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Music News

Midnight Pool Party – ‘NEVER GONNA GIVE UP’

by the partae September 26, 2025

written by the partae

Midnight Pool Party keep their 2025 momentum alive this week with the shimmering disco-pop energy of their brand-new single, ‘NEVER GONNA GIVE UP’.

Originally written years ago, the track sat in the vaults until the duo felt the timing was right. What began as an unfinished idea has now been reimagined into a vibrant, heartfelt anthem that explores the fragile moments that follow an argument in a relationship – owning mistakes, acknowledging the hurt caused, and holding onto the determination not to lose someone you love.

“This song captures the raw, vulnerable exchange that happens after a fight in a relationship—the back-and-forth of admitting fault, acknowledging the pain you’ve caused, and holding on to the determination not to let go of the person you love. We originally wrote it so long ago we can’t even remember exactly when. At the time, it didn’t feel ready or aligned with our sound, but we knew there was something special in its melody and emotion. Over the years, we revisited it, experimenting with the production and reshaping it until recently. With its new sound, we knew it was finally ready to put out into the world.” – Midnight Pool Party

‘NEVER GONNA GIVE UP’ is shimmering, catchy, and irresistibly danceable – a perfect blend of disco-pop fun and heartfelt emotion. Get it everywhere now!

Stream:
https://bfan.link/never-gonna-give-up

Socials:

https://linktr.ee/MPP_PoolBoys

Credits:

Co-Written by Darren Morilla & Oliver Dela Cruz

Produced by Midnight Pool Party

Mastering by Jack Prest

Artwork, Photos & Visuals by Morilla Media

September 26, 2025 0 comments

Music News

DREAMING SODA RELEASE NEW SINGLE “KISSING STACEY” – OUT NOW

by the partae September 24, 2025

written by the partae

“What does it mean to be a child that makes their Barbie dolls kiss each other?”

Following the success of their second Kickstarter campaign, Dreaming Soda are ready to finally release their highly anticipated new single “Kissing Stacey.”

This indie-pop earworm explores the playful tension between Barbie’s perfect plastic capitalism and the doll’s strangely liberating potential for self-expression.

“In 2022 I stumbled across one of the greatest YouTube videos of all time — Overanalyzing the Barbie Movies with Queer Marxist Theory by Alexander Avila. The video is about how Barbie can represent both the peak of consumerism and heteronormative values, yet still be a powerful tool for queer exploration for young people. I’ve re-watched it countless times, and it inspired me to write a tongue-in-cheek pop track that tries to capture this exact energy.”

Written in 2022 and performed across countless shows in Sydney and Melbourne, Kissing Stacey has already become a live crowd favourite. Its recording was brought to life thanks to the recently funded Kickstarter campaign. Produced at Hercules Studios in Sydney and mastered by Becki Whitton, the track is polished to perfection and ready to blast out of your 2004 novelty Bratz lips speaker.

Dreaming Soda cite St. Vincent, Superorganism, CHVRCHES, Phoenix, video game soundtracks, and the awkward joys of youth as their influences. Their debut EP Just Before The Internet launched in 2022 alongside a headline show at Melbourne’s beloved Leadbeater Hotel and a 16-page full-colour comic book — showcasing the duo’s commitment to world-building beyond music.

“Kissing Stacey was first written about a week before our EP release. I wondered if I had time to sneak it in, but it was clear this song needed its own spotlight.”

The single will be accompanied by a mixed-media animated lyric video, a professionally filmed music video, and a social media sketch series leading up to its release. Dreaming Soda also have two more fan-favourite tracks — Martian Boy and Lemmings — slated for later this year.

The band have performed across Sydney and Melbourne, opening for Cry Club, Buttercats, Montana Sharp, Yi-Lynn, Kirklandd, Clover Blue, Kitty Rae, Peak Park, Love Me Not, and Skypaint, with appearances at Northcote Social Club, Oxford Art Factory, The Leadbeater, King Street, and more.

September 24, 2025 0 comments

PIERCE BROTHERS SHARE SHARE PASSIONATE NEW SINGLE ‘ALASKA ALASKA’

by the partae September 24, 2025

written by the partae

Awash with acoustic glimmers, rousing harmonies and a raw yet rousing glow, the brand new single Alaska Alaska out today from folk duo Pierce Brothers is a heartfelt new addition to the pair’s brand new sonic chapter. Set to perform Alaska Alaska, as well as their most recent 2025 release Losing Friends When You’re Older, alongside a horde of fan-favourites in Australia this October and November, the pair will also kick off 2026 with an extensive UK and European headline tour, with multiple shows already entirely sold out.

Penned by Jack Pierce and Patrick Pierce, aka the eponymous Pierce Brothers, Alaska Alaska opens with glistening acoustic guitar and emphatic vocals, quickly swelling into lush vocal interplay between both Pierce Brothers, stomping percussion and soaring choruses, topped off with a rousing harmonica solo that ultimately leads to an exuberant conclusion. Self-produced alongside long-time collaborator Phil Threlfal, Alaska Alaska welds the modern sensibilities and musical charm that beats at the Pierce Brothers core alongside nods to some of the true greats of the folk and acoustic realms, as Jack explains, “I think this is an affecting syncable song that really sits in the world of big folk with lots of space. Influences of Eddie Vedder’s acoustic stuff and Bob Dylan are fairly clear here!”

A song laden with passion and rumination, Alaska Alaska also powerfully draws into relatable territory, both lyrically and musically, with the track balancing its yearning yet uplifting instrumentals with lyricism inspired by a real-world Pierce Brothers experience; and a truly affirming real-life love story. “This is a love story about longing,” shares Jack. “Alaska Alaska was written about a time when my wife was travelling through Alaska and we’d decided to take a break in the early months of our relationship about 10 years ago, we were both travelling and finding ourselves. It’s an exploration of wanting the person you love to find peace, even if it does mean you lose them, and the struggle between wanting the best for them, but also selfishly wanting them to come back.”

“Funnily enough this song will be released on my wife’s birthday,” Jack adds, “and we have been married for five years with two beautiful kids.”

Between ongoing chart successes, touring the globe as headliners and alongside an eye-watering array of icons, generating millions of streams and fostering a devoted fanbase that only swells with each new release and performance, Pierce Brothers, aka twin brothers Jack and Patrick Pierce have become – and firmly remained – a dynamic fixture in the Australian music and broader global music scene. Starting their creative journey busking on the streets of Melbourne, the duo’s unmistakable charm, dexterous storytelling and potent mix of high energy indie folk, blues and roots has seen them release two top 15 ARIA albums, two Top 10 ARIA Eps, dazzle arenas alongside James Blunt and Tash Sultana, tour across the UK, North America, South Africa and Australia, and also perform at the likes of Bluesfest Byron Bay, Port Fairy Folk Festival, Queenscliff Music Festival and countless more.

