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Interview : Inside It’s Coming on Christmas – Jules Reflects on Grief,...

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Monthly Archives

May 2024

R3HAB and Da Tweekaz Officially Release on Tomorrowland Music
Music News

R3HAB and Da Tweekaz Officially Release on Tomorrowland Music

by the partae May 24, 2024
written by the partae

Artists: R3HAB, Da Tweekaz
Title: My Girl
Label: Tomorrowland Music

Download / Stream

Multi-platinum DJ and producer R3HAB and famed Norwegian hardstyle duo Da Tweekaz combine their forces for the new collaborative single “My Girl” which breaks genre barriers with its dance-pop-hardstyle fusion, which keeps owning the dancefloors across the globe since 2023. Uniting for the first time ever, the boys deliver an explosive production with true rave energy courtesy of R3HAB and hardstyle-influenced beats from Da Tweekaz, making for a memorable debut collaboration and a guaranteed crowd-pleaser just in time for the summer festival season. “My Girl” first premiered last summer at Tomorrowland 2023 and has since become one of the most notable IDs in R3HAB‘s and Da Tweekaz‘s epic performances. The track is finally out now on Tomorrowland Music for the entire world to enjoy.

“After months of finessing the track at the world’s biggest stages, Da Tweekaz and I are happy to share our festival banger ‘My Girl.’ We premiered it together onstage at Tomorrowland 2023 mainstage and now feels like the perfect time to release it ahead of the upcoming festival season. The hardstyle energy is a bit more powerful than my recent releases, and it’s been a big hit with my fans. Hope you love it.” – R3HAB

“We’ve been playing this tune since last summer and it still goes off every single time. Now that this year’s summer is about to start, it’s the perfect moment to finally release this absolute party starter together with our buddy R3HAB on Tomorrowland Music, which we are beyond excited about.” – Da Tweekaz

R3HAB

Multi-platinum DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the past fifteen years. From his breakthrough remixes for Rihanna, Drake, Taylor Swift, and Calvin Harris to anthems such as Platinum-certified “All Around The World (La La La)” and “Lullaby,” to his collaborations with the likes of Ava Max, ZAYN, Luis Fonsi, Sean Paul, and more, R3HAB has proven to be one of the most forward-thinking artists in the game. His work has collected over 11 billion streams to date, including more than 1.2B in 2023 alone. R3HAB founded his label CYB3RPVNK in 2016, which has passed 4B streams across platforms since its inception. R3HAB continues to evolve and diversify his sound by working with artists around the globe, pushing the boundaries of dance music as he collaborates across genres and languages. He is Spotify’s Most Discovered Artist, one of Spotify’s top 350 most streamed artists, ranked #14 on the prestigious DJ Mag’s Top 100 DJs chart, and has earned over 80 Diamond, Platinum, and Gold certificates. R3HAB has embarked on multiple sold-out worldwide tours and was the first dance music artist to sell out 15 consecutive shows in China. On top of that, he performed at the world’s top festivals, such as EDC, Ultra Music Festival, Tomorrowland, Balaton Sound, Coachella, Summer Sonic Festival, DWP Jakarta. With his combination of innate artistry and innovative attitude, R3HAB has earned his place as a household name in dance music.

Da Tweekaz

Kenth Kvien and Marcus Nordli, aka Da Tweekaz, are a Norwegian hardstyle duo. These two incredibly talented guys are especially known for being the ultimate party starters with their uplifting, contagious, and unique energy. When not behind the decks or in the studio, you can probably catch them partying in the front with their fans. From intimate clubs to huge festivals, you can always count on them to bring the party to life. Da Tweekaz have taken the world by storm, collaborating with top-tier artists both within and outside of the Hard EDM genre, racking up tens of millions of streams. Some of their countless hits include “Jagermeister” & “How Far I’ll Go” and remixes of huge songs such as “On My Way” by fellow Norwegian Alan Walker. When the pandemic hit in 2020, the boys came up with “Tweeka TV” so they could stay connected and bring joy to their fans through a hard time. Up to 15,000 viewers tuned in every week to watch the boys with their signature sunglasses on, Jagermeister on tap & lots of special guest appearances. With such success with the show, the duo has continued to run the show every month, even as life has returned to normal. With tours around the world and stages on every continent, there is no stopping this one of a kind duo. Da Tweekaz are regulars at some of the biggest events worldwide, including EDC, World Club Dome, Reverze, Defqon.1, and twice playing Mainstage at Tomorrowland. There’s no stopping this power duo as their passion spreads on stage to electrify any event.

Tomorrowland Music

Tomorrowland has expanded the family with its own music label: Tomorrowland Music. Tomorrowland Music is a dedicated music division within Tomorrowland, collaborating closely with both artists and labels, supporting them in all their recording and release activities. Tomorrowland Music has partnered with Virgin Distribution and Virgin Records. As part of the Universal Music Group, Virgin has been one of the industry leaders in music distribution and independent record labels for many years. Tomorrowland Music is delighted to be working closely with Virgin and looking forward to taking the label to a higher level together. Stay tuned for a stellar line-up of renowned artists from all different levels who can’t wait to release their music on Tomorrowland Music, encompassing a multitude of genres.

More info on R3HAB / Da Tweekaz / Tomorrowland Music:

R3HAB: Facebook | Instagram | X | Spotify
Da Tweekaz: Facebook
 | Instagram | X | Spotify
Tomorrowland Music: Facebook
 | Instagram | X | Website
May 24, 2024 0 comments
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Matt Hawk Challenges Listeners with "SKELETON"
Music News

Matt Hawk Challenges Listeners with “SKELETON”

by the partae May 24, 2024
written by the partae

Artist: Matt Hawk
Title: SKELETON
Label: OneHundred/Spinnin’ Records

Download / Stream

Danish artist and the “Car Music” movement foreman Matt Hawk returns with his newest release – “SKELETON,” a unique heater with both emotive and hard-hitting elements. Opening with ominous melodies that meld into a deep, undulating bassline with dark synths and menacing vocals throughout, Hawk steps out on a ledge with the driving style of the track while staying in his element of the “Car Music” genre. “SKELETON” is both low-fi urban and also bass-heavy EDM influenced, making it a versatile record that will also make the listener feel the darkness behind the lyrics while amping up the energy a few notches. Hawk previously released “Hood To The Hills” with his fellow Danish partner in crime – HEDEGAARD, back in March, and “SKELETON” is another strong track from this talented artist. Read on to see what Matt had to say about his latest release:

“The process was a bit different than usual, which ended in a very interesting result. While it exists within the familiar universe of my musical style of low-tempo EDM/urban sound, the production of ‘SKELETON‘ drives the energy forward, where the theme and message touch a more emotional journey and invite the listener to visit sublayers of the mind. It was important for me to maintain a recognizable signature in my music while experimenting with new sounds and moods. The result is a single that challenges the listener – and is different in expression.” – Matt Hawk

