|
||
|
||
|
Photo Credit: Michelle G Hunter
Acclaimed Melbourne-based songwriters Paris Wells & Finley François are gearing up to debut their new project – set to play through their album ‘Lounge Of The Flamingo’ for the very first time on the 27th of November at George Lane in Melbourne.
Released in August this year, ‘Lounge Of The Flami ngo’ is a lush, Latin-inspired lounge masterpiece. Drawing subtle influences from Nouvelle Vague, Astrud Gilberto, and Cesária Évora, the project highlights Wells’ & Francois’ versatility, refined artistry and a 20-year working partnership.
Paris Wells has had a career full of achievements and milestones over the last two decades. She’s supported the likes of Rod Stewart, Justin Timberlake, Robyn & Plan B on tour and played at festivals such as Falls Festival, Big Day Out, Meredith, Sydney Music Festival and the 2010 AFL Grand Final. She has collaborated with international DJs such as Kaz James, and made TV appearances on Spicks & Specks, Adam Hills In Gordon Street, Good News Week & Rockwiz. She toplined for Bliss N’ Eso’s ‘Field of Dreams’, taken from the ARIA Award winning album ‘Flying Colours’ (2012) and shot to worldwide fame with her single ‘Overbite’ which was used by Elie SaaB for their Cannes Film Festival campaign in 2014. To this day she has over 1 millions streams to her name, across her catalogue.
Finley “pHinioUS” François, originally from the picturesque shores of Mauritius and now based in the vibrant hub of Naarm, is a multifaceted artist in music. His journey, marked by curiosity and creativity, began with spinning vinyl at parties and has evolved into crafting a rich tapestry of sounds as a DJ, producer, and musician. His early career included airplay on Kiss FM and being part of Fizard, one of Australia’s pioneering live hip hop groups that won Triple J’s Unearthed competition in 2003. Over the years he has been commissioned to write music for various shows and installations, including projects for NICA and Arts Access; has performed at iconic festivals such as Mona Foma, the Adelaide Fringe Festival, the Cabaret Festival, St Kilda Festival, and Womadelaide; & has shared the stage and collaborated with artists such as GrandMaster Flash, Chris Brown, Rod Stewart, Kelly Rowland and most recently Snoop Dogg at the 2025 AFL Grandfinal along with the likes of Jessica Mauboy, Tash Sulatana and Baker Boy.
‘Lounge Of The Flamingo’ sees the pair hitting new heights collaboratively – with a sexy-stillness and persistent groove throughout the LP that doesn’t force the big moments, but reels you in with a confident calmness and attention to detail. Wells and François were a well-oiled machine at the time of recording, with Wells’ explaining “The team in this project was so solid and the happy musical partnership with Finley really shines through, we are a the point of finishing each others sentences, that shit takes time, this is my/our best body of work yet.”
Thematically, the album is less social commentary, and more of a reflection of Wells’ life right at this moment; “this time I was determined to capture not only humor, but calm and passion and family. I refuse to make any more ‘sad vagina’ music, I’m a happily married mum, shit can be hard but I want to give people the calm we all strive for. The Lounge of the Flamingo cares not about your social pages, Kardashian cages and your friends with strangers. It cares not about keeping up with the Joneses, or running away with the crowd. The Lounge only asks for your calm, so sit back, relax and enjoy the journey.”
Recorded live at the Frying Pan Studios housed within the iconic MONA gallery in Tasmania, Wells was pregnant throughout the session – described by the pair as ‘sitting down like a ripe queen’ throughout the process. The album also features vocals from Kylie Audist (the Bamboos, Cookin’ on 3 Burners) on ‘Down In Mexico’, as well as a string composition from renowned Tasmanian composer Dean Stevenson & his orchestra for ‘Strange Days’.
Talking on that time writing and recording at MONA, François comments;“What’s not to love about Afro Latin music! Paris and I spent many years backstage & on the road speaking about a jazz base album as a side project, but that didn’t stick for me. When the opportunity to record at the newly built Frying Pan Studio, Paris mentioned she’d been diggin’ some lounge vibe tunes. I said “yes” let’s do that! Flamingo was born! My journey on piano started with Afro Latin jazz music so it was a beautiful place to return too, our reinterpretations of the covers was a dope process- rock to lounge! There’s always a positive energy in this genre, a celebration of all that is life!
