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HARLEY GIRL drops high-energy new EP The Music, delivering club-ready chaos and...

December 4, 2025

Live at the Gardens announce epic March 2026 season | Royal Botanic...

December 4, 2025

Interview: Sola Rosa on Rebirth, Rhythm and the Making of ‘Jupiter’ –...

December 4, 2025

JULES ANNOUNCES IT’S COMING ON CHRISTMAS EP

December 4, 2025

44 Ardent’s New EP ‘Me, Again’ Marks a Powerful Return to the...

December 4, 2025

Interview: bbyclose steps into her own world with ‘ego’ – confidence, contrasts,...

December 4, 2025

Callum Padgham Turns Life’s Chaos Into Gold on ‘Everything is a Blessing’

December 4, 2025

Legendary NZ producer SOLA ROSA teams up with IVA LAMKUM once again...

December 3, 2025

AUSTRALIA’S BIGGEST GUITAR SHOW LAUNCHES IN SYDNEY

December 3, 2025

FROM THE BACKYARD TO THE WORLD STAGE: SUMMER JAM GOES NATIONAL WITH...

December 3, 2025
Monthly Archives

September 2025

Music News

Tame Impala announces new album ‘Deadbeat’ – out October 17th

by the partae September 5, 2025
written by the partae

Today, Tame Impala (Kevin Parker) has announced his fifth full-length album, Deadbeat. The record will arrive October 17th via Columbia Records. On it, Parker sculpts a collection of wickedly potent club-psych explorations as a vehicle for some of his most direct, brain-wormy songwriting to date.

The album is deeply inspired by bush doof culture and the Western Australia rave scene, recasting Tame Impala as a kind of future primitive rave act in the process. Yesterday, Parker dropped the single “Loser” along with a music video directed by Kristofski and starring Joe Keery. WATCH HERE. Deadbeat is available for pre-order now HERE. Fans can purchase two web-store exclusive vinyl color-variants available HERE.

Conceived in various locations over the last few years, Deadbeat was largely galvanised between Parker’s hometown of Fremantle and his studio, Wave House in Injidup, Western Australia in the first half of 2025. Deadbeat sounds like the work of an artist with a leveled-up mastery, crafted with a newfound embrace of spontaneity for the renowned perfectionist. How that manifests is a distinct minimalism and crunch, with timbres and textures that add an ineffably new dimension to the sound, as well as a richer, more playful vocal range than ever.

Lyrically, Deadbeat has Parker channelling an endless bummer, a self-deprecating f***-up stuck in a negative feedback loop when he should have long had his shit together. After going macro on The Slow Rush’s (2020) examination of time, Deadbeat focuses on the nuanced minutiae of the emotional quotidian. Dosed in tandem with the music’s euphoric and body-moving urges, Deadbeat pitches raving as self-enquiry, self-medication in lieu of self-care and the kick-on as domestic bliss. Reality can wait another day (or two).

“Loser,” and the album announcement, follow the release of “End of Summer,” a sprawling 7-minute epic, setting the tone for this new dawn of Tame Impala. The track harkens back to the acid house summer of ’89, to free parties of the mid-90s, to bush doofs in outback paddocks – to an imagined history, transmuted into something simultaneously present and eternal, still unmistakably Tame Impala. The track arrived with a short-form visual narrative directed by multi-disciplinary artist Julian Klincewicz. Watch HERE

Kevin Parker has emerged as one of the most influential voices of the last decade. A singular artist renowned for carving out a distinct sound all of his own, Parker crafts transcendent genre-bending sonic landscapes, playing every instrument and acting as writer, producer, mixer and engineer on his projects. He has been nominated for four GRAMMY awards with one win for his collaboration with Justice on 2024’s “Neverender.” In Australia, he’s racked up an impressive 13 ARIA Awards and 27 Nominations. He’s won the BRIT Award for Best International Band and scored nominations for two Billboard Music Awards and an American Music Award. Tame Impala has had numerous US Alternative Radio Top 10 songs including two #1’s for “Lost In Yesterday” and “Is It True.” Tame Impala’s “The Less I Know The Better” is part of the Billionaires Club with over 2 billion streams and the project has racked up numerous gold and platinum certifications globally.