Matt Hawk, the next big star in Car Music, is all about minimalism and genre clashes – two things that make him stand out from other DJs. The 33-year-old art director from Aalborg, Denmark, started dreaming of a music career in his teens when he began mixing styles and genres in his creation of new and unique productions. Today, his dream has come true, and he is producing hits with Denmark‘s most prominent DJs. In collaboration with HEDEGAARD, Matt Hawk has produced and released the single “SA-MY-D,” which is closing in on 8 million streams on Spotify alone, while their joint remix of the rap classic “Ni**as in Paris” has surpassed the 4,5 million stream mark on the platform. A constant curiosity and the untamable urge to create means that he is, again and again, which has never been combined before. On the single “SYMPHONY,” he reworked Beethoven‘s classic “Symphony no. 5,” generating an output that contains a magical combination of Nate Dogg-sounding vocals combined with all the best elements from the heavy club universe of the Car Music genre. It debuted on the weekly QQ Music EDM Chart in China as no. 21 and has amassed more than 4,5 million streams on Spotify since then, reaching 1 million streams within the first 40 days in the market. The follow-up single, “GANG GANG,” was also built on a Beethoven sample from the classical masterpiece “Für Elise.” The latest single, “OneHundred,” was created with his label buddies HEDEGAARD and CANCUN? and was produced without the use of samples. The single reached 1 million streams within the first 20 days in the market and became Matt Hawk‘s first Top 20 single on the QQ Music EDM Chart in China, debuting as no. 17. His latest release, “Hood To The Hills,” also went in Top 20 on QQ Music EDM Chart.

More info on Matt Hawk / OneHundred:

Matt Hawk: Facebook | Instagram | Spotify
OneHundred: Facebook
 | Instagram | Twitter | Spotify
May 24, 2024 0 comments
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Empire Of The Sun: Ask That God Australian Tour Oct-Nov
Festival NewsMusic News

Empire Of The Sun: Ask That God Australian Tour Oct-Nov

by the partae May 24, 2024
written by the partae

Australian alt-electro pioneers Empire of the Sun confirm Ask That God Australian Tour

Playing Sydney, Melbourne, Brisbane and Perth this Oct & Nov

Anthemic smash hits include ‘Walking On A Dream’, ‘Alive’, ‘We Are The People’, ‘High And Low’, ‘Half Mast’ and ‘Standing On The Shore’

Frontier Member presale kicks off Tuesday 28 May 12noon local time ahead of tickets going on sale Thursday 30 May from 1pm local time

Tour and ticket information frontiertouring.com/empireofthesun

New album Ask That God featuring the singles ‘Changes’ and ‘Music On The Radio’ released Fri 26 Jul via EMI Music Australia, pre-order here

 


 

Frontier Touring are psyched to announce the multi-platinum astral wizards of electro-pop, Australia’s own, Empire of the Sun ‘Ask That God’ Tour for this October & November.

The visionary Empire of the Sun return with a kaleidoscopic holistic live show kicking off at the Hordern Pavilion, Sydney on Thursday 24 October, before Sidney Myer Music Bowl, Melbourne on Saturday 26 October then onto Riverstage, Brisbane on Tuesday 29 October before a west coast show at Red Hill Auditorium, Perth on Friday 1 November.

Frontier Member presale kicks off Tuesday 28 May 12noon local time ahead of tickets going on sale Thursday 30 May from 1pm local time. Tour and ticket information frontiertouring.com/empireofthesun

On Friday 26 July, Empire of the Sun – Emperor Steele (Luke Steele of The Sleepy Jackson) and Lord Littlemore (Nick Littlemore of PNAU) – release their fourth studio album and first album in eight years with Ask That God. The new album features the propulsive first single ‘Changes’ and the hypnotic disco laced groove of the addictive second single ‘Music On The Radio’. Ask That God released via EMI Music Australia, pre-order here.

Don’t miss the electrifying Empire of the Sun this October and November!

 


 

EMPIRE OF THE SUN
​ASK THAT GOD AUSTRALIAN TOUR
​OCTOBER & NOVEMBER 2024
​
Presented by Frontier Touring


FRONTIER MEMBER PRESALE
​
via frontiertouring.com/empireofthesun
​
Runs 24 hours from: Tuesday 28 May (12noon local)
​or until presale allocation exhausted

TICKETS ON SALE
​
Begins: Thursday 30 May (1pm local)


Thursday 24 October
​Hordern Pavilion | Sydney, NSW
​
Lic. All Ages
​On sale: Thursday 30 May (1pm local)
​ticketek.com.au

Saturday 26 October
​Sidney Myer Music Bowl | Melbourne, VIC
​
Lic. All Ages
​On sale: Thursday 30 May (1pm local)
​ticketek.com.au

Tuesday 29 October
​Riverstage | Brisbane, QLD
​
Lic. All Ages
​On sale: Thursday 30 May (1pm local)
​ticketmaster.com.au

Friday 1 November
​Red Hill Auditorium | Perth, WA
​
Licensed 13+*
​On sale: Thursday 30 May (1pm local)
​moshtix.com.au

May 24, 2024 0 comments
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CROWDED HOUSE AUS AND NZ 'GRAVITY STAIRS' TOUR
Festival NewsMusic News

CROWDED HOUSE AUS AND NZ ‘GRAVITY STAIRS’ TOUR

by the partae May 24, 2024
written by the partae

Multi-platinum selling rock band Crowded House have announced their 2024 Australia and New Zealand – ‘Gravity Stairs‘ Tour – in support of their new album which will be released Friday, May 31 – Pre-save/Pre-order HERE. The highly anticipated ‘Gravity Stairs’ Tour kicks off Saturday, November 9 in Wellington and wraps Saturday, December 14 in Meanjin/Brisbane. Tickets will be available to the general public on Thursday, May 30 at 12pm local time. Please visit www.crowdedhouse.com for all details.

Neil Finn explains, “So looking forward to getting amongst our people having practiced on the northern hemisphere for a few months. The band will be running hot and we can’t wait to sing with you and elevate our collective spirits. Sing it if you want to be a part of Some Greater Plan.”

Produced by the band with Steven Schram (Paul Kelly, San Cisco), ‘Gravity Stairs’ shows Crowded House in its current incarnation — Neil Finn, Nick Seymour, Mitchell Froom, and Finn’s sons Elroy and Liam.

Speaking about the album title ‘Gravity Stairs’, Neil says the name was inspired by an unnaturally heavy stone staircase near where Neil vacations. “The Gravity Stairs are symbolic of the struggle to ascend, acknowledging the opposing forces of weight on the mechanics of living. It’s an act of will every day.”

Crowded House have sold over 15 million records worldwide as well as earning 13 ARIA Awards, an MTV VMA, and a BRIT Award, the band have generated billions of streams, consistently sold out tours on multiple continents and have been captivating audiences for nearly four decades.

Originally founded by Neil Finn, Nick Seymour, and the late Paul Hester, the group’s self-titled debut in 1986 went platinum, uplifted by iconic smashes ‘Something So Strong‘ and ‘Don’t Dream It’s Over‘ which have been covered by everyone from Miley Cyrus and Ariana Grande to U2, among others.

In 1996, the group delivered a legendary performance to an audience of over 150,000 on the steps of the Sydney Opera House, beginning a hiatus that finished in the wake of Paul’s passing in 2005. This led to albums ‘Time on Earth‘ (2007) and ‘Intriguer‘ (2010) and a return to the Sydney Opera House for three unforgettable nights.

