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Festival NewsMusic News

Lost Paradise 2025 unveils complete lineup for Shambhala Fields

by the partae October 15, 2025
written by the partae

PRESENTED BY FINELY TUNED

LOST PARADISE 2025
UNVEILS COMPLETE LINEUP FOR
SHAMBHALA FIELDS

A SPACE FOR FIRST NATIONS CULTURE, MOVEMENT, WORKSHOPS, TALKS, AFTER DARK EXPERIENCES & SOUL SANCTUARY

LOST PARADISE [SOLD OUT!]
28 DECEMBER 2025 – 1 JANUARY 2026
GLENWORTH VALLEY (DARKINJUNG COUNTRY), NSW

MORE INFO HERE
ACCESS TICKET RE-SALE

New Year’s Eve institution Lost Paradise today unveils the full lineup for Shambhala Fields, a foundational pillar of the festival’s uniquely holistic offering. Between spotlighting First Nations Culture, fostering movement and creativity, sharing ideas, nurturing the soul and housing immersive late-night experiences – Shambhala Fields is the side quest within Glenworth Valley’s paradise.

Shambhala Fields is a hub of eclectic activity, woven into the labyrinth of Lost Paradise. As always, the programming will feature a range of First Nations-led experiences that honour Country, culture and community and celebrate the power of connection – from workshops with Elders on dance, yidaki, weaving and storytelling, to hearing from some of the brightest First Nations minds and voices. Explore Indigenous knowledge systems toward a sustainable future with Dr Chels Marshall, hear transcendental pieces from Indigenous Violinist Eric Avery, get hands on with Lenore Lovegrove in a weaving and dance workshop, learn stories of Ancestors through traditional movements from K’gari Njun, take in the cultural and environmental wisdom of Phil Bligh and so much more.

Nurture your connection with your body and celebrate movement in its various forms at Shambhala Fields. If you’re in the mood for some high energy activity, pull up your boots and get involved in a Cowboy C*ntry queer line-dancing workshop from Kath Ebbs, learn the history and moves of Dancehall with Rachell Dade, or go for a community run with 440 Run Club. When in the mood to slow down – discover the art of Zenthai Shiatsu in a deep stretching session with movement therapist Gwyn Williams, enter a calm yet energising Yoga Flow with Simon Borg-Olivier, join international yoga teacher and art therapist Lara Zilibowitz on a movement and somatic meditation journey, or feel ‘The Bern’ in Body by Berner’s hybrid pilates and yoga workout.

2025’s workshops lineup has stacks of diverse programs on offer, leaving attendees feeling enriched and enlightened. Take in practical knowledge from sessions such as Plastic Free Mermaid’s guide to understanding and reducing microplastics, learn the power of breathwork with Breath & Sound or Deano Gladstone & Kate Graczer, customised thrifted clothes your canvas with Amnesty ACRUX or get armed with Delight & Disrupt’s simple practices to boost your wellbeing, alongside the planet’s. Or, fuel your creative side with African and Brazilian drumming workshops, get heated with Sydney Fire Dancers, hear fresh and funny takes on life from comedian and musician Sez, sketch away with Roberta Montorfano. Of course, there’s also Pub Bingo to get around too.

Lose yourself in the new art installations peppered across the festival grounds – discover the immersive sound world of The Human Sequencer Garden, explore sculptural works by Lucas Gauci and Ben Allen, and step inside The Pussy Palace by Chameleon Creative Lab.

This year’s talks will spotlight discussions and commentary crossing sciences, environment and technology, to personal health and wellbeing. Hear a discussion on consent, healthy intimacy and redefining pleasure and connection from Chanel Contos and Catriona Byrne, on Men’s Medicine with Lino Hola, staying festival savvy with Dancewize and on breath and meditation with Tom Carroll. As always, Dr Karl will also return home to Shambhala Fields with a fresh show that delves into great moments in science, meanwhile Dr. Catriona Wallace will unpack the convergence of ritual, plant wisdom and artificial intelligence, Greenpeace will discuss collective impact in activism and changing the world, TEDx and UN speaker Kal Glanzig will tackle eco-anxiety and resilience, just to name a few.

After Dark brings ambient and textural DJ sets, atmospheric sound journeys, soulful music and ritual dance – featuring performances and sessions from the likes of Sultry & Sample, Chaitanyashree, Julien Mier, Mash, Casual P, Jateen and many more. Meanwhile, Shambhala Fields will also transform into a sanctuary for the soul, featuring all your body and mind’s desires including sound healing, Reiki, psychic readings, astrology, Cedar & Salt’s sauna and ice baths, massage, tarot and cacao ritual.

Tickets for Lost Paradise are sold out. Join the waitlist here for access to re-sale tickets
from Wednesday 22 October.

LOST PARADISE
PRESENTED BY FINELY TUNED, PAYPAL & TRIPLE J
SUNDAY 28 DECEMBER 2025 – THURSDAY 1 JANUARY 2026
GLENWORTH VALLEY / DARKINJUNG COUNTRY
MORE INFO HERE

SHAMBHALA FIELDS:

FIRST NATIONS
CULTURE (INDIGENOUS DANCE / YARN WITH ELDERS / WEAVING / YIDAKI) · DR CHELS · DR JODIE EDWARDS · ERIC AVERY · DAVE BEAUMONT · GENE KELAHER · JOSEPH GRAF · LENORE LOVEGROVE · K’GARI NJUN · PHIL BLIGH · TIM GREY · TWO DIVAS

MOVEMENT
BODY BY BERNER · CATRIONA BYRNE · DESTINY WOLF · FEEL FREE DANCE · GWYN WILLIAMS · KATH EBBS · LARA ZILIBOWITZ · RACHELL DADE · 440 RUN CLUB · SIMON BORG-OLIVIER · ZOE BRAITHWAITE