Tame Impala has headlined festivals and arenas around the world and released four full-length albums – InnerSpeaker, Lonerism, Currents and his most recent album The Slow Rush. The Slow Rush landed at #1 in multiple territories and was his highest charting album to date in both the US and UK, with 14 top 10 chart positions around the world.  As a writer and producer Parker has collaborated with Dua Lipa, The Weeknd, SZA, Lady Gaga, Travis Scott, Mark Ronson, Gorillaz, Thundercat, Kali Uchis, 070 Shake, Rhianna, Miguel, A$AP Rocky and many more.

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September 5, 2025 0 comments
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Music News

Allday drops new single ‘underneath’

by the partae September 5, 2025
written by the partae

Beloved Adelaide rapper, singer, and songwriter Allday has returned with his new single underneath, a slinky, layered cut that continues the rollout of his highly anticipated next album. Known for blending moody hip hop with sharp wit and raw honesty, Allday delivers once again with a track that showcases his evolution as a charismatic storyteller and creator.

“underneath is the next in the Allday album roll out. a bit slinky and with trademark intricate bars and multi layered meanings.”

Musically, underneath leans into Allday’s talent for balancing atmosphere with detail. Built on a sultry, low-lit beat, the track threads slick wordplay through shifting textures, creating a song that is equal parts hypnotic and introspective. It’s a confident reminder of the depth in Allday’s catalogue and the unique space he continues to carve within modern hip hop.

This new single follows a wave of momentum across 2024 and 2025 that has reaffirmed Allday’s place at the forefront of Australian music. With over 340 million global streams, seven Gold and two Platinum ARIA accreditations, and 500,000 Shazams, Allday has consistently proven his reach and staying power. His previous singles have been widely supported, with Peroxide earning spins across triple j, SYN, Inner FM and 5 Triple Z, while also landing playlist covers and placements on Spotify’s sadboi hours, New Music Friday AU & NZ, and editorial backing from Apple Music and Tidal. The follow-up, falling under, premiered on triple j, was added to multiple global playlists across Spotify, Apple Music, and Amazon, and drew praise from outlets including Music Feeds, Aus Music Scene, and Yahoo!.

Beyond the studio, Allday has released three Top 10 charting albums, played sold out national and international tours across the US and UK, and performed at some of the country’s most iconic festivals including Splendour in the Grass, Beyond The Valley, Groovin’ The Moo, and Spilt Milk. His live presence remains undeniable, with rapidly sold-out concert hall tours across Australia and a headline national run in September 2024 further cementing his reputation. Along the way, he has collaborated with household names like Troye Sivan, Sofi Tukker, Mallrat, and Amy Shark, while drawing accolades from global tastemakers such as Sway, Complex, NME, Clash, Rolling Stone, Line of Best Fit, and Pigeons & Planes.

With underneath, Allday steps further into his most refined creative era yet, a chapter marked by clarity, momentum, and an ever-deepening connection with fans at home and abroad.

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September 5, 2025 0 comments
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Festival NewsMusic News

THE LAST DINNER PARTY ANNOUNCE WORLDWIDE TOUR AUSTRALIA & NEW ZEALAND – JANUARY 2026 TICKETS ONSALE 10AM LOCAL TIME, FRIDAY 12 SEPTEMBER SIGN UP FOR PRESALE

by the partae September 4, 2025
written by the partae

The Last Dinner Party are pleased to announce details of a huge headline tour that spans the UK and Europe, with a major run of Australia and New Zealand shows confirmed for January 2026.

The 35-date run kicks off with a UK/Ireland run which starts at Dublin’s 3Arena on 14th November and concludes with two nights at O2 Academy Brixton in London on 7th and 8th December. The band then heads to Australia in January for shows in Melbourne, Sydney, Adelaide, Brisbane and Perth, then to Auckland and on to Europe in February.

The Last Dinner Party release their second album, From The Pyre, on 17th October 2025 via Island EMI. Watch the video for  album’s lead single, “This Is The Killer Speaking” HERE/ below.

The Last Dinner Party – This Is The Killer Speaking (Official Video)

The London five-piece headed into the studio early 2025 with Grammy Award winning producer Markus Dravs (Wolf Alice, Florence & The Machine, Bjork) to start work on the follow-up to their number 1 debut album, 2023’s Prelude to Ecstasy. From The Pyre is the sound of a band having a lot of fun rather than feeling any innate pressure to follow-up on what was an explosively successful debut record. It’s also the sound of a young band developing and maturing their songwriting together, as tight a unit as the endless months out on the road pay testament to.