2018 saw Neil join Fleetwood Mac as a full-time member, canvasing the globe on a massive world tour. Two years later, he and Nick led another era of Crowded House, forming the band’s current lineup. They issued their first full-length offering in eleven years, the unanimously acclaimed ‘Dreamers Are Waiting‘ (2021), and the band leapt into a rapturous world tour in support.

From joining his brother Tim in the New Wave favourites Split Enz to leading Crowded House to his numerous solo efforts, Neil’s varied body of work is connected by his knack for penning meticulous, indelible melodies and impressionistic lyrics that demand multiple listens. It’s earned him devoted fans all over the globe.

General Public On-sale: Thursday, May 30 12pm local time

‘Gravity Stairs’ will be available worldwide on Friday, May 31, via BMG
Pre-save/Pre-order HERE

 

CROWDED HOUSE

‘GRAVITY STAIRS’ AUSTRALIA & NEW ZEALAND TOUR

Tickets available at crowdedhouse.com

SAT 9 NOV | TSB ARENA, WELLINGTON NZ
TUE 12 NOV | TOWN HALL, DUNEDIN NZ
WED 13 NOV | WOLFBROOK ARENA, CHRISTCHURCH NZ
TUE 19 NOV | REGENT ON BROADWAY, PALMERSTON NORTH NZ
WED 20 NOV | MERCURY BAYPARK ARENA, TAURANGA NZ
FRI 22 NOV | GLOBOX ARENA, CLAUDELANDS, HAMILTON NZ
SAT 23 NOV | SPARK ARENA, AUCKLAND NZ
FRI 29 NOV | KINGS PARK & BOTANIC GARDEN, BOORLOO/PERTH WA
WED 4 DEC | OPERA HOUSE FORECOURT, EORA/SYDNEY NSW
THU 5 DEC | OPERA HOUSE FORECOURT, EORA/SYDNEY NSW
TU 10 DEC | ROD LAVER ARENA, NAARM/MELBOURNE VIC
FRI 13 DEC | ENTERTAINMENT CENTRE, MULUBINBA/NEWCASTLE NSW
SAT 14 DEC | ENTERTAINMENT CENTRE, MEANJIN/BRISBANE QLD

Gravity Stairs’ Track Listing:

1. ‘Magic Piano’
2. ‘Teenage Summer’
3. ‘The Howl’
4. ‘All That I Can Ever Own’
5. ‘Oh Hi’
6. ‘Some Greater Plan (for Claire)’
7. ‘Black Water, White Circle’
8. ‘Blurry Grass’
9. ‘I Can’t Keep Up With You’
10. ‘Thirsty’
11. ‘Night Song’

FOLLOW CROWDED HOUSE
FACEBOOK | INSTAGRAM | TWITTER | TIKTOK
SPOTIFY | APPLE MUSIC | AMAZON MUSIC | SOUNDCLOUD | YOUTUBE | WEBSITE

 

May 24, 2024 0 comments
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Canadian indie-folk artist DONOVAN WOODS announces first Australian Tour
Festival NewsMusic News

Canadian indie-folk artist DONOVAN WOODS announces first Australian Tour

by the partae May 24, 2024
written by the partae

Photo by Brittany Farhart

Following the announcement of his seventh studio album ‘Things Were Never Good If They’re Not Good Now’ (set for release on the 12th of July via End Times Music), Canadian artist Donovan Woods has shared the announcement of his first trip down under; with a 7 date tour on Australian shores set for June 2024.

The Juno award-winning singer/songwriter will be hitting stages in Perth, Adelaide, Melbourne, Newcastle, Sydney and Brisbane this year – with supports yet to be announced. Throughout his distinguished career, Donovan Woods has built a devoted following who cling to the songwriter’s every word. Never one to mince them, Woods is one of music’s most vulnerable storytellers and on his forthcoming studio album, Donovan takes that a step further.

Honest and unflinching, on Things Were Never Good If They’re Not Good Now Woods takes a long look inside and isn’t necessarily thrilled with what he sees. For an artist who isn’t afraid to bear his soul, this is as emotionally gritty as he has ever been. Long known as a masterful storyteller, Woods is at his absolute best on Things Were Never Good If They’re Not Good Now.

Since he released his first album a decade ago, Donovan Woods’ blend of folk, country and pop has resonated with audiences all over the world. In recent years, the acclaimed, award-winning singer-songwriter has seen his profile grow with his breakthrough album, Without People. Touring behind (2020’s) Without People saw Woods play to his largest audiences to date, including a stint opening for New Jersey-based retro rockers Gaslight Anthem on their recent reunion tour.

He currently sports an impressive 741k+ monthly listeners on Spotify, with over 105m streams for his track ‘Portland, Maine’ (which was featured on season 1 of The CW’s ‘Legacies’, and was originally recorded and performed by Tim Mcgraw).

Donovan is partnering with Support Act for the tour and donating $1 for every ticket sold, supporting music industry professionals across the country with crisis relief, mental health and wellbeing support.  With a big year in front of him in the lead up to and following the release of his upcoming LP, these intimate shows in June are not to be missed!

DONOVAN WOODS LIVING WELL TOUR

TICKETS

Thursday 13th of June – Milk Bar, Perth WA
Friday, 14th of June 
– Jive, Adelaide SA
Saturday, 15th of June 
– Northcote Social Club, Melbourne VIC
Sunday, 16th of June 
– Sooki Lounge, Belgrave VIC
Thursday, 20th of June 
– Stag & Hunter Hotel, Newcastle NSW
Friday 21st of June 
– The Great Club, Sydney NSW
Saturday 22nd of June
 – Black Bear Lodge, Brisbane QLD 

PRAISE

“There are very few writers who can make you laugh and break your heart in the same song.”
NPR Music

“Everyone has their favorites, but this guy should be everyone’s favorite right now because he sounds like Donovan Woods and not like everyone else and writes to beat the devil…” 
No Depression

“Woods makes memorable hooks and melodies out of heartbreak, jealousy, and loneliness that feel so obvious, so natural, casual listeners may not stop to appreciate just how gifted he is His talent truly shines on Hard Settle, Ain’t Troubled, an album easy to love and hard to forget”
Quick Before It Melts

“NNNN – Donovan Woods has built a career on melancholia, crafting wistful songs that tug at the heartstrings of anyone who’s had feelings about partners, ex-partners, where you’re from, where you shouldn’t have gone. His fourth album follows in those footsteps, but with the assured sharpness of an old pro. Hard Settle, Ain’t Troubled is his most solid album in a catalogue full of them.” 
Now Magazine

“Sparse and intimate, Donovan Woods… feels like you’ve joined him in a closet full of winter coats so that he can whisper a few anecdotes that belong in your ears only.” 
Exclaim

Donovan Woods: Website | Instagram | Facebook | Youtube

May 24, 2024 0 comments
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Slinkee Minx - 'This Is Your Night', ready to electrify the dancefloor
Music News

Slinkee Minx – ‘This Is Your Night’, ready to electrify the dancefloor

by the partae May 23, 2024
written by the partae

Australian noughties dance-pop icons Slinkee Minx are set to drop their first major release for 2024 – ‘This Is Your Night’, a modern spin on a classic 90s club anthem. This explosive radio-friendly release unleashes fresh flirty vibes to the dancefloor and once again showcases why Slinkee Minx remain one of Australia’s best and most enduring female dance music acts.

