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The Partae

Festival NewsMusic News

DANIEL JOHNS In Conversation: What If The Future Never Happened? Dylan Lewis (Recovery/Double J) joins as host

by the partae
written by the partae

Newcastle and Brisbane sold out!
​Final tickets on sale now for Sydney this weekend + Melbourne

Sydney, it’s finally happening: Daniel Johns is back on stage for the first time in over five years with In Conversation: What If The Future Never Happened? kicking off this Saturday 1 November at Sydney’s State Theatre. The tour then hits Newcastle, Brisbane and Melbourne this November – and trust us, you won’t want to miss it.

With Newcastle and Brisbane shows already sold out, final tickets remain for Sydney’s opening night this weekend, as well as Melbourne’s Palais Theatre on Thursday 13 November. Grab them now via frontiertouring.com/danieljohns.

These are one-of-a-kind nights of storytelling, film, and music with one of Australia’s most iconic and enigmatic artists. Each evening celebrates the worldwide premiere of Johns’ highly anticipated short film, What If The Future Never Happened?, and features an intimate, hour-plus conversation where Daniel shares his creative secrets, never-before-seen photos and footage, unreleased demos, and music spanning his Silverchair days to his acclaimed solo work.

Joining Daniel onstage to guide the chaos is beloved broadcaster, musician and unicorn, Double J’s Dylan Lewis (aka D Lord The Prophet), alongside Luke Eblen (Creative Director). Lewis will take the mic as MC, alongside Ebflow and Dr Dream. Known for his infectious energy, quick wit and deep love of music, Dylan first burst into living rooms as the host of ABC’s cult ’90s music show Recovery, redefining how a generation connected with live music.

Since then, Dylan’s carved out a celebrated career across radio and television, from winning hearts (and trophies) on Celebrity Big Brother and I’m A Celebrity Get Me Out Of Here, to soundtracking lives on Double J, triple j, Nova and beyond. Whether on stage with one of his funk bands or choirs, or behind the mic on the radio or in front of the camera on telly, Dylan brings a rare mix of warmth, chaos and rizz – the perfect guide for an unforgettable night of conversation, storytelling and sonic exploration with Daniel. He loves you. Boom.

This is your chance to be part of something truly unrepeatable – an evening of deep dives, stories, music, and surprises with Daniel Johns as he celebrates What If The Future Never Happened? and the 30th anniversary of Frogstomp. Don’t wait. Tickets are nearly gone!

About Daniel Johns

With six #1 albums and a career marked by reinvention, Daniel Johns stands as the most decorated Australian songwriter of his generation. As the frontman of Silverchair, he led the band to an unprecedented run: five studio albums between 1995 and 2007, each debuting at #1 on the ARIA Albums Chart and collectively selling more than 10 million copies worldwide. Along the way, Johns became the first artist in history to claim APRA’s Songwriter of the Year award three times, cementing his reputation as one our most innovative musicians.

DANIEL JOHNS IN CONVERSATION: WHAT IF THE FUTURE NEVER HAPPENED?
​+ special guest host Dylan Lewis
​AUSTRALIA
​NOVEMBER 2025
​Presented by Frontier Touring

TICKETS ON SALE NOW
​via frontiertouring.com/danieljohns

ALL SHOWS LICENSED ALL AGES

Saturday 1 November
​State Theatre | Sydney, NSW
​ticketmaster.com.au
​FINAL TICKETS

Friday 7 November
​Newcastle Civic Theatre | Newcastle, NSW
​SOLD OUT!

Sunday 9 November
​Fortitude Music Hall | Brisbane, QLD
​SOLD OUT!

Thursday 13 November
​Palais Theatre | Melbourne, VIC
​ticketmaster.com.au
​FINAL TICKETS

Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

 

FOLLOW DANIEL JOHNS:

Website | Facebook | Instagram | X | YouTube | Spotify | Apple Music

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Festival NewsMusic News

OCEAN ALLEY ADD COASTAL AND REGIONAL DATES TO THEIR NATIONAL TOUR RUN THIS SUMMER CELEBRATING THEIR NEW ALBUM LOVE BALLOON ALL SHOWS SELLING FAST

by the partae
written by the partae

BUY TICKETS HERE
BUY/STREAM LOVE BALLOON

Beloved Aussie rockers Ocean Alley have announced five massive new shows to their 2026 Summer run, celebrating their acclaimed new album Love Balloon.

With previously announced dates selling fast, the band will now extend their tour along the Australian coast and regional locations this March with shows presented by SummerSalt – kicking off at Exhibition Park, Canberra (7 March), then heading to Torquay Common (8 March), Speers Point Park in Lake Macquarie (14 March), Sunshine Coast Stadium (15 March) and wrapping up at Glenelg Beach, Adelaide (21 March). They’ll be joined by an all-star lineup including DIY heroes Skegss, American rock band Allah-Las (all shows except Adelaide), Byron Bay psychedelic rockers Babe Rainbow, Melbourne garage rockers The Grogans (Adelaide only), indie-rock five piece Mid Drift, indie/psych-pop pals Le Shiv and raw indie-rockers Seaside – making for one of the band’s biggest outdoor tours to date.

Fans can secure tickets via the Artist Presale from 9am on Thursday 30 October until 8am Friday 31 October local. Register for presale access at oceanalley.com.au.

These shows follow Ocean Alley’s capital city run in January, which will mark their largest ever headline dates, with stops in Melbourne, Brisbane, Sydney, Fremantle and Margaret River. East Coast shows feature Nothing But Thieves, Rainbow Kitten Surprise and Ruby Fields, while the West Coast welcomes Skegss, Ruby Fields and rising Perth outfit Smol Fish.

The tour comes on the heels of Love Balloon’s release – the band’s fifth studio album, which debuted at #1 on the ARIA Vinyl and Australian Album Charts, #3 on the ARIA Albums Chart and has remained in the Top 10 Australian Album Charts for six weeks. A journey through love and life in all its colour and chaos, the record is anchored by moments of light, vulnerability and connection, led by the luminous single “Drenched” and its nostalgic early-2000s-inspired video.

The new dates round out a huge 2025 for Ocean Alley – including their biggest headline show to date at London’s Alexandra Palace, two North American tours and their first South American shows across Brazil, Chile and Mexico. The band also made festival appearances at Lollapalooza, Sziget and Austin City Limits, as well as their breakthrough hit “Confidence” placing #65 in triple j’s Hottest 100 of Australian Songs.

With over 1 billion streams and a reputation for magnetic live performances, Ocean Alley have become one of Australia’s most successful musical exports. Across five albums – including 2022’s Low Altitude Living – the six-piece (Baden Donegal, Angus Goodwin, Lach Galbraith, Mitch Galbraith, Tom O’Brien and Nic Blom) continue to evolve their unmistakable sound. With chart success across Australia, New Zealand, the UK and the US – and nine Gold or higher accredited singles – Ocean Alley are stepping confidently into a bold new chapter, with stadium-sized ambition and an enduring global legacy in sight.

