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Monthly Archives

October 2024

Music News

Neil Patton’s “The Small Hours” Album Release: A Journey Through Nighttime Narratives

by the partae October 18, 2024
written by the partae

Acclaimed pianist and composer Neil Patton returns with his latest solo piano album, The Small Hours, set to release on October 18, 2024. This captivating collection features 15 tracks, each serving as a musical narrative inspired by the quiet and contemplative nature of nighttime across the globe. Composed during the challenging months of pandemic lockdowns, Patton’s work offers a sense of solace and peace, intentionally crafted in a more introspective style.

Tracks like Day’s End, A Room with a View, and The Moon and Sun Dance bring to life the emotional landscapes of the night, while Nightwalk incorporates the ancient hymn Be Thou My Vision, adding a timeless spiritual layer to the album. Recorded at Deep Heaven Music in Eugene, Oregon, The Small Hours reflects Patton’s mastery of blending Classical, Folk, and Rock influences into a seamless solo piano experience.

Renowned for his meticulous composition and emotive performances, Patton’s music has consistently touched listeners worldwide. His past albums have garnered critical acclaim, including Between Shadow and Light and Holy Ground, both of which earned prestigious awards. The Small Hours continues in this tradition, inviting listeners to explore the tranquility of the night through the lens of Patton’s evocative piano pieces. Available for purchase at neilpatton.net.

One night, many stories. These are musical narratives of the nighttime hours as they are experienced the world over. Spawned largely during the stressful months of pandemic shutdowns and social turmoil, these pieces were a source of solace and peace as Neil intentionally composed in a quieter vein.

 Track Listing

Day’s End [4:55]

We Will Tell the Stories [3:46]

Goodnight Daddy [3:10]

Good to See You Again [5:09]

Above the Treetops [3:54]

A Room with a View [5:20]

Falling Up [4:53]

The Moon and Sun Dance [3:27]

A Prayer in the Darkness [4:05]

The Small Hours [3:40]

Trust [5:34]

Shame and Grace [4:23]

This Grief Lies Down Beside Me [4:36]

Nightwalk – Be Thou My Vision [5:28]

Daybreak [7:13]

Connect with Neil Patton:

Instagram: @neilpatton
Facebook: Neil Patton Music
Twitter: @NeilPattonMusic
YouTube: Neil Patton Music
Threads: @neilpatton

October 18, 2024 0 comments
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Music InterviewsMusic News

Interview: Lauren Tatyana – Choir Beginnings to R&B Success

by the partae October 18, 2024
written by the partae

How did you first get started in music, and what inspired you to pursue a career as a singer-songwriter?

Music has always been an integral part of my life, at times, more so than others, and I found myself always coming back to it. I’ve always had the goal to make a career out of doing what I love and that for me is music and the arts. At first it was scary, especially putting my lyrics, my inner-most thoughts, out there for the world. Then I realised that human-condition is so universal and the whole purpose of music is to share in these experiences; to realise you’re not going through it alone.

Collaborating with Melbourne DJ JPA has been a key part of your career. How did that partnership come about, and how has it influenced your musical style?

JPA reached out to me after he heard one of the covers I posted online and really liked the sound of my voice. He wanted me to feature on one of his upcoming tracks. A snowball of opportunities followed and I’m still just riding that wave. I don’t plan to get off anytime soon!

You’ve already had significant chart success with tracks like “Beautiful Liar” and “Hold Me.” What do you consider your biggest achievement in music so far?

One of them would’ve had to be when DJ Hernan Cattaneo played our song “Hold Me” at his set at Sunset Mendoza in Argentina. Watching thousands of people dance to the lyrics I wrote and sung was incredible. I also really loved shooting the film clip for my new song “Relapse”. I worked with an amazing film director (Freddy McHenry) and was able to combine my two loves- singing and acting to create something that feels unique to me (search “Lauren Tatyana-Relapse” on YouTube to watch). 

Your music blends R&B, Soul, and Jazz. How did you develop your unique sound, and what influences helped shape your artistry?

I come from a choir background, have always loved R&B and am inspired by many different genres which all inform my music. My biggest influences are Jorja Smith, Alicia Keys, Rihanna, Amy Winehouse and Lauryn Hill. I’m regularly told that my voice doesn’t match my body which I love and am happy to be unpredictable. In a world where it’s encouraged to fit in, music allows me to just be.

Can you tell us more about the inspiration behind your latest single, “Relapse”? What message or story were you aiming to convey through this track?

Relapse is a super fun song for me and I loved writing it. At it’s core, it’s about knowing you shouldn’t do something but wanting to anyway, which only makes it more appealing. This is a daily struggle for me haha.

The music video for “Relapse” promises to enhance the song’s narrative. How involved were you in the creative direction of the video, and what can fans expect from it?

I was very involved! We didn’t have a huge budget or creative team, so a lot of those decisions were up to me. It scared me at first but forced me to trust myself and my ideas. I worked with an amazing videographer and director- Freddy McHenry, who supported my vision and helped deliver the narrative in a way that captivated the audience. The video is colourful and lively, with throws to a 70s inspired wardrobe and backdrop at the beautiful Ovollo Hotel in South Yarra.

Looking ahead, what are your main goals for your career? Are there any specific milestones or collaborations you’re aiming to achieve? 

I’d love to do an international tour of all my own music. A collaboration with someone like Jorja Smith would also be amazing…or feature on Rihanna’s next album 😉

2024 is shaping up to be a big year for you, with a series of new releases planned. Can you give us a sneak peek into what we can expect from your upcoming music?

I’ve already started working on some awesome collaborations with international artists and currently play a lot of live music. I want to keep doing this but on a much larger scale. The last 12 months has been a lot about experimenting with my music, trialling different styles and genres and finding what resonates with me. The next few releases will hopefully tie this all together and produce a sound that that portrays the essence of Lauren Tatyana.

How has performing live in Melbourne’s prestigious venues influenced your growth as an artist, and do you have any upcoming shows or tours planned?

Performing so regularly has allowed me to trial my music with an audience and see what works and what doesn’t. It’s easy to get caught up in your own world when you’re creating something in a studio but performing live reminds me why I’m doing it. I have many upcoming shows! Best way is to go my website at www.laurentatyana.com for the full list.

As someone whose music has caught the attention of renowned DJs like Hernán Cattáneo, how do you balance creating music for both live performances and studio releases?

It’s busy! My weekends and evenings are usually filled with performances and then weekdays I’m often in the studio or rehearsing. The best part is when the two worlds combine and I get to hear what I’ve created in the studio performed live with a band. I’m so privileged to work with some amazing musicians who I trust to add their own flourishes and creative spin to the music so it’s fresh and has a different sound each time. And it makes it exciting for me!

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Music InterviewsMusic News

Interview: Veronica Fusaro on Digital Addiction in ‘Slot Machine’

by the partae October 18, 2024
written by the partae

Slot Machine is such a vivid portrayal of modern digital addiction. What was the inspiration behind this track, and how did you come up with the idea of comparing our phones to a slot machine?

The first and only time I heard the analogy of slot machines being compared to phones was while watching The Social Dilemma on Netflix. When you use a slot machine, you never know when you’ll hit the next jackpot. The same applies to scrolling on social media: you never know when the next funny or interesting post will appear. So, you keep scrolling, hoping for that next rewarding moment to pop up on your screen. That’s why it’s so addictive—our brains crave those brief hits of dopamine.

