The Partae
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event

HARLEY GIRL drops high-energy new EP The Music, delivering club-ready chaos and...

December 4, 2025

Live at the Gardens announce epic March 2026 season | Royal Botanic...

December 4, 2025

Interview: Sola Rosa on Rebirth, Rhythm and the Making of ‘Jupiter’ –...

December 4, 2025

JULES ANNOUNCES IT’S COMING ON CHRISTMAS EP

December 4, 2025

44 Ardent’s New EP ‘Me, Again’ Marks a Powerful Return to the...

December 4, 2025

Interview: bbyclose steps into her own world with ‘ego’ – confidence, contrasts,...

December 4, 2025

Callum Padgham Turns Life’s Chaos Into Gold on ‘Everything is a Blessing’

December 4, 2025

Legendary NZ producer SOLA ROSA teams up with IVA LAMKUM once again...

December 3, 2025

AUSTRALIA’S BIGGEST GUITAR SHOW LAUNCHES IN SYDNEY

December 3, 2025

FROM THE BACKYARD TO THE WORLD STAGE: SUMMER JAM GOES NATIONAL WITH...

December 3, 2025
Monthly Archives

October 2025

Festival NewsMusic News

Queenscliff Music Festival Announces New Special Ferry Sessions And Releases Set Times

by the partae October 31, 2025
written by the partae

With just one month to go  until the gates of Queenscliff Music Festival are flung open across the weekend of 28–30 November on Wadawurrung Country in the historic seaside town of Queenscliff, Victoria, the festival  continues to grow bigger and better as it today releases festival set times and adds special event  ferry sessions..

The festival has unveiled two brand-new Special Event Ferry Sessions aboard the Peninsula Princess, with intimate live performances that take audiences on a 40-minute cruise across Port Phillip Bay, pairing live music with coastal views and a complimentary beverage.

While the already announced six regular ferry sessions are open to all festival ticketholders, those wanting to secure this unique experience can do so through these two new special sessions as they are separately ticketed.

On Saturday 29 November at 1:30pm, the Peninsula Princess will set sail with Skyscraper Stan, one of Australia’s most captivating lyricists and performers, known for his razor-sharp storytelling and magnetic live energy.

On Sunday 30 November at 1:30pm, audiences will be treated to Minor Gold, the award-winning folk-rock duo of Dan Parsons and Tracy McNeil, whose effortless harmonies and heartfelt songs have won fans across Australia and the world.

Tickets to both Special Event Sessions are $25 bf and include a complimentary beverage on board.

And if that isn’t enough to get excited over, the festival set times for the three-day festival are now live so everyone can start planning their Queenscliff Music Festival experience.

Start planning your adventure HERE

SET TIMES

Queenscliff Music Festival Director Claire Stickland, said that the new Ferry sessions were added due to overwhelming response for the first, festival-based sessions:
“We’ve been overwhelmed by the response to the Ferry as a floating venue. If you absolutely don’t want to miss out, these special ferry sessions are for you and guarantee you a spot on  this unique experience.”

All ferry sessions run throughout the weekend, offering an unforgettable perspective of Queenscliff, from the water, with live music, salty air and spectacular bay views.

Throughout the weekend you’ll also be able to experience the beautiful Bellarine right within the festival – with craft beers, boutique wines, cocktails, gourmet produce, including pastries from Ket Baker and oysters and cheese platters from TARRA Queenscliff. Or take the time to stroll the historic streetscape or sparkling harbour of Queenscliff and drop into one of the local cafes for your morning fix.

The region’s creative community will bring interactive and engaging experiences to the Festival, with a pub choir experience from Chorus Club, cool projections of local flora & fauna from Cosmic Wilderness or a mass jam session from Imaginary Millions.

2025 Queenscliff Music Festival Lineup (Alphabetical Order):

 

Ally Row – Alex Kosenko – The Badloves – Bones & Jones – Chris Cavill – The Cat Empire – Cool Out Sun – Cosmic Psychos – Dom Turner & The Rural Blues Project – Didirri Rowena Wise – Donavon Frankenreiter – Ella Hooper – Emilia Fol – Fenn Wilson & The Weather – Get Behind The Mule – Grace Robinson – Hendrix Frankenreiter – King Stingray – Kit Genesis – Kook Joey | Lewis Love – Little Birdy – Madeline Cope – Mama Kin Spender – Matt Davis – Minor Gold | The Mojo Corner – Munroe – Norwood – Opelousas – Otis Namrell Band – Pierce Brothers – The Preatures – Public Figures – Riley Catherall – Romanie – The Routine – Ruby Mae – Ruby McKenna – Sex On Toast – Skyscraper Stan & the Commission Flats – The Smith & Western Jury – Squid Nebula – SUNEDEN – Sweethearts – Tex Perkins & Matt Walker – Thelma Plum – Tides of Welcome – Velvet Trip – Victoriana Gaye Trio – The Waifs

 

DJs: 

Cool Out Sun (DJ) – Dangerboots (DJ) – Fee B Squared (DJ) – Miss Goldie (DJ) – 

Mz Rizk (DJ) – Rob Major (DJ)

 

Comedy:

 Claire Hooper – Lizzy Hoo – Ben Searle – Nick Capper – 

Nick Schuller – Tess Birch

 

Kids: 

Teeny Tiny Stevies – Peter Coombe – Bebop Circus – Giant Seagulls – Guru Dudu Silent Disco – Krazy Koala Puppet Show – Marimba Taters – Nicholas Ridiculous High Wire – 

Woody’s World Ukulele

 

Arts:

Chorus Club – Cosmic Wilderness – Imaginary Millions – Playable Streets –  

Slow Art Collective – Yoga & Live Music 

 

2025 SECOND RELEASE TICKETS ON SALE NOW – PRICE INCREASE NOVEMBER  1
All Prices inclusive of booking fees
3 Day Adult – $319
3 Day Accompanied Youth 14-17 – $159
3 Day Children 1-13 – $32 (sold in conjunction with an Adult ticket)
Single Day Tickets also available for Adult, Youth & Children
Queenscliff Music Festival Camping – $30 for 3 nights (per person), children camp free
Rent A Tent – from $460 for 3 nights

CLICK HERE FOR FESTIVAL TICKETS CAMPING INFO

facebook instagram spotify youtube
October 31, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

The Belair Lip Bombs share Again LP + announce Australian headline tour in 2026

by the partae October 31, 2025
written by the partae

The Belair Lip Bombs today share their new record Again, the first Australian album release on Jack White’s Third Man Records. Tickets are on sale now for their Australian headline tour in Feb – Mar 2026. LISTEN ON SPOTIFY + APPLE MUSIC + AMAZON MUSIC + YOUTUBE MUSIC + MORE HERE + BUY TICKETS HERE.

Again is an undeniably polished effort from The Belair Lip Bombs, who boldly present an elevation of their humble beginnings, to a band on a trajectory long beyond the DIY venue foundations. The group’s upcoming Australian tour sees the group performing across revered rooms as the Corner Hotel, Oxford Art Factory, Crowbar, Freo.Social, Lion Arts Factory and Altar. See all tour routing dates BELOW. 