Announcing themselves to the world via their breakout 2014 EP The Night Tree, Pierce Brothers most recently channelled their creative and personal growth into their acclaimed third studio album Everything Is Bigger Than Me, with the album debuting at #1 on the Australian Albums Chart and snagging a top 20 debut on the all-genres, all-formats Albums Chart, leading to Australia’s Rolling Stone to declare, “Everything Is Bigger Than Me is a sign of the Pierce Brothers’ maturity as both musicians and men.”

Never ones to rest on their laurels, Pierce Brothers kicked off 2025 with an extensive 10^th anniversary tour for The Night Tree EP, and also released their first new material since the resounding success that was 2024’s Everything Is Bigger Than Me via the duo’s foot-stomping new single Losing Friends When You’re Olderthat unveiled last month. Most recently performing at the iconic Mundi Mundi Bash, Pierce Brothers will close out 2025 performing at Lake Tyers Beach and Merimbula in October, and at Graze The Day in Timboon and Queenscliff Music Festival in November, before bursting into 2026 with a hotly-anticipated UK and European run, with multiple shows already sold out.

“We can’t wait to get back over to Europe and the UK!” shares Patrick. “Every time we get over there is an adventure! We always try to fit in as many shows as we can, so it’s definitely going to be hard, but always fun!”

But before the brothers kick off 2026 with some undoubtedly unforgettable moments to add to their legacy, 2025 is wrapping up in stunning fashion, including the release of Alaska Alaska today.

“I’m stoked with how Alaska Alaska came together in the end,” Jack concludes. “We took a bunch of different approaches to the song, but in the end we stripped a lot of it back to its bones, as we just loved the simplicity of the melody, and the story it tells!”

Alaska Alaska is out today.

Stream: ALASKA ALASKA

PIERCE BROTHERS – UPCOMING 2025 AUSTRALIAN TOUR DATES:
Tickets available from www.piercebrothers.com

FRIDAY 3 OCT | WATERWHEEL BEACH TAVERN, LAKE TYERS BEACH VIC
SAT 4 OCT | WANDERER FESTIVAL, MERIMBULA NSW
SAT 18 OCT | THE ENTERTAINMENT GROUNDS, GOSFORD NSW

2026 UK/EURO TOUR
Tickets available from www.piercebrothers.com
TUE 27 JAN | ST LUKE’S, GLASGOW UK
WED 28 JAN | THE DEAF INSTITUTE, MANCHESTER UK SELLING FAST
THU 29 JAN | BRUDENELL SOCIAL CLUB, LEEDS UK SELLING FAST
SAT 31 JAN | THE GARAGE, LONDON UK SELLING FAST
SUN 1 FEB | BODEGA, NOTTINGHAM UK SELLING FAST
TUE 3 FEB | THEKLA, BRISTOL UK SELLING FAST
THU 5 FEB | POPUP, PARIS FR
FRI 6 FEB | HELIOS 37, COLOGNE DE SELLING FAST
SAT 7 FEB | HEBEBÜHNE, HAMBURG DE SELLING FAST
SUN 8 FEB | LARK, BERLIN DE SELLING FAST
TUE 10 FEB | DE OOSTERPOORT, GRONINGEN NL FINAL TICKETS
THU 12 FEB | ROTOWN, ROTTERDAM NL FINAL TICKETS
FRI 13 FEB | PARADISO – TOLHUISTUIN, AMSTERDAM NL FINAL TICKETS
SAT 14 FEB | DOORNROOSJE, NIJMEGEN NL SELLING FAST

Follow PIERCE BROTHERS

September 24, 2025 0 comments

Festival News Music News

BONE THUGS-N-HARMONY announce rescheduled Australia & New Zealand tour – May 2026

by the partae September 24, 2025

written by the partae

Hip hop icons BONE THUGS-N-HARMONY have shifted their anticipated Australia and New Zealand run to May 2026 due to extended studio commitments, giving fans a new set of dates to mark on the calendar as the legendary crew prepares to touch down.

A Statement from the band: Australia & New Zealand, we’re still in the studio putting the finishing touches on the album so we’re pushing back our dates to May 2026. Hang on to your tickets, we can’t wait to party with you next year!

Ticket holders are encouraged to hang onto their tickets which will remain valid for the new shows. Anyone that can’t make the new dates, are entitled to a full refund and should get in direct contact with their ticket provider.

Still riding high on the release of their newest single ‘AWW SHIT’ (out now via Greenback Records), the Grammy-winning collective—Bizzy Bone, Wish Bone, Layzie Bone, Krayzie Bone and Flesh-n-Bone—remain laser-focused on delivering an unforgettable show celebrating more than three decades of groundbreaking music. Their influence is unmatched: over 60 million records sold, multiple Platinum albums, and a catalogue that forever changed the sound of rap.

Across four shows, Bone Thugs-N-Harmony will honour their timeless catalogue of music, all the while reconnecting with Australian audiences and showing them the potential that is still to be tapped into.

Joining Bone Thugs-N-Harmony in Australia two fellow game-changing hip hop legends, XZIBIT and TOO $HORT.

West Coast legend XZIBIT has long held a strong following in Australia, and will be bringing his first studio album in over a decade KINGMAKER – featuring collaborations with heavyweights such as Dr. Dre, Ty Dolla $ign, Ice Cube and more – to audiences for the first time. Bay Area legend TOO $HORT is a West Coast hip hop pioneer, an impactful figure whose music shaped an entire wave of the West’s movement and popularity in the ‘90s and ‘00s. Maintaining his relevance via classic hits and his recent album, SIR TOO $HORT, VOL. 1 (FREAKY TALES), Too $hort’s sound is never far from a club beat or being sampled on a modern day hit.

Regarded as “the world’s most influential rap group”, Bone Thugs-N-Harmony’s impact on the culture and the mainstream is undeniable. Multi-Platinum selling records, chart-topping projects and genre defining songs in the bank, this is a group that has over 60 million records sold to their name, remaining to this day the best selling rap group of all time. Thirty years on, Bone Thugs-N-Harmony have created a legacy not many can match and in 2025, the original lineup comes back together, hungrier than before.

BONE THUGS-N-HARMONY AUSTRALIAN TOUR DATES

With XZIBIT and TOO $HORT
Tickets

Fri 8 May Spark Arena, Auckland
Sun 10 May Riverstage, Brisbane
Tue 12 May – Hordern Pavilion, Sydney
Wed 13 May – PICA, Melbourne

September 24, 2025 0 comments

Festival News Music News

DANIEL JOHNS IN CONVERSATION: WHAT IF THE FUTURE NEVER HAPPENED? | November 2025

by the partae September 23, 2025

written by the partae

SYDNEY, BRISBANE, NEWCASTLE & MELBOURNE – NOVEMBER 2025. TICKETS ON SALE THURSDAY 25 SEPTEMBER

BODY AND SOUL, THE BOY’S A FREAK

FUTURENEVERMOVIE.COM

Frontier Touring is thrilled to announce Daniel Johns In Conversation: What If The Future Never Happened? – four nights of storytelling, film and music with one of the most decorated Australian artists and songwriters of his generation, live in Sydney, Brisbane, Melbourne and Newcastle this November.

