to continue to hone our craft and take it to the next level.
Your past single “Too Late Now” received extensive radio play. How does it feel to have your music so well received by local tastemakers?
It feels really great to know that people are connecting with our music and keen to share it! We love making music regardless of any external outcome but it’s always awesome when more people get to hear our music.
What can fans expect from your upcoming East Coast tour? Any special surprises or new songs?
We have a lot of unreleased material we’re working on that’s in our current set as well as the tracks people have come to know and love. We always love playing songs live before we record them to allow for them to fully develop, so you’ll be able to hear a healthy dose of what’s to come in our upcoming shows. We feel it’s a good mix of old and new so I think they’ll be something for everyone in these shows.
How has your sound evolved since your debut EP in 2021?
I think we’ve all developed our taste in music as well as songwriting since the first EP so I think our sound has naturally developed quite a lot. The first EP was fuelled by a lot of built up energy during the COVID lockdowns which resulted in a lot of riff based music. I think we’re all loving groove based music as well as a sound that is more pop focused at the moment and so that’s being reflected in the new music we’re creating. We always follow what’s genuine to us in our writing so inevitably our sound will continue to change as it continues to reflect us changing as people.
Can you talk about the creative process behind the single art for “Dream About You” by Jordy Rudan?
This was our first time working with Jordy and we were absolutely blown away with her amazing style of photography and process. We knew we wanted this cover art to be a photo of the band in some capacity and be a bit minimalistic to reflect the change in image and art style we were going for with our new music. We really wanted Jordy to do her thing within those outlines and so when we chose to do the shoot locally on the Northern Beaches, the natural landscapes ended up playing a massive part in the photos. Jordy has a great eye for what works and what doesn’t so she made it easy to get a great result that feels full but also quite minimal at the same time.
How do you balance your distinctive psych-pop sound with staying relevant in the ever-changing music scene?
It’s so easy to get lost in analyzing your sound and comparing it to what’s trending or popular in the current music landscape, but I think the less you get sucked into outside influence the better. People don’t know what they want until they hear it so by trying to give people what you think they want, it will always fall short. Genuine music is fundamentally what people connect with the most so we just try to make music that excites and connects with us the most, then in turn hopefully connects with other people too.
What’s next for Scatter Light after this tour? Are there any new projects or collaborations in the works?
We’ve got a bunch of great support slots as well as mini fest spots coming up over the winter/spring months which is exciting. We’ve also got quite a bit of studio time booked in too as we’re currently finishing off new music to build towards an album that should come out next year. We’re looking to release a couple more songs by the end of the year and do another big tour in the summer months to support the new singles so plenty happening to keep us busy!
‘DREAM ABOUT YOU’ SINGLE TOUR
Friday, July 19th Shark Bar Manly, NSW
Supports tba
Saturday, July 20th Dicey Rileys Wollongong, NSW
w/ Earl Grey & Kryver
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TOWN FOLK FESTIVAL EXPANDS IN 2024, ANNOUNCING A HUGE LINEUP INCLUDING THE TESKEY BROTHERS, NGAIIRE, A.SAVAGE (US) & MARLON WILLIAM (NZ) & MORE
SATURDAY NOVEMBER 16 IN DJAARA / CASTLEMAINE
ia’s beloved single-day music festival, announces its expansion in 2024, bringing an enormous lineup of local and international talent to Djaara / Castlemaine on Saturday, 16th November 2024.
The 2024 lineup includes A. Savage (US), the solo project of Parquet Courts frontman Andrew Savage, adored New Zealand singer-songwriter Marlon Williams (NZ), and Four-time ARIA award-nominated future-soul powerhouse Ngaiire. In their only Victorian appearance for 2024, global touring juggernaut The Teskey Brothers will perform on the main stage, along with Yirinda, the project of Fred Leone and Samuel Pankhurst, who combine ancient Aboriginal language with sublime modern production. The mesmerising Grace Cummings will play songs from her acclaimed third album, Ramona, alongside Jess Ribeiro, Queenie and many more.
Maintaining its family-friendly, community-oriented atmosphere, the festival will activate local venues such as The Bridge Hotel and Shedshaker Brewery, with the exciting addition of a major festival site at the Sunken Oval.
Festival Director Jeremy Furze shares, “Town Folk is growing up. After three iterations in ‘cute neighbourhood gathering’ mode, the time felt right to kick off the training wheels and step this thing up to ‘big fat festival’ mode. The multi-stage, multi-venue format will remain – again utilising all the wonderful spaces along Walker Street – but this year we will drop a stage on the Sunken Oval across the road and push the faders up a few notches.
“We (my brother Pat and I) created Town Folk with songwriters and audience listening at the forefront. As far as festivals go it’s fairly tame, but that suits us and our audience just fine. It’s a volatile time for music festivals but we believe that, more than ever, there’s an appetite for live music in more digestible servings and price points. Town Folk won’t break the bank or the lower back. It’s on the Bendigo line. It’s in the centre of Castlemaine. It’s an easy-going time for all ages and positions on the spectrum. It’s one day of exceptional fun and then home to bed, Airbnb, motel or campground.”
Providing locals and visitors with a chance to enjoy international and homegrown talent, this family-friendly festival will feature food trucks, local produce, and a chance to experience the magic of Castlemaine. Located 40 kilometres from the centre of Bendigo, Castlemaine boasts an eclectic arts scene and a growing reputation as a food and culture destination, a reputation that the Town Folk Festival will undoubtedly amplify.
Town Folk Festival is supported by the Federal Government through Live Music Australia, the Victorian Government through Creative Victoria, and the Mount Alexander Shire Council Event Grants Program.
Town Folk Festival, Victor
TOWN FOLK FESTIVAL 2024
SATURDAY 16TH NOVEMBER
DJAARA / CASTLEMAINE, VIC
A.Savage
Aplegate
Don’t Thank Me, Spank Me!
Felicity Cripps Band
Grace Cummings
Harmony Bryne
Jess Ribeiro
M79
Marlon Williams
Merryn Jeann
Ngaiire
Queenie
Ruby and Loretta
Tek Tek Ensemble
The Maes
The Teskey Brothers
Yirinda
TICKETS ON SALE 9:00 AM THURSDAY 11 JULY
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Grammy-nominated, multi-platinum artist, and humanitarian, YG is back again with a bang, releasing his latest single ‘Stupid‘ featuring Babyface Ray and Lil Yachty. LISTEN HERE, WATCH HERE.
Produced by DJ Mustard with Bandz and Julia Lewis, ‘Stupid‘ is a head-bopping anthem with an infectious hook, and masterfully blends a flute-like background melody with a heavy-hitting beat, showcasing YG‘s signature West Coast sound. The new single marks a unique fusion, integrating Lil Yachty‘s Atlanta flair and Babyface Ray‘s Detroit swagger. This cross-regional collaboration is set to captivate fans across the country with its dynamic sound and undeniable energy.
