Monthly Archives

June 2022

THE REGGAE MASTERS UB40 FEATURING ALI CAMPBELL ARE BACK For Their First Australian Tour in Four Years

by the partae June 21, 2022

written by the partae

Ali Campbell, the original founder of the iconic Grammy-award winning, UK reggae group, UB40, has confirmed the band will return to Australia for their first national tour in four years presented by The Hour Group and Vandemonian Touring.

The band’s legendary songwriter and esteemed vocalist will be joined by his amazing nine-piece band for the Australian tour. Tickets are on sale from 9am Wednesday 22 June 2022 at www.thehourgroup.com.au

Formed in 1979, UB40 helped define reggae music for a generation. The ground-breaking reggae troupe topped the UK singles chart on three occasions, earned multiple Grammy nominations and sold over 70 million records as they took their smooth yet rootsy musical blend to all corners of the globe.

Kicking off on 28 September, Ali Campbell will bring his energetic stage show that he is synonymous for to Hobart, Sydney, Adelaide, Melbourne and Bribie Island in Queensland. They will also headline the sold-out music festival, Promiseland on 2^nd October in the Gold Coast.

The reggae pioneers will perform classic hits that catapulted them to the forefront of the universal landscape including “Red, Red Wine,” “Kingston Town,” “One in Ten,” “Food For Thought” and more.

The band has delivered outstanding performances during their recent run of shows throughout the UK and Europe.

“The vocalists were pitch-perfect, the musicians were flawless, they held the crowd throughout the entire performance and the atmosphere was phenomenal.”

“Campbell gave an excellent performance and was in fine voice.”

In addition to a jam-packed show of the classic hits, Ali will treat fans to new material from the band’s forthcoming album, Unprecedented which will be released on 24 June and is the follow-up to 2018’s A Real Labour Of Love – which debuted at No.2, the highest charting album by any incarnation of UB40 since 1993’s Promises And Lies.

Unprecedented is fueled by the roots rocking spirit that powered UB40’s original embodiment of work and is an album to inject a little reggae sunshine into even the darkest days. It’s also a fitting memorial to Astro who sadly passed away in November 2021 following a short illness.

Ali comments, “This album is now more poignant and special than either of us could have imagined when we were recording it. Astro heartbreakingly passed just two weeks after we’d finished the final mixes, so this is a way of keeping his memory alive.”

“I can’t wait to get back on stage and see all our wonderful Aussie fans, it’s been incredibly difficult performing without Astro by my side. Remembering Astro, let the music play on!”

TOUR DATES

UB40 FEATURING ALI CAMPBELL

Presented by The Hour Group, Festco and Vandemonian Touring

Hobart – Friday, 30^th September – Hobart City Hall

Sydney – Saturday, 1^st October – Star Events Centre

Gold Coast – Sunday, 2^nd October – Promiseland Festival (Sold Out)

Adelaide – Wednesday, 5^th October – Hindley Street Music Hall

Melbourne – Friday, 7^th October – Margaret Court Arena

Queensland – Saturday 8 October – Sandstone Point, Bribie Island

TICKETS

For all ticketing details please head to www.thehourgroup.com.au

June 21, 2022 0 comments

Ash Grunwald Announces Shout Into The Noise Album Tour

by the partae June 21, 2022

written by the partae

Ash Grunwald – Shout Into The Noise
Out now through Bloodlines
Available here

Tracklisting:
1. Shout Into The Noise
2. I Want You To Know
3. Surrender
4. Let Me Go
5. Good Thing
6. Gone
7. Madhouse
8. Chains
9. Tell It Like It Is
10. Way Too Long

June 21, 2022 0 comments

Music Interviews Music News

Kieran Christopherson gears up for release of debut record Grand Mote

by the partae June 20, 2022

written by the partae

Where are you currently based?

I live in Lancefield in Central Victoria, which is on the lands of the Wurundjeri and Dja Dja Wurrung peoples.

How did you first start playing music?

I’m self taught, and cut my teeth in lots of shabby punk and emo bands while at high school in Frankston.

What’s been happening recently?

Doing too many things at once and stressing about all of it. Finalising the release of my record Grand Mote. Releasing season 1 of my podcast Grand Mote Radio, scoping out pre-production for season 2 of that. Working as a horticulture teacher part-time. Trying to be a good husband and a good father to our one year old daughter.

You’ve just released your new album ‘Grand Mote’ what the hell does Grand Mote mean?

There’s a great War on Drugs line about ‘the grand parade’, which I’ve always loved. That inspired me, but a parade felt too lavish. I searched for a term to juxtapose grandness and found ‘mote’, which means a spec of dust or single particle. I produced the record myself in the first instance, so it was about allowing the relative insignificance of my life experience to express itself as fully as I could.

What influenced the sound and songwriting?

Guy Faletolu, who I have worked with a lot in live music with Cousin Tony’s Brand New Firebird, co-produced and mixed the record with me. His love of RnB and the 80s is all over it, but in rather inconspicuous ways. He helped me find the palette. The sound is built on my love of folk rock, americana, and classic guitar music, but I try to add a little more ambience to it all. Not quite shoegaze, but I’m a heavy pedal user so headed in that direction.

How did you go about writing the album?

I took a fairly mean hiatus away from writing songs through the middle of my 20s. I was lost, depressed, and trying to decide who I wanted to be. When I left Cousin Tony, I found space that enabled me to slowly crank the wheels into motion again. I write simple songs, lyrically driven, but try to turn them around in interesting ways. I keep it earnest, and try to find the universal in that. Most of it was written in my living room at the piano my mother in law gave to us.

Where and when did you record/produce/master and who with?

I did the bulk of my recording on it at home in Lancefield, often at night after my wife was in bed. We had a child on the way, so time was of the essence. I then started collaborating with Guy and we did some work at Sunset Pig Studios in Collingwood. There is fairly big cast of characters that contributed in their own home environments too, Nick Reid played drums, Matt Hayes and Tyler Millott played bass, Lachy Rose played some keys, Peter Corrigan played a gorgeous piano part on ‘Get That Money’, Chris O’Neill composed some string parts on ‘I don’t know why I’m angry all the time’ that made me cry when I first heard them, Victor St Clair played some bonkers sax on half of it, and Guy put some perfect touches on a few songs and mastered it.

How did you approach the recording process?

I was rediscovering who I was an artist. I used to do some home recording when I was younger, so I’d had some experience, but nothing I would call capital ‘p’ production. I wasn’t even setting out to make a record at first, which was kind of liberating but also meant I had to re-track stuff that wasn’t up to scratch. It was an experiment that turned out way better and way more serious than I ever could’ve dreamed. My second full-length Tangerine is going to be a much sharper product. Grand Mote is scrappy, and sometimes unsure of itself, and I’m proud of that vulnerability.

What was it like self producing during lockdown?

