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The Velvet Club announce highly anticipated debut album Are You Falling In...

May 1, 2026

Monsieur Mellow – Dreaming In Colour (EP) ~ out now ~

May 1, 2026

Real Farmer share new single/video 9 Till Not Alright

April 30, 2026

Sonny Fodera Returns Home For 2026 Australian Tour

April 29, 2026

INTERVIEW: ELAURA – Loving Deeply Without Loving Blindly

April 29, 2026

XG (JAPAN) ICONIC ARTIST GROUP RETURNS WITH 2026 WORLD TOUR: THE CORE

April 23, 2026

The Jungle Giants – Album Launch Parties

April 23, 2026

STEPHEN SANCHEZ: Brings The Lover Down Under Tour to Australia & NZ...

April 23, 2026

FUTURE ISLANDS Share ‘The Ink Well’ and ‘One Day’ New LP From...

April 23, 2026

BAAUER RETURNS WITH U, HIS FIRST ALBUM IN SIX YEARS, ON LUCKYME...

April 23, 2026
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Music News

The Velvet Club announce highly anticipated debut album Are You Falling In Love? out July 10

by the partae May 1, 2026
written by the partae

Photo Credit: Nikola Jokanovic

Release self-reflective new single ‘We Don’t Talk’ and striking B-Side ‘Toothache’

Naarm indie favourites The Velvet Club are thrilled to announce their debut album Are You Falling In Love?, set for release on July 10, 2026. Pre-save the album HERE and pre-order physical copies HERE.

Alongside the announcement, the band have shared their new single and recent live favourite ‘We Don’t Talk’, which made its debut last night on triple j’s Drive with Abby and Tyrone. The single is accompanied by B-side track ‘Toothache’, a  melancholic synth-driven floorfiller. Stream both songs HERE, and watch the music video for ‘We Don’t Talk’ HERE.

‘We Don’t Talk’ was one of the last songs written for the album, and is as frontman AJ Tilyard says “one of the more self-reflective songs on the record.” Navigating the rocky emotional terrain of a long-term relationship coming to an end, and the loss of identity and direction that can follow, ‘We Don’t Talk’ is a strikingly candid moment on the record and has become a fan favourite at the band’s recent live shows.

 

Are You Falling In Love? is a triumphant return to creative joy for The Velvet Club, as the product of a burnout-induced hiatus in the wake of their 2024 EP Space Between. The band’s decision to take a break from writing, recording, and touring instead found AJ in his most prolific songwriting period yet. The unravelling of a long term relationship, and the rise of anxiety and other mental health struggles during that time saw AJ turn to songwriting and nostalgia as a salve, revisiting live videos of the bands he had decorated his bedroom walls with in high school – the likes of The Strokes, The Vaccines, The Drums and The Smiths.

“The theme of the album basically encapsulates this year and a half period of my life between 2024-2026 where everything seemed to come to a head,” AJ reflects. “While writing, I started therapy, and after we began tracking for the album I started medication to help manage depression, anxiety and OCD. Finally addressing these as issues I had been ignoring definitely changed the trajectory of this album, and helped shape the overall tone and feeling of the record.”

Throughout the record’s 10 tracks, The Velvet Club navigate mental health struggles, relationship breakdowns, friendship, and solitude, fuelled by jangly guitars and hooks that move from bright to melancholic and back again. The Velvet Club’s return to the hazy immediacy and raw, unpolished charm of 2000s indie is what made the title track ‘Are You Falling In Love?’ the perfect album opener. At just over two minutes, the track captures the punchy energy of a TVC live show with its catchy, repetitive melodies – an intentional choice that AJ says “really sets the scene for the rest of the album.”  Songs like ‘Blue’ and ‘We Don’t Talk’ dive into AJ’s experience with heartbreak and healing, while ‘Wasted Space’ and ‘I Need Something Too’ touch on mental health, particularly his experience with OCD and his journey in accepting its impact on his life.

From their intimate DIY release parties and secret shows, to tearing up the stage alongside the likes of Hockey Dad, DICE, The Rions, and Rum Jungle, The Velvet Club’s passion for honouring and reimagining a beloved genre has led the band to a tight-knit community of music lovers, musicians, and fans alike. As well as their influences abroad, The Velvet Club also look to their peers – the likes of sleepazoid, The Belair Lip Bombs, and Highschool – for motivation. “Aside from the personal cathartic experience of writing and creating it, my favourite thing about making music is the community you build around it,” says AJ. “All the friends we’ve made through it and the bands we’ve grown close to along the way have been by far the most rewarding part about making music.”  

That sense of community is what led them to working with friend, producer, and fellow musician Luke Thomas (Fan Girl, Harris, World’s Best Neighbours) on Are You Falling In Love?. “We literally could not have made the record without Luke. He co-produced and engineered the entire thing from his own studio, Taste Police, in Brunswick. It’s also why I believe this album sounds so true to us and what we are about as a band. We made this record completely on our own with our friends.” The album was mixed by Scott Hoorscroft (DMA’s, Middle Kids, DZ Deathrays) and mastered by George Georgiadis (The Rions, The Buoys, Teenage Dads).

‘We Don’t Talk’

out now

+

Are You Falling In Love? 

out July 10

Tracklist:

Are You Falling In Love?

Blue

We Don’t Talk

Turn My Way

I Need Something Too

Alone

Anything

Overdue

Wasted Space

Easy To Love

Connect With The Velvet Club

Instagram | Tiktok | Spotify | Unearthed | Apple Music

May 1, 2026 0 comments
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Music News

Monsieur Mellow – Dreaming In Colour (EP) ~ out now ~

by the partae May 1, 2026
written by the partae

Australian songwriter/producer Callum MacDonald (widely recognized as a core member of the Brisbane outfit daste.), is this week proud to unveil his debut solo EP Dreaming In Colour, under his Monsieur Mellow moniker.