WORKSHOPS
BREATH & SOUND · BETTA.MAYA · CALEB JACKSON · DEANO GLADSTONE & KATE GRACZER · DELIGHT & DISRUPT (TREE HUGGING) · GREENPEACE · KATE NELSON (PLASTIC FREE MERMAID) · MARINA DA SILVA · BRAZILIAN RHYTHMS · LINO HOLA – MEN’S MEDICINE · PUB BINGO – CRYSTAL BALL · ROBERTA MONTORFANO – SKETCHING & DOODLING · SARAH JANE PERMAN · SEZ · SOL ALKEHMI · SOUL DRUMMER · STUDIO INNER WEST · SYDNEY FIRE DANCERS · YIN & PINS – CARTIONA BYRNE & FREDDY’S ACUPUNCTURE

TALKS
AMNESTY YOUTH INTERNATIONAL · DR CATRIONA WALLACE · CHANEL CONTOS · DR CHELS MARSHAL · DR JODIE EDWARDS · DR KARL · GREENPEACE · KAL GLANZIG · LINO HOLA · TOM CARROLL · TIM SILVERWOOD

AFTER DARK
ARI KIKO · CASUAL P · CHAITANYASHREE · DAVE BEAUMONT · ERIC AVERY · GENE KALLAHER · JATEEN · JULIEN MIER · MASH · POSTPONEZ · TOM PARQUE · TWO DIVAS · SULTY & SAMPLE

SOUL SANCTUARY
ASTROLOGY · BODYWORK · CEDAR & SALT SAUNA & ICE BATH · ENERGY HEALING · MASSAGE · NUMEROLOGY READING · PSYCHIC READING · REIKI HEALING · SOUND HEALING · SOL ALKEMI CACAO · TAROT

MUSIC LINEUP:
(A-Z)
BEN BÖHMER (LIVE)
CHRIS STUSSY
CONFIDENCE MAN
DUKE DUMONT
I HATE MODELS
KETTAMA
MARC REBILLET
MARIBOU STATE
UNDERWORLD
X CLUB.

ANNA LUNOE, BABY J, BAD BOOMBOX B2B MISCHLUFT, BALU BRIGADA, BELLA CLAXTON, BIG WETT, BLUSHER, BULLET TOOTH, CASSIAN, CHANNEL TRES, DAMEEEELA. DJ HEARTSTRING, DOMBRESKY PRES. DISCO DOM, DR BANANA, FCUKERS, FOLAMOUR, HEIDI, HOT DUB TIME MACHINE, INJI, JAZZY, JOSH BAKER, JUICY ROMANCE, KILIMANJARO, LUKE ALESSI, MERCI, MERCY, NARCISS, NOTION, ODD MOB, OMAR+, PEGASSI, PROSPA, RIRIA, ROSS FROM FRIENDS PRES. BUBBLE LOVE, SEX MASK, SILVA BUMPA, SIM0NE, SUMNER, SWIM (LIVE), TWO ANOTHER, VTSS, WOLTERS + TRIPLE J UNEARTHED WINNER

ALEX DOWSING, BADASSMUTHA, BELLA BACKE, CALEB JACKSON, COUCH MECHANIC, CRICKET, DAYZZI B2B DAUG, DISCO DORA, ELIJAH SOMETHING, GMOZ, GROOVEWORKS, KAI KAWAI, LARGE MIRAGE, LAYTX, LILY FM, LOST SOUNDSYSTEM, MADAME REVE, MAINA DOE, MASH, MIDDLE JAMES, MINA TONIC, OSCILL8, PAMELA, PENELOPE, PEOPLE’S PARTY, ROXY LOTZ, SALARYMEN, SELVE, SIILA, SILLY LILY, SIM SELECT, TIA LACOSTE, TOKYO SEXWALE, TSEBA, WAXLILY, YASMINA SADIKI
LOST PARADISE
WEBSITE | INSTAGRAM | FACEBOOK | TIKTOK

October 15, 2025 0 comments
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Festival NewsMusic News

GARBAGE ANNOUNCE HEADLINE THEATRE SHOWS IN AUCKLAND, MELBOURNE, ADELAIDE, AND SYDNEY – DECEMBER 2025

by the partae October 15, 2025
written by the partae

Tickets on sale Wednesday 22 October

Frontier Touring are thrilled to announce the long-awaited return of the alt rock icons Garbage to Australia and New Zealand this December, with four electrifying shows for Auckland, Melbourne, Adelaide and Sydney. Standing among the most influential alternative rock bands of modern times, the band – Shirley Manson, Duke Erikson, Steve Market & Butch Vig – are true pioneers, selling over 20 million albums and responsible for a catalogue of era-defining hits. These summer shows will be Garbage’s first Australian headline performances since 2016, and the band’s first appearance in Auckland since 2013.

‘To be able to return to sacred, stunning New Zealand and to Australia – the home country of our most beloved music business guru, Michael Gudinski – is an immense thrill for us as a band. We have been aching to return to this part of the world for a long time now and this tour will be played every night in Gudinski’s honour’ – Shirley Manson

Performing in ornate theatres in each city, including a tour closing night onstage in the Concert Hall at the iconic Sydney Opera House, these shows are a must for long-time Garbage fans. Garbage return in celebration of their highly acclaimed eighth studio album, Let All That We Imagine Be The Light. Since its release in May 2025, the band have been hitting the road, currently midway through their first North American headline tour in a decade, which began in early September. In November, they’ll head to Mexico before closing out their US run with a final Los Angeles show, ahead of their long-awaited return to Australia and New Zealand.

Onstage, the fearless outfit are hungrier than ever, earning rave reviews from critics at recent shows:

‘Garbage has never been a band to play it safe … ​ Nearly three decades later, the band still commands a room with the same swagger that made Version 2.0 a global phenomenon’ – Miami New Times
‘The stage backdrop of gothic statues lit up in neon pink and UV lights serves as a perfect analogy for the band’s live sound: still slick and candy-coloured like their records, but with a surprisingly heavy industrial sensibility’ – ★★★★ The Guardian

Formed in Madison, Wisconsin, Garbage released their self-titled debut back in 1995 – an album that shot to #1 on the NZ Album Chart, #4 in Australia, and went 2x Platinum in both countries. What followed was three decades of era-defining records and chart-topping singles, including ‘Only Happy When It Rains’, ‘Stupid Girl’, ‘When I Grow Up’, ‘No Gods No Masters’, ‘I Think I’m Paranoid’, ‘Vow’ and countless more. Now, the band continue to evolve, as heard on latest single ‘There’s No Future In Optimism’.