I could’ve definitely done with some help. It was a long process, but I was heartened when I emerged from it that the people I showed the music to were fully blown away by how it had come together. Unless something significant changes in my financial situation, I’ll be self-producing forever, I’d love to set up for a month in a nice studio, but there’s no way I could manage it. I want to develop a permanent space up here instead of recording guitars in my living room.

Please tell us about your latest single ‘Get That Money’:

I wanted to find a way to reflect on the universally oppressive nature of our economic systems, while being conscious of the reality that I’m a white male from the middle class that owns property because people helped us. It started as a sweet ditty on an acoustic guitar, and became this big guitar jam. It’s a cool driving song, and hopefully one that people can relate to when they’re stuck on a train going to work for the man.

You’ve released the record with an accompanying podcast, Grand Mote Radio, please tell us about this and plans for the future:

I had always wanted to try podcasting, I felt it would bring together much of my professional experience. In season 1 I interviewed the people that played on my record about their work, their life experience, and the modern music industry. It’s a long form interview, and I play a track from the record at the end of the episode. It was stressful to do both at once, I don’t know that I’d do it that way again. But the podcast has become quite a thing, so I’m now working on season 2. GMR will now explore the records of other musicians, and who they become through the process. I’m planning to expand the format, maybe do some live recording in front of an actual audience, and maybe get into a bit of Web 3 music territory. Nura sponsored season 1, which I was very grateful for.

How’s it been returning to solo work after 6 or 7 years co-founding Cousin Tony’s Brand New Firebird?

Leaving Cousin Tony was one of the hardest decisions I’ve had to make. Lachy and I co-founded that band, and it was our dream to play in it forever. But life changes, and now that I’ve adjusted to it continuing without me, I realise that it was never going to be forever. I needed space to do my own thing, and Cousin Tony was in many ways an apprenticeship in the music industry. I feel hyped and focussed on what I want my career to look like, and I’m loving watching it slowly reveal itself.

Who are you listening to at the moment?

The new Kevin Morby record is one of the coolest things I’ve heard in forever. I also loved the new Kurt Vile record. One of my best friends Nick Reid released his debut Kitsch Kitchen record last week, and it’s honestly some of the most amazing music I’ve heard come out of Melbourne this year. He is an incredible producer and multi-instrumentalist, and ‘Technicolour’ kicks in the door to what could possibly come out of his gorgeous mind. Also the new Moderat record was something I’ve been hanging out for. I saw them in Paris, sober, and it was still utterly mind blowing.

What do you like to do away from music?

I’m a gardener. I teach horticulture in a high school so I spend lots of time thinking about plants, and working in our garden at home. I’m also a new father, so I spend as much time as I can with our daughter, that’s been a trip.

What’s planned for the remainder of 2022?

I’m launching the record at the Brunswick Ballroom in Melbourne in July so prepping for that. Otherwise, teaching kids about plants, dad life, and working on the podcast. I’ll keep writing tunes for the next record, and maybe do some work on an EP in the near future. I’d like to make something ambient, lots of guitars, minimal time signatures.

Favourite food and place to hangout?

I fricken love this pizza joint in Lancefield called Slice of Perfection. The dude is a freak and I can’t believe we can get pizza this good in a town this small. There’s a brewery getting built here as well, so that’ll be cool when the weather warms up a little.

instagram.com/kieran.christopherson

twitter.com/krnchrstphrsn

www.grandmote.com

June 20, 2022 0 comments

Music News

Australia’s own RIP Youth Teams Up with Peloton with Exclusive R3HAB Remix of “It’s A Vibe”

by the partae June 20, 2022

written by the partae

LISTEN TO “IT’S A VIBE (R3HAB REMIX) HERE

Australian-born, LA-based RIP Youth – the moniker of hit songwriter/producer James Maas has partnered with global fitness brand, Peloton to deliver an exclusive remix of his single, “It’s A Vibe”, from top DJ/Producer R3HAB.

The remix was exclusively premiered during Peloton Instructor Cody Rigsby and Peloton’s DJ John Michael’s ‘Pride Live DJ Ride’ at Peloton Studios New York on June 10th. “It’s A Vibe (Peloton Edit) [R3HAB Remix]” is now available via Radikal Records globally.

RIP Youth combines his love of pop, dance and R&B to create a sound that is quintessentially his own. After an audio premiere on Hollywood Life, his single “It’s A Vibe” broke into the Top 10 on iTunes Australia Dance chart, with strong radio support in Australia (Joy 94.9, 2ONE, KIIS 106.5) the United States (Nexus) and the United Kingdom.

Now “It’s A Vibe” is elevated to another level via a collaboration with one of the hottest names in dance and pop music, R3HAB. Currently ranked at #12 on the DJ Mag Top 100 DJs, R3HAB is one of the most renowned producers in music today. Starting his career in 2007 the Moroccan Dutch DJ has previously collaborated and remixed a wide variety of mega stars including Rihanna, Taylor Swift, Lady Gaga, 5 Seconds of Summer, Katy Perry, Steve Aoki, The Chainsmokers and many more.

R3HAB’s remix of RIP Youth hits as hard as you would expect, with some heavy electro house grooves. The remix is the result of a special Pride celebration collab with R3HAB, and Radikal Records, and brought to life by DJ John Michael DiSpirito, Peloton’s Producer of Music Programming, who spins during Live DJ runs and rides and helps curate the overall sound and feel of the Peloton classes he works on. The up tempo dance track has already hit over 130k streams and been included on Power Hour on Spotify (2M followers) and more.

Originally discovered by Sony BMG Australia, James Maas has collaborated and co-written Gold certified records with artists like CXLOE, JOJO and Brian McFadden. After relocating from Australia to Los Angeles he launched his solo project RIP Youth, blending irresistible melodies with euphoric dance-pop productions.

His debut single “You Love” with Bombs Away & Reigan notched over 400,000 streams, New Music Friday in Italy, #16 on Sweden’s daily charts, and significant Australian airplay leading to an official remix from Italian DJ Molella.

Most recently, James has partnered with Playboy to help launch their new creator-led, digital platform CENTERFOLD, creative directed by Cardi B. Recognized as a top creator through his interview work with artists and celebrities, James is quickly becoming an artist to watch in the world of music, entertainment and pop culture.

“Peloton is thrilled to be able to partner with RIP Youth and R3HAB to create our first exclusive remix drop for Pride 2022. The track combines the energy of the club and our signature Peloton motivation into a super fun dance track that sets a positive vibe for your summer workout or dance party!” – Gwen Riley (Senior Vice President of Music and Content Partnerships at Peloton)

“I’ve always been a fan of R3HAB since we worked together a while back so when I suggested to Peloton, we reach out we were so glad he answered the call. I’ve loved seeing him take this song in an exciting new direction and reinventing “It’s A Vibe” as a Pride anthem for the Peloton members and beyond. I’m obsessed with Peloton and how they’ve raised a community movement like no other and I’m thrilled that they chose “It’s A Vibe” as their Pride Month theme.”– RIP Youth

“Music is essential to my workout routine – the right mix can really make or break a session. The opportunity to develop a remix specifically for workouts was invigorating and really got me thinking about my process, and how I could produce in a way that fits perfectly for a great cycling session. Working with Peloton on the “It’s A Vibe” remix has been a great time and I can’t wait to see the Peloton community connect with it.” – R3HAB

It’s A Vibe [R3HAB Remix] is available now.