The EP serves as the culmination of an 18-month journey of self-discovery. Building on the momentum of previously released singles like the infectious ‘Paris Strut’, the Taj Ralph-assisted ‘Slow Down’, and the soulful ‘Roll River, Roll’ featuring Jackson James Smith, the full project now introduces the sweeping title-track, ‘Dreaming In Colour’.

The title track, ‘Dreaming In Colour’, encapsulates the Monsieur Mellow aesthetic: a sophisticated blend of soulful vocal samples, glowing brass lines, and a slow-burn rhythm. It is music designed for duality, equally at home during a moment of solitary reflection or shared on a crowded dancefloor.

Speaking on the track, Callum shares; “The journey of Dreaming In Colour has been a lesson in trusting my intuition. I’ve always known I wanted to create my own music. Something I could build, shape, and truly call my own, but for a long time I couldn’t quite define what that would sound or look like.

Over the past 18 months, everything has started to fall into place. By stripping things back and following my instincts, I’ve felt a real sense of reward, both personally and creatively. The music I’ve made reflects where I’m at in life, and in the same way, I feel like the best parts of me have come through in the process. I’m enjoying it all, not just the end result, but the process of getting there.

I’ve been incredibly fortunate to work with such talented artists as Jackson James Smith and Taj Ralph, and I feel genuinely grateful to have them be part of this project. I’m excited to continue growing the Monsieur Mellow world through future collaborations, but right now, I feel like I’m truly living my dream in colour.”

Credits:

Co-Written by Callum MacDonald, Jackson James Smith, Soothsayers, The Finishing Touch

Produced & Mixed by Callum MacDonald

Mastered by Paul Blakey

Artwork & Visuals by Callum MacDonald

 

Stream:
https://bfan.link/dreaming-in-colour-ep

Monsieur Mellow:
https://linktr.ee/monsieurmellow

May 1, 2026 0 comments
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Music News

Real Farmer share new single/video 9 Till Not Alright

by the partae April 30, 2026
written by the partae

“Real Farmer are the real deal. They have the hooks, and they have the inventiveness and the scratching, scrapping garage band thrills.” Louder Than War

“Expect lightning-fast tempos, razor-sharp riffs, pulsating drums, and captivating melodies.” Under The Radar

“Real Farmer have paved the way for what modern punk can be.” Indie Is Not A Genre

Groningen-based four-piece Real Farmer have today unveiled 9 Till Not Alright, their final song and video before the album is out – it can be watched here. The Dutch punks’ second studio album Two Wrongs Don’t Make A Right is out through Strap Originals digitally on 1 May and on black, and green vinyl on 15 May. The pre-order link is here.

For their gleaming new music video Real Farmer went under a makeover, swapping jeans and t-shirts for suits in order to slam white-collared crime. Singer Jeroen Klootsema explains:

“While we work our jobs to make a living, the upper-class monetises and profits from our labour and our struggle. From inside trading to war profiteering, illegal waste dumping and child slavery, no bar is low enough for the man in suit and tie. While they point the finger to the even less-fortunate, the Epstein class goes unscathed. An unthinkable amount of wealth that tirelessly works to pollute the deepest waters of our planet. Without us in their scheme, this wealth becomes meaningless. And they will do anything to stop that from happening.”

Real Farmer’s previous singles from the upcoming album include: I.D.K.T.S. (I Don’t Know This Song), which premiered on Huw Stephens’ 6 Music show. Missing Link and Heart Out sees Real Farmer at their most hard-hitting and they performed the rabble-rousing proto-punk cuts live in Margate’s Dalby Cafe. Run By Animals shows a different side to the band with bassist Marrit Meinema taking lead vocal duties, which resulted in spell-binding dream pop noir.

Real Farmer recorded the new album live to tape with audio engineer Niek van den Driesschen (Iguana Death Cult, Rats on Rafts) at Far Out Sound Studios in Rotterdam’s Coolhaven district. It was mastered by Mikey Young (Amyl and the Sniffers, King Gizzard & the Lizard Wizard).

Radio spins for the singles have come in not only from BBC 6 Music’s Huw Stephens, but Craig Charles, Steve Lamacq and Apple Music 1’s Matt Wilkinson. Meanwhile, the likes of So Young, CLASH, God Is In The TV and Indie Is Not A Genre have all lent their support in the press.

With Peter Doherty, Protomartyr, Babyshambles, Pitchfork Paris and Primavera supports or festivals in the bag over the past 12 months, Real Farmer are set for a 23-date tour of Europe and then the UK. The dates are as follows:

May
07 – Köln, Bumann & SOHN
08 – Horst, Nikspack Festival
09 – Amsterdam, OCCII
11 – Berlin, Schokoladen
12 – Hamburg, MS Stubnitz
14 – Basel, Hirscheneck
15 – Bern, ISC
20 – Marseille, L’intermédiaire
22 – Biel/Bienne, Chrüsimüsi
29 – Utrecht, ACU
30 – Eindhoven, Skinfest

June
01 – Paris, Verte est la nuit
02 – Brighton, Prince Albert
03 – London, New River Studios
04 – Cardiff, Clwb Ifor Bach
05 – Manchester, YES (basement)
06 – Newcastle, Marrapalooza
07 – Glasgow, The Hug & Pint
09 – Sheffield, Delicious Clam
10 – Oxford, Little Bully
11 – Nottingham, JT Soar
12 – Norwich, Norwich Arts Centre
13 – Southampton, Heartbreakers Bar

Real Farmer hail from the northern Dutch provinces of Friesland and Groningen, the birthplaces over the last sixty years or so of a lot of smart, independent and rough-edged rock music. Real Farmer have always channelled this singular, often rebellious history. Just listen to their explosive early releases like their dark and personal debut album (Compare What’s There [2024]), or hear tell of the turbocharged shows in any dive that would take them.

Real Farmer are: Jeroen Klootsema (vocals), Marrit Meinema (bass, vocals), Leon Harms (drums), Peter van der Ploeg (guitar, backing vocals).