Tickets for their launch show in Melbourne on the 27th of November are available now. On what fans can expect from the special performance, the duo say; “Think Peggy Lee meets Karen Meets Astrid Gilburto. Lounge of the flamingo could easily be Bad Bunnies Aussie warm up band without wanting to speak to the manager after”
ALBUM LAUNCH
Thursday November 27 George Lane Melbourne VIC
TICKETS
Paris Wells: Facebook | Instagram | YouTube
Finley François: Facebook | Instagram | YouTube
Lounge Of The Flamingo: Official Website | Facebook | Instagram
The 6000-capacity space promises a full spectrum experience with game changing light and sound
A nightlife revolution is coming to central Bangkok with the opening of FVTURE, a new global nightlife landmark built to hold a staggering 6,000 people. FVTURE is the first Asian Hyperclub to be built on this vast scale and is the most technologically adventurous venue in the region. It has been built from scratch with a unique vision and unwavering passion that will set a new benchmark in entertainment, sound and immersive design. FVTURE is set to launch this December.
Designed to rival the most iconic venues across Ibiza, Las Vegas and Berlin, FVTURE is a leap into tomorrow; a purpose-built, next-generation hyper club where cutting-edge audio-visual technology and world-class electronic music converge in one multi-sensory explosion.
FVTURE arrives at a pivotal time for Thailand’s creative economy as the government opens the doors to global events like Tomorrowland, EDC, Creamfields and Circoloco. Until now, Bangkok has lacked a singular venue capable of hosting artists and audiences on an international scale. FVTURE fills that void and then some.
With state-of-the-art production, VIP lounges, modular side stages and a calendar open to global touring shows, label takeovers and live performances, FVTURE is poised to position Bangkok firmly at the heart of the Asian electronic music scene.
Say Co-founders Victor and Michele Wang, “FVTURE is a statement of intent. Bangkok has long deserved a venue that stands alongside the global greats and that’s exactly what we’ve built. From sound to visuals to community, we’ve designed FVTURE from the ground up to really break into new frontiers and give Asia the truly mind-blowing club it’s long deserved. The team we build is key to this – we put big importance on personality when hiring staff and only bring onboard people that are excited about FVTURE. This helps us set exactly the right and define the special character of the whole project.”
FVTURE’s main room is powered by the first ever L2 & L2D L-Acoustic system in Asia, boasting over 40 subwoofers and a multi-array configuration for unparalleled sound clarity and punch. Visuals are equally mind-blowing with 500sqm of LED wall at the front and another 500sqm of modular LED throughout the venue creating a 360° visual playground. .
FVTURE is the brainchild of a team with deep roots in nightlife, music and international hospitality: Victor Wang brings expertise in cross-border nightlife operations. COO Michele Wang is a seasoned operations leader driving long-term sustainability and execution and Pablo Vas is an acclaimed music director and DJ behind concepts like Down Temple and Tucan Bangkok who will lead FVTURE’s sound and programming.
FVTURE is built to welcome Bangkok locals, regional tastemakers and international ravers. With a huge capacity, sound and visuals designed to stun, and a team dedicated to elevating the scene, FVTURE is here to reshape the future of clubbing in the region.
Follow FVTURE at the following channels to be the first to hear about news and lineup announcements; instagram.com/fvture.bkk | https://fvture.co/
FVTURE BANGKOK
6th Floor, BRAVO Mall, RCA, Bangkok, Thailand
Are you ready for more YUNGBLUD? Due to phenomenal demand during the presale, YUNGBLUD has added an additional show in Brisbane and upgraded the Sydney venue to Qudos Bank Arena for his IDOLS world tour in Australia.
The British performer and industry disruptor will now play 6 hotly anticipated shows as part of his biggest Australian tour to date in January 2026. General sale tickets for all shows, including the new and upgraded shows go on sale today at 3pm local time. Tickets and tour information via frontiertouring.com/yungblud.