June 20, 2022 0 comments

Music Interviews Music News

Planisphere

by the partae June 20, 2022

written by the partae

Where are you currently based?

We’re currently based in the thriving scene of Brisbane/Meanjin.

How did Planisphere come about?

The band started out originally under the name ‘Canondrome’ as a two piece, chasing that more rawer fuzzy rock garage sound. Then unfortunately Sam [drummer] had to relocate to Melb, and with the addition of Jai [synth] and Kane [drums] we are where we are today going for that electronic influenced heavy rock.

What’s been happening recently?

Heaps! The new EP came out last week so we’re still stoked about that, and we’re tuning up the live show for the joint release event on 22/07 with our mates Dad Fight at Black Bear Lodge.

What’s the title of your new EP?

The new EP is called ‘Fame or Tragedy’.

Please tell us about what influenced the sound and songwriting?

The sound and songwriting is a bit of a melting pot of modern rock/metal, electronic and punk music we’re listening to and each track was sort of influenced by a different aesthetic/sound. Commander is very 80’s synthwave ft a guitar solo. Underneath came from a punkier Death From Above/drum & bass place, and Fury was more inspired by recent danceable rock by bands such as Royal Blood.

How did you go about writing the music?

For these tracks and most others the process generally starts with a jam and a single theme/idea/beat that we latch onto, and build the song around that! Underneath and I’m Not Trying to Be Mean were quite older ideas that we picked up from the archives and dusted off, so it’s great to see them come to fruition.

Where and when did you record/produce/master and who with?

The EP was recorded and mixed by Brock Weston [Bugs], and mastered by Joe Carra at Crystal Mastering in Melbourne.

How did you approach the recording process?

The recording process itself was pretty simple once we got to it. Over 2 days we tracked all drums and 90% of guitars. Then Lorcan & Jai went away and recorded the vocals, synths, remainder of the guitars and any other overdubs separately at home and sent them in to be mixed with the rest of it.

What does this EP mean to you?

For us this EP represents the transformation of our sound from the rawer rock sound into something more refined with the incorporation of electronic elements to broaden the sound. It’s the first step in that journey and although we’ve already written more material with what we see as constant improvement, we’re still very proud of the body of work.

What’s your favourite track on the EP, where do the ideas come from for that track?

One of our favourites is Red Eye. We feel it’s a great change of pace on the EP, and features Morgan Francis singing the 2nd verse from the band Lost Goat Found. It started out as a simple idea on acoustic guitar, inspired by early Methyl Ethyl with their ethereal plucked guitars drenched in reverb creating such a haunting atmosphere. There was also a fair amount of influence from electronic acts like Rufus, within the synth pads that swell around through the whole track, helping lift and lower the energy with the vocal while the drums just keep the groove going.

What do you like to do away from music?

Vinos & fine dining, plunge ourselves in the ocean and cut aggressive shapes on the d-floor.

Who are you listening to at the moment?

Lorcan is listening to alot of Australian metal at the moment, such as Thornhill, Northlane etc. Apart from that we’re also loving new albums from Florence + The Machine, Foals, Jack White, Slumberjack, Kendrick & Flume.

What’s planned for the remainder of 2022 going into 2023?

Play lots of shows, record some more music and write more dance punk heaters!

Favourite food and place to hangout?

Tomcat (best local band venue in The Valley) or our rehearsal space. Food has gotta be GYG.

https://linktr.ee/PLANISPHERE.BAND

June 20, 2022 0 comments

Music News

NZ OUTFIT DAFFODILS SHARE INTIMATE NEW EP STAY THE NIGHT WATCH + LISTEN TO ‘STAY THE NIGHT’

by the partae June 20, 2022

written by the partae

Photo by Tom Grut

PRAISE FOR DAFFODILS

“Certified earworm”
Frankie Magazine

“Energetic”
Coup De Main

“Gloomy synth-pop vibe”
Sniffers

“Refined songwriting and production”
Purple Sneakers

“Introspective and reflective lyricism”
MILKY

Aotearoa / NZ-based indie-pop foursome Daffodils today share their latest EP Stay The Night. LISTEN HERE.

Daffodils relay a melodically rich and punchy soundtrack that speaks to heart-wrenching melodrama through the familiar 80s new wave, meshed with pop-laced vocals reminiscent of Phantastic Furniture, Foals and The Lazy Eyes. Their songwriting and lyricism cover all bases of the everyday, diving between intimacy, heartbreak and coping mechanisms to craft a full-formed anthemic vessel.

Stay The Night ushers in a new sonic chapter for Daffodils, one that is shaped by each of their own experiences to shed light on the more intimate side of the band. Pairing tender and brooding lyricism with youthful instrumentalism, Daffodils set to capture the different stages of a relationship, chronicling the familiar tale of growing, learning and changing over time.

“Stay The Night is about things changing, losing people, and learning from the things you do when you’re younger” the band’s frontman Theo Spike Salmon reveals. “It’s about my experience with how hard it is to let stuff go, and how hard it is to detach yourself from regrets and painful parts of the past, which often overwhelms all the good things that happen. The last couple of years have been pretty difficult for all of us, and it’s definitely been a struggle to continue to make music. It’s felt, at points, like we’ve been taking one step forward and two steps backwards. Making this record last year in the studio felt like a massive relief after so much uncertainty and stress.”

Joining the captivating last single ‘How Do You Know’, includes ‘Every Once In A While’, a recount of mental health struggles; ‘Never, Happier’, a straight up and down love song that deals with the difficulty of moving on after a breakup; the title track, a dramatic outburst that leans into the main character feeling; and the final song, ‘Something I’d Do’, which is a therapeutic ode to understanding that who we have been in the past isn’t necessarily the person we are today.

With fans hailing from their homestead in Aotearoa / New Zealand and beyond, Daffodils continue their trajectory that has garnered playlist support from 2SER, RTR FM, Edge Radio and more, amassing praise for their “refined songwriting and production” by Purple Sneakers, “gloomy synth-pop vibe” by Sniffers and “introspective and reflective lyricism” by MILKY amongst others.