Johns is taking to the stage in celebration of the worldwide premiere of his highly anticipated short film, What If The Future Never Happened? – with each screening framed by an hour-long onstage conversation. In these rare live talk appearances, Daniel will discuss his early life and creative process, sharing never-before-seen photos, moving archival footage, and unreleased recordings straight from his personal collection. He’ll reveal previously unheard demos – from 4 track embryonic Neon Ballroom bedroom demos to the original songwriting session of ‘Straight Lines’ from Silverchair’s final album Young Modern, to ideas for songs he had written that would never make it onto a sixth Silverchair album – Johns will also play new music from his solo career and collaborative projects, each evening promising a distinct experience shaped by the moment, no two nights the same.

In these four shows – his first time appearing on stage in over five years – Johns will get up close and personal with fans, who’ll also be invited to submit questions pre-event in each city.

“What If The FutureNever Happened? is equal parts reality and fantasy and I’m as proud of it as anything I’ve ever done in my career. The orchestration took time, and the final result was worth it.

“To celebrate the release of the Featurette, I’ll be sitting on stage, telling stories, taking the aux chord and sharing tunes that nobody has heard and sharing random ideas that couldn’t be realised or released. Basically, turning theatres into giant living rooms… it would be great if some people showed up but I’m doing it anyway – you’re all invited!” – Daniel Johns

Directed by James Medlam, What If The Future Never Happened? is a genre-bending, semi autobiographical featurette that puts reality and fantasy in a hyper-speed spin cycle. Shot in 2022, Johns made the executive decision to hold it back while he completed it and to mark the 30th anniversary of frogstomp.

Fans first caught wind of the trailer back in 2022 with the release of Johns’ chart-topping second solo album, the #1 FutureNever – an album that broke ARIA records by reaching #1 twice and spending a record seven weeks in the Top Ten, a feat that is yet to be matched in the three years that have passed. Produced by Clockwork Films in association with Daniel Johns, BMG and Winarch, the sci-fi inspired film is a cinematic portal back to the ‘90s, a postcard from the past written to the future. The Featurette features a stunning orchestral soundtrack intertwining modern interpretations of Daniel’s Silverchair classics with sound design by Adam Alexander from Bamm Bamm Wolfgang.

It’s 1994, mere months before a teenage rockstar called Daniel (actor Rasmus King) would conquer the global music world in ways never-before-seen. On this ordinary day in regional Australia, while escaping the routine torment of three local bullies (led by newcomer Lockie Ranson), a chance interaction with a mysterious figure from the future will change Daniel’s Tomorrow forever…

Tickets for Daniel Johns In Conversation: What If The Future Never Happened? go on sale Thursday 25 September (1pm local) via frontiertouring.com/danieljohns. Sign up to become a Frontier Member and get early access to the Presale, starting Wednesday 24 September (11am local) – see website for further details.

These are the nights fans have been waiting for. Don’t miss Daniel Johns In Conversation: What If The Future Never Happened?

About Daniel Johns

With six #1 albums and a career marked by reinvention, Daniel Johns stands as the most decorated Australian songwriter of his generation. As the frontman of Silverchair, he led the band to an unprecedented run: five studio albums between 1995 and 2007, each debuting at #1 on the ARIA Albums Chart and collectively selling more than 10 million copies worldwide. Along the way, Johns became the first artist in history to claim APRA’s Songwriter of the Year award three times, cementing his reputation as one our most innovative musicians.

Johns’ career has been defined by constant reinvention. In 2003 he joined forces with Paul Mac to create The Dissociatives, a Gold-certified project that picked up ARIA and MTV Awards. His debut solo album Talk (2015) reached #2 on the ARIA Albums Chart, while his collaboration with Empire of the Sun’s Luke Steele, DREAMS, launched in 2018 and took them from Vivid Sydney to the stage at Coachella. Johns’ songwriting has also reached far beyond his own projects: he co-wrote Flume’s Grammy-winning ‘Say It’ featuring Tove Lo, and has worked with Zhu, What So Not, and Slumberjack. As Musical Director for the Emmy-winning series Beat Bugs (2017), he reimagined Beatles songs for a new generation.

In 2021, Johns turned the lens inward with the Spotify Original podcast Who Is Daniel Johns?. Narrated by actor Guy Pearce, the series charted at #1 in Australia for five consecutive weeks and peaking at #3 in Canada, #11 in the UK, #23 in US, #47 in Ireland and #58 in Brazil. Featuring contributions from figures as diverse as Billy Corgan, Tom DeLonge, Kevin Parker, Van Dyke Parks, and Natalie Imbruglia, the podcast mapped the personal and creative forces that shaped one of Australia’s most enigmatic artists.

FutureNever – Johns’ 2022 second album – continued his singular path, breaking ARIA chart history by going to #1 twice before becoming the longest reigning Australian top 10 album of the year, and the highest selling new Australian album of 2022. Released without singles, it was one of Johns’ most arresting full-length statements to date. The same year, Johns staged ground-breaking exhibition ‘Past, Present & FutureNever’, which showcased personal memorabilia from the artist and experimental exhibits, across four months at Rialto Melbourne. $5 from every ticket sold went towards the FutureNeverFund – a charitable fund Johns created to raise money to create better futures for people and animals in need across the globe.

What If The Future Never Happened? was shot proudly in Newcastle on Awabakal Land with a local cast and crew, the Featurette is a love letter to the creative evolution of Silverchair’s hometown of Newcastle. The film was partially funded by the generosity of Winarch Experience – a Newcastle owned and operated entertainment company built around the human experience. Winarch Founder and one of the film’s executive producers, Paul Lambess, is a proud supporter of local stories including Daniel’s and is committed to taking these Newcastle stories to the world.

DANIEL JOHNS IN CONVERSATION: WHAT IF THE FUTURE NEVER HAPPENED?
AUSTRALIA
NOVEMBER 2025
Presented by Frontier Touring

FRONTIER MEMBER PRESALE
via frontiertouring.com/danieljohns
Runs 24 hours from: Wednesday 24 September (11am local)
or until presale allocation exhausted

TICKETS ON SALE
Begins: Thursday 25 September (1pm local)
ALL SHOWS LICENSED ALL AGES

Saturday 1 November
State Theatre | Sydney, NSW
ticketmaster.com.au

Friday 7 November
Newcastle Civic Theatre | Newcastle, NSW
civictheatrenewcastle.com.au

Sunday 9 November
Fortitude Music Hall | Brisbane, QLD
ticketmaster.com.au

Thursday 13 November
Palais Theatre | Melbourne, VIC
ticketmaster.com.au

FOLLOW DANIEL JOHNS:

frontiertouring.com/danieljohns

FUTURENEVERMOVIE.COM

Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

September 23, 2025 0 comments

Festival News Music News

WOLLONGONG’S CHEEKY LEASH RELEASE SINGLE & VIDEO ‘CHANGE’

by the partae September 23, 2025

written by the partae

FOLLOWING BREAK OUT SHOWCASES AT BIGSOUND

TOURING AUSTRALIA OCTOBER – DECEMBER

Photo Credit: Tiarna Stahmer

Fresh off the back of a successful BIGSOUND debut, Wollongong indie four-piece CHEEKY LEASH have continued to build on the momentum their music has generated across the last year.

