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Was there a part of you that was worried we’d forgotten how to club? That the time apart had damaged us socially or made our once favoured, crowded night spots something to fear? Well Groove City have a plan. Their latest single D.I.S.C.O. takes us back to the basics of clubbing. The fundamentals of why we love being out. Whooshing into a phat disco beat with a little french electro influence and some solid gold guitar, the opening lyrics “When did you realise this is the best night of your life? It’s taken me a little longer than I expected.” Set the tone immediately. Reminding us that all of our experiences re-socialising and partying are going to be different. Perhaps this summer will feel like a relief to you, others may be more reluctant but we all have to go at our own pace. Ultimately music is there to make us feel good. Groove City make feel good music as easily as they walk and breath. Honestly though, I’m not sure that they walk anywhere without a strut. The synth topline that comes in during the second chorus reminds us of vintage disco electro acts Space or Yellow Magic Orchestra. The victory lap has awesome adlibs from guest vocalist Ella Keysel who adds a deep femininity to the sound. An absolute celebration of nightlife D.I.S.C.O. reminds us that whenever we’re ready to lose our shit on the dancefloor again, the club will be waiting for us.
Spotify Link: https://open.spotify.com/
Commercial/Pre-Save Link: https://bfan.link/d-i-s-c-o-1
Music Video: https://www.youtube.com/watch?
Photography + Words: Darren Chan
Nothing like spending a Tuesday night going to a live gig. To a warm reception, Sydney singer/songwriter Cap Carter opened the evening. An artist who wears his heart in his songs, he sang with such passion and intensity belting out tracks like ‘Relapse’ and ‘Guns’. This is one artist worth seeing.
The full house cheered Teddy Swim’s entrance to audio quotes mentioning his meteoric rise to popularity thanks to YouTube. Casually dressed in a hoodie and sans shoes, he effortlessly delivered a eclectic mix of music, such as the pop infused ‘All That Really Matters’, the dance track ‘Better’ to his famous cover of Shania Twain’s ‘You still the One’ backed by his stellar band. His huge vocal prowess and musical versatility won the crowd over.
Teddy was incredibly humble and appreciative of his rapid rise to fame, numerous times expressing his gratitude to his fans. Somehow, I think this is just the beginning of much bigger things to come.

























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TOUR DATES
Sat 15 Oct – Stonefest, UC Refectory – ngunnawal / Canberra
Thu 15 Dec – Factory Summer Festival, Ice Cream Factory – Boorloo / Perth
Stay connected with Arno Faraji:
Facebook | Twitter | Instagram | Soundcloud | Unearthed
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Following their first new music this year, ‘Bending at the Knee‘, ‘Rotten Sun‘ contains traces of Amyl and The Sniffers, Fontaines D.C. and Parquet Courts, with shades of Placebo – a foundational influence – coming through in an imperious guitar riff that forms the backbone of the song.
Directed by Oscar O’Shea, the visionary behind the band’s excellent ‘Bending at the Knee‘ clip, the ‘Rotten Sun‘ video comprises three distinct one-take scenes stitched together into a short film that leans heavily on religious tropes, opening on frontman Jamie Timony wrapped in a black-headed python in an orchard.
Engineered by Sam Johnson, TNSW is the band’s most sophisticated, philosophical work yet, confirming them as a once-in-a-generation Australian punk proposition. It is not an album that attempts to transcend the punk genre, but one that looks to lift it to its highest form.
TNSW LP
Nov 18 via Damaged Records
PRE-SAVE HERE
‘Rotten Sun‘ is out now, buy/stream it here.
TRACKLIST
Bending at the Knee
Rotten Sun
That’s the Life
Under the Pressure
Changes
Back To You
Tartan & Chrome
Faceless
Signal is Strong
Going Outta My Mind
Wherever I Am, There I Am
Best of the Night
Win
Reset of the World
Stay connected with These New South Whales:
Official Website | YouTube | Instagram | Twitter
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This sentiment extends to the music video, where Joji continues “I wanted to film a video for Count To 10 that really highlights where I grew up. As a kid moving from Fiji to the Hills District of Sydney, my family and I had this hope that we were entering into the ‘promised land’ of opportunities. As great as the move was in a lot of ways, the hills also facilitated a lot of hardship for us. It was really cool to film the video in my hometown representing 2156 / 2155 as it’s been a huge part of my story and has shaped a lot of who I am. It’s west but it ain’t western Sydney, but this place is me!”
