The Partae
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event

HARLEY GIRL drops high-energy new EP The Music, delivering club-ready chaos and...

December 4, 2025

Live at the Gardens announce epic March 2026 season | Royal Botanic...

December 4, 2025

Interview: Sola Rosa on Rebirth, Rhythm and the Making of ‘Jupiter’ –...

December 4, 2025

JULES ANNOUNCES IT’S COMING ON CHRISTMAS EP

December 4, 2025

44 Ardent’s New EP ‘Me, Again’ Marks a Powerful Return to the...

December 4, 2025

Interview: bbyclose steps into her own world with ‘ego’ – confidence, contrasts,...

December 4, 2025

Callum Padgham Turns Life’s Chaos Into Gold on ‘Everything is a Blessing’

December 4, 2025

Legendary NZ producer SOLA ROSA teams up with IVA LAMKUM once again...

December 3, 2025

AUSTRALIA’S BIGGEST GUITAR SHOW LAUNCHES IN SYDNEY

December 3, 2025

FROM THE BACKYARD TO THE WORLD STAGE: SUMMER JAM GOES NATIONAL WITH...

December 3, 2025
Monthly Archives

July 2025

Music InterviewsMusic News

Interview: SHARE On Music, Purpose, and the Power of Connection

by the partae July 31, 2025
written by the partae

You’ve gone from Miss Universe Netherlands to playing festivals like SXM Festival in St. Maarten and Hï Ibiza. Did you ever picture your life unfolding this way? How has that journey shaped who you are now?

SHARE: Music started as a hobby, just me and my friends playing together back in Rotterdam. I’ve been DJing for over 11 years now, but I could have never imagined that it would turn into my full-time career, taking me to places like SXM Festival in St. Maarten and Hï Ibiza.

Being Miss Universe Netherlands was something I did with a greater purpose in mind, spreading awareness about single-use plastics. The experience shaped me in ways that still help me today, especially when it comes to confidence, public speaking or speaking on camera, and understanding how to use a platform meaningfully.

Now, with music, I get to channel that same energy into something that comes straight from the heart. It’s not just about playing tracks, it’s about creating emotional journeys, sharing messages, and connecting with people. I truly believe music can be a powerful tool for change, and I’m so grateful for where this path has taken me.

Your music feels raw and emotional, but also really polished. When you’re creating a track, do you usually start with a specific sound, a feeling, or even a visual in your head?

SHARE: For me, it always starts with a feeling. Music is the sound of emotion, it’s how I express what I’m feeling on a deeper level. That emotional connection is what drives the whole creative process. I’m especially drawn to the more spiritual side of music, and I think that’s what shapes the atmosphere and energy of my tracks. Sometimes the feeling isn’t immediately clear, because I don’t know what I feel, but as the sounds start to flow, the feeling follows naturally.

What I really love is to create high atmospheric sounds and hypnotic sounds. So I’m just sitting with a big smile while creating music. I’m actually getting naturally high behind my computer from making music!

You’ve performed all over the world — is there one show that caught you off guard emotionally or left a deeper mark than you expected?

SHARE: Absolutely. Every show is different, carrying its own emotional wave. Some leave you feeling like I can conquer the world, making me feel more secure and like, yeah I’m ready for anything!

Then other shows turn out to be more humbling, when something is just off, and I start to doubt myself. Sometimes it depends on the energy of the crowd, and sometimes it’s your own energy. It’s not always predictable, and that keeps it real. In those cases I go back to digging for new music.

One recent show that truly left a deeper mark on me was earlier this July at Woomoon at Cova Santa in Ibiza. I was in such a good flow, everything just aligned. The music, the crowd, the energy… it all clicked in a way that felt incredibly emotional. After the set, I could feel how deeply it resonated. Not just with me, but with everyone in the room.

That night reminded me why I do this. It’s those moments of pure connection that keep me inspired and grateful for this journey.

You’ve been outspoken about sustainability, especially reducing plastic use in the music scene. How do you keep those values front and center while navigating the demands of a global touring schedule?

SHARE: It’s always felt natural to me, I’ve had a strong sense of responsibility to care for our planet for as long as I can remember. As I mentioned earlier my time as Miss Universe Netherlands was dedicated to raising awareness about single-use plastics.

Now, as a touring artist, I stay committed by working with initiatives like Bye-Bye-Plastic, the charity by BLONDISH I’ve supported for over five years now. Their eco rider is such a simple yet powerful tool; it lets artists request things like no single-use plastics and only glass bottles in the booth.

Including this in my hospitality rider not only aligns with my values, but also encourages promoters and venues to think more consciously. It’s a small step that creates real change, and I’m proud to be part of this growing movement in our industry.

When people walk away from one of your sets, what do you hope they’re thinking or feeling? What kind of experience are you trying to give them?

SHARE: When people walk away from one of my sets, I hope they’re glowing, with a big smile on their face and a heart full of love. I want them to feel euphoric, like they can conquer the world and just smile at everyone they pass.

That’s the energy I try to channel through my music: moments of joy, connection, and celebration. For me, it’s all about sharing happiness, dancing together, and celebrating life to the fullest.

Your track “Avatar” debuted at an Abracadabra showcase tied to the Bye Bye Plastic movement. What was that moment like for you — musically and personally?

SHARE:  “Avatar” was my very first release, picked up by BLONDISH’s label Abracadabra, so it holds a really special place in my heart. Not only did I debut it during the ADE Abracadabra showcase in support of Bye-Bye-Plastic, it was also included on the Bye-Bye-Plastic compilation album.

Something unique about this album, is that it was released on the very first bio-degradable vinyl record ever produced!

The track itself is about our connection to Mother Nature, so to have it tied to a label and charity with such a meaningful environmental mission made the message even more powerful. Musically and personally, it felt like the perfect start to my production journey.

Now that you’re based in Ibiza, surrounded by so much music culture, do you find inspiration in the scene itself or do you intentionally carve out space to stay grounded in your own style?

SHARE: I think Ibiza’s scene is always a very good example for how dance music is developing and how you can create a dance movement in a club. It’s very inspirational and you can definitely hear a lot of Ibiza vibes in my sets.

But honestly, finding the balance comes naturally as it’s very important to create my own style. Luckily, I travel so much, so I find myself in different scenes and grab inspiration from everywhere.

You’ve released music on labels like Crosstown Rebels and Abracadabra. What do you look for in collaborators or labels before saying yes?

SHARE: Both Crosstown Rebels and Abracadabra are led by incredible artists, Damian Lazarus and BLOND:ISH. Besides having a strong presence in the music industry, they are also genuinely kind and inspiring people.

That energy really shapes the culture of their labels. It’s more than just music; it feels like being part of a family. And what makes it even more meaningful is the mission behind each label. These are the things that really make me want to be a part of a label.

You’ve blended pageantry, activism, and music in such a unique way. Was there a moment where it all started to feel aligned — where the pieces came together and made sense?

SHARE:  Honestly, I think I’m still in the process. Activism is now becoming more present in the music industry, it’s still a relatively new thing. So I’m really still in the process of creating interesting things for the future. The paths are still being carved out and I’m glad to be a part of that.

Your sound has already evolved so much, but what’s next? Is there a new direction, message, or part of yourself you’re excited to bring into the music?

SHARE: What’s next for me is really continuing to share the core message that’s always been at the heart of my music: no matter how deep or emotional the journey gets, you always come back to the light. My sound might keep evolving, but that feeling of sharing joy and celebrating life, that message to protect nature, will always stay the same.

INSTAGRAM
July 31, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Queenscliff Music Festival Unveils Fresh Wave Of Artists And A New Floating Ferry Stage

by the partae July 31, 2025
written by the partae

Queenscliff Music Festival continues to expand its 2025 lineup as it reveals its third artist announcement, shining a spotlight on a stunning suite of rising Australian and local talent set to take over the Victorian seaside township from 28–30 November.

 Long known as a place where music lovers uncover their next favourite act, Queenscliff Music Festival’s third artist announcement brings together a fresh collection of genre-spanning artists that are quickly gathering loyal followers and critical acclaim.

Whether it’s the genre-bending folk of Ally Row, the moody catharsis of Kit Genesis , the blues-infused fire of Otis Namrell Band, the politically charged punk of Public Figures, or the Spanish Australian contemporary soul of Emilia Fol, today’s announcement is stacked with over 15 of your new favourite Australian artists.

Also joining the lineup are Future Folk artists  Ruby McKenna and Kook Joey, as part of an exciting partnership between Queenscliff Music Festival and Port Fairy Folk Festival. This collaboration champions the next generation of regional Victorian talent and acts as avessel for both Festivals to share the incredible music of emerging artists on the Festival stage.

 They will join an already massive lineup featuring The Cat Empire, Thelma Plum, Donavon Frankenreiter (USA), The Waifs, KingStingray, Cosmic Psychos, Little Birdy,Pierce Brothers, Didirri + Rowena Wise, and many more.