Returning with a brand new track titled ‘CHANGE’, Cheeky Leash demonstrates how their collective energy as songwriters and performers has fueled – a vibrant and exciting effort from the band as they head into the home stretch of 2025, ready to welcome a Spring/Summer season of shows around the country.

‘Change’ is a song that had Cheeky Leash focusing on human connection and growth – things that are easy to lose sight of when we’re caught up in trying to stay afloat in today’s social and financial environment. Musically, the track is sharp and engaging from the jump. Cheeky Leash’s combination of melody, riffs and emotion-building within their indie arrangements have made them fresh favourites on the East Coast. The arrival of ‘Change’ further cements their place as one of the best new groups to watch.

“The song ‘Change’ is rooted in the cost of living crisis and reflects how society has become so focused on getting ahead that we’ve lost a sense of connection with each other. It’s a metaphor for transformation whether that’s personal growth, the evolving world, or even the band’s own musical development. There’s a nostalgic, coming-of-age film feel to the track and lyrically, it’s open to interpretation. Lines like “Still searching for change…” play on the dual meanings of spare money and a deeper desire for societal change, making it resonate differently depending on the listener’s own experiences.” CHEEKY LEASH

Recorded at Sonora Studios with Jack Nigro (The Terrys, Rum Jungle, Pacific Avenue, Lazy Ghost) in the Central Coast ‘Change’ lands as the band’s second release for the year, following on from July’s drop, ‘The Weekend’, and the impactful Cheeky Leash debut EP, The Burrow, which arrived in March and firmly put the band on the map.

Filmed amongst the picturesque Gerroa coastline, Cheeky Leash today also unveil their accompanying official film clip. Written and directed by Brendan Palmer and filmed by Film for Frank.

“Change was a change of pace for us, handing over the reins to Brendan as director and Mitch as videographer to get their perspective on what the song means to them as well as to us. It’s different from us running around and having a laugh. It’s more serious and we really wanted to get the best representation of the song as possible. The song has a deeper meaning and a different pace for the video compared to what we’ve done before, so there’s more to explore and interpret in this one. We always seem to pick the wildest and coldest days for filming music videos, which presents its own challenges, but it’s a whole lot of fun getting to create something with your friends. Making music videos is always difficult with limited time and resources, but it was really cool to see the passion from other collaborators who have now become an integral part of the project. We’ll remember this one as our first time having an actor and handing over creative control, just trusting the process.”

Their music has caught the attention of Australian industry, with heavy triple j and triple j unearthed support for their music putting Cheeky Leash in front of a hungry national audience, while as a live unit, the band has been constantly dominating on stages as headliners, enjoying sold out shows across the East Coast for their EP tour for The Burrow – the EP quickly amounting 1 million streams.

Cheeky Leash have shared stages with artists including The Kooks and Fontaines D.C. (at Yours & Owls Festival 2025), as well as Boy And Bear, South Summit, The Terrys, Death By Denim and more. Before 2025 is out, fans will be able to see Cheeky Leash touring around the country from October through into December – charting headline dates, festival appearances and support slots for fellow Australian favourites.

PRAISE

“This upload absolutely leaps out of the speakers – perfect way to cap off the Aussie summer – what sunshine <3” TRIPLE J, ANIKA LUNA (‘Red’, 2025)

“Had me shouting along at the chorus immediately! Great song you guys, my fav from you yet!”

TRIPLE J UNEARTHED, CLAIRE MOONEY (‘Red’, 2025)

“High energy, fun loving…”

GOOD CALL LIVE

“…Explosive live shows and indie rock anthems full of playful charm.”

HAPPY MAG

“…their latest single ‘Lock My Stare’ elevating Australian indie rock to new heights.”

PLEASER MAGAZINE

CHEEKY LEASH AUSTRALIAN SHOWS

Tickets and info via cheekyleash.com

On sale 10am AEST Thursday 18th September

Saturday 4 October Pambula Beach Sapphire Coast

WANDERER FESTIVAL

Sunday 5 October Finnian’s Tavern Port Macquarie

FINNIAN’S SPRING FESTIVAL

Thursday 6 November The Northern Byron Bay

Friday 7 November Elsewhere ‘Bespoke’ Gold Coast

Saturday 8 November Solbar Sunshine Coast

Friday 14 November 170 Russell Melbourne

Supporting South Summit

Saturday 15 November Factory Theatre Sydney

Supporting South Summit

Sunday 16 November Stag & Hunter Newcastle

Thursday 22 November Felons Barrel Hall Brisbane

Friday 28 November Dissent Cafe & Bar Canberra

Saturday 29 November Marlin Hotel Ulladulla

Friday 5 December Lalala’s Wollongong

Friday 12 December Gage Roads Fremantle

CHANGE is out now!

September 23, 2025 0 comments

Music News

Album Review: Charu Suri’s Shayan — A Luminous Journey Into Stillness and Sound

by the partae September 23, 2025

written by the partae

Charu Suri’s Shayan is not just an album, it is a passageway into stillness. Known for pioneering a distinctive fusion of jazz and Indian ragas with her celebrated Book of Ragas series, Suri steps into more meditative territory with this deeply personal project. What began as an experiment with raga-based compositions has evolved into a signature style that now carries her name, and with Shayan she offers perhaps her most intimate work to date.

The album was born out of a very human experience: the desire to help her mother find peace after nights of insomnia following the loss of Suri’s father. The Sanskrit word “Shayan” means rest or deep sleep, and this intention permeates every note of the record. Rather than writing for performance or spectacle, Suri has created a collection of seven pieces designed to guide the listener inward, reconnecting body and mind with a sense of natural rhythm and balance.

From the very first track, the title piece, the album sets its tone with a quiet invitation. The music is grounded in raga Kalyani, the Eastern counterpart to the Lydian mode, and its muted piano, ethereal vocals, and gentle flute create an atmosphere that feels like stepping into twilight. This is music that doesn’t demand attention but rewards it, carrying the listener into a space where the rush of the day begins to dissolve.

The journey continues with “Mohanam Hymn,” where Grammy winner Jim “Kimo” West’s warm guitar playing weaves around Charu’s elegant piano, joined by cello, flute, and delicate vocals that feel like a prayer. “Inner Peace” is one of the album’s most emotive pieces, pairing Ravichandra Kulur’s expressive flute with Siyer’s hauntingly tender vocals, creating a sanctuary in sound. “Raga Jog” turns more inward, its shimmering dulcimer textures and resonant cello lines evoking the quiet of late-night contemplation.