INSTAGRAM FACEBOOK  SPOTIFY  YOUTUBE

April 30, 2026 0 comments
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Festival NewsMusic News

Sonny Fodera Returns Home For 2026 Australian Tour

by the partae April 29, 2026
written by the partae

One of Australia’s most successful global dance exports, Sonny Fodera is returning home to Australia for his ‘can we do it all again’ tour this October! He’ll be bringing his world-renowned house sound to Brisbane, Melbourne, Perth, and Sydney.

SIGN UP FOR PRESALE

PRESALE: Tuesday 5th May, 12pm AEST

GENERAL ON SALE: Wednesday 6th May, 12pm AEST

Following sold-out tours across the UK, Europe and North America, and standout sets at global festivals including Creamfields, Tomorrowland and Coachella, Sonny Fodera returns home for his biggest Australian run to date.

Off the back of a sold-out 2025 tour, demand is expected to be huge. Sign up now for your best chance at securing tickets.

TOUR DATES

Thursday 15 October, 2026 | Fortitude Music Hall, Brisbane / Meanjin
Friday 16 October, 2026 | PICA, Melbourne / Naarm
Saturday 17 October, 2026 | Ice Cream Factory, Perth / Boorloo
Saturday 24 October, 2026 | The Hordern Pavillion, Sydney / Eora

TOUR INFORMATION
SIGN UP FOR PRESALE

INSTAGRAM

April 29, 2026 0 comments
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Music InterviewsMusic News

INTERVIEW: ELAURA – Loving Deeply Without Loving Blindly

by the partae April 29, 2026
written by the partae

LDDWYD (Love Don’t Do What You Did) came together really quickly from what started as a poem — what was going on in your head at the time that let it come out that honestly?

I’d actually written a lot of LDDWYD already in my notes app after this super intense dream about an ex. We were chasing each other through this dense forest- it felt really desperate and exhausting. When I woke up, it hit me that we’d been weaponising love and hurting each other over and over again. That realisation was so hard to come to and quite confronting, and the lyrics came straight out of that moment of clarity.

There’s that realisation in the track about loving someone who can’t love themselves — was that something you fought against for a while, or did you kind of know deep down where it was heading?

I definitely fought it for a long time- years. I was really in love with them.

But I think deep down I knew we were both struggling with self-worth, and that was kind of the root of everything. I’ll probably always love them unconditionally, but I had to stop loving them blindly.

The title feels pretty direct, almost like calling it out for what it is — did that come naturally, or did you go back and forth on it?

It kind of named itself, to be honest.

When I was in the studio with Sunday and Nadia, we just started calling it “LDDWYD” as a shortcut, and it stuck. It felt honest but also a bit cryptic, which I really liked.

You’ve described the song as an “introspective collapse” — when you’re actually in that space, what does creating even look like day to day?

It’s honestly not cute at all hahaha. It’s messy and really repetitive. I was basically just sitting in one feeling and trying to understand it through writing.

I wasn’t making full songs- it was voice notes, random lines, half-thoughts. Even the repetition in the track, like “you don’t know what love is,” came from saying it over and over because it hadn’t fully landed yet, and because it felt validating.

There was also this weird split where part of me was still confused, and another part of me could see everything super clearly. That’s where “I think life knows something I don’t” came from.

So yeah, it wasn’t structured at all- more like grabbing little moments of clarity in the middle of the chaos and not judging myself or trying to clean it up too much.

The video at Flinders Blowhole has that slow climb from sunrise to sundown — was that idea locked in early, or did it evolve once you were on location?

That was actually really clear in my head from the start. I brought it to Pat from Tunelab and he immediately got it, which made everything feel super easy.

But on the day we definitely played around a lot. The core idea stayed the same – the climb to the cliff edge symbolising my journey to the realisation, the emotive performance- but a lot of the smaller moments, especially the drone stuff, just happened on the spot.

Your Chilean heritage seems to shape how people connect with your music, especially within the Latin Australian community — do you feel that when you’re writing, or only once the songs are out in the world?

I think I feel my heritage more present as a sense of purpose when I’m writing.

I think about the women in my lineage who didn’t have the same freedom to express themselves, and that kind of pushes me to be really honest. Then visually, I like to bring it in more intentionally. Like the REMUSE Designs outfit was flamenco-inspired, and the braids and white liner were my own little nod to mapuche ancestral practices including long braids and face paint to symbolise spiritual transformation- just reinterpreted in my own way.

With Cry Until We Laugh, it feels like you move through a lot emotionally — grief, anger, then something closer to peace — did you always see it as a full story like that, or did it click later?

It kind of revealed itself to me over time, like a cool puzzle to figure out.

Looking back, it doesn’t just feel like the story of the EP- it’s actually how I move through heavy emotions in my day-to-day life. I really have to feel everything and ‘cry’ before I get to inner peace and joy. So it ended up reflecting how I process heartbreak in real time, without me even planning it. It’s so cool when that happens- when the art mirrors life like that.

Switching between English and Spanish adds another layer to the storytelling — do certain emotions just land better in one language than the other for you?

Yeah, 100%. Sometimes it just happens naturally- my brain will go to Spanish and I won’t question it. Other times it’s more intentional because it just hits harder emotionally.

You’ve mentioned having to “trust fall” into your community while making this — who were the people that really showed up for you during that time?

Definitely my family- my mum, dad, and little sister.

My friends and bandmates at the time were amazing. They gave their time and talent, and really believed in my music. That kind of support honestly carried me through one of the hardest times in my life- I don’t think I could’ve made this project or be the person that I am without music and my community.

INSTAGRAM

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April 29, 2026 0 comments
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Festival NewsMusic News

XG (JAPAN) ICONIC ARTIST GROUP RETURNS WITH 2026 WORLD TOUR: THE CORE

by the partae April 23, 2026
written by the partae

Asia stops also announced today – ​ include Bangkok, Manila, and Taipei

Frontier Touring and AEG Presents are thrilled to welcome back iconic artist group XG (Xtraordinary Genes) to Australia this October for the XG WORLD TOUR: THE CORE. ​

Last in Australia in 2025, the group returns this year in what will be their biggest shows in market to date. This will be XG’s second world tour, promoting their first full album THE CORE – ​ 核 with performances showcasing their signature styles, high-energy performances, powerful vocals, sleek choreography and their growth as a global act. ​

The group will visit Rod Laver Arena, Melbourne on Monday 12 October and Qudos Bank Arena, Sydney on Wednesday 14th October. Frontier Members can access their presale from 12pm local time on Wednesday 6 May, before tickets go on sale Thursday 7 May from 1pm local time. Tickets and tour information via frontiertouring.com/xg.