Watch: YG ‘Stupid ft. Lil Yachty and Babyface Ray’ (Official Music Video)
The track is a testament to the iconic and dynamic partnership of YG and Mustard, reminiscent of their past collaborations that helped shape the sound of West Coast hip-hop. ‘Stupid‘ maintains this powerful partnership while also venturing into new territory, infusing different elements and paving the way for a fresh direction in the West Coast scene. Set to be a standout feature on YG’s highly anticipated project, Just Re’D Up 3, the third installment in the celebrated series scheduled for release this summer on August 16th, ‘Stupid‘ promises a collection of tracks that push boundaries and showcase YG’s evolving artistry.
Recently, YG electrified the Kia Forum in Inglewood with a show-stopping performance at Kendrick Lamar’s highly anticipated Juneteenth celebration, The Pop Out: Ken & Friends. His latest releases include two new singles, ‘Shake‘ and ‘Weird‘, each accompanied by striking music videos and on the heels of his announcement of his ‘JUST RE’D UP’ US tour, which commenced on June 28th at the iconic Hollywood Palladium in Los Angeles with a star-studded lineup with special guests Doe Boy, DJ Vision, Ty Dolla $ign and more. The announcement of the tour follows the release of YG’s first single of 2024, ‘Knocka‘ under his new multi-album global recordings partnership with BMG, signed through his 4Hunnid label.
‘Stupid‘ by YG, Lil Yachty & Babyface Ray is out now, buy/stream it HERE.
Stay connected with YG:
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MELBOURNE BASED INDIE POP ARTIST RELEASES NEW SINGLE + MUSIC VIDEO ‘I FELL FOR YOU (AGAIN)’
Melbourne singer-songwriter Rance Lazarus has just released his new single and music video ‘I Fell For You (Again)’. The video was exclusively premiered at the St Kilda Film Festival via Clipped TV.
Lazarus has also announced that he will be playing a single launch show at The Catfish (June 21) alongside Kaylah Thomas and Dear Matilda.
Rance Lazarus combines a fusion of Pop, Indie Rock, and Country, creating a genre-defying sound. Influenced by icons like John Mayer, The 1975, LANY and Ed Sheeran, Lazarus weaves heartfelt lyrics and soulful melodies into his music.
His musical journey Is marked by significant achievements, including placing in the
Top 5 Songs of the Year for ‘Spend a Little Time With Me’ in the RSOM (Real Songwriters Of Melbourne) community—a testament to his songwriting prowess. Armed with his guitar and emotive vocals, Lazarus delivers performances that not only captivate but also forge genuine connections with the audience.
As Lazarus continues to evolve, his dedication to pushing musical boundaries sets him apart. With his unique blend of genres, Lazarus is poised to make a lasting impact on the music scene, leaving a legacy for years to come. Over the past several years, Lazarus has released a slew of infectious singles and has become renowned for his mesmerizing live performances.
New single ‘I Fell For You (Again)’. The single is available on all major online stores and streaming services.
“Lazarus draws you in with an infectious melody that effortlessly weaves heartfelt lyrics, captivating rhythms, and unforgettable hooks”
Forte Magazine
Forte Magazine
‘GOOD APOLLO, I’M BURNING STAR IV, VOLUME ONE: FROM FEAR THROUGH MADNESS’ in its entirety on their first Australian tour since 2016
Monolith launched on to the Australian festival circuit in 2022 to incredible success. Scenestr remarked “If I’m asked if the festival was good – that’d be a big hell yes! Monolith’s Brisbane leg was a crushing success” whilst Wall of Sound commented that “Leaving Monolith on that high, felt like leaving a church service, where you were praising at the altar of prog-rock/metal”.
Monolith is thrilled to announce its triumphant return, bringing an unbeatable curation of international names and Australian favourites to venues around the country this November.
Alongside the incredible lineup will be workshops, panels, market stalls and DJ’s to further enhance the festival experience for Australian prog fans.
Headlined by New York prog rock icons Coheed And Cambria on their first Australian tour since 2016, Monolith 2024 comes out the gate swinging.
An unbeatable live act, Coheed and Cambria are making their long overdue return with a special Neverender set performing their critically acclaimed album ‘Good Apollo, I’m Burning Star IV, Volume One: From Fear Through Madness’ in its entirety.
Widely regarded as one of their most impactful records, ‘Good Apollo, Volume One’ has sold over 1 million copies worldwide, showcasing their signature conceptual brilliance and musicality.
Along with the Monolith headline set, fans will be treated to a unique Q&A panel: Celebrating 20 Years Of The Amory Wars: The Past, Present And Future with Claudio Sanchez. The panel will delve into the band’s series of graphic novels and comics, providing a deeper understanding of the intricate world that Coheed and Cambria have created.
Washington D.C.’s Periphery, make their long-awaited return to Australia. The band’s latest album, ‘Periphery V: Djent Is Not A Genre’, brought the group critical acclaim, cementing Periphery as leaders in modern progressive metal. With seven self-produced studio albums to their name, the Grammy-nominated five-piece have continued to defy the boundaries of conventionality, bringing new life to the progressive metal world.
Innovative Norwegian progressive metal outfit Leprous joins the Monolith lineup as another exciting addition, with the five-piece set to bring their new album ‘Melodies of Atonement’ (set for release this August) to Australia, along with a selection of dynamic cuts from their seven-album strong catalogue. The music of Leprous has been praised for its avant-garde approach to alternative metal and prog, with Tor Oddmund Suhrke and Einar Solberg’s compositions continuously ensuring that the band’s central sound chases a blend of genres, instead of aligning itself with one and one alone.
The celebration continues with the inclusion of Canadian instrumental group Intervals. Formed in Toronto in 2011, Intervals quickly earned their stripes as a fresh force in the djent and prog metal scene. Masterful instrumentalists with a savvy hold on melody and arrangement, Intervals have continued to produce material that redefines their vision; their 2014 debut ‘A Voice Within’ established a strong presence, and through into their latest album, 2023’s ‘Memory Palace’, the band has shown no signs of wavering.
Adding some more European flair to the lineup for Monolith, is French metalcore/prog five-piece Novelists who will tour Australia for the first time this November. 2023 marked a new era for the band with the addition of vocalist Camille Contreras, solidifying their status as a respected and influential force in the contemporary metal scene.
Completing the stacked Monolith lineup for 2024, is Melbourne’s Silver Fang– appearing at each festival date except Sydney. Emerging onto the scene with their debut single ‘Cross-Talk’ in 2022, the four-piece quickly built on early buzz; capturing an exciting blend of metalcore, gothic and electronic music that has created an unique sonic playground from which they create today. The band’s 2024 project ‘Labyrinth’ reinforces the fresh perspective Silver Fang have on modern heavy music – they represent the new wave of young innovative artists putting their own twist on the foundational genre sounds.