In true Queenscliff Music Festival spirit, the music doesn’t just live on stages but seeps into every corner of the town, from the heritage-listed Uniting Church to the newly renovated Bellarine Hotel, the Vue Grand Dining Room, and the beloved Maritime Museum Boatshed, the 2025 program is set to introduce a brand-new floating festival venue, the Princess Peninsula Ferry.

In partnership with Searoad Ferries, Queenscliff Music Festival will host six intimate performances across Saturday and Sunday on a ferry-turned-floating music stage, as it cruises the bay. With sweeping views and stripped-back sets, these 40-minute musical cruises promise an experience like no other at the festival.

 “Queenscliff Music Festival has always been about musical discovery and unexpected connection,” said Festival Director Claire Stickland.

 “Whether it’s a breakthrough artist you’ve never heard before or watching a set unfold on a boat in the middle of the bay, these are the moments that stay with people, and they are the unforgettable moments that makes Queenscliff a truly extraordinary Festival

 

Joining the 2025 lineup is the next wave of artists you’ll soon be obsessed with:

Ally Row – Gippsland-based folk-rock/alt-country duo known for their genre-hopping instrumentation and foot-stomping harmonies.

Alex Kosenko – A one-man blues-rock machine from Brisbane delivering electrifying, roots-driven performances.

Chris Cavill – Indie-folk storyteller with a soaring voice and powerful, intimate songs about resilience and family.

Emilia Fol – A Spanish-Australian singer-songwriter fusing Spanish folk heritage with contemporary soul.

Get Behind The Mule – Bellarine-based duo reviving the blues with raw acoustic-electric grit and joy.

Grace Robinson – Melbourne solo powerhouse, blending indie rock, vulnerability, and unfiltered humour.

Kit Genesis  – Alt-folk artist exploring queer identity through moody, gripping songwriting.

Kook Joey – Nostalgic and cinematic folk grounded in raw emotional honesty and natural imagery.

Matt Davis – The songwriter and frontman of Paris-based The Wonder, known for his work with Gersey and Bombazine Black.

Munroe – Coming-of-age alt-rockers from Melbourne known for their emotional punch and endearing awkwardness.

Norwood – Melbourne alt-folk duo crafting tender Americana with raw harmonies and honesty.

Otis Namrell Band – Young blues-southern rock guns with a scorching live show and a killer rhythm section.

Public Figures – Fierce, politically charged punk from Melbourne with a mission and unstoppable live energy.

Ruby McKenna – The 19-year-old  Blends a selection of  funk, folk and rock, as her songs pulse, soar, and Traversing the highs and lows of life.

Sweethearts – Australia’s soul/funk institution bringing their all-female band back from a 7th European tour.

Victoriana Gaye Trio – Surf Coast indie-folk blending whimsy, romance, and rock with flair.

 They join the already announced 2025 Queenscliff Music Festival lineup:

(Alphabetical Order)

The Badloves I Bones & Jones | The Cat Empire |Cool Out Sun | Cosmic Psychos | Dom Turner & The Rural Blues Project |Didirri + Rowena Wise |Donavon Frankenreiter | Ella Hooper | Fenn Wilson & The Weather | King Stingray | Lewis Love | Little Birdy | Madeline Cope | Mama Kin Spender | Minor Gold | The Mojo Corner | Opelousas | Pierce Brothers  | The Preatures | Riley Catherall | Romanie | Ruby Mae | Sex On Toast | Skyscraper Stan & the Commission Flats | The Smith & Western Jury | Squid Nebula | SUNEDEN | Tex Perkins & Matt Walker | Thelma Plum | Velvet Trip | The Waifs   Plus, for Kids: Teeny Tiny Stevies | Peter Coombe

  

2025 FIRST RELEASE TICKETS ON SALE NOW

All Prices inclusive of booking fees

3 Day Adult – $299

3 Day Accompanied Youth 14-17 – $149

Children 1-13 – $32 (sold in conjunction with an Adult ticket)

Queenscliff Music Festival Camping – $30 for 3 nights (per person), children camp free

Rent A Tent – from $460 for 3 nights

CLICK HERE FOR FESTIVAL TICKETS + CAMPING INFO

July 31, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Brisbane Festival unveils full contemporary music program

by the partae July 31, 2025
written by the partae
Tivoli in the Round, photo Lachlan Douglas

Brisbane Festival is tuning up for one of its most dynamic years yet, today unveiling the full contemporary music program for 2025, including a bold line-up of support acts who will share the stage with some of Australia’s most exciting headline artists and accomplished musicians.

Returning for another blockbuster season, Tivoli in the Round transforms Brisbane’s most legendary live music venue into an immersive 360-degree arena, placing audiences nose-to-nose with their favourite artists. Kicking off the series on 5 September is hometown hero Mallrat, whose shimmering pop hooks and razor-sharp lyricism have captivated fans from Coachella to Splendour. Opening the night is ethereal pop outfit Sissy, and 2Charm, the new project from Cub Sport’s Tim Nelson and Sam Netterfield.

On 9 September, beloved garage-pop trio Phantastic Ferniture returns from hiatus, bringing their playful, groove-heavy sound back to the stage, supported by Juice Webster, whose atmospheric and emotionally rich indie-folk has quickly made her one to watch. The following night sees a very different kind of time travel, as bluesman C.W. Stoneking takes audiences on a journey through early 20th-century jazz, calypso, and gospel on 10 September. Supporting him is Freya Josephine Hollick, a cosmic country siren whose powerful vocals and spiritual songwriting make her a fitting counterpart to Stoneking’s vintage stylings.

Techno fans will find sanctuary on 12 September when Scottish producer Franck brings his rave-ready sound and magnetic persona to the Tivoli stage, supported by ISGWAN, Emma Moon, and SF Fudge, while electronic music trailblazer Odd Mob closes out Tivoli in the Round on 13 September with his chart-dominating blend of house, bass and club chaos.

Elsewhere across the festival’s sprawling music offerings, Brisbane Powerhouse will see a fusion of the contemporary and classical, as renowned violinist, Véronique Serret, uses her voice for the first time in a live performance of her ARIA-nominated album, Migrating Bird on 14 September. She will be joined by special guest William Barton, bringing the haunting sounds of the yidaki/didgeridoo. Also on 14 September, a site-specific performance featuring 100 electric guitarists from communities across the city will unite to create an unforgettable surround-sound spectacle in 100 Guitars. Founded by renowned Canadian composer and guitarist Tim Brady in 2015, this special performance will feature Brisbane’s own Topology, infusing the experience with their signature rhythmic virtuosity.

Set in the intimate confines of Powerhouse’s Underground Theatre, JADE Ensemble will premiere its groundbreaking work, 響和 Kyo-Wa, Harmonic Resonance on 18 September, featuring the combined artistry of Wakka Wakka didgeridoo artist/musician David Williams, Japanese koto master Takako Haggarty, Nepalese tabla virtuoso Dheeraj Shrestha, and guitarist/composer Anthony Garcia. Then on 20 September, accomplished vocalist, multi-instrumentalist, composer, and Brisbane local Hannah Macklin and her band will thread together songs from her new album, plus elements of improvisation, in this unique sonic exploration of dreaming, nature and regeneration.

On 26 September multi-platinum artist Winston Surfshirt brings the party to Brisbane’s heritage gem, The Princess Theatre, with his signature blend of R&B, funk and hip-hop, while on 27 September, Kahani and Kunal Merchant of Indo Warehouse, the formidable tastemakers of New York’s electronic scene, will showcase their masterful control of the dance floor through their innovative blend of organic percussion, South Asian cultural elements and club aesthetics.

Performances already sold out include globally renowned guitarist and songwriter John Butler; the no frills, no polish English rock band, Wunderhorse; and nationally revered singer-songwriter Sarah Blasko, who has added a second show on 23 September at The Princess Theatre in a rare staging of her two seminal albums The Overture & The Underscore and What The Sea Wants, The Sea Will Have.

This year’s bumper program will also welcome a brand-new outdoor concert event, Night at the Parkland, taking over Brisbane’s spectacular Roma Street Parkland Amphitheatre from 12-21 September, featuring performances from some of the country’s finest headline artists including ICEHOUSE, Lime Cordiale, Xavier Rudd, GRINSPOON, Cut Copy, Amy Shark, and James Johnston.

Meanwhile Brisbane Serenades returns in full flourish, offering a vibrant series of free outdoor concerts that bring music to life in parks, gardens and neighbourhoods across the city. This joyful celebration of Brisbane’s rich cultural diversity weaves together traditional melodies and contemporary rhythms, spotlighting both homegrown talent and global influences. This year’s program includes Pasifika Made at Brisbane Powerhouse on 7 September, Manly Serenades at George Clayton Park on 12 September, Moorooka Block Party at Peggs Park on 13 September, and St Lucia Serenades at the University of Queensland on 20 September, each event a distinct reflection of the communities that call Brisbane home.