Daffodils are one of those bands that everyone thinks they discovered first. Since emerging in 2016 after meeting at a 1975 concert, the project of Isaac Keating, Jade Bryham, Louis Graham and Theo Spike Salmon has won hearts and warmed up stages for international artists Foals and Orville Peck, as well as share festival lineups including Laneway Festival, Nest Fest and Rhythm & Vines with the likes of Rex Orange County, Clairo and Parquet Courts.

Stay The Night by Daffodils is out now
BUY/STREAM HERE

Stay connected with Daffodils:
Instagram | Facebook | Twitter | YouTube | Soundcloud

June 20, 2022 0 comments

Music News

Planisphere release new EP ‘Fame or Tragedy’

by the partae June 20, 2022

written by the partae

Hailing from Brisbane, Planisphere have found their sound in electronically influenced heavy alt-rock. The three piece exceed boundaries on their latest independently released 5 track extended player “Fame or Tragedy”, pushing the envelope of heavy music and drawing from many styles to hone in on something truly unique with broad appeal. The EP will be available for streaming on all platforms on 10th June 2022.

Originally formed in 2018 under the name Canondrome, the then two piece (Lorcan Coates [guitar,vocals] & Sam Turner [drums]) were focussed on a rawer punk sound reminiscent of early DZ Deathrays & The White Stripes. With the departure of Sam and the addition of Kane Kennedy [drums] & Jai Snelling [synth] the new line-up was ready for a wardrobe change and to pursue the vision of the new heavy, combining elements of rock, metal and electronic music to carve out a signature sound. “Fame or Tragedy” is a bookend in the first chapter of their journey, showcasing 5 tracks which will hold something for everyone.

Recorded and mixed by Brock Weston [Bugs], the songs cover a range of themes from desperation & breaking free of societal expectations to hope, love & fiery individualism. The 1st single ‘Underneath’ set the pace with fast drum & bass-esque riffing, while the 2nd single ‘Fury’ and accompanying music video were a nod to the power metal of the 80’s. The 3rd and final single “I’m Not Trying to be Mean” kicked it up a gear with Bloc Party inspired sneering lyrical content, metal breakdowns and soaring gothic synths.

The final two tracks will complete the picture, ‘Red Eye’ also features guest vocals from Morgan Francis (Lost Goat Found). Looking ahead, Planisphere are preparing to bring the EP into the world with a release event planned for 22/07/22 at Black Bear Lodge, and to bring their sound to as many stages as they can around the country.

Links: Planisphere linktree https://linktr.ee/PLANISPHERE.BAND

Listen to EP link – https://gyro.to/FameorTragedy

June 20, 2022 0 comments

Festival News Music News

Iconic festival One Electric Day returns in 2022 with five massive shows across Australia

by the partae June 20, 2022

written by the partae

Suzi Quatro, Noiseworks, The Angels, Baby Animals, The Screaming Jets & Chocolate Starfish

TICKETS ON SALE 10AM THURSDAY 23^RD JUNE THROUGH TICKETMASTER

Over the past decade, One Electric Day has solidified its reputation as one of Victoria’s favourite one-day music festivals. Every year the show at Werribee Park sells out in a matter of minutes. This year, organisers are not only excited to be able to take the popular event interstate again for a run of shows, but have also announced an international headliner for the first time in the festival’s history. Headlined by the Queen of rock n roll herself, Suzi Quatro, with a massive line-up that includes Noiseworks, The Angels, Baby Animals, The Screaming Jets and Chocolate Starfish, the 2022 One Electric Day is the biggest yet. With shows in Victoria, South Australia and Queensland, tickets are guaranteed to sell fast.

Organiser Duane McDonald, who is also behind the ever-popular Red Hot Summer Tour, says the opportunity to share the excitement of One Electric Day with audiences outside Werribee again this year is an exciting one.

“One Electric Day has become such a special event,” he says. “We see fans returning year after year and it has become an important part of people’s social calendar. We are always asked when One Electric Day will travel, so it is exciting that we have the opportunity to do that this year and even more so that Suzi Quatro will be joining us for the ride.” – Duane McDonald

Suzi Quatro is the undisputable Queen of rock and roll. Following on from her April sold-out show at London’s Royal Albert Hall, where she received nothing short of outstanding reviews. She is running hotter than ever and is heading to Australia to headline One Electric Day. Her show promises to be pedal to the floor jam-packed with hits, powerhouse vocals and unbridled energy. After selling over 55-million records (and counting), Suzi is pure rock royalty and every show is an unforgettable experience.

The return of Noiseworks is an exciting one for music fans. In the 1980s, they provided the soundtrack to every big night, with rock anthems No Lies, Take Me Back, Hot Chilli Woman, Touch and countless others. Get ready to rock as the original members reform to honour the memory of their co-founder and guitarist, the late, great, Stuart ‘Chet’ Fraser. Jon Stevens, Steve Balbi, Kevin Nicol and Justin Stanley will be joined by very special guest, Jack Jones on guitar and vocals. With the release of their new 2022 album along with all their legendary hits, Noiseworks will reignite a passion for rock n roll!

When it comes to great Aussie rock, it doesn’t come much better than The Angels. It’s been almost five decades since brothers Rick and John Brewster co-founded the iconic band and have penned some of Australia’s most anthemic tracks. The Angels are widely reputed for their killer live shows. With hits like Long Line, Marseille, Be With You, After the Rain, Shadow Boxer and Mr Damage to name a few. Baby Animals burst onto the Australian scene in the 1990s with a solid rock force and a sassy lead singer. Suze DeMarchi proved that girls rock just as hard as guys and the Baby Animals soon kicked some impressive rock butt with hits such as Rush You, Early Warning and One Word. The band scored themselves ARIA awards for best album and toured the globe.

Aussie rock doesn’t get much more powerful than The Screaming Jets. With a swag of hits such as Better, Helping Hand, Sad Song, October Grey and Come On under their belt, The Screaming Jets are renowned for their pumpin’ live performances. This year, they also celebrate the 30^th anniversary of their iconic release All For One. Chocolate Starfish are the epitome of a concert party! Fronted by the enigmatic Adam Thompson, the band is known for their high energy live performances. With songs like Four Letter Word, Mountain and You’re So Vain, Chocolate Starfish powered onto the Australian music scene in the 1990s and quickly secured themselves a space as an influential force. They produced two Top 10 albums and six Top 50 singles.

Tickets for One Electric Day go on sale to the general public at 10am AEST Thursday 23^rd June through Ticketmaster.

For more information, please visit www.oneelectricday.com.au.