In addition to electrifying performances, fans will be treated to unique experiences, including a Q&A panel: ‘Celebrating 20 years of ‘The Amory Wars’: The past, present and future’ with Claudio Sanchez, guitar and drum workshops with Periphery, Keyan and David Parkes and much more.
Don’t Miss an epic day this November at Monolith! One stage, no clashes.
MONOLITH FESTIVAL 2024
Early bird presale begins Wednesday 17th of July 9am
Tickets on sale: Friday 19th July 9am
Sign up for early bird pre sale tickets : https://daltours.cc/monolith
Saturday 2 November Fortitude Music Hall BRISBANE
Saturday 9 November PICA MELBOURNE
Sunday 10 November Hordern Pavilion SYDNEY
Can you tell us about the inspiration behind your latest single, “New Year’s Day”?
This song is all about that feeling, the buzz of excitement around New Year’s Day. The genuine feeling we get that a new year is coming and anything is possible. We all get a chance to start again and reach for new heights.
Then as the days turn into weeks and the weeks turn into months. We have to acknowledge that nothing has actually changed, and you are still the same and doing all the same things. I wrote this song at the beginning of this year feeling like this but now we are almost halfway through the year I have found my experience is the opposite.
How did working with Daniel Nieberg influence the final sound of “New Year’s Day”?
Daniel is amazing at producing music and he interprets my lyrics and music with such care and attention to detail. He is also very collaborative and always is open to suggestions on any other elements that could change the flow of the final track. He seeks out details of what songs inspire me, and he uses that framework to compose a beautiful soundscape that I can then record vocals onto.
What themes and messages do you hope listeners take away from “New Year’s Day”?
I really hope that this song resonates with a wide audience as everyone experiences New Year’s Day in their own way, however that feeling of new beginnings is universal. Everyone has hopes and dreams for their future but often life has a way of surprising you, sometimes for the better, but not always. I see this song as an anthem of renewal and opportunity to try again.
How have your personal experiences as a mother influenced the songwriting process for this track?
Absolutely, everyday life is an opportunity to write a song. New Year’s Day is such a special time for my family, so it magnified my feelings of hope and wanting new and exciting things to happen in a brand-new year. My children take such an interest in my music, and they really enjoyed seeing the process of how this song and many others were created. I really relish the opportunity to impart on them what I know about creating music in the hope that one day they may do the same.
You mentioned feeling like nothing had changed at the beginning of the year. How did that sentiment evolve over the months?
I have found that my sentiment for how things would turn out this year has completely changed. There have been a few things that have happened that I didn’t see coming and never expected but as life changing as they were, they strengthened my resolve to pursue my dreams and it always leads me back to my music.
How do you balance your roles as a musician, singing teacher, and dedicated mother?
I must do this with great consideration. I have made a point of setting boundaries and being realistic about what I can take on as a singing teacher and musician. I have been fortunate enough to always seem to get the balance right and sometimes that means saying I must either say I can’t do that specific thing right now as I have to prioritise my family. It seems to work out in the end, so I am very grateful for that.
In what ways do your children inspire your music and your creative process?
I am really delighted that my children have been exposed to music from a very young age and now that they are older, they are now taking more of an interest in playing instruments and writing lyrics and making up songs of their own. I feel so proud of them, I see the result of them being inspired by me, it spurs me on to keep creating my music.
What challenges have you faced in maintaining your music career while raising a family?
There have been many times I have taken a break from music due to family commitments or just general family life. It usually isn’t for very long and it is always necessary to put family first. It has never been a case of me having to choose one over the other. I know my music will always bet here when I am ready to start working on it again. Family is my priority, and it is important to take pause and be present in family life when it matters most.
Can you describe the significance of hope and resilience in your music, particularly in “New Year’s Day”?
The entire premise of this song is about the attempt we make to reach certain goals, we even make resolutions to do or stop doing certain things, we put pressure on ourselves to seek out a different type of life and we feel disappointed if we don’t achieve our goals. This song is all about second chances. The lyric ‘Let’s start again on New Year’s Day’ is all about when some things don’t go to plan, we have a chance to try again next year. I try to view the world with a glass half full attitude, and I am always striving to be positive and see the good things that the future will hold for all of us.
How do you incorporate your everyday experiences and emotions into your songwriting?
I feel I have experienced a lot of life so far in my journey and I have a lot to offer in my way of storytelling. Being a mum, a wife, a sister and daughter is a common thread I can draw upon and connect to an audience with. My everyday life and my stories are all I know, and I use that to weave into my music and lyrics to share a little bit of insight into how I see and navigate my world around me.
What has been the most profound event in your life recently, and how has it impacted your music?
I have recently left a job (not musically related) that I have been doing for 26 years and it had a profound impact on me. It was something I never ever thought would happen and it completely surprised me. It occurred around the time I released New Year’s Day, and as it turned out I ended up feeling a deeper connection to the message of this song. It has only given me more time and freedom to create more music so something that initially was really challenging to go through has given me a new perspective and gratitude for what I have and the desire to keep creating my music.
Looking forward to 2024 and beyond, what are your goals and aspirations for your music career?
I see myself continuing to write songs and collaborate with amazing artists, musicians, producers, filmmakers to share my music with the world. The world is such a smaller place now with the connectivity we have online, and the reach is so much further than it ever used to be. I am excited to see just how far my music can reach and where it will take me into this year and the next decade.
SXM Festival announces debut Ibiza Summer residency: Bringing the Caribbean influence to the White Isle
Dates: 5th July – 9th August – 5th September
Venue: Akasha/Las Dalias, Ibiza
The renowned SXM Festival is thrilled to announce its first-ever summer residency in Ibiza. This series of three exclusive events will bring the unique SXM Festival magic to the iconic White Island, promising unparalleled electronic music community spirit.The residency will take place at Akasha/Las Dalias, a venue chosen for its exceptional sound quality, exquisite design, and boutique size, perfectly embodying the off-the-beaten-path charm that SXM Festival is celebrated for. Attendees can look forward to intimate events filled with surprise performances and the signature decorations that have made SXM Festival a standout in the global festival scene.
Resident DJs for this residency are next level and include the talented Kadosh who is known internationally for his distinctive blend of melodic house and techno. He is joined by Julian Prince, the founder, artistic director, and curator of SXM Festival whose love of the culture fueled the desire to create this experience. Julian’s music reflects the festival’s visionary narrative and evident passion for what this music and movement always stood for—love and happiness.
