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October 2022

Festival NewsMusic News

TOUR ANNOUNCEMENT | SLIPKNOT’S KNOTFEST SET TO TAKE OVER AUSTRALIA IN 2023 & THE LINE-UP IS HERE!

by the partae October 27, 2022
written by the partae

 Slipknot to headline plus Parkway Drive, Megadeth, Trivium, Northlane,
Amon Amarth, In Flames, Knocked Loose, Spiritbox, Story Of The Year,
Alpha Wolf, Void Of Vision, Bad Omens & Malevolence

Pre-Sale to Knotfest Premium Members; 8am, Thursday 3rd November

Early Bird Pre-Sale On-Sale; 9am, Thursday 3rd November
Sign up here

General On-Sale: 9am, Monday 7th November
From Knotfest.com/Australia

Thursday, October 27, 2022 – KNOTFEST, the destination festival brand curated by SLIPKNOT, is continuing its ever-expanding global domination with the announcement of its next location – KNOTFEST AUSTRALIA in 2023.

The music and counterculture experience created by the multi-platinum sonic phenomenon SLIPKNOT, will hit the East coast of Australia starting on Friday, March 24th at Flemington Racecourse in Melbourne, before making its way to Sydney on Saturday, March 25th at Centennial Park and wrapping up in Brisbane on Sunday, March 26th at RNA Showgrounds.

Headlined by SLIPKNOT, the hugely stacked festival line-up includes PARKWAY DRIVE, MEGADETH, TRIVIUM, NORTHLANE, AMON AMARTH, IN FLAMES, KNOCKED LOOSE, SPIRITBOX, STORY OF THE YEAR, ALPHA WOLF, VOID OF VISION, BAD OMENS and MALEVOLENCE.

A staple at KNOTFESTs all over the world, the KNOTFEST Museum will also be making its way to Australia for the very first time. The KNOTFEST Museum features a jaw-dropping collection of items from the band’s history and a fan-favourite attraction at the other KNOTFESTs around the globe. Tickets are strictly limited in each city.

Early bird pre-sale tickets are on sale at 9am local time on Thursday 3rd November here and general public tickets go on sale at 9am local time on Monday 7th November here.

KNOTFEST AUSTRALIA 2023
DATES AND VENUES:

Friday 24 March 2023 – Flemington Racecourse, Melbourne
Saturday 25 March 2023 – Centennial Park, Sydney
Sunday 26 March 2023 – RNA Showgrounds, Brisbane

SLIPKNOT’s latest album, ‘The End, So Far’ landed yet another #1 Official Album Chart position in Australia, their fourth straight #1 in a row, as the album racked up a string of global chart accolades, including #1 Album positions in the UK, Germany, Switzerland, Mexico and Top 10 in Japan, Finland, Sweden, Canada, USA, New Zealand, Portugal, Ireland, Belgium, Austria, France and the Netherlands.

About SLIPKNOT: There was never a band like Slipknot, and there will never be another. Like a spore out of the Midwest, they’ve quietly bloomed into the most uncompromising, undeniable, and unique presence on the planet whose influence transcends genres and generations. Since sowing the seeds for revolution in Iowa during 1999, these musical outliers have captured a GRAMMY Award alongside 10 nominations, scored 12 Platinum / 41 Gold album certifications around the world, and logged over 8.5 billion global streams and 3.5 billion video views to date – unprecedented for a rock act in this generation or any other. Rolling Stone cited the seminal platinum-selling 2001 album Iowa among “The 100 Greatest Metal Albums of All Time,” while The Ringer attested, “They’re the most important heavy band of their era.”  In addition to marking the group’s third consecutive #1 debut on the Billboard Top 200, their sixth full-length album, WE ARE NOT YOUR KIND, bowed at #1 in twelve countries worldwide in 2019. Selling out shows on multiple continents, they deliver an irreplicable multi-sensory experience on tour and through their own festival Knotfest. With their seventh studio album, THE END, SO FAR, Slipknot are back, and nothing will be the same again.

About KNOTFEST: Knotfest is Slipknot’s own self-curated, destination festival brand, currently held in eight international locations; the US, Japan, Mexico, Finland, Germany, Colombia, Chile and Brazil. Designed as an immersive, unforgettable, ‘dark carnival experience’, the event invites you into Slipknot’s apocalyptic underworld where stunning visuals, fire breathers and nightmarish creatures on stilts set the stage for an intoxicating and memorable weekend of live music.

Stay up to date on all things KNOTFEST over at https://knotfest.com/australia/ and by following on socials.

Find KNOTFEST AUSTRALIA Online
https://knotfest.com/australia/
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October 27, 2022 0 comments
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Festival NewsMusic News

CASTLEMAINE STATE FESTIVAL RETURNS IN 2023

by the partae October 27, 2022
written by the partae

The Castlemaine State Festival is returning to the creative capital of central Victoria from 24 March to 9 April 2023, with a joyous and uplifting program of, performance, music, talks, visual arts and family-friendly events.

In its 47-year history, the Castlemaine State Festival has become Australia’s flagship regional arts festival taking place every two years. The Festival preceded any other Victorian arts festivals and has been unique in its scope and diversity; fast forward to 2022, and the popular biennial event will draw thousands of visitors from across Australia and overseas to the regional centre to experience a family-friendly, fun, and accessible seventeen-day event.

Experience the classics and the contemporary in the Festival’s vibrant music program with live events, from energetic “big-top” main stage events at Western Reserve to intimate Salon sessions at Buda Historic House and Garden and an exciting classical/delicate/world music program at the Town Hall.