“Nightingale” is the heart of the album’s lullaby quality, Jim Kimo West’s guitar gently cradling the melody while Charu’s piano floats above, delicate and soothing. “Raga Durga” glows with a sense of devotion, Haruna Fukazawa’s flute and Philip Vaiman’s violin intertwining like candlelight flickering in the dark. The album concludes with “Shayan Reprise,” a cinematic and deeply satisfying finale featuring Raniero Palm and the Venezuela String Recording Ensemble, Ron Korb’s lyrical flute, and Charu’s poised piano, closing the album like a benediction.

What makes Shayan extraordinary is its balance between tradition and innovation. Charu does not dilute the ragas or rush their natural flow; each piece is allowed to breathe, to open and bloom in its own time. Yet the arrangements are global in scope, drawing from a palette of harp, ukulele, dulcimer, cello, and multiple flutes to create a soundscape that feels both rooted and expansive. This makes the album accessible to longtime raga enthusiasts while inviting new listeners into the world of Indian classical music without intimidation.

Listening to Shayan feels like a journey through evening itself. It starts with that first moment when the light softens, moves through the introspection of nightfall, and ends with the deep exhale of sleep. It does more than accompany rest — it creates it. The album’s pacing is unhurried but never static, allowing the listener to slow down without losing engagement. It is as much about emotional restoration as it is about sonic beauty.

Charu Suri has assembled a remarkable ensemble of Grammy-winning and world-class musicians to bring this vision to life, and their contributions are never ornamental but always in service of the emotional center of the music. Together, they have made something rare: a work that is artistically rigorous and emotionally generous in equal measure.

Shayan is an album that stays with you long after the last notes have faded. It is an experience that asks you to pause, to breathe, to listen — not just to the music but to yourself. In a world that feels increasingly restless and noisy, Charu Suri has given us something priceless: a moment of stillness, offered with grace.

INSTAGRAM

September 23, 2025 0 comments

Music News

ZOCO Debuts with “Restless” – A Global Pop-Rock Journey Begins!

by the partae September 23, 2025

written by the partae

ZOCO–the international rock project founded by multi-instrumentalist, singer, songwriter Marco Zocco–makes its debut today, September 19, with the release of “Restless” (Z3 Records), and it’s a real family and friend affair. Produced by Gunnar Nelson (of Nelson) with executive production by Kerry Brown (Smashing Pumpkins), “Restless” shines with masterful performances from Zocco on vocals, guitar, piano, synth and percussion, and distinguished rock players Carmine Rojas (David Bowie, Rod Stewart) on bass guitar, Slim Jim Phantom (Stray Cats) on brush drums, London Hudson (Return to Dust, Suspect208) on drums. Marco Zocco wrote the music and lyrics for the song with his two brothers Paolo and Matteo, who feature on the iconic whoa chorus backing vocals. Marco also got lyrical input from good Stanford friend and acclaimed American swimmer Jack LeVant whilst at college together at Stanford in 2022.

An inspired debut release, “Restless” offers a preview of what’s to come when ZOCO releases their debut EP LUMANISTA (Part 1) early January 2026. The stirring, guitar-driven track with Zocco’s signature baritone vocals on display highlights the restless energy of moving on and starting anew.

“Restless is about breaking free from routines and celebrating spontaneity. Whether for an hour, or for a day, in a career, or in a relationship, it’s about reimagining daily experiences to live life to the fullest” shares Marco Zocco of the song he co-wrote with his brothers Paolo and Matteo Zocco. “It’s a call to press pause on our emotional and physical autopilot, and make space for freedom and adventure.”

The all-star collaboration was recorded between Los Angeles’ Licorice Pizza Records and Milan’s Massive Arts Studios with vocal production and recording in Nashville, putting a stamp on the international appeal of ZOCO. In addition to the cast of talented players, with Gunnar Nelson also on backing vocals, Marco co-produced the music with the help of studio engineer and friend Jake Pace alongside Carmine Rojas. The music was mixed by Stephen DeAcutis (Gladys Knight, Cyndi Lauper) and mastered by legendary mastering engineer Howie Weinberg (Nirvana, Beastie Boys).

Marco, who hails from Geneva, Switzerland, writes and performs all of ZOCO’s material, guitar, piano, bass, drums, vocals and lyrics, often alongside his two younger brothers, Paolo and Matteo, and a revolving door of talented collaborators from the U.S. rock scene who help bring his creative vision to life.

With new music on the horizon, ZOCO continues to expand its bold, genre-bending sound where iconic guitar riffs meet cinematic arrangements, layered with piano, synths, and unexpected instrumental turns. The upcoming release carries the band’s signature mix of alternative rock and pop with flashes of metal, electronica, and blues, creating songs that are both technical and heartfelt.

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September 23, 2025 0 comments

Music Interviews Music News

INTERVIEW: To Octavia: MELODRAMA, Identity, and Turning Anger into Anthemic Power

by the partae September 23, 2025

written by the partae

“What’s My Name?” feels raw and full of urgency — almost like a demand to be heard. What was the spark that lit this track, and how did it evolve in the writing room?

‘For me it came with the chorus, it was a callout to all the frustrations and confusion I feel hearing about catastrophes abroad. The victims of atrocities become nameless, even with the details in the news. It’s not political, it’s personal, as I was inspired by the frustration I feel trying to highlight these issues with people who don’t care. It’s my attempt to (albeit vaguely) convince them that these issues are important no matter how much it stings to acknowledge them.’

You’ve described the song as channeling frustrations with the state of the world. Was there a particular moment, event, or feeling that tipped this into music, rather than just anger?

‘I would say the concept of “What’s My Name?” originated with my own contempt of people claiming to know me, that don’t know my name, let alone could deadname me. But with the state of the world it evolved into an anthem for people fighting for, and marching for, peoples around the world who stand up for the nameless victims of cruel regimes.’

To Octavia has always been known for blending heaviness with melody — but on MELODRAMA the darker tones feel more unapologetic. How did you decide to push further into that heavier space?

‘Really, the heaviness of MELODRAMA comes from our mental states while writing. It’s as simple as that. We were angry and hurt and sad and all of those things during the writing process. We wanted to make an album that represented us as a collective at this specific point in time, and this is the result. It’s darker, heavier, and more of a middle finger up to everyone than we’ve ever felt brave enough to do.’

Working again with Chris Lalic, who knows your sound inside out, must give you both comfort and challenge. How did he shape the sonic landscape of this record compared to your past releases?

‘I would say this was the release he was most “hands-off” with, in terms of writing. We came to Lalic with more songs almost fully formed than we ever had before and I think just having him there for guidance was a tool in our belt that we exploited as much as possible, while being able to completely maintain our own vision and concepts for the album.’

Nav Jay officially joined the fold during this album cycle. How has his addition changed the band dynamic, both creatively and personally?

‘Nav joining gave us a wholly outside perspective which we had never had before internally of course. It’s been a pleasure getting that perspective and working with it. We couldn’t have done what we have with MELODRAMA without him.’