Backed by a gut-instinct approach, each track across Again has its own mood, built on a bed of each Lip Bombs’ members individuality – an amalgam of influence that makes the group sonically diverse in practice. Their taste as a collective is guided by the pursuit of sinking their teeth into a project unlike before. Whether you have the words, or it’s a song lyric that does for you – reflective of the group’s own reserved personalities, at odds with their power-pop range – they continue “This is an album for real lovers and feelers around the world.”

Motivated by the pursuit of sharpening their pen and cultivating sonic diversity, Again is the reward of getting deep in the weeds. The longest time the group have spent in the studio in their tenure to date also marked the first time The Belair Lip Bombs collaborated with producers Nao Anzai (The Teskey Brothers, Missy Higgins, Mildlife), and Joe White (Rolling Blackouts Coastal Fever) who together have delivered a timeless, holistic album.

“With Again, we wanted to create a body of work that reflected our maturity as people and as songwriters,” The Belair Lip Bombs explain. “I think an album is the most significant demonstration of all of our hard work as a band. Touring the world and playing iconic venues or supporting big bands is all incredible but at the end of the day none of that would be happening if it wasn’t for making a record.”

Maisie‘s staunch leadership backed by the powerhouse combination of Mike, Jimmy and Dev, paint a surface happy-go-lucky, limerence rock sound. A combination of quick-footed rhythms, warm and fuzzy guitar melodies with catharsis at its core. The Belair Lip Bombs are always listening, studying and tinkering away at their form, piecing Again together along the road, between soundchecks and meagre time back home.

Springboarding Kings Of Leon to Yeah Yeah Yeahs with a hint of influence pulled from their local surroundings like jangle heroes Cool Sounds and Way Dynamic, theirs is an earnestness with ultra sticky power-pop song structures that crash through – no skips. From the fiddle that features on opener ‘Again and Again’ or the angsty ‘Another World’, to the shared vocals by Maisie and Mike on ‘If You’ve Got The Time’.

Elsewhere ‘Smiling’ captures the intoxicating, new relationship jitters while ‘Burning Up’ is the group’s clearest throughline to the undeniable hits of New Radicals, Sugar Ray or Matchbox Twenty – and the credibly they give those influences – indelibly felt on the groove laden ‘Cinema’s addictive funk piano chords. ‘Price Of A Man’, is most indicative of the power of the Lip Bombs bond, born from an accidental strum in soundcheck that spawned a story of two fellas and toxic behaviours.

A performance with pummelling instrumentation bound for endless toe-tapping, with biting words to unabashed joy. The band’s unshakable connection as four close friends shines throughout Again.

Again LP is out now via Third Man Records, buy/stream it here.

TRACKLIST
Again and Again
Don’t Let Them Tell You (It’s Fair)
Another World
Cinema
Back Of My Hand
Hey You
If You’ve Got The Time
Smiling
Burning Up
Price Of A Man

AUSTRALIAN ALBUM TOUR
Fri 27 Feb – Corner Hotel – Naarm / Melbourne
Fri 6 Mar – Altar – nipaluna / Hobart
Fri 13 – Lion Arts Factory – tarntanya / Adelaide
Sat 14 Mar – Freo.Social – Boorloo / Perth
Fri 20 Mar – Oxford Art Factory – Eora / Sydney
Sat 21 Mar – Crowbar – Meanjin / Brisbane

2025 TOUR DATES
Sat 1 Nov – Ideal Bar – Copenhagen, DK
Mon 10 Nov – Maschinehaus – Berlin, DE
Tue 11 Nov – Ekko – Utrecht, NL
Wed 12 Nov – Charlatan – Ghent, BE
Thu 13 Nov – Point Ephemere – Paris, FR
Mon 17 Nov – Dabadaba – San Sebastian, ES
Tue 18 Nov – El Sótano – Madrid, ES
Wed 19 Nov – Laut – Barcelona, ES
Fri 21 Nov – Rock School Barbey – Bordeaux, FR
Mon 24 Nov – Volks – Brighton, UK
Tue 25 Nov – Clwb Ifor Bach – Caerdyf / Cardiff, UK
Wed 26 Nov – Exchange – Bristol, UK
Fri 28 Nov – Scala – London, UK
Sat 29 Nov – YES – Manchester, UK
Sun 30 Nov – Stereo – Glaschu / Glasgow, UK
Mon 1 Dec – The Grand Social – Baile Átha Cliath / Dublin, IE

2026 TOUR DATES
Sat 7 Feb – Laneway Festival – Kombumerri Jagun Land / Gold Coast
Sun 8 Feb – Laneway Festival – Gadigal & Bidjigal Land / Sydney
Fri 13 Feb – Laneway Festival – Wurundjeri Biik Land / Melbourne
Tue 24 Mar – Brick & Mortar – Ohlone Land / San Francisco, CA*
Thu 26 Mar – Polaris Hall – Chinookan Land / Portland, OR*
Fri 27 Mar – Baba Yaga – Si’ahl / Seattle, WA*
Sun 29 Mar – Treefort Music Festival – Shoshone Land / Boise, ID
Mon 30 Mar – Kilby Court – Pi’a-pa / Salt Lake City, UT*
Tue 31 Mar – Hi-Dive – Apache Land / Denver, CO*
Thu 2 Apr – White School House – Kansa Land / Lawrence, KS / Kansas City, MO*
Fri 3 Apr – Turf Club – Dakhóta Land / Minneapolis, MN*
Sat 4 Apr – Empty Bottle – shikaakwa / Chicago, IL*
Mon 6 Apr – The Garrison – Tkaronto / Toronto, ON*
Thu 9 Apr – Night Club 101 – Lenape Land / New York, NY*
Fri 10 Apr – Baby’s All Right – Lenape Land / New York, NY*
Sat 11 Apr – PhilaMOCA – Coaquannock / Philadelphia, PA*
Sun 12 Apr – Songbyrd – Nacotchtank Land / Washington, DC*
Mon 13 Apr – Kings – Algonquian Land / Raleigh, NC*
Wed 15 Apr – Blue Room @ Third Man Records – Cherokee, Chickasaw Land / Nashville, TN*
Thu 16 Apr – The Earl – Muscogee, Cherokee Land / Atlanta, GA*
Sat 18 Apr – Sons of Hermann Hall – Nermernuh Land / Dallas, TX*
Sun 19 Apr – 29th Street Ballroom – Tonkawa Land / Austin, TX*
Wed 22 Apr – Rebel Lounge – Hohokam Land / Phoenix, AZ*
Thu 23 Apr – The Casbah – Kumeyaay / San Diego, CA*
Fri 24 Apr – Zebulon – Tongva Land / Los Angeles, CA*
*co-headline with dust

Tickets available HERE.

Stay connected with The Belair Lip Bombs:
23 Profile | Website | Instagram | YouTube

October 31, 2025 0 comments
0 FacebookTwitterPinterestEmail
Music News

Arky Waters & MAMI Release Holdin’ On

by the partae October 31, 2025
written by the partae

Australian producer Arky Waters makes a powerful return this week with his brand-new single “Holdin’ On”, which has him teaming up with Australian-bred/London-based artist MAMI for her impeccable voice – and it’s also the lead and title-track from his upcoming debut album.