Since their last visit, XG made their Coachella debut in 2025. As the only Japanese artist to perform that year, the group closed out the Sahara stage across both weekends, delivering electrifying performances. Their impressive stage presence and live vocals further cemented their global status. ​

XG WORLD TOUR: THE CORE celebrates the group’s first full-length album THE CORE – 核, released this January to praise from fans and critics alike. Kicking off the tour in February to massive demand, with multiple sold out shows across their home of Japan in Yokohama, Osaka, Nagoya and more, Aussie Alphaz can now expect to hear the group’s biggest hits and latest tracks live this October, with the show featuring performances of ‘LEFT RIGHT’, ‘WOKE UP’ and new songs – ‘HYPNOTIZE’ and ‘ROCK THE BOAT’ plus many more.

XG WORLD TOUR: THE CORE IN ASIA & AUSTRALIA
​Bangkok 19 July (Sun) ​ IMPACT Arena
​Manila ​ 22 July (Wed) ​ SM Mall of Asia Arena
​Melbourne 12 October (Mon) Rod Laver Arena
​Sydney 14 October (Wed) Qudos Bank Arena
​Taipei ​ 17 October (Sat) Taipei Arena ​

And more coming soon…

XG
​XG WORLD TOUR: THE CORE
​OCTOBER 2026
​Presented by Frontier Touring and AEG Presents


ALPHAZ ANNUAL PREMIUM/STANDARD・MONTHLY PAID MEMBERS PRESALE ​ ​
​Begins: Monday 4 May (11am local time)
​xg.pasch.fan/

ALL ALPHAZ MEMBERS (INCLUDING FREE MEMBERS) PRESALE ​
​Begins: Tuesday 5 May (11am local time)
​xg.pasch.fan/

FRONTIER PRESALE
​Begins: Wednesday 6 May (12pm local time)
​via frontiertouring.com/xg ​

TICKETS ON SALE
​Begins: Thursday 7 May (1pm local time)


ALL SHOWS ALL AGES


Monday 12 October
​Rod Laver Arena | Melbourne, VIC
​Lic. All Ages ​
​ticketek.com.au

Wednesday 14 October
​Qudos Bank Arena | Sydney, NSW
​Lic. All Ages ​
​ticketek.com.au


Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

 

FOLLOW XG:
​Website | Instagram | YouTube | TikTok | X | Facebook ​

April 23, 2026 0 comments
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Festival NewsMusic News

The Jungle Giants – Album Launch Parties

by the partae April 23, 2026
written by the partae

Experiencing Feelings of Joy.
Album launch parties.
Local DJs, and a secret live act.

Local DJs, a very special secret live act, and merch + vinyl signings with the band.

Celebrate their 5th studio album, the best way we know how.

Tickets on sale NOW. Our recommendation: move quickly.

TOUR INFORMATION

 

SHOW DATES

Tue 12 May 2026 — The Brightside — Brisbane, QLD

TICKETS

 

 Wed 13 May 2026 — Oxford Art Factory — Sydney, NSW

TICKETS

 

Thu 14 May 2026 — Howler — Melbourne, VIC

TICKETS
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April 23, 2026 0 comments
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Festival NewsMusic News

STEPHEN SANCHEZ: Brings The Lover Down Under Tour to Australia & NZ this July!

by the partae April 23, 2026
written by the partae

Multi-platinum US singer/songwriter Stephen Sanchez today announces he will bring The Lover Down Under Tour to Australia and New Zealand this July.

On his anticipated return, and after selling out and adding shows on his 2024 visit to satisfy demand, Stephen Sanchez will play theatre venues to all ages crowds*. Fans should prepare to fall in love all over again, as Stephen delivers his captivating show, timeless sound and heart-on-sleeve storytelling to audiences nationwide.

Frontier Members can access presale tickets from Thursday 23 April (11am local time), before general sale opens on Friday 24 April (12 noon local time). Tickets and further information can be found at frontiertouring.com/stephensanchez

Earlier this month, Stephen Sanchez stepped onto one of music’s most legendary stages when he made his debut at the Grand Ole Opry in Nashville. With his vintage-leaning sound, swooning melodies, and unmistakable nods to 50s and 60s influences, Sanchez was right at home under the Opry lights – bridging eras in a way few modern artists can.

With just-released single ‘CHUCK THE MONEY’, Stephen Sanchez continues his incredible trajectory, further expanding his sonic universe that feels rooted in the past while always looking toward the future. Bolstered by a flourish of trumpets, Stephen urges listeners to shift their priorities from material things to true, powerful connection.

His highly anticipated sophomore album Love, Love, Love (out 8 May) sheds the character artifice and swoony, reverbed 50s/60s grooves of his debut record in lieu of bold, technicolour pop songs that still carry the lineage of his classic roots while stepping confidently into a vivid, modern new era. Across eleven tracks, Stephen muses about love in its many forms – partners, friends, neighbours, and even strangers. He shares, “This record is inspired by the love I’ve been lucky enough to receive, the love I sometimes struggle to give to others, and my desire to see people come together. To quote the title track, ‘it’s just what the world needs!’”

 The album’s title track is the second single from the record, following ‘SWEET LOVE’ in January, which upon release marked Stephen’s biggest streaming debut of his career, earning over 500,000 streams in its first day alone. Leaning into an upbeat, Motown-style groove, Stephen recently performed a sensational live rendition of the song on Good Morning America – Watch it here. ​

Stephen Sanchez has materialised at the forefront of popular culture with a sound that’s as timeless as it is necessary for the times. It’s easy to sway into the embrace of his breezy baritone stylings, warm guitar phrasing, and untouchable charisma.