Once again the Festival Club will be the ultimate late-night hangout this September, as QPAC’s Melbourne St Green plays host to live music, a vibrant food and drink scene, with Resident DJs Richie Lestrange, GALLEON and QUIVR leading an eclectic line-up of high-energy, after-dark entertainment.

Brisbane Festival 2025 continues to champion Australian music in all its forms – from breakthrough acts to legends, sweaty dance floors to soulful acoustic sets. These sensational acts, some new and some returning, will ensure every show is an unforgettable night of discovery and celebration.

TIVOLI IN THE ROUND

5 September – Mallrat with Sissy and 2Charm

9 September – Phantastic Ferniture with Juice Webster

10 September – C.W. Stoneking with Freya Josephine Hollick

12 September – Franck with ISGWAN, Emma Moon and SF Fudge

13 September – Odd Mob

THE TIVOLI

25 September – Sarah Blasko (SOLD OUT)

BRISBANE POWERHOUSE

14 September – Migrating Bird by Véronique Serret featuring William Barton

18 September – JADE Ensemble

20 September – Hannah Macklin

THE PRINCESS THEATRE 

19 September – John Butler with Emma Donovan (SOLD OUT)

23 September – Sarah Blasko

24 September – Wunderhorse (SOLD OUT)

26 September – Winston Surfshirt

27 September – Indo Warehouse

BRISBANE SERENADES

7 September – Pasifika Made at Brisbane Powerhouse

12 September – Manly Serenades at George Clayton Park

13 September – Moorooka Block Party at Peggs Park

20 September – St Lucia Serenades at the University of Queensland

NIGHT AT THE PARKLAND

5 September – ICEHOUSE

6 September – Lime Cordiale & Jack River

7 September – Xavier Rudd

11 September – Amy Shark

12 September – Grinspoon

13 September – Cut Copy & guest KLP

14 September – James Johnston

Brisbane Festival runs 5-27 September 2025. Tickets on sale now via www.brisbanefestival.com.au

Online
www.brisbanefestival.com.au
@brisbanefestival

July 31, 2025 0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Interview: Young the Giant on Coming Home, Bloc Party, and Starting a New Chapter

by the partae July 31, 2025
written by the partae

It’s been over a decade since you last played in Australia. What made now the right  time to come back —and how does it feel to return after all this time?  

Yes. Too long. I’m excited to be back and explore new parts of Australia like Perth and  Adelaide. So much has happened in our lives since then. There’s so much to catch up on —now is always the right time, isn’t it? 

You’re jumping on Bloc Party’s 20th anniversary tour — how did that connection  happen, and what drew you to the idea of joining them?  

We’ve always been fans of Bloc Party. Silent Alarm is a seminal record for this band. We’re  honoured to be a part of it. I think we just saw the opportunity and said, “Fuck. We have  to go back.” 

Both you and Bloc Party have always pushed genre boundaries in your own ways.  How do you see your sound fitting into this tour alongside theirs?  

It just feels natural. There are many shades to both of our bands so it’ll be interesting to  see it all happen in real time. Musicians feed off of one another when they share the same  stage, and that energy will only reveal itself the first night in Sydney. 

Songs like “Cough Syrup” and “My Body” still hit hard with fans. With a shorter  support slot, how do you decide what makes the cut for your setlist?  

They’re on the set list! 

You’re hitting major cities across Australia and New Zealand — is there a particular  show or city you’re most looking forward to playing?  

I’m excited to go everywhere. I know it’s a cop out to say it, but it’s true. We’re always up  for new experiences. We hope this is the second of hopefully many more trips out here. I  could probably answer your question better, when that happens.

You’ve built a reputation for powerful, high-energy live shows. Can fans expect  anything new or different from this run of performances?  

We are going to try new things and old. Experiment and switch around—not get too  precious. We’ll honour the songs that got us here, but first and foremost, we will honour  our creative spirit.  

Does your mindset or prep change when you’re supporting another band versus  headlining your own tour?  

Each set tells the story; it’s just a matter of how fast you’re getting there. This time, we’ll  just have to cut a few scenes. 

Bloc Party’s Silent Alarm is such a cornerstone for indie rock fans. Was that album  ever on your radar growing up or early in the band’s life?  

Absolutely: I had the entirety of Silent Alarm on my first ever iPod. It just becomes a part  of the bloodstream that young. 

There’s a huge fanbase for you down here — do you see this tour as a bit of a  reintroduction, and could it lead to a full headline tour soon?  

Definitely a reintroduction. This is not the end of the story between Australia/NZ and us.  

What’s coming next for Young the Giant after this tour — any new music, projects, or  surprises on the horizon?  

I guess you’ll have to come to the show to find out?

INSTAGRAM

July 31, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

MAX MCNOWN CHART-CLIMBING SINGER-SONGWRITER RELEASES HIGHLY ANTICIPATED DELUXE ALBUM

by the partae July 31, 2025
written by the partae

BILLBOARD’S JULY 2025 CHARTBREAKER

READ EXCLUSIVE FEATURE HERE

 

GOLD CERTIFIED HIT “A LOT MORE FREE” LANDS ON HOT AC TOP 10 & “BETTER ME FOR YOU (BROWN EYES)” STAYS ON BILLBOARD HOT 100 FOR FIFTH WEEK

 “FOREVER AIN’T LONG ENOUGH” NORTH AMERICAN TOUR

KICKING OFF AUGUST 21 IN KANSAS CITY, HITTING AUSTIN, LA, DC

SOLD OUT STOPS IN DALLAS, SAN FRANCISCO, DENVER, AND MORE

  • UPCOMING PERFORMANCE AT LOLLAPALOOZA 

TICKETS AND MORE INFO HERE

 

Standout, dreamlike songs such as the chart-climbing “Better Me For You (Brown Eyes)” and the unstoppably joyful focus track “Forever Ain’t Long Enough,” Max lets his inner hopeless romantic shine. Whereas on the heavy-hearted but exquisitely catchy “Same Questions” and the ode to old love “St. Helen’s Alpenglow,” Max explores everything that’s lost following a breakup. Meanwhile, the gorgeously textured track “The Cost of Growing Up” arrives as a clear-eyed but melancholic reflection on the inevitability of pain.

Revisiting the title track of the original album, Max recruited country artist Cameron Whitcomb for a new, heartfelt rendition of “Night Diving,” a profound meditation on the cycles of addiction,  set against a spellbinding backdrop of otherworldly textures, moody guitar tones, and strangely haunting rhythms. Watch Max and Cameron poke fun at each other in this hilarious clip promoting the single (which has earned over half a million views within just one week).

“One of the things I respect above all else is authenticity and honesty in music, and Cam is the epitome of that,” says McNown of working with Whitcomb. “When I started thinking about a feature on that song, I knew there was no better person than Cam to join me. He gave it so much energy and his voice is so distinct, and now the song has a whole new life to it.”  

Cameron Whitcomb adds, “When Max first pitched the song to me, I barely got halfway through the first verse and called him back immediately. I think this song is honest and special, and I’m honored to sing alongside an incredible artist and human being on such an amazing record.”

In celebration of the new music, Max is continuing on the road hitting Lollapalooza and the fast-selling North American headline “Forever Ain’t Long Enough,” tour, which kicks off August 21st in Kansas City. The tour will be making stops in Austin at Emo’s on August 27th, Los Angeles at The Novo on September 6th, and at 9:30 Club in Washington D.C. on September 8th – see full dates below and visit maxmcnown.com/tour for tickets and more information.

At 23 (turns 24 on July 20), Max has already been on a storied musical journey. Taking control of his future, overcoming personal challenges, and drawing inspiration from his brother who was bravely fighting cancer, he packed his bags and drove from remote Oregon to Southern California. From there, videos of him busking on a pier made an impact online and eventually grew into a legion of supporters on TikTok (currently has 2.4M followers). After attracting interest from major TV talent shows, McNown auditioned for one and then decided it wasn’t for him and gracefully turned them down as he knew he needed to walk his own path.

Within just a year of teaching himself to play guitar, the Nashville-based artist set off on a meteoric rise largely fueled by his breakout single “A Lot More Free”— the RIAA Gold-certified track whose explosive success earned him a #1 spot on Billboard’s Emerging Artists chart and has currently been flying up the radio charts. Currently, the track is Top 10 at Hot AC and Top 20 at Top 40.

Following the release of his widely lauded debut album Wandering, the Willfully Blind EP, and his acclaimed sophomore album Night Diving, the 23-year-old Oregon native continued his fast ascent to stardom appearing on The Kelly Clarkson Show (watch here) and TODAY (watch here), and selling out his first-ever headline tour within just hours.