OCEAN ALLEY
AUSTRALIAN COASTAL TOUR 2026
With special guests Skegss, Allah-Las*, Babe Rainbow, The Grogans^, Mid Drift, Le Shiv and Seaside
Presented by SummerSalt & Face To Face, Supported by triple j
TICKET INFO HERE

Saturday 7 March – Exhibition Park, Canberra, ACT
Sunday 8 March – Torquay Common, Torquay, VIC
Sat 14 March – Speers Point Park, Lake Macquarie, NSW
Sunday 15 March – Sunshine Coast Stadium, Sunshine Coast, QLD
Saturday 21 March – Glenelg Beach, Adelaide, SA
*Not playing Adelaide, ^ playing Adelaide only

TICKETS ON SALE FRIDAY 31 OCTOBER, 9AM LOCAL
Artist Presale: Thursday 30 October, 9am – Friday 31 October, 8am local
Live Nation and Face To Face Presale: Thursday 30 October, 9am – Friday 31 October, 8am local
Spotify Presale: Thursday 30 October, 11am – Friday 31 October, 8am local

Plus already announced Australian tour, all shows selling fast:
Saturday 24 January – Catani Gardens, Melbourne/Wurundjeri VIC*
Friday 30 January – Brisbane Showgrounds, Brisbane/Meanjin, QLD *
Saturday 31 January – The Domain, Sydney/Eora, NSW*
Saturday 21 February –  Freo Esplanade, Fremantle/Whadjuk, WA^
Sunday 22 February – 3 Oceans Winery, Margaret River/Wadandi, WA^

For complete tour and ticket information, visit: oceanalley.com.au

*Supported by Nothing But Thieves, Rainbow Kitten Surprise (both exclusive to Mel/Bris/Syd) and Ruby Fields
^ Supported by Skegss, Ruby Fields and Smol Fish

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Festival NewsMusic News

Field Day celebrates 25 years with Sydney return on New Year’s Day

by the partae
written by the partae

NEW YEAR, SAME START

FIELD DAY CELEBRATES 25 YEARS WITH SYDNEY RETURN ON NEW YEAR’S DAY

CARL COX & JAMIE JONES, DEBORAH DE LUCA, KÖLSCH, PATRICK MASON, PATRICK AND STÜM AMONG WORLD-CLASS NAMES SET TO PERFORM & BRAND NEW PRIDE STAGE DEBUTING IN 2026

A Sydney institution and New Year’s Day tradition, Field Day returns to add another chapter to its legacy with an epic celebration on Gadigal Country this New Year’s Day. Featuring a stacked lineup of Australian and international talent, the festival will once again fill The Domain with music, energy and community spirit.

Across three stages, the Field Day 2026 lineup brings together some of the biggest names in global dance music. Legendary British DJ Carl Cox teams up with Welsh producer Jamie Jones for solo and back-to-back sets that promise to keep Sydney moving well into the night.

Across three decades, Carl Cox has remained one of the UK’s most influential DJs. A multi-award winner at the DJ Awards, International Dance Music Awards and NME Awards, Cox has long been a mainstay at Tomorrowland and Ultra Music Festival. With five studio albums, countless singles, collaborations and remixes for Fatboy Slim, Sofi Tukker and deadmau5, his impact on electronic music is undeniable.

Speaking on his return, Cox said, “I’ll never forget seeing in the year 2000 on Bondi Beach. It’s great to be back with Fuzzy for another milestone, celebrating 25 years of Field Day.”

Jamie Jones, one of the UK’s defining electronic artists, has been shaping global dance culture since his 2006 debut. Voted Resident Advisor’s Top DJ of 2011, he has headlined clubs around the world, built a loyal following through his Paradise residency in Ibiza and played festivals including Coachella, Creamfields and Glastonbury.

Italian powerhouse Deborah De Luca brings her signature techno to Sydney following her 25-track album Hard Pop Vol. 2. Danish producer Kölsch joins the bill, performing material from his critically acclaimed 2025 release KINEMA. British producer and Trick label head Patrick Topping makes his Field Day debut, bringing remixes of Calvin Harris, Robyn and more alongside his standout single Want U.

Australian icons The Presets return with their unmatched live set. The ARIA-winning duo remain leaders in electronic music, commanding festival and club stages nationwide. Rising producer STÜM, whose Solar Safari Tour sold out in minutes across Australia, and Berlin-based Patrick Mason, known for his high-energy house and techno, also join the lineup.

The 2026 roster features ‘Shooting Stars’ duo Bag Raiders, Irish hitmakers Belters Only, and London’s BL3SS, representing the next wave of UK talent. Charlotte Plank brings her ClubLiminal EP back to Sydney, while ARIA-nominated CYRIL makes his debut with tracks from To the World and From Down Under. Fish56Octagon, drum and bass producer SOTA, and French-born, London-based DJ Swimming Paul round out the international lineup.

Field Day’s commitment to homegrown talent continues with Atomic Kiss, Chase Zera, Djanaba, Eva Charley, Jarred Baker, Jessi Lowkey, Tomgraaam, Troy Beman, Yemi Sul and ZOTDOTCOM each set to light up The Domain on New Year’s Day 2026.

Making its debut in 2026 is CAMP GROUND, a new stage dedicated to Sydney’s queer talent. Explaining its creation, organisers Fuzzy said;

 “Field Day has always been a space where LGBTQIA+ communities are welcome and celebrated. Queer artists and revellers have been a big part of Field Day’s 25 years of success, we’re thrilled to honour that by introducing CAMP GROUND to the festival in 2026 – curated by and for LGBTQIA+ communities, spotlighting some of Sydney’s best.”

Now celebrating its 25th year, Field Day remains one of Australia’s most loved festivals. With a lineup that reflects the momentum of electronic music both here and abroad, the event continues to prove its place at the heart of Sydney’s summer.