“This release has been a long time coming. I originally sent the instrumental to MAMI, and what she wrote over it was absolute magic. The song itself came together quickly, but I spent what felt like forever fine-tuning every detail because it deserved that level of care. It’s not every day you strike gold with a collaboration like this. We’re absolutely stoked!” ~ Arky Waters

Drawing inspiration from Bicep, Jamie xx, and Fred again.., Arky Waters continues to blur the lines between breaks, jungle, and bass, showcasing his knack for emotional yet club-ready productions.

Following on from last year’s acclaimed “Johera EP”, this latest release sets the tone for a massive new chapter in his career.

“Holdin’ On” is out now via Mammal Sounds Records.

Stream:
https://bfan.link/holdin-on

Socials:

https://linktr.ee/arkywaters

Credits:

Co-Written by Arky Waters & MAMI

Produced by Arky Waters

Mixed by Doug Wright

Mastered by Suture Mastering

Artwork & Photos by Arky Waters

Visuals by Version Khan

October 31, 2025 0 comments
0 FacebookTwitterPinterestEmail
Fashion & CultureFestival NewsMusic News

Oasis’ Legacy Celebrated in Exclusive Australian Photography Exhibition

by the partae October 31, 2025
written by the partae

As Oasis return to Australia for their long-awaited stadium tour, fans will be able to step inside the band’s story like never before. Behind The Gallery is proud to announce an exclusive exhibition of Oasis photography by three of the UK’s most celebrated music photographers: Chris Floyd, Kevin Cummins, and Scarlet Page.

“Oasis aren’t just a band – they’re a cultural phenomenon. Through the eyes of Chris Floyd, Kevin Cummins and Scarlet Page, fans can experience the attitude, chaos and brilliance that defined an era of British music,” said Stephen Dallimore – Behind the Gallery.

Running in both Melbourne and Sydney, the exhibition is timed to coincide with the tour, offering fans a rare chance to revisit Oasis’ meteoric rise, unforgettable live shows, and candid behind-the-scenes moments through striking imagery.

The exhibition brings together more than two decades of imagery, spanning gritty early gigs, iconic stage moments, backstage portraits, and rare personal insights into the Gallagher brothers and the band’s inner circle.

  • Chris Floyd – Known for his evocative portraits and collaborations with leading cultural figures, Floyd captured Oasis in their prime, offering photographs that reflect both their swagger and their vulnerability.
  • Kevin Cummins – Legendary Manchester photographer whose lens defined the visual identity of the city’s music scene, from Joy Division to The Stone Roses. His work with Oasis charts their journey from hometown heroes to global superstars.
  • Scarlet Page – Acclaimed rock photographer, Scarlet brings a uniquely intimate perspective. Her portraits of Oasis are celebrated for their warmth, honesty, and insider’s eye on the band’s world.

“When you start out as a photographer one of the things that you secretly hope for is that one day your work will have some resonance or interest for future generations. It’s over 30 years since the first of these pictures were taken and it gives me a lot of satisfaction to see that the love and passion for Oasis is as strong, if not stronger, as it ever was,” said Chris Floyd.

Scarlet Page reflects “These photographs capture Oasis right at the height of their raw, unstoppable energy. It was an incredible moment in British music, and I feel lucky to have been there to document a part of it.”

Together, their work creates a powerful narrative that reflects Oasis’ music, attitude, and enduring cultural influence. Each print in this series is an artist’s print, available exclusively through Behind the Gallery for this exhibition in Australia.

Melbourne Exhibition

Venue: 14 Langridge Street, Collingwood, VIC 3066

Pre-Concert Meet Ups:

Friday 31 October, 11:00am – 5:00pm

Saturday 1 November, 11:00am – 5:00pm

Closing Date: Sunday 2 November 11:00am – 4:00pm

Sydney Exhibition

Venue: 17 Oxford Street, Paddington, NSW 2021

 Pre-Concert Meet Ups:

Friday 7 November, 11:00am – 5:00pm

Saturday 8 November, 11:00am – 5:00pm

Closing Date: Sunday 9 November – 11:00am – 4:00pm

For further information head to https://www.behindthegallery.com.au/pages/oasis-exhibitions

October 31, 2025 0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Interview: Paris Wells & Finley François / Lounge Of The Flamingo

by the partae October 30, 2025
written by the partae

This project feels like a new chapter built on two decades of creative chemistry — how did Lounge of the Flamingo first come to life?

Paris: Thank you! Finley and I had been talking about this sound for ages, but we kept getting distracted by our various dance music projects. When the opportunity to record at Frying Pan came along, it was like the record wrote itself.

The record carries this slow-burning calm — part Latin lounge, part late-night jazz bar. What led you to explore that sound at this point in your journey?

Finley: Our chats about a jazz-inspired album kept circling, but I didn’t want to do a swing record! Eventually, we landed on the lounge era — elegant, stylish, smooth, and moody, but still rhythmic. It opened the door to exploring more complex harmonies and textures… and off we went.

You’ve both moved through so many styles over the years. What did this album let you express that you hadn’t captured before?

Paris: For me, it was about intimacy. I’d rarely had the chance to explore close-mic vocals — everyone always wanted big notes and big sounds, but I knew there was a tenderness I wanted to capture. Slowing things down and letting the space breathe took real discipline. I’ve also always loved the sound of the soprano sax, so being able to weave that in was such a joy.

Recording live at MONA’s Frying Pan Studios must’ve been a rare experience. How did that environment shape the sessions?

Paris: Aside from being pregnant and needing to pee every hour, walking in there every day made me feel like a working artist again — and that’s a rare feeling these days! We’d take the ferry each morning, debrief on the water on the way home, and the whole process felt calm and purposeful. The vista from the studio really seeped into the music. I love Tazzie.

Paris, you’ve described this as an album rooted in humour, calm, and family. How did being a married mum influence what came out creatively this time?

Paris: I’d love to say my house is always calm (lol), but it’s really the moments of calm I wanted to capture. Those flashes between the chaos. I’ve always written with a bit of social commentary too — I was writing songs about “Karens” before the term even existed!

Finley, reconnecting with your Afro-Latin jazz beginnings seems to have reignited something deeper. What was that rediscovery like for you?

Finley: My whole journey with piano began with Latin jazz compilations — samba, bossa nova, and jazz improvisation completely captivated me. Those CDs were on heavy rotation. At the same time, I was hearing those same jazz elements in electronic records I was DJing. It was an amazing era of discovery and curiosity as a young musician.

With voices like Kylie Auldist and the strings of Dean Stevenson woven in, the record feels rich and cinematic. How did those collaborations unfold?

Paris: Kylie and I have supported each other for years — we’re all about girl power! Dean is such a core part of MONA’s music scene, and we got to know each other while I was down there. When I asked him for some instrumentals, he sent a huge batch, and one of them became Strange Days. That song just poured out.

There’s an effortless confidence throughout these tracks — unhurried and self-assured. Was that an intentional approach or just chemistry doing its thing?