Speaking about the LP, the band said: “This record is a collection of stories, and the concept of album-as-mythos binds them. ‘The Pyre’ itself is an allegorical place in which these tales originate, a place of violence and destruction but also regeneration, passion and light.

“The songs are character driven but still deeply personal, a commonplace life event pushed to pathological extreme. Being ghosted becomes a Western dance with a killer, and heartbreak laughs into the face of the apocalypse. Lyrics invoke rifles, scythes, sailors, saints, cowboys, floods, Mother Earth, Joan of Arc, and blazing infernos. We found this kind of evocative imagery to be the most honest and truthful way to discuss the way our experiences felt, giving each the emotional weight it deserves.”

“This record feels a little darker, more raw and more earthy; it takes place looking out at a sublime landscape rather than seated an opulent table. It also feels metatextual and cheeky in places, like a knowing look reflected back at ourselves.”

With two BRIT Awards to their name (including Breakthrough Artist earlier this year), and having sold out virtually every show they played right across the globe (including three sold-out hometown shows at London’s Eventim Apollo), The Last Dinner Party’s arrival and subsequent worldwide success was one of the most thrilling introductions to a new British band in decades, and From The Pyre’s opening introduction suggests that unparalleled success story shows no signs of relenting.

Pre-order From The Pyre here.

Tickets for Australian and New Zealand tour dates will be on sale from 10am local time on Friday 12th September.

Secret Sounds members can access tickets via presale from 10am local time Thursday 11 September. Sign up for presale access now via secretsounds.com

Mastercard cardholders have special access to presale tickets in Australia and New Zealand from 10am local time Tuesday 9 September until 9am Friday 12 September. Plus, Preferred Ticket Access to some of the best tickets will be available from 10am Friday 12 September. Visit priceless.com/music for details.

THE LAST DINNER PARTY
AUSTRALIA & NEW ZEALAND 2026

Sat 10 Jan 2026 – Red Hill Auditorium, Perth // Boorloo
Tue 13 Jan 2026 – AEC Theatre, Adelaide // Tarntanya Wama
Thu 15 Jan 2026 – Sidney Myer Music Bowl, Melbourne // Naarm
Sat 17 Jan 2026 – ICC Sydney Theatre, Sydney // Warrane
Mon 19 Jan 2026 – Riverstage, Brisbane // Meeanjin
Thu 22 Jan 2026 – Spark Arena, Auckland // Tāmaki Makaurau

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September 4, 2025 0 comments
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Music InterviewsMusic News

Interview: Maddy Jane on Clear As Mud Pt. 1: Finding Power, Identity, and Hope in the Mess

by the partae September 4, 2025
written by the partae

Clear As Mud Pt. 1 feels like a really personal and transformative project — what was the headspace you were in while writing these songs? 

It has felt like that for sure. These songs initially came from a place of picking myself back up and when it came down to it, it was up to me to make what I want to happen, happen. The headspace I was in started as coming out of the pandemic with no team and a lot of uncertainty about the industry and was about not giving up. It felt like I could either throw in the towel or take stock of where I’ve come from, what I’ve done and have the chance to really do it how I want to. Experience in the music industry has helped me know what I want to do and what I don’t align with. I started out on my own with gaul and belief, things got weird, burnt out and clouded but now I have the chance to take my power back. It was a kind of nothing to lose moment and songs just started coming out. Then writing songs on top of the songs I already had with Alex Burnett, was when the real empowerment started to come out, really embracing myself and coming back to my most unapologetic self but with even more reason to be other than just being young and naive.

The EP dives into themes of identity, queerness, and rural womanhood — were there particular moments or experiences that shaped those stories? 

There are three main things I think that shaped this; coming to terms with being queer and actually allowing myself to experience that, working through emotions of leaving it until I was nearly 30 to address that in myself, what that means as a girl who grew up in a rural area and alongside all of that, navigating self esteem, neurodivergence and how denying myself a part of my identity was a big thing that was holding me back in really accepting myself fully and therefore being able to express that. I think there is a strength in being a woman from a rural area and a determination to make something more for yourself. But that has also meant a realisation that I didn’t allow myself to fully be and needed experiences like I’ve had living in a city where queerness is celebrated and nurtured more than where I’m from.