Next is a true dance music legend Sander Kleinenberg who has held major residencies in Ibiza over the last two decades and now makes a triumphant comeback with SXM Festival.The first event in the series will also feature special performances by SXM Festival favourite Nicolas Masseyeff who is known for his deep, rhythmic intensity and his immense library of releases including his recent collaboration with Parallel on Crosstown Rebels. Oxia, Fellow trailblazer Oxia also lines up and is one of the artist pillars of SXM Festival who promises to deliver the same goods that have made him such a legend in the scene.
The following events of this trilogy will feature the festival’s favourites and are acts to be featured in the next edition of SXM Festival, unfolding March 12-16, 2025.
SXM Festival is committed to creating unique and magical nights for all who venture to join. Each event will be a testament to the elements that have made SXM Festival renowned; immersive decorations, top-tier sound quality, and an atmosphere of surprise and high end cabaret circus like performers.
“Bringing the Caribbean vibes to Ibiza is a dream come true,” says Julian Prince. “We’re excited to merge the best of both worlds, creating a series of events that will be remembered for their innovation, intimacy, and incredible music. This is the beginning of something very special”
Sander Kleinenberg shares his excitement, stating, “My long-standing love affair with Ibiza is ready for a rejuvenation. In conjunction with SXM, I will join the residency at Akasha for three nights, making me a part of the Ibiza I fell in love with many moons ago. Akasha represents the authentic spirit Ibiza is famous for.”
Lineup (5th July)
Julian Prince
Kadosh
Nicolas Masseyeff
Oxia
Sander Kleinenberg
PALM TREE MUSIC FESTIVAL RETURNS TO SYD, BRIS & MELB IN DEC 2024 FEATURING THE CHAINSMOKERS, ALESSO, GRYFFIN, DAYA, DARLEY & MORE
TEG Live is thrilled to announce the return of Palm Tree Music Festival in December 2024. Following a non-stop tour of international installments, the intercontinental tropical party is back for the second year running with a stacked lineup featuring The Chainsmokers, alongside Alesso, Gryffin, Austin Millz, Daya, and more.
The iconic global event will set up paradise at Sydney Showground on December 6, Sandstone Point on December 7 and Sidney Myer Music Bowl on December 8.
A Telstra Plus pre-sale starts Monday 8 July, 12:00 noon local time and runs until Wednesday 10 July, 2:00 pm local time followed by a TEG Live pre-sale, starting Wednesday 10 July, 3:00 pm local time and ending Friday 12 July, 2:00 pm local time. Tickets go on sale to the general public Friday 12 July, 3:00 pm local time. For tickets, VIP packages and info visit www.teglive.com.au.
The inaugural Aussie edition, headlined by TIËSTO and KYGO in 2023, was a slam dunk for this universal brand which has become known for chasing down the hottest locations around the world, with Australia joining the fray alongside Hawaii, The Hamptons, Mexico, Croatia and more. Developed by KYGO, the Palm Tree branded events are inspired by the bonds and memories forged with musical friends from years of touring around the world. Now heading into its second year, Palm Tree Music Festival is fast becoming an annual calendar fave in Australia, so ready your crew and get set to make your own memories with this one-of-a-kind music event.
There is no more fitting headliner for Palm Tree Music Festival 2024 than global hitmakers The Chainsmokers, with the GRAMMY® winning duo Drew Taggart and Alex Pall set to head back to Aus for the first time in five years. The band have set the cultural tempo and delivered some of the biggest songs in the world, hosting a historic multi-year Las Vegas residency, packing arenas on multiple continents, launching first-of-its-kind games in the metaverse, and selling tens of millions of singles along the way, scoring three Diamond singles, namely the Billboard Hot 100 #1 ‘Closer’ [feat. Halsey], ‘Something Just Like This’ [with Coldplay], and ‘Don’t Let Me Down’ [feat. Daya].
Don’t miss Swedish DJ and producer Alesso’s legendary dance anthems that have seen him own stages at Coachella, Electric Daisy Carnival, Creamfields, Tomorrowland and more. Excited to be heading back to Australia, Alesso said, “Can’t express how excited I am to come back to one of my favorite countries in the world. Every time I get invited back, it’s always a highlight of the year. Aussie crowds are no question one of the best and craziest crowds. I love audiences that aren’t shy to show their enthusiasm and ready to have a good time, plus, one of the funniest people I know is from Australia, and the seafood is awesome!”
Get swept away by classically trained multi-instrumentalist Gryffin’s captivating soundscapes that have seen him gain recognition across the globe for iconic remixes of Tove Lo’s ‘Talking Body’, Maroon 5’s ‘Animals’ and more. Upon returning to Australia for Palm Tree Music Festival, Dan Gryffin said “So excited to be coming to Australia for my very first time.”
Jump into the world of genre-bending Harlem hero Austin Millz. Hailing from New York’s vibrant boroughs to taking center stage at international music festivals, Austin Millz’ innovative beats and electrifying sets have established him as a pioneering force in the global music scene. Even prior to his viral Boiler Room moment in August 2023, he is applauded industry-wide for his fusion of soul, electronic and dance music, carving out a special niche between the genres. Millz’ returns to Australia after his first headline tour in 2024 which cemented his status as a favourite on the scene.
Prepare to be dazzled by synth-pop innovator Daya. Earning a Grammy award before she was twenty, Daya’s debut single was written while she was still in high school and went double Platinum, her dance anthem with The Chainsmokers, Don’t Let Me Down sold more than 10 million copies in America alone. “I’m so excited to play the Palm Tree Fest!! It’ll be my first time ever performing in Australia and to do it alongside so many old friends will be a dream,” beams Daya.
Repping Australia proudly is one of the country’s most exciting emerging artists, Darley. From triple j rotation, to performing on mainstage at Ultra, Darley’s ascent in the music industry has not gone unnoticed, and her gratitude is real, saying, “I can’t wait to be playing on one of the world’s biggest festivals with artists I’ve looked up to my whole career”.
Sunsets, good vibes, and epic beats. Palm Tree Music Festival returns in 2024 to provide the soundtrack to your perfect summer.
Tickets go on sale to the general public Friday 12 July, 3:00 pm local time. For ticket and info visit www.teglive.com.au.
PALM TREE MUSIC FESTIVAL
FRIDAY 6 DECEMBER | SYDNEY SHOWGROUND | SYDNEY, NSW | TICKETS
SATURDAY 7 DECEMBER | SANDSTONE POINT HOTEL | BRISBANE, QLD | TICKETS
SUNDAY 8 DECEMBER | SIDNEY MYER MUSIC BOWL | MELBOURNE, VIC | TICKETS
APPROVED IMAGERY
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FIND US ONLINE
TEG Live: Website | Instagram | Facebook
Palm Tree Crew: Website | Instagram | Facebook
The Chainsmokers: Website | Instagram | Facebook | YouTube
Alesso: Website | Instagram | Facebook | YouTube
Gryffin: Website | Instagram | Facebook | YouTube
Austin Millz: Website | Instagram | Facebook | X | YouTube
Daya: Instagram | Facebook | X | YouTube
Darley: Instagram | Facebook | Tik Tok| YouTube
Saturday October 19 – Alexandra Gardens, Naarm/Melbourne
Saturday October 26 – Victoria Park, Meanjin/Brisbane
Ability Fest, Australia’s first accessible music festival, has just announced its debut in Meanjin/Brisbane and its return to Naarm/Melbourne this year.