Paris: Fin musically directed the players and got about 70% of the recording done in a single day — it was magic. My husband made amazing sandwiches, I kept everyone caffeinated, and Fin was large and in charge! The confidence came from preparation and from knowing exactly who we are. I focused on the right character for each tune — the delivery sets the scene and tells the story.

Finley: This album was all intentional. Paris and I had long chats about what we wanted to create. The brief came down to moods and times of day — pre-dinner apéritif cocktails, beachside evenings, post-dinner single-cask sips.

After years performing on major stages alongside global names, what’s it like now stepping into something so intimate and textured together?

Paris: The best. Dinner music is back.

And for everyone coming to George Lane on November 27 — what kind of atmosphere should they expect when Lounge of the Flamingo comes alive on stage?

Paris: St Kilda always delivers a perfect musical summer night. We’ve got guest vocalists, backup singers, incredible local jazz players — and yes, everyone gets a flamingo in their drink. You’ll leave slightly buzzed, your ears won’t be ringing, your taste buds will crave one more cocktail… and you’ll still be home by 11.

ALBUM LAUNCH 

Thursday November 27 George Lane Melbourne VIC

 TICKETS

Paris Wells: Facebook | Instagram | YouTube 

Finley François: Facebook | Instagram | YouTube 

Lounge Of The Flamingo: Official Website | Facebook | Instagram

October 30, 2025 0 comments
0 FacebookTwitterPinterestEmail
Music News

Midnight Pool Party Release ‘OUTTA YOUR MIND’

by the partae October 30, 2025
written by the partae

Australian disco duo Midnight Pool Party have been on a roll lately, serving up a run of irresistible tracks with FIDELITY, WHAT AM I GONNA DO?, and NEVER GONNA GIVE UP, and the good news is they’re not slowing down anytime soon.

This week they’re back with another disco-pop gem called ‘OUTTA YOUR MIND’ which is a playful, uplifting anthem about shaking off a tough week and leaning into good vibes with your friends.

“The song’s basically about having a shitty week at work and just wanting to hang out with your friends and not needing attention from anyone else. It’s about confidence, setting boundaries, and firmly rejecting any assumption that you are available or interested. It’s very much a ‘I’m with my friends, leave us alone’ kinda vibe,” they explain.

The track was born out of frustration but quickly flipped into something fun and rebellious. “I actually wrote this one night after a stressful week at work. I just needed to write something carefree. The song came together in about 30 minutes. The next time Ollie came over, we arranged it in under an hour, and we just knew it had to be the next single,” says the band.

‘OUTTA YOUR MIND’ is out everywhere now.

Stream/Watch:
https://bfan.link/outtayourmind

Socials:

https://linktr.ee/MPP_PoolBoys

Credits:

Co-Written by Darren Morilla & Oliver Dela Cruz

Produced by Midnight Pool Party

Mastering by Jack Prest

Artwork, Photos & Visuals by Morilla Media

Choreography & Dancing by Whyan Chen & James Vidigal

October 30, 2025 0 comments
0 FacebookTwitterPinterestEmail
Eats & Drinks

Pleasure Club and BACARDÍ team up to launch Sydney’s newest Sunday night ritual – stirring disco, funk, and heat into late-night desire with headline act Touch Sensitive.

by the partae October 30, 2025
written by the partae

Sydney’s Sunday nights are getting a shake-up. Tongue Tied at Pleasure Club presented by BACARDÍ in collaboration with Pleasure Club is the city’s newest late-night series, transforming the traditional Sunday session into a high-energy celebration of sound, flavour, and rhythm. Running every Sunday from November 2025 through January 2026, the series invites night owls to dive into an immersive experience where live performance and DJ culture collide from 9pm until 4am. 

Less about winding down the weekend and more about keeping the energy alive, Tongue Tied channels the golden era of Sydney nightlife, when dance floors felt like living rooms and the crowd became family. Expect an eclectic mix of yacht-disco, Italo-house, and synth-laced grooves curated to move bodies and free minds. 

The series launches Sunday, November 2, with Touch Sensitive headlining opening night, fresh from the release of his first album in eight years, In Paradise. He’ll return for an encore set the following week, followed by a stellar lineup featuring Art vs Science (DJ Set with Live Elements), OYOBI, and Archil & Leon. 

Behind the bar, BACARDÍ brings the flavour, from the nostalgic BACARDÍ & Coca Cola™ Cherry to the indulgent Lip Service cocktail (BACARDÍ White Rum, Mapo Sour Cherry Gelato, Dragonfruit, Amaretto Whip). The drinks menu pairs nostalgia with creativity, served alongside a playful line-up of rum-based shots designed for late-night sipping. 

“Tongue Tied is a love letter to Sydney’s Sunday nightlife, where good music, great energy, and a splash of Bacardi spirit keep the weekend rolling” says Rebecca Lines, COO of Odd Culture Group. 

Tongue Tied at Pleasure Club runs every Sunday from 2 November 2025 to 25 January 2026. 

BACARDÍ Presents: Tongue Tied at Pleasure Club 

Basement, 6 Wilson St, Newtown 

Every Sunday, 5pm – 4am 

www.oddculture.group/whats-on

October 30, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Connor Price Photos At Enmore Theatre – 28/10/25

by the partae October 29, 2025
written by the partae

Photography: Jake Harm Nam

October 29, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Jelly Roll at Rod Laver Arena, 28 October 2025 review

by the partae October 29, 2025
written by the partae

Photography and Review: Darren Chan

On a cool spring evening, Rod Laver Arena was set ablaze — literally and figuratively — as Tennessee powerhouse Jelly Roll brought his blend of country soul, hip-hop grit, and gospel heart to a sold-out Melbourne crowd. It was part rock show, part revival, and all heart.

The night opened with Drew Baldridge, the Illinois-born country artist known for his big-hearted lyrics. Backed by a dynamic live band, Baldridge wasted no time winning over the crowd with crowd-pleasers like “She’s Somebody’s Daughter” before throwing in a few Aussie-flavoured surprises — a roaring cover of AC/DC’s “Highway to Hell” and a gritty take on Cold Chisel’s “Working Class Man”, which drew a deafening singalong from the crowd.

Between acts, DJ Chill turned the arena into an impromptu block party, spinning everything from Snoop Dogg to Lynyrd Skynyrd and keeping the crowd buzzing.

Next up was Shaboozey, the Virginia-born trailblazer currently redefining modern country with hip-hop swagger and crossover hits like “A Bar Song (Tipsy)”. His set was tight, confident, and effortlessly cool. With a full band behind him, Shaboozey moved between smooth R&B flow and Southern grit, earning cheers and appreciation from new fans.

On the rear stage, rising Nashville star Julia Cole made a surprise cameo — her strong vocals and relaxed stage presence  delivered her music in pure Nashville country style.

When the lights dropped and the flaming house frame ignited at the back of the stage, Jelly Roll appeared like a man stepping out of his own story. Opening with “I Am Not Okay,” the raw honesty in his voice hit hard — and the crowd was his from that moment on.