The Festival will feature free and ticketed programs, with a new Festival Precinct bringing the town alive; contemporary music, performance, cabaret, circus, comedy and DJs will entertain while audiences enjoy the best food and beverages from the region.

Festival favourites return; The beloved Dialogues program is back at Goods Shed Arts, with Australia’s best thinkers and authors telling stories from the heart. The region’s artists are busy creating works to show and discuss with visitors when they welcome them into their practices through the Festivals Open Studios program.

Festival Director Glyn Roberts said he was looking forward to welcoming the local community and newcomers to the region. “With the celebrations taking place over Easter, it’s a great way for families to come and explore our remarkable, creative town and region.”

‘This is a Festival for everyone, with a program filled with heart and soul that will stir imaginations and create memories.,’ said Mr Roberts.

The 2023 Castlemaine State Festival program will be announced on Saturday, 28 January, 2023. Bookings are essential for most events. Castlemaine is in central Victoria, approximately 90 minutes from Melbourne, by train or car. The Festival events will take place in both Castlemaine and Bendigo in 2023. A range of accommodation options are available.

Further information can be found at www.castlemainefestival.com.au or follow the Festival on Instagram and Facebook for updates.

Castlemaine State Festival runs from 24 March to 9 April 2023 in Castlemaine, Victoria.
October 27, 2022 0 comments
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Festival NewsMusic News

FUTURE ISLANDS Announce 2023 Australia + New Zealand tour

by the partae October 27, 2022
written by the partae

Handsome Tours and Secret Sounds are thrilled to announce the return of indie icons Future Islands for their first shows in Australia and New Zealand since 2017! The Baltimore quartet of Gerrit Welmers, Michael Lowry, Samuel T. Herring and William Cashion will be performing songs from their latest album, As Long As You Are alongside favourites from across their career this coming February.

The band will kick things off in Perth playing The Rechabite, before heading to Powerhouse in Brisbane and Forum in Melbourne, followed by a trip across the pond to play Auckland’s Powerstation. Additionally, Future Islands will be playing New Zealand Festivals Splore and Electric Avenue, plus a very special Sydney show, with more details to come….

As Long As You Are looks to the past as well as the future, confronting old ghosts and embracing a new hope. It is an album about trust, full of honesty, redemption and “letting go”, allowing old wounds to heal and bringing painful chapters to a close. Signalling a new era for Future Islands, touring drummer Mike Lowry officially joined as a fully-fledged member and songwriter bolstering the founding trio of William Cashion, Samuel T. Herring and Gerrit Welmers. Given time to allow the songs to slowly come to life, these eleven new songs of post wave synth-pop are as euphoric and uninhibitedly joyful as anything the band has done in their 14-year career.

Tickets for the headline dates will go on general sale Thursday 3 November at 10am local time. Eager fans can gain access to early tickets by signing up to the promoter pre-sale here: https://bit.ly/fi23_ht

For more information and full tour details head to headsometours.com.

Stream / purchase As Long As You Are: https://futureislands.ffm.to/aslongasyouare

Praise for As Long As You Are

“Melding melodic punch with brooding gloom, Future Islands’ role as new wave torch bearers is assured on a sixth album gilded with emotional and sonic depth, symptomatic of their rising status as seasoned songsmiths.” – The Line Of Best Fit, 9/10

“existential bangers from Baltimore’s most eccentric band” – NME, ★★★★

Album Of The Week – AU Review, ★★★★

“Future Islands stun once again with their sparkling synthpop that is equal parts melancholic and uplifting.” – STACK

“Brimming with confidence and dripping with arena-sized existential anthems… As Long as You Are is the rejuvenated sound of a band who finally found what they are looking for.” – Loud and Quiet

“A work of incredible density, and yet, it feels so light. A remarkable dichotomy.” – Scenestr

“One of the most anticipated albums of the season.” – Consequence of Sound

“This album feels like the next step in their story, with more deeply felt New Romantic intensity than ever.” – Rolling Stone

Future Islands – 2023 Australia + New Zealand Tour Dates

Thursday Feb 16, 2023 – Perth Festival*
Saturday Feb 18, 2023 – Brisbane, Powerhouse
Sunday Feb 19, 2023 – Sydney – coming soon!
Tuesday Feb 21, 2023 – Melbourne, Forum
Thursday Feb 23, 2023 – Auckland, Powerstation
Friday Feb 24, 2023 – Tapapakanga, Splore Festival
Saturday Feb 25, 2023 – Christchurch, Electric Avenue Festival

Announce: 10am AEDT Thur 27 Oct
Promoter Pre-sale: 10am (local) Wed 2 Nov 
*Promoter pre-sale not valid for Perth Festival. Visit perthfestival.com.au for more info.
GP Onsale: 10am (local)  Thu 3 Nov

Future Islands – As Long As You Are is out now via 4AD / Remote Control Records.
Future Islands
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October 27, 2022 0 comments
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Music News

WET DENIM release their supercharged dynamic new track ‘FREE’

by the partae October 27, 2022
written by the partae

Photo by: Cameron Marwick

Wellington indie-rock quartet Wet Denim have returned today with their supercharged sophomore  single ‘Free’. The new track is layered with brightness, sheening with its slickness that somehow manages to intertwine the jagged guitar line at the same time as the punchy drum moments. The song’s theme borrows from Nick’s experience of feeling socially isolated from loved ones. 