Few have the history or street cred to bring reworked club anthems like ‘This Is Your Night’ to a new generation of music lovers. Collaborating with legendary Aria award-winning producer James Ash (Rogue Traders), ‘This Is Your Night’ fuses some of the song’s original sounds, with silky upbeat vocals, punchy piano synths, exhilarating drops and an insatiable beat that will get stuck in your head for days! The result is quintessential Slinkee Minx – a signature sound fans have loved since they launched onto the scene two decades ago.

Part of the golden era of dance music in the early 2000s, Slinkee Minx have had multiple successive top ten dance hits both in Australia and internationally, including their unforgettable smash ‘Summer Rain’, continuing to amass millions of music streams worldwide.

Loved equally for their original music and on-point interpretations, ‘This Is Your Night’ is sure to be another Slinkee Minx dancefloor filler!

PLAY/LISTEN

https://www.linktr.ee/slinkeeminx

https://www.facebook.com/slinkeeminx

https://www.instagram.com/slinkeeminx

May 23, 2024 0 comments
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Jurassic World: The Exhibition Melbourne 2 August 2024
Fashion & CultureFestival News

Jurassic World: The Exhibition Melbourne 2 August 2024

by the partae May 23, 2024
written by the partae

Jurassic World: The Exhibition Roars into Melbourne on 2 August 2024

for a Limited Engagement

 

General Public Ticket Sales begin at 6pm, Thursday 23 May 2024 at jurassicworldexhibition.com.au

 

Melbourne, Australia, 20 May 2024 – The official, award-winning Jurassic World: The Exhibition is roaring into Melbourne on August 2nd, and will run for a limited time. This stunning experience, at approximately 2,700 square meters, immerses audiences of all ages in settings inspired by the globally popular Jurassic World film franchise, from Universal Pictures and Amblin Entertainment, blending real-world science and education with the very best in high-quality entertainment.

Jurassic World: The Exhibition invites guests to walk through the iconic “Jurassic World” gates, explore richly themed environments, encounter a life-sized Brachiosaurus, Velociraptors, including fan-favorite Blue, and the most fearsome dinosaur of all, the mighty Tyrannosaurus rex. Guests will be able to imagine what it would have been like to roam amongst these breathtaking creatures, and even interact with baby dinosaurs, including “Bumpy” from the popular animated series Jurassic World: Camp Cretaceous from Universal Pictures, Amblin Entertainment and DreamWorks Animation, currently streaming on Netflix.

Jurassic World: The Exhibition has now become one of the fastest selling exhibitions in history since its launch with over eight million tickets sold.  After opening its gates to excited fans in cities around the world including Berlin, Cologne, London, San Diego, Denver, Dallas, Atlanta, Chicago, Philadelphia, Paris, Madrid, Seoul, Chengdu, Guangzhou, Shanghai, and Toronto, Melburnians will finally get their chance to experience this global sensation.

Admission to Jurassic World: The Exhibition starts at $39 for children (ages three and up) and $49 for adults (ages 16 and up). Family and group tickets are also available as well as special pricing for senior citizens and students.

Jurassic World: The Exhibition will be presented starting Friday, 2 August 2024 for a limited time at the newly reimagined 3,600 sqm The Fever Exhibition Hall, 62 Dawson Street, Brunswick VIC 3056. The Melbourne waitlist is now open at jurassicworldexhibition.com.au

The General Public on sale will commence at 6:00 p.m. on Thursday, 23 May 2024.

For further information about Jurassic World: The Exhibition, please visit Jurassicworldexhibition.com.  Follow along on social media Facebook, Twitter and Instagram and use hashtag #JWEXHIBITION to join the conversation.

The exhibition engages audiences of all ages in settings inspired by Universal Pictures and Amblin Entertainment’s Jurassic World franchise and is produced in conjunction with Universal Live Entertainment, NEON, SuperLuna, Masterworks, Sony Music Entertainment Australia, Fever and Animax Designs – the creators of the lifelike animatronic dinosaurs.

May 23, 2024 0 comments
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Tasmania’s MIDDLE PALMS return with 'FINGERS'
Music News

Tasmania’s MIDDLE PALMS return with ‘FINGERS’

by the partae May 23, 2024
written by the partae

Photo by: Matt Sherlock

 

Off the back of their widely successful 2023 single ‘Talk Too Much’, vibrant 4-piece indie-pop-rock ensemble from Hobart, ‘Middle Palms’, today return with their latest single, ‘Fingers’. Inspired by the energy of Australian indie-rock music, ‘Fingers’ explores the difficulties of accepting a relationship with unreciprocated love. 

Having quickly amassed north of 40k streams on their recent single, the young band returned to the drawing board to get started on what is likely to be a sensational hit in ‘Fingers’. Drawing inspiration from artists like Spacey Jane, and Ocean Alley, Middle Palms have spent the last few years carving out their own unique sound and connecting with a growing fanbase.

Recorded entirely at their home studio in Hobart (with the exception of the drums), Middle Palms commissioned lead singer Sam’s sister, Erin Sherlock to mix ‘Fingers’, which would go on to be mastered by her friend Thomas Fernando. Musically, the hardship expressed through the lyrics is contrasted beautifully with warm textures and stunning melodies throughout the track resulting in an utterly engaging listening experience.

“The metaphor of “fingers” depicts the mental state of the character as they move forward from the situation.” 

MIDDLE PALMS

PRAISE

“Middle Palms’ sound is like baby Spacey Jane with their own original twist! <3 Sounding authentic and beautiful!”

Anika Luna – Triple J

“Mad Style!”

Lime Cordiale

Fingers is out now!

Middle Palms:  Facebook | Instagram | YouTube | TikTok |  Triple J Unearthed

May 23, 2024 0 comments
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INTEL CORE ULTRA AI STUDIO LAUNCHES IN MELBOURNE CENTRAL - Thursday 23 May 2024
Festival NewsMusic News

INTEL CORE ULTRA AI STUDIO LAUNCHES IN MELBOURNE CENTRAL – Thursday 23 May 2024

by the partae May 23, 2024
written by the partae

Intel Core Ultra AI Studio

Thursday 23 May 2024

Melbourne Central, Cnr LaTrobe and Swanston Streets, Melbourne VIC 3000

from 12pm – 8pm

Intel has launched the next generation of processors – Intel® Core™ Ultra, featuring new AI experiences, immersive graphics, and optimal battery life. The brand is proud to announce Intel Core Ultra AI Studio a special event designed to showcase how the power of AI in a creative world can enhance and not overtake talent works.

Tapping into an industry inherently connected to premium technological and software advancements, the Australian creative industry and community, Intel will be hosting an industry showcase event, Intel Core Ultra AI Studio that will play host to a series of workshops delivered by three established talents.  Each is well known and highly regarded for their credibility in the creative world and will openly discuss and share their own anecdotal insights.