You’ve mentioned that Slot Machine signals a new creative chapter for you. How does this single differ from the music on your debut album All the Colors of the Sky?
This single marks the first time I started a record completely from scratch. With my debut album, All the Colors of the Sky, it was more of a collection of songs I had written over the years—some were as old as six years by the time they made it onto the album. But for this second album, I truly began with a blank canvas, I didn’t even have the colors and supplies ready. At the start, I struggled with writing, which led me to journaling—at least three pages a day. This process helped me organize my thoughts and figure out what I really wanted to say with this new chapter of my music.

The song has a jangly, upbeat vibe but deals with heavier themes like the emotional impact of constant digital consumption. How do you find the balance between light and dark elements in your music?
I just like to wrap sad/heavy emotions in colorful wrapping paper. It’s fun to me. Plus, the irony adds to the message of the song. I feel like it reflects the way we often mask deeper feelings in everyday life, especially in the digital world.

You worked with an international team for this single, including producer Kim Wennerstrøm from Berlin and mastering engineer Jonas W. Karlsson from Finland. How did this collaboration come about, and what was the creative process like?

I discovered Kim while listening to music on Spotify. I was listening to Good Girl Killer by Paula della Corte, and I loved the production. When I looked up who worked on the track, Kim’s name popped up. After checking out more of his work and seeing that he’d collaborated with some pretty successful artists, I assumed he might turn down the project or be out of my budget. But my manager, who’s also a big fan of the song, encouraged me to reach out anyway. We sent the track to Kim, and to my surprise, he really liked it—and the rest is history! 😊As for Jonas, Kim recommended him for mastering, and he did an amazing job!!

Your vocals on Slot Machine have drawn comparisons to artists like Avril Lavigne and Alabama Shakes. Who are your biggest musical influences, and how have they shaped your sound?

Thank you! I love both Avril Lavigne and Alabama Shakes! I think whatever music I listen to has an influence on me in some way. I’m a huge fan of the Motown era—I love the soul and energy that comes from it. Frank Ocean is another big influence, especially his storytelling and unique approach to production. And of course, I absolutely adore Amy Winehouse—her raw emotion and honesty in her music really resonate with me. There are so many more, Vasco Rossi, Djo, Sam Fender, Aretha Franklin…

You’ve performed at iconic venues like Glastonbury Festival and Montreux Jazz Festival. How do those experiences inform your approach to recording and performing new music?
Oh, I definitely make music with the thought in mind that I want to play these songs live. I love performing, and it adds a whole different layer to the way I approach music. It’s more of a gut feeling than anything else, but knowing that I’ll be sharing these songs on stage really influences the process.

In Slot Machine, you talk about feeling discontent despite the constant entertainment from our phones. How do you personally manage the pressures of staying connected in the digital age?

Sometimes I manage it better than other times. I try to put my phone away whenever I can, but it’s definitely challenging—especially since I need it for my job. Still, whenever I get some time off or when I’m hanging out with friends, I tuck it away to be present in the moment.

Your debut album All the Colors of the Sky reached #5 on the Swiss charts and gained significant attention internationally. How did that success shape your approach to creating new music for your upcoming second album?
To be honest, it didn’t really shape my approach. I’m in a very privileged position where I can make the music I truly want to create. The only real pressure comes from myself—I always want to grow and improve with each song I write.

You’ve shared that music allows you to communicate and process emotions that you might not express otherwise. How has songwriting helped you navigate life and your artistic journey?
I’m not always the best at expressing my emotions or how I feel in the moment, but music helps me a lot with that. Writing songs gives me the time and space to think through every line, which allows me to really process my thoughts and emotions. It’s like a way of understanding myself better.

With Slot Machine marking the beginning of your new project, what can we expect from your upcoming second album in 2025? Are there any exciting new directions you’re exploring?

I always find it hard to answer this question because I don’t want to set specific expectations for what people will hear on my upcoming album. I just want listeners to enjoy the music, take their time with the lyrics, and really immerse themselves in it. I think it’s fun music—music that I truly enjoy creating. I poured a lot of time and thought into it, obviously. In terms of gerne, rock has definitely had a stronger influence on this album, making it a bit more in-your-face overall. It’s more critical of the world and myself, but there are also very vulnerable, quiet moments. I think it’s best if you just give it a listen! 🙂

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Music News

MC4D Blends Folk, Country, Dance in ‘Be Here Now’

by the partae October 18, 2024
written by the partae

Twin Brother Duo MC4D Seamlessly Blends Folk, Country and Dance Music Into Catchy Folktronica Genre with Their New Single “Be Here With Me Now” with Łaszewo and gavn! Out Now as MC4D’s Self-Release

Artists: MC4D ft. Łaszewo and gavn!
Title: Be Here With Me Now
Label: Self-release

Download / Stream

With the rise of a new generation of folk and country music stars and the growing proliferation of dance music within younger demographics, MC4D has seamlessly stepped up to the challenge of blending these fast growing genres into their fresh “folktronica” sound. Reminiscent Of Monsters and Men‘s 2010s hits as well as Avicii‘s folk-leaning anthems “Wake Me Up” and “Hey Brother“, “Be Here With Me Now” begins with ethereal guitar melodies, setting the stage for an emotional male and female vocal duet complemented by organic instrumentation and gently undulating electronic production. With its melancholy chord progression, soulful indie-folk vocal performance, and powerful electronic beat, the song holds mass appeal for both country/folk and dance music fans. Leading up to MC4D‘s debut EP later this year, “Be Here With Me Now” will continue to build upon MC4D‘s recent single “Afterlife,” which is currently charting on the Viral 50 Spotify charts in several countries, as well as their viral folktronica remixes for Zach Bryan, Noah Kahan, and Shaboozey.

“‘Be Here With Me Now‘ epitomizes where we’re heading with our ‘folktronica‘ sound, and we couldn’t be luckier to have worked on it with gavn! and Łaszewo. They’re both so incredibly talented and helped us bring to life a truly unique song that is reminiscent of the Of Monsters and Men hits mixed with an upbeat and emotional electronic feel. We can’t think of another dance song like it that’s out right now, and we’re stoked for Be Here With Me Now to continue expanding the boundaries of how folk and dance music can be combined.” – MC4D

“‘Be Here With Me Now‘ is a great mix between emotional lyricism and energetic dance music. This one blurs the line between folk and electronic, existing in its own world of euphoria. The lyrics are deep, the melody’s catchy, and the production takes it to a whole new level. We loved working on this one with the homies.” – Łaszewo

“Life goes on and people get busy, but sometimes all we need is a person to sit down and exist with us in that given moment. This song could be directed at a prior love, a person that’s no longer her, etc. The world needs more connection in an age where we only exist digitally, and this song embodies the inner feeling of not wanting to be so alone.” – gavn!

MC4D

Best known for their signature blend of country, folk, and EDM, twin-brother duo MC4D has gained an avid and fast-growing fanbase for their uptempo ‘folktronica‘ self-releases in 2024, popular country-EDM Down Under Mix series (top-charting on SoundCloud U.S. dance charts) and related country remixes, which gained over 10M+ streams in the last year. The mixes & recent string of viral remixes of artists like Zach Bryan, Noah Kahan, and Shaboozey, have garnered tens of millions of views across socials, establishing them as a known social-media presence in the music scene. Additionally, the duo has released over 2 dozen official remixes for major artists like Flo Rida, Steve Aoki, Meghan Trainor, Two Friends, Wrabel and Kesha, amassing over 25M streams across platforms. Just having wrapped their 40-show coast-to-coast “Call It Fate Tour” in the first half of 2024 and in the midst of their 35 show ‘Two Lane Tour‘ this fall, the duo has become a sought-after live act for their unique sonic appeal and high energy live performances. Their 2024 tours have featured headline performances at notable clubs and venues across the country, as well as performances at major festivals such as Stagecoach, EDC Las Vegas, Summerfest, and Windy City Smokeout. With an upcoming debut EP to be released later in 2024 and major support tour to be announced for early 2025, MC4D is carving out a niche that fans can’t find anywhere else.