Recently, Max also made his debut on the Billboard Hot 100 with his song “Better Me For You (Brown Eyes).” The song, which has spent five weeks on the Billboard Hot 100 chart, has now amassed over 130 million global streams and has been a mainstay at Country radio – currently #39 on Top 40 Country. Max was also named a 2025 Artist To Watch by Amazon Music, Holler, and Country Now, and has performed at C2C Festival, CMA Fest, and other large festivals.

The Night Diving (The Cost of Growing Up) deluxe album is a powerful milestone for a prolific young artist rooted in his craft. Even as his star quickly rises, Max stays true to his small-town soul—anchored by humility, heart, and a deep love for honest songwriting. With every track, he continues his mission to make music that lets folks feel seen, heard, and understood.

TOUR DATES

Jul 18 Fri – Redmond, OR – Fairwell Music Festival

Aug 1 Fri – REGGIES Chicago (Official Lollapalooza Aftershow) – SOLD OUT

Aug 2 Sat – Chicago, IL – Lollapalooza

Aug 8 Fri – Elkhorn Precinct, NE – Pinnacle Bank Championship Concert Series

Aug 21 Thu – Kansas City, MO – KC Live!

Aug 22 Fri – Tulsa, OK – Cain’s Ballroom – LOW TICKETS

Aug 23 Sat – Dallas, TX – House of Blues – SOLD OUT

Aug 26 Tue – Houston, TX – House of Blues – LOW TICKETS

Aug 27 Wed – Austin, TX – Emo’s

Aug 28 Thu – Helotes, TX – Floore’s Outdoors

Aug 30 Sat – Aspen, CO – JAS Aspen Labor Day Experience

Sep 1 Mon – Sandy, UT – Sandy Amphitheater – LOW TICKETS

Sep 4 Thu – Sacramento, CA – Ace of Spades – SOLD OUT

Sep 5 Fri – San Francisco, CA – The Fillmore – SOLD OUT

Sep 6 Sat – Los Angeles, CA – The Novo

Sep 9 Tue – San Diego, CA – SOMA

Sep 10 Wed – Phoenix, AZ – The Van Buren – LOW TICKETS

Sep 11 Thu – Albuquerque, NM – El Rey Theater

Sep 13 Sat – Denver, CO – Ogden Theatre – SOLD OUT

Sep 14 Sun – Boulder, CO – Boulder Theater

Sep 17 Wed – Minneapolis, MN – First Avenue – SOLD OUT

Sep 20 Sat – Grand Rapids, MI – The Intersection

Sep 21 Sun – Detroit, MI – The Fillmore

Sep 23 Tue – Cleveland, OH – House of Blues – SOLD OUT

Sep 24 Wed – Pittsburgh, PA – Roxian Theatre – LOW TICKETS

Sep 28 Sun – Washington, DC – 9:30 Club – SOLD OUT

Oct 1 Wed – Montreal, QC – MTELUS – SOLD OUT

Oct 2 Thu – Toronto, ON – The Danforth Music Hall – SOLD OUT

Oct 3 Fri – Toronto, ON – The Danforth Music Hall – SOLD OUT

Oct 5 Sun – London, ON – London Music Hall – SOLD OUT

Oct 6 Mon – Ottawa, ON – Bronson Centre – SOLD OUT

Oct 9 Thu – Winnipeg, MB – Burton Cummings Theatre – LOW TICKETS

Oct 11 Sat – Saskatoon, SK – Coors Event Centre – SOLD OUT

Oct 12 Sun – Edmonton, AB – Midway Music Hall – SOLD OUT

Oct 13 Mon – Edmonton, AB – Midway Music Hall

Oct 15 Wed – Vancouver, BC – Commodore Ballroom – SOLD OUT

Oct 16 Thu – Vancouver, BC – Commodore Ballroom – SOLD OUT

Oct 19 Sun – Seattle, WA – The Showbox – SOLD OUT

Oct 20 Mon – Portland, OR – Crystal Ballroom – SOLD OUT

Dec 1 Mon – Dublin, Ireland – 3Olympia Theatre – SOLD OUT

Dec 2 Tues – Glasgow, Scotland – Barrowland Ballroom – SOLD OUT

Dec 3 Wed – Manchester, England – Albert Hall – SOLD OUT

Dec 5 Fri – Amsterdam, Netherlands – Melkweg – SOLD OUT

Dec 6 Sat – Hamburg, Germany – Fabrik – SOLD OUT

Dec 8 Mon – Paris, France – Alhambra – SOLD OUT

Dec 9 Tues – London, England – O2 Forum Kentish Town – SOLD OUT

Dec 10 Wed – London, England – O2 Forum Kentish Town – SOLD OUT

Please note: Max McNown wants to give fans the best chance to buy tickets at face value. To make this possible, shows on this tour ticketed by Ticketmaster will have Face Value Exchange enabled, which gives fans who can’t attend the option to resell their tickets at the original price paid. To protect the Exchange, Max has requested that all shows ticketed by Ticketmaster be mobile-only and restricted from transfer, except in Colorado and Utah (where local laws limit artist’s ability to determine how their tickets are resold). For AXS-ticketed events, fans will be encouraged to resell their tickets for face value directly through the AXS Official Resale Marketplace. For specific questions about a show’s ticketing provider and transfer/resale policies, fans should reach out to the local venue box office.

 

FOLLOW MAX McNOWN

TikTok | Instagram | YouTube | Spotify

www.maxmcnown.com

 

July 31, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

MALUGI ANNOUNCES HEADLINE MELBOURNE SHOW 14th November – The Timber Yard

by the partae July 30, 2025
written by the partae

Berlin-based DJ and producer MALUGI is set to bring his high-energy club sounds to Melbourne, announcing a headline show at The Timber Yard on Friday, 14th November, presented by Untitled Group.

Known for his fast-paced, UK-influenced house sets and infectious presence behind the decks, MALUGI has quickly become a household name among dance music’s tastemakers. His signature style, driven by pumping club productions with just the right amount of mass appeal has seen him awarded BBC Radio 1’s Future Star of 2025.

MALUGI’s high-impact sets have taken him to some of the most prestigious stages in club music, including Panorama Bar, Warehouse Project, Amnesia Ibiza and Awakenings. His two viral Boiler Room performances in 2024 and millions of streams on his original productions have solidified his reputation as a relentless creative force.

This year, he’s played a stacked run of festival shows including Glastonbury and Tomorrowland, alongside his own ‘Happy Hour’ event series that continues to grow in scale.

On his last visit to Australia, he delivered a standout set at Beyond The Valley’s iconic Dance Dome, alongside performances at Wildlands in Brisbane and Perth, and a surprise support performance at PICA.

Untitled Group, Australia’s largest independent promoter, is celebrating 10 years of redefining the live music scene with festivals like Beyond the Valley, Pitch Music & Arts, Wildlands, and Ability Fest.

For his Melbourne return, fans can expect an unrelenting, feel-good dance floor experience, one that has earned him the nickname “The Happiest Man in Dance Music.”

Presale tickets will be available from Thursday 31st July 10AM AEST, with general on-sale commencing Friday 1st August 12PM AEST.

Signup for presale access HERE

Presale begins on Thursday 31st July 10AM AEST

General on sale begins: Friday 1st August 12PM AEST

Get connected:

https://www.instagram.com/untitledgroupau/

https://www.facebook.com/untitledgroupau/

https://www.untitledgroup.com.au/

https://www.tiktok.com/@untitledgroup?lang=en

 

July 30, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

THE SMITH STREET BAND RELEASE NEW SINGLE & ANNOUNCE HUGE NATIONAL TOUR

by the partae July 30, 2025
written by the partae

Australian punk stalwarts The Smith Street Band today share new single ‘Star Child’. Out on Pool House Records this is the second single from the Naarm / Melbourne band’s forthcoming seventh album.

Of the latest release the band’s lead singer Wil Wagner says, “Star Child is a song about how all life’s twists and turns have led me to a really happy place with a daughter who I love more than anything! It’s about how important things used to feel and how lost I used to be and the perspective gained with age and experiences. The song took on a lot of different directions and formations but I kept coming back to the opening line which is “I’ve seen so many highways” and thinking about how after all of life’s journeys I’ve found myself exactly where I need to be!”

The upcoming new album is the third to be recorded at the band’s off grid studio in regional Victoria and follows critically acclaimed albums Life After Football (triple j Feature Album, 2022) and Don’t Waste Your Anger (ARIA #1, 2020).

Having just completed a month of touring throughout July to capital cities across six states, The Smith Street Band today also announce a mammoth 24 date East Coast regional tour. With shows from Traralgon to Cairns and nearly everywhere in between, the tour will include their first ever shows in Mildura and Tamworth, and a long awaited return to the likes of Port Macquarie, Coffs Harbour, Rockhampton and Mackay after nearly a decade.

