PRESENTED BY DESTINATION NSW & UNTITLED GROUP

PRE-SALE REGISTRATION HERE

TOUR INFO HERE

Photo credit: Alex Loucas

Following the global unveiling of his next immersive live concept, Anyma presents ÆDEN, today Destination NSW and Untitled Group are thrilled to announce a one-off exclusive performance at The Domain, Sydney on Saturday 17th October 2026 – marking one of the most anticipated electronic music events to hit Australia this year.

Fans can enjoy a captivating glimpse of the world of ÆDEN, a blend of sci-fi futurism and ancient mythology, by watching the video teaser here.

Anyma – the project of Italian-American DJ, producer, and multidisciplinary artist Matteo Milleri – has quickly become synonymous with a new era of immersive electronic performance. Blending cutting-edge audiovisual production with emotive electronic music, Milleri’s work has carved out a singular space where music, visual art and technology converge on a global scale.

ÆDEN represents the next chapter in that evolution. Following acclaimed immersive productions Genesys and Quantum, the new concept expands Anyma’s meticulously crafted visual language into a fully realised environment where sound, narrative and digital design collide. The project will make its worldwide live debut at Coachella, before rolling out across select global cities – with Sydney announced as the sole Australian date.

“We’re so grateful to be partnering with the NSW Government to bring a project of this scale to Sydney,” said Michael Christidis, of Untitled Group. “Anyma presents ÆDEN is a truly boundary-pushing live experience, and delivering it at The Domain as a one-off Australian show is something we’re incredibly proud of. It’s about giving audiences access to the most forward-thinking electronic music experiences in the world, right here at home.”

Minister for Jobs and Tourism Steve Kamper said: “This is exactly the kind of immersive experience we want to see more of in Sydney and NSW, and we are thrilled to be partnering with Untitled Group to bring this world-renowned, cutting-edge artist exclusively to the Harbour City.

“The completely unique nature of Anyma’s shows means that we are expecting a significant number of attendees to travel to Sydney to attend the show. These visitors will not only experience a one-of-a-kind concert at The Domain, but will also stay in our hotels and eat at our restaurants, supporting hundreds of local businesses and jobs.

“Investing in a dynamic calendar of immersive world-class events and experiences like Anyma presents ÆDEN is a key strategic priority in achieving our goals set out in the Visitor Economy Strategy 2035.”

ANYMA PRESENTS ÆDEN

Pre-sale registration here: https://www.anyma.com/sydney 

Saturday 17th October 2026 – The Domain, Sydney

Since launching the Anyma project in 2021, Milleri has emerged as one of electronic music’s most forward-thinking creative forces. His recent milestones include becoming the first electronic artist to hold a residency at Sphere in Las Vegas, delivering his Quantum two-stage production at the Great Pyramids of Giza, and headlining global events including Tomorrowland, Ultra Miami, Coachella, and the League of Legends Worlds Opening Ceremony in China.

The announcement of ÆDEN follows the release of The End Of Genesys (Deluxe), out now via Afterlife/Interscope. The expanded release features the original album alongside six new tracks debuted during Anyma’s sold-out Sphere residency, including recent singles “Out Of My Body” featuring EJAE and “Till I Die” with Solomun featuring Claudia Valentina.

Anyma presents ÆDEN in Sydney will be one of the rare opportunities to experience this next evolution of the live project outside of major international festivals and first-run global tour stops – and the only chance for Australian audiences to witness ÆDEN in 2026.