In collaboration with Untitled Group and triple j, the Dylan Alcott Foundation will bring the unique, one-of-a-kind festival to Alexandra Gardens/Birrarung Marr in Naarm/Melbourne on October 19th, and for the first time, to Victoria Park/Barrambin in Meanjin/Brisbane on October 26th.
Ability Fest prides itself on offering a completely unique, inclusive experience. With a love of music at the festival’s core, Ability Fest is devoted to offering a diverse, world class lineup, featuring artists from Australia and around the globe.
The music festival this year has committed to ensuring accessibility on all fronts including a single ticket price of just $60 alongside the return of complimentary admission for carers.
“For many Australians, the cost of living crisis has created significant financial strain. We believe that music has the power to unite communities, bring people together and lift our spirits, especially during challenging times,” said Alcott.
Celebrated for its dedication to inclusivity and community, Ability Fest this year will be open to attendees aged 16 years and over across both cities, fostering an environment where people of all ages can connect and unite through their love of music.
Backed by both the Victorian Government through the Community Support Fund, and the Queensland Government, Ability Fest is set to be stronger than ever in 2024.
Victorian Minister for Tourism, Sport and Major Events, Steve Dimopolous, said; “Ability Fest’s dedication to making events more accessible and diverse creates a positive impact on both our local community and tourism sector, showcasing that Melbourne continues to be the vibrant and inclusive city we call home.”
Minister for Tourism and Sport, Michael Healy, said Ability Fest was a showcase of Queensland’s commitment to hosting inclusive and accessible high-profile events. “With around 5,000 people expected to attend Ability Fest in October, this is a great opportunity to witness world-class musical performances in a completely inclusive and fully accessible environment.”
Ability Fest will once again be collaborating closely with Get Skilled Access to enhance accessibility, offering specialised facilities and services such as elevated viewing platforms, pathways, quiet zones and sensory areas to ensure all participants enjoy their experience. Ability Fest is also pleased to reveal ANZ, Kia Australia and Nike as major partners for 2024.
As a not-for-profit event, 100% of proceeds from the event are donated to the Dylan Alcott Foundation, with each ticket contributing to helping young Australians living with a disability fulfil their dreams.
Ability Fest was created by 2022 Australian Of The Year Dylan Alcott in conjunction with Untitled Group – Australia’s largest independent music promoter and the masterminds behind Beyond The Valley, Wildlands and more. The festival is also supported by triple j.
Ability Fest will hit Alexandra Gardens/Birrarung Marr in Naarm/Melbourne on Saturday, October 19th, continuing its tradition of bringing beautiful landscapes featuring sweeping city skyline views to life with music, community and inclusivity. Meanjin/Brisbane will host its debut at Victoria Park/Barrambin on Saturday, October 26th. The heritage-listed park, with its lush greenery, will provide the perfect setting for Ability Fest and its attendees.
Join Untitled Group, triple j and The Dylan Alcott Foundation for a beautiful day of live music and community, all while knowing that every ticket purchased is making a difference.
Pre-Sale ticket registration is now open HERE with tickets on sale from 12 PM AEST on 10th July. General Tickets on sale at 12 PM AEST on 11th July.
Get Connected:
https://www.abilityfest.com.
Tiësto and Lucas & Steve Collaborate on Electrifying Single “Zenless” with Silent Child, Serving as Official Soundtrack From Highly Anticipated Urban Fantasy Action Role-Playing Game – Zenless Zone Zero, on PlayStation 5, PC, iOS, and Android
Title: Zenless
Label: Musical Freedom
In a collaboration of epic proportions, Grammy-winning Tiësto and his fellow Dutch duo Lucas & Steve join forces for “Zenless,” an electrifying theme song for HoYoverse‘s highly anticipated urban fantasy action role-playing game “Zenless Zone Zero,” which already has over 40M pre-registrations ahead of its launch. This genre-melding dark techno-oriented masterpiece transcends boundaries, fusing Tiësto‘s legendary big-room beats with Lucas & Steve‘s cutting-edge futuristic soundscapes. Infused with the very essence of “Zenless Zone Zero,” the track throbs with samples from the game’s vibrant world, where towering skyscrapers pierce neon-drenched skies, and the thrill of adventure hangs heavy in the air. Prepare to be propelled into the heart of New Eridu, the last bastion of humanity, combating enigmatic supernatural disasters called “Hollows” with every pulse-pounding beat of “Zenless.” This anthem is not just music; it’s a portal – a sonic gateway ready to transport you to a world brimming with danger, mystery, and exhilarating possibilities. “Zenless” is out now on all streaming platforms via Spinnin’ Records/Musical Freedom in collaboration with HoYoverse – a leader in cartoon rendering, artificial intelligence, cloud gaming technology, known for game products such as Genshin Impact, Honkai Impact 3rd, Tears of Themis, and more. Zenless Zone Zero launches on July 04 here, unleashing its urban fantasy magic across PlayStation 5, PC, iOS, and Android, accompanied by Tiësto and Lucas & Steve‘s “Zenless” single. Gear up to navigate the treacherous Hollows, a post-apocalyptic labyrinth teeming with challenges and rewards. Assemble your crew of unique characters, each with their own fighting styles and personalities, and unravel the secrets that lie beneath the neon glow of New Eridu.
“It’s our second collaboration with Tiësto, and we are always super inspired to work with him. It was always a dream to make an anthem for a game, so when HoYoverse asked Tiësto and us to make this song for them, it was a dream coming true. We love Zenless Zone Zero, and we can’t wait to have this anthem out.” – Lucas & Steve
Tiësto
GRAMMY® Award-winning, platinum-certified, international icon, Tiësto has over 8B global streams across platforms, 36M+ total record sales, 30M+ social audience and over 160M TikTok video views across users. The DJ and producer is the only artist to ever hold the titles of “The Greatest DJ of All Time” courtesy of Mixmag, #1 DJ according to Rolling Stone, and “The Godfather of EDM,” as proclaimed by Billboard. From his underground dance floor bangers to his high-profile Las Vegas residency and crossover success, Tiësto created the blueprint that defines what it means to be a success in today’s dance music world.