“The lyrics talk about a time when I was feeling very secluded from the people around me both mentally and physically. I had just come out of a very short but intense relationship paired with having a tough time with glandular fever so was spending a lot of time alone”. Nick Goodwin, (guitar and vocals) Wet Denim

Wet Denim are one of the most compelling new bands to emerge from New Zealand’s fertile musical landscape in recent years. Recording ‘Free’ in their hometown of Wellington, it was produced by the band with additional support from multi platinum selling group, Drax Project with mixing by Neil MacLeod and mastering by multi-award winning engineer Chris Chetland (Dua Lipa, Snoop Dogg, Joel Little/Lorde).

 

This song really brought us together as a band just over a year ago now. Free is actually the first song we wrote together. Joe came to the first ever Wet Denim jam with the instrumental demo of Free on a logic session. We all sussed out our individual parts and the chemistry began to flow from there”. 

Wet Denim  

Wet Denim are singer and guitarist Nick Goodwin, Luca Crampton on guitar, synths and keys with brothers Jack and Joe Ledword on the drums and bass. Since their move to the capital in a year of record rainfall, the band have quickly established themselves as the band to watch on Wellington’s live scene. With one only single under their belt they have achieved what many bands could dream about by selling out two headline shows in Wellington, securing student and alternative radio support across New Zealand and collaborating on writing and production of the forthcoming EP with members of multi platinum group Drax Project. 

Their guitar-driven sound whilst incorporating pop melodies will no doubt be front and centre for their forthcoming EP.

PLAY/LISTEN

Free is out on Thursday, October 27

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Music InterviewsMusic News

Lahgo: Shallow Hellos (Premiere)

by the partae October 26, 2022
written by the partae

Where are you currently based?

The sandy shores of Bondi Beach baby.

How did you first start playing music?

Each member found their love for music through different avenues, which we think makes the journey unique and exciting for the listener as you’ll begin to hear different experiences and memories captured in each song.

What’s been happening recently?

A healthy combination of recording, gigging and writing. We’ve headlined some sick shows this year (including a sellout at the Lansdowne), and we’ve polished off two EPs in the process, released our first single and shot 2 film clips. It’s been quite hectic.

Your latest single ‘Shallow Hellos’ will be out on the 27th of October, what influenced the sound and songwriting?

Shallow Hellos was a lockdown baby. Sonically, and maybe unintentionally, we leaned into a dark and moody twist on the classic indie sound which was quite reflective of what was happening around us. Although the core themes of the song are of isolation and alienation, the track finishes big with an energetic chorus which was kind of fitting, looking into an optimistic lockdown-free future.

How did you go about writing Shallow Hellos?

The opening riff was something Aron had in the bank for a long time. He took it to the band and it all came together real quick. Lee and Adam brought in that driving groove you hear in the second verse which left Mel’s vocals to shine flawlessly on-top. Very much a collaboration which is why we think it sounds so good.

Where and when did you record/produce/master and who did you work with?

We recorded the song at Parliament Studios in Annandale. Our longtime friend, producer, workhorse, shaman-in-sound and baby daddy Luke Payne produced it. He’s been with us since the start and he’s seen us hone our craft. He might tell you differently, but this was one of the smoother, funner recordings from our first EP.

Matt Fioravanti did the mixing and mastering. He’s a wizard. No two ways about it. He brought the track to life in ways we didn’t think possible.

How did you approach the recording process?

Initially, like a bull in an antiques store. We used to try and hustle a full track over a single weekend. By the time we got Shallow Hellos our process had improved a lot. We wrote it, demo’d it, drilled it, gigged it, and then recorded it amongst a batch of other tracks. So when you take the whole timeline into account, it was a matter of months.

Please tell us about how the concept for the music video came about and who did you work with?

We had worked with a great photographer Nick Gascione in a past photoshoot. He’s a true Aussie legend with a ‘straight-up’ way of doing things. He came around and we just smashed through the concept. We wanted to lean into the dark themes of the track and a real feeling of isolation/ fighting with one’s own inner thoughts. Next thing we were in his studio with Mel running on a treadmill all day. Max then took all the raw footage and edited it for 2 days straight and now we all can’t stop watching it. If you pay close attention, you’ll see Mel staring at 6 copies of herself at once haha.

You have an EP on the way, what can we expect?

You can expect the beginnings of band experimenting with finding an original sound. There’s just so many layers in each of the tracks. We’re so grateful to our producer Luke Payne who doesn’t know the meaning of the word ‘no’. Not once did he say, “nah that won’t work”. It was always like “yeh! Lets try that absolutely ridiculous idea.” We’re all super proud of it and it’s a real testament to our quest for originality. We look back fondly on all the laughs, cries, fights and late night Macca’s meals that went into making this beauty.

Any upcoming shows?

Ofcourse! We’re headlining a free show at the Royal in Bondi on Thursday the 10th of November. There’ll be plenty more too. Best to stay up to date with us on IG @lahgo_.

Who are you listening to at the moment?

Who aren’t we listening to? Such a diverse range of artists. From late 60’s Beatles records to 80’s Japanese disco-pop, 90’s boom bap, hard rock’n’roll, 2022 neo-soul, indie pop and everything current. If it’s good, we’re listening.

What do you like to do away from music?

We’re all into different sorta stuff, you know? Az loves his golf. Adam loves skiing, When she’s not spending time with her cats, Mel gets into nature walks. Lee loves his painting, Max digs on film-making.

Favourite food and place to hangout?

One of our rituals is to hit Fish Shop after a long session on a Saturday. If you haven’t had an O.G fish burger, stick it at the top of your bucket list. Also the Royal Hotel Bondi. It’s basic, but you just can’t beat a schooner and some Totti’s woodfired bread.

What’s planned for the remainder of 2022 going into 2023?

We’ve booked some time in a secluded house in the middle of no-where. We want to get away from the rat race for a minute to continue writing our next body of work. Then it’s a tour early next year and mid-late 2023 hitting festival season hard like a fly on a freshly laid doggy-doo-doo. 2023 is gonna be huge and we just can’t wait.