PRE-SALE REGISTRATION

FIELD DAY 2026

MONDAY 1 JANUARY THE DOMAIN SYDNEY, GADIGAL COUNTRY

Pre-Sales: 12pm AEDT, Wednesday 29 October
General Sales: 12pm AEDT, Thursday 30 October

First Release: $159.90
Second Release: $169.90
Third Release: $179.90
Final Release: $199.90
VIP: $265.90
Fast Forward add on: $40
*All ticket prices listed are before fees

A-Z
CARL COX & JAMIE JONES (B2B and SOLO SETS)
DEBORAH DE LUCA
KÖLSCH
PATRICK TOPPING
THE PRESETS (LIVE)
STÜM
PATRICK MASON

A-Z
BAG RAIDERS (LIVE)
BELTERS ONLY
BL3SS
CHARLOTTE PLANK
CYRIL
DJANABA
FISH56OCTAGON
SOTA
SWIMMING PAUL

A-Z
ATOMIC KISS
CHASE ZERA
EVA CHARLEY
JARRED BAKER
JESSI LOWKEY
TOMGRAAAM
TROY BEMAN
YEMI SUL
ZOTDOTCOM

FIELD DAY: Instagram | Facebook

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Music News

LOS LEO set to release creative experiment LL-1000 on November 14 – Friendship-inspired single ‘I Miss You’ out now

by the partae
written by the partae

Having set out on an ambitious yet creatively fulfilling journey on New Years Day, LOS LEO is just weeks away from the release of his brand new album LL-1000, out November 14. The Adelaide songwriter and producer’s forthcoming record is the result of his goal to write, record, and release an album all within a calendar year, and today he shares the first single ‘I Miss You’.

Stream ‘I Miss You’ now on DSPs (Spotify, YouTube, Amazon Music, Tidal, Deezer,  Apple Music) and pre-save LL-1000 HERE.

‘I Miss You’ is a sweet pop-driven ode inspired by the long distance friendships that were a significant part of LOS LEO’s creative process during lockdown. “During the height of COVID, when borders were closed and isolation became the new norm, I found a lifeline in music along with some of my closest friends that live across the world – a musician in Los Angeles, a biomedical engineer in Switzerland, a graphic designer and carpenter in Australia,” says LOS LEO.

The group formed a virtual band called Friendship Global, who would meet on Zoom and play a songwriting game where one person would start an idea, then pass it along to the next member, with each artist independently adding their own idea until a full song eventuated. “At the end, we’d all jump on a call, press play, and hear how our ideas had evolved into a song. It wasn’t even about making songs, it was about laughing, socialising and having fun in a strange time.”

The track’s backing vocals were recorded on Zoom audio, in order to emulate the digital compression heard during Friendship Global’s virtual meetings. “I decided to bring that same spirit back for ‘I Miss You’. The track grew out of that playful process of shaping a song by fellowship. At its core, ‘I Miss You’ is about distance and the people you wish were closer.”

LOS LEO’s ability to seamlessly transcend genre and traverse emotion is rooted in his open approach to creativity, allowing inspiration to strike whenever and wherever, guided by his surroundings as much as his own experiences. “One of my biggest strengths is being emotionally available for art and the moments,” he says. “The amount of times I’ve been moved by an artist singing in a pub to 10 people. I’ve always been moved by small, honest, authentic performances, the kind that feel bigger than the room they’re in or that specific moment in time. That’s the feeling I want to recreate in my music.”

LL-1000 is a pure and triumphant result of this creative ebb and flow. “This project started as a creative experiment,” reflects LOS LEO. “I wanted to see what would happen if I built an album completely from scratch within a single year. No recycled ideas, no safety net, just momentum. I didn’t know what it was going to be when I started, but after a while I realised there was a thread running through everything. identity, reinvention, and change. This album really revealed to me what it was going to be over the year.”

“It doesn’t feel like a collection of singles to me. It’s more like an impressionist painting, songs written so close together that they bleed into each other. I want people to listen to it all the way through and let it wash over them as one larger arrangement, not individual songs.”

With LL-1000 arriving on November 14, ‘I Miss You’ sets the pace for the final stint of a creative journey that has been 11 months in the making.

About LOS LEO

LOS LEO – “type of music you play on a boombox outside your lover’s window” widescreen alt-pop built from nostalgia, heart, and human connection.

Based in Adelaide, Australia, LOS LEO is the project of one stop songwriter and producer Tom Montesi, who merges pop craftsmanship with visual storytelling inspired by icons like Phil Collins, Peter Gabriel, and The Police. A self described art pop romantic, “One of my biggest strengths is being emotionally available for art and the moments,” he says. “The amount of times I’ve been moved by an artist singing in a pub to 10 people. I’ve always been moved by small, honest, authentic performances, the kind that feel bigger than the room they’re in or that specific moment in time. That’s the feeling I want to recreate in my music.”

After signing with Universal Music Group in 2016 following his breakout single Beautiful Mess, LOS LEO quickly built a reputation as a cross disciplinary artist. He’s collaborated across genres on more than 50 releases, performed alongside LANY, DMA’s, and The Veronicas, and contributed music to major television shows including Grey’s Anatomy, Doctor Doctor, and Teen Mom.

Now, with his upcoming album LL-1000, LOS LEO enters a new chapter, one defined by self direction, creative risk, and rediscovery. Conceived as a year long experiment to write, record, and release an album within a single calendar year, LL-1000 became “a creative experiment in honesty, not perfection.” The record explores themes of change, identity, reinvention, and expectation, woven through what Tom calls a “utopian-scholastic, medieval sound with a mix of vintage LOS LEO.”

Written and produced entirely within the same creative window, LL-1000 feels less like a traditional album and more like “an impressionist painting, a collection of songs captured in the same moment in time.” Each track bleeds into the next, reflecting a year of motion, growth, change and vulnerability.

For LOS LEO, LL-1000 isn’t about chasing a hit, it’s about chasing meaning, sonic identity and a character arch. A document of transformation, reflection, and creative freedom, it marks both an ending and a beginning of a chapter.

Connect with LOS LEO
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Music InterviewsMusic News

Interview: Nightdive Find Light in the Darkness with Their Haunting New Single ‘Occulent’

by the partae
written by the partae

What first drew you toward the darker, more introspective territory explored in “Occulent,” and how did that vision evolve during its creation?
Lyrically, this subject is hard for me to get away from – and I’m not sure I want to. While it’s dark and difficult at times, it’s also a way I continue to remember my friend who I lost: what we went through, both the incredible fun we had and the dark last few years while he battled cancer. Musically, it all came very organically. My favourite songs always seem to click the fastest.

How did collaborating with Simon Grove and Mitta Norath influence the sonic weight and emotional intensity of the track?
Mitta is just such a great energy to have around while recording – super passionate and always keeping the vibes high. Simon was integral in developing our sound. We knew we didn’t want to go down the same path as a lot of metalcore bands. We wanted something polished yet raw at its heart. Simon made that happen for us and delivered something beyond our expectations.

“Occulent” touches on illness, mortality, and the fragility of connection — what personal or shared experiences inspired those themes?
It really stems from a relationship with my best mate who passed away a few years ago. His battle with cancer was horrific, yet his life was so colourful and joyous. There’s a real dichotomy there. I remember the crazy and loving relationship we had as mates, but also how tough it got towards the end and how that affected everyone differently. I know for other members of the band, this subject hits differently because of their own experiences with loss.