Of note, attending guests of the Intel Core Ultra AI Studio will be treated to an appearance from headlining beatmaker and Creative director, Ta-Ku, known for quietly becoming one of the most influential and sought-after beatmakers of the 2010s due to his inventive, emotion-rich style. His projects have attracted a cult following and he has performed for triple j’s Like A Version and NPR’s Tiny Desk Concert and has sold out headline shows across the world including a stop at the iconic Sydney Opera House.  Ta-Ku will be hosting a workshop that explores AI as an aide for the next wave of Creative directors.

“I’m looking forward to demonstrating Intel’s AI PCs, they are designed for the AI tools that help bring your ideas to life. While nothing will ever replace human creativity – I’m a big advocate for embracing tools that can help us create more freely, efficiently & open the doors for those who are intimidated with a career path of an artist.” Said, Ta-Ku.

In addition, Intel welcomes workshop hosts:

Ninajirachi

Theme: Music Production

Workshop: Making one of-a-kind music better with AI.

Credentials: Experienced in workshop hosting via APRA SongMakers, MusicNSW sessions, an Official Ableton ambassador and school visits. Has partnered with music tech products, Unyoked and more.

Demas Rusli

Theme: Photography

Workshop: Lights, Camera, AI: Street photography elevated with AI.

Credentials: One of Australia’s most-followed photographers on social media.  Trusted partner and collaborator to major brands and events.

The Intel Core Ultra AI Studio event is taking place on Thursday 23 May, at Melbourne Central.

For more information on the Intel Core Ultra Processor and the wider range of Intel products, please visit: https://www.intel.com/content/www/us/en/homepage.html

May 23, 2024 0 comments
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Gloam Discusses Growth and Change in 'Hinder'
Music InterviewsMusic News

Gloam Discusses Growth and Change in ‘Hinder’

by the partae May 23, 2024
written by the partae

What inspired the theme of growth, progress, and navigating change in your latest single, “Hinder”?

I’d say that the song itself kind of sparked that. Our creative process is heavily a music-first, vocals-second kind of process. So essentially, I listened to the song on repeat (after Oli and I had workshopped it to where it is now) for a while, trying different melodies over different sections, and deciding what felt right. Before long, I had begun associating certain feelings and memories to the track, which then began to influence the words that ended up being sung on the track. Overall, I wouldn’t say there was a moment where I decided “This is what the song is about,” more of an overarching theme that I sort of connected to these emotions after the fact.

Can you elaborate on the internal conflicts portrayed in “Hinder” that hinder the actualization of self-fulfillment?

It’s tricky to put my finger and explicitly say it was ‘this’ or ‘that’, but I’d say it mostly refers to the stagnancy that comes as a consequence of anxiety and depression. it’s easier to sit with what you have and where you are than it is to get up and create the change that you so badly know you’re craving.

How does “Hinder” differ thematically or musically from your previous work, such as your debut single “Merchant”?

Hinder features quite a fast and driving energy throughout the whole performance, which began as a core element in the songwriting process before there was even any drums or vocals attached. I feel like with this track there was less focus on having a big contrast in dynamics within the song, and more emphasis placed on making a fun, driving, high energy piece of music. 

Could you share any anecdotes or stories from the creation process of “Hinder,” particularly regarding its lyrical development?

I wouldn’t say that there was any particularly noteworthy moments in writing the lyrical content for Hinder, so apologies for that. However, I did find myself questioning myself and whether the lyrics I was writing down may have been too cryptic to make any linear sense to listeners. But I guess some self-assurance came from the self-reminder that this is Gloam’s artform, and there is little to no obligation to typical song conventions. I would encourage any other songwriters or artists to take the same mindset; it was quite liberating and really feels as though once you do away with writing to certain deliverables, true creativity starts to occur. At least that has been my experience thus far.

What role does introspection play in your songwriting process, especially when addressing themes as complex as fear, discomfort, and personal growth?

I would say, it plays quite a vague role. I’ll rarely have a specific time, object, or event in mind when writing lyrics. Quite often they tend to be very abstract, with contemplation seeing them revised. It is usually at this step in the process; when I have a clearer idea about how I feel about the songs and what they mean to me, that I’ll attach any sort of meaning or theme to the tracks. This very much applies to the songwriting process of Hinder.

You mentioned drawing inspiration from shoegaze icons like Slowdive and Whirr. How do you infuse your own unique style into the genre, as showcased in “Hinder”?

While we’ve drawn inspiration from lots of the big names in post-rock and shoegaze, we’ve also taken influence from a wide range of bands outside these genres. Oli spent a decent chuck of time around writing and editing the first demos of “Hinder” listening to Death Metal and Post-Black Metal bands such as Suffering Hour and Deafheaven, and I think an amalgamation of all sorts of different sounds make their way into our tunes and help shape our sound in strange ways. 

“Hinder” was mixed and mastered by long-time collaborator Cameron Murphy at Opaque Studios. How does Murphy’s involvement contribute to the final sound of the track?

Cam’s input, I feel, is likely to be quickly overlooked. I think we all feel quite ‘new’ to being musicians, in the sense that we aren’t conforming to anything typical of a genre or ‘scene’; we’re writing to a taste that we haven’t done before and is everchanging. Consequently, this can blur the lines between what’s working and what’s not working. Cam has been a great filter along the process to bluntly tell us what is, and what isn’t working. Of course, with a grain of salt though. He’s always on board with our wild ideas, drawing from an array of references that you mightn’t typically put together.

With only a brief tenure on the live circuit, how do you feel your experiences sharing the stage with international and local acts have influenced your musical journey and the sound of Gloam?

The live performance experiences we’ve had over the last couple years have shaped our ambition and drive in huge ways, and have been quite essential in keeping the Gloam music-machine rolling. We’ve been able to experiment and hone into our sound and performance, as well as learn and take inspiration from some really great bands. Big touring groups like Touché Amore, Deafheaven and Movements have been incredible to share the stage with, and have felt like a masterclass in high energy performance and positive attitude, not to mention attention to detail. Though in saying that,  I think we have also learnt just as much from these big international support opportunities as we have from the local bands in the Perth scene. Getting to see how bands around us are growing and shaping their live performances has been hugely motivating and exciting, and is often what pushes us to work harder on how we present and perform our music. 

“Hinder” debuted on triple j Unearthed TOPS, showcasing your unique blend of ethereal soundscapes and relatable lyrical theming. How important is it for Gloam to connect with listeners through both musical and lyrical elements?

Strangely enough, I feel that the music is the most powerful vessel in any existing Gloam song, by quite a margin. Because the feeling of each song largely determines the lyrics that follow, it becomes the beacon of the track. We expect that the listener resonates more with the soundscape of the tracks, rather than the literal words being sung.

Can fans expect a similar thematic approach in your upcoming releases, or do you plan to explore new territory with your music?

One of the main takeaways for us from this last writing and recording process is how exciting and rewarding it is to venture into new territory musically. Now that we have established ourselves with a solid foundation in our sound, it’s going to be really exciting to see where we can take it, as well as discovering new tools and strategies to get us there.