Łaszewo

In 2018, Łaszewo‘s Matthew Ehrlich, Keeva Bouley, and Justin De La Fuente came together in Santa Barbara, California under unexpected circumstances. When Justin overheard Keeva singing through her open apartment window, he immediately knocked on her door and the rest was history. Since then, they have continued to rise and grow into one of the most exciting and dynamic electronic pop acts. With the recent release of their debut album, In Color, Łaszewo is embarking on their largest headline tour yet spanning across North America, ŁASZEWO: LIVE IN COLOR. Łaszewo‘s two producer and female lead vocalist setup is unique to the electronic landscape, and the trio continues to make waves with their upbeat, melodic sound and euphoric live performances. Their diverse talent and charismatic stage presence continues to allow them to be a rising force in the electronic-pop scene and captivate audiences globally along the way.

gavn!

Gavin Maher is a baritone at heart born in Southern California but raised just outside Seattle, and defining his own lane in the PNW. He caught fire in early 2021 with a viral TikTok video of an unreleased song that hit 3 million views in the first 2 days and amassed a million streams on Spotify in the first 4 weeks following the release of “crazy“. Inspired by Jon Bellion, Lauv, and Frank Ocean, he discovered them during a pivotal moment in his life. Recent and close collaborators include Dominic Martinez, Evan Cline, David J, Cate Downey, Mike Robinson, Lauren LaRue, James Droll, Caroline Baker (carobae), Brett Truitt, Ethan Hallerman (EHALLZ), J. Scott, Jeremy Fedryk (Sarcastic Sounds), Danny Majic, John Spencer Jordan, Aidan Han, Nato Kitch & JustJake. Strengths include great vocals, incredible range, broad concepts, and honest lyricism. Gavin has an astounding comprehensive knowledge of musical theory, can self-produce guitar (“South Dakota“, “Bridges“), and engineers his own records. His 2nd EP, roots, was just released on 8 DEC 2023 with the lead track “vices” having seen coverage on several of Spotify’s New Music Friday playlists (USA #24, Bangladesh #49, Sri Lanka #42, Levant #19, Gulf #19, Sweden #53),  Pop Sauce (#75), Acoustic Pop (#21), and New Pop Picks (#14), & Deezer’s New Music Radar Weekly.

MC4D Upcoming Tour Dates:

Oct 19 – Charleston, SC – Share House
Oct 25 – Chicago, IL – Chop Shop
Oct 31 – Orlando, FL – PBR
Nov 02 – Miami, FL – LIV
Nov 09 – Phoenix, AZ – Sun Bar
Nov 10 – Miami, FL – Country Bay Festival
Nov 15 – Gainesville, FL – The Swamp
Nov 21 – San Francisco, CA – 1015 Folsom (w/ Łaszewo)
Nov 22 – Boston, MA – MGM Music Hall (w/ Loud Luxury)
Nov 23 – Vancouver, BC – Fortune Sound Club (w/ Łaszewo)
Dec 11 – Montreal, QC – Bar Le Ritz
Dec 12 – Toronto, ON – Velvet Underground

More info on MC4D / Łaszewo / gavn!:
 

MC4D: Facebook | Instagram | X | Spotify
Łaszewo: Facebook
 | Instagram | X | Spotify
gavn!: Facebook
 | Instagram | X | Spotify
October 18, 2024 0 comments
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Festival NewsMusic News

Olivia Rodrigo – Guts World Tour – 17 October 2024, Sydney

by the partae October 18, 2024
written by the partae

“Seeing you tonight? It’s a bad idea, right?”. The ‘Guts’ tour officially hits Sydney as the gen z’s very own punk rock princess Olivia Rodrigo explodes onto stage in a sparkling ensemble, opening the night with her hit single ‘Bad Idea Right?’ from her sophomore album ‘Guts’, a song that perfectly set the scene for the night with the five words “maybe I can fix him?”.

Since her hit single ‘Driver’s License’, Olivia’s life leapt from Disney stardom (starring in the hit series ‘High School Musical the Musical the Series’) to becoming the powerhouse pop icon she’s known as today. Her debut album ‘Sour’ instantly became a chart-topping success, dominating streaming platforms and garnering the hearts of millions worldwide. Her lyrical mix of teenage heartbreak and melodrama mixed with the hard hitting, distorted instrumentals instantly made her be known as a force to be reckoned with amongst the upcoming new artists of her generation, a sound that was seamlessly transitioned into her live performances. 

The night went on like a theatrical spectacle, with Olivia creating moments within each part of the night highlighted by dynamic set designs and carefully curated outfit changes. Songs like “Ballad of a Homeschooled Girl” and “Teenage Dream” offered us a rare glimpse into her own personal life, her super catchy and relatable lyrics echoing the room from the voices in the crowd. Lead single “Vampire” and “Making the Bed” gave us the signature Olivia ballads she’s known for while being backed by the absolutely gigantic wall of sound delivered from her band, while hard hitters “Pretty Isn’t Pretty” and “Traitor” showed us a more vulnerable side with themes that hit very close to home for a lot of the audience, seeing a piece of themselves in the sequin studded starlet.

Her set was broken into a mix of her upbeat and cheerful hits as well as some more intimate moments through her acoustic driven songs, with Olivia serenading the crowd through “Logical” and “Enough for You” sitting on the edge of the moon surrounded by a scene of stars. Her crowd engagement was next to none, the whole arena screaming in high pitch unison. Echoes of her lyrics bled through every seat, with “Déjà vu” and “Good 4 U” being personal standouts of the night, feet stomping and lungs running out of air as every person in the room (my posse and I very much included) yelled lyrics about revenge, heartbreak and longing so loud that by the end of the night, the only appropriate way to end the night was to look around and ask “Sydney, who hurt you?”

Olivia continues her performances at Qudos up until next Tuesday the 22nd of October – so on the chance that you luck out on Tixel, be sure to hit the glitter bar and be ready for a night full of beautifully chaotic catharsis.

Words: Ken Magno

Photography: Josh Ma

October 18, 2024 0 comments
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Music News

Peter Sterling Announces New Album ‘Heaven Sent’

by the partae October 17, 2024
written by the partae

Critically acclaimed New Age artist and harpist Peter Sterling is set to release his latest album, Heaven Sent, on November 29, 2024. Known for his transcendent compositions that fuse meditative melodies with spiritual depth, Sterling’s new album promises a journey of ethereal soundscapes that echo his signature style. Featuring harp, keyboards, Native flute, Tibetan bowls, and an ensemble of world-class musicians, Heaven Sent explores the power of music to uplift and heal.

About Peter Sterling:
Peter Sterling is a visionary artist whose music channels a deep connection to spiritual realms. His journey into music began with a series of mystical experiences in Sedona, Arizona, where he encountered angelic harmonies during meditative states. These divine experiences led Sterling to adopt the harp as his primary instrument, resulting in a prolific career with multiple #1 albums on international radio charts. Sterling’s music has been a staple on New Age platforms such as SiriusXM Spa, Pandora, and Spotify, earning him awards like the Hollywood Music in Media Award and COVR Visionary Music Awards.