ONE ELECTRIC DAY
NOVEMBER 2022
Suzi Quatro, Noiseworks, The Angels, Baby Animals, The Screaming Jets & Chocolate Starfish
Victor Harbor (SA), Mornington (VIC), Werribee (VIC), Bribie Island (QLD), Southport (QLD)

FRONTIER MEMBERS PRE-SALE
via frontiertouring.com/oneelectricday
Runs 24 hours from: Tuesday 21 June (10am AEST)
or until pre-sale allocation exhausted

GENERAL PUBLIC ON SALE
Begins: Thursday 23 June (10am AEST)

ONE ELECTRIC DAY
Saturday 5 November
Kent Reserve | Victor Harbor, SA
18+
www.ticketmaster.com.au | 136 100

ONE ELECTRIC DAY
Saturday 19 November
Mornington Racecourse | Mornington, VIC
18+
www.ticketmaster.com.au | 136 100

ONE ELECTRIC DAY
Sunday 20 November
Werribee Park on the Great Lawn | Werribee, VIC
All Ages
www.ticketmaster.com.au | 136 100

ONE ELECTRIC DAY
Saturday 26 November
Sandstone Point Hotel | Bribie Island, QLD
18+
www.ticketmaster.com.au | 136 100

ONE ELECTRIC DAY
Sunday 27 November
Broadwater Parklands | Southport, QLD
18+
www.ticketmaster.com.au | 136 100

June 20, 2022 0 comments

Music News

Georgie Neilsen Returns With Rousing Single ‘The Last Time I Felt Better’

by the partae June 20, 2022

written by the partae

Making her highly-anticipated return with rousing indie-pop streaked with striking folk/ rock influences, Brisbane-based songstress Georgie Neilsen is releasing her new single ‘The Last Time I Felt Better’ on June 17.

Debuting in 2017 with single ‘What Do You Want?’, Georgie fronted the since disbanded Georgie & The Growing Pains, playing slots at renowned festivals including Sunlit Sounds, Mountain Goat Valley Crawl, Hidden Lanes Festival and more.

Recent years have seen the artist explore her talent for cabaret, finding success with her own cabaret productions selling out multiple shows at Women In Voice, Queensland Cabaret Festival, Girl & Guitar and most recently, Anywhere Festival.

Now, Georgie Neilsen is bringing her rich vocals and swaggering melodies to new single ‘The Last Time I Felt Better’, highlighting her sonic dynamism and powerful vulnerability.

Starting soft, Neilsen’s honest vocal delivery already packs a punch, joined by groove-based guitar and delicate percussion tinged with a folksy rock colouring. Moving with effortless grace, Neilsen’s voice erupts in the chorus, which contains a melodic lyrical hook brimming with raw intensity. Emphasising the drama of the situation, choir-esque vocal harmonies prick the ears of Florence and the Machine fans as a vehement reverb-drenched electric guitar solo ramps the track up to its bittersweet emotional peak.

Derived from real experiences to express truth, purpose and vulnerability, ‘The Last Time I Felt Better’ was written about the dawning realisation that some things might not last forever, yet still refusing to fully accept this, as Neilsen explains.

“‘Last Time I Felt Better’ is about the emotions experienced when two people suddenly appear in each other’s lives and instantly fall into a euphoric romance fueled by an addiction to that feeling,” she says.

“When the relationship quickly hits a fork in the road, there is a realisation that this flame might burn out and it consumes you with the desire to make that feeling last forever.”

Neilsen’s new single release will be celebrated with a single launch event on June 25 at The Bearded Lady, supported by Meg Ripps and Menajerie, with tickets now available.

Georgie Neilsen’s new single ‘The Last Time I Felt Better’ is out everywhere on June 17.

‘The Last Time I Felt Better’ Single Launch
Saturday 25 June – The Bearded Lady, West End Brisbane (Meanjin)
Supported by Meg Ripps (opener) and Menajerie (support band)

Follow Georgie Neilsen

Facebook | Instagram @georgieneilsen | Unearthed | Youtube

Spotify | Apple Music | Soundcloud

June 20, 2022 0 comments

Music Interviews Music News

Tommy Charles

by the partae June 18, 2022

written by the partae

Where are you currently based?

I just recently moved to South Langley, BC. I wish to give myself the freedom to move this year and to be wherever the music takes me.

How did you first start playing music?

My mom, I have to admit, is often the starting point of anything great in my life. She was the one who detected I had the itch for it and the passion. When I was a teenager, I started singing with a local big band (ballroom music), and then I got a band of my own with some friends. Around the same time, my father bought himself a blues electric guitar, which he barely ever played with! I ended up picking it up and taught myself the songs I was listening to.

What’s been happening recently?

As I am doing this interview, I am about to be done with my second teaching contract. It has been a great journey with some amazing teenagers. Now, I am planning my trip to BC, where I’m moving to very soon. It’s going to be my first drive through Canada, coast to coast. I’m excited!

Your debut single “Lookin’ Like That” is out now! How did this song come about and what do you hope new fans take away from it?

The song is written by Drake Milligan, Jim Beavers and Deric Ruttan. When I first heard it, it was an instant favorite. There is something so easy going and funny about the lyrics and the mood of it seems to be taken straight out of a Brooks and Dunn album from the 90s. Really, I think it’s about not taking ourselves too seriously when it comes to our relationships, and to be grateful that we get to spend time with amazing, funny, and, in this case, VERY good looking people. It’s about the magic you feel and the butterflies you get in your stomach when you spend a night dancing and partying with someone you really like. Mitch Merrett was the one who recommended the song to me, and I’m sure glad he did.

Where and when did you record/produce/master and who did you work with?

The song was recorded at Armoury studios with session players: Flavio Cirillo, Jay Beuttner, John Ellis, Rob Becker, Simon Kendall, Gord Maxwell and David Dorn. Mitch Merrett is the producer and the brain behind it all. Finally, the song was mastered at Barrytones studios by Jason Barry. It was a blast working with all of them. It’s amazing how such talented people are so down to earth. They’re a class act, really.

How did you approach the recording process?

I just wanted to have fun, really! On the other hand, I felt the need to show my label I was 100% dedicated and committed to this first record, and I was anxious to perform well. All the while, I wanted the song to be true to what I am, and to the music I love. The question ‘’Would you listen to it in your car, on your own? ‘’ really stuck with me all along.

What does this single mean to you?

When Mitch proposed it to me, I fell in love with it instantly, and so did the guys at the label. It makes you smile, and it has that Brooks and Dunn rock n’ roll shuffle feel we are all craving now. It makes us want to be together and enjoy life while we’re here. In this sense, it is very true to country music: it is simple and it brings people together to enjoy simple things.

“Lookin’ Like That” draws on classic country with an old-fashioned charm. What about this sound do you find most appealing?

Well, it’s the real deal! I’m reminiscent of a time when people knew how to have fun with simple things, like dancing on a Friday night. There is something so classy and authentic about the 60s-90s, that really inspires me as an artist. I feel like if I had been a young adult in the 60s, I would have been in honky tonks all the time !

Who are you listening to at the moment?

I recently dusted off an old Junior Brown album called Semi Crazy, which I think is pure songwriting genius. I’ve been listening to Spirits Having Flown by the Bee Gees quite a bit these previous weeks, as well as The Other Side by Cam, which is one of my favourite modern female artists. Boy can that girl sing !