POOL HOUSE RECORDS PRESENTS 
THE SMITH STREET BAND

Thursday September 18 – Sooki, Belgrave
Friday September 19 – The Deck, Traralgon
Saturday September 20 – Singing Bird Studios, Frankston
Thursday September 25 – Torquay Hotel, Torquay
Friday September 26 – The Espy, St Kilda
Thursday October 2 – Volta,  Ballarat
Friday October 3 – All Seasons, Bendigo
Saturday October 4 – Setts Tavern, Mildura
Thursday October 9 – Beer Deluxe, Albury
Friday October 10 – Tilly’s, Wagga Wagga
Saturday October 11 – Waves, Wollongong
Sunday October 12 – Drifter’s Wharf, Central Coast
Wednesday October 15 – Finnian’s Tavern, Port Macquarie
Thursday October 16 – Jetty Beach House, Coffs Harbour
Friday October 17 – Moonshiner’s Tavern, Tamworth
Saturday October 18 – King Street, Newcastle
Sunday October 19 – The Basement, Canberra
Thursday October 23  – Coolangatta Hotel, Gold Coast
Friday October 24 – The Northern, Byron Bay
Saturday October 25 – The Station, Sunshine Coast
Wednesday October 29 – The Great Western, Rockhampton
Thursday October 30 – McGuires Hotel, Mackay
Friday October 31 – The Warehouse, Townsville
Saturday November 1 – Tanks Art Center, Cairns

Tickets on sale Thursday July 31 from 9am

www.thesmithstreetband.com

 

CONNECT WITH THE SMITH STREET BAND
Website
Facebook
Instagram
Spotify

 

July 30, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

GOOD THINGS FESTIVAL 2025 REVEALS DATES & VENUES INCLUDING A NEW HOME IN SYDNEY!

by the partae July 30, 2025
written by the partae

Are you ready for some extremely good things ahead? Good Things come to those who wait and Good Things Festival, Australia’s largest and favourite travelling music festival is set to make its way up the East Coast once again in December 2025.

A stalwart highlight on the Australian musical calendar, today we’re thrilled to reveal our Good Things Festival dates and venues for 2025 in Melbourne, Sydney and Brisbane, with a new home locked in for Sydney this year.

Opening on Friday 5 December at Flemington Racecourse in Melbourne, the Good Things Festival party will then head to its new Sydney stomping ground at Sydney Showground on Saturday 6 December, before closing out on Sunday 7 December at the Brisbane Showgrounds.

For Sydney, 2025 will see the Good Things experience levelled up across the board, with the Sydney Showground venue boasting a bigger capacity, more shelter and existing facilities, and is a much more accessible-friendly venue for patrons. The venue will also mean better transport options and integrated transport, making your journey to and from Good Things Festival way easier so you can focus on the important things: the bands, the vibes and all the good things that come with this annual extravaganza.

We’re so excited to share with you the line-up coming to you soon. In the meantime save the date and join us making Good Things Festival 2025 one for the ages!

GOOD THINGS FESTIVAL 2025
DATES & VENUES:

FRIDAY 5 DECEMBER – FLEMINGTON RACECOURSE, MELBOURNE
SATURDAY 6 DECEMBER – SYDNEY SHOWGROUND, SYDNEY
SUNDAY 7 DECEMBER – BRISBANE SHOWGROUNDS, BRISBANE

Sign up via the Good Things Festival website to hear the line up first.

Stay connected with us across all social platforms for all of your Good Things news.

GOOD THINGS FESTIVAL | FACEBOOK | X | INSTAGRAM | TIKTOK

July 30, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Everclear announce ‘Sparkle and Fade’ 30th Anniversary Aus Tour Australia Nov/Dec 2025

by the partae July 30, 2025
written by the partae

Everclear, one of the leading alternative rock bands to emerge from the ‘90s led by vocalist, guitarist and founder Art Alexakis, have announced November / December Australian dates for their Sparkle and Fade 30th Anniversary Tour.

Everclear’s platinum-selling, major-label debut album, had a massive impact in 1995 with its chart-topping hit “Santa Monica,” making Everclear a household name and catapulting the band into the masses. The acclaimed collection – also featuring the singles “Heroin Girl” and “Heartspark Dollarsign” – has been hailed as “a must have for any fan of pop-punk” (Punknews) and “a tough, melodic set of gnarled post-punk hard rock” (AllMusic), with The Rolling Stone Album Guide declaring, “Sparkle and Fade was everything a radio-ready rock record should be: explosive, soul-searching, belligerent.”

Everclear’s 16-date Australian tour will kick off Friday November 21 in Newcastle and travel across the country, with the band performing shows in capital cities and regional areas including Melbourne, Sydney, Brisbane, Perth, Canberra, Townsville and Duncraig before wrapping up on Saturday December 13 in Adelaide.

“Sparkle and Fade was not the first album I had made, but it was the album I had wanted to make my whole life. It changed everything for me and Everclear,” shares Alexakis. “Because of its success and lasting impact, this band has survived and prospered for three decades, and this tour celebrating Sparkle and Fade is another way of us saying ‘thank you’ to all of the incredible fans – old and new. We’re excited to bring this tour to Australia. In addition to all the hits and fan favorites, we’re going to pretty much play the whole album through the course of the show to commemorate this 30th anniversary. If you are a fan of this record, you do not want to miss this tour!”

Everclear is: Art Alexakis (vocals, guitar), Davey French (guitar), Freddy Herrera (bass), Brian Nolan (drums)

Don’t miss Everclear on their Sparkle and Fade 30th Anniversary Australian National Tour:

Friday November 21 – Bar on the Hill | Newcastle NSW
Saturday November 22 – Manning Bar | Sydney NSW
Sunday November 23 – Caringbah Hotel | Caringbah NSW
Monday November 24 – Drifters Wharf | Gosford NSW
Thursday November 27 – The Baso | Canberra ACT
Friday November 28 – Chelsea Heights Hotel | Chelsea Heights VIC
Saturday November 29 – Prince Bandroom | St Kilda VIC
Sunday November 30 – Barwon Heads Hotel | Barwon Heads VIC
Tuesday December 2 – The Warehouse | Townsville QLD
Thursday December 4 – Kings Beach Tavern |  Caloundra QLD
Friday December 5 – The Back Room, Chardons Corner |  Brisbane QLD
Saturday December 6 – Miami Marketta | Gold Coast QLD
Wednesday December 10 – Freo Social | Fremantle WA
Thursday December 11 – The Carine |  Duncraig WA
Friday December 12 – Magnet House | Perth WA
Saturday December 13 – The Gov | Adelade SA

TICKETS

Spotify Presale: Wednesday, July 30 @ 9am AEST
(Password: SPARKLE)

Bandsintown Presale: Wednesday, July 30 @ 9am AEST
(Password: FADE30)

Public On Sale: Thursday, July 31 @ 9am AEST

For tickets & more info, head to www.everclearmusic.com/tour

ABOUT EVERCLEAR

Since forming in 1992, Everclear has enjoyed a lengthy career by any measure, spanning 11 studio releases, including four that have been certified Gold or Platinum in the US, selling over 6 million records, and achieving 12 Top 40 Hit Singles on Mainstream Rock, Alternative, and Adult Top 40 radio, including “Santa Monica,” “Father of Mine,” “I Will Buy You A New Life,” “Wonderful” and“Everything To Everyone,” as well as numerous videos, thousands of shows, and various other accolades, including a 1998 Grammy nomination.

 The band’s 1993 debut album, World Of Noise, released on the Portland independent label Tim/Kerr Records, paired with their significant efforts to break into college radio and the buzz they’d created within the Portland music scene, attracted the attention of major labels, including Capitol Records, which signed the group soon after and released Sparkle and Fade. To celebrate the band’s 30th anniversary in 2022, Everclear reissued World Of Noise as a special remastered, deluxe edition, making the album available for the first time on digital streaming platforms with 6 bonus songs in addition to its original 12 tracks. Adding to the celebrations that year, Everclear released a commemorative anniversary video “Everclear – 30 Years Gone: A Retrospective,” hosted by former MTV VJ, current radio host and longtime friend Matt Pinfield – PRESS HERE to watch.

 In 2023, Everclear released their first official live album, Live at The Whisky a Go Go, showcasing the band’s acclaimed and energetic live performance. The 17-track collection, available via Sunset Blvd Records, features the live recording of the Los Angeles show on Everclear’s 30th Anniversary Tour, showcasing the hits and hidden treasures from throughout the band’s extraordinary catalog as well as two new bonus studio tracks: “Sing Away,” a powerful single addressing teen suicide, and their 2022 politically-charged single “Year Of The Tiger.” Continuing to celebrate their acclaimed decades-long career and provide the band’s dedicated fanbase with long-awaited content, Everclear released their platinum-selling album Songs From An American Movie Vol. One on vinyl for the first time ever in 2024 via Intervention Records.