Your journey from Somewhere in a World, Not of the Dream through Wonderland to MELODRAMA feels like a steady escalation in conviction. Looking back, what do you think you’ve shed or outgrown as a band to get here?

‘What we’ve shed is worrying about what will sell, or what songs will be the most popular. We have just pushed forward the tunes that we like and have made an album with which none of us can agree on a best song. It’s a smorgasbord of bangers that we love, and all we can hope is that our fans love them too.’

Merry, your vocal contribution to Sonic Frontiers reached a global audience far beyond the alternative scene. Did that experience influence how you approached writing and performing on this record?

‘The short answer is no. The longer answer is that writing to a criteria set for you, is a LOT easier than coming up with the concept by yourself. So writing for the album was a complete ordeal compared to writing for the Frontiers theme song.’

With triple j support, festival appearances, and now over a million Spotify streams, you’re steadily carving out a national and international footprint. Do you feel the momentum building differently around MELODRAMA compared to past releases?

‘Yes, it has been such an unexpectedly successful release so far. Only unexpected in the way that the releases have done far better than we ever could have hoped. We are so incredibly grateful to our fans and all new listeners for consuming To Octavia this way.’

The title MELODRAMA suggests heightened emotion, tension, and maybe even theatre. What does that word mean to To Octavia, and how does it tie the whole record together?

‘The record is a series of stories all filled with heightened emotions, drama, conflict, and resolution. Therefore, “MELODRAMA” perfectly encapsulates the energy of the album from start to finish.’

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September 23, 2025 0 comments

Festival News Music News

I HATE MODELS ANNOUNCES HEADLINE SHOW IN MELBOURNE WITH PATRICK MASON & PEGASSI

by the partae September 20, 2025

written by the partae

Saturday 3 January 2026 – PICA, Melbourne

Following unprecedented demand since his last sold-out visit, global techno heavyweight, I Hate Models returns to PICA Melbourne on Saturday 3rd January 2026 presented by XE54 and Untitled Group.

Joining him for this occasion are Patrick Mason and Pegassi ensuring this will be one of the most highly anticipated electronic events to kick start 2026.

Fresh off the back of announcing his slot at Beyond The Valley, Australia’s largest camping festival which is already sold out, I Hate Models now delivers Melbourne fans another chance to experience his commanding and uncompromising performances.

A true force on the global circuit, I Hate Models has released music on his own label Disco Inferno, delivered remixes for Depeche Mode, and created international anthems such as his edit of Toro. His latest EP, Forever Melancholia, continues to showcase his uncompromising sound. The DJ and producer has also headlined Ultra Music Festival, EDC, Awakenings, Tomorrowland and more, cementing his reputation as one of techno’s most in-demand artists.

Famed for sets that traverse trance, and techno with emotional intensity, his sound rejects formula and embraces raw catharsis. On his last visit to Melbourne in October 2024, I Hate Models sold out two shows at PICA Melbourne, proving the sheer demand for his return and reaffirming his cult-like following within Australia.

Berlin’s Patrick Mason brings his boundary-pushing hybrid of music, fashion, and art. Known for his powerful stage presence and “techno extravaganza” style, Mason has played at Awakenings, Time Warp, Printworks, Tomorrowland, and DC-10. His creative influence also spans into fashion, including collaborations with Maison Margiela and Trippen, and as Ray-Ban’s first external creative director — where his designs sold out globally within days

Belgium’s Pegassi has rapidly risen as one of the most exciting voices in electronic music. Breaking through with his remix of No Type, which hit #1 on Soundcloud’s global charts, and his club anthem Yoyoyo, Pegassi has since gained support from tastemakers including Marlon Hoffstadt, Anetha, Trym, and Solomun. With performances at Tomorrowland, Intercell, and more, he is now driving forward with his own imprint and event series, Sweet Nothing, cementing his global trajectory.

Also joining the event will be homegrown talent Mikalah Watego b2b Hannah D, rounding out the incredible lineup of artists taking to the stage this January.

Untitled Group, Australia’s largest independent music promoter, is celebrating 10 years of redefining the live music scene with flagship events including Beyond The Valley, Pitch Music & Arts, Wildlands and Ability Fest.

Sign up for presale access HERE

Presale begins Thursday 18th September 11:00 AM AEST

General on sale begins Friday 19th September 11:00 AM AEST

September 20, 2025 0 comments

Music Interviews Music News

Interview: Jairic on Cannes, Caribbean Grooves, and Creating Without Compromise

by the partae September 20, 2025

written by the partae

Your new single ‘Don’t Let Me Put A Track On You’ is fiercely defiant and sonically bold. What was the spark that led to writing this particular track in the south of France?

Musically, I kept vibing with sea, the beach, and walking along the Croissette in Cannes. It has this energy and pulse to it, it’s contagious. Lyrically, a family member was going through a tough time and catching a lot of heat for it. It started to spill on to me because I was supporting her… my response… “Don’t Let Me Put A Track On You” – they don’t want none of this.

You’ve performed in some remarkable locations — Château Les Alouettes, Villa Balbiano, and even the Paris premiere of Azur. How do these unique settings influence your creative process and live performance style?

Travel and diversity is so much to what I do. I like to explore, to push boundaries and be vulnerable in these unique atmospheres, it adds to the growth process. There is so much to learn, the more I learn the more I realize how much I don’t know.

Your music blends hip hop with cinematic sound design, funk, rock, and film score elements. How do you decide which influences to weave into a track without losing your signature sound?

I walk into the studio with ideas loaded and start creating. Instinct first, guardrails second. The beat leads; I layer textures. If it drops the energy, it’s gone. I set a tempo and let it carry me wherever it wants. Maybe that sounds crazy—I just go. Everything I’ve lived and everything I’m feeling rushes in, a haze that snaps into focus when the groove hits.

You mentioned there’s a “Caribbean pulse” beneath this track. Can you walk us through the production choices and instrumentation that brought that vibe to life?

The Caribbean pulse lives in the low end. I built it on a reggae-leaning bassline that gives the whole track that swaying feel. When the back half of Verse 1 hits, I open the arrangement—steel-drum colors and percussion kick up the dust. That’s straight Bahamian Junkanoo energy: parade vibes, celebration, movement, color. It’s party and pursuit at the same time—the groove invites you in, the chaos keeps you on your toes.

Storytelling is a key part of your work. When you sit down to write, do you think in terms of lyrics first, visuals, or soundscapes?

I start with sound. The tone and personality of the beat set the mood, the pace, and the point of view. I see pictures first—scenes, camera moves, colors—and then I write the lines that fit that frame. The lyrics chase the groove. If the beat feels like a party, I aim for movement; if it carries edge or weight, I sharpen the language and tighten the cadence. This track blends lanes—party energy, raw aggression, and real heart—so the story flips between celebration and pursuit without losing the signature voice.

Being completely self-written, self-produced, and self-performed is no small feat. How does that independence shape the authenticity of your music?

Thank you. That answer is pretty simple: I do what I want—and I own it. I write it, produce it, perform it, so the record never loses its face. No filters, no detours, just a straight line from my gut to the speakers.