What do you like to do away from music?

I love to be around horses, to be in the great outdoors and to learn new languages. I’m a language nerd, and I am currently working on my Persian. Hopefully I will make some new Iranian friends in Vancouver to practice with!

What’s planned for the remainder of 2022?

Some touring here and there is on the menu to start meeting the fans across North America for sure. I also wish to step up my songwriting game and make new collaborations with some fellow songsters. Also, new music will be out soon. Don’t miss it!

Favourite food and place to hangout?

Tough question! Indian food is usually my go-to-treat, and anywhere out in the bush is where you’ll find the happiest Tommy.

Facebook: /tommycharlesqc

Twitter: @TommyCharles_

Instagram: @tommycharlesmusic

June 18, 2022 0 comments

Music Interviews Music News

Felix Raphael

by the partae June 18, 2022

written by the partae

Hey Felix Raphael, thanks for joining us! How’s things with you?

Hey guys thank you for the invitation and have a little chat. Having live back to normal again and some sunny festivals, feels pretty good at the moment after having such long time in the studio. Bringing the music on stage.

You were thrown into the music world at an early age, how did this benefit you when starting your career?

In general I think you’re never too old to start and there is always room for improvement but of course starting early is not a bad thing.

You don’t limit yourself to just DJ/Producing, by using your own vocals and live performances, how important has this been for you?

As my musical background depends a lot on playing instruments and singing it has always been a matter of time to stop dj and start playing live and involve my musical roots.

How do you feel your sound has progressed over the years?

Coming from the singer songwriter genre to electronic music obviously progressed or changed a lot but to be honest I stopped dedicating my music to one specific genre. I like to call it electronic crossover. Technically of course I think a made some steps to have more and more quality outcome with every session I have.

You began your label YION with friends, what inspired the idea and how has the journey been so far?

We decided to start our new label to be more independent and able to have the full control of the whole process: Artworks, graphics, bios and of course music. All in all creating something new and on your own was always interesting for us doing that with other talented artist who are also friends can sometimes be challenging but in the end you have a nice way to work and be together and creating something even more personal. We are all very happy with the development of the label having some of the most influential artists releasing on YION and getting that much early support from the platforms in less then a year is really satisfying.

What future plans do you have for the label?

First and foremost keeping the quality of the art is the most important thing for us. Managing the label is kind of a weird thing because before I was always on the artist side of releasing music since having YION I got to know the other side of the business and of course it is a lot of stuff to explore and especially learn. I think it is very important to get a more detailed perspective of the whole business. My personal plan for YION is to release the most of my own music on the label to have my fingerprint on it even more. And of course influence the sound of the label with that.

You collaborated with Peer Kusiv on ‘Hold You’ which is now being remixed by Yubik. Talk to us about the original and how the remix came about for this?

I was in contact with Peer Kusiv through our publisher and as we both tend to make melancholic and melodic music we decided to try something out and this is how Hold You was born. We both have been huge supporters of Yubik’s music over the years and thought he could bring the track even more on the dance floors then the original. And as tunic and myself have been in contact before I have requested him to do a remix for it.

What are the differences between collaborations and producing tracks on your own?

For me producing tracks on my own is more stable and faster because obviously I don’t have to talk things through within the process. Collaborations on the other hand can be super powerful when sharing different talents and skills but can also be very demanding when you are not on the same vibe and then you try and try and try but it doesn’t work out.

With the label and your own music, do you have much down time to reflect?

The issue with having a job that you used to have as a hobby makes it hard to take regular breaks even more if you work with friends and you want to support everyone. It is really important to be structured, which is not the easiest for me to be honest.

What else is coming up for you & the label in 2022?

I don’t want to reveal too much on the music side but we extended our team and will also focus on higher quality videos and also start on event in the near future.

Buy link for Yubik remix: https://yion.lnk.to/hold

June 18, 2022 0 comments

Music Interviews Music News

Kassandra Clack

by the partae June 18, 2022

written by the partae

Where are you currently based?

I’m based just outside of Vancouver BC and collaborate with writers and producers near and far in search of the next top tier sound in music!

How did you first start playing music?

I’ve always had a song in my heart. Being on stage from an early age in my life with singing competitions, lessons, concerts and dancing I quickly recognized that connecting with people during these moments through music, was what I am all about!

What’s been happening recently?

With the shift of the industry following the pandemic, I went to school and got myself a music business degree. Recently, I’ve been really immersing myself in the adaptation of the new age market. After just landing a FACTOR JSR Grant for a debut album I am currently hard at work in the studio to bring you the best music supported by an International Tour in 2023.

Your latest single ‘Airplane Champagne’ is out now, what influenced the sound and songwriting?

This all season-getaway anthem was written by incredible Sony Writers Karen Kosowski, Emma-Lee and Femke Weidema. This song’s influence is a pop groove with southern instrumentation that will facilitate the vibrant feeling of being on vacation harnessing a loving escape any day of the week.

What do you hope listeners take away from the new song?

Post-pandemic we are all craving that getaway and very few of us can afford it. However, this song brings vibrancy, joy and uplifting energy to make you feel light as a feather anywhere you are with your significant other. The person who makes you feel as high as ‘Airplane Champagne’.

Where and when did you record/produce/master and who did you work with?

This song was produced by Grady Saxman in Nashville, TN in April. The amazing session musicians in the studio worked tirelessly to really build the heir of being high up in the clouds in love.

How did you approach the recording process?

The recording process was approached remotely at BCCMA Award Winning studio ManicDown Music (Dan.Swinimer) for vocals and then fully-produced by the brilliant Grady Saxman in Nashville, TN.

Who are you listening to at the moment?

At this moment I am really loving Alicia Keys, Morgan Evans and Keith Urban!

What do you like to do away from music?

I love traveling! It feeds my soul! I also love to bake, scrapbook and garden. With life being so hectic these days I get those bubble baths whenever I can get them in!

What’s planned for the remainder of 2022?

For the remainder of 2022 we will be in the production of my debut album, tour planning and filming music videos for the album.

Favourite food and place to hangout?

Anything chocolate and pasta! Place to hangout? Our couch.

Facebook: /KassClack

Instagram: @kassandraclack

Twitter: @KassandraClack

Website: www.kassandraclack.com

June 18, 2022 0 comments

Music News

Melissa Marshall ‘Missin U’ Premiere

by the partae June 18, 2022

written by the partae

New Brunswick’s Melissa Marshall has released “Missin’ U” – and it tells a story of being single, happy, confident and not looking for love and then that special person walks into your life when you least expect it. This edgy, fun and upbeat song is the first release from her illuminating debut EP album, Phoenix In The Fire, set to release this upcoming Fall.