“This record is about what it means to be alive, and about what it means to face your imminent destruction,” says Manson of their latest opus. “It’s hopeful. It’s very tender towards what it means to be a human being. Our flaws and our failures are still beautiful, even though we’re taught that they’re not… This is a tender, thrilling record about the fragility of life.”

Tickets to all shows go on sale Wednesday 22 October (1pm local time) via frontiertouring.com/garbage. Frontier Members presale starts Tuesday 21 October (10am local time) – see website for more information.

Do not miss these special shows: a joyous, electrifying celebration of the band that defined a generation.

GARBAGE
​AUSTRALIAN & NEW ZEALAND TOUR
​DECEMBER 2025
​
Presented by Frontier Touring


FRONTIER MEMBER PRESALE ​
​
via frontiertouring.com/garbage ​
​
Runs 24 hours from: Tuesday 21 October (10am local) ​
​or until presale allocation exhausted

TICKETS ON SALE
​
Begins: Wednesday 22 October (1pm local time)


Wednesday 3 December
​Auckland Town Hall | Auckland, NZ
​
Lic. All Ages ​
​ticketmaster.co.nz

Thursday 11 December
​Palais Theatre | Melbourne, VIC
​
Lic. All Ages ​
​ticketmaster.com.au

Friday 12 December
​Thebarton Theatre | Adelaide, SA
​
Lic. All Ages ​
​ticketmaster.com.au

Sunday 14 December
​Sydney Opera House Concert Hall | Sydney, NSW
​
Lic. All Ages ​
​sydneyoperahouse.com

Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.


FOLLOW GARBAGE:

Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music

frontiertouring.com/garbage

October 15, 2025 0 comments
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Music News

44 Ardent Channels Emotion and Euphoria on Captivating New Single “Hold On (Forever)”

by the partae October 15, 2025
written by the partae

Australian producer 44 Ardent has a knack for crafting tracks that feel both deeply personal and effortlessly expansive, and his latest release Hold On (Forever) is no exception. Fresh off the back of his recent singles Curtain Call and Wake Up, the producer returns with a captivating new offering — one that sits at the intersection of emotional depth and club-ready energy.

Built from a blend of dance, house, and UKG influences, Hold On (Forever) glides between intimacy and euphoria. Drawing inspiration from artists like Caribou, Jamie xx, and Tourist, 44 Ardent layers his sound with rich textures and emotional weight, delivering a track that feels both introspective and built for the dance floor. At its heart is a towering, emotional drop — a signature move he’s honed since his early SoundCloud days.

“I’ve always loved a big, emotional, wall-of-sound drop with lots of elements and complexity,” he says. “Back then, people would literally scan the waveform and skip straight to the drop, so artists put a lot of energy into making that first moment hit hard. These days, it feels like hooks at the very start are more important, but for me, old habits die hard.”

That nostalgia is tempered by something more human. Beneath the shimmering synths and propulsive beats, Hold On (Forever) carries a lyrical weight that lingers long after the track ends. Lines like “cold iron, hot brand” cut through with brutal honesty, exploring the sting of human interactions and the scars words can leave behind. “It’s about how words can be painful,” 44 Ardent explains. “At the time I was thinking about how needlessly nasty humans can be to one another.”

The result is a track that captures both the euphoria and ache of connection — a hallmark of 44 Ardent’s sound and proof of his evolving artistry. It’s the kind of song that hits hardest at 2AM, when the lights are low and emotions run high. Hold On (Forever) is more than a dance track; it’s a reminder that even in the chaos of the club, there’s space for vulnerability.


Hold On (Forever) is out now via Mammal Sounds Records:
https://bfan.link/hold-on-forever

Socials:

https://soundcloud.com/44ardent

https://www.facebook.com/44ardent

https://twitter.com/44Ardent

https://www.instagram.com/44ardent

Credits:
Production by 44 Ardent

Mixing & Mastering by Callan Alexander

Artwork by 44 Ardent

October 15, 2025 0 comments
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Festival NewsMusic News

HARLEY GIRL Cranks Up the Energy with New Single “Turn Up The Sound”

by the partae October 15, 2025
written by the partae

There’s a certain thrill that comes when a producer hits their stride — that sweet spot where instinct meets innovation and the results are impossible to ignore. For Australian producer and DJ HARLEY GIRL, that moment is right now. Fresh from dropping two recent crowd-pleasers, Gimme ! and The Music (which also teased his forthcoming EP), he’s back in full force with a brand-new single, Turn Up The Sound.

The track is a blistering, high-energy ride through the heart of the club — the kind of record that demands to be heard on a sound system turned all the way up. Drawing inspiration from the UK garage revival and weaving it into a vocal-driven framework, HARLEY GIRL’s latest offering is a confident step deeper into the sounds currently lighting up his creative process. Touchpoints include rising talents like Club Angel, Charlie Shell, and Osmosis Jones, while nodding to the genre-bending energy of Mura Masa, Nikki Nair, and DJ ADHD.

“It was super fun to make and even more fun to play out,” HARLEY GIRL shares. “I wanted to lean into the UKG, vocal-forward stuff that’s been inspiring me lately.”

And that fun is infectious. Turn Up The Sound lands as a sharp, dance floor-ready anthem that feels tailor-made for late nights and festival stages. There’s a playful edge running through the track, but it’s backed by the kind of production precision that shows HARLEY GIRL isn’t just experimenting — he’s evolving. Fans won’t have to wait long to experience the track in its natural habitat either.