There’s a haunting beauty in how the song balances heaviness and vulnerability — was that contrast something you consciously aimed for?
I think that’s something we’re always conscious of. Some of the members of nightdive are the best at their craft – I saw that as a personal admirer of their skill. However, everyone in the band is constantly focused on emotion and feel rather than showing off technique. That’s something I find really special about this band and the musicians I’m playing with.

As a band that only formed this year, how have you managed to carve such a defined sound and identity so quickly?
What we learned pretty quickly is that we share a lot of common interests in the music we love and grew up on. There was about a two-month period where we really dialed in our sound and found what works for us. Fortunately, we’ve all been around music for a while, so we know how to work with each other to get the best results.

Your first show as nightdive is coming up, supporting Ladders on Tables. How does it feel to debut so strong so early in your journey?
It feels amazing. The response has been really incredible – not just from an industry standpoint, but from people who genuinely seem to be enjoying what we’re doing. That means so much to us.

How do you each approach songwriting when dealing with deeply emotional or existential subject matter like this?
I think it’s just an opportunity to explore your own grief, or to take a step back and look at things from multiple points of view to understand how we all deal with things differently. In that way, it’s really cathartic.

Your sound evokes comparisons to Deftones and Thornhill — what influences do you draw from, both musically and beyond music itself?
We’re all kids of alternative metal and grew up on it, so there’s a deep love there. But we’ve also explored other genres like indie rock and EDM, so there are multiple influences in our music that happen organically. That’s really what makes all musicians unique in the end – no two people have the exact same taste.

How do you see the band evolving as you continue working on your upcoming four-track collection?
Every song, or collection of songs, seems to take us closer to understanding who we are as a band and where we want to go sonically – at least in the short term. Who knows where we’ll end up.

What do you hope listeners take away from “Occulent”?
We hope it hits on an emotional level and gives people an outlet for some of the tough things going on in their lives.

SHOWS

WED 12TH NOV – KING ST WAREHOUSE, NEWCASTLE (18+)
SUPPORTING LADDERS ON TABLES

THURS 13TH NOV – CROWBAR, SYDNEY (18+)
SUPPORTING LADDERS ON TABLES WITH DAYS LIKE THESE

INSTAGRAM

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Festival NewsMusic News

Inside FVTURE Bangkok: Michele Wang on Building Asia’s First Hyperclub and Redefining Nightlife

by the partae
written by the partae

FVTURE Bangkok has been called Southeast Asia’s first “Hyperclub.” What does that term mean to you, and how do you see it redefining nightlife in this region?
To me, a Hyperclub is not just a club — it’s a fully immersive cultural experience. We want to break the traditional boundaries of nightlife by merging music, technology, visual art, fashion, and community into one ecosystem. “Hyper” isn’t just about being bigger — it represents an evolution in dimension. FVTURE embodies the next generation of entertainment — a space born from Bangkok’s energy, powered by Asia’s creative spirit.

You’ve built a 6,000-capacity venue from the ground up, right in the heart of Bangkok. What was the biggest challenge in bringing a project of this scale to life?
The biggest challenge was finding the balance between scale, functionality, and experience. We had to engineer every element — from acoustics and lighting to flow and comfort — while keeping the soul of the space alive. Being in the center of Bangkok also meant an incredible level of coordination. But beyond construction, the real challenge begins once we open — delivering world-class service and detail in every moment. No one has done something like this before here, and that’s exactly what fuels our motivation and passion.

FVTURE was designed to rival nightlife capitals like Ibiza, Las Vegas, and Berlin. What key elements do you think are essential to compete at that level?
To compete with those global destinations, the key is consistency of experience. Every detail — from sound and lighting to curation, service, and brand ethos — must align with one vision. We want FVTURE to be a place where world-class DJs, artists, and guests feel, “this could be anywhere in the world.” At the same time, we’re proud to showcase the unique soul of Asian nightlife — so that people from Ibiza, Vegas, or Berlin come here to feel something they’ve never felt before.

From L-Acoustics’ Asia’s-first L2 & L2D system to 1,000 sqm of LED displays — the technology behind FVTURE is incredible. How do you approach balancing innovation with atmosphere?
Technology should always serve emotion. From day one, our philosophy was clear: every technical choice must enhance the experience, not distract from it. The L-Acoustics system delivers unmatched depth and precision, while our visual architecture blends seamlessly with the building itself — immersive but never overwhelming. That’s what FVTURE is about: people first, experience first.

Bangkok’s creative and nightlife scene has exploded in recent years. How do you see FVTURE contributing to the city’s global cultural rise?
Bangkok is in the middle of a cultural renaissance. FVTURE aims to be a catalyst in that movement — amplifying the city’s creative energy. We’re working with local artists, labels, and collectives to make Bangkok’s voice heard globally, while bringing in top international brands and performers to foster cross-cultural exchange. Bangkok is already amazing — but we believe Bangkok deserves even better.

You’ve emphasized the importance of building the right team and culture behind FVTURE. What kind of environment are you fostering backstage?
Everyone on this team shares one vision — and we’re genuinely proud to build it together. We encourage bold ideas and ensure they’re executed with precision and passion. We’re not just running a club; we’re co-creating a better FVTURE. Every night here is the result of true collaboration — from sound and lighting to stage design, hospitality, and security. Every detail reflects teamwork and dedication, and that’s something we celebrate as much as the music itself.

As COO, how do you balance operational excellence with maintaining that sense of wonder and magic that nightlife depends on?
Operations are about creating sustainable structure, while nightlife is about the beauty of unpredictability. My role is to balance both. We have strong systems to guarantee quality, but we always leave room for surprise — through storytelling, programming, and design. Every visit to FVTURE should feel like the first time. That constant renewal is what makes it sustainable. A great business starts with great art — and every FVTURE night is a masterpiece.

With modular stages, VIP lounges, and space for touring shows and label takeovers — what kind of experiences can people expect once the doors open this December?
Expect world-class music programming, immersive audio-visual storytelling, and experiences that redefine space with every show. Our modular stage design ensures that no two nights will ever be the same. The venue itself is expansive — featuring nearly 2,000 square meters of dance floor, balcony-view VIP areas, and private VVIP rooms. Whether you’re a true music enthusiast, coming with friends for a night out, or seeking a more exclusive and intimate experience, there’s a place for everyone at FVTURE. We welcome each guest to find their own rhythm within the space. We’re preparing something truly special. The best is yet to come.

How do you see FVTURE shaping the next chapter of Asia’s electronic music movement, both locally and globally?
We want FVTURE to become a bridge between Asia and the world. By inviting international labels and artists while empowering local talent, we’re helping the region’s creative ecosystem grow stronger and more visible on the global stage. FVTURE isn’t just a venue — it’s a platform for Asia to be seen and heard.