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October 26, 2022 0 comments
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Festival NewsMusic News

Armand Hammer announce AUS/NZ tour With headline shows in Wellington, Auckland, Sydney, Brisbane, Melbourne and Perth

by the partae October 26, 2022
written by the partae
SIGN UP TO THE PRE-SALE
Armand Hammer bring their strikingly unique and eclectic style to Australia for the first time in March, presented by Astral People & Handsome Tours. The incendiary combination of New York rappers Billy Woods and Elucid is untouchable: both artists having released acclaimed and forward-thinking solo albums this year alone, still coming together as a sum greater than its parts.

Few rap duos achieve what Armand Hammer achieve, boasting a legendary back catalog that provides a vivid cross section of each moment in underground hip-hop over the last decade. Collaborating regularly with artists such as Earl Sweatshirt, Pink Siifu, Quelle Chris, Moor Mother and R.A.P Ferreira, the duo have the taste of curators and the touch of true artists. On 2021’s seminal Haram, Armand Hammer join forces with a single producer on a record for the first time: no one better to challenge the unchallengeable than the legendary The Alchemist. The record sees all three artists embark upon uncharted territory, with Woods and Elucid entering more outlandish regions of storytelling and world-building, stirring pristine imagery and finding pockets in the increasingly eclectic production of The Alchemist.

Elucid and Billy Woods are fresh from solo ventures, with Elucid’s I Told Bessie and Woods’ Aethiopes and Church adding to their indelible catalog and solidifying both rapper’s legendary status with their incomparable output. Both artists feature extensively on the other’s record, making clear the sentiment of Armand Hammer exists wherever each rapper ventures into next.

Haram, and all other Armand Hammer albums, are there to be explored like a living museum. Their live show reveals more, and places you within their remote world like no listening experience can.

There is nothing on the landscape like Armand Hammer: missing this shows would be a disservice.

TOUR DATES

Friday Mar 3, 2023 – Wellington, San Fran

Saturday Mar 4, 2023 – Auckland, The Tuning Fork

Wednesday Mar 8, 2023 – Sydney, Oxford Art Factory

Thursday Mar 9, 2023 – Brisbane, Woolly Mammoth

Friday Mar 10, 2023 – Melbourne, Corner Hotel

Sunday Mar 12, 2023 – Perth, Jack Rabbit Slim’s

TICKETS HERE

SIGN UP TO THE PRE-SALE
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October 26, 2022 0 comments
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Festival NewsMusic News

CVLTFest Feat. Alpha Wolf, Silent Planet, Deez Nuts, Currents, The Beautiful Monument, To The Grave, Bloom, Vengeance & Future Static Is This Week!

by the partae October 26, 2022
written by the partae

CVLTFEST, Alpha Wolf’s special one off heavy music festival makes its debut this Sunday at Melbourne Pavilion, Kensington.

This truly spectacular line up curated by the band themselves features Alpha Wolf as the headliners and with friends Silent Planet (USA), DEEZ Nuts (their first show back in Australia in nearly 4 years), Currents (USA), The Beautiful Monument, To The Grave, Bloom, Vengeance and Future Static.

On top of the killer performances, there will be a free photobooth and Deathwish Barber & Tattoo stand. There will be food trucks with vegan and non vegan options and market stalls including Greyscale Records, Sharptone Records, UNFD, Gehenna Clothing, Wearalmost Clothing and Sea Shepperd.

While they don’t do anything in halves and continue to push boundaries, CVLTFest is no exception. Each band on the line up will donate 10% of merchandise commission to an organisation of their choice and all festival brand merchandise profits will be donated to a charity by Alpha Wolf.

While the road has been far from easy for Alpha Wolf and they refuse to let anything stand in their way. Throughout the chaotic and turbulent times they find themselves, the band released their sophomore album ‘a quiet place to die’ to critical acclaim including a #6 spot on the ARIA charts and a nomination for Best Heavy Album at the ARIA awards. Selling out multiple sold out runs around Australia, two European runs under their belt, the band have just returned home from a huge North American run as direct support to ERRA and performing in Europe with Polaris on their headline run. In August, the band released a split EP with UK’s Holding Absence.

If you haven’t got your ticket yet, we urge you to do so before you miss out.

Tickets on sale from destroyalllines.com

DESTROY ALL LINES & ALPHA WOLF PRESENTS

CVLTFESTFEATURING


ALPHA WOLF
SILENT PLANET (USA)
DEEZ NUTS
CURRENTS (USA)
THE BEAUTIFUL MONUMENT
TO THE GRAVE
BLOOM
VENGEANCE
FUTURE STATIC

SUNDAY 30 OCTOBER 2022
MELBOURNE PAVILION 18+
135 – 157 RACECOURSE ROAD, KENSINGTON

Tickets on sale now from destroyalllines.com

October 26, 2022 0 comments
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Festival NewsMusic News

GOLD FANG EMBRACES GROWTH AND AUTHENTICITY IN CATCHY NEW SINGLE ‘BIG NATTY RASTA’ + ON TOUR WITH THE TERRYS + NERVE

by the partae October 26, 2022
written by the partae
Photo by @Farnozz

PRAISE FOR GOLD FANG

“Gold Fang is a great reminder that Australia is home to
world class artists  from a wide-array of rich musical cultures”

FBi Radio

“Wild and charismatic flows”
Complex Australia

“Catchy inflections rooted in the sounds of Reggae, 
propelled by a swagger-heavy flow”
Acclaim

“A slice of reggae perfection”
Red Bull Australia

“Natural charisma”
Tenner Magazine

“​​His catalogue of singles have consistently moulded together the 
cultural zeitgest of Sydney with his Trinidadian heritage”
Purple Sneakers

“Catchy call and response hook”
Earmilk

“Sonic realms of Afrobeat and Dancehall”
MILK

“One of the most exciting hip hop artists doing it in the inner west”
Life Without Andy

Today, Trinidad-born, Eora-based artist Gold Fang shares his new single and video ‘Big Natty Rasta’, out now via Nina Las Vegas’ imprint NLV Records. LISTEN HERE + WATCH HERE.