‘Count To 10‘ is Malani’s latest preview of his rich creative world as Pei, following the recently released ‘Themesong‘ and ‘Honest‘, each embraced across NME, Clash, triple j, Unearthed, Rolling Stone, The Australian, Pilerats, Music Feeds and more. Inspired to express himself narratively and lyrically in ways unlike ever before, Pei’s Pageant is a dialogue with Malani’s cultural and creative identities, propelling his craft through his Fijian identity – one that many have yet to meet. In that way, Pei is Malani’s homecoming. Threading the naivety of infancy with a palpable humility in starting from scratch, Pei’s debut is a gratifying listen in watching someone experience their firsts, for a second time.
Due this October 10 via Broth Records – home to recent impressive debuts from Coconut Cream, Meteor Infant, Morgues, Angeles, Alex Rzyan and more – Pei’s Pageant freely explores a variety of sonic influences from bright, rich production; orchestration that can swing between the exuberant and borderline ambient and country balladry and at the core, there is Pei’s vocals – heartfelt, direct and confident. More than just a passion project turned big with his band The Pageant in tow, Pei steadies for his world debut.
Relocating from London to Sydney, where he had been based since 2016, Joji nestled up inside the home studio of close friend and longtime collaborator Tim Fitz after almost a decade of writing in studios and touring the world. Weaving contemporary indie, pop and rock influences with the memories and influences of his Fijian culture with natural ease, Pei’s Pageant arrives produced alongside Fitz, backing vocals from Hannah Joy (Middle Kids) arrangements from Macie Stewart (Whitney, Ohmme, SZA, Chance the Rapper), mix engineered by Antonia Gauci (Daine, Troye Sivan, Kesha) and mastered by Grammy-nominated Ryan Schwabe (Pussy Riot, Shamir, Oneohtrix Point Never).
‘Count To 10‘ is out now via Broth Records, buy/stream it here.
PEI’S PAGEANT LP
10 October via Broth Records
PRE-SAVE / PRE-ORDER HERE
TRACKLIST
Themesong
Honest
Count To 10
Trying
Sila
Generous
Growth
Medicine
Moce
Stay connected with
Pei: Instagram | Facebook | Twitter | Youtube | Soundcloud | Bandcamp
Broth Records: Website | Facebook | Instagram
A power pop punk trio from London, Ontario, FULL THROTTLE has quickly gained notoriety over the last few months (especially in their hometown). They’ve won a Forest City London Music Award, will be opening for Finger 11 / I Mother Earth this fall, garnered big numbers on Spotify and have released two critically acclaimed tunes “Friday Night”, and “Summertime”. With their influences including acts such as Blink 182, Green Day and Teenage Bottle Rocket – FULL THROTTLE have their eyes on the prize.
Where are you currently based?
I’m in Montréal, Canada!
How did you first start playing music?
I started playing the piano in high school. I was taught the four basic pop chords by one of my high school friends, continued to teach myself and the rest was history.
I’ve been singing since I was in diapers, singing the Caillou theme song on repeat.
What’s been happening recently?
I’ve been working on my debut EP, in and out of the studio with my producer Johan
Maestro. I’ve also been getting some shows ready. I cannot wait to show you all what I’ve been working on.
Your latest single is out now, what influenced the sound and songwriting?
One of my siblings inspired the song actually. They had been going through some hard times and I wanted to help. The song talks about being there for someone you love so much and the extent of how far that love can take you. For the sound I wanted something big, I wanted an anthem-like feel to really rally the fact that this song can take you out of any “Hurricane”.
How did you go about writing Hurricane?
I actually wrote it on zoom during the pandemic, with three collaborators. QSTNMRKS (producer duo) who were in Holland working on the music, while I came up with Melodies and wrote the lyrics with my friend Begonia (artist). The song wrote itself, in under an hour.
Where and when did you record/produce/master and who did you work with?
We recorded, produced and mastered the song in July of 2022. Johan Maestro produced and mixed “Hurricane”. He is also working on my EP that will be released before the end of the year.
How did you approach the recording process?
I approached the recording by getting in my zone and really connecting to the song. I had the person the song was dedicated to in my mind, the whole time.