Forging a path into the country music scene, Melissa has opened for Aaron Goodvin, Chris Cummings, Frankie Ballard, Brooke Eden, performed alongside Chris Buck Band and more. She has been a Music NB award nominee, recognized for her previous releases including “Highway 83” charting #78 on the Canadian Country Billboard chart. Following her further delve into the craft of songwriting and artist development, Melissa is ready to debut her fresh new sound and single, “Missin’ U”, releasing June 16th to all country radio and streaming platforms. Melissa can be heard this summer on her East Coast radio tour, performing ticketed live shows campaigning “Missin’ U” where you will hear her talk about her current single, what to expect from her next and when as well as the making of Phoenix In The Fire and more.

melissamarshallmusic.com

facebook.com/melissamarshallmusic

twitter.com/MelissaMarshaII

instagram.com/melissamarshallmusic

June 18, 2022 0 comments

Festival News Music News

Brand new festival Sumdayz comes to Rome w/ Apollonia, tINI, Traumer, Raresh, Praslea, Priku, Barac, Black Loops, Giammarco Orsini, Christian AB, Quest, Jeremy Underground, Onur Özer, Sugar Free

by the partae June 17, 2022

written by the partae

Sumdayz Festival: The Experience Begins

September 10-11th, 2022

Citylab 971, Rome

http://www.sumdayz.com/tickets

FB / IG / TW:

@sumdayzfestival

Sumdayz is a new electronic music festival set to revolutionise Rome’s clubbing landscape on September 10th and 11th, 2022. Sumdayz Festival: The Experience Begins will take place at the old paper mills of CityLab 971 with headliners including Apollonia, tINI, Traumer, Raresh, Praslea, Priku, Barac, Black Loops, Giammarco Orsini, Christian AB, Quest, Jeremy Underground, Onur Özer, Sugar Free and many more. Tickets are on sale now at www.sumdayz.com/tickets with a tiered structure providing different pricing and experiences for ticket holders.

Sumdayz was founded by a creative team of long-term collaborators, with the sole aim of creating the most experience-based music festival in Italy. The company’s ambitions don’t stop in Rome either, envisaging Sumdayz Festival showcasing in other cities across the globe. “The Sumdayz team have been working since late 2019 to put this multi-day festival together.” said Will Muir, Sumdayz’s Co-Founder. “So, to finally make this happen for a generation of music lovers in one of Europe’s most iconic cities is our dream come true. We want to bring the joy of live music back with a bang and rebuild lost connections through a joint love of experience, music and dance.”

Sumdayz promises to be the most crucial new event on the city’s calendar. The multi-stage festival in the capital will provide immersive audio and visual experiences across the entire weekend from some of the biggest and brightest names in electronic music. As well as this, the festival will showcase many entertainment and artistic experiences including a unique digital art exhibition from different curatorial productions and creative fields, an artisanal expo and a selection of the best Roman street food vendors serving quality food.

National and international acts lined up include French house legends Apollonia, tech house queen tINI, the sleek sounds of Traumer, Romanian minimal pioneers Raresh, Praslea, Priku and Barac, Turkish underground favourite Onur Özer, deep digging French selector Jeremy Underground, plus the likes of Black Loops, Giammarco Orsini, Christian AB, Quest, Sugar Free, Elliot Schooling, Liam Palmer, GNMR, Triad, Ageless, Marcolino, Domenico Rosa, Fabrizio Sala, Koko, Peter LC, and Sumdayz resident Vithz.

The festival caters to over 6000 people with general as well as backstage VIP access, individual private lounge areas and bars for an exclusive and luxurious experience.

Tickets are on sale now to what will be the most talked about event in Rome for many years.

For tickets visit www.sumdayz.com/tickets // link.dice.fm/sumdayzfestival

LINEUP A-Z

Ageless

Apollonia

Barac

Black Loops

Domenico Rosa

Elliot Schooling

Fabrizio Sala

Giammarco Orsini

GNMR

Jeremy Underground

Koko

Liam Palmer

Marcolino

Onur Özer

Peter LC

Praslesh (Praslea b2b Raresh)

Priku

Quest b2b Christian AB

Sugar Free

tINI

Traumer

Triad

Vithz

June 17, 2022 0 comments

Festival News Music News

AIRBEAT ONE Festival 2022 releases full line up and announces 3-day ticket special for 99 Euros The best line-up in Germany at one of the most unbeatable festival prices in all of Europe

by the partae June 17, 2022

written by the partae

AIRBEAT ONE Festival drops an incredible music and entertainment bomb. While announcing the full incredible lineup for this year’s edition, festival organizers also announced that the price for the 3-day ticket will be reduced to an amazing 99.00 Euros. This incredible offer was only made possible because a pool of sponsors and partners refinanced the tickets to thank festival-goers, and support the festival. This makes AIRBEAT ONE 2022 one of the best value-for-money festivals throughout the whole of Europe while delivering a summer lineup that is certainly in the top three of any festival throughout the entire continent.

Over 300 artists across six stages in a lineup unmatched by anything else, this year’s festival is easily the largest electronic music festival in Northern Germany. The Main Stage lineup is packed with global superstars such as Kygo, Marshmello, DJ Snake, and Tiesto. Superstar DJs and producers Kygo and Marshmello will play their only German shows this year exclusively at AIRBEAT ONE. Another exclusive main stage act in the Neustadt-Glewe is the acclaimed trio ‘3 Are Legend’, consisting of Dimitri Vegas & Like Mike and Steve Aoki, who are all due to perform one of their extremely rare b2b sets.

An incredible 37 of this year’s total 100 DJ Mag Top 100 DJs will be playing at AIRBEAT ONE. Known as the world’s most important DJ ranking poll, 19 of the 27 DJs playing on the Main Stage feature in the DJ Mag Top 100. The main stage lineup includes prominent DJ Mag Top 100 DJ stars such as Afrojack, Armin Van Buuren, Dimitri Vegas & Like Mike, DJ Snake, Don Diablo, KSHMR, Kygo, Marshmello, NERVO, Oliver Heldens, Steve Aoki, Tiesto, Timmy Trumpet, Vini Vici, W&W, Bassjackers, Danny Avila, Mariana Bo, and Will Sparks. No other festival in Germany can boast as high a standard of DJs this festival season.

With Boris Brechja, Charlotte de Witte, Claptone, Fisher, and Vintage Culture, the new Arena Stage also delivers many of DJ Mag’s Top 100 house and techno music superstars. And with Elrow announced as an AIRBEAT ONE exclusive stage host, there’s something exciting, and alluring for everyone at this year’s festival. The most colorful and unique party label hailing from Spain will feature exclusively at AIRBEAT ONE this year, promising to bring with them top headliners such as Kšlsch, Camelphat, and the iconic Paul Kalkbrenner.