Barely in his twenties, the singer, songwriter, guitarist, and producer has already enchanted audiences around the world. The release of his debut album Angel Face and global hit ‘Until I Found You’ saw the world embrace the swoon-worthy artist, with the track going multi-platinum, vaulting into the Top 25 of the Billboard Hot 100, and generating over 2 billion streams.

This Australian and New Zealand return promises more than just a concert—it’s an experience. Expect sweeping melodies, cinematic moments, and the kind of raw, emotional performance that turns first-time listeners into lifelong fans. Whether you’ve been there since the beginning or only just discovered his music, this is your chance to witness an artist who’s redefining modern romance in real time.
​

Love, Love, Love is out 8 May. Pre-Order/Pre-Save the new record HERE

*All shows except Perth are all ages.


STEPHEN SANCHEZ
​
THE LOVER DOWN UNDER AUSTRALIA & NEW ZEALAND TOUR
​JULY 2026
​
Presented by Frontier Touring ​
​

FRONTIER MEMBERS PRESALE
​
via frontiertouring.com/stephensanchez
​
Runs 24 hours from: Thursday 23 April, 11am (local)
​or until presale allocation exhausted

GENERAL PUBLIC ON SALE
​
Begins: Friday 24 April, 12 noon (local)

SATURDAY 11 JULY
​Christchurch Town Hall | Christchurch NZ (Lic. All Ages)
​
ticketmaster.co.nz

SUNDAY 12 JULY
​Auckland Town Hall | Auckland NZ (Lic. All Ages)
​
ticketmaster.co.nz

WEDNESDAY 15 JULY
​The Fortitude Music Hall | Brisbane QLD (Lic. All Ages)
​
ticketmaster.com.au

SATURDAY 18 JULY
​Hordern Pavilion | Sydney NSW (Lic. All Ages)
​
ticketek.com.au

TUESDAY 21 JULY
​Palais Theatre | Melbourne VIC (Lic. All Ages)
​
ticketmaster.com.au

SATURDAY 25 JULY
​Thebarton Theatre | Adelaide SA (Lic. All Ages)
​
ticketmaster.com.au

TUESDAY 28 JULY
​ICF: WAREHOUSE | Perth WA (18+)
​
eventbrite.com.au

FOLLOW STEPHEN SANCHEZ

stephensanchez.com | facebook.com/stephensanchezofficialmusic
​Twitter: 
@stephensanchez | Instagram: @stephensanchezofficial
​
Spotify | YouTube

April 23, 2026 0 comments
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Music News

FUTURE ISLANDS Share ‘The Ink Well’ and ‘One Day’ New LP From a Hole in the Floor to a Fountain of Youth Out May 22 via 4AD

by the partae April 23, 2026
written by the partae
Photo Credit: Shawn Brackbill

Over the past twenty years, Future Islands have travelled a rare arc — from promising newcomers to something closer to a best-kept secret, from cult favorites to a band that has quietly endured.

Rather than marking the moment with a traditional “best of,” they now present From a Hole in the Floor to a Fountain of Youth – an immediate and accessible collection, with many of these songs appearing on streaming services for the first time. It brings together rarities, long-hidden recordings, and songs that have lived quietly among fans, reflecting the full shape of the band’s path. The album will be released on Friday 22 May, and today, the band shares two new tracks from it — ‘The Ink Well’ and ‘One Day’.

As the title suggests, this double LP traces a journey from humble beginnings toward something wider and more open. Twenty songs spanning twenty years — four members of the band, four sides of vinyl. These songs reveal a group comfortable with subtlety, grace, and emotional endurance — and sounding more complete than ever.

The songs were first gathered into a playlist by bassist William Cashion, who also chose the title: “I’ve always loved the imagery of that lyric,” he says. “The hole in the floor is the everyday, but the fountain is what happens when the life you dreamed about becomes the one you’re living. It’s the dream and the reality existing in the same room.”

A Tennessee Williams quote captures a similar idea: “Time is the longest distance between two places.” It’s in that distance that the floor separates from the fountain.

Future Islands can still swell and surge, but this release turns toward something quieter and more reflective. “This is for everyone who has carried these songs with them,” Cashion explains, “from the first house parties to the rooms we’re playing today.”

From a Hole in the Floor to a Fountain of Youth will be released digitally, and on CD and Blue + Apricot double LP, on May 22, 2026. Pre-order HERE.

Coinciding with both the album and their 20th anniversary, the band will also embark on a run of hometown shows across North Carolina (Wilmington, Carrboro, Asheville, and Greenville) and Baltimore — the ‘Fountain of Youth Tour’ — with support from friends and collaborators including Dan Deacon, Ed Schrader’s Music Beat, Lonnie Walker, and more. More information and tickets are available HERE.

Pre-order / Pre-save Hole in the Floor to a Fountain of Youth: https://futureislands.ffm.to/20yearsfi

.

Future Islands – Hole in the Floor to a Fountain of Youth is out Friday 22 May via 4AD / Remote Control Records.
Future Islands
Website | Facebook | Twitter | Instagram
April 23, 2026 0 comments
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Music News

BAAUER RETURNS WITH U, HIS FIRST ALBUM IN SIX YEARS, ON LUCKYME LISTEN TO NEW SINGLE ‘BETTER’

by the partae April 23, 2026
written by the partae
Photo by Reese Layton

Global hitmaker and Grammy-nominated producer Baauer announces his third studio album U, landing June 12 via LUCKYME®. His first full-length since 2020’s PLANET’S MAD, Baauer‘s latest album is his most personal to date: an ode to the tracks that kicked off his love affair with dance music as a teenager in London. With the news, today he shares the album’s lead single ‘Better‘. LISTEN HERE + WATCH HERE.

Written in the aftermath of the pandemic, U is driven by a clear idea: make “super happy music” that’s meant for everyone. Inspired by the BBC Radio 1 dance shows that shaped his teenage years, the album’s 16 tracks play through like a continuous drivetime mix, packed with Ibiza house, bloghouse and early dancefloor discoveries. Led by new single ‘Better’, a bright, disco-leaning cut, the record nods to the sample-driven energy of 2000s dance music while building on Baauer’s decade-long experience in the club.