Lucas & Steve
Safe to say, Lucas & Steve have gained a worldwide appeal with their high-energy DJ performances while delivering an impressive string of hit songs that explored the boundaries between raving festival anthems and precious pop gems. Evolving from their late 10’s club hits, the duo went on to release full-fledged chart smashes, including 2020’s “Perfect” (feat. Haris), their revamp of 90’s hit “No Diggity” together with R&B icons Blackstreet, their huge team-up with Afrojack and Dubvision for one of 2021’s biggest anthems “Anywhere With You” and 2023 favorite “After Midnight.” Following their early 2024 hits “When I Wake Up” and “End Of Time,” which are still gaining traction with millions of streams as we speak, the guys are now in full festival swing.
Silent Child
Silent Child has emerged as a well-respected artist, with hit singles like “F*ck You” amassing millions of streams across various platforms. Born in Georgia, he used music as a means of self-expression after being diagnosed with ADHD and Asperger’s at a young age. This passion has propelled his career, achieving hundreds of millions of streams within just five years in the industry. Despite global challenges, Silent Child released some of his most popular tracks, including “Super Villain” and “Me & My Demons.” These songs, along with support from tastemakers and YouTube channels like Mr. Suicide Sheep, have significantly expanded his reach, introducing his music to millions. His releases through major labels such as Monstercat, Columbia Records, and CloudKid have further solidified his presence in the music scene. Continuing to release hit singles with DREAMERS, Besamorph, AViVA, and more, Silent Child is now teaming up with Prim8 Music and making what he feels is the best music to date.
HoYoverse
At HoYoverse, they are committed to creating immersive virtual world experiences for players around the world. In addition to game products such as Genshin Impact, Honkai Impact 3rd, Tears of Themis, Honkai: Star Rail, and Zenless Zone Zero, HoYoverse has also launched the live wallpaper software N0va Desktop, the community hubHoYoLAB, and created a variety of products such as animations, comics, music, novels, and merchandise featuring original creative concepts. Adhering to their mission of “Tech Otakus Save the World,” they have always been committed to research and development, exploring cutting-edge technologies, and accumulating technical capabilities in cartoon rendering, artificial intelligence, cloud gaming technology, and other fields. HoYoverse is actively engaged in globalization, with offices in Singapore, Montreal, Los Angeles, Tokyo, Seoul, and other areas.
Spinnin’ Records/Musical Freedom
As the world’s leading dance label, Spinnin’ Records focuses on areas where electronic dance music lives, is embraced, and offers a fundamental piece of the experience. Spinnin’ Records seeks to collaborate with other brands to constantly provide their fans with great content and new innovations and to connect in the best ways possible with our music, events, and artists, which include Tiësto and Lucas & Steve. In August 2009, Tiësto founded Musical Freedom, a sublabel of Spinnin’ Records.
What made you decide to switch up your sound with “Close My Eyes,” and what inspired this new direction?
Hey there! Thanks for all those great questions already. So in the beginning of this year, I started writing music just by myself. In the songwriting world you usually meet up with 2 or 3 co-writers and write songs together. After so many years of always co-writing with others, I was just curious about what would be the outcome, if I was doing music just by myself. I didn’t even plan on creating a new sound or direction, or even releasing anything, it was first just for myself to explore and have fun. And I guess that’s when good stuff happens, when you have fun and just follow your intuition.
Can you give us the lowdown on how “Close My Eyes” came together? How was it different from your previous work?
Yeah so the whole process is completely different when writing music alone, I felt a lot more freedom to explore and try out. Usually you kinda find your role within a session, may it be writing melodies or lyrics or just focusing on the production. This time I was just taking it step by step and worked on the part I was excited about and then moved on to the next section. It definitely is ‘harder’ work to write alone, because there is no immediate feedback, which is why cowriting works so well. The freedom was very liberating, also you can take as much time as you want for the song
You’ve said “Close My Eyes” is one of your most personal tracks. What kind of personal yarns or feelings did you draw on for this one?
So I had the idea for the concept first, which is about seeing someone you love leave. To me a very strong feeling that I experienced many times in my life, whether that was a break-up or a long distance relationship, or just a summer love that had an expiration date. All those moments and memories went into this song.
This is your first track where you’re also having a go at singing. What made you decide to chuck your own vocals into “Close My Eyes,” and how did that change the way you worked on it?
I guess that was just one of the consequences of writing music by myself haha I did not have a singer and had to sing myself. Singing is a lot of fun, but first it feels very strange hearing your own voice, especially when you are spoiled and used to working with amazing singers. I was pretty shy playing the song to people in the first place, but thankfully they were all supportive and gave me confidence.
The song’s about the tough times in long-distance relationships. Can you spill the beans on what specific themes and emotions you wanted to get across in the lyrics?
It’s funny how feelings get tricky when there is physical distance. It is starting to develop into emotional distance and you start drifting apart. I didn’t want to blame one side/person in the lyrics but make clear it’s the circumstance only that makes everything more complicated, although they still have strong feelings for each other. It is about the moment, when you know you have to say goodbye and you wish time would stop and save you, so you don’t have to depart. Hence closing your eyes, trying to save yourself from reality and trying to keep the moment alive.
You mentioned that “Close My Eyes” has some massive summer vibes and is perfect for a cruise along the coast. How did you get those elements into the track?
Yeah true, the sound design is pretty vibey. One big part is the mellotron, which is an old sampler used a lot in hip hop. The sound is a sampled flute, which to me is instant nostalgia. Then there is one lead synth that wobbles around and makes the mood floaty and dreamy. Combined with a tight house groove it just feels like the soundtrack for driving down the coast!
How does flying solo on a track compare to your previous gigs co-writing and working with other musos? What were some of the challenges and rewards of doing it all yourself?
(I think I kinda answered this above?)
With “Close My Eyes” being a big milestone for you, what’s next on the horizon? Are there any upcoming projects or collabs you’re stoked about?
It feels like ‘Close My Eyes’ started a new chapter and there are plenty more songs coming soon, some of them solo too, but others with amazing collabs and vocalists. I will play a few shows and showcases this summer, where I can play all the unreleased music. So that’s super exciting. And hopefully I can come to Melbourne any time soon to play you all that music, it’s been on my bucket list for a while 🙂
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Suara Festival introduces single day passes and unveils extensive arts and culture programming featuring the best of Bali
Dynamic offerings include diverse food and beverage options, wellness activities, a speaker lineup, market stalls, Jungle Kids program, cultural and artistic performances, and eco-conscious initiatives
Watch Teaser Video Here
Suara Festival, Bali’s premier music and arts festival, slated for next month (July 26-28), has released single day passes for its highly anticipated three-day event, alongside details regarding its rich programming across art, food, culture, performance and wellness bolstering its global attraction. Set against the stunning backdrop of Nuanu City during its soft opening weekend, Suara promises an unparalleled fusion of music, art, wellness, and community engagement, appealing to individuals of all ages and backgrounds. With a global contemporary lineup set to stun alongside the region’s best represented across nine stages, Nuanu City’s picture perfect location perched on cliffs overlooking the Indian Ocean on 44 hectares of rolling hills filled with magnificent flora and fauna, will offer an immersive and culturally inclusive experience from the jungle to the dancefloor. For international guests eager for an experiential holiday staying in nearby Canggu or those living domestically pining for a festive weekend escape, Suara is a must for lovers of wellness, music and artistic expression.