You’ve said playing live is where it all makes sense — what do you want audiences to feel when they hear these songs in an intimate venue? 

It’s where it connects, straight from me to people who care about these songs. It shows me right in my face that this doesn’t have much to do with me and the songs belong to the people who have connected their own feelings and related their own lives to them. It means the world to see first hand that these songs give back and mean something to someone else! That’s what I get out of it. But I want them to feel better about something that was bringing them down, lifted up, or feel like I encapsulated their hurt, feel understood, relate, feel like they can take on the world and stand up for what they believe in. Feel alive.

The record was produced with Alex Burnett and Oli Horton — how did that collaboration influence the sound and direction of the EP? 

The production style of both of these great humans comes with a whole lot of passion and attention to detail. Working with them has made for really thought out production where everything has a reason and a purpose whilst not being over done or over complicated. There is a simplicity to the production of this EP because of that. The Bruny Island Tasmanian roots became a big part of the story and the sound too, an example of that being like a backing vocal that sounds like howling wind or an edgy guitar part that makes you feel like you’re bracing for the cold. It was also all about the feeling and bringing the main goal back to how it makes you feel.

Tasmania clearly grounds a lot of your artistry. How does being from Lutruwita/Tasmania shape the way you tell your stories? 

It will forever be ingrained in me being from the island off the island off the island and through a slow journey I’ve really come back to being passionate about telling that part of the story through the music again. In a really honest way, Lutruwita and being from there comes with a lot of contrast. I think the contradictions are a part of being Tasmanian. It’s beautiful but isolated, feeling like I belong but the land does not belong to us, a sense of light with a dark past and heavy energy that is always there, connection and longing for understanding, quiet, leaving you with only your thoughts whilst being raw and unforgiving, forcing you to face it. These are all themes of these songs. It’s the honest, winter, cold, windy version of Lunawanna alonna, that no matter how harsh she is, is still full of beauty. In a raw, unapologetic way.

This is the first of a two-part project — how does Pt 1 set the stage for what’s to come in Pt 2? 

Putting Pt 1 out first has allowed this project to lay the foundation of all these themes. I love how the songs we ended up putting on Pt 1 all have a moment and are all kind of different from each other but together form the journey of those themes, this is the start and first part of going through hurt, embracing the mud, pulling yourself out of the mud and accepting yourself whilst accepting you’ll never have it all worked out. Pt 2 will expand on these themes with even more self assurance and awareness and really kind of lean in to addressing hurt and embracing the lesson because I no longer fear it. If Pt 1 was the foundation, Pt 2 is where it all really makes sense, without having all the answers. So you can just let go and laugh at life in the end. Because THAT is clear as mud!

You’ve built a reputation for grit and honesty in your songwriting. Do you ever feel pressure to hold back, or is rawness something you fully lean into? 

I normally don’t have trouble being honest. I’ve always been an open book. Sometimes that has gotten me in weird situations being so open in my personal life, so it has probably made me think about it. But when it comes to songs, I’ve found the more honest the better. I’ve always gotten something out of feeling like the person that will say the thing you’re thinking but won’t say or don’t know how to put it into words.

Each of the venues on this run — The Tote, Altar, Waywards — has its own kind of cult status. Was it important to you to choose those kinds of intimate, character-filled rooms? 

For sure. I wanted it to be intimate but feel like a great venue that you want to be in so we can do a proper sweaty show full of vibes whilst still feeling intimate and special.

You’ve spoken about reclaiming identity and place in this chapter — does it feel like a new beginning for you as an artist? 

It definitely does. It was important to not just keep doing the same thing over and over but grow and learn. It’s also just true to where I’m at and what has happened since I started out. This is a new kind of direction but at the same time it’s more driven, focused and more true to me than ever.

When people walk out of these shows, what’s the one thing you hope they carry with them from the experience? 

As corny as it is, hope. Hope that can help them take on the world, feel understood, heard and powerful. And if they carry merch out that would be great too. Haha!