From there, the set moved through an emotional delivery of  “Heart of Stone,” “Get By,” “Liar,” and a mashup of “Take Me Home, Country Roads / Lonely Road.” Each song was a confession — gritty, grateful, and honest.

Midway through, Jelly welcomed Shaboozey onstage for a powerful rendition of “Amen,” the two artists trading verses like old friends.  Later, Drew Baldridge returned for a massive, beer-raising cover of “Friends in Low Places” that turned Rod Laver Arena into one big honky-tonk choir.

Between hits like “Hard Fought Hallelujah,” “Halfway to Hell,” “Bottle and Mary Jane,” and “Son of a Sinner,”Jelly balanced pain and praise, struggle and salvation. The fire and pyro might have been spectacular, but it was his authenticity that burned brightest.

A covers medley — “Sweet Home Alabama,” “How You Remind Me,” “Party Up,” “Flowers,” and “Young, Wild & Free” — A Night to Remember started to show Jelly’s energy waning.

Jelly Roll took to the rear stage alone for the finale “Save Me.” As rain began to pour down over him creating an unfiltered cinematic moment — he sang like a man laying everything bare – the crowd fixated on every word. It was Jelly’s symbol of redemption and why his story resonates so deeply with so many people.

It was powerful, emotive, and honest show that blurred genres and boundaries — proof that Jelly Roll is on the journey to redefining himself and his music.

October 29, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

The Horrors Announce 2026 Australian Tour — Returning with “Night Life,” a Spellbinding New Chapter in Sonic Evolution

by the partae October 29, 2025
written by the partae

“Majestically maneuvering between indie rock, trip-hop, psychedelia, dream-pop, darkwave, shoegaze, and garage punk, among many other sounds and textures, THE HORRORS enraptured the spectators at Dark Mofo in a sonically wondrous journey. The five-piece undeniably bring ‘all wonders to light’ with their scintillating soundscapes and lustral gothic poetry, which coalesce entrancingly in magnificence.”
– William Oakeshott (Wall Of Sound)

Earlier this year, The Horrors made a captivating exclusive appearance at Dark Mofo in Hobart and treated Melbourne fans to an intimate Live at 3RRR set ahead of the festival. The visit marked the group’s first Australian shows since 2012, when they appeared at Laneway Festival alongside a run of headline shows in support of their third studio album Skying.

In April 2026, The Horrors are set to return to Australia for a headline national tour, today announcing dates in Brisbane, Sydney, Melbourne, Adelaide, and Perth.

After nearly 20 years making music, few bands have created a canon as determinedly innovative and consistently acclaimed as The Horrors. Emerging as zeitgeist-shaking garage-goths on their 2007 debut Strange House, before taking a sharp left turn for their Mercury-nominated follow-up Primary Colours, The Horrors have continually evolved — roaming freely between genres.

Their 2011 album Skying won the NME Award for Best Album, while V (2017) was hailed as “a triumph” by The Guardian in a five-star review. Their 2021 EPs Lout and Against The Blade ushered in a new era with their most industrial and uncompromising sound yet.

Now, with their brand new album Night Life, The Horrors return with a record of weight and space; of melancholy and euphoria. It’s a work that entwines the visceral and the sublime — the thoughts that bloom under cover of darkness, when the rest of the world sleeps. Night Life rekindles the raw, instinctive spirit of their early years while expanding their sonic reach into thrilling new territory.


Tour Dates — The Horrors “Night Life” Australia 2026

Friday 10th April – Princess Theatre – Brisbane
Saturday 11th April – Manning Bar – Sydney
Sunday 12th April – Northcote Theatre – Melbourne
Tuesday 14th April – Lion Arts Factory – Adelaide
Wednesday 15th April – Rosemount – Perth

Presale: Friday 31st October, 9:00am local time
General On Sale: Monday 3rd November, 9:00am local time

Presented by Premier Artists, ThePhoenix.au & 3RRR (Melbourne only)

For tickets and more information, visit thephoenix.au

Connect with The Horrors

Facebook icon
Instagram icon
Website icon
YouTube icon
Spotify icon
October 29, 2025 0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Interview – Monster Taxi’s “Japanese Onsen”: A Father–Son Journey Through Japan Translated Into Sound

by the partae October 29, 2025
written by the partae

What first inspired you to create “Japanese Onsen,” and how did your trip to Japan with your son shape its emotional core?

Upon my son’s college graduation, we decided to take a trip to Japan. I had never been to Asia before, and we wanted to experience both big-city life and small towns. One of my friends recommended Kinosaki since I was interested in its Onsen culture. While researching the trip, a month before we left, the main melody you hear in Japanese Onsen came to me, and I recorded it in my studio. The title came later, after the trip — which turned out to be deeply magical and emotional. The heart of it was spending time with my son, who would soon be moving away for work.

Can you describe the moment in Japan when you knew this experience would become music?

Walking around the shrines and forests in Kyoto, and later experiencing the Onsen and Ryokan life in Kinosaki, solidified the musical vision. It was peaceful, quiet, and completely different from the energy of big cities. My next project captures Tokyo’s urban pulse — with a traditional cultural twist.

How did the sounds and atmosphere of Kinosaki’s hot spring villages influence your approach to rhythm and texture?

While composing, I dimmed the lights in my studio, bathed the room in red light, and played a video of hot springs. It brought me straight back to that atmosphere.

In what ways did Kyoto’s temples and shrines inform the tone or spiritual feeling of the composition?

I bought a small Torii gate for my studio — like the ones at Fushimi Inari Shrine. My son and I avoided the main crowds and stumbled upon a quiet bamboo forest where I began forming new melodies in my head. That stillness found its way into the song.

You’ve explored a wide range of sonic worlds as Monster Taxi — what makes “Japanese Onsen” stand apart from your previous work?

A lot of my recent songs are inspired by places and family experiences. Reflect came from a trip to Arizona with my father. Field of Dreams was born from a journey through rural America with my daughter. Pacifica was inspired by Oregon’s coastlines. Japanese Onsen continues that pattern — rooted in emotional travel memories. I wanted this one to authentically reflect Japan’s landscapes and culture. Danny Rein’s video brings it to life beautifully, transforming my photos into anime-like visions. Everything shown in that video really happened. And yes, I still owe my mother a song — and Iceland may be next!

Was there a particular sound or field recording from your travels that made it into the final piece?

I recorded train station sounds for a future Tokyo-inspired track, but not for Japanese Onsen. Everything you hear was crafted with my synths, instruments, and sound libraries — especially Arturia, which provided many of the Asian tones.

How do you balance capturing the authenticity of a place while still translating it into your own musical language?

Honestly, a lot of it is instinct. I experiment until it feels right. Many of the best parts were happy accidents — like the improvised middle solo, done in one take. I considered bringing in traditional Japanese instruments like the Shamisen and Shakuhachi, but what I had already felt authentic and complete.

What role does family connection play in your creative process, especially in translating shared experiences into sound?

Family and friendship are my creative fuel. They bring the magic and emotion that turn ideas into melodies.

How do you hope listeners feel when they immerse themselves in “Japanese Onsen” for the first time?