The legendary Terminal Stage features other headline acts from DJ Mag’s Top 100 poll including Alan Walker, ALOK, Fedde Le Grande, Lost Frequencies, Morten, Nora En Pure, Quintino, Sunnery James & Ryan Marciano, and VIZE. In addition, there are German superstars such as Alle Farben, Topic, Gestšrt aber GeiL, Lari Luke and Robin Schulz, chart smashers such as Hugel and Ofenbach, and many many more.

Later on, the Terminal Stage also offers top international headliners from bass to the dubstep genre, genre superstars such as Tchami, Malaa, Zeds Dead, Moksi and Netsky. While American superstar Dillon Francis completes this year’s unforgettable Terminal Stage lineup. Francis will play his only festival show in Germany, exclusively at AIRBEAT ONE.

AIRBEAT ONE has secured another German exclusive for the 2022 festival season. The world’s leading hardstyle label Q-dance’s only German appearance this year will be at AIRBEAT ONE. With a lineup that boasts headline superstars such as Angerfist, Brennan Heart, and Miss K8, three acts that have also appeared in DJ Mag’s Top 100 poll. More superstars of the hardstyle genre will also be performing, including Coone, Headhunterz, Korsakoff, Paul Elstak, Radical Redemption, Ran-D, Warface, Wildstylez, Zatox, and plenty more. You can be sure they will shake the Gladiator Stage to its very foundations.

The unforgettable second stage of AIRBEAT ONE Festival expands from the spectrum of Goa and PsyTrance by adding iconic trance artists to this year’s lineup. Trance and all-round electronic dance legend Ferry Corsten, a consummate DJ Mag Top 100 leader will be playing, other trance icons such as Cosmic Gate, Markus Schulz, Morten Granau, and Sander Van Doorn (Presents Purple Haze) are helping expand on the already incredible lineup of PsyTrance DJs that include Ace Ventura, Alpha9, Aly & Fila, Andrew Rayel, Animato, Astrix, Avalon, Ben Nicky, Berg, Blastoys, Bliss, Bubble. Captain Hook, Claudinho Brasil, Fabio Fusco, and Ghost Rider.

„After two years of the Corona enforced cancellation of AIRBEAT ONE, we were insanely looking forward to being able to celebrate a carefree festival without the fear of restrictions. Unfortunately, with the war in Ukraine, inflation, rising prices, and additional expenses, circumstances have arisen this year that make it difficult for many to celebrate carefree. Therefore, we have talked to our sponsors, who have agreed to financially lower the tickets for the benefit of festival-goers and the festival itself. Therefore we are now able to lower the price of the 3-day festival tickets to a sensational 99.00 Euros, so that as many people as possible will be able to afford the small festival vacation in Neustadt-Glewe (and can party and experience incredible music for a few days, much like we did before the days of Corona and before the war)“ explains AIRBEAT ONE event manager Sebastian Eggert.

This price drop makes AIRBEAT ONE Festival 2022 one of, if not ‘the’ most affordable three-day festival in Germany and across Europe. AIRBEAT ONE boasts a lineup that can only be matched by electronic music festivals such as Creamfields or Tomorrowland. And festival ticket value vs quality of performer will never be matched again. This ultimate state-of-the-art production of one of the ultimate super-festivals in Europe should not be missed by any music fan this summer.

3-day tickets for AIRBEAT ONE Festival, which takes place from July 6th to 10th at the Neustadt-Glewe airfield in Mecklenburg – Vorpommern, are available from 99.00 Euros at tickets.airbeat-one.de.

AIRBEAT ONE 2022

Full Line-Up (excerpt)

Mainstage:

3 Are Legend (German Exklusive)

Afrojack

Armin van Buuren

Dimitri Vegas & Like Mike

DJ Snake

Don Diablo

Kygo (German Exklusive)

Marshmello (German Exklusive)

Martin Solveig

NERVO

Oliver Heldens

Steve Aoki

Tiesto

Timmy Trumpet

Vini Vici

W&W

Yellow Claw

Mainstage Acts:

Bassjackers

Danny Avila

Dimitri Vangelis & Wyman

Mariana BO

Neelix

Ostblockschlampen

Sophie Francis

TV NOISE

Will Sparks

Arena FCKNG Serious Thursday:

Boris Brejcha

Arena by elrow – Friday & Saturday (German Exklusive):

Charlotte de Witte

Camelphat

Claptone

Fisher

Kölsch

Mark Knight

Paul Kalkbrenner

SK!Y

Vintage Culture

Terminal Headliner:

Alan Walker

Alle Farben

ALOK

Dillon Francis (German Exklusive)

EDX

FEDDE LE GRAND

Flux Pavillion

Gestört aber GeiL

HUGEL

KREWELLA

Lari Luke

Lost Frequencies

Lucas & Steve

Malaa
Marten Hoger

Mike Perry

Moksi

Morten

Netsky

Nora en pure

Ofenbach

Robin Schulz

Sunnery James & Ryan Marciano

Tchami

TOPIC

Younotus

ZEDS DEAD

Terminal Support:

Anstandslos & Durchgeknallt

Dimitri Vangelis & Wyman

Lidsba

Lexy & K-Paul

Quintino

Stella Bossi

The Stickmen Project

VIZE

Gladiator Stage Q-dance Takeover (German Exklusive):

Adaro

Adrenalize

Angerfist

Audiotricz

Brennan Heart

Coone

D-Block & S-te-Fan

D-Sturb

Devin Wild

Dr. Peacock

Frequencerz

Headhunterz

Keltek

Mandy

MC Villain

Miss K8

Noisecontrollers

Psyko Punkz

Radical Redemption

Ran-D

Rebelion
Rejecta

SEFA

Sound Rush

Sound Rush & Atmozfears pres. 2^1

Sub Zero Project

TNT

Warface

Wildstylez

Zatox

Arena Pre-Opening – Main Circus:

Code Black

Creek

Deadly Guns

Jebroer

Korsakoff

Paul Elstak

Second Stage hosted by Indian Spirit Festival:

Ace Ventura

Alpha9

Aly & Fila

Andrew Rayel

Astrix

Avalon

Ben Nicky

Berg

BLASTOYZ

Bliss

Bubble

Captain Hook

Claudinho Brasil

Cosmic Gate

Cosmic Tone

Fabio Fusco

Ferry Corsten

Ghost Rider

ILAI

Infected Mushroom

Jilax

Markus Schulz

Metronome

Morten Granau

NOK

Phanatic

Phaxe

Ranji

Sander van Doorn pres. Purple Haze

Sonic Species

WHITENO1SE

Xyzed

Zyrus7

Links:

www.airbeat-one.de

facebook.com/airbeatone

twitter.com/airbeatone

youtube.com/airbeatone00

instagram.com/airbeatone

June 17, 2022 0 comments

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AIRBEAT ONE Festival 2022 releases full line up and announces 3-day ticket special for 99 Euros The best line-up in Germany at one of the most unbeatable festival prices in all of Europe