Finally, after such a monumental build, what will be the moment that tells you — “we did it, this is FVTURE”?
That moment will be when the lights come on, the music drops, and thousands of people move together for the first time. When I see their energy, their smiles, their freedom — I’ll know we made it. FVTURE isn’t just a space; it’s an emotional resonance we all share. Every performance on that stage will be a reflection of our team’s effort, passion, and love. That’s the moment we’ll all feel it — FVTURE is now.

Follow FVTURE at the following channels to be the first to hear about news and lineup announcements; instagram.com/fvture.bkk | https://fvture.co/

FVTURE BANGKOK

6th Floor, BRAVO Mall, RCA, Bangkok, Thailand

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Festival NewsMusic News

Sydney underdogs SoSo search for ‘Something More’ with new single

by the partae
written by the partae

Boldly self-projected #1 album So Much For Second Chances 

due out November 14

Album tour kicks off October 31 in Newcastle

STREAM HERE

Alt-punk underdogs SoSo today return with their new single ‘Something More’, lifted from their eagerly awaited upcoming album So Much For Second Chances out November 14. Stream ‘Something More’ HERE and pre-order the album HERE. Written about the age-old struggle of pursuing an artistic dream while working the nine-to-five grind, frontman Rhys de Burgh says the new single is one that’s close to the band’s heart.

“Essentially, it’s a reflection of where each of the band members is at – we each hold down careers to fund our dream of doing what we love for a living, which is making music. Throwing everything we have into SoSo with the hope it’ll take off so we can escape the 9-5 jobs we despise, but deep down understanding that it might never happen for us.” – Rhys de Burgh, SoSo frontman 

It’s a track with strong thematic ties to the band’s ambitious yet data-backed goal of securing an ARIA #1 for So Much For Second Chances. As an independent band, achieving that goal will take a village, and the band have called upon their fiercely loyal fanbase to help them get there – “we’ve only got a shot at this thanks to fans like you guys who support us so much.” 

Backed by a burgeoning fanbase both at home and abroad, and with millions of streams and multiple sold out shows to their name, SoSo have been making waves on their own terms. Rhys took matters into his own hands last year, opting to leave his previous nine-to-five to focus full time on the band and chase that dream. Setting out to rewrite the playbook on independent artist marketing, he poured hours of his time into understanding how to best reach future fans and engage SoSo’s existing supporters, and in the year since, has grown the band’s mailing list to over 10,000 Australian subscribers.

Working with acclaimed producer Stevie Knight (Yours Truly / Stand Atlantic / Between You & Me), So Much For Second Chances sees the band evolve their songwriting and sound, embracing melodic pop vocal hooks and incorporating samples, synths and heavier production. At its core though, the record is still true to SoSo – ambitious, playful, and unmistakably their own.

So Much For Second Chances is available for pre-order via www.sosopunx.com, and tickets for their upcoming headline tour are on sale now HERE.

The So Much For Second Chances Tour

w/ special guests

Friday 31st October – Hamilton Station Hotel – Newcastle, NSW

Friday 7th November – Revolver Upstairs – Melbourne, VIC

Saturday 8th November – Metro Social – Sydney, NSW

Sunday 16th November – The Brightside – Brisbane, QLD

Friday 21st November – Lowlife Basement – Adelaide, SA *SOLD OUT*

For tickets and further information click HERE

‘Something More’

out now

+

So Much For Second Chances

out November 14

 
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Festival NewsMusic News

nightdive share haunting new single “Occulent” ahead of support shows with Ladders On Tables

by the partae
written by the partae

Sydney alternative metal newcomers nightdive continue to turn heads with the release of their haunting new single “Occulent”, out everywhere today. The track arrives as the band prepare to launch it live, supporting Ladders on Tables – the new project from Trenton Woodley (formerly of Hands Like Houses) – at upcoming shows in Newcastle and Sydney in November. Tickets on sale now.

“Occulent” was mixed and mastered by Simon Grove (Plini, Intervals, Protest The Hero) with drum engineering by Mitta Norath. Lyrically, the song is a haunting reflection on mortality and the psychological weight of illness. “The song moves through the experience from multiple angles: the person living inside a failing body, the friends and family watching from the edges, and the lingering ache of loss that outlives the diagnosis,” says the band.

“It’s not just about death – it’s about the slow erosion of hope, the fragility of connection, and the quiet persistence of love in the face of it all. It’s an exploration of what it means to lose control of your body, your world, and the people who make it feel worth saving.”

Formed only this year, nightdive is Sam Thomlinson on vocals and guitar, Mitch Clews on guitar, Jared Philips on guitar and Jack Robert on drums. The band have already made a confident entrance into Australia’s heavy music scene, with early support from triple j, Unearthed and tens of thousands of digital streams. Their sound lands with a weight that belies their short existence, showcasing an all-consuming clash of light and dark, ambience and volatility mixed with melody and menace. Flaunting a sound not unlike that of Deftones, Underoath, and Thornhill, nightdive are already staking their claim among Australia’s rising alternative heavyweights.

Blending dense guitars with evocative textures and introspective lyricism, the band sets out to craft music that sits somewhere between heavy and vulnerable, exploring the moments that linger in the aftermath. The quartet are currently at work on a four-track collection, due early 2026, each track serving as a descent into the emotional undercurrents that define the band’s identity – immersive and unflinchingly human.

“Occulent” is available and streaming everywhere now.

WED 12TH NOV – KING ST WAREHOUSE, NEWCASTLE (18+)
SUPPORTING LADDERS ON TABLES

THURS 13TH NOV – CROWBAR, SYDNEY (18+)
SUPPORTING LADDERS ON TABLES WITH DAYS LIKE THESE

INSTAGRAM

 

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Music News

Japanese Onsen by Monster Taxi – A Sonic Pilgrimage Through Japan’s Soul

by the partae
written by the partae

Miami-based composer, producer, and musician Jason Klein, the creative force behind Monster Taxi, returns with an evocative new release — Japanese Onsen. Inspired by a once-in-a-lifetime journey through Japan with his son, the piece unfolds as a meditative exploration of culture, connection, and memory through sound.

Japanese Onsen transports listeners far from the neon pulse of Tokyo and Osaka, delving instead into the stillness of Japan’s hidden heart. From the misty mountain air of Kinosaki’s hot spring villages to the quiet reverence of Kyoto’s shrines and temples, the composition captures the profound sense of harmony found where nature and tradition coexist.

Klein’s sonic palette mirrors the sensory poetry of Japan — the gentle bubbling of onsens, the rustle of bamboo, the soft cadence of footsteps on temple stones. Each note flows like steam rising into the dawn, invoking the calm introspection of a hot spring retreat and the artistry of Kaiseki cuisine, where every detail speaks to balance and respect for the moment.