How does the process of crafting a single like “Hinder” inform or influence the direction of your future releases and overall musical evolution as a band?

I would say it doesn’t really. We have an EP coming out later in the year which includes “Hinder.” This full record feels a lot more creatively ambitious than what we’ve done previously, some songs sounding similar to Hinder, or our previous self-titled EP and others being far more left-of-centre. Moving forward from this upcoming record, writing has already begun and I think we’re collectively embracing our experimental tendencies a lot more, not just in the songwriting area but with varied tunings, keys and guitar pedals. We’re excited about the musical journey ahead!

Finally, what message or feeling do you hope listeners take away from “Hinder,” and how does it fit into the larger narrative or vision for Gloam’s music?

I think, that we’d hope our listeners feel a sense of calmness after listening to this track (or any of our music). Hinder is a melancholy song that we all feel very at-peace with when performed live and throughout the recording process, despite it’s heavy overtones and distorted characteristics. I don’t think I’d hope our listeners take away any specific message, I’d like to think that they might associate their own message or lesson from the track – something I personally love about consuming music.

https://www.instagram.com/gloam.band/

May 23, 2024 0 comments
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TESTAMENT 2024 - A Testament Legend of 90s & 00s club culture
Festival NewsMusic News

TESTAMENT 2024 – A Testament Legend of 90s & 00s club culture

by the partae May 21, 2024
written by the partae

Ministry of Sound Testament. Australia & NZ National Tour.

7 cities. 12 shows. 2 weekends. August 30 – September 8, 2024.

After an incredible national tour in 2023, Ministry of Sound are journeying back to the underground this August with their biggest tour yet. Presented over two specially curated sessions (90s & 00s) across 7 cities, Testament celebrates the golden era of clubbing, taking over venues, clubs and warehouse spaces where dance music fuelled generations of unity on the dancefloor.

From August 30 – Sep 8, 202 TESTAMENT reignites a passion for vibrant late-night cities and club cultures across the country. Returning to some of our most loved dancefloors, the 2024 tour sees the addition of some exciting new spaces, including the truly epic White Bay Power Station, which is opening its doors for the first time to a large-scale music event of this kind, Felons Barrel Hall for Brisbane, a day session at The Court in Perth and an additional tour stop to the Sunshine Coast – along with The Timberyard [Melbourne], The Studio [Auckland], Miami Marketta [Gold Coast].

With an incredible lineup of the most significant global names of the era, Testament dives deep into the music, the people, the places & the crews who made the 90s & 00s such an iconic era for all of us who know what ‘proper clubbing’ really means.

From Australia’s acid house infancy to the many reinventions of rave through the 90s and the peak of 00s nightlife, Ministry of Sound will be showcasing an iconic lineup of global legends, whose influence is woven into the fabric of modern club life. Headliners include the godfather of acid rave Danny Rampling (UK), house music pioneer Judge Jules (UK), and legendary DJ/producer Seb Fontaine (UK) – all bringing their 90s mastery.

Session Two celebrates sweaty hedonistic 00s dancefloors; with Dutch heavyweight Laidback Luke (NL), big room house maestro Mousse T. (GER), and English electronic dance music duo X-Press 2 (UK) taking the helm.

Adding to the lineup are a huge suite of local talent PLUS Ministry of Sound’s Australian legends – John Course, Mark Dynamix & Dirty South – who between them compiled and mixed album titles which went on to sell millions of copies through the decades across The Annual, Sessions, Clubbers Guide and more. Joining the tour once again will be dancefloor favourite & party icon Minx.

TICKETING INFO:

 

FOR PRE-SALE REGISTRATION, TICKETS & INFO

https://tmrw.to/mostestament24

PRE-SALE REGISTRATIONS CLOSE

Tuesday 21st May 11:59pm (AEST)

 

MINISTRY OF SOUND PRE-SALE

Wednesday 22nd May, 12:00pm (AEST)

GENERAL ADMISSION TICKETS ON SALE

Thursday 23rd May, 12:00pm (AEST)

 

TESTAMENT 2024 AUS/NZ TOUR DATES:

 

Friday 30th August – Studio the Venue, Auckland (90s)

Friday 30th August – Metro City, Perth (00s)

Saturday 31st August – White Bay Power Station, Sydney (00s)

Saturday 31st August – The Timber Yard, Melbourne (90s)

Sunday 1st September – Felons Barrel Hall, Brisbane (00s)

Sunday 1st September – Miami Marketta, Gold Coast (90s)

Friday 6th September – Felons Barrel Hall, Brisbane (90s)

Friday 6th September – Studio the Venue, Auckland (00s)

Saturday 7th September – The Timber Yard, Melbourne (00s)

Saturday 7th September – White Bay Power Station, Sydney (90s)

Sunday 8th September – The Court, Perth (90s)

Sunday 8th September – The Station, Sunshine Coast (00s)

 

TESTAMENT 2024 LINE-UP:

 

A-Z

Danny Rampling

Judge Jules

Laidback Luke

Mousse T.

Seb Fontaine

X-Press 2

+ National local lineup

 

Dirty South

John Course

Mark Dynamix

Minx

PLUS OVER 70 LOCAL LEGENDS ACROSS THE TOUR

Alex Taylor | Andy Murphy | Ange | Annabelle Gasper | Barking Boy | Ben Korbel B2B Declan Lee | Boogs | Casey Leaver | Cassette | Chantal |  Chiari | Chris Wilson | Craig Obey | Darren Briais | Diamond D | Ember | Franky D | Gavin Campbell | General Lee | Goodwill |  Greg Sara | Hutcho | Ian Spicer | Illya | Jackness | Jade | James A | Jen E |  JJ | John Ferris | Jumping Jack | Kate Monroe |  Kevin | Matt Kitshon | Matt Nugent | Menis | Micah |  Miggy |  Mike Dotch |  Mind Electric | Ming D | Miss Doodes | Mr Sparkles |  Pete McNamara | pH | Pussymittens | Rachel Harvey | Rob Sharp | Robbie Lowe | Robin Knight | RobKAY | Rudy | Sam Hill | Sardi | Sgt Slick |  Shamus & Gabby | Sheen | Spacey Space | Stephen Ferris | Sunshine Sweet Chilli DJ’s | T-Rek | Tim McGee | Tonez | Trent Anthony

For more information, go to:

Website: https://ministryofsound.tmrw.to/testament

Facebook: @MoSAUEventsTMRW // @tmrwmusicagency

Instagram: @ministryofsoundau_tmrw // @tmrwagency_

May 21, 2024 0 comments
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The Great Southern Slam returning to Adelaide, June 8-10
Fashion & CultureFestival NewsMusic News

The Great Southern Slam returning to Adelaide, June 8-10

by the partae May 21, 2024
written by the partae

The world’s biggest roller derby tournament is returning to Adelaide. That’s right – The Great Southern Slam (TGSS) 2024 is a go! Strap yourself in for three days of hard hits, quick feet, and endless good times as the biennial competition returns to the Adelaide Showground over the June long weekend.

From June 8-10, 2024, local, national, and international derby teams will converge on the Adelaide Showground from every corner of Australia and New Zealand to battle it out on the track once more, with 45 teams will competing in 65 games across three divisions.