Beyond the multi genre and highly-curated music programming, this year’s offering includes a stage takeover in partnership with Mandala for club members, their guests and premium ticket holders, as well as visual and larger-than-life installation art by the likes of renowned South African artist Daniel Popper as well as a variety of traditional Balinese performances, aerialists and fire twirlers will roam the festival grounds. An artisan market featuring merchants from across the island, as well as food vendors peddling flavours from Indonesia and the world will also cater to festivalgoers palates and shopping needs. Other elements include a relaxing and enriching wellness program and a family zone complete with a nanny service run by Jungle Kids, the Nuanu international kindergarten that emphasizes learning through play and nature-based experiences. Lastly, an impressive speaker lineup covering topics as varied as the Balinese philosophy of ‘Tri Hita Karana’, impact and innovation will leave festivalgoers feeling inspired and invigorated to carry forward learnings into the world post festival.
Now in its third year, Suara Festival is the mastermind of Nuanu City Founder and visionary Sergey Solonin and Alexander Shursh who together last year invited Do What You Love creative agency Owner Jason Swamy onboard as Co-Founder, CEO and Creative Director to catapult the festival onto the world stage. Bringing with him a wealth of global experience shaping the fabric of the cultural zeitgeist from the depths of the desert in Nevada to the beachside tropics of Thailand and many more places in between, Swamy is credited with helping birth the ‘deep house’ genre. Having previously held director level roles with Burning Man’s Robot Heart, Further Future Festival in the United States and Thailand’s Wonderfruit (Asia’s first sustainable music festival), alongside a slew of brands and cultural institutions like Edition, LACMA Art Basel, M+Museum and NetEase, Swamy has spent the last 25 years working with emerging and up-and-coming artists through to three-star Michelin chefs, Grammy and Oscar winners.
Swamy expressed his excitement, stating: ”While we have an incredible melting pot of artists from across Bali, Southeast Asia and the world who will grace one of our many stages in July, Suara is so much more than a music festival. It’s an odyssey through Balinese culture where nature, community and spirituality seamlessly integrate. This is known as ‘Tri Hita Karana’ and this philosophy is the essence of Suara whether we’re talking about food, music, visual and performing arts, wellness, or our family and speaker program.”
“The festival name means ‘voice’ in Indonesian and so our aim is to facilitate a platform for Bali to share its incredibly rich and unique heritage with the world. Coupled with our global entertainment lineup it really is the epitome of ‘East meets West’.”
In tandem with the release of single day tickets, the headline acts for each day of the festival are also announced. American alt-pop talent Neil Frances (Duo set) are slated to headline on the Friday, hypnotic vocalists HVOB (live) and W Hotels Global Music Director and DJ and producer LP Giobbi slotted for the Saturday, and Aussie folk favourites Angus & Julia Stone as the main Suara headline act to close out the festival on the Sunday evening. The headline acts are complemented by a bespoke roster of the world’s most respected indie artists including Brandt Brauer Frick making their Bali debut, singer/songwriter/producer Youngr, instrumental samplists and bouncy beatmakers Geju, Australian pop siblings Lastlings, GRAMMY-nominees Mansionair, award-winning melodic house and techno producer Rodriguez Jr. (live), Akumandra label founder Sainte Vie (live) alongside regional stars like Ramengvrl, Yung Raja, DJ Wordy, and Jonathan Kusuma. A host of collectives from across Asia Pacific will also be dialling up the dancefloor with their eclectic showcases taking place from day into night.
Suara Festival Co-Founder and Nuanu Founder Sergey Solonin also shared his enthusiasm for this year’s edition stating, “I am thrilled to welcome everyone to Nuanu as we open our doors for the first time during this year’s Suara Festival. This event symbolises our vision of creating a space where culture, art, and community thrive together. Suara Festival is more than just a celebration; it’s an invitation to experience the harmony and creativity that Nuanu represents.”
Adds Swamy, “This is not for the passive-minded. Rather it is designed to be participatory in every possible way. By bringing so many talented people and purveyors together and with so many lovers of music, culture and art set to join us from all over, we are reshaping the future of the festival experience. I couldn’t think of a better backdrop for it than the Island of the Gods. See you on the dancefloor.”
Nuanu meaning ‘in the process’, embodies a commitment to harmonious living. Its vibrant community of creators, leaders, and changemakers is empowered to foster a culture of positive change. Designed as an integrated ecosystem, the city is spearheading 32 projects and has eight recreational spaces for education, art and culture, wellness, experience, and nature-inspired living, envisioning a future where these elements seamlessly intertwine.
As a thank you to the locals, the festival has allocated a number of tickets to a number of nearby Balinese communities. With single day passes now available starting at US$91, Suara Festival invites music enthusiasts, families, and wellness seekers to embark on an unforgettable journey of discovery and connection. To purchase tickets and learn more about Suara Festival, visit suarafestival.com.
**Further details on Suara’s arts, culture, food, wellness and family programming are outlined below.**
Cultural connections
Suara Festival proudly showcases Bali’s rich cultural heritage through traditional performances like Kecak, Joged Bumbung, Barong and Rangda, artisanal markets, and educational sessions. Attendees can also immerse themselves in Balinese dance classes led by esteemed local practitioners.
Performance artists
Bali’s best performance artists are set to impress throughout the festivities. Expect to spot stilt walkers from Bali’s Circus Academy, ‘Fiery Pixie’ fire twirlers as well as jaw dropping performances from hoop and silk aerialists from Moving Stars Bali amidst a suave of traditional Balinese performances.
Eco-Friendly initiatives
Committed to sustainability, Suara Festival introduces a number of eco-friendly initiatives inviting attendees to explore environmentally conscious practices. From recycling stations to educational workshops on eco-living, the festival aims to inspire positive change and environmental stewardship encouraging festival goers to carry forward these learnings beyond the festival grounds into their everyday lives.
Mandala Weekender
Suara Festival and Mandala club have come together to bring you the ultimate weekend experience, celebrating all things music, arts and culture in an iconic setting. Get access to a line-up of incredible music over three hedonistic days and nights at the Mandala Club Stage – including British Electronic group Freestylers, Jinny Ohh and Groovetop’s DJ Raaj and Aurora. The Mandala Club Stage is open to Mandala Club members and guests. Non-members can sign up to access the stage here: https://mandala.club/suara.