About Anyma

Anyma is the American-born Italian electronic music and multidisciplinary artist Matteo Milleri. Renowned for boundary-defying techno compositions, visuals and live shows, Anyma became the first electronic music artist to hold a residency at Sphere Las Vegas in 2024. The meticulously produced Afterlife Presents Anyma “The End of Genesys” cybernetic opera drew in an audience of 200,000 people across all 12 dates. Exploring themes of technology, nature, humanity, and coexistence, Anyma also created the Genesys album trilogy. A debut album, Genesys, came out in 2023, followed by 2024’s Genesys II (Afterlife/Interscope), with a third, The End of Genesys in 2025. The trilogy was drawn to a close on NYE 2025 with The End of Genesys Deluxe, including latest single ‘Out Of My Body’, featuring KPop Demon Hunters star EJAE. Anyma’s further collaborators across albums and live shows have included Sevdaliza, Grimes, Ellie Goulding, FKA Twigs, John Summit and many more. In 2024, he took on visual creative direction for The Weeknd’s “One Night Only” concert in São Paulo, Brazil. In 2025, Anyma held a summer residency at the world’s largest club [UNVRS] in Ibiza. He also headlined Ultra Miami 2025 with a B2B set with Solomun, additionally headlining Sziget Festival, Zürich Open Air, and many more. Last year, Anyma launched the beginning of his creative partnership with Oakley, was announced as a 2026 Coachella headliner, ranked #10 on DJ Mag’s Top 100 DJs list, soundtracked the Vetements 2025 Paris Fashion Week runway show with Chris Avantgarde, headlined and provided creative direction at the League of Legends World Championship in China, and delivered a sold-out performance at the iconic Pyramids of Giza, where he unveiled his groundbreaking two-part show, “Quantum Genesys.” 

Anyma presents ÆDEN is proudly supported by the NSW Government through its tourism and events agency, Destination NSW.

Presale registration is now open.

Presale tickets go on sale 2pm AEDT Wednesday 18th February 2026.

General public tickets on sale 10am AEDT Friday 20th February 2026.

For more info on Anyma, visit: 

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X

Photography: Jake Harm Nam

Photography & Words: Charlotte Najjar

Well, 17,589 steps and many rain ponchos later, Laneway 2026 was certainly the place to be on Sunday. Not even the pouring rain could keep Sydney from pulling up to one of the biggest festivals of the year, thousands flocking in early to catch artists such as Cavetown, Shady Nasty and Teen Jesus and The Jean Teasers. 

The weather also didn’t stop the featured artists from giving us their all on the stage, a handful of UK artists even praising the brief pause from the heat, making way for something more comparable to the british summers. 

The Belair Lip Bombs, fresh off their European tour brought big energy to the Hope Springs stage, an excellent warm up before heading over to Cavetown at the main stages. 

The day flew by in a blur of talent, Shady Nasty was an excellent introduction to the Everything Ecstatic DJ tent, the place was seriously packed out, and Wisp was another crowd favourite with their alt, shoe-gazy sound that took over the space. 

Of course, checking out Teen Jesus in between was a non-negotiable, with the recent release of their  album “Glory“, they garnered quite the hype and were an honest highlight of the day. 

A quick dash back to center stage got us to Alex G in the nick of time, then it was a quick lunch break before a crazy back to back trio of Lucy Dacus, The Dare and Role Model. All three brought a unique energy to each of their spaces, especially The Dare who I genuinely have no words to describe the energy and stage presence of. Just know the next time he plays near you, get to that show immediately. 

Geese was next up on my list, and this up and coming band from NYC did not disappoint. Such a cool new sound, a bit rock a bit jazz, and a crowd that are already forming such a loyal fan base for the group here in Sydney. 

I’ve heard that Pink Pantheress put on an incredible show, drawing insane crowds to the tent, so much so it had people climbing trees to get a look. I however, was not one of those brave enough to venture into such a crowd, as I was busy gearing up for Wet Leg over at the main stage. 

I popped over just in time to catch The Wiggles make a special guest appearance as Role Model’s “Sally”, before heading into the pit to enjoy the UK band’s incredible performance. The show was phenomenal, made even better by the iconic red landline microphone that they brought out for CPR. 

The final few sets were definitely a stretch to try and get to all at once. Malcolm Todd really delivered on a great sound and performance for his adoring fans, but I have beef with whoever scheduled him at the same time as Wolf Alice. Alas, that is the festival lifestyle, so it was quite the sprint (and I mean that in the most literal sense I can assure you) for myself and a few others to get there in time for the group, but there were zero regrets. Definitely one to see if you’re attending any of the other Laneway dates. 

Finally, to end the night, a quick stop over at Yung Lean and Bladee (incredible) before what everyone had been waiting for. I swear I blinked and every stage had emptied within seconds, everyone headed to the same spot to try and catch a glimpse of pop phenomenon (Femininomenom even) Chappell Roan. 

Despite the absolutely insane crowd, it was the perfect end to the perfect day. Chappell has a stage presence and personality like no other, controlling the environment around her to create a truely emersive show. It was such a treat to have her here again, after her 2023 show at Liberty Hall, it was quite the change of pace. Either way I think we are all hoping to have her back here as soon as possible, just to witness another show of a lifetime.

