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Monthly Archives

February 2022

Festival NewsMusic News

The Grogans reveal gnarly b-side single ‘Be Your Man’ ahead of NSW + VIC launch shows + Upcoming Hockey Dad tour dates

by the partae February 2, 2022
written by the partae

“The Gogans continue full throttle with a blast of utterly cathartic garage rock with all essential ingredients present and accounted for. A sneery delivery, legs apart, hands on hips, lips pursed and arched eyebrows in a leather jacketed embrace. [Be Your Man is] a bit of rock’n’roll fun delivered with the utmost dedication to the craft along with a rousing chorus and a buzz saw blitz.” – Arun Kendall, Backseat Mafia

Adaptive and reactive Melbourne outfit The Grogans return with their first music of the year on their explosive new offering ‘Be Your Man’. The flip side to its sister release on transparent red vinyl, ‘Just A Kid’, which dropped at the tail end of last year, ‘Be Your Man’ continues the trio’s legacy of lucrative, finger-on-the-pulse songwriting that reflects and responds to the ever-changing world around them. In 2022, that world calls for some classic call and response punk rock, evident in multitudes on ‘Be Your Man’.

Out now via Cousin Will Records, the single sees the lads; Quin Grunden (Vocals, Guitar, Bass), Angus Vasic (Guitar, BV) and Jordan Lewis (Drums, BV), at their most urgent and visceral. Grunden’s heady vocals speak of desperately clinging to a lover that’s slipping through his grasp, while Vasic and Lewis’ combined frenetic energy dare the frontman to lose focus. The result is an electrifying malaise of sound, and one that is destined to erupt on the live stage.

STREAM / EMBED ‘BE YOUR MAN’ 
STREAM / EMBED ‘BE YOUR MAN’ VIA BANDCAMP

“We wanted to write something heavier as we really enjoy that side of our live show. We wanted it to be in your face but still within our nature. It’s a song about wanting to prove yourself to a partner and wanting to step up to the table but it’s still in a simple manner a classic love track all wrapped up in a punkish wrapping. Dig ya teeth in and take what you will from it.” – Gus Vasic, The Grogans

The Grogans are a truly unmissable live act, deploying an extensive variety of stylistic influences with cohesion and conviction on stage. Angus and Quin’s combined surf jangle and punctuated guitar riffage are propelled by drummer Jordan Lewis’ well oiled machine, while Quin’s viscous vocals range from reverb drenched upstart chants to honeyed croons. Having supported the likes of Ocean Alley, Maddy Jane, Northeast Party House, Nai Palm, Drunk Mums, The Chats and Polish Club, The Grogans will soon take their captivating live show on the road again supporting Hockey Dad on their 2022 Regional Tour, with single launch shows penned for Torquay (new show), Sydney (sold out) and Wollongong (selling fast).

HOCKEY DAD TOUR DATES 2022
Supporting Hockey Dad

Friday 4 February – Beer Deluxe, Albury
Saturday 5 February – UC Refectory, Canberra
Friday 11 February – Regent Theatre, Wollongong
Saturday 12 February – Marlin Hotel, Ulladulla
Sunday 13 February – The Cambridge Hotel, Newcastle
Friday 18 February – Hoey Moey, Coffs Harbour
Saturday 19 February – Bowlo Sports and Leisure Yamba, Yamba
Wednesday 23 February – Seabreeze Hotel, Mackay
Thursday 24 February – Magnums Hotel, Airlie Beach
Friday 25 February – Dalrymple Hotel, Townsville
Saturday 26 February – Tanks Arts Centre, Cairns

Thursday 3 March – The Northern, Byron Bay
Friday 4 March – Coolangatta Hotel, Gold Coast
Thursday 10 March – Pier Bandroom, Frankston
Friday 11 March – Barwon Heads Hotel, Barwon Heads
Saturday 12 March – Torquay Hotel, Torquay

THE GROGANS SINGLE LAUNCH SHOWS
Tuesday 8 February – La La La’s, Wollongong

Tickets via Moshtix

Thursday 10 February – Crow Bar, Sydney (SOLD OUT)

Saturday 23 April – Torquay Hotel, Torquay (NEW DATE)
Tickets via Oztix

The Grogans Facebook
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The Grogans Spotify
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Cousin Will Records Facebook
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February 2, 2022 0 comments
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Fashion & CultureFestival News

NATIONAL GALLERY OF VICTORIA IN COLLABORATION WITH MELBOURNE ART FOUNDATION ANNOUNCES THE LAUNCH OF THE MELBOURNE DESIGN FAIR

by the partae February 2, 2022
written by the partae

2 February 2022: Presented as part of Melbourne Design Week, the inaugural Melbourne Design Fair (16 – 20 March 2022) is a commercial showcase of limited edition, rare and one-of-a kind collectable design by Australia’s leading emerging and established contemporary designers and designer-makers. An initiative of the National Gallery of Victoria in collaboration with the Melbourne Art Foundation, the Fair breaks new ground in the presentation, promotion and sale of collectible contemporary design in Australia and will offer audiences a unique cultural experience with all the design works presented available for purchase.