 In addition to his thousands of Everclear performances over the band’s lengthy career, Alexakis released his first solo album, Sun Songs, in 2019. That same year, Alexakis revealed his diagnosis with multiple sclerosis (MS) at the age of 54 and has since donated one dollar from every ticket purchased for his performances to charities such as Sweet Relief Musicians Fund and National MS Society. The now 62-year-old currently appears on the cover of PEOPLE Health (Winter/Spring 2025 issue), where he shares his positive outlook and health routine to keep his symptoms at bay, expressing, “I have a lot of gratitude.” In the story, he also references a deep cut off Sparkle and Fade, originally written for those battling addiction and sobriety, saying, “There’s a song we do called ‘Strawberry’—and the repeating line is ‘Don’t fall down, you’ll never get up.’ It’s a song of hope, really. For me it’s about surrendering to the fact that I have MS and being able to talk about and understand it.” Alexakis shows no signs of slowing down and, more than three decades later, Everclear’s enduring legacy and ongoing appeal as a live band continues.

Follow Everclear:

Website // Facebook // Instagram // Twitter // YouTube // Spotify // Apple Music

 

 

 

 

 

July 30, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Oasis release brand new live track ‘Cigarettes & Alcohol (Live from Manchester, 11 July 25)’

by the partae July 25, 2025
written by the partae

Ahead of taking over London’s Wembley Stadium for seven sold out nights, Oasis release ‘Cigarettes & Alcohol (Live from Manchester, 11 July ‘25)’. Listen HERE.

On Friday 11th July, Oasis mania hit Manchester as the band made a triumphant homecoming on the first of five historic nights in front of a total of 340,000 fans at Heaton Park. The sixth song in the setlist on the night, the new live version of ‘Cigarettes & Alcohol’ immortalises the moment that Oasis returned home. Fans travelled from as far as Japan, Costa Rica, North America, Canada, Mexico, Argentina, Ireland, Italy and Australia to witness the history-making night.

‘Cigarettes & Alcohol (Live from Manchester, 11 July ‘25)’ arrives ahead of Oasis’ opening show at London’s Wembley Stadium this Friday 25th July – the first of seven sold-out gigs. Following epic shows in Cardiff and Manchester, the Oasis Live ‘25 tour has received a rapturous response from fans and media alike – and is already widely regarded as the “biggest rock comeback in history” (The Sunday Times).

Beyond the Live ‘25 tour, Oasis fever continues to grip the nation as the band dominate the UK Official Charts. The singles compilation album ‘Time Flies… 1994-2009’ recently returned to Number 1 with seminal studio albums ‘(What’s The Story) Morning Glory?’ and ‘Definitely Maybe’ in the Top 5 Album Chart.

The release of ‘Cigarettes & Alcohol (Live from Manchester, 11 July ‘25)’ follows ‘Slide Away (Live from Cardiff, 4 July ‘25)’.

‘(What’s The Story) Morning Glory? Deluxe 30th Anniversary Edition’ will be released on October 3rd. The ‘Complete Studio Album Collection’ box set will be released on August 22nd. Both releases are available to pre-order HERE.

The Sunday Times “The biggest rock comeback in history. This is the start of Oasis summer.”

The Guardian ★★★★★ “A triumph.”

The Times ★★★★★ “Fantastic.”

NME ★★★★★ “This is all you ever would have wanted from Oasis in 2025.”

BBC News “The best they’ve been since 1995.”

Rolling Stone UK ★★★★★ “The cultural moment of the year – possibly even the decade.”

Uncut ★★★★★ “Impossibly euphoric.”

Pitchfork “The biggest reunion in our lifetime.”

Variety “Oasis is miraculously, thrillingly back.”

Billboard “Triumphant.”

CLASH 10/10 “The best they’ve ever been.”

The Sun ★★★★★ “The gig of a lifetime.”

Manchester Evening News ★★★★★ “A moment in history”

Daily Mail ★★★★★ “Swagger, edge and attitude… simply electric.”

Daily Star ★★★★★ “A Supersonic celebration of their legacy”

Daily Mirror “The greatest rock n’ roll reunion of the decade.”

Daily Telegraph ★★★★★ “The second coming of Britpop’s biggest stars was magical.”

The i Paper ★★★★★ “The best band in the UK.”

Independent ★★★★★ “The rock reunion to end them all.”

The London Standard ★★★★★ “Biblical.”

Wales Online ★★★★★ “Intense and immense”

MOJO “Joyous”

The Observer “The emotional reality of their long awaited reunion dawns. It’s like a dam breaking.”

The Sunday Mirror “Best Night Ever.”

The New Cue “So beautiful, so joyous.”

OASIS LIVE ’25: AUSTRALIAN DATES
With special guests Ball Park Music
Fri 31 Oct – Marvel Stadium, Melbourne*
Sat 1 Nov – Marvel Stadium, Melbourne*
Tue 4 Nov – Marvel Stadium, Melbourne*
Fri 7 Nov – Accor Stadium, Sydney*
Sat 8 Nov – Accor Stadium, Sydney*
*LIMITED PRODUCTION HOLD TICKETSTICKETS AVAILABLE HERE!
July 25, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

Excuse For An Exit share rage-fuelled new single “SNAP”

by the partae July 25, 2025
written by the partae

Melbourne dark pop group Excuse For An Exit share a rallying cry of feminine rage and protest with new single “SNAP“.

Fuelled by the rise of fascism in the West, atrocities in Gaza and the Congo, and the suppression of dissenting voices, “SNAP” channels vocalist Edelle Merson’s political frustrations into a powerful alt rock belter. “What began as political frustration quickly intertwined with personal experiences of being pushed too far, until something broke,” says Edelle. “The opening line, ‘It starts slow, I never even felt it, hit low, and I was so above it,’ reflects my own blind spots, how easy it is to miss the signs until they become impossible to ignore.”

Sonically, “SNAP” is a turning point. The single is produced, mixed and mastered by Chris Lalic (Windwaker, RinRin) and marks the first time Excuse for an Exit have incorporated screamed vocals. The band deliver a sound that’s dark and heavy, yet punchy and unapologetically pop, for fans of Grandson, PENI PARKER, Pussy Riot, and MUDRAT. Though the lyrics aren’t overtly political, the emotional core is inseparable from activism. “Emotion is often dismissed as irrational, but to us, it’s part of being fully human. This song is for those who’ve questioned their anger. Sometimes, snapping isn’t losing control, it’s taking it back.”

Excuse for an Exit have fostered an inclusive and alternative community within their local scene since their beginning in 2020. The unwavering support of their dedicated fanbase, as featured in the music video for “ur villain“, remains steadfast as they embark on a transformative sonic journey. Seamlessly blending electronic elements with their signature emo-rock repertoire, the four-piece continue to push boundaries and embrace their evolution.

The band will launch their new track live at Melbourne’s Stay Gold on Saturday 9th August when they play Cordiform‘s 2 Pizza 2 Planet mini-festival, joining Cordiform, A Swift Farewell, Darcy Baker and more. Tickets on sale now.

Excuse for an Exit have steadily built a name for themselves through a string of impressive achievements across the past few years. Earlier this year they performed at the inaugural Siren Sounds, an all femme-fronted and LGBTQI+ mini-festival raising funds for The Red Heart Campaign, and took the reins on their own Lifeline fundraiser, managing, running, and performing two shows that raised $1500 for charity. Their music has amassed over 185,000 streams on Spotify with national airplay on Double J Short.Fast.Loud and triple j Home & Hosed. They’ve cemented themselves as a rising force in Australia’s alternative scene, headlining sold-out BONEZ events in both 2023 and 2024, and headlining and selling out hometown shows across Victoria.

“SNAP” is out now and streaming everywhere.

TICKETS

July 25, 2025 0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

INTERVIEW: Lauren Tatyana: Late Nights, Honest Lyrics & Arcade Dreams – Inside the Creative World of a Rising Star

by the partae July 25, 2025
written by the partae

You’ve worked with incredible producers like Kyle McCammon and the team at Evoke Sounds. How do you approach collaboration in the studio — are you more of a vision-first artist, or do you like to build the concept together from scratch?

Yes, they’re the best  Every song and producer I work with is different, but I love starting from whatever I’m feeling or is top of mind at that moment and building the song from there. Sometimes with a melody or a musical hook, other times it’s just a lyric I jotted down in a note on my phone. I’ve been lucky to work with producers who are open to following the creative process wherever it takes us, even when it leads us somewhere totally unexpected. In collaborations, I try to stay open and curious. The best work happens when there’s trust and no ego in the room.
There’s a cinematic quality to your music — especially in “Stone Cold.” How intentional is that storytelling lens when you’re writing or producing? Are you visualizing scenes as you create?