As with his previous releases, Turn Up The Sound is a deeply hands-on project. Written and produced by Connor Grant (aka HARLEY GIRL), the track was mixed by Grant and Doug Wright, mastered by Ryan Schwabe, with artwork by Leo Horton and photography by Will McLeod — a creative lineup that mirrors the track’s energy and ambition. For HARLEY GIRL, this isn’t just another release — it’s another step forward in a rapidly building story. One that’s defined by fearless experimentation, an ear for what moves a crowd, and a growing reputation as one of Australia’s most exciting names in club music.

HARLEY GIRL will be behind the decks at Spare Time Collective’s Halloween Party at Echo & Bounce in Brisbane on October 31, before heading across the Tasman for his New Zealand debut as part of the SLACKBARN 2026 lineup at Black Barn Vineyards on January 10. If Turn Up The Sound is any indication of where his live sets are headed, these shows are going to be something special.

Credits: Written & Produced by Connor Grant (aka HARLEY GIRL)

Mixed by Connor Grant &Doug Wright

Mastered by Ryan Schwabe

Artwork by Leo Horton

Photos by WillMcLeod

SOCIALS

October 15, 2025 0 comments
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Festival NewsMusic News

Pa Salieu announces debut headline shows in Melbourne & Sydney this December | With special guest C.FRIM

by the partae October 14, 2025
written by the partae

TICKETS ON SALE MONDAY 20 OCTOBER

PRESALE SIGN UP

Mercury Prize and Ivor Novello-nominated rap renegade and visionary Pa Salieu makes his long-awaited Australian debut this summer, bringing his electrifying live show to Melbourne and Sydney for two exclusive headline performances, in addition to his much-anticipated appearance at Meredith Music Festival. Pa Salieu’s genre-blurring sound – shaped by his British upbringing and deep Gambian roots – has seen him hailed as one of the most compelling voices in contemporary hip hop.

Pa Salieu will perform at Sydney’s Metro Theatre on Thursday 4 December and Melbourne’s 170 Russell on Tuesday 9 December, presented by I OH YOU and MG Live.

Tickets go on sale Monday 20 October at 10.00am local time with presales commencing Thursday 16 October at 10.00am local time. Sign up for early access to the MG Live presale here.

Recently shortlisted for the prestigious 2025 Mercury Prize for Album of the Year with his transformative album Afrikan Alien, Pa Salieu continues to redefine the boundaries of global hip hop. Afrikan Alien is a bold, genre-defying statement of identity, resilience and creative rebirth with Pitchfork stating, “as a blueprint for a new, pan-African pop music, it is thoroughly convincing”. Written during a period of deep introspection and systemic barriers, the album channels his lived experience navigating ADHD and mental health, embracing the duality of his Gambian heritage and British upbringing.

Since bursting onto the scene with his breakout single Frontline in 2020, Pa Salieu quickly captured attention with his raw lyricism and genre-blending sound. His critically acclaimed mixtape Send Them To Coventry earned widespread praise and an Ivor Novello nomination for Best Album in 2021. That same year, he was named BBC’s Sound of 2021, received a Brit Rising Star nomination and made his US television debut on The Tonight Show with Jimmy Fallon.

With collabs including FKA Twigs, Ghetts, Mura Masa, Aitch and Disclosure, his sound is as fluid as it is fierce, firmly establishing Pa Salieu as a fearless storyteller and sonic innovator.

Joining Pa Salieu in Melbourne and Sydney is C.FRIM, bringing her signature bold, hybrid sound to the stage – drum-driven cuts that step, bounce, sway and shuffle, bridging bass, gqom, jungle and beyond. Drawing on her Ghanaian-Filipina roots, C.FRIM blends global club styles that are urgent, nostalgic and boundary-pushing. After her legendary Boiler Room set, the Melbourne producer has become a key force redefining Australia’s dance music scene.

Don’t miss Pa Salieu live in full force this December – a night you won’t forget! Tickets on sale Monday 20 October from mg.live

Thursday 4 Dec, 2025

Metro Theatre
Sydney, NSW

Pa Salieu with special guest C.FRIM
18+
Tickets via Ticketek

Tuesday 9 Dec, 2025

170 Russell
Melbourne, VIC

Pa Salieu with special guest C.FRIM
18+
Tickets via Moshtix

Presented by I OH YOU and MG Live

Also appearing at Meredith Music Festival*
Friday 5 December, 2025

mmf.com.au
*Not an MG Live show

All event and ticketing information mg.live

 TICKETING

MG LIVE MEMBER PRESALE
via mg.live
Runs from: Thursday 16 October, 10.00am local time
For 24 hours or until presale allocation exhausted

GENERAL PUBLIC ON SALE
PA SALIEU

Tickets on sale Monday 20 October at 10.00am local time
From mg.live

pasalieu.com
Facebook | Instagram
Twitter/X | TikTok
YouTube | Spotify | AppleMusic | Amazon Music

October 14, 2025 0 comments
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Festival NewsMusic News

YUNGBLUD: Genre-defying artist is bringing his IDOLS World Tour to Australia in January 2026

by the partae October 14, 2025
written by the partae

Frontier Touring is thrilled to announce that genre-defying artist YUNGBLUD, whose catalogue has accumulated an astonishing 8 billion streams globally, will bring his IDOLS world tour to Australia for his biggest shows to date in January 2026. 

Following the colossal news that his 2026, 24-date North American tour sold out in just one minute last week, the tour is now making its way through Europe before heading to Australia in the new year with stops in Sydney, Melbourne, Brisbane, Adelaide, and Perth.

Telstra Plus Members can access presale tickets from Thursday 16 October (2pm local time) via telstra.com.au/plus, while the Frontier Member presale commences Monday 20 October (3pm local time) before the general on sale Tuesday 21 October (3pm local time). Tickets and tour information via frontiertouring.com/yungblud.

Multi-instrumentalist, songwriter, and performer YUNGBLUD is rapidly becoming one of the most influential musical voices of his generation, blending elements of rock and punk to monumental effect. Known for his electrifying stage presence, his arena-filling performances have cemented his status as one of the world’s most exciting musical exports. ​

In 2024 YUNGBLUD debuted his own curated festival, Bludfest, and released a book — the No. 1 Sunday Times Bestseller You Need to Exist: A Book to Love and Destroy — before unleashing his critically acclaimed, chart-topping fourth album, IDOLS in June this year, alongside the Paul Dugdale directed documentary, YUNGBLUD: Are You Ready, Boy?.