Sterling’s 2021 album, Sanctuary of Light, won the Hollywood Music in Media Award for Best New Age Album. In 2022, his album The Winding Way received the Gold COVR Visionary Music Award for Best New Age Album. His latest album, Mystic Voyager, continued his success, earning accolades like Best Contemporary Instrumental Song at the Intercontinental Music Awards. Sterling is also known for his visual art and books, blending his passion for spirituality and creativity across multiple mediums.

In addition to his music, Sterling’s 2023 music video for “The Long Cold Winter” — a piece inspired by the war in Ukraine — has won several international film festival awards, including Best Music Video at the Los Angeles Cinematography Awards and the Swedish International Film Festival.

WEBSITE

October 17, 2024 0 comments
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Music News

APL.DE.AP AND !LLMIND COME TOGETHER FOR NEW SINGLE ‘NEVER’

by the partae October 17, 2024
written by the partae

SINGLE RELEASED OCTOBER 1ST, OFFICIAL START OF FILIPINO-AMERICAN HISTORY MONTH

As America begins its month-long celebration of Filipino-American history, two of the culture’s most celebrated musicians – Black Eyed Pea Apl.de.Ap and producer and songwriter !llmind – come together to drop sublime new hip-hop single ‘Never’.

A chilled out, loping hip-hop cut, ‘Never’ keeps it stripped back and simple, oozing easy confidence. Bouncing bass and relaxed piano lines give the single a summery vibe, a sweet top line drizzled across the top.

“I’m really excited about finally putting out Never,” Apl.de.Ap said. “It’s been amazing getting to work with a world class talent like !llmind. It’s a song I’ve performed a handful of times and I’m glad it’s coming out. I hope everyone enjoys it.”

A household name around the world and a revered icon in his home country, Apl.de.Ap is founding member of one of the world’s most successful hip-hop and pop bands. Dominating international charts with hits like Where Is The Love, Boom Boom Pow, I Gotta Feeling, Where Is The Love, Shut Up and countless more, he’s also been a global ambassador for Filipino arts, technology and business over the past three decades.

Having worked with the likes of Ariana Grande, Beyoncé, Jay-Z, Nicky Minaj, Fhuture, Khalid, Kanye West, Drake, Dr. Dre, Ludacris, 50 Cent and more, NYC-based !llmind is also an acclaimed artist in his own right. His 2004 remix of Jay-Z’s ‘Black Album’, The Black and Tan Album, received critical acclaim by a host of press including the New York Times, while Disney enlisted his talents to produce Moana’s outro song ‘You’re Welcome’ featuring Lin-Manuel Miranda and Jordan Fisher, and to work on The Hamilton Mixtape.

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Festival NewsMusic News

KNOTFEST AUSTRALIA 2025 – LINE-UP IS HERE!

by the partae October 17, 2024
written by the partae

KNOTFEST RETURNS TO AUSTRALIA IN 2025  IN MELBOURNE, BRISBANE & SYDNEY 

Slipknot 
A Day To Remember
BABYMETAL, Slaughter To Prevail, Polaris

Within Temptation, Enter Shikari, Hatebreed
In Hearts Wake, HEALTH, Miss May I, Vended, Sunami

Early Bird Pre-Sale On-Sale: Monday 21st October
9am local: 2024 Ticket Purchasers
10am local: Knotfest Premium Members (Join https://knot1.co/Premium)
11am local time: Sign Up For Early Bird knotfest.com/australia

General On-Sale: 3pm local time, Wednesday 23rd October
From Knotfest.com/Australia

Exclusive VIP Packages Available
Packages Include A Backstage Tour And Side Stage Viewing

 

KNOTFEST, the destination festival brand curated by SLIPKNOT, returns to Australia in 2025.

The music and counterculture experience will hit the East coast of Australia starting on Friday, February 28th at Flemington Racecourse in Melbourne, then heads to Brisbane on Sunday, March 2nd at Brisbane Showground before wrapping up in Sydney on Saturday, March 8th at Centennial Park.

Headlined by SLIPKNOT, the 2025 festival line-up also includes A DAY TO REMEMBER, BABYMETAL, SLAUGHTER TO PREVAIL, POLARIS, WITHIN TEMPTATION, ENTER SHIKARI, HATEBREED, IN HEARTS WAKE, HEALTH, MISS MAY I, VENDED and SUNAMI.

Following their monumental performances launching Australia’s first ever KNOTFEST in 2023, SLIPKNOT will return down under in 2025 to headline proceedings for this not-to-be-missed rock and heavy music festival.

As always, attendees can expect a performance unlike any other, from a band who only get more thrilling, exciting and cathartic as time goes on. Having released a new record in 2022, The End, So Far (crowned at #1 on the ARIA Albums Chart; their fourth consecutive album to do so), SLIPKNOT refuse to rest on past glories and continue to innovate, with fan favourites including as many new songs as older. Between enduring fan-revered singles like Duality, Psychosocial and Wait and Bleed, as well as deeper cuts and newer material over the years, SLIPKNOT’s drive and creativity bleeds through their jaw-dropping live performances.

In 2012, the journey to creating a platform of their own in KNOTFEST, was born out of SLIPKNOT’s dedication to creating a memorable live experience for audiences around the world. Headline slots at some of the world’s biggest festivals including Download, Wacken, Rock In Rio, Hellfest and more perfectly set SLIPKNOT up with the ambition to take things further; building their own festival that not only championed new waves of incredible talent, but enshrined their own status as one of the best bands to do it.”

No strangers to Australian shores, Florida-hailing quartet A DAY TO REMEMBER head to Australia for the first time since 2019. Wielding an irresistible melting pot of metalcore, pop-punk and post-hardcore, A DAY TO REMEMBER have remained one of the most versatile and vigorous acts to emerge from the early 2000s, with the group remaining an active force from the halcyon days of Myspace and physical media through to the modern era of TikTok and streaming. In command of hundreds of millions of Spotify streams and YouTube views, seven studio albums, including two certified Gold records, entirely sold out tours in their wake, and their own curated Self Help Festival.

Electrifying purveyors of kawaii metal, BABYMETAL, will bring their kaleidoscopic infusion of J-pop-meets-heavy-metal wizardry. BABYMETAL have taken the heavy world by storm since first forming in 2010. Between their exclusive global fanbase, THE ONE, ongoing chart success, including the rare feat as becoming the first Asian act to storm to the top of the Billboard Rock Albums chart, avant-garde creative aesthetics and direction, and a legion of celebrity fans, including Corey Taylor, Rob Zombie, Metallica, Deftones and Limp Bizkit, BABYMETAL unleashed their fourth studio album The Other One in 2023 and sold out their first Australian headline tour in 2023. The group also recently teamed up with German metal partystarters Electric Callboy on the hyper and heaving track RATATATA.

After obliterating Aussie crowds with their debut Australian performance as part of Good Things Festival in 2023, Russian deathcore behemoths SLAUGHTER TO PREVAIL led by the formidable frontman, Alex Terrible, bring a ferocious blend of deathcore and blackened metal sonic onslaught that leaves no survivors. Their relentless pursuit of metal domination has led them to conquer stages across the globe, and their relentless dedication to their craft and their unwavering stance against violence, they have the ability to captivate audiences with their brutal yet melodic compositions.