Produced by Naarm-based producer Swick, whose recent credits include M.I.A’s MATA, ‘Big Natty Rasta’ is a free-flowing and energised number that sees Gold Fang further fasten his versatility as an artist, seamlessly adapting as the beat transforms. The track boasts a powerful arrangement between Swick and Gold Fang, one that is high in energy, unique in production, and infectious in rhyme.

Alongside a video directed by frequent collaborators The Sesh, the release of ‘Big Natty Rasta’ is an authentic addition to Fang’s expansive musical palette, with a firm nod to the experience of his Trinidadian roots. Gold Fang shares “They had this thing back in the days where even in my country, you had to have certain hairstyles or else you get sent home, or the teachers would say something about it. Big Natty Rasta is about going against the grain – people look at Rastas as rebellious, and I think it is rebellious. It’s not you trying to be the clean-cut person, it’s about you embracing who you are – embracing growth and authenticity. Big Natty Rasta is about eating a whole heap of pasta and causing disasters.”

His steady stream of releases including the free-flowing ‘Wet‘, ‘Light It’ and ‘Make It Snow ft. Dante Knows’ as well as his commission for the McDonald’s U.S. biennial global conference ‘Matter To Me’ and collaboration with rapper Big Skeez on their anthemic single ‘Where Yuh From’, helmed Fang’s artistry to new heights – high rotation from triple j Unearthed, FBi Radio and SYN FM, RAGE and MTV alongside praise from Complex Australia for his “wild and charismatic flows”, “head-bop-inducing percussion of dancehall” by Acclaim Magazine and “ferociously delivered bars” by Purple Sneakers amongst others.

Coupled with a blockbuster appearance at BIGSOUND, Gold Fang continues to cement his place at the forefront of local tastemakers and so-called Australia’s thriving Afro-Caribbean creative community: be it kicking off the year as triple j Unearthed‘s Feature Artist, a Semi-Finalist in Acclaim Magazine’s All-Stars as well as one of Red Bull’s 2022’s Australian Rappers to Watch, his commission for the McDonald’s U.S. biennial global conference ‘Matter To Me’ and his explosive freestyle for Red Bull’s 64 Bars alongside his sync involvement with Champion for their ‘Collegiate’ campaign and with JD Sports modelling for the new Adidas Trefoil line, Gold Fang proves no matter what lane, he keeps on winning.

‘Big Natty Rasta‘ is out now via NLV Records,
buy/stream it here.

TOUR DATES
Wed 5 Nov – Oxford Art Factory – Eora / Sydney*
Sat 19 Nov – The Corner Hotel – Naarm / Melbourne*
Sat 10 Dec – The Operatives ‘WE ARE 18’ – Naarm / Melbourne
Sun 18 Dec – North Gong Sundays – Dharawal / Wollongong
* supporting The Terrys

Stay connected with Gold Fang:
Instagram | Facebook | Soundcloud | Tik Tok

October 26, 2022 0 comments
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Music News

EMERSON LEIF SHARES LEAD TRACK ‘MORE OR LESS’ FROM EP ‘GOOD SHOT’ OUT FRIDAY

by the partae October 26, 2022
written by the partae
“Emerson Leif has that kind of voice that’ll make you pause, take a breath and exhale a deeply felt “bruh”. Take this moment and keep it for yourself.” – Dave Ruby Howe, triple j

“Emerson Leif is only going up from here.” – Jackson Langford, Purple Sneakers

“Can’t even tell you how many times I’ve listened to Emerson’s songs in my quieter moments… he writes special, personal records that are begging to be listened to on a great set of headphones with a head full of uncertainties.” – Tommy Faith, triple j

 

Meanjin-based alt-pop artist, Emerson Leif, drops the final lead track ‘More or Less’ from his EP Good Shot today, closely followed behind by the full EP release on Friday.

‘More Or Less’ brings R&B soul and alt-pop energy, sharing the acceptance and acknowledgment of being alone and completely okay with it, and comes after melodic dream, ‘Fine’, mesmerising ‘Blood’, and introspective title track ‘Good Shot’.

Good Shot EP, out Oct 28, is a solo affair, and features six tracks documenting Emerson’s journey over the past year – his triumphs, struggles, fears, and brushes with defiance, forgiveness and gratefulness. He says “Good Shot (EP) is a message of hope – when the odds are against you but you know you will make it through eventually. You can heal and change and grow.”

Emerson Leif has remained an impressive figure and playlist regular, with ‘Fine’ scoring double j rotation and triple j Unearthed Top 5 Songs of the Week. All of the releases from his EP so far have been added to multiple Spotify editorial playlists, including New Music Friday AU & NZ, New Music Friday U.S.A and All New Indie, as well as Apple’s Flow State and Today’s Chill. His debut single ‘Hesitate’ has amassed above 29 million streams on Spotify alone and he has collaborated with the likes of RAC, Golden Vessel, Malrat and Muto.

‘More or Less’ is out now, with EP Good Shot out this Fri, Oct 28.