What does this single mean to you?
It means the most. I honestly feel like this song sums up the person I am and the distances I’ll go for the ones I love. I really feel like this song sets the tone for the rest to come. I’m really proud of this single.
Who are you listening to at the moment?
I’d have to say Lisa LeBlanc and Coldplay!
What do you like to do away from music?
Away from music you can either catch me cooking up a storm in the kitchen or going out to dance with some friends. If not, weekend breakfast out at restaurants is one of my favourite things to do.
What’s planned for the remainder of 2022 going into 2023?
The release of my first EP and some new shows are set for 2022! I can’t wait!
Favourite food and place to hangout?
Poutine Déjeuner from Cochon Dingue, and I love to hangout by the water.
Facebook: /Joshalexanderofficial
Instagram: @joshalexanderofficial
TikTok: @joshalexandermusic
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‘Dig’ Out September 14
‘The Stories We Are Afraid Of | Vol 1’ EP – Out November 25
Previous support for Circles
‘Sleepwalking’ – First Play on Triple J (The Racket)
‘Sleepwalking’ added to Spotify’s Homegrown + Heavy and All New Metal playlists
“Their music soars as much as it djents, the vocals and harmonies, delivered by the three members across the front of the stage, are absolutely on the money, and it is all delivered with a tightness and precision that only comes from being together for well over a decade”
(The Music) [‘Sleepwalking’ AUS Tour Live Review]
“With more sonic meat than your local butcher and a simultaneous scintillating assault and caress of the senses on full display via Sleepwalking, 2022 is shaping up to be a particularly eventful one for Melbourne’s Circles”
(Hysteria) [About ‘Sleepwalking’]
“Some things in life are worth the wait . . . and it gives me pleasure this week to grace Melbourne rock outfit Circles as our featured artist”
(HEAVY Magazine) [About ‘Sleepwalking’]
“Rechter’s fervent melodic tone intertwines with volatile guitars and hammering drums that surge with unbridled energy”
(Maniacs) [About ‘Sleepwalking’]
‘The Last One’ (2018) landed #3 on AIR Independent Albums, #47 ARIA Digital Albums, #4 TheMusic’s Album Of The Year (Writers’ Poll), and reached close to 3 Million Spotify streams worldwide.
(Metal Hammer – UK) [About ‘The Last One’ Album]
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FREAKCLUB
DROP NEW SINGLE & VIDEO
“GOBSTOPPER“
Today, Melbourne alternative hip hop collective FREAKCLUB drop their new single Gobstopper. To celebrate, the group have also announced The Gobstopper Release Party, to take place in Melbourne this October, details below.
Of the new single FREAKCLUB states, “Gobstopper was one of those songs that we just had to make. We were fuelled by a lot of the hunger, angst and uncertainty that comes from trying to make it in music. It was those years of almost opportunities, broken promises and “We’ll keep an eye on what you’re doing”s that inspired us to make this song. There’s no hidden meaning or secret feeling, we really let this song speak for itself. From the grungy-punk inspired vocals to the screeching guitar solo, this song is very much just us being us, and hoping to inspire people to do the same.”
WATCH THE VIDEO FOR GOBSTOPPER
Gobstopper is the first piece of new music since’s the group’s debut EP Bambi Vol.I which received rave reviews from Pilerats who said “As a whole, Bambi. Vol. I does an incredible job in introducing what FREAKCLUB are all about, and we have no doubts that this is just the start” while NME Australia commented with “Echoing similar groups like Odd Future and Brockhampton, the sextet strike with a radiant youthfulness and tight, collaborative musicality”
Named as ‘20 Artists to Watch 22′ by Pilerats, FREAKCLUB are writing songs showcasing their abilities well beyond the years the group has been together. Each new single the band releases represents a different side of FREAKCLUB while still maintaining their core sound, style and freedom of expression.
ABOUT FREAKCLUB
FREAKCLUB is an Australian alternative hip-hop collective based in Melbourne, Victoria. The group is made up of independent vocalists, producers, directors, photographers and designers whose authentic art and DIY approach have helped carve their own lane within the Australian creative community. Bursting onto the scene with their debut EP ‘Bambi, Vol. I’ FREAKCLUB has already established a dedicated following with their heartfelt lyrics, infectious melodies and genre bending sound, being described as confident and unpredictable. Accompanied by music videos, photography and fashion trademarked with a unique and in-your-face art style, the group is only just emerging worldwide.