Family-friendly festivities with Jungle Kids
The festival’s KidsZone hosted by Jungle Kids will feature an array of engaging activities spread across the Nuanu festival grounds. From storytelling in Tipis, to clay sculpting, making of musical instruments like maracas and didgeridoos as well as plenty of painting workshops, children will have the opportunity to unleash their creativity and explore new talents under the supervision of trained animators and educators. An on-site nanny service will also be available to support families throughout the festivities.
Food and beverage vendors
Not just a feast for the ears, but also for the taste buds, Suara Festival boasts an impressive lineup of food vendors offering a diverse range of culinary delights. From the aromatic brews of Quickie Coffee to the refreshing indulgence of Indoamazon’s acai bowls, attendees can savour a variety of flavours. Nasgero tantalises with traditional Indonesian fare like Nasi Goreng, while Oyster Love Bali pairs oysters with sparkling wine for a luxurious treat. For those craving local specialties, Spice Journey offers the rich flavors of Indian cuisine while Ettore Gelato offers cool relief with their creamy gelato. Boss Man satisfies hearty appetites with their burgers and fries, and Daisy’s offers margaritas paired with karaoke for added fun. Bar Souvenir invites guests to unwind with natural wines, while Pho Thin brings the comforting warmth of pho soup. Alchemy caters to health-conscious attendees with fresh juices and salads, and Joshua District offers a carnivorous delight with their smoked BBQ and tacos. To start the day right, 7:00:00 AM BAKERY presents a tempting array of baked goods and sandwiches. With such a delectable array of options promising, Suara Festival ensures that every culinary craving is met amidst the celebration of music, art, and community.
Market merchants
The marketplace is set to be a vibrant retail experience offering a number of artisanal products and unique finds. From Raja Rani’s exquisite kimonos to Zaman’s intricate piercing designs, attendees will have the opportunity to browse and buy a wide variety of items. Festival staples like sunglasses and eco-conscious water bottles will be available for purchase at Sunset Eyewear and Bottles For Earth respectively. Balies Jewellery will enchant with their dazzling jewellery pieces, while Ina Essentials presents stylish clothing options. Bird of Paradise caters to both men and women with its selection of hats and clothing, while Shanti Flowers adds a touch of natural beauty with their flower crowns. For those seeking spiritual insights, Deborah Erlich, the astrologer, will be on hand. Finally, Hormesis Attire and Ashamaya round out the market vendors.
Speaker program
An engaging speaker program will provide the opportunity to delve into a diverse range of topics spanning sustainability, culture, wellness, and innovation. PT. Abundant Impact Ventures & Regenesys Resources shed light on waste transformation strategies with their session on “Transforming Waste to Empower and Regenerate Communities.” United Founders conduct interviews with influential figures like Suara Festival Co-Founder, Creative Director and CEO Jason Swamy, Daniela Burr from Ubud Open Studios, and the original founder of Yoga Barn, offering insights into entrepreneurship and community building. Mr. Anson Chan captivates with his exploration of the magical aspects of reality. Dr. Ravin Jay delves into the formation of Balinese Hinduism, while BambooU highlights the environmental benefits of bamboo construction. Hormesis Healthy Aging Solutions presents the Hormesis Protocol for healthy ageing, and BioArc delves into the principles of Biologic Design and its applications across various domains. Mathias Boissonot moderates an eco-founder panel discussion, fostering dialogue on sustainability and innovation. Maya Nova speaks on self awareness, adaptive mindset, emotional regulation and resilience as well as spiritual awakening, the Kelecung Eco village presents a talk on sustainable ecotourism and Mekar Bhuana opens up about the Nunau Social Fund initiative.With such a diverse lineup, the speaker program at Suara Festival promises to inspire, educate, and ignite conversations that resonate long after the event.
Wellness workshops
In collaboration with renowned wellness partners, Suara Festival offers attendees a holistic experience to rejuvenate mind, body, and soul. From yoga, stretch and pilates sessions hosted by Pilates Project, to breathwork accompanied by live instruments with Awakened Dreamers, kirtans and ecstatic dance classes, revellers can embark on a transformative journey towards inner harmony throughout the festival. For those seeking spiritual harmony, kirtans and surf flow yoga are on offer while Kerta Art will provide insight into Balinese traditions with workshops on Canang offerings and Balinese dance, providing a deeper connection to local culture. Samadi invites participants to explore meditation and mantra practices, as well as the transformative power of fires, promising a holistic wellness experience.
https://www.youtube.com/watch?v=phmSiVAsq6s
LINEUP
Angus & Julia Stone
Brandt Brauer Frick
Deer Jade
DJ Wordy
Geju
Juan G
Lastlings
Neil Frances (Duo Set)
Mansionair
*Ramengvrl
Rodriguez Jr. (Live)
Sainte Vie (Live)
Youngr
Yung Raja
Batavia Collective
Jonathan Kusuma
Kimoji
Orasaré
Tantra Collective feat. Archie, Danny, Kai & Ones
Walearic
We Are Neurotic
Family Of Collectives:
Yeti Out feat. ONJUICY & mezz (HK)
Disko Afrika feat. Juan G, Batik Boy & Simply T (IND – Bali)
Chi Wow Wah (AUS)
Escape (IND – Bali)
Full Moon (IND – Bali)
GrooveTop (SG)
It’s Good to be a Tree (IND – Bali)
Kang Kao (TH)
La Piscine Electronique (IND – Bali)
LiFTED (HK)
MET (CH)
small&TALL (HK)
Soul Collective (SG)
Spin Sum (HK)
TOTEM (IND – Bali)
Unknwn (PH)
Additional artists:
Aleceo
Arca Tatasawara
Arthur Yeti
Arun R
Aurora
Av Acquilla
Boom Lekha
Catur Hari Wijaya
David
Dion
DJ Rork
Dory
Economou
Gaby Endo
Gelly
GESON
Hartman
Hartwell
Harvy Abdurachman
Himmat
Hoda Fadel
Jakrin
Jfola
Jinny Ohh
Joga
JOSÉ
Jungle Kitchen
Kaiser Waldon
Kalimaya
Kiko Anpao
Larry Oz
Last Gentleman On Playa
Manish
Marika Paprika
Maurice Simon
Melted heart
Modjorido
Nayamul
Nic
Papa Gio
PAPÜ
POV
Poyan
Quentin dcr
RAAJ
Raio
Ritual Frequencies
Roba
Rob Rizk
Sabda Irama
Samantha Nicole
Sivanesh
Sophie Sofree
STAY GOLDEN
Swami Harami
Swamy
The Cook
The Karuhun
Thursday Club
Tom Yeti
Tulzy
Uone
WAXWOOD
Willer
Yansan