Melbourne Design Fair is a key event within the Victorian government backed Melbourne Design Week program, and the first of its kind in Australia to bring together designers, design organisations, agencies, studios and galleries with collectors to meet and do business over five days at Warehouse 16. 28 Duke Street in Abbotsford.

The Fair will showcase collectible contemporary design works across two platforms: PRESENT where galleries, design organisations, agencies and studios mount dedicated displays by the design creatives they represent, and SELECT, a curated exhibition featuring the best works by emerging and established designers and designer-makers from across Australia. Works across both platforms will be available for purchase.

PRESENT includes presentations by thirteen of Australia’s leading galleries, design organisations, agencies, and studios. Participation in the inaugural Fair, curated by NGV includes Gallery Sally Dan-Cuthbert (Sydney), Sophie Gannon Gallery (Melbourne), Studio Roland Snooks (Melbourne), Sullivan+Strumpf (Sydney), Broached Commissions (Melbourne), Agency Projects (Melbourne), Christopher Boots (Melbourne), C. Gallery (Melbourne), Craft (Melbourne), JamFactory (Adelaide), Local Design (Sydney), Modern Times (Melbourne) and Design Tasmania (Tasmania).

SELECT brings together over thirty-five Australian design creatives in a presentation curated by Simone LeAmon, NGV’s Hugh Williamson Curator of Contemporary Design and Architecture. Works for sale will manifest in a compelling exhibition comprising a mix of Australian design luminaries and rising stars, including Dale Hardiman, Ashley Eriksmoen, Emery and Poole, Pirjo Haikola, Elliot Bastianon, Marta Figueiredo, Jordan Fleming, Adam Goodrum, Brodie Neill, Ella Saddington, Susan Cohn, James Lemon, Delissa Walker, Helen Kontouris, Jon Goulder, Andrew Carvolth, Cassie Leatham, Anna Varendorff and Damien Wright, among others.

Providing an unrivalled opportunity to view, discover and purchase significant works of collectable contemporary design by Australian and New Zealand designers, Melbourne Design Fair will include a program of talks and conversations with exhibiting designers, design curators, and critics to broaden awareness of the contemporary collectable design scene in Australia and internationally, and a film series presented by major partner Mercedes-Benz Australia, offering further insight into the creative practices and design work of participating designers.

Martin Pakula, Acting Minister for Creative Industries, said: “The NGV and the Melbourne Art Foundation joining forces for Melbourne Design Fair showcases Melbourne’s best talents while creating economic opportunity for local designers. Melbourne Design Fair will be a highlight of Melbourne Design Week 2022.”

Tony Ellwood AM, Director of the National Gallery of Victoria, said: “Presented in partnership with the Melbourne Art Foundation, Melbourne Design Fair builds on the NGV’s long-standing commitment to the local design sector and its practitioners. The Fair is a new and innovative opportunity to showcase the extraordinary work of our talented designers, galleries and studios. Bringing together the design sector and its supporters for the very first time, this event is a unique proposition in Australia and proudly positions design as an integral part of the artistic and fiscal vitality of our creative industries.”

Maree Di Pasquale, CEO of Melbourne Art Foundation, said: “Melbourne Design Fair marks a significant moment for design in Australia. Established in response to the increasing demand from collectors to have access to highly collectable contemporary design on Australian shores, the Fair will be a true celebration of design culture and commerce in this country. Melbourne Art Foundation is delighted to collaborate on the vision of the National Gallery of Victoria curatorial team to deliver this national first.  A platform for investment and innovation, Melbourne Design Fair will bring together the region’s most influential designers and makers, collectors, curators, and critics to cultivate a new commercial market for collectable design.

Simone LeAmon, The Hugh Williamson Curator of Contemporary Design and Architecture, National Gallery of Victoria said: “Collectible contemporary design is cultural production reflecting our time, offering alternative points of view, commentary or insights into the design, and making of objects anchored to function and the rituals of everyday life. Audiences will find prototypes, limited edition, limited serial production and one-of-a-kind, works on offer. Collectible design invites us to explore and contemplate Australian material culture through the convergence of ideas, materials and making, which is what makes the Melbourne Design Fair an event not to be missed.”

Melbourne Design Fair (16 – 20 March 2022) is an initiative of the National Gallery of Victoria delivered in collaboration with the Melbourne Art Foundation.