I wouldn’t say I necessarily set out with that intention, but I come from a background in acting and before pursuing music, studied Acting at the Victorian College of the Arts so storytelling feels second nature to me. I write music from my own lived experience, so naturally there’s always some sort of a narrative- a character, a moment, a shift. Whether intentional or not, it’s all storytelling and I think that’s what brings the songs to life.

The official video for “Stone Cold,” shot at Archie Brothers, is vibrant and unexpected. What drew you to that location, and how did that playful aesthetic contrast or complement the song’s deeper message?

I had many long brainstorming sessions with the Director Frederick McHenry before we came up with the idea for the “Stone Cold” music video. We kept coming back to this idea of “playing games” and loved the idea of shooting it in an arcade or something similar.

Once we found Archie Brothers it was perfect- we even used one of their escape rooms that was Rubik’s Cube-themed, which felt symbolic in all the right ways. We knew we wanted it set at night, but we were drawn to the contrast of bright colours, slow-motion action shots and something a little dreamlike, almost intoxicating.

My good friend Ed McCullough, who studied with me at VCA, kindly stepped in to play the “love interest,” which added a whole new layer. Amid all the chaos and neon beauty, it’s the quiet looks between us that hint at something shifting… like things could change in an instant… could turn stone cold.

You’ve already achieved impressive chart success with tracks like “Beautiful Liar” and “Hold Me.” How do you mentally and creatively handle the pressure of following up high-performing singles?

That’s a great question and honestly I think I’ll always feel that pressure- but I put it on myself! However, I’ve been incredibly lucky and proud that so far each release has outperformed the last…phew! Hopefully I can keep it that way.

While I’d be lying if I said things like streams or chart success don’t matter, I’ve learned not to let the numbers define the work. At the end of the day, they’re out of my control. What is in my control is the quality of the music. So I try to focus on creating songs I’m proud of, music that feels honest and intentional. I’ve learned so much in the relatively short time I’ve been releasing music and with each track, I try to offer something fresh and meaningful. Especially in an industry that’s as fast-moving as this one.

Your sound blends R&B, soul, and pop with an international polish. How do you stay grounded in your Australian roots while building a global identity as an artist?

Australia, and Melbourne in particular, has such a rich live music culture and I love testing out new music there and watching how people respond in real time. There’s a special magic in live music which always reminds me why I love doing it.

In Australia, we are influenced by so many different cultures and music genres which is amazing. While I think my sound is global, there’s something inherently “Aussie” about music that is straight to the point, real and a little rough around the edges…I don’t know if I’ll ever stray too far from that.

There’s a noticeable thread of emotional honesty in your work — even when the production is sleek and upbeat. How do you balance vulnerability with musical confidence in your songwriting?

For me, vulnerability is the foundation. I can’t create without it. It’s the honesty in the lyrics that gives me the confidence to share the music with the world. If I’ve lived it, felt it, and can articulate it in a way that feels true then I trust that someone else will connect to it, too.

Having been endorsed by tastemakers like Hernán Cattáneo and featured on major platforms, how do you decide which aspects of your artistry to evolve and which to protect as core to your identity?
Yes that support was amazing and a huge confirmation that I was heading in the right direction. I think as artists (and as people) we’re always evolving but I try to stay rooted in what made me start in the first place: real lyrics, emotive melodies, and a connection to story. That core doesn’t change, even if the sound around it does.

Your upcoming EP is titled Reasons I Can’t Sleep — a striking concept. Can you share some insight into the overarching themes of the EP and how “Stone Cold” fits into that emotional landscape?
I love that you asked that. The title came out of a conversation with my manager almost a year ago- we were talking about how so many of the songs on the EP were quite different in their vibe, but the themes were all things that kept me up at night. If you know me well, you’d know I’ve struggled with sleep my whole life- whether it’s from jet lag, being out too late, overthinking, disappointment, or hope. Reasons I Can’t Sleep is a collection of the things that have kept my mind racing at 2AM (the title of my previous release). “Stone Cold” is one of those reasons I couldn’t sleep for a while- you only have to listen to the lyrics to figure out why.

Looking ahead, what does “success” mean to you now — especially after seeing early international traction? Are there new markers of growth you’re chasing, creatively or personally?

Honestly, seeing “Stone Cold” land on playlists and charts around the world has been surreal. It’s one thing to make music that you love, but it’s another to know that people in places I’ve never been to are connecting with it. That kind of reach has definitely shifted my idea of success and I’d really love to tour my music. I’ve done original shows in Melbourne, but now I’m dreaming about how audiences might respond in other countries. That’s the next chapter I’m chasing.

Creatively and personally, I feel like I’ve found my stride and I just want to keep that momentum going. Keep releasing music, stay inspired by other artists, places, and people, and build something that lasts.


INSTAGRAM

 WEBSITE

July 25, 2025 0 comments
1 FacebookTwitterPinterestEmail
Music News

TAME IMPALA RETURNS WITH ‘END OF SUMMER’

by the partae July 25, 2025
written by the partae

FIRST RELEASE ON NEW LABEL HOME COLUMBIA RECORDS

Photo Credit:  Julian Klincewicz

Today, Tame Impala (Kevin Parker) returns with the release of “End of Summer,” his first recording for new label Columbia Records. The song marks a new dawn for Tame Impala, as Parker once again expands the parameters of the project further into realms unexplored. Drawing from the deep, rich history of dance music, “End Of Summer” recasts Tame Impala as a kind of future primitive rave act. The track harkens back to the acid house summer of ’89, to free parties of the mid-90s, to bush doofs in outback paddocks – to an imagined history, transmuted into something simultaneously present and eternal, still unmistakably Tame Impala. The thrill of spontaneous studio experimentation that has marked Tame Impala recordings since the beginning is more evident than ever, Parker’s mastery of his craft imprinting the track with an array of brain-bending, subtly manipulative sparkle. Listen HERE.

Kevin Parker has emerged as one of the most influential voices of the last decade. A singular artist renowned for carving out a distinct sound all of his own, Parker crafts transcendent genre-bending sonic landscapes playing every instrument and acting as writer, producer, mixer and engineer on his projects. He has been nominated for four GRAMMY awards with one win for his collaboration with Justice on 2024’s “Neverender.” In his home country of Australia, he’s racked up an impressive 13 ARIA Awards and 27 Nominations. He’s won the BRIT Award for Best International Band and scored nominations for two Billboard Music Awards and an American Music Award. Tame Impala has had numerous US Alternative Radio Top 10 songs including two #1’s for “Lost In Yesterday” and “Is It True.” Tame Impala’s “The Less I Know The Better” is part of the Billionaires Club with over 2 billion streams and the project has racked up numerous gold and platinum certifications globally.

Tame Impala has headlined festivals and arenas around the world and released four full length albums – InnerSpeaker, Lonerism, Currents and his most recent album The Slow Rush. The Slow Rush landed at #1 in multiple territories and was his highest charting album to date in both the US and UK, with 14 top 10 chart positions around the world.  As a writer and producer Parker has collaborated with Dua Lipa, The Weeknd, SZA, Lady Gaga, Travis Scott, Mark Ronson, Gorillaz, Thundercat, Kali Uchis, 070 Shake, Rhianna, Miguel, A$AP Rocky and many more.

Follow Tame Impala:

Website | Instagram | YouTube

 

July 25, 2025 0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

First Look at Ministry of Sound’s brand new £500k VIP Area – The new space is officially open following extensive renovations.

by the partae July 24, 2025
written by the partae

The sounds of construction have been echoing through Elephant and Castle recently, as Ministry of Sound undergoes a major transformation of its VIP area. Welcome to No Velvet Rope Society – an inclusive new experience designed for true music lovers, with a focus on elevated sound and a new mezzanine overlooking the infamous Box.

Ministry of Sound has unveiled a forward-facing new chapter with its £500,000 transformation – the venue’s first major renovation in 15 years. Guests now enter through a gritty back-alley entrance, a deliberate nod to its raw 90s roots. Inside, a newly built mezzanine offers a high-spec sound experience with direct views into it’s main arena The Box, immersing guests in the iconic Martin Audio sound system that helped make Ministry a global name.

Says Caitlin McAllister, Group Managing Director, Ministry of Sound, “The launch of our new VIP space marks a bold new chapter for Ministry of Sound. This transformation has been a personal passion project of mine for years, and seeing it finally come to life is incredibly special. We’ve literally knocked down walls to open up the space and connect it directly to The Box, creating a seamless, elevated experience that brings guests and artists even closer to the music, the energy, and the atmosphere that define our club. This isn’t just a refurbishment; it’s a reimagining of what a night out should feel like — captivating, electric, and unmistakably Ministry”

No Velvet Rope Society is Ministry of Sound’s fresh take on VIP culture—stripping away the exclusivity in favour of something more meaningful. It’s built for music lovers who want deeper, more connected experiences.