FREAKCLUB consists of vocalists/producers Wolf Henson, Zac Sunset & Zvchvrivh, as well as director/creative designer Charles Buxton-Leslie and photographer Brianna Da Silva.
FREAKCLUB
Gobstopper Release Party
with special guests
Sascha Astrid
Realname
October 14 – Yah Yahs Fitzroy, Melbourne – Tickets
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Rowdy Essex trio, LOWLIFE, have released a brand-new track and music video titled “ELON” today via Hellcat Records. Their 2020 debut track “WASTELAND” has over 500,000 streams and their last single “FRIENDS” dropped in 2021 and brought together their eclectic musical influences.
“ELON” fits right in, sonically referencing 2000’s hip-hop with production reminiscent of Timbaland, inspired by the youthful energy and bombastic rhymes of the Beastie Boys. The accompanying music video visually cites Y2K and classic West Coast symbolism which the group conceived and executed all on their own.
About the track the band states,
“ELON is about drive/willpower; being on a ride and not knowing for sure what the outcome will bring yet still pursuing the adventure. The song being called ‘Elon’ is a reference to Musk and his innovative ideas, despite disbelief from many.
This also holds true as an artist, following a vision and pathway whilst many may question it until they see the end product. The lyrics play amongst this reference whilst also capturing the naivety of youth with lines such as, ‘Wait a minute near sleepless, self-drive strike genius, thank Elon – convenience’.”
LOWLIFE is comprised of Liam Haygarth, Harry Todd and Jordan Cardy.
Cardy earned early acclaim under his RAT BOY alter ego, but he couldn’t have done it without his bandmates Liam Haygarth and Harry Todd. LOWLIFE gave them a fresh chance to be officially equal, especially after Tim Armstrong of Rancid renown recruited them for his Hellcat label.
Possessing a symbiotic relationship and hindered by their erratic ADHD outbursts, Essex newcomers LOWLIFE deter most music industry interest. While they’re barely able to look after themselves, nothing is going to get in the way of making themselves heard. LOWLIFE write, produce and mix entirely independently.
The project commenced at the height of the first wave of lockdown, with the three members collaborating via Zoom. Since reuniting in person, they’ve spent the majority of their time writing and recording together. That self-determined DIY spirit informs all aspects of their creative process. They pool their skills to make the most of their scant resources, filming music videos, designing artwork and producing merch on a limited budget without compromising on the quality of their output. They’re now undeniably ready to deliver a new wave of unique music.
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Where are you currently based?
London
How did you first start playing music?
I was lucky enough to grow up in a very musical family, with my Grandmother being an incredible singer and pianist and my mum also being very talented at the piano. I always felt so free and joyful singing and my mum was the one to really build my confidence. Writing was an instinctual part of me, where I really got a lot of joy from writing poems and stories so the two naturally intertwined as I got into my teens.
What’s been happening recently?
2020 and 2021 saw me back home in Nelson with my mum and sister Clare. It was there, I really found myself in a new way which started to really show itself in the music I was writing. Then as New Zealand opened up, I found my now manager Jeffrey Figueroa and we’ve been working very hard bringing this vision to life. Lots of writing sessions and living life!
Your latest single ‘Teenage Renegade’ is out now, what influenced the sound and songwriting?
I have always deeply connected to the likes of Kate Bush, Stevie Nicks, Tears For Fears etc, music that really moves you and takes you to another world where you feel free. Lyrically, I really get inspired by words that connect to a deeper part of myself. I often go through times of feeling pretty anxious and overwhelmed so I wanted to write an ode to that inner wild child inside all of us, and that really came out when we were writing Teenage Renegade.
You’re in Australia to support Teenage Renegade, how does it feel to be back?
YES! It feels INCREDIBLE to be back. I feel so much support and love here and the whole atmosphere is incredibly welcoming.
Who did you work with during the creation of Teenage Renegade?
I worked with the incredible Tyler Spry and Areli Castro.
Where and when did you record/produce/master?
I wrote ‘Teenage Renegade’ over zoom in January of 2022 from my house in London!
How did you approach the recording process?
I actually got the train down to a beautiful seaside village in Deal, UK and recorded vocals in my air bnb. It was an incredibly peaceful and calm way to approach this and really allowed me to capture the right emotion I was after for Teenage Renegade.