Located at Warehouse 16, 28 Duke Street in Abbotsford, ticket sales and a complete program of participating galleries, designers and events will be announced via designfair.melbourne in early February.

Melbourne Design Fair is a part of Melbourne Design Week, an initiative of the Victorian Government. Learn more via designweek.melbourne.

PRESENT designer and gallery participant list as of 2 February 2022: Gallery Sally Dan-Cuthbert (Sydney), Sophie Gannon Gallery (Melbourne), Studio Roland Snooks (Melbourne), Sullivan+Strumpf (Sydney), Broached Commissions (Melbourne), Agency Projects (Melbourne), Christopher Boots (Melbourne), C. Gallery (Melbourne), Craft (Melbourne), JamFactory (Adelaide), Local Design (Sydney), and Modern Times (Melbourne).

Showcasing the works of Broached Commissions, Trent Jansen, Don Cameron, Michael Gittings, Olive Gill-Hille, Tarryn Gill, Trent Jansen and Johnny Nargoodah, Sabine Marcelis, Adam Markowitz, Abdullah M. I. Syed, Zhu Ohmu, Rive Roshan, David Tate, Ivana Taylor, Tibet Sydney, Damien Wright, Dean Norton, Zachary Frankel, Nicole Lawrence, James Howe, Henry Wilson, Bettina Willner, Ebony Russell, Kenny Yong-soo Son, Emily Hamann, Ash Fischer, Ashley Corbett-Smith, Kirsten Coelho, Natalya Hughes, Sanné Mestrom, Ben Mazey, Connie Augoustinos, Clare Belfrage, Selinda Davidson, Liam Fleming, Susan Frost, Calum Hurley, Ayano Yoshizumi, Duncan Young, D Noah Hartley, Danielle Brustman, Elliat Rich, Makiko Ryujin, Emma Elizabeth, Tom Fereday, Tom Skeehan, Anna Varendorff, Andrew Simpson, Luke Storrier, Christopher Boots, Roland Snooks, Anastasia le Fay, Belle Thierry, Caro Pattle, Danielle Thiris, Jessie French, Lisa Waup, Misseu, Owen Rye, Vanessa Lucas, Jessica Murtagh, Dean Toephfer and Yoko Ozawa among others.

SELECT designer participant list as of 2 February 2022: Confirmed participants include Dale Hardiman, Jonathan Ben-Tovim, Ashley Eriksmoen, Emery and Poole, Marta Figueiredo, Andrew Carvolth, Pirjo Haikola, Elliot Bastianon, Jordan Fleming, Luca Lettieri, Anna Verendorff, Adam Goodrum, Rossana Ceravolo, Brodie Neill, Ella Saddington,  Jay Jermyn, Su san Cohn, James Lemon, Kate Rohde, Takeshi Iue, Delissa Walker, Anton Gerner, Ferro Forma, Helen Kontouris, Jon Goulder, Brud Studio, Delissa Walker, James Walsh, Cassie Leatham and Damien Wright.

More information can be found online at designfair.melbourne

February 2, 2022 0 comments
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Music News

VALE GLENN WHEATLEY (1948-2022)

by the partae February 2, 2022
written by the partae

On Tuesday February 1, Australian music industry icon Glenn Wheatley passed away, aged 74. Wheatley was surrounded by his wife of almost 40 years, Gaynor, son Tim and daughters Kara and Samantha. The musician, manager, radio pioneer and entrepreneur died as a result of complications caused by COVID. Wheatley, who was double vaccinated passed away after valiantly fighting for several weeks.
His heartbroken family passed on their thanks to the COVID frontline workers and staff at Epworth ICU. Wheatley was still busy working on new projects.

“In spite of having achieved so much, there was a lot more he wanted to give,” his family said. “He had an enthusiasm that was unmatched and believed that anything was possible. He gave everything to support projects he believed in, whether they were ultimately successful or not – his immense passion and enthusiasm was an integral part of Glenn Wheatley.”

“He treated roadies, artists and fans with the same love and respect, and had time for everyone. He would leave Rod Laver Arena after a John Farnham concert, just to carry my amp into the Espy,” Tim said, “Everything he did was for his family. He regarded his family as his greatest achievement.”

The Farnhams have released this statement: “Our family are devastated at the loss of our friend. We also obviously feel for his family as well. With his passing so many people have lost a part of their lives. We will miss you Glenn, and promise to be there for Gaynor and the family. Love Jill, John, Robert and James Farnham”

In 1998 Wheatley was inducted into the ARIA Hall of Fame as part of The Masters Apprentices, whose hits Turn Up Your Radio and Because I Love You are Australian rock classics. However Wheatley would find his niche in the music industry through artist management. He helped open doors for Australian music overseas with the global success of Little River Band in the 1970s, selling over 30 million albums and scoring 10 US Top 20 singles including Help Is On Its Way and Reminiscing.