Detroit’s underground scene clearly shaped you. How does your hometown continue to inspire your art, even while living in Cannes?

Michigan-made, Detroit-wired. The hustle and resilience from home run through everything I make. Midwest grit with Riviera glam — that’s the mix, every record.

The single features a calmer bridge with female vocals before exploding back into intensity. How did you approach that dynamic shift and the collaboration process for that section?

I had to let the song breathe. I’d written that section for another record and shelved it, but I was still in love with it. The way I catalog ideas, I knew right where to pull it from—and it fit perfectly here. The female vocal brings a calmer texture, but it’s the same message, same pulse. We give her space to carry it, then slam back in so the final hit feels earned.

Your music feels like it belongs in films and luxury campaigns. Do you see yourself expanding further into film scoring or fashion collaborations?

Absolutely. I don’t really “branch out” so much as integrate—sound, style, and cinema on one frequency. I’m already developing a feature where the music is the spine: a sexy, seductive love triangle told through shifting POVs, with the score driving the tension from first glance to fallout. I’m already in talks with filmmakers in New York, France and Prague. In fashion, I’m stepping in deeper: a capsule collection and an on-stage runway-meets-performance in Mumbai in March 2026 tied to a brand collaboration, where I handle the soundtrack and creative direction so the visuals and the music hit as one. That’s the lane—films you can feel, campaigns you can hear.

With nearly 2 million streams already, what’s next for you? Can fans expect an EP or full-length project following this single?

I don’t plan on slowing down. “Stick Figaro” lands Oct 10, then “YOLO 2 Yoga” drops in early November. In December, the full n=40 EP arrives—eight tracks with eight cinematic videos, one for each record. I’ll be performing across Europe this winter, then bringing a runway-meets-performance to Mumbai in March 2026 tied to my capsule collab. In Spring 2026 I drop L’Americain—a world of its own—with a live moment around the Cannes Film Festival in May, and I’m shooting videos for it across Europe, L.A., India, and the Caribbean. In parallel, I’m finishing a feature scored with 20+ originals—a seductive love triangle told in sound and light. EP now, album next, and a whole ecosystem to go with it.

Follow Jairic:

Website – Instagram – Soundcloud – Youtube – Spotify

September 20, 2025 0 comments

Festival News Music News

Ocean Alley release fifth album “Love Balloon” – TOURING NATIONALLY IN JANUARY/FEBRUARY 2026

by the partae September 19, 2025

written by the partae

Photo credit: Kane Lehanneur

Globally renowned rockers Ocean Alley today return with their most vibrant and confident body of work yet, unveiling their fifth studio album Love Balloon, out now independently via Community Music. The release is led by the luminous focus track and video “Drenched”, capturing the six-piece’s gift for transforming vulnerability into something cathartic and universally resonant.

To celebrate the release of Love Balloon, Ocean Alley are hosting a series of exclusive fan pop-ups and launch parties across the East Coast where fans can get their hands on an exclusive signed vinyl variant limited to 500 units. In Melbourne, Soundmerch HQ will be transformed into a Love Balloon pop-up store this entire weekend, followed by a special launch party at Hotel Brunswick in Byron Bay on Saturday 20 September from midday. The celebrations will wrap up in Sydney on Sunday 21 September with a takeover of Bombies at the Harbord Hotel.

Across 10 tracks, Love Balloon takes listeners on a journey through life and love in all its complexity, anchored by moments of light, vulnerability and connection. Written during a time of significant personal milestones for each band member, that undercurrent fed directly into their pursuit of new sounds. With legendary rock producer Nick DiDia (Bruce Springsteen, Rage Against The Machine, Powderfinger) at the helm, the album embraces a stripped-back, organic approach that prioritised spontaneity and openness through the recording process. Woven with influences as diverse as Creedence Clearwater Revival, The Bee Gees, Kokoroko and GUM, it wears its inspirations with reverence while carving out its own distinct Ocean Alley-flair.

Keyboardist and vocalist Lach Galbraith shared, “The album explores the many layered dimensions of love – not just the cinematic kind where you’re falling head over heels, but the full spectrum: joy, hurt, discomfort and disappointment. Let’s call it the river of love – whether it’s with a partner, a friend, or family, you never know when it’ll get deep, go shallow, or suddenly change course. It’s such a force that you have to just surrender to its current.”

From the disarmingly simple four-chord progression that opens “First Blush”, there is an immediate shift from records past – its melodic ease feels instantly familiar, like a song that you’ve always known. The toasty, sun-soaked “Tangerine” has already cemented itself as an audience favourite, while the driving beat of “Thru Everything” and the bluesy swagger of “Left Of The Dealer” showcase the strength of the band’s rock DNA. At the album’s core sits the buoyant title track “Love Balloon” – anchored by an irresistible groove, pulsating bassline and shimmering guitar riff, threaded with Nile Rodgers-inspired funk that marks playful new territory for the group. And closing track “Drenched”, which drifts in like golden hour, warmed by slide guitar and subtle country twang, soaring on vintage synths and whirling guitars. Baden Donegal’s hypnotic vocals swell with dizzying self-reflection to glimmers of hope and release, it’s a finale that transforms introspection into bliss. The accompanying video was inspired by a wave of early-2000s nostalgia, drawing on director Duncan Wright’s own memories of growing up skating and “being ratbags when there wasn’t any swell” in Gracetown where the clip was shot – and aligning similarly to how the Ocean Alley boys grew up. Channeling that energy, the video features first-time actors alongside the band, who were given the freedom to play around in different scenes… surfing, loitering and capturing the carefree spirit of youth.

Love Balloon is a triumphant record that celebrates joy, reckons with change and reaffirms Ocean Alley’s deep commitment to each other and to the music that binds them. It’s the sound of a band pushing their creative limits, surprising at every turn, and reminding us that emotional truth doesn’t need to be complicated to be profound.

To celebrate the release, Ocean Alley will take Love Balloon on the road in early 2026 for their biggest Australian headline shows to date. Kicking off at Melbourne/Wurundjeri’s Catani Gardens on Saturday 24 January, the band will then head to Brisbane/Meanjin Showgrounds on Friday 30 January, before hitting The Domain in their hometown of Sydney/Eora on Saturday 31 January. They’ll round out the tour on the West Coast at Freo Esplanade and 3 Oceans Winery in Margaret River/Wadandi on Saturday 21 February and Sunday 22 February respectively. The East Coast shows will exclusively feature UK alt-rockers Nothing But Thieves and platinum-selling US outfit Rainbow Kitten Surprise, alongside the raw and relatable Ruby Fields. On the West Coast, DIY heroes Skegss join Ruby Fields and Perth’s rising indie-pop darlings Smol Fish.

The Australian run will follow a huge slate of international dates throughout 2025, including festival appearances at Lollapalooza, Sziget and Austin City Limits; two North American tours; the band’s first-ever shows in South America; and their largest headline show to date at London’s iconic 10,000-capacity Alexandra Palace.