Beyond a musical experience, Japanese Onsen is a personal homage — a father and son’s shared pilgrimage through wonder, reflection, and renewal. Through layered textures and immersive sound design, Klein transforms memory into melody, distilling the timeless spirit of Japan into an intimate, cinematic journey.

As the final notes fade, one truth lingers: the spirit of Japan — tranquil, eternal, and alive — continues to call them back.

WEBSITE

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Festival NewsMusic News

SPEED RELEASE ALL MY ANGELS EP + SHARE INTENSE MUSIC VIDEO FOR ‘ALL MY ANGELS’

by the partae
written by the partae
Photo by Jack Rudder

RESPECT FOR SPEED

“SPEED does not exist for the sake of just being a band… they want to keep the hardcore scene that shaped them alive, and ensure the baton gets passed to the next generation”
Rolling Stone

“Only One Mode’s vulnerability is bracing and courageous, strength from emotional transparency. It’s a love letter to the hardcore community and to the band itself, a unit forged from ever-deepening mateship, loyalty and support”
Sydney Morning Herald

“Uncompromising and undeniable. The Australian upstarts cement their status as hardcore’s most exciting band, with a debut album that stays true to their rapid-fire roots”
NME Magazine

“ONLY ONE MODE stays true to what has made SPEED a ceiling-shattering hardcore band. While some hardcore thrives because it feels like a frenzied fight between instruments, SPEED’s songs feel like a symphony that’s conjuring a storm in perfect harmony”
COMPLEX

“In the past five years, this Sydney band has redefined Australian
hardcore music for a new generation of fans”
GQ Australia

Today SPEED unleash the three song ALL MY ANGELS EP available through Last Ride Records and Flatspot Records. Alongside it comes an intense performance-style video for title track ‘ALL MY ANGELS‘, which was jointly directed by Jack Rudder, Thomas Elliott, and SPEED. The video features friends and family across the Australian hardcore community and the globe, including Flatspot Records team-mates Whispers (Thailand). WATCH HERE + LISTEN TO EP HERE + PURCHASE VINYL + MERCH  HERE.

ALL MY ANGELS was produced, recorded and mixed by Elliott Gallart at The Chameleon Studios and sees the band reflecting on the passing of three close friends in recent years. Those events brought intense heartbreak to their community, but over time, they’ve magnified what SPEED have always held as their central ethos: To love unconditionally, without fear or regret.

The three songs reflect on grief while honouring the memories of those lost, and mark the band’s heaviest hitting material to date. Lyrics on the EP address the sobering realities of loss, and include musings on mortality – more vulnerable and raw than ever before. The title track ends with a direct statement of intent; “All my angels, I can’t give up.”


WATCH: ALL MY ANGELS (Official Movie)

Of the title track, vocalist Jem Siow reveals ‘ALL MY ANGELS‘ “wrestles through the immense hurt and confusion that comes with the loss of those deeply loved, especially in the instance of suicide… in striving towards their image and paying forward the lessons they bestowed to us, we can inch closer to not letting their deaths lie in vain.”

SPEED is Jem Siow (vocals), Aaron Siow (bass), Josh Clayton (guitar), Dennis Vichidvongsa (guitar), and Kane Vardon (drums). Having gained prominence with 2024 full-length ONLY ONE MODE, they have had a whirlwind year, from performing across the globe to playing Coachella to just wrapping up a US tour supporting Turnstile.

On October 25th the band will celebrate the EP release with a show at roller rink Xanadu in Brooklyn, NY alongside End It and MSPAINT. From there, SPEED will fly to Europe for an eleven date tour supporting Malevolence with Dying Wish and Psycho-Frame. The band will bring it home to Australia with appearances at Rolling Sets, a Hardcore Xmas show with End It, Algor Mortis, Antenna, Scram and Hail Mary on Dec 7th, and Flatspot / Last Ride World on December 14th. Full list of upcoming tour dates below and tickets on sale now at gangcalledspeed.com.

ALL MY ANGELS EP is out now, buy/stream it here.

ALL MY ANGELS TRACKLIST
AIN’T MY GAME
PEACE
ALL MY ANGELS

TOUR DATES
Sat Nov 29 – Rolling Sets – Bundjalung Land / Tweed Heads
Sat Dec 6 – Rolling Sets – Darkinjung Land / Central Coast
Sun 7 Dec – Sydney Hardcore Xmas at Liberty Hall – Eora / Sydney [TIX HERE]
Sun 14 Dec – Flatspot / Last Ride World at 170 Russell – Naarm / Melbourne [TIX HERE]

Stay connected with SPEED:
23 Profile | Instagram | Twitter | YouTube | Spotify | Linktree
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Festival NewsMusic News

Melbourne’s MUDRAT to join Canadian rapper NIGHT LOVELL on 8 LEGS UNDER Australian Tour All November show dates SELLING FAST

by the partae
written by the partae

TICKETS 

Ahead of the forthcoming 8 LEGS UNDER AUSTRALIAN TOUR set to be undertaken by Canadian songwriter and producer Night Lovell, Destroy All Lines have today announced that Melbourne-based creative visionary, rapper, singer and writer MUDRAT will now be supporting all four Australian dates.

A multi-talented artist and passionate political activist, MUDRAT has gained the attention, love and respect of listeners across the country and beyond within recent years, known for his hard-hitting blend of punk, metal & hip-hop sounds.

Revered for his versatility as a performer and for the undeniable electricity of his live sets, MUDRAT is set to bring some local flavour to this already-mammoth line-up, lighting up stages in Perth, Melbourne, Brisbane and Sydney ahead of Night Lovell’s headline slots.

This news follows the announcement that LA’s underground up-and-comer HAARPER will join Lovell for the full tour of Australia (& New Zealand), demonstrating his own varied set of influences which span hip-hop, garage, punk and so much more, and which have earned him over half a billion streams.

With the earthshaking talents of HAARPER and MUDRAT in tow, Night Lovell — whose journey in recent years has seen him produce a dynamic catalogue of four phenomenal studio albums, garnering over 1.1 billion streams on Spotify alone, and sharing stages with the likes of $UICIDEBOY$ — is set to blow Aussie audiences away with the 8 LEGS UNDER Tour kicking off next month.
Left: Night Lovell, Right: HAARPERWith thousands of tickets already sold and all dates selling fast (tickets for Melbourne and Brisbane close to 90% SOLD), you’ll want to snap yours up fast, while you still can.