Executive-produced by Hudson Mohawke, U pairs full-body energy with big hooks and Baauer’s signature sample-led approach, a practice that in recent years has extended into a front-facing role, tracking down the samples behind his favourite records for a growing online audience. “I truly love the process of digging, going through a bajillion YouTube videos to find a cool five seconds,” he says.

The album features a close circle of collaborators, including Aluna, KUČKA, Brazy and Betsy, alongside piano from Eli Teplin and additional production from Parisi. U also marks the culmination of a creative breakthrough that began during the pandemic, when Baauer started making music live on Twitch. “Doing that cracked open my process — people could see me the whole time, from starting a beat to finishing,” he says. Producing in real time forced him to trust instinct over perfection, giving fans an unprecedented window into his creative world.

After his 2013 breakthrough with the double-platinum ‘Harlem Shake’, Harrison Bauer Rodrigues established himself as one of most in-demand electronic producers of the decade. His signature blend of bass, trap, pop and confetti-cannon EDM connected with some of the biggest artists on the planet: Jay-Z, Future, Rae Sremmurd, Pusha T, M.I.A., Novelist, Trippie Redd, AJ Tracey, AlunaGeorge, Channel Tres, Danny Brown… even the prototype AI pop star Lil Miquela achieved lift-off with a Baauer beat.

U arrives June 12 as Baauer’s first album since 2020, shaped by a shift in process that saw him open up his workflow and move on instinct. “I had to stop overthinking it,” he says. The result is his most immediate and open record to date.

Baauer
U LP

June 12 via LUCKYME

‘Better‘ is out now, buy/stream it here

.

Stay connected with Baauer:
23 Profile | Website | Instagram | YouTube | TikTok

April 23, 2026 0 comments
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Music InterviewsMusic News

Interview: SF WRENS – “The Finish Line” and the Art of Being Present

by the partae April 23, 2026
written by the partae

What does “The Finish Line” represent to you beyond the literal meaning, and how did that concept shape the emotional tone of the track?

The Finish Line encapsulates a lot of what The Wrens ethos stands for — being present, realising our time in existence is finite. We wanted to shake people awake with the track and say, “hey, we’re here, we’ve got something to say.”

How did your songwriting process evolve while creating this single compared to your earlier work?

This track first took the path of being an instrumental jam with freestyle verses. The song informed the message based on where we were at during the time. We were creating community, finding our feet, and exploring existential questions — feeling like through music we were discovering how to be and how best to make the most from life.

Was the sense of tension and release in the track intentional from a production standpoint, or did it emerge naturally?

I guess all music is exploring the contrast between tension and release. It emerges naturally as we put songs together based on where we feel the song wants to take us.

What sonic influences shaped the record, and how did they inform the final sound?

Being a band with a lot of members, we draw on a pretty wide range of influences. Some that spring immediately to mind are Parcels, The Cat Empire, Fat Freddy’s Drop, Corto.Alto, Rage Against the Machine, and System Of A Down.

What specific moment or experience triggered the creation of “The Finish Line”?

We were in a pre-production session for another track, and the riff came to one of us. The song came from there.

How do you approach balancing vulnerability and restraint in your lyrics?

There’s no restraint — I feel unrestrained in this.

Was there a particular lyric that unlocked the direction of the whole track?

The first lyric, inspired by meditation practice: “Take a moment, come to a cross-legged seat.”

How do you want listeners to feel after hearing this song for the first time?

We want them to feel whatever they feel, but notice that they’re feeling it.

Where does this single sit within your broader artistic trajectory or upcoming releases?

The Finish Line is just the beginning.

If “The Finish Line” is a chapter, what comes next in the story you’re telling as an artist?

There’s no way of knowing, but probably Wombat Road Safety.

SF WRENS ‘THE FINISH LINE’ LAUNCH SHOW

Friday 8 May The Oak TIGHES HILL 

Supported by Lonely Mountain Garden Party

FREE SHOW

SF WRENS: Facebook | TikTok | Instagram | YouTube | Triple J Unearthed

April 23, 2026 0 comments
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Music InterviewsMusic News

Interview: Makua Rothman – “I Just Wanna Live” From Big Waves to a Second Life in Music

by the partae April 23, 2026
written by the partae

You’ve spent your life chasing some of the biggest waves on the planet. When did music first become something serious for you rather than just something you did on the side?

 Music became serious for me when I had a bad injury competing in 2023. My music was a way for me to heal in one of the lowest points of my life. My professional and competitive surfing career was said to be over when I sustained that knee injury. So my music career became more than serious, it saved my life.

Catch A Wave feels emotional and personal. Was there a specific moment or memory that sparked the idea for the song?

 Catch A Wave was a song written when a fellow surfer of Aaron Bruno’s passed away.

How did the collaboration with Aaron Bruno from AWOLNATION come together, and what was it like working with him in the studio?

 The collaboration between Aaron and I started while on tour. My producer and Label partner jimmy messer was a band mate in the original AWOL project, he reached out to Aaron to see about opening up for them on a north america tour. Aaron and I got along well and he was stoked on my story and what we were creating at Villains 4 Good records so he said let’s collaborate on something to put out. I’ve been hangin with Aaron a bunch. He is a good braddah, he loves to surf so we spend most of our time in the water or a wave pool somewhere more than the studio!

You grew up on the North Shore of Oahu, which has such a strong surf culture and community. How much has that environment shaped your music and songwriting?

 Growing up on the north shore in that strong surf culture was awesome. It was radical to say the least. It just goes to show in a way when it comes to the sound and lyrics of my music. It’s raw, it’s real and it’s unapologetic just like the north shore! It’s all about the raw energy.

Surfing big waves and performing music are very different worlds. Do you get a similar feeling from being on stage as you do when you’re out in the water?