CONNECT ONLINE WITH EMERSON LEIF
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October 26, 2022 0 comments
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Festival NewsMusic News

Bluesfest Touring announces EXPLOSIVE DOUBLE BILL COMING TO SYDNEY, MELBOURNE & BLUESFEST BYRON BAY 2023!

by the partae October 26, 2022
written by the partae
NATHANIEL RATELIFF and THE NIGHT SWEATS 
With special guests ST PAUL & THE BROKEN BONES 
Mon 10-Apr-2023 – Forum, Melbourne 
Thu 13-Apr-2023 – Enmore Theatre, Sydney 
PRE-SALE from Friday 28th of October 2022 – 12PM AEST 
ON SALE from Monday 31st of October 2022 – 12PM AEST 

Every now and again there is a truly magical double bill. The combination of NATHANIEL RATELIFF and THE NIGHT SWEATS and ST PAUL & THE BROKEN BONES is every bit that and more. Bring your dancing shoes!

NATHANIEL RATELIFF and THE NIGHT SWEATS are based in Denver, Colorado. They mix rock ‘n’ roll swagger with classic soul, R&B and a touch of country. They will make their long-awaited return to Australian shores following their explosive Australian shows in 2019.

ST PAUL & THE BROKEN BONES from Birmingham Alabama, are known for their powerhouse soul, funk rock with their charismatic singer Paul Janeway, and are returning to the Bluesfest and touring as an audience favourite.

They are a Musical Experience Like No Other!

All Bluesfest Touring artists will be playing Bluesfest Byron Bay next Easter Long Weekend, from Thursday 6th – Monday 10th April 2023. Tickets on sale at www.bluesfest.com.au.

REGISTER FOR PRE-SALE HERE:

https://bit.ly/BluesfestTouringSubscribe
October 26, 2022 0 comments
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Festival NewsMusic News

Kokoroko debuts in Australia With headline shows in Brisbane, Sydney and Melbourne

by the partae October 26, 2022
written by the partae
SIGN UP TO THE PRE-SALE
Astral People and Handsome Tours are thrilled to present… Kokoroko

Cohabiting at the apex of Neo Jazz and Afrobeats, in perfect soul-shaking harmony is Kokoroko. After bursting into the public view in 2018 with ‘We Out Here’, a project from Brownswood Recordings celebrating the brightest of London’s young jazz stars, the band became the crown jewel for the so-called ‘UK jazz renaissance’. The 50+ million YouTube plays given to their languid, improvisatory, track ‘Abusey Junction’ didn’t hurt either. Earning them universal critical acclaim from BBC 6 Music, 1Xtra, Afropunk, Line Of Best Fit, The Guardian, The Clash, and NPR and more.

Since then, they’ve sold out tours across Brazil, India, and repeatedly the UK. Performed at numerous international music events including Glastonbury, Wide Awake Festival, Lost Village, Pohoda Festival, Super-Sonic Jazz Festival, Akbank Jazz Festival, Coconut Music Festival, and Meadows In The Mountains. Now finally it’s Australia’s turn.

Released earlier this year to resounding acclaim was their debut album ‘Could We Be More’. An expansive and ambitious album that speaks to the force of Kokoroko. Each song possesses the energy which so naturally underpins the heartbeat of Kokoroko’s identity – deftly moving through afrobeat, highlife, soul, and funk across the album’s 15 tracks and taking inspiration from a plethora of other influences from West Africa to London and the Caribbean – ‘Could We Be More’ gifts the listener feelings of homecoming and joy.

Kokoroko’s music was shaped by the rich musical traditions of Western Africa and all steeped in London’s cultural diversity. The band’s music is beautifully complex and powerfully commanding, the kind of music that forces you out of your seat to dance. The group’s name which means ‘be strong’ in Urhobo was a declaration of power from the start, of the uplifting, positive energy and the sharp artistic vision that makes up their sound.

Don’t miss Kokoroko as they bring their lush vocals, adventurous brass motifs, and hypnotic guitar tones to Australian stages for the very first time this coming March.

Astral People acknowledges the Traditional Custodians of country throughout Australia on which this tour takes place. Astral People acknowledge their Elders past, present and emerging and pay their respect to all First Nations people. Always Was, Always Will Be.

TOUR DATES

Tues Mar 7, 2023 – Brisbane, The Princess Theatre

Weds Mar 8, 2023 – Sydney, Factory Theatre

Fri Mar 10, 2023 – Melbourne, The Croxton Bandroom

TICKETS HERE

SIGN UP TO THE PRE-SALE

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October 26, 2022 0 comments
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Music InterviewsMusic News

Oly Sherman

by the partae October 24, 2022
written by the partae

Where are you currently based?

Currently based in Manly! Sydney, Australia.

How did you first start playing music?

I started playing guitar throughout school, and slowly grew into singing and piano. Everything just kind of snowballed until I was confident enough to write my own stuff!

What’s been happening recently?

Moved house, finished touring, finishing up a new project, getting a lot more exercise and sleep in! The good stuff I guess. 

Your latest single ‘ Dancin’ in the rain” is out now, what influenced the sound and songwriting?

I went through a massive RnB phase throughout lockdown, and went through about 6 months of experimenting with the type of sound that you can hear in the song. 

How did you go about writing ‘Dancin’ in the rain’?

It came rather quickly actually! I had the sax sample recorded for a long time and wrote the song around that! The theme of the song is architected around the people that are close to me, and how they make me feel.

Where and when did you record/produce/master and who with?

I recorded most of the song at my home studio in Sydney, and then completed a final mix with Dan Natoli at Kiln Studios. 

What’s the Sydney music scene like at the moment?