Earning a reputation as one of the most formidable Australian heavy bands of their generation, Sydney’s POLARIS weld a gripping blend of melodic metalcore, electronica, lush post rock and heartfelt lyricism, with their most recent album, 2023’s Fatalism, earning the group their first ever #1 ARIA Albums Chart debut, winning AIR’s Best Independent Heavy Album award as well as securing their third ARIA Music Award nomination following nods for 2017’s The Mortal Coil and 2020’s The Death of Me. Along with their laundry list of accolades are sold-out headline tours of Australia and tours across the globe as well as appearing at multiple international festivals.

Pioneers of dark and anthemic music, WITHIN TEMPTATION, has captivated audiences for over 20 years and the Dutch powerhouse modern rockers will head to Australia for the very first time in 2025. Their career spans eight studio albums, over four million records sold and dominating the Billboard Mainstream Rock Charts, WITHIN TEMPTATION are renowned for their powerful live performances.

British rockers ENTER SHIKARI exploded onto the scene in 2023 and their 2007 debut album Take to the Skies generated significant chart success and certified Gold status. A band who wield an exhilarating amalgamation of alt rock, and electronica along with drum and bass, dubstep and beyond, ENTER SHIKARI also delve into societal and personal themes, seen most recently on 2023’s A Kiss for the Whole World, which debuted #1 on the UK album charts. They have garnered multiple award wins and nominations over the years, including for their unforgettable onstage prowess.

American heavy metal hardcore icons HATEBREED are set to detonate their monstrous live show down under, celebrating 30 years as a band. Commemorating three decades in existence that has spanned eight studio albums, multiple Billboard 200 appearances and global fanbase, HATEBREED are also primed to salute their seminal sophomore album, 2002’s Perseverance, with Australian audiences. Perseverance paved the way for the fusion of hardcore and metal and received worldwide recognition hailing HATEBREED as forefronts of the genre.

Hailing from Byron Bay, Australian metalcore giants, IN HEARTS WAKE, are fresh off the release of their sixth studio album, Incarnation and national Australian headline tour. IN HEARTS WAKE fuse themes of social and environmental justice into their palpitating brand of metalcore, with millions of streams and a dedicated fanbase across the globe flourishing alongside the band’s environmental endeavours.

Adding to the brutality is Los Angeles industrial cult-faves HEALTH following their entirely sold out down under headline run earlier this year. An addictive and transcendent force to be reckoned with, HEALTH’s industrial-cum metal wiles lurch under your skin while balancing nihilism and mesmerising textures, witnessed most vividly on their 2023 full length album RAT WARS. All the way from Ohio, metal mavericks MISS MAY I will lend their trademark sonic fury to the KNOTFEST experience, following the recent unveiling of their entirely re-recorded 15th anniversary version of their beloved 2009 debut album Apologies Are for the Weak.

Hailing from Des Moines, Iowa, VENDED has been pushing the limits of combustible energy and raw aggression since their 2018 inception. Their bold, honest, passionate take on heavy music raises the flag for a new generation. Revolver heralded them as one of 10 Bands Leading the New Wave of Nü-Metal and they have shared stages supporting Bring Me The Horizon, Avenged Sevenfold, Korn, and Knocked Loose and headliners/festivals in North America, Europe and South America.

San Fran bay area hardcore group SUNAMI formed in 2019. Originally intended as a short-lived joke band however after gaining notoriety for their violent debut live performance, the band continued past their planned time frame with the release of three EP’s and their self-titled debut album in 2023. Revolver credited them as “in the upper echelon of bands dominating the hardcore zeitgeist.”

KNOTFEST Australia 2025 will see the elevated return of the fan-favourite KNOTFEST MUSEUM. The enhanced museum will unveil iconic items throughout SLIPKNOT’s 25 year defining career including new activations, photo op, and more that immerse you into SLIPKNOT history/lore. This can’t miss event will bring the globally loved attraction back to Australia. As this event sold out last time, tickets are strictly limited in each city.

Early bird pre-sale tickets are on sale at 11am local time on Monday 21st October here and general public tickets go on sale at 3pm local time on Wednesday 23rd October here.

KNOTFEST AUSTRALIA 2025
DATES AND VENUES:

Friday 28 February 2025 – Flemington Racecourse, Melbourne
Sunday 2 March 2025 – Brisbane Showground, Brisbane
Saturday 8 March 2025 – Centennial Park, Sydney

Stay up to date on all things KNOTFEST over at https://knotfest.com/australia/ and by following on socials.

Find KNOTFEST AUSTRALIA Online
https://knotfest.com/australia/

FACEBOOK | X | INSTAGRAM | TIKTOK

 

October 17, 2024 0 comments
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Music InterviewsMusic News

Interview – Heritage and Hip Hop: Spitty’s Global Journey

by the partae October 17, 2024
written by the partae

Your new album Motherland draws heavily from your heritage. What inspired you to create such a culturally rich and personal project?

It’s something I’ve been dipping my toes into for years. I always loved hearing Indian samples in hip hop growing up, and was ecstatic when I found out the rap scene was emerging in India. The Indian/Desi hip hop scene has grown immensely over the past decade, and so it was the perfect time for me to create a project that blends the worlds I grew up within. For me, it was a natural progression in my career. My first album was focused on showcasing my skills as a rapper who can speak on deep topics. This album was about more than just myself.

How did the collaboration process with artists from Canada, India, and the US come together for this album? Were there any challenges blending different cultural influences?

These are the countries that I’ve grown up within. I’m of Indian descent, born in the US, and grew up in Canada. Because of that, I’ve naturally focused my attention on these markets and have grown there the most. Through that, I’ve built connections, and collaborating with all of these artists came very organically. I honestly didn’t find any challenges either because each song was crafted very intentionally. Everyone fit in and added to the song they were on in a beautiful way.

The track “Mom” offers a personal glimpse into your relationship with your mother. What was the inspiration behind writing such an intimate song, and how has she influenced your music career?

When I reference my music career I usually speak on when I first discovered hip hop back in elementary school. But, my initial love for music was probably instilled through my mom. She’s always listening and singing along to music while cooking, cleaning, and doing all sorts of other work, and it’s been that way since I was born. That joy of music was passed down to me, along with that hard work ethic, and I carry both in everything I do.

“Rodeo” marks your first official Punjabi collaboration. How important is it for you to blend South Asian music with modern hip hop, and what was it like working with Yuvy and Roze?

That’s what this album is really all about, so it was fun to finally make one. I’m not Punjabi, but I grew up in Brampton which has a heavy Punjabi population. I’ve definitely been influenced by the culture, and so this song was pretty seamless to create. Roze had already connected Yuvy and had the demo, and then we restructured it out, added my verses, recorded it all and polished it up. One thing Roze did do that was great was translate the lyrics for me which really helped keep everything I was saying in theme with him as well.

You’ve been gaining attention both in Canada and India, especially after going viral on Instagram. How has that international recognition impacted your career and approach to music?

Seeing who is paying attention lets me know who I need to be targeting and focused on. I already went to India for 2 months last year to tap into the scene out there. Now I know for sure I’m heading in the right direction, and am working to continue growing both markets.

As a Brampton Artist Ambassador, you’re deeply involved in your local community. How do you balance your music career with your community leadership roles, and why is it so important to give back?

They’re intertwined for me. I’ve had many big wins in my career through my involvement with the city of Brampton, and in return I continue to push Brampton in a positive light, working to change the narrative around our city. There is incredible talent in Brampton, and I want to create opportunities for the people that don’t always have them.

Your previous album Full Circle was praised by Rolling Stone India and Much Music Canada. How has your music evolved since then, and what new themes or sounds did you want to explore with Motherland?