 IDOLS landed YUNGBLUD his third number one debut in the UK and is his most personal and ambitious work yet. Described as a modern rock opera, the album features the anthemic single ‘Zombie’ and opens with a nine-minute epic ‘Hello Heaven, Hello’, which debuted as Jack Saunders’ Hottest Record on BBC Radio 1.

YUNGBLUD
​
IDOLS THE WORLD TOUR
​AUSTRALIAN TOUR
​JANUARY 2026
​Presented by Frontier Touring


TELSTRA PLUS MEMBER PRESALE
​via telstra.com.au/plus
​Runs 48 hours from: Thursday 16 October (2pm local time)
​or until presale allocation exhausted

FRONTIER MEMBER PRESALE 
​via frontiertouring.com/yungblud
​Runs 24 hours from: Monday 20 October (3pm local time) ​
​or until presale allocation exhausted

TICKETS ON SALE
​Begins: Tuesday 21 October (3pm local time)


Saturday 10 January
​Hordern Pavilion | Sydney, NSW
​Lic. All Ages ​
​ticketek.com.au

Tuesday 13 January
​Sidney Myer Music Bowl | Melbourne, VIC
​Lic. All Ages
​ticketek.com.au

Thursday 15 January
​Adelaide Entertainment Centre | Adelaide, SA
​Lic. All Ages
​ticketek.com.au

Saturday 17 January
​Riverstage | Brisbane, QLD 
​Lic. All Ages ​
​ticketmaster.com.au

Tuesday 20 January
​Ice Cream Factory | Perth, WA
​18+
​eventbrite.com.au

 

FOLLOW YUNGBLUD:
​Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music 

October 14, 2025 0 comments
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Festival NewsMusic News

AO LIVE 2026 TICKETS ARE ON SALE NOW

by the partae October 14, 2025
written by the partae

AO LIVE returns to John Cain Arena in 2026 with five massive nights, bringing an electrifying blend of sport and music to Melbourne Park with two additional evenings of music.

2026 promises an unforgettable experience, headlined by some of the biggest globally renowned artists ever to hit the AO LIVE stage at John Cain Arena, including The Kid LAROI, Peggy Gou, Spacey Jane, The Veronicas, and Sofi Tukker with more exciting artists to be announced.

Tickets are on sale now, grab yours below before it’s too late!

BUY TICKETS
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BUY TICKETS
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MORE INFORMATION
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Music News

ASHA RYDER WEST dives into new era with the poignant track ‘TOO MUCH’

by the partae October 14, 2025
written by the partae

Photo Credit: Mae Hartrick

Melbourne artist ASHA RYDER WEST has had a musical journey which, to date, has let her explore some beautiful and atmospheric blends of pop, electronic and experimental influences. All of these have produced music that has excited, intrigued and offered up an unique set of perspectives from the songwriter about navigating young adulthood.

This year, she returns with brand new music – the first since her 2023 debut album Ethereality – in the stirring single, ‘Too Much’. The song is a reaffirming piece of music from West, who looks ahead to a bright new chapter with emotional maturity and optimism as to where her music will take her.

For ‘Too Much’, production of the song began in West’s home studio, with the talented artist starting the process in a very solo, intimate way. It then found its way into the hands of West’s dad, producer Dorian West, who brought “a really cool, live energy that gave the song a whole new dimension.”

‘Too Much’ is the first song West wrote since completing her debut album and as such, it lands with impact. This is a song that marks a new stride forward for West, and will provide long time and new fans alike with a pointer towards what is coming next.

“‘Too Much’ is about both hope and fear that you experience in the early stages of love. You feel wonder, desire and possibility, but alongside that, lies uncertainty, the fear that nothing is promised. The production of the song mirrors this emotional duality, opening in a dreamlike soundscape and then moving into a haunting and dark ending.” ASHA RYDER WEST

With early comparisons to artists like Lana Del Rey, Kelsey Lu and FKA twigs putting her on radars in Australia, West has grown her following significantly off the back of arresting live performances, supporting the likes of Tina Arena and Taylor Sheridan, to name a few.

Industry support has continued to grow for her music, with Ethereality gaining praise from both Triple J Unearthed and Australian community radio, while West’s compositional skills also garnered exposure and momentum thanks to her work on songs ‘Surrender’ and ‘Lost In Outer Space’ for the Australian film, The Fort.

PRAISE

“Lush and elegant without being too lofty either. A nice balance from someone with their influences and vision down pat.” 

TRIPLE J UNEARTHED, DAVE RUBY HOWE

“Really enjoy the subtlety and the ambiance. Reminds me of acts like (((O))). Looking forward to hearing more.”

TRIPLE J UNEARTHED, CLAIRE MOONEY

‘Too Much’ is out Now

.

ASHA RYDER WEST: Facebook | Instagram | Youtube | Tik Tok | triple j Unearthed

October 14, 2025 0 comments
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Festival NewsMusic News

TURNSTILE ANNOUNCE 2026 AUSTRALIAN HEADLINE DATES

by the partae October 14, 2025
written by the partae

Baltimore hardcore heavies TURNSTILE return to Australia this summer, following the release of their stunning new LP ‘Never Enough’.

Joining them will be British emo revivalists Basement, for four massive performances at epic Australian venues include PICA, Hordern Pavilion, Riverstage and Red Hill Auditorium.

See in the new year with raucous, joyous, kaleidoscopic rock.

LANEWAY PRESENTS + HANDSOME TOURS PRESENTS

TURNSTILE
The Never Enough Tour

With Basement

Presale: Thursday 16th October at 9am local – Tickets
General sale: Friday 17th October at 9am local

Thursday January 1
PICA, Melbourne
Tickets

Tuesday January 6
Hordern Pavilion, Sydney
Tickets

Friday January 9
Riverstage, Brisbane
Tickets

Sunday January 11
Red Hill Auditorium, Perth
Tickets

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October 14, 2025 0 comments
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Music InterviewsMusic News

Bobo Gogo on Shooting Stars, Retro Hooks, and “Wish On You”

by the partae October 13, 2025
written by the partae

What’s the most unexpected place or situation where a lyric or melody for “Wish On You” first came to you?