I hope they find peace and beauty in the song — and maybe feel inspired to travel to Japan themselves.

If you could return to one moment from that trip with your son, where would it be — and what sound would you want to capture there?

Sitting with my son in the ancient Onsen of Goshono-Yu in Kinosaki, followed by our Kaiseki dinner in Kyoto’s Geisha district. The central section of the song captures the Onsen, while the middle reflects that intimate Kaiseki experience.

WEBSITE
October 29, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

DANIEL JOHNS In Conversation: What If The Future Never Happened? Dylan Lewis (Recovery/Double J) joins as host

by the partae October 28, 2025
written by the partae

Newcastle and Brisbane sold out!
​Final tickets on sale now for Sydney this weekend + Melbourne

Sydney, it’s finally happening: Daniel Johns is back on stage for the first time in over five years with In Conversation: What If The Future Never Happened? kicking off this Saturday 1 November at Sydney’s State Theatre. The tour then hits Newcastle, Brisbane and Melbourne this November – and trust us, you won’t want to miss it.

With Newcastle and Brisbane shows already sold out, final tickets remain for Sydney’s opening night this weekend, as well as Melbourne’s Palais Theatre on Thursday 13 November. Grab them now via frontiertouring.com/danieljohns.

These are one-of-a-kind nights of storytelling, film, and music with one of Australia’s most iconic and enigmatic artists. Each evening celebrates the worldwide premiere of Johns’ highly anticipated short film, What If The Future Never Happened?, and features an intimate, hour-plus conversation where Daniel shares his creative secrets, never-before-seen photos and footage, unreleased demos, and music spanning his Silverchair days to his acclaimed solo work.

Joining Daniel onstage to guide the chaos is beloved broadcaster, musician and unicorn, Double J’s Dylan Lewis (aka D Lord The Prophet), alongside Luke Eblen (Creative Director). Lewis will take the mic as MC, alongside Ebflow and Dr Dream. Known for his infectious energy, quick wit and deep love of music, Dylan first burst into living rooms as the host of ABC’s cult ’90s music show Recovery, redefining how a generation connected with live music.

Since then, Dylan’s carved out a celebrated career across radio and television, from winning hearts (and trophies) on Celebrity Big Brother and I’m A Celebrity Get Me Out Of Here, to soundtracking lives on Double J, triple j, Nova and beyond. Whether on stage with one of his funk bands or choirs, or behind the mic on the radio or in front of the camera on telly, Dylan brings a rare mix of warmth, chaos and rizz – the perfect guide for an unforgettable night of conversation, storytelling and sonic exploration with Daniel. He loves you. Boom.

This is your chance to be part of something truly unrepeatable – an evening of deep dives, stories, music, and surprises with Daniel Johns as he celebrates What If The Future Never Happened? and the 30th anniversary of Frogstomp. Don’t wait. Tickets are nearly gone!

About Daniel Johns

With six #1 albums and a career marked by reinvention, Daniel Johns stands as the most decorated Australian songwriter of his generation. As the frontman of Silverchair, he led the band to an unprecedented run: five studio albums between 1995 and 2007, each debuting at #1 on the ARIA Albums Chart and collectively selling more than 10 million copies worldwide. Along the way, Johns became the first artist in history to claim APRA’s Songwriter of the Year award three times, cementing his reputation as one our most innovative musicians.


DANIEL JOHNS IN CONVERSATION: WHAT IF THE FUTURE NEVER HAPPENED?
​+ special guest host Dylan Lewis
​AUSTRALIA
​NOVEMBER 2025
​
Presented by Frontier Touring

TICKETS ON SALE NOW
​
via frontiertouring.com/danieljohns


ALL SHOWS LICENSED ALL AGES

Saturday 1 November
​State Theatre | Sydney, NSW
​
ticketmaster.com.au
​
FINAL TICKETS

Friday 7 November
​Newcastle Civic Theatre | Newcastle, NSW
​
SOLD OUT!

Sunday 9 November
​Fortitude Music Hall | Brisbane, QLD
​
SOLD OUT!

Thursday 13 November
​Palais Theatre | Melbourne, VIC
​
ticketmaster.com.au
​
FINAL TICKETS


Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

 

FOLLOW DANIEL JOHNS:

Website | Facebook | Instagram | X | YouTube | Spotify | Apple Music

October 28, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

OCEAN ALLEY ADD COASTAL AND REGIONAL DATES TO THEIR NATIONAL TOUR RUN THIS SUMMER CELEBRATING THEIR NEW ALBUM LOVE BALLOON ALL SHOWS SELLING FAST

by the partae October 28, 2025
written by the partae

BUY TICKETS HERE
BUY/STREAM LOVE BALLOON

Beloved Aussie rockers Ocean Alley have announced five massive new shows to their 2026 Summer run, celebrating their acclaimed new album Love Balloon.

With previously announced dates selling fast, the band will now extend their tour along the Australian coast and regional locations this March with shows presented by SummerSalt – kicking off at Exhibition Park, Canberra (7 March), then heading to Torquay Common (8 March), Speers Point Park in Lake Macquarie (14 March), Sunshine Coast Stadium (15 March) and wrapping up at Glenelg Beach, Adelaide (21 March). They’ll be joined by an all-star lineup including DIY heroes Skegss, American rock band Allah-Las (all shows except Adelaide), Byron Bay psychedelic rockers Babe Rainbow, Melbourne garage rockers The Grogans (Adelaide only), indie-rock five piece Mid Drift, indie/psych-pop pals Le Shiv and raw indie-rockers Seaside – making for one of the band’s biggest outdoor tours to date.

Fans can secure tickets via the Artist Presale from 9am on Thursday 30 October until 8am Friday 31 October local. Register for presale access at oceanalley.com.au.

These shows follow Ocean Alley’s capital city run in January, which will mark their largest ever headline dates, with stops in Melbourne, Brisbane, Sydney, Fremantle and Margaret River. East Coast shows feature Nothing But Thieves, Rainbow Kitten Surprise and Ruby Fields, while the West Coast welcomes Skegss, Ruby Fields and rising Perth outfit Smol Fish.

The tour comes on the heels of Love Balloon’s release – the band’s fifth studio album, which debuted at #1 on the ARIA Vinyl and Australian Album Charts, #3 on the ARIA Albums Chart and has remained in the Top 10 Australian Album Charts for six weeks. A journey through love and life in all its colour and chaos, the record is anchored by moments of light, vulnerability and connection, led by the luminous single “Drenched” and its nostalgic early-2000s-inspired video.

The new dates round out a huge 2025 for Ocean Alley – including their biggest headline show to date at London’s Alexandra Palace, two North American tours and their first South American shows across Brazil, Chile and Mexico. The band also made festival appearances at Lollapalooza, Sziget and Austin City Limits, as well as their breakthrough hit “Confidence” placing #65 in triple j’s Hottest 100 of Australian Songs.