IDOLS World Tour Australian dates:
Sat 10 Jan – Qudos Bank Arena, Sydney – VENUE UPGRADE
Tues 13 Jan – Sidney Myer Music Bowl, Melbourne
Thurs 15 Jan – AEC, Adelaide
Sat 17 Jan – Riverstage, Brisbane*
Sun 18 Jan – Riverstage, Brisbane – NEW SHOW
Tues 20 Jan – Ice Cream Factory | Perth*
*Presale Allocation Exhausted
His fourth full length release, IDOLS, landed YUNGBLUD his third number one debut in the UK and is his most personal and ambitious work yet. The multi-instrumentalist, songwriter, and performer is known for his electrifying stage presence, blending elements of rock and punk to monumental effect. Rapidly becoming one of the most influential musical voices of his generation, the IDOLS world tour looks set to cement YUNGBLUD his place in music history, with his 24-date North American tour selling out in one minute and new dates, including an arena show added in Australia to meet fan demand.
Australia, don’t miss your chance to kick off the new year with the star that’s redefining rock. Tickets on sale at 3pm local time today!
YUNGBLUD
IDOLS THE WORLD TOUR
AUSTRALIAN TOUR
JANUARY 2026
Presented by Frontier Touring
TICKETS ON SALE
Begins: Tuesday 21 October (3pm local time)
via frontiertouring.com/yungblud
Saturday 10 January
Qudos Bank Arena | Sydney, NSW
VENUE UPGRADE
Lic. All Ages
ticketek.com.au
Tuesday 13 January
Sidney Myer Music Bowl | Melbourne, VIC
Lic. All Ages
ticketek.com.au
Thursday 15 January
Adelaide Entertainment Centre | Adelaide, SA
Lic. All Ages
ticketek.com.au
Saturday 17 January
Riverstage | Brisbane, QLD
Lic. All Ages
ticketmaster.com.au
Sunday 18 January
Riverstage | Brisbane, QLD
NEW SHOW
Lic. All Ages
ticketmaster.com.au
Tuesday 20 January
Ice Cream Factory | Perth, WA
18+
eventbrite.com.au
Patrons are advised to purchase tickets only through authorised ticket sellers.
We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.
FOLLOW YUNGBLUD:
Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music
Pitch Music & Arts returns for its ninth edition on the Grampian Plains beneath Gariwerd (Grampians) from 6-10 March 2026, unveiling its most anticipated lineup yet.
Leading the charge is Belgian techno powerhouse Charlotte de Witte, whose track ‘Overdrive’ featured in the latest Pitch Music & Arts campaign video [YT/IG]. Eris Drew & Octo Octa, known for embracing their Motherbeat philosophy, arrive with a rhythmic sound that fuses spirituality and dancefloor community. Amsterdam favourite MARRØN, and boundary-pushing UK trio Girls Don’t Sync, are both set to make their Pitch Music & Arts debut. Dutch mainstay Job Jobse returns once again following a standout 2025 closing set, alongside UK selector Yung Singh, who continues to cement himself as one of dance music’s most compelling new names.
International heavyweights set to join the 2026 lineup include fan favourite Ewan McVicar, alongside UK-born, Berlin-based selector Palms Trax, and Palestinian techno force Sama’ Abdulhadi, who will bring her signature intensity to the dance floor. Japan’s DJ Nobu will deliver the hypnotic precision that has defined his global reputation, while South Africa’s DESIREE adds their bold, soulful energy to the lineup’s incredible mix.
From home soil, melodic innovator Aquenta, house favourite Sam Alfred, Melbourne’s own STÜM, CC:DISCO! b2b DJ JNETT, bass visionary C.FRIM, Sleep D b2b Jennifer Loveless, and dynamic selector WOLTERS, lead the generation of Australian artists shaping the globe’s electronic landscape.
Further international names join the bill, including Âme DJ, Alarico, Bailey Ibbs, Benwal, Bitter Babe (LIVE), Dee Diggs, DJ Hyperdrive, Djrum, Estella Boersma, Faster Horses, Hadone (LIVE), Jen Cardini b2b Pablo Bozzi, Jyoty, Kyle Starkey, LB aka LABAT (LIVE A/V), LOVEFOXY, Manuka Honey, Odymel, OK Williams, Pangaea, Sally C, Saoirse, Sedef Adasï, Soul Mass Transit System, Special Request, Spray pres. Spriitzz (LIVE), The Trip, Vladimir Dubyshkin (HYBRID), Yasmin Gardezi, and Yu Su who together cement Pitch’s reputation for uniting influential artists from across the world’s club scenes.