A limited number of founding memberships are available for just £150 a year and include VIP access at all events bar student-only nights, queue jump, birthday Moët with table bookings, 15% off first table spend, and priority access for future reservations.

The new VIP area is now open for reservations Book Here

July 

25.07
Future x We Rave You: Blastoyz, Simon Patterson and Eddie Bitar

26.07
The Foundation – Open Air Courtyard Day & Night

26.07
House Cat: Lovra, Detleft & Sian Owen

27.07
Release Day Party Summer Edition

August 

01.08
Omnya (Afterlife) – UK Debut

02.08
Urge Day Party (Open Air)

02.08
Urge 003: Hector Couto b2b Sante Sansone, Brisotti + more

08.08
Future Citizens Vol.2 – P.O.U, Sam Supplier + more

09.08
Courtyard Day Party: Grooverider, Brockie + more

09.08
Room Service: Dunmore Brothers, Ella Knight + more

15.08
Krewella (UK Exclusive)

16.08
Pressure: Bullet Tooth + Capo Lee

22.08
Smoove: Masterstepz, Maximum, Rampage, Donch + more

23.08
LoveJuice Summer – Bank Holiday

24.98
Trance Sanctuary – Courtyard Party

29.08
Future x Wh0 Plays – Wh0, David Penn, Marco Lys + more

Website

July 24, 2025 0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Interview: Kevin Keller on Arcadia: A Journey Through Death, Light, and the Universal Consciousness

by the partae July 24, 2025
written by the partae

Arcadia feels like a deeply personal journey through light and darkness. What inspired you to explore themes of the afterlife and transformation in this album?

Not to be morbid, but we are all going to die. It’s a reality that we all live with each day, and we see ourselves aging as those close to us are doing the same. I think it’s important to acknowledge this reality, and to make your peace with it in the here-and-now. I believe that there is a universal consciousness that we are all a part of—a consciousness that exists outside of space and time. Each of us is a unique expression of that universal consciousness, and we each have our own mind and consciousness that is unique to us. When we die, we shed our physical bodies and minds, and we return to the current of universal consciousness that we all came from. For me, that is the “afterlife”.

You blend plainchant melodies with ambient electronics in a really unique way. How do you approach balancing ancient musical traditions with modern sound design?

I guess I don’t really think of it that way when I’m writing. To me, it’s all part of a greater continuum, whether it’s from the 12th century or the 21st century. I’m always searching for the right combination, and this was the one that spoke to me as I was creating “Arcadia”.

The vocal performances by Sofía Campoamor are hauntingly beautiful. How did you come to collaborate with her, and what did she bring to the emotional core of the album?

Sofía Campoamor and I met in 2023 just after “Evensong” was released. I had recently performed at a monthly music salon in Brooklyn called Soundshop, and Sofía performed at the following month’s salon. I fell in love with her voice and her spirit, and she and I became friends over the following year, attending each other’s shows and getting to know each other. At the end of 2024, I asked Sofía if she would be interested in working with me on a new album called “Arcadia”, and she was all-in on both singing and collaborating. This album was the first time that I collaborated with another composer, and together we developed 3 of the 8 tracks on the album. Sofía also helped me with the other tracks by coming into my studio and recording demos as I was writing. The resulting sound is unique because it’s a combination of our two musical voices.

Several tracks feature Latin texts—some original, some traditional. What drew you to Latin as a language for expressing the ideas in Arcadia?

I started with texts from Revelations, and from the traditional Requiem mass, and these are used in the first 2 tracks and on “Et lux perpetua”. For the bulk of the album, I wrote original texts and had them translated into Latin. Since “Evensong” was all in Latin, I wanted to maintain that narrative consistency, as I feel like Latin gives the music a sense of timelessness.

The album moves through a clear narrative arc from darkness to light. Did you have a story in mind as you composed, or did the journey reveal itself as you worked?

It’s funny—the narrative arc of “Arcadia” didn’t fully materialize until the album was done. Before that, I had an idea of what the album was about, but this changed once I heard the whole thing together. Originally, I had thought that the whole story takes place in Arcadia, a mythical paradise where everything is perfect and peaceful. I thought that the album would be about this idyllic paradise, but somewhere along the way, the story developed and became quite dark and dramatic, and I realized that the album is about the journey from death to Arcadia. We don’t actually arrive in paradise until the very last track. Everything leading up to that moment is more like the medieval concept of Purgatory, where the soul goes through a final test and a cleansing before entering Heaven.

Can you share a specific moment during the recording or production of Arcadia that was particularly meaningful or challenging for you?

My favorite part was getting to work with everyone again, in the same studio (Reservoir Studio in NYC), and with the same engineer (Robert L. Smith). We had such a great time making “Evensong” in that environment, and it was a real thrill to be back there 2 years later to make the follow-up album. We’ve become a well-oiled machine at this point!

The instrumentation blends strings, piano, synths, and layered vocals. How did you decide on this particular sonic palette, and how did it evolve during the creative process?

Over the 30+ years that I’ve been releasing music, I’ve always tried to innovate with each new album. I’m always looking for new sonic combinations, and new ways of expressing these big ideas of life and death and existence. Each album builds on the previous one, while also adding something new. Piano, synthesizer, and keyboards have always played a major role in my sound, along with live strings. On “Evensong”, I took the big step of incorporating live vocals in the sound, and “Arcadia” takes this a step further.

Arcadia is described as a sequel to Evensong. How does this album build on or differ from that earlier work, both musically and thematically?

“Arcadia” was written 2 years after the completion of “Evensong”. The music of “Evensong” expressed the journey from conception to death, and it had an open ending that could either return to the beginning of the life cycle or to some other place beyond death. After its release, “Evensong” also became the score for a full-length ballet by choreographer Maria Caruso. Maria’s choreography added a new level of depth to the music, and when I saw the ballet premier in late 2024, I was inspired to create a follow-up. Maria’s dance piece ended with the main dancer disappearing into the wings as the lights faded to black, and I found myself asking “Where did she go?” So, “Arcadia” answers this question.

Ambient music often invites listeners into a contemplative space. What do you hope listeners feel or take away from experiencing Arcadia?

I’m always aiming to take people on a journey. It’s my hope that they are inspired by “Arcadia”, and that it conjures up images and emotions for them.

Finally, as an artist who has worked across many styles and projects, how does Arcadia reflect your growth or shift in creative direction at this point in your career?

“Arcadia” really feels like a pinnacle for me. It feels like the culmination of everything I’ve done since 1994, while also being the start of something brand new. I have a feeling that there will be more music coming in the future from me and Sofia, since this album was such a joy to make.

https://www.kevinkeller.com/

July 24, 2025 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Recent Posts

  • HARLEY GIRL drops high-energy new EP The Music, delivering club-ready chaos and emotional release
  • Live at the Gardens announce epic March 2026 season | Royal Botanic Gardens Melbourne
  • Interview: Sola Rosa on Rebirth, Rhythm and the Making of ‘Jupiter’ – The First Signal of a Bold New Era
  • JULES ANNOUNCES IT’S COMING ON CHRISTMAS EP
  • 44 Ardent’s New EP ‘Me, Again’ Marks a Powerful Return to the Music That First Defined Him

Recent Comments

  • Shannon Austbo on RUNYAMOUTH hits the scene with explosive debut single HEAD ON A STICK
  • Anna on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Claire P on Interview: LUX – ‘Mirage’ A Dreamy Exploration of Love’s Illusions and Realities
  • Joe Travers on Trevor Kidd Teams Up with INXS and The Tea Party Legends for Explosive New Track “Sunshine”
  • Will s on Exploring Ego: Inside Pallas Haze’s Groovy Musical Odyssey Interview

Archives

  • December 2025
  • November 2025
  • October 2025
  • September 2025
  • August 2025
  • July 2025
  • June 2025
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2018
  • April 2018
  • February 2018

Categories

  • Eats & Drinks
  • Fashion & Culture
  • Festival News
  • Music Interviews
  • Music News
  • Others

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

MyListing is the most advanced directory theme made for WordPress. MyListing 2.0 improves and refines all aspects of the theme

 

  • Upload Event
  • Upload Listing
  • More Pages
  • [27-icon icon=”icon-box-2″] More
  • Categories
  • More Categories
  • More Categories #2
  • Locations
  • More Locations
  • Place
  • Event
  • Jobs
  • Real Estate
  • Cars
  • Create your own!
  • More demos
  • Facebook
  • Instagram

The Partae © 2025


Back To Top
  • Music
    • News
    • Interviews
    • Festivals & Events
  • Fashion / Culture
  • Stay & Play
  • About Us
  • Contact Us / Advertise
  • Submit Event