With a catalogue surpassing 1 billion streams and a reputation for their magnetic live performances, Ocean Alley have cemented themselves as one of Australia’s most influential contemporary bands. Their breakthrough hit “Confidence” topped triple j’s Hottest 100 in 2018, has since gone 6x Platinum and charted around the world, plus most recently placed #65 in triple j’s Hottest 100 of Australian Songs.

With Love Balloon, Ocean Alley step into a bold new chapter – a band at the height of their powers, bringing their most open, spontaneous and radiant work to life on their biggest stages yet.

OCEAN ALLEY – LOVE BALLOON [LP]
Out 19 September via Community Music
Artwork by Nick Curl

BUY/STREAM THE ALBUM

Presented by Live Nation, Face to Face Touring, Macro Music, UNIFIED Music Group
Supported by triple j

OCEAN ALLEY
LOVE BALLOON AUSTRALIAN TOUR 2026
WITH SPECIAL GUESTS NOTHING BUT THIEVES (UK),
RAINBOW KITTEN SURPRISE (USA), SKEGSS, RUBY FIELDS
AND SMOL FISH

Saturday 24 January – Catani Gardens, Melbourne/Wurundjeri VIC*
Friday 30 January – Brisbane Showgrounds, Brisbane/Meanjin, QLD *
Saturday 31 January – The Domain, Sydney/Eora, NSW*
Saturday 21 February – Freo Esplanade, Fremantle/Whadjuk, WA^
Sunday 22 February – 3 Oceans Winery, Margaret River/Wadandi, WA^

For complete tour and ticket information, visit: oceanalley.com.au

*Supported by Nothing But Thieves, Rainbow Kitten Surprise (both exclusive to Mel/Bris/Syd) and Ruby Fields
^ Supported by Skegss, Ruby Fields and Smol Fish

Presented by Live Nation, Face to Face Touring, Macro Music, UNIFIED Music Group
Supported by triple j

OCEAN ALLEY
LOVE BALLOON AUSTRALIAN TOUR 2026
WITH SPECIAL GUESTS NOTHING BUT THIEVES (UK),
RAINBOW KITTEN SURPRISE (USA), SKEGSS, RUBY FIELDS
AND SMOL FISH

For complete tour and ticket information, visit: oceanalley.com.au

*Supported by Nothing But Thieves, Rainbow Kitten Surprise (both exclusive to Mel/Bris/Syd) and Ruby Fields
^ Supported by Skegss, Ruby Fields and Smol Fish

September 19, 2025 0 comments

Music News

NOFX ANNOUNCES FIRST INSTALMENT OF TRIPLE ALBUM COLLECTION AND REVEALS ARTWORK

by the partae September 19, 2025

written by the partae

OUT EVERYWHERE DECEMBER 5, 2025
Half Purple Half Red w/ Yellow & Orange Splatter Vinyl
(Limited to 3,500 units worldwide)
PRE – ORDER HERE

Legendary punk band NOFX has announced the release of ‘A to H’, the first instalment in their upcoming triple album project titled A to Z, a special album series packed with rarities, demos, and never-before-heard tracks from the band’s storied career. The artwork design comes from legendary artist, SHAG.

‘A to H’ (out Dec. 5) perfectly kicks off this special three-part collection with the band’s newly-released song, “Barcelona,” the first NOFX song released since the band played their final shows last year. “There are unreleased songs, very rare songs that have never been available digitally, and demo versions of songs that are not nearly as good as the album versions!” – Fat Mike

Fans can pre-order exclusive vinyl for the first instalment now.

Track Listing:
1. The Audition
2. Barcelona
3. Cigarette Girl
4. Don’t Count on Me (demo)
5. Everything in Moderation (especially moderation)
6. Fleas (live at MySpace)
7. Generation Z (demo)
8. Hardcore 84

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September 19, 2025 0 comments

Festival News Music News

The Southern River Band Reveal Toe-Tappin’ Track “All Over Town”

by the partae September 18, 2025

written by the partae

New Album Easier Said Than Done out October 17 Followed by an Australian Tour

We can’t keep up with WA rockdogs The Southern River Band who have gifted us their strutting new single, “All Over Town”, lifted from forthcoming record, Easier Said Than Done, out October 17 via Civilians.

With a bluesy-twang acoustic intro that quickly gives way to the swagger-soaked groove that has become The Southern River Band’s trademark, “All Over Town” is a playfully irresistible, toe-tappin’, head-noddin’ jam.

“If you’ve wondered what someone gets up to when you’re not around, and wondered what that wonderment would sound like over a foot-tappin’ good time, then boy do we have the song for you!” says vocalist-guitarist Cal Kramer.

Recorded with Grammy-winning producer Nick DiDia (Pearl Jam, Bruce Springsteen) in Byron Bay, Easier Said Than Done is a 12-song arse-kicking odyssey of Thin Lizzy-styled harmonies, AC/DC boogie and Aerosmith swagger. “All Over Town” joins previously released singles: Bernard Fanning-penned “No Such Time”, catchy AF payday anthem “F**k You, Pay Me” and the pub rock bravado of “Don’t Take It To Heart” displaying the breadth of their serious talent and musicianship under the cheeky demeanor and that herculean mullet.

The Falcon will be in full flight next month when they take Easier Said Than Done out for its first spin around the country. Back on home turf after tearing up some of the most revered rock festival mainstages across the UK and Europe, SRB recently blew the socks off at BIGSOUND with a string of jam-packed and very sweaty barnstorming sets, showing Australia exactly why the rest of the world has an insatiable appetite for Thornlie’s finest.

Europe and the UK won’t have to wait too long to be satiated as the band have just announced a stack of tour dates in the region in February 2026.

Tickets on sale now at thesouthernriverband.com

WATCH: THE SOUTHERN RIVER BAND – “ALL OVER TOWN”

THE SOUTHERN RIVER BAND
EASIER SAID THAN DONE
AUSTRALIA 2025

Tickets On sale now via thesouthernriverband.com

Thursday 16 October
Howler, Melbourne
Buy Tix

Friday 17 October
The Espy, Melbourne
Buy Tix

Saturday 18 October
Uni Bar, Adelaide
Buy Tix

Thursday 23 October
Crowbar, Sydney
Buy Tix

Friday 24 October
Brightside, Brisbane
Buy Tix

Saturday 1 November
Port Beach Brewery, Fremantle
Buy Tix

THE SOUTHERN RIVER BAND
EASIER SAID THAN DONE

Out 17 October Via Civilians
PRE-ORDER | PRE-SAVE

1. Don’t Take It To Heart
2. Something’s Gotta Give
3. Bad Luck Baby, Bye Bye
4. It’s What It’s
5. One Last Dance
6. Suits Me Just Fine
7. All Over Town
8. No Such Time
9. Lay It On me
10. F**k You, Pay Me
11. We’ve Got Plans Tonight
12. One Of These Nights (I’ll Be Gone)

FOLLOW THE SOUTHERN RIVER BAND