Rounding out the homegrown lineup are Andy Garvey b2b DJ Scorpion, Brown Suga Princess, Ciara, Hannah D b2b Moopie, Mikalah Watego, Myles Mac b2b DJ Possum, Rakhi, RAMSEY, Rita Bass, Tina Disco, WVCHWY, and Yikes, alongside many more shaping Australia’s electronic movement.
All three of Pitch’s architecturally designed stages return in 2025, with Pitch Black unveiling a reimagined design inspired by its multi-level lineage. The festival will debut the Pitch Rock Pool, a new swimming and wellness space, while welcoming Tom Supple, whose curatorial work spans Dark Mofo, Rising and Vivid Sydney as Arts Curator, with the 2026 Arts Programme to be unveiled at a later date. The Pitch Pavilion also returns, offering space for reflection, performance and connection throughout the weekend.
Following several years operating under a ballot, Pitch has introduced a refreshed Register or Reserve system, offering greater flexibility ahead of General On Sale. Attendees can reserve a ticket immediately or register to secure access when presale begins.
Festival passes are available for two, three or four days with general camping included, alongside Premium Camp, Eco Camp and Glamping upgrades. Vehicle Pass packages encourage carpooling, with Pitch Charter Buses departing from Melbourne’s Carlton Gardens.
As Pitch Music & Arts enters its ninth chapter, the festival continues to define Australia’s electronic landscape, uniting sound, design and community beneath the Grampian Plains. Further information and registration are available at pitchfestival.com.au.
FULL LINEUP (A-Z):
Alarico [IT]
Âme DJ [DE]
Andy Garvey b2b DJ Scorpion [AU]
Aquenta [AU]
Bailey Ibbs [UK]
Benwal [NL]
Bitter Babe LIVE [CO]
Brown Suga Princess [AU]
C.FRIM [AU]
CC:DISCO! [AU] b2b DJ JNETT [AU]
Charlotte de Witte [BE]
Ciara [AU]
Dee Diggs [US]
DESIREE [ZA]
DJ Hyperdrive [DE]
DJ Nobu [JP]
Djrum [UK]
Eris Drew & Octo Octa [US]
Estella Boersma [NL]
Ewan McVicar [UK]
Faster Horses [UK]
Girls Don’t Sync [UK]
Hadone LIVE [FR]
Hannah D b2b Moopie [AU]
Jen Cardini [FR] b2b Pablo Bozzi [FR]
Job Jobse [NL]
Jyoty [NL]
Kyle Starkey [UK]
LB aka LABAT LIVE A/V [FR]
LOVEFOXY [DE]
Manuka Honey [UK]
MARRØN [NL]
Mikalah Watego [AU]
Myles Mac b2b DJ Possum [AU]
Odymel [CH]
OK Williams [UK]
Palms Trax [DE]
Pangaea [UK]
Rakhi [AU]
RAMSEY [AU]
Rita Bass [AU]
Sally C [IE]
Sam Alfred [AU]
Sama’ Abdulhadi [PS]
Saoirse [UK]
Sedef Adasï [TR]
Sleep D b2b Jennifer Loveless [AU]
Soul Mass Transit System [UK]
Special Request [UK]
Spray pres. Spriitzz LIVE [IE]
STÜM [AU]
The Trip [UK]
Tina Disco [AU]
Vladimir Dubyshkin HYBRID [RU]
WOLTERS [AU]
WVCHWY [AU]
Yasmin Gardezi [IE]
Yikes [AU]
Yu Su [CA]
Yung Singh [UK]
Pitch Music & Arts
6-10 March 2026
Moyston, VIC
Ticket Reservation is now open HERE with reservations closing on Tuesday 28th October 12PM AEDT
Presale Registration closes Wednesday 29th October 10AM AEDT
Pitch Presale begins Wednesday 29th October 6PM AEDT
General On Sale begins Thursday 30th October 12PM AEDT
Get Connected:
https://www.pitchfestival.com.