With over 1 billion streams and a reputation for magnetic live performances, Ocean Alley have become one of Australia’s most successful musical exports. Across five albums – including 2022’s Low Altitude Living – the six-piece (Baden Donegal, Angus Goodwin, Lach Galbraith, Mitch Galbraith, Tom O’Brien and Nic Blom) continue to evolve their unmistakable sound. With chart success across Australia, New Zealand, the UK and the US – and nine Gold or higher accredited singles – Ocean Alley are stepping confidently into a bold new chapter, with stadium-sized ambition and an enduring global legacy in sight.

OCEAN ALLEY
AUSTRALIAN COASTAL TOUR 2026
With special guests Skegss, Allah-Las*, Babe Rainbow, The Grogans^, Mid Drift, Le Shiv and Seaside
Presented by SummerSalt & Face To Face, Supported by triple j
TICKET INFO HERE

Saturday 7 March – Exhibition Park, Canberra, ACT
Sunday 8 March – Torquay Common, Torquay, VIC
Sat 14 March – Speers Point Park, Lake Macquarie, NSW
Sunday 15 March – Sunshine Coast Stadium, Sunshine Coast, QLD
Saturday 21 March – Glenelg Beach, Adelaide, SA
*Not playing Adelaide, ^ playing Adelaide only

TICKETS ON SALE FRIDAY 31 OCTOBER, 9AM LOCAL
Artist Presale: Thursday 30 October, 9am – Friday 31 October, 8am local
Live Nation and Face To Face Presale: Thursday 30 October, 9am – Friday 31 October, 8am local
Spotify Presale: Thursday 30 October, 11am – Friday 31 October, 8am local

Plus already announced Australian tour, all shows selling fast:
Saturday 24 January – Catani Gardens, Melbourne/Wurundjeri VIC*
Friday 30 January – Brisbane Showgrounds, Brisbane/Meanjin, QLD *
Saturday 31 January – The Domain, Sydney/Eora, NSW*
Saturday 21 February –  Freo Esplanade, Fremantle/Whadjuk, WA^
Sunday 22 February – 3 Oceans Winery, Margaret River/Wadandi, WA^

For complete tour and ticket information, visit: oceanalley.com.au

*Supported by Nothing But Thieves, Rainbow Kitten Surprise (both exclusive to Mel/Bris/Syd) and Ruby Fields
^ Supported by Skegss, Ruby Fields and Smol Fish

October 28, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Field Day celebrates 25 years with Sydney return on New Year’s Day

by the partae October 28, 2025
written by the partae

NEW YEAR, SAME START

FIELD DAY CELEBRATES 25 YEARS WITH SYDNEY RETURN ON NEW YEAR’S DAY

CARL COX & JAMIE JONES, DEBORAH DE LUCA, KÖLSCH, PATRICK MASON, PATRICK AND STÜM AMONG WORLD-CLASS NAMES SET TO PERFORM & BRAND NEW PRIDE STAGE DEBUTING IN 2026

A Sydney institution and New Year’s Day tradition, Field Day returns to add another chapter to its legacy with an epic celebration on Gadigal Country this New Year’s Day. Featuring a stacked lineup of Australian and international talent, the festival will once again fill The Domain with music, energy and community spirit.

Across three stages, the Field Day 2026 lineup brings together some of the biggest names in global dance music. Legendary British DJ Carl Cox teams up with Welsh producer Jamie Jones for solo and back-to-back sets that promise to keep Sydney moving well into the night.

Across three decades, Carl Cox has remained one of the UK’s most influential DJs. A multi-award winner at the DJ Awards, International Dance Music Awards and NME Awards, Cox has long been a mainstay at Tomorrowland and Ultra Music Festival. With five studio albums, countless singles, collaborations and remixes for Fatboy Slim, Sofi Tukker and deadmau5, his impact on electronic music is undeniable.

Speaking on his return, Cox said, “I’ll never forget seeing in the year 2000 on Bondi Beach. It’s great to be back with Fuzzy for another milestone, celebrating 25 years of Field Day.”

Jamie Jones, one of the UK’s defining electronic artists, has been shaping global dance culture since his 2006 debut. Voted Resident Advisor’s Top DJ of 2011, he has headlined clubs around the world, built a loyal following through his Paradise residency in Ibiza and played festivals including Coachella, Creamfields and Glastonbury.

Italian powerhouse Deborah De Luca brings her signature techno to Sydney following her 25-track album Hard Pop Vol. 2. Danish producer Kölsch joins the bill, performing material from his critically acclaimed 2025 release KINEMA. British producer and Trick label head Patrick Topping makes his Field Day debut, bringing remixes of Calvin Harris, Robyn and more alongside his standout single Want U.

Australian icons The Presets return with their unmatched live set. The ARIA-winning duo remain leaders in electronic music, commanding festival and club stages nationwide. Rising producer STÜM, whose Solar Safari Tour sold out in minutes across Australia, and Berlin-based Patrick Mason, known for his high-energy house and techno, also join the lineup.

The 2026 roster features ‘Shooting Stars’ duo Bag Raiders, Irish hitmakers Belters Only, and London’s BL3SS, representing the next wave of UK talent. Charlotte Plank brings her ClubLiminal EP back to Sydney, while ARIA-nominated CYRIL makes his debut with tracks from To the World and From Down Under. Fish56Octagon, drum and bass producer SOTA, and French-born, London-based DJ Swimming Paul round out the international lineup.

Field Day’s commitment to homegrown talent continues with Atomic Kiss, Chase Zera, Djanaba, Eva Charley, Jarred Baker, Jessi Lowkey, Tomgraaam, Troy Beman, Yemi Sul and ZOTDOTCOM each set to light up The Domain on New Year’s Day 2026.

Making its debut in 2026 is CAMP GROUND, a new stage dedicated to Sydney’s queer talent. Explaining its creation, organisers Fuzzy said;

 “Field Day has always been a space where LGBTQIA+ communities are welcome and celebrated. Queer artists and revellers have been a big part of Field Day’s 25 years of success, we’re thrilled to honour that by introducing CAMP GROUND to the festival in 2026 – curated by and for LGBTQIA+ communities, spotlighting some of Sydney’s best.”

Now celebrating its 25th year, Field Day remains one of Australia’s most loved festivals. With a lineup that reflects the momentum of electronic music both here and abroad, the event continues to prove its place at the heart of Sydney’s summer.

PRE-SALE REGISTRATION

FIELD DAY 2026

MONDAY 1 JANUARY THE DOMAIN SYDNEY, GADIGAL COUNTRY

Pre-Sales: 12pm AEDT, Wednesday 29 October
General Sales: 12pm AEDT, Thursday 30 October

First Release: $159.90
Second Release: $169.90
Third Release: $179.90
Final Release: $199.90
VIP: $265.90
Fast Forward add on: $40
*All ticket prices listed are before fees

A-Z
CARL COX & JAMIE JONES (B2B and SOLO SETS)
DEBORAH DE LUCA
KÖLSCH
PATRICK TOPPING
THE PRESETS (LIVE)
STÜM

PATRICK MASON

A-Z
BAG RAIDERS (LIVE)
BELTERS ONLY
BL3SS
CHARLOTTE PLANK
CYRIL
DJANABA
FISH56OCTAGON

SOTA
SWIMMING PAUL

A-Z
ATOMIC KISS
CHASE ZERA
EVA CHARLEY
JARRED BAKER
JESSI LOWKEY
TOMGRAAAM
TROY BEMAN
YEMI SUL
ZOTDOTCOM

FIELD DAY: Instagram | Facebook

October 28, 2025 0 comments
0 FacebookTwitterPinterestEmail
Music News

LOS LEO set to release creative experiment LL-1000 on November 14 – Friendship-inspired single ‘I Miss You’ out now

by the partae October 28, 2025
written by the partae

Having set out on an ambitious yet creatively fulfilling journey on New Years Day, LOS LEO is just weeks away from the release of his brand new album LL-1000, out November 14. The Adelaide songwriter and producer’s forthcoming record is the result of his goal to write, record, and release an album all within a calendar year, and today he shares the first single ‘I Miss You’.