Hosted by Adelaide Roller Derby, the event will also double as a showcase for local artisans and world-wide skate brands alike, with a marketplace featuring stalls from Adelaide’s “Craft Queen” Calamity Tash to internationally popular skate company Riedell Skates.

To add to the excitement, this year the2024 TGSS Division 1 will act as the inaugural Women’s Flat Track DerbyAssociation (WFTDA) Regional Championships for the Oceania Region, with two teams set to go through to the World Championships held in Portland, Oregon USA in November.

WFTDA, the umbrella organisation for roller derby internationally, launched a new rankings system in June 2023 to create a regionally based competitive structure, with TGSS receiving recognition as the preeminent tournament in the Oceania region.  The region, comprised of Australia and New Zealand, was allocated two spots in the Global Championships, meaning that the top two teams from TGSS will earn themselves a ticket to the Global Champs to be held in Portland, Oregon in November of this year.

The current top five teams vying for the coveted tickets are the respective A teams from Victorian Roller Derby League (VRDL), Brisbane City Rollers (BCR), Sun State Roller Derby (SUN), Adelaide Roller Derby (ADRD), and Perth Roller Derby (VRDL). As the seventh-ranked team internationally, VRDL are the tournament favourites, but homegrown hopefuls ADRD will be looking to repeat their TGSS 2022 results, where they placed second.

ADRD skater and TGSS committee member Alex Knopoff – who plays under the alias ‘Rage Ruthless’ – said: “Adelaide Roller Derby is so excited to be hosting The Great Southern Slam once again. Fifteen years on from our first tournament, TGSS is the must-attend event of the Australia/New Zealand roller derby calendar and it’s fantastic to have that recognised internationally through being selected as the WFTDA Regional Championship for Oceania.

“Putting on a tournament of this scale is a massive undertaking that is only possible due to the hard work of a small group of volunteers – it’s truly a labour of love. On top of that, many of us are also participants, with both our A and B teams in this year’s competition. We (the A team) have been training hard and we’re really hoping to place in the top two to earn our ticket to World Champs.”

Hosted by Adelaide Roller Derby and held at the Adelaide Showground in the heart of South Australia, The GreatSouthern Slam is a biennial roller derby tournament that has attracted over5000 athletes and spectators over the June long weekend. Roller derby is played worldwide, with The Great Southern Slam the centrepiece of competition in Australia!

Spectators are welcome with pre-sale weekend passes now available via Humanitix for $65 + booking fee. Day passes are available online and at the door for $25 for Saturday and Sunday, and $35 for the Finals on Monday. Under-12 tickets start at just $10 a day.

The Great Southern Slam 2024

June 8-10 2024

Adelaide Showground, South Australia, Australia

For more information, head to the website greatsouthernslam.com.au

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May 21, 2024 0 comments
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DR. MARTENS X MADEME
Fashion & CultureMusic News

DR. MARTENS X MADEME

by the partae May 20, 2024
written by the partae
  1. MARTENS & MADEME ANNOUNCE THEIR FIRST COLLABORATION WITH STEELY DETERMINATION AND AN OPEN-HEARTED SHOE.

The collection features a chunky 1461 Quad shoe in black or silver with a steel toe exposed through a heart-shaped cut-out.

Unapologetic, fearless, authentic. There’s an undeniable crossover in spirit between Dr. Martens and MadeMe. The femme-forward, straight-talking “it girl” type who serves as a muse for founder Erin Magee is frequently spotted in a pair of Doc’s boots, with an undefinable attitude that makes her at home in the world of both brands. This mood is personified in MadeMe and Dr. Martens’ first collaboration, featuring London- based singer-songwriter Lola Young, whose raw charm and punchy, versatile voice embody the take-it-or- leave-it mindset of the quintessential MadeMe girl.

The two-piece collection features a chunky 1461 3-eye shoe built on our formidable Quad sole, marked with our distinctive grooving pattern and signature yellow welt stitching. It’s available in black Vintage Smooth leather paired with black laces or silver Alumix with contrasting purple laces. Both colours are fitted with a steel toe cap with an eye-catching heart-shaped cut-out — for an industrial edge with a softer twist. Dual branding stamps its mark on the heel and insock.

“I’ve always wanted to work on a steel toe DM’s shoe. The heart cut-out leather exposing the steel toe is as tough and utilitarian as it is soft. It’s a beautiful contradiction, just like the MadeMe girl.” — Erin Magee, MadeMe Founder

Since launching the women’s streetwear label MadeMe in 2007, Magee has transformed it into a ubiquitous New York brand and an inclusive community that occupies a still-revolutionary space in the male-dominated streetwear industry. Magee’s “for girls, by girls” ethos continues to champion women against the backdrop of a scene where they are historically underrepresented. Dr. Martens, whose boots and shoes have been at the feet of a long line of riot grrrl disruption, makes a natural partner for MadeMe as it continues its tradition of rebellion.

“I’ve known Erin for a long time, so it was great to finally bring this collaboration to life. In a lot of ways our collaboration was inevitable. MadeMe occupies that same rebellious space in women’s fashion that DM’s boots always have. It was great to put a spin on that heritage for a new generation.” — Darren Mckoy, Dr. Martens Global Creative Director

Dr. Martens x MadeMe is available from Friday 24th May at drmartens.com.au

ABOUT DR. MARTENS

The first pair of Dr. Martens boots rolled off the production line on the 1st April 1960. With its trademark yellow stitch, grooved sole and heel-loop, it was a boot for workers, initially worn by postmen and policemen; comfortable, durable and lightweight in comparison to its competitors at the time. Throughout Dr. Martens history, the brand has been adopted and subverted by diverse individuals, musicians, youth cultures and tribes. These are the people who stand out from the crowd and their journey of self-expression has always been accompanied by a pair of DM’s boots or shoes.

The simple silhouette allows people to customise each pair; whilst on a utilitarian level their famous durability and comfort make them ideal footwear for the world of gigs and street fashion. On an emotional level, they are a flag of attitude and empowerment.

The Northamptonshire factory where it all began still exists to this day, in the village of Wollaston. A specific range of ‘Made In England’ products are manufactured here by a small, close-knit team of people schooled in traditional shoe-making and a process that hasn’t changed since our first pair six decades ago.

ABOUT MADEME

MadeMe is a peerless “by girls, for girls” brand originating in New York City in 2007. Since its inception, the label has evolved to represent the dynamic perspectives of today’s downtown youth. In the early 90s, a powerful female-first ethos shaped music, clothing and culture. MadeMe embodies this energy for a new generation. With each collection the brand celebrates countercultural style tribes and the pioneering women who led them. Whether taking cues from riot grrls or ravers, MadeMe communicates through ideas and interests.

It is an ecosystem of kindred individuals who are at their core – themselves. This display of selfhood can be read as defiance or transgression against a minefield of relevance and moodboards. The MadeMe girl is radical because she rebels against the concept of who society says she should be, she does what she wants and is able to trust her own intuition. That feeling is always captured and embodied by both the girls and the clothes they wear.