https://www.instagram.com/
|
My relationship with music has really evolved alongside my life. I started in classical training and ensemble work, where it was all about discipline, technique, and blending with others — which taught me structure and respect for the craft. As a child and teenager, I was singing jazz, country and Rock n Roll, but as I’ve grown and gone through my own experiences — love, heartbreak, resilience — music has become something far more personal. With ‘The Songbook of My Heart,’ I stepped fully into storytelling. It’s not about perfection anymore — it’s about truth. Every note, every lyric comes from lived experience. It’s my voice, my emotions, my story. I think that’s the beauty of music — it grows with you. Where once I sang to perform, now I sing to connect, to heal, and to remind others that they’re not alone in their own stories.
What does this album represent for you on a personal level, and how does it reflect the chapters of your life you’ve lived through?
This album represents a lifetime of love, heartbreak, loss, growth, and ultimately — self-rediscovery. Every song reflects a chapter of my life — the moments where I lost myself, the times I had to rebuild, and the beautiful, unexpected ways love kept showing up — even when I thought it was gone for good.
‘The Songbook of My Heart’ is really about finding strength in vulnerability. It’s about acknowledging the pain but choosing to keep your heart open anyway. For me, it’s a closing of some chapters and the beginning of a new one — one where I finally sing for me, not for anyone else. When I listen back, I hear the woman I’ve become — softer, wiser, braver — and I’m proud of her. This album is my truth, wrapped in music.
You’ve described Linda Ronstadt’s music as a companion — how has her work influenced your voice and the way you interpret songs in this project?
Linda’s music has been a companion to me through so many stages of my life. She had this incredible ability to move between strength and vulnerability — and that really shaped the way I approach my own singing. When I was creating ‘The Songbook of My Heart,’ I wasn’t trying to be Linda — no one ever could. Linda Ronstadt is her own force, her own magic. I don’t compare myself to her because I’m here to bring my own truth — my own authentic voice and lived experience.
For me, this project was about honouring her artistry while also allowing who I am to come through — the woman, the heart, and the stories behind every note. In many ways, Linda helped me find the courage to be myself.
When reimagining these iconic tracks, how do you strike a balance between honouring their legacy and infusing them with your own soul and perspective?
When I approached these songs, I wanted to honour their legacy with the deepest respect — because they’ve meant so much to so many people, including me. But I also knew I couldn’t just recreate what Linda had already done so perfectly. My responsibility was to find my truth within them.
So, I spent a lot of time sitting with the lyrics, really connecting to the stories and how they related to my own life. I asked myself, “What does this line mean to me now, as the woman I’ve become?”
What do you hope audiences feel as they experience these songs live?
When people come to my shows, I really want them to feel — to go on the journey with me. I want them to feel how I lived through these experiences, because every song in ‘The Songbook of My Heart’ is a true reflection of my life. Each one carries a story — the hurt, the tears, the love, and the strength that shaped who I am today. My hope is that the audience not only connects emotionally but also feels recharged — like the music has helped them release something or remember their own resilience. These songs were my way of healing, and now I want to share that energy so others can feel a little more open, a little more hopeful, and reminded that no matter what we go through, our hearts can always sing again.
Many of these tracks are tied to pivotal moments in your life. Is there one song in particular that holds a deeper meaning than the others?
Yes — ‘Long, Long Time’ holds the deepest meaning for me. It really represents the closure of my marriage and that experience of loving someone who doesn’t truly see you. There’s a heartbreak in that song that’s so honest — it’s the quiet kind of pain that stays with you long after the moment has passed.
When I sing it now, it’s no longer about sadness; it’s about acceptance. It’s about finding peace and strength in letting go. That song became a way of closing one chapter of my life and opening another — one where I love myself first, and where I can sing from a place of truth, not longing.
You’ve channelled your platform into powerful advocacy — from literacy to ovarian cancer research. How do these causes intertwine with your work as an artist?
My main focus has always been literacy — because I believe it’s the foundation for empowerment. For me, literacy isn’t just about reading; it’s about giving children and women the tools to find their voice, to make informed choices, and to shape their own futures. That’s why my work combines reading, music, wellness, and financial literacy — they’re all forms of expression and self-belief.