Stream ‘I Miss You’ now on DSPs (Spotify, YouTube, Amazon Music, Tidal, Deezer,  Apple Music) and pre-save LL-1000 HERE.

‘I Miss You’ is a sweet pop-driven ode inspired by the long distance friendships that were a significant part of LOS LEO’s creative process during lockdown. “During the height of COVID, when borders were closed and isolation became the new norm, I found a lifeline in music along with some of my closest friends that live across the world – a musician in Los Angeles, a biomedical engineer in Switzerland, a graphic designer and carpenter in Australia,” says LOS LEO.

The group formed a virtual band called Friendship Global, who would meet on Zoom and play a songwriting game where one person would start an idea, then pass it along to the next member, with each artist independently adding their own idea until a full song eventuated. “At the end, we’d all jump on a call, press play, and hear how our ideas had evolved into a song. It wasn’t even about making songs, it was about laughing, socialising and having fun in a strange time.”

The track’s backing vocals were recorded on Zoom audio, in order to emulate the digital compression heard during Friendship Global’s virtual meetings. “I decided to bring that same spirit back for ‘I Miss You’. The track grew out of that playful process of shaping a song by fellowship. At its core, ‘I Miss You’ is about distance and the people you wish were closer.”

LOS LEO’s ability to seamlessly transcend genre and traverse emotion is rooted in his open approach to creativity, allowing inspiration to strike whenever and wherever, guided by his surroundings as much as his own experiences. “One of my biggest strengths is being emotionally available for art and the moments,” he says. “The amount of times I’ve been moved by an artist singing in a pub to 10 people. I’ve always been moved by small, honest, authentic performances, the kind that feel bigger than the room they’re in or that specific moment in time. That’s the feeling I want to recreate in my music.”

LL-1000 is a pure and triumphant result of this creative ebb and flow. “This project started as a creative experiment,” reflects LOS LEO. “I wanted to see what would happen if I built an album completely from scratch within a single year. No recycled ideas, no safety net, just momentum. I didn’t know what it was going to be when I started, but after a while I realised there was a thread running through everything. identity, reinvention, and change. This album really revealed to me what it was going to be over the year.”

“It doesn’t feel like a collection of singles to me. It’s more like an impressionist painting, songs written so close together that they bleed into each other. I want people to listen to it all the way through and let it wash over them as one larger arrangement, not individual songs.”

With LL-1000 arriving on November 14, ‘I Miss You’ sets the pace for the final stint of a creative journey that has been 11 months in the making.

About LOS LEO

LOS LEO – “type of music you play on a boombox outside your lover’s window” widescreen alt-pop built from nostalgia, heart, and human connection.

Based in Adelaide, Australia, LOS LEO is the project of one stop songwriter and producer Tom Montesi, who merges pop craftsmanship with visual storytelling inspired by icons like Phil Collins, Peter Gabriel, and The Police. A self described art pop romantic, “One of my biggest strengths is being emotionally available for art and the moments,” he says. “The amount of times I’ve been moved by an artist singing in a pub to 10 people. I’ve always been moved by small, honest, authentic performances, the kind that feel bigger than the room they’re in or that specific moment in time. That’s the feeling I want to recreate in my music.”

After signing with Universal Music Group in 2016 following his breakout single Beautiful Mess, LOS LEO quickly built a reputation as a cross disciplinary artist. He’s collaborated across genres on more than 50 releases, performed alongside LANY, DMA’s, and The Veronicas, and contributed music to major television shows including Grey’s Anatomy, Doctor Doctor, and Teen Mom.

Now, with his upcoming album LL-1000, LOS LEO enters a new chapter, one defined by self direction, creative risk, and rediscovery. Conceived as a year long experiment to write, record, and release an album within a single calendar year, LL-1000 became “a creative experiment in honesty, not perfection.” The record explores themes of change, identity, reinvention, and expectation, woven through what Tom calls a “utopian-scholastic, medieval sound with a mix of vintage LOS LEO.”

Written and produced entirely within the same creative window, LL-1000 feels less like a traditional album and more like “an impressionist painting, a collection of songs captured in the same moment in time.” Each track bleeds into the next, reflecting a year of motion, growth, change and vulnerability.

For LOS LEO, LL-1000 isn’t about chasing a hit, it’s about chasing meaning, sonic identity and a character arch. A document of transformation, reflection, and creative freedom, it marks both an ending and a beginning of a chapter.

Connect with LOS LEO

Facebook icon
Instagram icon
YouTube icon
Spotify icon
TikTok icon
October 28, 2025 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Recent Posts

  • HARLEY GIRL drops high-energy new EP The Music, delivering club-ready chaos and emotional release
  • Live at the Gardens announce epic March 2026 season | Royal Botanic Gardens Melbourne
  • Interview: Sola Rosa on Rebirth, Rhythm and the Making of ‘Jupiter’ – The First Signal of a Bold New Era
  • JULES ANNOUNCES IT’S COMING ON CHRISTMAS EP
  • 44 Ardent’s New EP ‘Me, Again’ Marks a Powerful Return to the Music That First Defined Him

Recent Comments

  • Shannon Austbo on RUNYAMOUTH hits the scene with explosive debut single HEAD ON A STICK
  • Anna on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Claire P on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Joe Travers on Trevor Kidd Teams Up with INXS and The Tea Party Legends for Explosive New Track “Sunshine”
  • Will s on Exploring Ego: Inside Pallas Haze’s Groovy Musical Odyssey Interview

Archives

  • December 2025
  • November 2025
  • October 2025
  • September 2025
  • August 2025
  • July 2025
  • June 2025
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2018
  • April 2018
  • February 2018

Categories

  • Eats & Drinks
  • Fashion & Culture
  • Festival News
  • Music Interviews
  • Music News
  • Others

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

MyListing is the most advanced directory theme made for WordPress. MyListing 2.0 improves and refines all aspects of the theme

 

  • Upload Event
  • Upload Listing
  • More Pages
  • [27-icon icon=”icon-box-2″] More
  • Categories
  • More Categories
  • More Categories #2
  • Locations
  • More Locations
  • Place
  • Event
  • Jobs
  • Real Estate
  • Cars
  • Create your own!
  • More demos
  • Facebook
  • Instagram

The Partae © 2025


Back To Top
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event