I’ve performed over 100 times since then, and that’s really allowed me to see how new audiences react to my music, especially with what is working and what isn’t. My sound is much more evolved and polished now, while still holding true to my original values and goals as a music artist. Motherland also is heavily South Asian influenced, and while Full Circle had some of that, this album really crafts out a unique Spitty sound that maybe didn’t exist before.

With Motherland, you’ve incorporated a lot of diverse sounds and collaborations. Is there a particular track that stands out to you or was especially meaningful to create?

Every song was honestly made with its own intention and to live in its own space. Each song is a different vibe for that very reason. I didn’t want the songs to compete with each other. But if I had to pick one that was meaningful to create, it was definitely the final song, Mom. That’s a personal song, and there are no features or crazy heavy production to hide behind. But, the response has been unreal on that song, and that truly hits home.

You’ve been hosting open mic events and giving motivational speeches at schools. How do these experiences shape your music, and what messages do you hope to leave with the next generation of artists?

It reminds me what and who I started making for. I was in high school when I started making music, with the hopes to motivate and inspire people around my age. So now that I’m older, I’ve realized I am the role model that I wanted when I was young. There’s probably kids looking up to me from all around the world. And I want to show them what’s really possible through hard work, perseverance, and positive intentions.

Looking ahead, what can fans expect from you in the near future? Are there any upcoming projects or collaborations we should be excited about?

Right now I’m focused on pushing this album because I see big potential with it. I’m doing my headline show in Toronto on October 25 at Drake Underground, and am planning further shows after that. 2025 I’ll be back with some big tunes though. I want to give this album the shine it deserves, and then keep that momentum going for a global 2025 takeover.

Spitty headline show in Toronto at The Drake Underground on October 25th

Instagram: @spitty95
Twitter: @Spitty_
Facebook: @Spitty95

October 17, 2024 0 comments
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Music News

MARCUS WYNWOOD returns with genre-bending EP

by the partae October 17, 2024
written by the partae

MARCUS WYNWOOD returns with genre-bending EP 

‘NEVER STOOD OUT AND NEVER FIT IN’

 

Photo by Hayley Wynwood

 

Tasmanian singer/songwriter Marcus Wynwood has today returned with his 3rd EP ‘Never Stood Out And Never Fit In’; a self-produced collection of 7 sonically diverse tracks, delving into everything from delicate folk to fuzzed out, garage punk. 

 

From the opening chords of the atmospheric, acoustic ballad ‘Never Left The Ground’, its immediately evident that ‘Never Stood Out and Never Fit In’ will be drawing on many different genres throughout it’s runtime- as per usual, for the Tassie troubadour. The EP isn’t completely missing the angsty punk Wynwood has become known for (with tracks such as ‘White Boy’ showcasing Marcus at his riff-heavy, blistering best);  but tracks such as ‘Cabbage’ (a gentle, swaying folk tune featuring harpist Emily Sanzaro), and ‘Disjointed Digitalised’ (a chaotic, eerie sample-filled soundscape) showcase Wynwood’s willingness to dive into different styles headfirst, whilst still holding firmly on to his own musical identity.  

 

Thematically, the EP matches the diversity of sounds through its lyrical content – celebrating individuality and refusing to stick to the norm. 

 

“This EP is a bit of a mix of styles and ideas, but I feel like it comes together to create a coherent piece of work. The title “Never Stood Out and Never Fit In” describes how a lot of people feel about life sometimes. Too weird to be popular and not cool enough to hang with the cool kids. This idea could describe the tracks on this release!” MARCUS WYNWOOD

 

Mixed and recorded by Marcus in his hometown of Penguin, the EP was mastered by Grammy award-winning engineer  William Bowden (Gotye, Living End, Kylie Minogue) in Launceston, Tasmania. Featuring 3 different collaborations throughout the EP, ‘Never Stood Out And Never Fit In’ see’s Wynwood bringing in many different textual elements of the EP, whether that be through different instrumentation or analog production techniques. 

 

“This was a fun record to make. I got to collaborate with some of my favorite musicians such as Andrew Sulzberger of The Bad Dad Orchestra, Sheyana Wijesingha of the The Sheyana Band, and the amazing Emily Sanzaro who is a prominent Australian harpist who played on the track “Cabbage”. For that track I was going for Massive Attack or Radiohead style ambient weirdness, and she absolutely nailed it. There are tracks that use homemade tape loops I created on my old 4-track tape recorder. 

 

I spent hours with a razor blade and sticky tape creating the right length tape loop to get the sounds I was after. Other songs were mixed down to a 1970s reel-to-reel tape machine and then recorded back to the computer after messing with the tape speed. I really enjoy the whole songwriting and production process, especially experimenting with old and new technology.” MARCUS WYNWOOD

 

Originally a member of punk band Captives, Marcus has played with huge names throughout his career; such as Ian Moss, Shihad, The Damned, COG, Tumbleweed, 28 Days and The Sweet; and has played at festivals such as Falls Festival, Party In the Paddock and Macadam Festival (Quebec, Canada). He has had strong radio support from the likes of Triple M and Triple j over the years, and praise from tastemakers such as The AU Review, Hysteria and Happy Mag along the way. 

The next festival appearance for Marcus will be in early January 2025, when he joins the likes of Alex Lahey, Jack River and Josh Pyke at Good Gumnuts festival in Romaine, Tasmania.

PLAY/LISTEN

 

UPCOMING SHOWS

TICKETS

 

Saturday October 19 Penguin Beer Co Penguin TAS 

Saturday January 4-5 Good Gumnuts Festival Romaine TAS

 

PRAISE

 

“The EP is a collection of six songs featuring honest and artful songwriting, incredible guitars and precision production. These tunes have a ferocity and tautness, which skillfully convey all the feelings of growing and maturing, with passionate melodies and blistering guitars.”

THE AU REVIEW on ‘KILLERBITES’

 

“It’s layered vocal delivery, absolutely epic guitar work and fast paced vibe showcase Wynwood’s talent as a top shelf songwriter.” 

AAA BACKSTAGE

 

“Drenched in fiery vocals and razor sharp guitars, Simulation finds Wynward at his most cathartically aggressive, delivering an existential manifesto on quarrels of modern life.”

HAPPY MAG

 

“The songwriting is just so good, he’s turning into quite the songwriter.”

TRIPLE M 

 

“Certified Banger! One helluva heavy-hitter.” 

HYSTERIA MAG

 

‘Never Stood Out And Never Fit In’ is out October 17th 

Marcus Wynwood: Official Website | triple j Unearthed | Facebook | Instagram | YouTube

 

 

October 17, 2024 0 comments
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Festival NewsMusic News

Spilt Milk House Party – Nov 16th – 24th, 2024

by the partae October 15, 2024
written by the partae

This year, Spilt Milk is shaking things up by moving away from its traditional mega music festival format to introduce the more intimate Spilt Milk House Party. After canceling its long-standing festival in July 2024, the team is excited to present a curated lineup of talented artists set to perform across three states.

Headlining the event is Australia’s pop sensation Troye Sivan, who has been making waves with his latest hits, including “Rush” and “Got Me Started” from his album Something to Give Each Other. Fresh off his tour with Charli XCX, Sivan is hotter than ever.

Joining him on stage is the British indie-pop sensation Glass Animals, known for their chart-topping track “Heat Waves.” The band, who topped the Hottest 100 in 2020, shares a unique bond with Australia, as frontman Dave Bayley humorously revealed he even got a tattoo of the country on his body.