The main melodies in this track are almost a decade old. Melodies come to me all the time — while out on runs or in line at the café. I record them quickly and file them away for safekeeping. I took several out of the archive for “Wish On You,” and the lyrics came to me quickly. I wanted to write a song that blurred the lines between sincere relationships and parasocial relationships, and while trying to work it out, I took my dog outside that night and saw a shooting star — true story!! — and knew that was the perfect allegory.

If “Wish On You” were a movie scene, what would be happening on screen when the song plays?

Oh, definitely someone screaming at their television or throwing something through it. I’m a big fan of drama like that!! This song is pretty messy and hyper-dramatic, but I use that to mask the real emotions in it. I’m my most sincere when I’m being ridiculous!

What’s one thing about your creative process that would probably surprise people?

When I’m writing my lyrics, I prefer total silence. I know the melody and notes in my head, and I write better in silence with the lights out! I’m a failed poet at heart, and my music is just another avenue for my ironic, angsty poetry!! Call it “performative masculinity poetry” or whatever — it works for me!!

If you could time-travel back to the peak blog-era days, which artist or band would you want to collaborate with and why?

OOOF, so many to choose from. I used to work for a college radio station during this era, and we were sent so many promotional tracks from amazing, truly indie artists. It was such a formative time for me, so I’m going to end up leaving so many out!! I think the top of my all-time-collab-dream list would definitely be Metronomy, Phoenix, Hot Chip, and Neon Indian!! They all have such an amazing approach to their music and lyrics — there’s something to all of them that feels almost hyper-real!! If any of them or their reps are reading this — you know where to find me!!

What’s the strangest or funniest reaction you’ve had from someone hearing your music for the first time?

My dad is probably my biggest fan, and I owe so much to him for curating my taste in music since I was an infant. He loves my music but likes to remind me that I sing like “Weird Al” Yankovic and that “Wish On You” really highlights this! Definitely not an insult in the least bit. I’ve often thought that when Weird Al retires, he’d be able to pretty easily pass the torch to me. He was my first concert growing up, and I have a pretty gosh darn good taste in polka!! Myron Floren? Come on!! Though that’s hardly a hot take.

How would you describe Bobo Gogo’s sound if you had to use three completely random objects instead of music terms?

I don’t want to spoil anything, but my sound is definitely going to change drastically and constantly. I have some things planned for 2026 that are… pretty wild!! I think the distinct through-line of all of my tracks is my approach to melodies and lyricism, and the objects that really capture my perspective are: an empty giant soda cup from a cliché American gas station, an unfinished crossword puzzle (Sudoku is an acceptable substitution), and infinitely tangled corded headphones that are more wound together than the Gordian Knot.

What’s a piece of pop culture — a film, a meme, a video game — that secretly inspired this track?

A lot of my little melodies and hooks are always going to sound a little retro video-gamey, especially for my first few singles. I get a lot of inspiration from Nintendo 64 soundtracks — they all have such a bright approach to instrumentation and composition that can’t help but excite you!!

If someone made a cocktail called “Wish On You,” what would be in it?

I’m actually a hardcore non-drinker — the people’s straight-edge pop star!! So I think the “Wish On You” would be a Sprite with sour mix and a ton of cherries. That’s my go-to drink when I’m out on the town, and it’s so zippy and sweet that it can’t help but get you into a manic state (which is pretty much required for this song).

What’s a lyric from the song that hits you the hardest when you perform it, and why?

“Can’t even watch a show without you on my TV screen” is the standout lyric to me in this song. It really captures the inescapable feelings you have for someone — whether you’re literally seeing them on screen because they’re now super famous (perhaps I’m talking from experience, perhaps not), or you’re figuratively projecting someone you miss onto characters in a show. Then all of a sudden you’re in your feelings about Michael Scott in The Office or something.

How do you want people to feel after blasting “Wish On You” on repeat?

Oh wow, I hope people listen to my music a lot, but maybe this isn’t good for the psyche!! I think “Wish On You” is an intense song that can evoke a lot of feelings, but by the end I hope people are releasing all of those pent-up emotions and dancing them away!! Or head-bopping or foot-tapping!!

WEBSITE

October 13, 2025 0 comments
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Festival NewsMusic News

Riverboats Music Festival Returns in 2026 With The Living End, Baker Boy, Cash Savage + more!

by the partae October 13, 2025
written by the partae

The multi-award-winning Riverboats Music Festival is back from February 13–15, 2026, descending on the banks of the Murray River, on Yorta Yorta country in Echuca-Moama with its biggest line-up yet. 

For three days under the towering river red gums, Riverboats 2026 will bring together an incredible mix of talent, community and good times.

Friday sets the tone with the alt-folk sounds of Norwood, Brisbane’s psych-rockers Full Flower Moon Band, and a huge headline set from Baker Boy – described by The Guardian as “the kind of rapper who can get a crowd airborne within seconds.”

Saturday is stacked from start to finish: local duo The Wildlings open the day, followed by Queenie, Felicity Urquhart & Josh Cunningham, the Andrew Gurruwiwi Band (all the way from N.E. Arnhem Land!), the new all-star project Bleak Squad (featuring Mick Harvey, Mick Turner & Adalita), the powerhouse soul of Emma Donovan performing Take Me To The River (a tribute to the soul icons of the last century), and the all-commanding Cash Savage & The Last Drinks. All this leading into a massive headline performance from one of the best live bands this country has ever produced, The Living End.

Sunday closes the festival with Daisy Kilbourne, a spaghetti-western inspired project The Counterfeit ft. Freya Josephine Hollick, indie-pop fav Merpire, Paul Dempsey’s super fun Shotgun Karaoke, and a stunning finale from roots icon, Xavier Rudd.