To be honest, whenever I’m asked this question, I don’t really know what to say. Sometimes it’s great and there’s a real sense of optimism within the shows I attend and shows of my own. However sometimes it can seem bleak, and there feels like this constant pressure to make artists into more than artists (content providers, accountants, media guru’s, etc).

What are your favourite venues to play and why?

I think my favorite venue has got to be my hometown venue of The Lansdowne. I grew up watching so many of my favorite artists play there, and was such an insane feeling when I got to sell it out myself a couple of times!

You have an upcoming tour, where are you headed and what do you most enjoy about touring?

Touring can be amazing, and can also be grueling. If I’m doing a solo part of the tour, airports can become a bit annoying after a while. We end the tour with a huge Byron show, which should mean the band and I get a bit of time in the sun!

Please tell us about any upcoming music/albums:

I have a new project in the works, which should be on the horizon early next year.

Who are you listening to at the moment?

Honestly, a lot of dance music, particularly house and jazz house. It’s such a fun and refreshing mixup to my normal stuff, and super fun to dj. 

What do you like to do away from music?

I’m a pretty chill morning guy, and like the simple things like exercise, beach and reading. I also like just organizing day things with my partner and friends and making the most of the time we have!

What’s planned for the remainder of 2022 going into 2023?

I finish touring in mid-November and then I have the rest of the year off! Very exciting. I’m going to spend a little bit of it completing a new project, and then I’m going to relax!

Favourite food and place to hangout?

Anything to do with sashimi. I’m due for some actually. 

Official Website: https://olyshermanmusic.com/

Facebook: https://www.facebook.com/olyshermanmusic

Twitter: https://twitter.com/olyshermanmusic

Instagram: https://www.instagram.com/olysherman/?hl=en

Youtube: https://www.youtube.com/channel/UC5Jv0u21SjHXS2-HpL1mirQ

Triple J Unearthed: https://www.abc.net.au/triplejunearthed/artist/oly-sherman-0/

October 24, 2022 0 comments
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Music News

Sam Blacky Releases Spicy Latin-Inspired Single “Move Like That” On Terms & Conditions

by the partae October 24, 2022
written by the partae

Artists: Sam Blacky
Title: Move Like That
Label: Terms & Conditions

Download / Stream

Femme powerhouse Sam Blacky returns with another sultry house single, “Move Like That” on Mexican duo Tom & Collins‘ label Terms & Conditions. Blacky is heavily inspired by her global travels and the music she encounters along the way, and this new release carries a distinctive Latin flair. With an energetic pulse driven by a steady bassline and kick drums, Blacky also layers in a catchy vocal riff with the title’s namesake that encourages the listener to get on their feet and “Move Like That.” In the same vein as Blacky‘s previous single “Colombiana,” the new track is perfect for steamy nights on the dance floor or any time you’re looking for a groovy pick me up.

“This single was inspired once again by my love for Latin dance music, and that’s why we wanted to go with Terms & Conditions. I have known Tom & Collins for many years, so to finally come together on a project is the only thing that made sense for this track.” – Sam Blacky

Samantha Black is a multitalented DJ/producer and creator professionally known as Sam Blacky. Originally from San Diego, Sam spent several years in Australia, where she first fell in love with producing music and performing live. Since moving back to Los Angeles, music and performing have taken a front seat in her life. Sam has performed live across the world from 2017 to the present day, from Mexico to Ibiza to Bali, at some of the premier electronic festivals and clubs on the planet. During the pandemic, Sam released a series of videos on Youtube called “A New World,” live streaming sets from some of her favorite places in Mexico, giving viewers a taste of vacation vibes even while staying safe at home. Following the release of her first EP on her own label, Stabby Records, Sam has also released singles with Repopulate Mars and now Terms & Conditions as well as an official remix for the viral Tik Tok single “Gaslight” by Inji. She is currently working more remixes and collabs with Inji and others as well as a new EP with Jackson Englund.

More info on Sam Blacky:

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October 24, 2022 0 comments
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Music News

Driving Force Behind the US Drum & Bass Scene Justin Hawkes Releases Debut Full-Length Album “Existential” on UKF

by the partae October 24, 2022
written by the partae

Artists: Justin Hawkes
Title: Existential
Label: Pilot./UKF

Download / Stream

Justin Hawkes charged onto the DnB scene under his Flite moniker with the self-released track Blue Spark in 2013, with Liquicity featuring the seminal track on their influential YouTube channel. His ability to span soft-toned character to sheer euphoric brilliance through the dark, earth-shaking depths of bass music soon found him many fans, including some of the world’s top DJs, such as Andy C, Porter Robinson, RL Grime, Netsky, Friction, Sub Focus, Wilkinson and many more.

His relationship with UKF started when they featured his releases Featherfall and Colorless in 2014, released on Bass Explorer’s label Sup Yo! And Liquicity Records, respectively. His 2017 EP ‘The Cure,’ however, dropped on Liquicity, truly marked a momentous shift in his music career, releasing a flurry of bangers on labels such as Hospitality, Monstercat, and UKF and a slew of festival appearances in Europe and the US.

In 2020 dropped the Flite moniker in favor of Justin Hawkes, arising like a phoenix from the ashes with roof-tearing releases Lift Off The Roof (D&B Arena) and The Underground. He channeled his experiences in the US rave scene with songs such as IJDK and a remix for REAPER’s Barricade. And even though these releases were incredibly successful, the controversy surrounding the Flite moniker, with personal attacks against Hawkes’ honor during a global pandemic and huge politically uncertain times, left a serious mark – one that he would explore on his debut album ‘Existential.’