 

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September 4, 2025 0 comments
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Festival NewsMusic News

TORREN FOOT X AIRWOLF PARADISE ANNOUNCE DEBUT HEADLINE SHOWS

by the partae September 3, 2025
written by the partae

Friday 31 October – Max Watts, Melbourne
Saturday 8 November – Mary’s Underground, Sydney

After commanding stages across the globe, Australian dance music heavyweights Torren Foot & Airwolf Paradise announce their debut headline shows, set for Friday 31 October in Melbourne and Saturday 8 November in Sydney, presented by Untitled Group.

Riding the wave of success from the release of their first original single together, ‘Everybody’ the duo now step into the spotlight for their first ever headline shows this October/November.  Fresh off being announced on the line up for the sold-out 10th edition of Beyond The Valley, Torren Foot and Airwolf Paradise continue to cement their place as two of Australia’s most in-demand electronic artists.

The Torren Foot X Airwolf Paradise back-to-back has become a standout collaboration globally, igniting dance floors everywhere from festival mainstages and afterparties to their infamous sold-out, 8-hour marathons at Revolver Upstairs.

Between the two, Torren Foot & Airwolf Paradise have lit up the world’s most iconic stages, from Coachella, Lollapalooza Chicago and Tomorrowland Belgium to EDC Las Vegas, CRSSD San Diego and Australia’s own Beyond The Valley. Their catalogue collectively has amassed over 100 million streams, with industry support spanning Charli XCX, Boys Noize, Calvin Harris, Solomun and many more. Having toured alongside artists such as Dom Dolla, John Summit and MK, the duo now arrive with shows that will further cement their reputation.

Untitled Group, Australia’s largest independent music promoter, is celebrating 10 years of redefining the live music scene with flagship events including Beyond The Valley, Pitch Music & Arts, Wildlands and Ability Fest.

The pair will begin at Melbourne’s Max Watts on Friday 31 October, before heading to Sydney’s Mary’s Underground on Saturday 8 November.

Tickets HERE

September 3, 2025 0 comments
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Festival NewsMusic News

BOY & BEAR SHARE DOUBLE A-SIDE SINGLE AND VIDEOS ‘WHERE DOES LIFE BEGIN’ / ‘VERTIGO’ + ANNOUNCE BIGGEST HEADLINE SHOW EVER AT THE SYDNEY OPERA HOUSE FORECOURT IN DEC

by the partae September 3, 2025
written by the partae

An exciting new chapter for beloved indie alternative act Boy & Bear unfurls, with the group powerfully returning armed with a double A-side single and videos, Where Does Life Begin and Vertigo. Launching an ambitious new era via this new material, Boy & Bear balance optimism with introspection, with lead single Where Does Life Begin embracing a yearning for the freedom of youth. And bolstering the Boy & Bear magic today, this double A-side release comes accompanied by the announcement of the band’s biggest headline show to date, set to take the iconic Sydney Opera House Forecourt by storm this December, joined by special guests Hollow Coves and Darcie Haven. 

Tickets for Boy & Bear’s Sydney Opera House Forecourt show are on sale now from https://www.sydneyoperahouse.com/on-the-steps/boy-and-bear

Balancing dreamy indie pop hues on Where Does Life Begin with more upbeat and hopeful vibes via Vertigo, Boy & Bear’s trademark nostalgic, vintage pop sound vividly transforms on their new double A-side, with inspiration for both tracks also steeped in reflection in their own unique respective ways, and anchored in real-life experiences, as vocalist and guitarist Dave Hosking elaborates, “The inspiration for Where Does Life Begin came from my own personal experiences. The song is about yearning for the freedom of youth. Sometimes the passing of time changes us in a way where we can feel like we’ve lost a part of ourselves. I think on some level I miss the naivety I once had about the world. In our 20’s we seem less inhibited and more confident about what’s in front of us, but the realities of life can eventually start to catch up with us. I liked the simplicity of the idea of watching people dancing from afar and feeling like maybe I no longer belonged there”.

“I’m interested in painting a mood with lyrics and melody,” Hosking continues, “not being too specific or literal but leaving room for interpretation, and I feel that Vertigo is a good example of this. That said, Vertigo explores the awkwardness of life and time and change. We grow up, but on some level we can still feel like children – we really don’t know anything at all – but maybe that’s also okay? I really wanted to explore this concept in a light-hearted way. On some level it’s also about embracing these moments in our lives with a sense of humour and openness.”