At the same time, I’ve lost someone very dear to me to ovarian cancer, and I have close friends who’ve been affected. It’s deeply personal — and as a mother of girls and a son. I feel a responsibility to do whatever I can to raise awareness and support research. For me, advocacy and artistry go hand in hand. Music connects the heart, and advocacy gives that connection purpose. Together, they’re how I try to make a difference.
After stepping away for personal reasons, you’ve spoken about finding your voice again. What has that process of rediscovery taught you about yourself?
Stepping away from music was one of the hardest but most necessary decisions I’ve ever made. During that time, I had to face a lot — to heal, to rebuild, and to find the courage to trust my own voice again.
That process of rediscovery taught me resilience — that even when life quiets you, your true voice never disappears, it just waits for you to be ready. It also reminded me to never give up on a dream, no matter how far away it might seem.
Coming back to music has been about freedom and self-belief — realising that my voice isn’t just something I sing with, it’s who I am. And once you reclaim that, no one can take it from you.
Beyond this project, you’re working on a full-length album of original songs. How will that body of work expand on the story you’re telling now?
The full-length album of original songs is really the next chapter of my story. ‘The Songbook of My Heart’ was about honouring where I’ve been — the loves, the losses, and the lessons that shaped me. But this new body of work is about where I’m going. It expands on that story by moving from reflection to rebirth — it’s more confident, more open, and filled with hope. These songs come from a place of strength and freedom, written from my own experiences and truths. It’s about stepping fully into my voice as a songwriter and a woman — still tender, still real, but now completely my own. If The Songbook was about healing, this next album is about becoming. So, watch this space!
Looking ahead, how do you see music and activism continuing to shape your legacy — and what impact do you hope your art leaves behind?
Looking ahead, I see music and activism continuing to work hand in hand. For me, art has never been separate from purpose — it’s a way to shine a light, to empower, and to create change.
Through my focus on literacy — empowering children and women through reading, music, wellness, and financial understanding — I hope to help others find their own voices, just as I’ve found mine. And through supporting ovarian cancer research, I honour those I’ve lost and protect the next generation, including my girls.
Ultimately, I hope my legacy is one of impact and authenticity — that people feel I used my platform to lift others, to remind them of their strength, and to never give up on their dreams. If my art can touch hearts, open minds, and leave the world a little better, then I’ve done what I came here to do.
|
|||
THE FINAL JAZZ DOOF OF 2025 – HALLOWEEN EDITION
Saturday 25 Oct | 6PM – 3AM
The Industrique, Coburg VIC
Tix from $20 – $30 | Use your exclusive $5 OFF link: [insert link]
LINEUP
G Day Tacos | 
Mechanical Bull | 
Halloween Show
MR. WORLDWIDE PRE-PARTY’ HITS MELBOURNE — FREE BALD CAPS, FIREBALL AND A 5-HOUR PITBULL MARATHON BEFORE FRIDAYZ LIVE – ROYAL MELBOURNE HOTEL
Presented by Danny Rants
Royal Melbourne Hotel is turning into ‘Planet Pit’ this Friday, hosting the city’s most ridiculous (and possibly most on-brand) warm-up party before Fridayz Live kicks off at Marvel Stadium.
From 12pm, the team behind RMH are running a 5-hour Pitbull marathon — every era, every remix, every “Dale!” — soundtracking an afternoon of bald-cap giveaways, Fireball shots, and unapologetic chaos and fun. Guests can score a free bald cap (1000 at the door), sip on Fireball specials from the bar and grab a classic pub feed before the mariachi band leads the crowd (literally) to Marvel Stadium for the main event from 4.30pm.
The party will feature:
1000 Free Bald Caps – because there’s only one Mr. Worldwide energy.
Fireball Suits & Merch Giveaways – the most extra pre-party outfit you didn’t know you needed.
Live Mariachi March to Marvel – kicking off from 4:30pm.
All-Day Parmas, Drinks & Normal Pub Service
5 Hours of Pitbull – every hit, no shame, no stopping.
“Look, if you’re going to see Pitbull, you might as well go full Mr. Worldwide,” said Danny Rants who is hosting the event said. “We’re giving Melbourne permission to be bald, loud and happy for a day.”