Just over two weeks remain until GOLDEN HOUR makes its debut on Bondi Beach this February, with VIP sold out and General Admission very close to sold out.

Headlined by the iconic CROWDED HOUSE, the inaugural edition of the new live music event is rapidly approaching sell-out as anticipation builds for its first summer on the sand.

GOLDEN HOUR will welcome CROWDED HOUSE alongside the acclaimed THELMA PLUM to one of Australia’s most beloved shorelines. Designed to offer a safe, warm and welcoming environment, the event brings together community energy, comfort and world-class live music in a uniquely coastal setting.

Created as a new end-of-summer ritual for music fans, and marking the first major concert to take place on Bondi Beach in more than a decade, GOLDEN HOUR brings music to the sand. Guests are invited to settle in on the hill above the foreshore for sweeping ocean views, peak sunset moments and a shared live music experience.

With more special guests still to be announced, GOLDEN HOUR is set to be a night of affirmation and celebration, spotlighting powerful voices and engaging performances. The 2026 edition runs from 5pm to 10pm, launching an annual summer series that will return with new artists and experiences in the years ahead.

Final General Admission tickets are available now, with limited allocations remaining.

GOLDEN HOUR LIVE ON BONDI BEACH
Friday 20 February 2026

CROWDED HOUSE
THELMA PLUM
& MORE TO BE ANNOUNCED

TICKETS

GOLDEN HOUR:  Website  Instagram

It’s been a long time coming for fans and the artist alike but this coming June, RYAN OAKES will be unleashing his hyper-charged shows in Australian venues nationwide. 

For the Virginia-born, Los Angeles-raised rapper, multi-instrumentalist and songwriter, this trip is an opportunity to connect with some of his biggest supporters, while also debuting a stacked catalogue of material in this area of the world for the first time.

The talented multi-hyphenate has crafted a unique style of performance that matches an expert blend of hip-hop and alternative music – a signature sound that a community of music fans quickly fell for, and have become extremely loyal to. Oakes’ steadfast dedication to creating art that speaks to his individuality, bolstered by a DIY and independent approach, has garnered over 47 million streams: a figure that continues to blow up with each release.

Collaborating with a varied range of artists including MOD SUN, State Champs and Hollywood Undead, Oakes has earned a reputation for himself as being a versatile artist and one unafraid to be spurred on by the spirit of his peers – and vice versa.

In 2025, Oakes released his latest studio album, OPUS, a project that demonstrated the fiery ambition that remains threaded through the DNA of his work. It also reminds the listener that Oakes is far from done with pushing the boundaries of where he wants his music to go.

In coming to Australia, he is excited to share the new music with fans, as well as finally putting on a show his Australian community fans have long been hanging out to witness.

“Australia has been some of my biggest supporters  for years now and a tour has been long overdue. We are going to make sure this is a truly special experience for everybody by including free meet and greets at every single show. At the end of my set I’m going to head to the merch booth and shake as many hands and take as many pictures as I can. This is a one time thing to show the fans how much I truly appreciate them holding me down down undah for so many years. Can’t wait to finally meet everyone and give them a show that makes up for the ten year wait!” RYAN OAKES

PRAISE

“The album is a decade in the making, seeing Oakes alternate between hip-hop, pop-punk, and seemingly everything in between. It’s resulted in a versatile collection appealing to fans across the scene’s spectrum.”
NEW NOISE MAGAZINE

“As the night progressed, the crowd’s enthusiasm grew with each successive song, leading up to a spectacular finale. Ryan Oakes had set the bar high, leaving the crowd ready for more.”

MELODIC MAGAZINE

RYAN OAKES AUSTRALIAN TOUR DATES

Tickets via destroyalllines.com 

Pre-sale from 11am local time Monday 9 February

General sales from 11am local time Tuesday 10 February

Friday 19 June Crowbar Brisbane

Saturday 20 June Corner Hotel Melbourne

Sunday 21 June Oxford Art Factory Sydney

Tuesday 23 June Zhivago Adelaide

Thursday 25 June Magnet House Perth

RYAN OAKES: Official Website | Facebook | Instagram | X | TikTok | YouTube