“Existential manifests as a self-portrait,” says Hawkes. “It weaves between my thoughts, philosophy, and history, both within my career as a Drum & Bass artist in America and internally through the unknown future. The title itself represents the existential scenarios that have formed who I am, exploring my journey through crisis, the weight and forgotten wisdom of the past, and even the sometimes-comedic power of being an outlier.”

Having grown up in a small town in Virginia, Justin wasn’t born into the DnB scene. Influences such as Justin’s early stint in his school’s marching band playing trumpet and his love for blues, rock, jazz, folk, and gaming, have found their way onto the album. His family was deeply entrenched in more ‘traditional’ American music genres such as Country and Americana, with his uncle Andrew Hellier playing guitar for Modern Yesterday and Rotoglow. His family, as well as his family’s influences, can be heard on the standout single ‘Better Than Gold,’ featuring none other than his uncle on vocals and father on mandolin and acoustic guitar. If there was ever a genre-busting tune, this Country Rock-meets-DnB would be it.

But it’s not all fun and games – Existential explores deeper themes, such as the idea that humanity is encouraging its own extinction and what it means to be alive at a time when the world feels like it’s collapsing in on itself. Tragedy, humanity is one such track that describes the many beautiful yet tragic paradoxes humans go through or create for themselves.

Featuring 15 tracks that showcase Hawkes’ flawless and diverse style as a producer, ‘Existential’ feels less like an album and more like a sonic journey through the artist’s psyche. From the opening notes of tracks like ‘Inheritance’ and ‘Arbiter’ (featuring PAV4N from Foreign Beggars), which convey power and intensity, to the more mellow and rock-infused ‘The End of an Empire,’ Hawkes brings a fix for a very wide palette of emotions. Says Hawkes: “I’m a big film guy, often leaning towards the existential questions and mysterious possibilities of human progress. The organic and moving sounds of composers like Jon Hopkins and Hans Zimmer really interest me as well, and that played a key part in my mindset while producing the album. I am pleased that ‘Existential’ as a body of work grasps the essence of what makes me think, feel, and makes me myself, all within a musical format I am exceptionally passionate about.”

More info on Justin Hawkes / UKF:

Justin Hawkes: Facebook | Instagram | Twitter | Spotify
UKF: Facebook
 | Instagram | Twitter | Spotify
October 24, 2022 0 comments
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Music InterviewsMusic News

Poppy Rose 

by the partae October 21, 2022
written by the partae

Where are you currently based?
I am based in Naarm (Melbourne).

How did you first start playing music?
Off my brothers iPod! And eventually I just figured out how to make my own.

What’s been happening recently?
Well, I’ve been getting used to having a song out again after 5 years and taking it all in. I’ve been working to pay the bills and working on my music!

Your latest single ‘My God’ is out now, what influenced the sound and songwriting?
I just started off with a simple beat I made and melody. I don’t think anything in particular inspired it. Maybe just lived experience and trying to have fun with the lyrics. I wanted to do some wordplay with pop culture references so the movie ‘Friday’ with Ice Cube and Chris Tucker, Kill Bill, Michael Jordan & Dr Phil influenced that!

How did you go about writing My God?
I love 808’s, and I was playing around with an 808 melody on GarageBand & then experimented with some percussion samples and slam/kick FX and MIDI trumpets and as I was doing the beat making process, I came up with a melody and then wrote lyrics.

Where and when did you record/produce/master and who did you work with?
Over a year ago now, I was in a little bedroom and created the demo. I then took the demo to HAMLEY (producer) who beefed everything up and then Matt ‘Xiro’ Fioravanti mixed and mastered it.

How did you approach the recording process?
After having my version of the demo for a while, I got used to the original vocals I did and was pretty set on them being in the final mix. When I’m doing it on my own time I don’t feel pressure because I can take as long as I like and choose my environment. But I had to let go of what I was comfortable with, re-record them better quality and try to have the same energy as the demo which ended up sounding more powerful in the end.

You’ve recently taken a break from music to work on yourself, please tell us about this
process:

When I put my first song ‘Ocean’ out 5 years ago, I didn’t realise the extent of how much I had going on for myself personally and mentally which put a halt on me focusing on my music. I got addicted to drugs and I didn’t know I was addicted until I was really in the depth of it. I made a choice and didn’t realise the implications it would have. When I knew I wanted help, I made a choice to try and get it. I had definitely tried to get help in the past, but when it worked for me is because I wanted it for myself. Music definitely played a big part in my recovery because when the lockdowns hit, I just threw myself into creating music again.

How did you go about teaching yourself to produce and make beats?
GarageBand, and a lot of YouTube tutorials!

Who are you listening to at the moment?
JK-47. I love his realness and lyricism. A new inspiration of mine too! I can’t wait to see him play at First & Forever – A Celebration of Blak Excellence festival in November and all of the other incredible artists on the lineup.

What do you like to do away from music?
Talk to my cat Chonky, spend time with my loved ones, do backyard hairdressing for friends and myself, converse with people and learn how they see the world and experience it and I like stretching/yoga, I just want to do it more regularly!

What’s planned for the remainder of 2022 going into 2023?
Staying focused on my music and getting it out there! I have a hard drive full of songs I’ve been writing and I just can’t wait for the world to hear them. More released music, more time with friends and family, getting back into live performing, keeping healthy and staying open to learning from every experience!

Favourite food and place to hangout?
Asian food, especially dumplings. My favourite place to hangout is in my bedroom studio. Whilst eating dumplings.

PLAY/LISTEN

INSTAGRAM | TIKTOK | FACEBOOK | SPOTIFY | APPLE MUSIC
October 21, 2022 0 comments
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