Tickets on sale now via Destroy All Lines

NIGHT LOVELL AUSTRALIAN/NZ TOUR DATES
with HAARPER and MUDRAT

Tuesday 11 November Magnet House PERTH 18+ TICKETS
Thursday 13 November Northcote Theatre MELBOURNE 18+ TICKETS
Saturday 15 November The Tivoli BRISBANE 18+ TICKETS
Sunday 16 November Liberty Hall SYDNEY Lic AAA TICKETS
Wednesday 19 November Powerstation AUCKLAND 18+ TICKETS *

* MUDRAT not performing
NIGHT LOVELL: Official Website | Facebook | Instagram | YouTube | TikTok
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Festival NewsMusic News

Ziggy Alberts caps off biggest year yet with latest single ‘Cyclones’

by the partae
written by the partae

Photo Credit: Jack Dekort

2025 has been a landmark year for Ziggy Alberts.

He kicked off the year with his seventh studio album ‘New Love’, a record that has since amassed over 30 million streams in its first six months. He hit the road with a 105-date world tour – selling out esteemed venues across Europe and North America, including a sold-out Royal Albert Hall in London just last night. To top it off, he’s coming home to close out the year with a final run of capital city shows – including his first arena performance at Melbourne’s Margaret Court Arena.

He now returns with ‘Cyclones’ – an energetic, sun-soaked single destined to soundtrack the summer. Blending Ziggy’s signature lyrical vulnerability with a more atmospheric folk-pop sound, ‘Cyclones’ is both an earworm and an evolution in his sound, marking continued growth from acoustic storyteller to genre-blending craftsman.

On the songwriting process, Ziggy comments that “This song first landed on my lap in Fiji on a surf trip in 2024. I raced back from coffee, and managed to catch it then and there. It’s so easy to blame the weather for our own stormy lives. I know I do it all the time. It’s looking back and seeing old habits still being true. And thinking that, it doesn’t matter if things weren’t going to last forever, it’s just asking myself – did I really do enough? Or did I just walk away like I always do? It’s about being attracted to chaos, like a moth to a flame; you know it’s a mess in the making but you can’t help it sometimes.”

Single Art by Jack Dekort

With over 1.3 billion global streams, multiple ARIA Platinum and Gold certifications, and three APRA Awards for Most Performed Blues & Roots Work, Ziggy has quietly built one of the most successful independent music careers in Australia.

His breakout hit ‘Runaway’ has surpassed 118 million Spotify streams, is 3× Platinum in Australia, 1x Platinum in New Zealand and Gold in Canada, and continues to resonate a decade on. Songs like ‘Love Me Now’, ‘Laps Around the Sun’ (3× Platinum), and ‘Gone’ (2× Platinum) have anchored his rise from street busker to global touring artist.

His touring footprint spans Europe, the UK, North America, South America, and Southeast Asia. Recent tours saw 3,500+ cap sell-outs in Germany, debut performances in Brazil and Mexico, and a six-month advance sell-out at Royal Albert Hall – proving his grassroots global appeal remains as strong as ever.

His upcoming Homecoming tour will see Ziggy hitting some of the biggest stages of his career in Brisbane, Sydney and Melbourne later next month, including his first ever arena show at Margaret Court Arena. The tour will be entirely all ages, and will promote Ziggy’s commitment to the Green Touring Initiative – an initiative founded by Ziggy, that focuses on reducing environmental impact, educating fans on local causes, and giving back to the communities that host these special shows. Ziggy will be joined by South African singer-songwriter Jeremy Loops on all dates, with Sydney’s The Beautiful Girls jumping on the Brisbane and Melbourne legs, & Azure Ryder opening up the show in Sydney.

“I’m beyond stoked to return to Australia after all this time, and to be joining Ziggy for these homecoming shows means a lot.

When we met in South Africa it was like meeting a kindred spirit – same passion for acoustic music, the ocean, and simple truth. I can’t wait to share those moments with new ears down under.”
JEREMY LOOPS

Cyclones doesn’t just close out a record year – it’s a signal of what’s to come: bolder production, deeper songwriting, and the same uncompromising independence that’s powered Ziggy Alberts’ journey from busking street corners to the world stage.

ZIGGY ALBERTS HOMECOMING TOUR AUSTRALIA 2025
ALL AGES

Friday 21 November Riverstage Brisbane TICKETS

Supported by Jeremy Loops, The Beautiful Girls

Saturday 22 November Hordern Pavilion Sydney TICKETS
Supported by Jeremy Loops, Azure Ryder

Sunday 23 November Margaret Court Arena Melbourne TICKETS
Supported by  Jeremy Loops, The Beautiful Girls

PRAISE

“Alberts has proven time and again that his back-to-basics approach to production and songwriting has left him one of the most reliably authentic artists on the scene.”
POP WRAPPED (US) 

“[New Love is] an upbeat folk song with a lively foot-stomping rhythm that just begs you to get up and dance. Perfectly tailored for the crowds on the Aussie songwriter’s upcoming world tour.”
ROLLING STONE AUSTRALIA 

“You could say we’re making space for a permanent residency in Manchester – we don’t want him to leave…The crowd have been so captivated by this man and his guitar that we didn’t realise almost two hours had passed by…a phenomenal show.”
THE MANC (UK) 

“Tonight was simply unforgettable…His performance was nothing short of mesmerizing, leaving me completely in awe. Ziggy’s masterful guitar playing and captivating music created an electrifying atmosphere that resonated deeply with everyone in the audience.”
SCOTTISH MUSIC NETWORK 

“For fans who’ve been following Ziggy’s career from day dot, his increasing popularity wouldn’t come as a shock. To everyone else, the Ziggy story is probably still something of a surprise. He’s a self-made success, and it’s a grassroots swell plenty of people are getting behind”
TRIPLE J

Cyclones is out now
ZIGGY ALBERTS: Facebook | Instagram | Twitter | YouTube | TikTok
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Festival NewsMusic News

Hazlett (AUS): Indie-folk troubadour announces the Coming Home Tour – debut headline AU & NZ dates for Jan/Feb 2026

by the partae
written by the partae

Frontier Touring is excited to announce indie-folk singer-songwriter, Hazlett, will bring his Coming Home Tour to Australia and New Zealand for the first time in January and February 2026.

Following the release of his highly anticipated album last night you said you missed me, the Australian-born, Swedish-based singer will return home, performing debut shows at Astor Theatre, Perth on Tuesday 27 January, Princess Theatre, Brisbane on Saturday 31 January, Sydney’s Metro Theatre on Tuesday 3 February, Melbourne’s Corner Hotel on Thursday 5 February and Lion Arts Factory, Adelaide on Friday 6 February, before heading over to Auckland for a final show at The Tuning Fork on Sunday 8 February.

Frontier Members can access the presale from 10am local time on Thursday 30th October, before tickets go on sale from 11am local time on Friday 31st October. Tickets and tour information via frontiertouring.com/hazlett.