Starting the journey towards their new material at the tail end of their North American tour late last year, Boy & Bear stayed on for a week in Los Angeles post-tour, collaborating with musician and producer Justin Stanley (Prince, Eric Clapton, Paul McCartney, Beck) at Stella Sound Studios. “We really hit it off with Justin and the new album was born,” says bassist Dave Symes. “Justin then came to Australia in February, and we made the album all together in our newly built studio in Marrickville, Sydney’s Inner West”. 

And introducing the first peek into the upcoming new Boy & Bear era today via Where Does Life Begin and Vertigo, the band also worked to conjure equally evocative accompanying official videos for each the tracks, as explained by their creative director Jeremy Koren  (Grey Ghost / Ghostie Studios), “”In a sea of inauthenticity we wanted to slap the face of the viewer with nostalgia via a montage of images on images using a variety of 80 – 90’s broadcast cameras and 8mm film and Hi-8. Countryside, eating sandwiches by rivers, playing guitar in a phone booth, dancing on your own with headphones on, stunning surrounds but the grey suits offsets and ground the video. We aim to not be too literal with this one, but give the sense that the group of suited men are on a journey, constantly moving through this endless maze.”

Expertly versed in balancing personal experiences with universal themes, alongside their own trademark blend of vintage pop, alternative elements and folk edges, Boy & Bear channel nostalgia into charming and captivating sonic journeys. Already in command of a staggering level of staying power most artists could only dream of, Boy & Bear took the world by storm via their 2011 debut album Moonfire, snagging five ARIA award wins, including Best Group and Album of the Year, and reaching double-Platinum status. From there, 2013’s Harlequin Dream and 2015’s Limit of Love further stamped Boy & Bear’s stalwart presence on a global scale, with both albums charting at #1, and Harlequin Dream also marking the band’s second studio album to be certified Platinum. Between 2019’s Suck on Light through to their most recent full-length release, 2023’s self-titled, both records reached top 10 in the charts, and Boy & Bear have continued to cultivate a legion of fans across the globe, with over half a billion streams, five consecutive top 10 albums and a horde of unforgettable live performances in their wake. 

Renowned for their uniquely compelling live shows, and fresh off the back of selling the most headline tickets of their career globally, Boy & Bear are now set to cement their powerful return in 2025 in a live setting alongside their new material, with their biggest headline show to date set to take place on December 14, performing on the steps at the iconic Sydney Opera House Forecourt with special guests Hollow Coves and Darcie Haven.  

“It’s very exciting for us!” enthuses Dave Symes. “It will be a special moment to release the new album at this show, and get to play some of the singles from us… We always like to play songs from all of our albums and make a nice journey for our audiences so there will be a good mix of old and new, and hopefully some special guests.”

In the meantime, the ambitious new chapter for Boy & Bear officially launches into the world today, encompassing triumph, movement and optimism along with haunting-yet-cathartic melancholy and introspection via their double A-side, Where Does Life Begin and Vertigo. And, as the band concludes, these new tracks are the beginning of something truly special as the group turn their gaze to a brand new album ahead. 

“It feels very exciting. I never get tired of releasing new songs into the wilderness. Of course, there are a few nerves but generally speaking it’s nice to have a new chapter of music out there.” 

“In regards to the double A-side, we decided to do it because it allowed us to show some different aspects of the record straight off the bat. We wanted people to get a sense that this record is multilayered and hopefully get excited by that.”

Boy & Bear are also releasing the Double A Side on a very limited edition ‘Double A Side Flame Yellow 7″ Vinyl’ that is available through their website https://www.boyandbear.com 

Where Does Life Begin and Vertigo double A-side out now


Tickets for Boy & Bear’s Sydney Opera House Forecourt show are on sale now from https://www.sydneyoperahouse.com/on-the-steps/boy-and-bear

Stream: WHERE DOES LIFE BEGIN / VERTIGO

Watch: WHERE DOES LIFE BEGIN / VERTIGO

BOY & BEAR – WHERE DOES LIFE BEGIN / VERTIGO – Official single artwork

BOY & BEAR – UPCOMING SHOWS:

SUN 14 DEC | SYDNEY OPERA HOUSE FORECOURT, SYDNEY NSW

https://www.sydneyoperahouse.com/on-the-steps/boy-and-bear

 

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