 Yes they are different. The surfing was about ME, who can I be. The music is for us, who can I connect with. There are a lot of people struggling with things in this world just like me and I hope something I do or something in my lyrics can resonate with people so they know they are not alone, we are all in this fight together. Maybe one day I can help change someone’s life, maybe many people, maybe get someone to believe in themselves again and they go on and do that for others. That would be a successful career for me this time around not the titles or trophies.

You’ve been open about going through some difficult periods earlier in your life. Did music become a way for you to work through those experiences?

 Yes music was the thing that gave me hope when I needed it most. I was seriously one foot in the grave. I had to get the pain, the addiction, the self induced suffering out somehow and music gave me the platform to be truthful to myself and the opportunity to tell the real story. It was either writing and getting it out or hide it and die.

When you’re writing a song, do you usually start with lyrics, a melody, or just a feeling you want to capture?

 I really write songs from all over the place. But one thing is for sure it’s got to bring the ENERGY!

You’re heading to Australia for Sessions Surf Festival. What has your relationship with Australia been like over the years?

 Australia is home away from home for me, it’s like a family. I have so many great memories, good and bad:) haha……. Depends who you ask. Nah but really it is like a second home for me over there. Australians are some of the most solid incredible people I’ve ever known.

With a new album on the way, how would you describe the direction your music is heading now?

 ENERGY, for me it’s less about what you hear and more about the Feeling! It’s punk, it’s rock, it’s just me.

When you look at everything so far — surfing, music, life — what keeps you motivated to keep pushing forward?

 Honestly ill tell it to you like this, Fuck motivation i dont need it. I’m just dedicated to LIFE, I just wanna Live……..

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April 23, 2026 0 comments
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Festival NewsMusic News

The Temper Trap announce highly anticipated Australian headline dates for September/October 2026

by the partae April 20, 2026
written by the partae

MG Live and Frontier Touring are thrilled to announce Australian indie-rock stalwarts The Temper Trap will embark on their highly anticipated national tour across September-October 2026.

Having just announced their new album Sungazer – dropping 10 July – the tour celebrates the band’s first full-length project in ten years, as they return with an explosive, anthemic sound and more confident than ever before.

The Temper Trap will kick off the tour at Forum Melbourne on Friday 11 September before heading to Brisbane for a set at Night At The Parkland on Saturday 12 September. The band head to Hindley Street Music Hall, Adelaide on Wednesday 16 September before a performance at Night At The Barracks, Sydney on Friday 18 September and rounding out with a final show at ICF:Warehouse, Perth on Friday 9 October.

Frontier Members can access their presale on Thursday 16 April from 10am local time, before tickets go on sale from 11am local time on Friday 17 April. Tickets and tour information via frontiertouring.com/thetempertrap.

Watch: The Temper Trap – Sungazer

A special release in the band’s career, Sungazer reflects nearly two decades of evolution, blending The Temper Trap’s signature sound with fresh experimentation. Tracks like ‘Lucky Dimes’ and ‘Giving Up Air’ showcase a shift toward electronic textures and dancefloor energy, while title track ‘Into the Wild’ balances introspection with powerful crescendos. The album veers from yearning intimacy to full-throttle catharsis, from guitar-riffing indie tunes to heavy electronica, all anchored in Dougy’s expansive, instantly recognisable voice.

The Temper Trap will hit the road in 2026 in a monumental way, having last toured their home country in 2025 with a series of intimate East Coast headline shows. Recently announced to support UK rockers Muse on their North American tour, as well as a definitive return to US shores alongside festival sets at Outside Lands (San Francisco) and Summerfest (Milwaukee) sharing the stage with the likes of The Strokes, ​ Rüfüs Du Sol and Charli XCX, the band will share Sungazer with fans across the globe and close to home for the very first time. ​

Watch: The Temper Trap – Sweet Disposition

Rising to global attention with their 2008 UK Top Ten debut single ‘Sweet Disposition’, the Melbourne locals quickly built an international following through their soaring vocals, reverb-heavy guitars, and anthemic choruses. Drawing from their debut album Conditions (2009) , the album achieved multi-platinum success in Australia and gold status in the UK, followed by The Temper Trap (2012) and Thick As Thieves (2016). One of the most sought-after bands to come out of Australia, they’ve accumulated billions of streams, won multiple ARIA Awards, and gained recognition from major global stages and tastemakers, with ‘Sweet Disposition’ cementing itself firmly in Australian music history.

Now, nearly twenty years after their breakthrough, The Temper Trap continue to evolve while staying true to their emotional core. With new music, collaborations, and now a national headline tour all in 2026, these unmissable live shows represent both a reinvention and a reaffirmation of what has made their music resonate: a powerful blend of personal vulnerability and communal, uplifting sound. ​


THE TEMPER TRAP ​
​AUSTRALIAN TOUR ​
​SEPTEMBER-OCTOBER 2026 ​
​Presented by MG Live and Frontier Touring


FRONTIER MEMBER PRESALE ​
​via frontiertouring.com/thetempertrap ​
​Runs 24 hours from: Thursday 16 April (10am local) ​ ​
​or until presale allocation exhausted

TICKETS ON SALE ​
​Begins: Friday 17 April (11am local time)


Friday 11 September ​
​Forum Melbourne | Melbourne, VIC ​
​18+ ​ ​
​ticketek.com.au ​

*Saturday 12 September ​
​Night At The Parkland | Brisbane, QLD ​
​Lic. All Ages ​ ​
​nightattheparkland.com.au

Wednesday 16 September ​
​Hindley Street Music Hall | Adelaide, SA ​
​18+ ​
​moshtix.com.au

*Friday 18 September ​
​Night At The Barracks | Sydney, NSW ​
​Lic. All Ages
​nightatthebarracks.com.au

*Friday 9 October ​
​ICF:Warehouse | Perth, WA ​
​18+ ​
​icfpresents.com.au

*Not a MG Live/Frontier Touring show


Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

FOLLOW THE TEMPER TRAP: ​
​Website | Facebook | Instagram | TikTok | YouTube | Spotify | Apple Music 

April 20, 2026 0 comments
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Festival NewsMusic News

MEDIA PUZZLE UNVEIL NEW RACEHORSE: A SURREAL COMMENTARY ON MODERN EXISTENCE

by the partae April 20, 2026
written by the partae

Lismore-based media puzzle share their latest album New Racehorse, a 12-track collection that  is a surreal commentary on modern existence: technology, love, death, responsibility, and ego, out today via Impressed Records. LISTEN ON SPOTIFY + APPLE + MORE.