May 20, 2024 0 comments
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FODI: FESTIVAL OF DANGEROUS IDEAS
Festival NewsMusic News

FODI: FESTIVAL OF DANGEROUS IDEAS

by the partae May 20, 2024
written by the partae

Festival of Dangerous Ideas (FODI) has today unveiled its 2024 theme, Sanctuary, with a program for curious minds on 24-25 August. The home-grown, globally renowned festival returns to Sydney for the first time since 2022, with its twelfth edition set to delight and disrupt Australian audiences across one weekend.

Australia’s original disruptive festival, known for being at the zeitgeist of ideas, FODI will bring thought-leaders and artists from across the globe to Carriageworks’ art precinct. Its line-up, set to be announced in June, will fuel critical thinking, challenge preconception, provide information and spark conversations.

Offering a haven for exploration and a harbour for the curious, FODI 2024’s Sanctuary invites audiences to engage with the ideas behind the headlines of the 24-hour news cycle. It provides a space to spend time with international experts and agenda-setting changemakers, to better understand what is driving change in the world and society for better or worse.

Danielle Harvey, Festival Director, FODI, said:

“FODI is about bringing great talent and great audiences together, creating a place for everyone to meet and exchange ideas – be that on our stages, in our greenrooms, at our functions or in the foyers. Our digital extension of the live event reaches out globally, sharing and provoking conversations around the dinner table and in the media.”

“We know that it’s wild out there. It’s a litany of entrenched ideas, 24-hour news cycles, shallow information and self-censorship. We desperately need a space where we can engage with challenging ideas in good faith. And that’s what FODI is all about this year. It’s an opportunity to hear powerful and provocative speakers from around the world talk on important and rousing topics. And also a space, a sanctuary, where audiences can engage with these ideas in a way that we, unfortunately, can’t in the wild. In our Sanctuary you are safe from hype and safe to listen and to ask questions.”

FODI is an ideas festival for our times: inviting guests to indulge their curiosity, focus their attention and engage with the uncomfortable. The festival has featured over 630 of the most fascinating, fearless speakers and artists the world has to offer. Past speakers include Stephen Fry, Lionel Shriver, Christopher Hitchens, Alicia Garza, Salman Rushdie, Pussy Riot, Marcia Langton, Julian Assange and Germaine Greer.

The Festival is presented by The Ethics Centre, a not for profit that encourages people to examine all aspects of life, and is supported by the NSW Government through its tourism and major events agency, Destination NSW.

festivalofdangerousideas.com

ThePartae

May 20, 2024 0 comments
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LEAPS AND BOUNDS MUSIC FESTIVAL RETURNS
Festival NewsMusic News

LEAPS AND BOUNDS MUSIC FESTIVAL RETURNS

by the partae May 16, 2024
written by the partae

LEAPS AND BOUNDS MUSIC FESTIVAL IS REIGNITING YARRA’S LOCAL LIVE MUSIC SCENE ONCE AGAIN THIS WINTER!

.

LEAPS AND BOUNDS
RETURNS 25 – 28 JULY

Yarra City Council’s annual winter music festival, Leaps and Bounds, returns with a focus on uplifting and amplifying Yarra’s diverse live music scene. Including the reopening of a historical venue that has been dormant for decades, this year’s festival strives to highlight the diversity of bands, performers and song writers that attracts an equally diverse audience of music lovers across all ages.

“Much loved for over a decade, Leaps and Bounds is a favourite in the Yarra calendar” Mayor Edward Crossland said.

“We’re so proud to continue hosting this spectacular festival and supporting local musicians, venues and workers, particularly in light of recent challenges that the industry is facing relating to rising rents, cost of living pressures and increasing public liability insurance.”

A celebration of local music, the diverse line-up of live shows will hit venues across Fitzroy, Fitzroy North, Collingwood, Abbotsford and Richmond from Thursday 25 July to Sunday 28 July.

Spanning four days and nights, the festival boasts a succession of parties and performances for all age groups and every budget, including plenty of free and family-friendly gigs on the program.

This year’s program provides a platform for venues to program a diverse lineup from LGBTIQA+ and First Nations musicians and to build audiences across generations.

Highlights include:

  • Tribute shows to Mazzy Star at Lulie Tavern, Gillian Welch at The Gem and John Prine at Catfish Bar.
  • Amos Roach Unplugged featuring the award-winning musician, dancer and director, for an intimate performance at the Railway Hotel Fitzroy.  An unmissable opportunity to also see the newly refurbished bandroom, which hosted dances for returned soldiers in the 50s through to local rock acts like Weddings Parties Anything in the early 2000s, but has sat dormant for decades, until now!
  • Other First Nations shows include Tjum Tjumba Fundraiser at Glamorama and Kiwat Kennell at Bodriggy Brewing Co.
  • Berada by Nighthawks x Rama Parwata promises to deliver an unforgettable experience as a showcase of Southeast Asian artists that merges cultural influences, experimental sounds and dynamic performances including Hantu, the solo project of multi-instrumentalist and ethnomusicologist Isobel D’Cruz which draws on her Western and Indian classical training and Malaysian background,
  • Shows for young families and teenagers including: Baby, you’re a star at Lulie Tavern: a gig for parents, pals and kids in conjunction with Yarra Youth DJ Skills plus Horsepower Two Year Anniversary Show (All Ages) at The Tote featuring Horsepower and a host of acts from Melbourne and Sydney with J.O.Y (SYD), Bozo (SYD), Mindrace and Tarnished.
  • PBS Presents ‘Swinging City’ Live from The Corner Hotel: To celebrate and launch Leaps and Bounds 2024, PBS will continue their tradition of a live broadcast from one of Yarra’s finest establishments the Corner Hotel, presenting not one, but two PBS radio shows live-to-air from the rooftop bar and courtyard. Join hosts Crispi Winsor and Myles O’Neil-Shaw for 4 hours of live music, special guests and rare records as Radio City and Swinging Doors combine for this special broadcast.
Successful events from last year will also return for another exciting instalment in 2024:
  • GRRLS to the Front at Bad Decisions Bar – a hip hop show spotlighting female identifying, non-binary, and LGBTIQA+ rap and hip-hop artists, and their passionate fan bases.
  • FLIGHT! – a showcase featuring the new generation of Naarm’s best artists, featuring 9 acts from culturally diverse backgrounds. Presented by The Boite & The Evelyn Hotel.
  • Leaps and Bounds Record Fair at Collingwood Town Hall.

As part of the festival, Council is also proud to announce a partnership with Live Music Locator (LML), a pilot project to promote all the live music taking place in the municipality from July onwards, including Leaps and Bounds Festival. Live Music Locator is a new website making it possible to discover every gig playing at every venue across every genre at any one time.

This information will always be verified and free, importantly supporting musicians, our small to medium live music venues and you, the punters. Head to www.lml.live to Find Your Music.

Leaps and Bounds Music Festival is proudly presented by Yarra City Council, with presenting partner PBS FM.

For more information and the full program, visit Leaps and Bounds Music Festival.

Leaps and Bounds Leaps and Bounds
Leaps and Bounds Leaps and Bounds
@leapsandboundsmusicfest @leapsandboundsmusicfest
May 16, 2024 0 comments
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