The event is free entry, walk-ins only, and expected to be packed by midday — so get in early, grab your cap, and channel your inner Pitbull before Fridayz Live begins.
Royal Melbourne Hotel
629 Bourke St, Melbourne VIC
Friday 25th Oct – from 12 pm | Mariachi March to Marvel from 4:30 pm
Also catch the Danny Rants podcast weekly, chatting with Music Industry icons across Australia – CLICK HERE!
|
|
|
|
|
|
|
|
|
||||||||||
|
|
|
|||||
|
+ New shows presale commences 3pm AEDT today
+ General on sale for all shows commences Tuesday 21 October, 12pm local time
Following overwhelming demand in today’s presale, Frontier Touring is thrilled to announce additional shows in Melbourne and Brisbane for Canadian country powerhouse Cameron Whitcomb. Proving to be one of the hottest tickets in town, Whitcomb’s The Hard Way Tour is shaping up to be an unmissable debut headline run across Australia & New Zealand this May 2026!
Known for his gritty voice, high-octane performances and raw storytelling, Cameron will play new shows at the Forum, Melbourne (Sun 10 May) and The Tivoli, Brisbane (Wed 13 May). Presale allocation exhausted for the first Forum, Melbourne (Sat 9 May) and The Tivoli, Brisbane (Tue 12 May) shows.
Presale tickets for the two new shows commences 3pm AEDT today, Monday 20 October and joins the existing Frontier Member presale for all previously announced shows, running until Tuesday 21 October (11am local time). The general on sale commences tomorrow, Tuesday 21 October (12pm local time). Tickets and tour info via frontiertouring.com/
|
Watch: Cameron Whitcomb – Fragile (Official Lyric Video)
Cameron Whitcomb has quickly become one of country music’s most exciting new names. Since the release of his breakout 2024 EP Quitter, the 22-year-old has earned over 600 million global streams, headlined shows across North America and Europe, and landed on Spotify and Amazon Music’s 2025 Artists to Watch lists, all before dropping a full-length album.
Hailing from British Columbia and with a story as bold as his sound, Whitcomb’s journey from pipeline worker to breakout country star has been anything but ordinary. Cameron Whitcomb is the rare artist with the courage to uncover his most uncomfortable truths. His debut album The Hard Way, shares his most powerful work yet: a selection of songs that willfully stare down his demons, instilling every moment with equal parts grit and sensitivity and explosively poetic detail, including the chart-climbing singles ‘Medusa’ and ‘Quitter’ (ARIA Gold status) and ‘Hundred Mile High’.
Don’t sleep on the debut Cameron Whitcomb live shows in Australia and Zealand this May!
CAMERON WHITCOMB
THE HARD WAY TOUR
AUSTRALIA & NEW ZEALAND
MAY 2026
Presented by Frontier Touring
NEW MELBOURNE & BRISBANE SHOWS
FRONTIER MEMBER PRESALE
via frontiertouring.com/
Begins: Monday 20 October, (3pm AEDT)
ALL PREVIOUSLY ANNOUNCED SHOWS
FRONTIER MEMBER PRESALE
via frontiertouring.com/
Currently running until: Tuesday 21 October, (11am local time)
or until presale allocation exhausted
ALL SHOWS – TICKETS ON SALE
Begins: Tuesday 21 October (12pm local time)
ALL SHOWS 18+
Tuesday 5 May
Powerstation | Auckland, NZ
18+
ticketmaster.co.nz
Thursday 7 May
The Gov | Adelaide, SA
18+
oztix.com.au
Saturday 9 May
Forum | Melbourne, VIC
PRESALE ALLOCATION EXHAUSTED
18+
ticketek.com.au
Sunday 10 May
Forum | Melbourne, VIC
NEW SHOW
18+
ticketek.com.au
Tuesday 12 May
The Tivoli | Brisbane, QLD
PRESALE ALLOCATION EXHAUSTED
18+
ticketmaster.com.au
Wednesday 13 May
The Tivoli | Brisbane, QLD
NEW SHOW
18+
ticketmaster.com.au
Friday 15 May
UNSW Roundhouse | Sydney, NSW
18+
moshtix.com.au
|
|||||||||
|