What do you have planned for the remainder of 2022 going into 2023?
We’ve got the next single all lined up and ready to go and I’m so incredibly excited. The EP is just about ready and I couldn’t be more excited to start getting the live shows ready for you!
Do you have an EP in the pipeline?
Definitely! It’s nearly finished!
What inspires you and what is it like being an independent artist coming off the success from your last album?
Life inspires me! Truly living and riding the waves of life. The highs and lows can be scary and hard to accept but Teenage Renegade is my reminder that I can survive it all.
The most important thing, independent or signed is that you’re able to really write the music that you want to write. I’ve found being independent has allowed Jeff, my manager and I to really hone in on the vision. Everything you’re seeing is all us.
Your hit single Nothing to Regret was certified double-platinum in Australia and has reached over 120M streams, what do you attribute to this massive achievement?
AHhhh that still blows my mind! Thankyou listeners hehe. I think people really connected to the message.
Sometimes we are made to feel like we need so much to be happy when really all we need are our friends, family and to feel free from pressure for a moment. Nothing To Regret is the ode for letting go of the worry and fear.
Who are you listening to at the moment?
I’m loving a lot of Wolf Alice, The Cure, Miley Cyrus, Kate Bush, Stevie Nicks and Tears For Fears.
What do you like to do away from music?
That is a great question! I’ve taken a strong liking to cooking recently which is surprising to even me. I think there’s a real therapy to creating your own version of flavours. I also love being amongst of nature and the comforts of my own home hahaha, and then the other side of me loves a good time out dancing the night away.
Favourite food and place to hang out when you are in Australia?
Ohhhh! Australia has so many incredible places to go and see. I really love Icebergs in Bondi, I think the view of the ocean is so stunning.
SOCIALS
@robinsonxmusic – Instagram
RobinsonMusic – Facebook
Where are you currently based?
We both live in LA. But seems like we haven’t spent much time here recently.
How did you first start playing music?
I sort of played random instruments here and there growing up. When I was super young the first thing I started was piano with my grandpa.
Then I randomly took a few drum lessons a couple years after that. Then there was moments of guitar, but that would come and go for a few more years.
I never really stuck with one instrument and I think that’s why I like producing.
What’s been happening recently?
I’ve been spending some time in the studio while we’re on a little break from touring. I just bought some new headphones for the flights 🙂 Been taking care of my dragon Spark too.
Your latest single ‘Malibu’ is out now, what influenced the sound and songwriting?
When we showed up to the studio that day everyone had just come from Malibu the day before so it seemed like a good start to a song.
What does Malibu mean to you?
Beach, Rum, Water, Sun
Pretty good version of paradise to me.
You have a new album, please tell us how this came about and what were the influences:
We’re constantly making music so this is just a taste of what’s on our hard drive.
On this Mixtape there’s Dance influence, R&B, Pop, 80s, Funk, and ross likes to say Bedroom Thrash.
Where and when did you record/produce/master and who did you work with?
Most of the album was recorded in our studio in LA.
Most tracks are written, produced and mixed by Ross and I.
Malibu we did with a friend named Griff.
And Keep Moving Forward Nikka add some nice melodies to 🙂
What do you have planned for this latest album, I see you are currently touring globally…
Yea we got a good amount of touring going on for the next couple months.
We just got the first cut of the video for a song called Fantasy.
Maybe 1 more video for another song soon too.
What can we expect from your upcoming Australian shows?
Good vibes, some cool lights, and us 🙂
Who are you listening to at the moment?
JMSN is cool.
Demons Massane Remix
Speaking Sonar by Summer Salt is a good one
Peach Fuzz by Tyler the creator
I’ve been liking a lot of what blood orange has been doing lately.
What do you like to do away from music?
I like to play hockey
I spend a lot of time doing music. So I am kinda curious what else I could enjoy in this world.
What’s planned for the remainder of 2022 going into 2023?
We got some shows in Japan, AUS, New Zealand, Europe and UK to finish off the year. Then I’ll probably move houses after that.
Favourite food and place to hangout in LA?
There’s this new restaurant called Taisho that’s pretty good. Got nice sake and Sea Bass. Good hang at the bar too.
Socials:
@thedriverera – Instagram
@TheDriverEra – Facebook
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