After a whirlwind few years, releasing his debut album Bloom Mountain in 2023, to opening for Noah Kahan at BST Hyde Park just two years on, Hazlett’s fast-growing popularity lays testament to what is to come for indie-folk’s next biggest star.

Hazlett’s unique brand of “Indie Ballroom Folk” has gained global attention from his home in Stockholm, Sweden to his native Brisbane, Australia, which led to the highly-anticipated September release of the singer’s latest album last night you missed me, which has impressed both fans and critics alike.

“last night you said you missed me feels like a record that demands something deep and meaningful – that’s certainly what it gives” – Clash Magazine
“It’s an album of contrasts – between the personal and the universal, between light and shade, between ease and agitation, between regret and nostalgia.” – Holler Country 

Hazlett’s propensity for figuring things out himself and turning chaos into some kind of nostalgic lesson hasn’t gone unnoticed either, with The Line of Best Fit noting “Hazlett is offering up a hazy, textured version of the classic singer-songwriter sound”.

 Following a summer of standout festival sets and headline shows, the singer is now taking the Hazlett And Company Tour across the world – with dates already sold out in Europe, UK and North America – before the Brisbane-native makes his anticipated return home to Australia and New Zealand.
A performer with a distinctive yet comforting sound, there’s this newfound quiet confidence to the troubadour from the land down under. You may not have met, but sometimes when you’re listening to Hazlett he feels like the only friend you’ve ever had. ​
Hailed as one to watch, don’t miss these mesmerising shows as Hazlett returns for the Coming Home Tour in January and February 2026.

.

HAZLETT
​COMING HOME TOUR
​AUSTRALIA & NEW ZEALAND
​JANUARY & FEBRUARY 2026
​Presented by Frontier Touring ​

FRONTIER MEMBER PRESALE 
​via frontiertouring.com/hazlett
​Runs 24 hours from: Thursday 30 October (10am local time) ​
​or until presale allocation exhausted

TICKETS ON SALE
​Begins: Friday 31 October (11am local time)

Tuesday 27 January
​Astor Theatre | Perth, WA
​Lic. All Ages ​
​ticketek.com.au 

Saturday 31 January
​Princess Theatre | Brisbane, QLD
​Lic. All Ages ​
​ticketmaster.com.au 

Tuesday 3 February
​Metro Theatre | Sydney, NSW
​Lic. All Ages ​
​ticketek.com.au 

Thursday 5 February
​Corner Hotel | Melbourne, VIC
​18+
​oztix.com.au 

Friday 6 February
​Lion Arts Factory | Adelaide, SA
​Lic. All Ages ​
​moshtix.com.au 

Sunday 8 February
​The Tuning Fork | Auckland, NZ
​Lic. All Ages ​
​moshtix.co.nz 

Patrons are advised to purchase tickets only through authorised ticket sellers. 

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

 

FOLLOW HAZLETT:
​Website | Facebook | Instagram | TikTok | YouTube | Spotify | Apple Music 

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Music InterviewsMusic News

Frankie Bird Takes Flight with Her Debut Album ‘Up Until Now’

by the partae
written by the partae

Up Until Now feels like a confident leap forward from your earlier work. How did making a full-length album change your approach to songwriting and sound?

It was really exciting to have the opportunity to release a full length album as supposed to releasing singles one at a time. It meant I had to think about which songs would work well together both sonically and thematically. These songs were all written in the past couple of years so it was really a matter of choosing which 8 I wanted out in the world.

There’s a real 90s indie energy running through these tracks — who or what shaped that direction most while you were recording?

Yes definitely, I love Britpop and British guitar music so I think that’s always been a heavy influence on my sound. I write all of my songs on acoustic guitar to start with and I think that traditional songwriting method is reflected in how they turn out.

You tracked the record in Notting Hill. What was special about that studio and the team that helped bring the songs to life?

I love Notting Hill, it’s such a fun and interesting place to be in London. Fun fact – my album photoshoot was done outside some of the coloured houses there. I recorded the whole album at AudioHaus where I really enjoy working. I had a lot of fun recording the three singles there last year and knew that’s where I wanted to finish the record.

Your lyrics move between new love, heartbreak and everything in between. Was there a particular moment or relationship that tied the record together emotionally?

I’m aware. I think the hopeful and optimistic themes of the first track ‘A Lucky Day’ are the ones I relate to most currently but I wanted to include the more tearful heartbreak tracks like ‘I Can’t Do It’ to show a wide range of feelings which people will relate to at different relationship stages.

You started gigging at just sixteen in Reading pubs. How did those early experiences shape the performer and writer you are today?

I think cultivating my sound through live pub gigs and open mic nights means I always put the actual bones of the song first as supposed to production sounds and effects. I’d like to learn more about music production and writing in alternative ways but I think I’ll always be guitar focused.

There are flashes of Oasis and The Cranberries in the sound, yet it still feels distinctly yours. How do you balance nostalgia with originality?

I think it’s probably to do with the range of music I listen to. I love classic gems from past decades but I like to stay on top of what’s trending whether that be on TikTok or the charts. I think modern pop music is really exciting at the moment and I hope that influences my own songs.

Which song from Up Until Now feels closest to who you are right now, and why?

I really love ‘Skeptical’. I wrote that song ages ago and to now be able to listen to it with a full band production is amazing. It’s the album track I’m probably pushing the most in my promotion. I think it’s a song most people can relate to as it discusses being wary of changes in your life/ relationship status.

Your singles So Sky Blue, Hard to Take and Movie Night all found strong support from BBC Introducing and Amazing Radio. How has that early recognition influenced your confidence as an artist?

I had support for the lead single from this album ‘So Sky Blue’ from BBC Introducing which was lovely. The chance to hear my music on radio never gets old. It definitely makes me feel confident in what I’m doing and that people still want to hear this style of music. I’ll keep going then.

You’ve played everywhere from Brighton to Glasgow — how does the live energy feed back into your writing?

Yes, I love to travel and perform. I was at the open mic at King Tuts in Glasgow earlier this year. I love feedback from the audience about which songs in my set stood out to them. It definitely influences my decision on what to record and release. Just seeing other artists perform at these sorts of shows inspires me to write and tell more stories.

Now that Up Until Now is out in the world, what do you want listeners to feel or take away after hearing it front to back?

I hope people enjoy listening to my album and feel the kaleidoscope of emotions on it. I think indie has a reputation for being under the radar but I hope it can reach people who may discover that they enjoy guitar music more than they originally thought.

FRANKIE BIRD: frankiebird.co.uk/

Spotify: open.spotify.com…7Kro0A

Apple Music: music.apple.com/…486321

YouTube: www.youtube.com/…UlFwHw

Instagram: www.instagram.co…mbird/

Facebook: www.facebook.com…embird

Twitter: twitter.com/fran…embird

TikTok: www.tiktok.com/@…embird

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