Marking their fourth album, New Racehorse signifies a rebirth for the band. Since first emerging in 2023, they quickly made name for themselves for their drum machine-riddled, scuzzy post-punk sound, with Pitchfork firmly praising their last project Intermission as “uncanny creativity that egg-punk weirdos love to tout, residing somewhere between Suicide’s dark melodies and Uranium Club’s remote eccentricities”. Now with New Racehorse, they have ushered in a new phase, with a focus on experimentation and building outwards from their trademark sonically distorted sound, bringing eccentric samples and dynamic pace.

In a succession of releases, the record brings together singles ‘Knowledge’ and ‘More Horse, Less Code’, and welcomes ten new tracks, all written and recorded independently over the past year in a place of creative growth with emphasis on collaboration – “Instinct over Algorithm. Feeling over System. Body over Machine. Equine Finality.”

Drawing the album’s title from the track ‘Equine End of Life’ with the lyric “Drug me up, and put me down. There’s a New Racehorse in town” representing the death of the old media puzzle, lead vocalist and guitarist Tom Peters paints the picture of the record’s production process – one that steps back, takes the opportunity to experiment and makes an intentional shift.

Across the album, we hear moments like ‘New Pet’, ‘Out Of the Rain’, ‘I Don’t Care’, ‘Tea Time’ capture a sense of disorientation and hypnosis where larger forces dominate, before moving motions in the second half of the record, with tracks including ‘See You There’, ‘My Age, In Minutes And Seconds’, ‘Don’t Know You’, ‘Equine End Of Life’, ‘Robotic Love’ and ‘Outro’ offering up a reflective palette cleanser.

New Racehorse is an album grounded in reinvention and driven by curiosity. Taking their name from a 2002 Melbourne Cup-winning Irish racehorse, media puzzle is a Lismore-based band fronted by Tom Peter (lead vocals/guitar) with support from Kellie Eden (synth/trumpet), Eden Yeigh (guitar), Oliver Clarke (drums) and Solomon Jones (bass), who after a year of recording and touring with showcases at SXSW Sydney to stages with Ty Segall, Regurgitator and more, have stepped fully into their sound.

Focused and refined, New Racehorse is a bold departure from media puzzle‘s previous catalogue, once a model of fuzzy scuzz-pop, to now an otherworldly post-punk entity.

New Racehorse is out now via Impressed Records, buy/stream here.

TRACKLIST
Knowledge
New Pet
Out Of The Rain
I Don’t Care!
More Horse, Less Code
Tea Time
My Age, In Minutes And Seconds
Don’t Know You
See You There
Equine End of Life
Dead Dog!
Outro

TOUR DATES
Fri 24 Apr – The Tivoli – Meanjin/Brisbane*
Sat 24 Apr – Princess Theatre – Meanjin/Brisbane*
Fri May 1 – Liberty Hall – Gadigal/Sydney*
Sat May 2 – Keystone 1889 – Wiradjuri/Bathurst*

*supporting Regurgitator

Stay connected with media puzzle:
23 Profile | Instagram | YouTube | Bandcamp

April 20, 2026 0 comments
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Music News

SF WRENS DEBUT FRESH NEW SINGLE ‘THE FINISH LINE’

by the partae April 20, 2026
written by the partae

Photo credit: Sophie Metcalfe

Developing a strong connection through a shared love of music’s kinetic elements, Newcastle collective SF WRENS have become a staple of their local scene in recent years. 

Their evolution over years spent fusing a diverse range of influences across realms of hip hop, funk and jazz, while injecting a signature attitude into the music that captivates, has brought SF WRENS a strong following. And with their return for 2026, the group is excited to share their latest track, ‘THE FINISH LINE’ . 

The new single from SF WRENS continues to build on the sonic foundations expertly laid by the band; marked by high energy, confident melodies and riffs that buoy a natural confidence in performance. The band themselves have admitted that it is hard to pin their own sound down, yet the essence of SF WRENS – heard on this track – is tethered to a central dedication to connection.

“The themes in our music aim to bring people into the present moment. To realise life is absurd, dark and difficult, but also beautiful and fun. Musically we draw from so many styles and influences, our biggest issue is actually that no one can pin down what our sound is. We used to find that a problem, but are beginning to realise that this is one of our strengths.” 

“Our process changes from song to song, generally driven from lyrical ideas brought to the band by Duncan Woods, then sculpted in the rehearsal studio and taken to the stage when it’s very undercooked. It’s there that the musical ideas take their final shape which is always terrifying but pretty exciting. In the case of ‘The Finish Line’, Duncan freestyled the verses for nearly a year before they were set in stone, musical interludes came and went until we settled on the final arrangement we recorded. 

The band is dynamic live, we leave space for improv and moods to take shape in the music, when something is hot, we generally all recognise that and that’s how our songs exit the kiln.” SF WRENS 

As SF WRENS has continued to grow and expand as a group in recent years, so too has their profile. Locking in lauded performances at events including The Gum Ball and Blues & Brews Festival Hobart, as well as supporting artists such as Kim Churchill and Skunkhour, the group has drawn a diverse demographic of music lovers who have fallen under their spell.

To celebrate the release of ‘THE FINISH LINE’, SF WRENS will be performing a special hometown show in Newcastle in May.

SF WRENS ‘THE FINISH LINE’ LAUNCH SHOW

Friday 8 May The Oak TIGHES HILL 

Supported by Lonely Mountain Garden Party

FREE SHOW

SF WRENS: Facebook | TikTok | Instagram | YouTube | Triple J Unearthed

April 20, 2026 0 comments
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