Beloved MC Brian Nankervis (RocKwiz) will keep the whole show flowing with his trademark games, banter and wit.

And of course, the festival’s legendary paddlesteamer sideshows aboard the PS Pevensey return in 2026, offering intimate one-hour performances while cruising down the mighty Murray – a must-do Riverboats tradition that always sells out, so get in quick.

With its single stage, relaxed riverside atmosphere and setting just two and a half hours from Melbourne, Riverboats has grown into one of Australia’s most beloved festivals. Accommodation across Echuca-Moama books out quickly, so plan ahead now to make sure you don’t miss a weekend that’s shaping up to be the best Riverboats yet.

Tickets are on sale now at riverboatsmusic.com.au

RIVERBOATS MUSIC FESTIVAL

February 13-15, 2026 | Echuca-Moama

Supported by Double J
Tickets on sale now at riverboatsmusic.com.au

Line up in alphabetical order:Andrew Gurruwiwi Band

Baker Boy

Bleak Squad

Cash Savage & Last Drinks

Daisy Kilbourne

Emma Donovan – Take Me To The River

Felicity Urqhart & Josh Cunningham

Full Flower Moon Band

Merpire

Norwood

Paul Dempsey – Shotgun Karaoke

Queenie

The Counterfeit ft. Freya Josephine Hollick

The Living End

The Wildlings

Xavier Rudd

MC Brian Nankervis

Riverboats Website Riverboats Website
riverboatsmusic riverboatsmusic
@riverboatsmusic @riverboatsmusic

October 13, 2025 0 comments
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Music News

Premiere: Tennyson King ‘Most Of My Days’

by the partae October 10, 2025
written by the partae

Award-winning folk artist Tennyson King will release his powerful new single “Most Of My Days”

“Most Of My Days” is the first offering from his upcoming album 百城 (100 Cities), due in May 2026. Known for blending Western indie folk with traditional Chinese instruments, King continues to expand the boundaries of contemporary folk-rock by drawing from both his Canadian and Hong Kong heritage. The track is a dark and moody indie-folk song built on smooth vocals, rhythmic guitar, and atmospheric instrumentation, reflecting the unique cross-cultural sound that has earned him international recognition. “Most Of My Days” is inspired by King’s personal journey of reclaiming his identity while addressing the fear of speaking out on global issues. “The song is about finding the courage to speak our truths, not being afraid of judgment from others for what we believe in,” says King. “It was inspired by feeling powerless in the face of social injustices—genocide, environmental destruction, discrimination towards immigrants—while also rediscovering the love for my culture and heritage. Growing up, I tried to hide my identity to assimilate, but this song is my anthem of not being afraid anymore. That’s why it includes traditional Chinese instruments, masks, dancers, and fashion in the video—it’s about embracing who I am fully and proudly.” With “Most Of My Days”, King not only delivers a moving piece of music, but also a bold statement of authenticity and resilience that sets the tone for his forthcoming album.

A charismatic live performer with a restorative, folk-rock sound infused with earthy roots, pop, and subtle psychedelic tones, King has performed across Canada, Australia, the United Kingdom, Taiwan, Japan, Mainland China, Hong Kong, Vietnam, Thailand, Indonesia, Brazil, and Holland. His international profile includes a standout performance at Glastonbury Festival 2024, as well as showcases at Folk Alliance International 2025, and appearances at major festivals such as Vancouver Island MusicFest, Beaches Jazz Festival, Knockengorroch, FOCUS Wales, and Mission Folk Music Festival. King’s last album, Good Company, earned features on CBC Radio, SiriusXM, Stingray Music, OMNI TV Mandarin & Cantonese, The RepresentASIAN Project, Exclaim!, and more.

Facebook | Instagram | TikTok | YouTube 

October 10, 2025 0 comments
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Festival NewsMusic News

Naarm alt-rock outfit DAY DREAMERS release ‘y2k’

by the partae October 10, 2025
written by the partae

Photo by Ben Erbacher (@b.enje)

Naarm/Melbourne alt-rockers Day Dreamers have served up a fresh dose of apocalyptic punk for your listening pleasure, returning with their second track of the year in the gritty new ‘y2k’.

Off the back of their January single ‘Again, Again’, which saw them return after a year-long release hiatus, ‘y2k’ has Day Dreamers picking back up on their blazing momentum, and carrying out the remainder of 2025 with nothing short of a bang. 

Thematically, ‘y2k’ speaks to a sense of cultural, social, and personal panic noted by the band in the world around them of late. Nodding to the titular global phenomenon experienced at the turn of the millennium, frontman Zak expanded on the similar sense of apocalyptic incidents unfolding around us;

“’y2k’ is a reference to the hysteria of 1999 but about the feeling that every day right now feels like an intense moment of panic that the world is about to end in one form or another – but choosing to still want, to accept pain, to move on from the past, and to hold close what’s truly important. For some with what is going on each day across the planet, their world is ending and it’s been a wake up call that everyday, just to be alive is a gift and it shouldn’t be wasted on the day-to-day surface level things that I know I can tend to get so absorbed by.”  ZAK, DAY DREAMERS

A high-energy track which effortlessly marries catchy melodies with a punchy performance style, the single was, in part, inspired by beloved pop-punks and fellow Melbournites Bakers Eddy (whom Day Dreamers recently supported on their Doing Better tour), and is primed for fans of Dear Seattle, TOWNS and Sophisticated Dingo;

“The music was written on a band trip away to Venus Bay. We had a bit of the ol writers block and we were listening to a lot of Bakers Eddy at the time, so we were all wanting to come up with an idea that had heaps of energy and felt explosive to open our sets but everything just felt forced and inauthentic. Ironically out of frustration Nick literally pointed at me and yelled “do Bakers Eddy!” Not knowing what that meant or what to do it snapped me to just be in the moment and I just started playing the open chord riff that opens the song and we hashed out the rest from there…

After writing the music, I wanted the vocals to just feel like panicked barking – yelling at myself, but to also feel like someone shaking you awake to break out of the haze and wake up to what’s going on right in front of you. We mixed and recorded the song itself completely from my bedroom, and the drums in the family lounge room. It took a long time doing it by ourselves but we wanted this song to truly come from us in every facet, and for it to feel as honest and forthcoming as possible but to show how much we’ve grown from our previous releases. Hopefully it shows.”  ZAK, DAY DREAMERS

Day Dreamers have seen past support across DSPs, with their last single ‘Again, Again’ being added to Spotify’s Local Noise playlist, and singles such as ‘Demo’ sitting at over 72K streams on the platform. Previously having sold out their 2023 album launch show at Melbourne’s Leadbeater Hotel, Day Dreamers have been working hard at building their name in the studio and the local gig scene alike. 