G Flip, the Melbourne-born artist who transitioned from drummer to singer and reality star, will also take the stage with fan favorites like “The Worst Person Alive” and “Be Your Man.” Adding to the lineup is UK artist Artemas, who has captivated audiences with his viral TikTok hits “i like the way you kiss me” and “if u think i’m pretty.” Additionally, Sycco, a talented First Nations singer-songwriter, will perform her hit “Dribble” along with tracks from her new album Zorb, a psychedelic pop offering.

TICKETS

Event Dates & Locations:

Perth: November 16 & 17 – Kings Park & Botanic Garden

Gold Coast: November 23 – Broadwater Parklands

Newcastle: November 24 – Newcastle Entertainment Centre

https://spilt-milk.com.au/

October 15, 2024 0 comments
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Festival NewsMusic News

Pearl Jam Aus Tour – Support Acts Announced

by the partae October 15, 2024
written by the partae
Pearl Jam Reveals Local Opening Acts for Anticipated Australian & New Zealand Tour

With the excitement building for Pearl Jam’s much-anticipated comeback in Australia, the legendary Seattle band has announced the local acts that will join them for their 2024 Dark Matter tour. In addition to Pearl Jam and special guests Pixies, the lineup features singer-songwriter Liam Finn, the rising rock band Teen Jesus And The Jean Teasers, and the iconic punk group Cosmic Psychos.

Liam Finn, now a full member of Crowded House, will open the Auckland shows on November 8 and 10 as part of their upcoming album Gravity Stairs.

Teen Jesus And The Jean Teasers will perform at the Gold Coast on November 13, followed by shows in Melbourne on November 18 and Sydney on November 23.

Cosmic Psychos will support the stadium shows in Melbourne on November 16 and Sydney on November 21.

The excitement was palpable when Teen Jesus And The Jean Teasers shared their thoughts on social media, declaring, “Get fucked, it doesn’t get more Eddie Vedder than this. See you in Gold Coast, Melbourne, and Sydney!”

This tour marks Pearl Jam’s first visit to Australia in ten years, following their last appearance at the Big Day Out in 2014. They are on the road to promote their 12th studio album, Dark Matter, which Mojo praised for its vibrant sound, likening it to “hitting like a triple espresso.”

Be sure to check out the complete itinerary for Pearl Jam’s Dark Matter World Tour, featuring Pixies, Liam Finn, Teen Jesus And The Jean Teasers, and Cosmic Psychos. Limited tickets are still available through Live Nation.

Pearl Jam Dark Matter World Tour Australia & New Zealand Schedule

Featuring special guests: Pixies, Liam Finn, Teen Jesus And The Jean Teasers+, and Cosmic Psychos#

Friday, November 8 – Go Media Stadium, Mt Smart*

Sunday, November 10 – Go Media Stadium, Mt Smart*

Wednesday, November 13 – People First Stadium, Gold Coast+

Saturday, November 16 – Marvel Stadium, Melbourne#

Monday, November 18 – Marvel Stadium, Melbourne+

Thursday, November 21 – Engie Stadium, Sydney#

Saturday, November 23 – Engie Stadium, Sydney+

 Tickets At Live Nation

October 15, 2024 0 comments
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Music News

Strictly Live Launches DIY Band Management Toolkit

by the partae October 15, 2024
written by the partae

Taking Control: Strictly Live’s DIY Band Management Toolkit Empowers Independent Aussie Artists

In an industry where independent artists are rising to prominence more than ever, Strictly Live, a Melbourne-based music agency, is launching a DIY Band Management Toolkit that promises to change the game for emerging bands. Spearheaded by Hayleigh Grima, Strictly Live has quickly become a household name in the local music scene, known for its artist-first approach to management, event curation, and PR strategies. Now, with the release of the DIY Band Management Toolkit, they’re taking it a step further by empowering artists to manage their own careers.

Why the Toolkit Matters

For many independent musicians, navigating the complexities of the music industry can be overwhelming. From registering their band as a business, securing bookings, managing press, and building a brand, there are countless tasks to juggle. Typically, artists would need a manager to handle these aspects, but not every band is ready to give up a percentage of their income or creative control. Enter Strictly Live’s DIY Toolkit—a comprehensive, step-by-step guide that demystifies the process and hands over the reins to the artists themselves.

With the DIY model thriving thanks to platforms like Spotify and Instagram, Strictly Live is addressing a need within the music community for resources that allow artists to take control. The toolkit includes 14 in-depth guides and 9 templates and checklists, covering everything from business setup to branding and PR, touring and gig planning, and even merch design and pricing. This is about helping bands build sustainable careers, one step at a time.

Inside the Toolkit

So, what exactly can artists expect from the toolkit? It’s a comprehensive, user-friendly resource designed to walk musicians through key areas that managers typically handle. Here’s what’s included:

• Setting Up as a Business: From APRA AMCOS registration to structuring royalties, bands learn how to get their business affairs in order.

• Branding & Social Media: Craft a brand that connects with your audience and learn how to master social platforms like Instagram and TikTok.

• Press & PR Mastery: Write press releases, pitch to media outlets, and secure airtime on radio stations like Triple J.

• Touring & Gigs: Plan and book your own tours, including how to build connections with venues and promoters, and how to market your gigs.

• Merchandising: Design, price, and sell your own merch—plus tips on third-party fulfilment services.

Each section is packed with industry insights and actionable advice, ensuring that musicians walk away with the tools they need to thrive in the ever-competitive music landscape.

A Mission to Empower Artists

Founded in October 2023, Strictly Live has grown from a grassroots agency to a key player in the Melbourne music scene. Hayleigh’s mission has always been clear: empower artists to take control of their careers while staying true to their artistic identity. “It’s not about changing who you are as an artist,” says Hayleigh. “It’s about helping you put together the pieces so that you can drive your own career forward.”

Having already worked with Melbourne acts like The Valiants and Charlie Wilde, and curating successful events like the Battle of the Bands, Strictly Live has earned its reputation as an artist-first agency. With the DIY Band Management Toolkit, they’re expanding that impact by providing a resource that can help musicians not just in Melbourne, but across Australia and beyond.

What’s Next for Strictly Live?

With the toolkit set to launch on October 15th, Strictly Live has big plans for the future. Hayleigh envisions this toolkit as just the beginning. “We want to make this toolkit accessible to as many artists as possible, and eventually expand into educational workshops and speaking engagements,” she says.

For now, though, the focus is on empowering as many bands as possible with the tools they need to build long-lasting, independent careers in music.

Get Your Hands on the Toolkit

Artists interested in the DIY Band Management Toolkit can sign up for early access ahead of the official launch. Whether you’re just starting out or looking to elevate your band’s success, this toolkit is an essential resource to help you take the next step.

For more information, visit Strictly Live or follow them on Instagram for updates.

October 15, 2024 0 comments
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Festival NewsMusic News

BEN ABRAHAM announces Christmas shows in SYDNEY & MELBOURNE – December 2024

by the partae October 15, 2024
written by the partae

Presale tickets available now

Frontier Touring is proud to present award-winning Melbourne-raised, Los Angeles-based singer/songwriter Ben Abraham, returning home this December for two exclusive headline shows in Sydney and Melbourne: Ben Abraham’s Christmas Special.

Joined by special guests on stage, fans can catch the in-demand songwriter performing at the Metro Theatre, Sydney, on Wednesday 18 December and Forum Melbourne on Friday 20 December with a captivating two and a half hour show.