Now, the band are set to take the stage again for their upcoming tour, kicking off with a single launch show at Melbourne’s Retreat Hotel, before hitting Adelaide, Sydney and Brisbane throughout the month of November.

DAY DREAMERS TOUR

Friday October 24th The Retreat Hotel Melbourne TICKETS

Friday November 14th Woodshed Adelaide

Friday November 21st Lansdowne Hotel Sydney

Sunday November 23rd Junk Bar Brisbane

Day Dreamers: Official Website | Facebook | Instagram | YouTube | TikTok | triple j Unearthed

October 10, 2025 0 comments
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Music InterviewsMusic News

Interview: Redspencer on Growth, Balance, and Finding Joy in the Everyday with New Album ‘Primal Urges’

by the partae October 10, 2025
written by the partae

Primal Urges feels both introspective and lighthearted — what kind of headspace were you in while writing this record?

I’d say the blanket headspace was just being open to whatever came through, and a lot did – but there’s about an album’s worth of other songs that didn’t make it out of demo territory for good reason!

You’ve said the songs are more “outward focused” this time. What shifted in your perspective compared to Dreamworld?

I didn’t have the low hanging fruit of breakups or singledom breakdowns to pick from this time around.   Dreamworld was full of that stuff and it’s easier to write so it was nice to open up a bit and let other things in a bit more.  Speaking of – my partner Becky who does all the visual art for us have been juggling having baby born and raising him through all this.

There’s a warmth to this album that feels lived-in. How did you balance humour and melancholy without tipping too far either way?

I want the songs to be able to wash over the listener without the lyrics slamming them in the face, but if you want a bit more there is more.  It’s a part of that balance I think.

Working with Alex Markwell seems to have brought a certain polish while keeping your charm intact. What was that collaboration like in the studio?

He’s a lot of fun. He has a way of being so relaxed by doing all studio tasks at wizard pace.  We didn’t talk much about tones or anything, we all just did our thing and it worked pretty naturally.

“Blue Horizon” dives into an imagined love story between a bushranger and his lover — where did that idea come from, and what drew you to that era?

Ahem.. not imagined!  The part that is imagined is Frank convincing his lover to escape with him after the heist.  They did exactly that so one would assume there were convincing convos a plenty.

The album moves from hazy nostalgia to something almost cinematic by the end. Was that progression intentional?

Not at all but thanks for listening to it. I tried to put catchiest ones at the start so by the second half you feel obligated to stay on board.

You’ve been praised for your clever, observational lyrics. Do you start with words, or does melody usually lead the way?

Almost always chords then a loose melody then lyrics.  I’d love to change it up and do lyrics first but it hasn’t happened much yet. Maybe next time.

After your return to live shows with “Blue Horizon,” how did it feel reconnecting with audiences after a few quieter years?

A lot of fun. We’ve had Liam Gough on drums for this run of shows and we’ve never sounded better. I’m on the guitar for a change , so for Aiden (guitar) and Riz (bass) and I it’s been a Breath of fresh air and I think that translates live. People seem to enjoy it!

You’ve cited everyone from The Clientele to early Madonna as influences — how do you blend those references into something uniquely Redspencer?

I think I’m so locked into my songwriting style now that it’s hard to make anything that doesn’t sound like Redspencer.  So I guess I’m a blender.

Looking ahead, what do you hope listeners take away from Primal Urges — and where do you see the next creative chapter leading?

I want people to feel positively charged after hearing it, I tried not to write any filler moments in there, nothing too challenging. It’s a pop album and we’re very proud of it . I’m not sure what happens next because we are all so busy these days with kids and running businesses ect – so we’ll just enjoy this era for now and see what happens naturally!

Primal Urges is out now, with vinyl available for pre-order HERE

Listen on:

Spotify

Apple Music

YouTube Music

Amazon Music

Connect with Redspencer

Instagram | Facebook

 

 

October 10, 2025 0 comments
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Music News

Underground Electropop Artist Bobo Gogo Announces Debut Single “Wish On You” – Out Now

by the partae October 10, 2025
written by the partae

City, Missouri — Rising independent artist Bobo Gogo will make his highly anticipated debut with the release of “Wish On You” on October 10, 2025 — a striking introduction that blends the grit of electroclash with the glamour of indie sleaze, reimagined for today’s underground pop scene.

Fusing tongue-in-cheek irony with raw emotional honesty, Wish On You channels the energy of the late-2000s blog era, drawing inspiration from icons like MGMT, M83, and Passion Pit, while weaving in the sharp, neon-lit synth textures of Ladytron and Goldfrapp. The result is a bold, addictive debut that’s equal parts nostalgic and forward-thinking.

“The indie electro music of the late 2000s and early 2010s holds such a special place in my heart,” says Bobo Gogo. “It felt natural to launch my career in that space — and Wish On You is the first of many tracks that pull those vibes into the present tense.”

Recorded and produced entirely independently, Wish On You marks the opening chapter of a larger creative vision. It establishes Bobo Gogo as one of the most distinctive new voices in pop — an artist unafraid to experiment and evolve.

“I’m constantly pushing myself artistically and I find it important to evolve,” he adds. “I have so much music I want to make — limiting myself would be boring. I can’t promise I’ll always sound the same, but I can promise it will always be interesting.”

Wish On You is available worldwide on all major streaming platforms.

WEBSITE

October 10, 2025 0 comments
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