Renowned for his talent for pairing profoundly personal lyrics with soulful and cinematic indie folk with electronic flourishes, as heard on tracks such as ‘Never Been Better’, ‘If I Didn’t Love You’, ‘This Is On Me – ft. Sara Bareilles’ and more, Ben’s annual Christmas shows are not to be missed. Starting the night with his full band performing original music, fans can expect an indie ‘carols by candlelight’ second set featuring a few special guests (past alumni including the likes of Vance Joy and Gotye).

Tickets will go on sale Wednesday 16 October (12pm AEDT) via frontiertouring.com/benabraham. Frontier Members can get early access via the Frontier Presale, which starts today: Monday 14 October (11am AEDT) – see website for details.

WATCH: Ben Abraham – “Never Been Better (Walk + Sing with Lily James)”

After years of working as a songwriter for other artists – including co-writing Kesha’s double-platinum, GRAMMY nominated smash hit ‘Praying’ – Abraham released his sophomore album, Friendly Fire, in 2022. Labelled “spectacular” by website Essentially Pop, the record captured Abraham’s journey of losing faith after a painful breakup. 2024 has been a year of new beginnings: newly independent, Ben is excited to be releasing new music… some of which fans may get to hear at these special shows.

Don’t miss the one and only Ben Abraham, when he returns home to Melbourne and Sydney this December!


BEN ABRAHAM
​DECEMBER 2024
​
Presented by Frontier Touring

FRONTIER MEMBER PRESALE
​
via frontiertouring.com/benabraham
​
Runs 24 hours from: Monday 14 October (11am AEDT)
​
or until presale allocation exhausted

TICKETS ON SALE
​
Begins: Wednesday 16 October (12pm AEDT)


Wednesday 18 December
​Metro Theatre, Sydney, NSW
​
18+
​
ticketek.com.au

Friday 20 December
​Forum, Melbourne, VIC
​
16+
​
ticketek.com.au


Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

FOLLOW BEN ABRAHAM:

Website | Facebook | Instagram | X | TikTok | YouTube | Spotify | Apple Music

 

October 15, 2024 0 comments
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Music InterviewsMusic News

Interview: Flashmob’s Sundown: Freedom, Tension, and Evolution

by the partae October 11, 2024
written by the partae

“Sundown” is described as a growling epic that merges deeper and melodic sides of electronic music. How do you approach blending contrasting sonic elements to create a cohesive yet dynamic track?

The approach I had on the whole album and specifically on Sundown was one that would allow me to feel free in putting together what I see that’s interesting in today’s scene, with all its colors and musical influences, without having to be as specific as I usually am when working on my signature sound.

For example, around 2000, I started buying my first MAW Records vinyls and really fell in love with the eclectic approach they had in putting together different but coherent styles of house music from various parts of America and Latin America. I really had the feeling they were free to do what they wanted; in modern days, the constriction of having to be very specific with one’s brand is a limitation at times, especially if you want to do an independent album. An album is an escape from those boundaries, and the fact it was written during Covid – a time when we didn’t know how long we would all be off the road for – helped me find that necessary freedom even more.

You mention that “Sundown” carries a message of hope and unity. What specific emotions or themes were you channeling during the production of this track?

Exactly! The realization that even if we are who we are, and we do what we do in life, we are always free to turn around and just say no or do things in a different way than expected. I was realizing whilst writing Sundown about how constrained I was in my loop with all the expectations; the level of intensive touring before Covid was out of control for me and took me to places I never want to visit again! During Covid, many of these themes emerged and many peers of mine started talking about these problems too, so I really felt hope in seeing the possibility of changing my future in a more controlled way of living, both in and out of music.

The creation of “Sundown” was born out of the stillness of the Covid pandemic. How did this period of enforced reflection influence the sound and direction of the entire album?

Stillness allowed me to think out of the box, out of my usual musical comfort zone, and to listen to music with plenty of time and attention. Not being in the usual frenetic loop that comes with touring – when sleep-deprived, one’s attention is much lower. It’s so different to be able to sit with music at home with all the time in the world like I did during Covid, being able to actually listen with great attention. I had forgotten how that felt, and I took great advantage of it to study and improve myself as a human, as a producer, and as a DJ. I felt that freedom more and more as time went by, and it was the key element that set the tone for the album. It gave me the confidence to merge and find new sweet spots between genres that I’d never reached before.

With “Sundown” being both a melodic track and a banger, what role does tension play in your music, and how do you balance it with moments of release and freedom?

Tension is essential for me in making music; it’s an erotic tension that if absent is a total turn off for me – both in writing tracks or playing them in a set. Sundown is full of passion and love and especially tension; the feeling of hope, of being able to start again, is at the core of this track. I rarely love a track of mine this much, but the meaning and feeling of this one makes me say with no doubt it’s one of my most significant Flashmob tracks.

You’ve spent over a decade in the electronic music industry. How does “Sundown” and the broader album reflect your evolution as an artist over the years?

It reflects my growth as a human first of all; I believe art is a mirror of whom we are inside, so the artistic growth is often a consequence of a personal one – at least in my case. I’ve dedicated lots of time to my family in these last few years, and now that my kids are older, I really wanted to get back on this horse with much more freedom. From the outside, people only see the success part, but many aspects of it are not perceived. I’ll tell you one thing: from the inside, real success is when you can live what’s actually happening in your life, and find the right balance in what is important to you. Having the luxury to control your time and use it only for what is vital for you. That’s something I didn’t have before Covid.

In that sense, I have evolved both as Sandro and as Flashmob.

You describe this album as an expression of breaking away from the competitive aspect of music. How has this shift in mindset affected your creative process and the music you produce?

I feel as if I am myself now. I’m not chasing anything anymore. And the funny thing is that I’ve started going back to what I used to love when I started. Music has become a medicine for me, and I’ve stopped making it a business-oriented tool; sure, business is there, but I have found my balance for what I really want to do whilst respecting my brand. The mental approach has changed completely for me, so I am much happier writing songs these days!

Given that “Sundown” was created without the constraints of genres or deadlines, how did that freedom impact the overall tone and experimentation within the album?

My wisdom was to put together all the things I love in electronic music in one single body of work, and I am happy and proud of what I did. There is my core raw house signature sound mixed with more melodic and percussive sounds that are totally new to me. Some tracks are also more radio-oriented or experimental club tracks that don’t really belong to an era or a particular genre, but that are just trying to be timeless. All of this I did imagining how I will feel about this music in ten years.

The primal energy and escapism in dance music are central to “Sundown.” How do you think this track connects with listeners on an emotional or even spiritual level?

I’ve played it and I’ve seen the reaction on people’s faces. But to be honest, I prefer the audience to comment on this – I know it’s coming from the right place, and so I am really sure it will end up generating the right emotions.

In your own words, “Sundown” represents your love for life and electronic music. What specific life experiences or moments during the album’s two-year creation process had the most significant influence on its sound?

The realization that there is no particular correct way of doing things – one can feel free to do as one wishes. We are free human beings with emotions and faults. I’ve lost the pressure of being judged. I had the time to realize better who I’ve become after twelve years of intensive touring (that translates to approximately nine hundred gigs around the world). Being able to sit in my garden for months in total silence in front of a fire with no plane to catch or deadline to meet changed my mindset and made me think of what life really means for me – what I want and how I intend to live the next ten years in this beautiful adventure called music.

“Sundown” seems to be a personal project that defies commercial expectations. How do you hope listeners will engage with the album, and what lasting message do you want them to take away from it?

I hope it will make them smile and maybe even cry. I really hope my album can help someone as much as making it has helped me. Thank you.


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