His most successful partnership came with John Farnham, who became a lifelong friend and creative soulmate. Wheatley took over Farnham’s management in 1980, and re-launched his career. A cover of the Beatles’ Help returned him to the chart and Farnham briefly fronted Little River Band. However the two men would stage the biggest comeback in Australian music history with 1986’s Whispering Jack album. Wheatley remortgaged his house to fund the album, which was launched with the unforgettable hit You’re the Voice. Whispering Jack is now the highest-selling Australian album in ARIA history, while Farnham scored 10 No.1 albums with Wheatley as manager. Wheatley also transformed Farnham into one of the most successful touring artists in Australian history, selling millions of tickets in arenas and later outdoor festivals.

Wheatley also launched the career of Delta Goodrem, helping her debut album Innocent Eyes to sell over one million copies in Australia. His other management credits include Pseudo Echo, Real Life and Australian Crawl. Wheatley also launched Australia’s first commercial FM station, EON FM, in 1980, which would rebrand as Triple M. He continued to invest in radio stations, with wife Gaynor on the board of the stations he owned.

In 1992 he helped stage the Australian musical version of Jesus Christ Superstar, featuring Farnham, Kate Ceberano and Jon Stevens. It played over 80 arena dates across the country, while the soundtrack album – released on Wheatley Records, went 12 times platinum.

Wheatley also created charities to fundraise through televised concerts, including the Hay Mate charity to raise money for farmers, the benefit for Rwanda, the concert for the troops in Dili, and countless contributions to other charities in which he was immensely proud.

He released his autobiography, Paper Paradise, in 1999, and over the last few years had been very busy with a number of projects in the works for John.

On the weekend, Wheatley’s son Tim shelved his new single and EP release that was set to be announced on Friday. The long-planned EP was to include a stunning, heartfelt cover of The Masters Apprentices classic Because I Love You. “We were planning the release of Because I Love You for months,” Tim said,“We just fell three days short”.  In honour of his Father, Tim is sharing his version of the song today.

The Wheatley family and John Farnham are deeply grateful for the support and loving messages they have received, and will not be making any further comments at this time. They thank the media and public for respecting their privacy.

February 2, 2022 0 comments
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Music News

THE CITY ANNOUNCE NEW ALBUM “NEON DREAMS”

by the partae February 2, 2022
written by the partae
Photo credit: Andrew Bromley

Today, Melbourne heavy act THE CITY announce their new album Neon Dreams will be released on March 11, 2022. The first single to drop from the album is the catchy heavy rock banger Caffeine Fiend (Living The Dream). 

“Lyrically, Caffeine Fiend came from a place we can all relate to. Being stuck in the daily grind that is modern day life” says frontman Vaughan Sullivan, “You can have anything you want in this world, as long as you are part of the system, Living to work, not working to live etc”

Vaughan clarifies “If this song helps get you through the day, then we’ve achieved something! Stay hungry, if you’re not happy with your current lifestyle, work harder and change you situation to match your goals”

THE CITY”s new album Neon Dreams is a genre defying and fearless record that is bound to make people stand up and take notice of this Melbourne 5 piece. Incorporating subtle hip-hop influences into the rhythms and vocals with a polished post hardcore / nu metal sound with strong emphasis on hooks, melody and a pop sensibility, Neon Dreams is a collection of songs that will push THE CITY to the higher echelons of the heavy music scene.THE CITY are Vaughan Sullivan – Vocals, Josh Nicholson – Guitar/Vocals,
Evan Rademaker – Guitar, Reuben Douglas – Bass, Mark Ferguson – Drums

THE CITY – NEON DREAMS – MARCH 11, 2022

TRACKLISTING

01 Faded
02 Caffeine Fiend
03 Aeons
04 Vanity & Violence
05 The Chad
06 Neon Dreams
07 My Love (Wildfire)
08 The Devil In Me
09 WYDTM
10 Set Me On Fire
11 Bright Lights
12 Walk Away (Forget My Name)
13 Heavy Heart

February 2, 2022 0 comments
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Music News

LEIF VOLLEBEKK Releases New Waves (Live Recordings ’19-’21) EP

by the partae February 2, 2022
written by the partae
Photo Credit: Gregory Alan Isakov
Praise for New Ways

Double J Feature Album

“Pensive and restless, blossoming with stream-of-consciousness verses that bear the marks of long nights spent alone on the road” – New York Times

“New Ways is an album confident in its vision and powered by terrific songwriting” – WXPN

“Unhurried observational vividness ….the bittersweet lilt of his voice all tangled up in blue”
– Uncut

“A transformative journey sweeping the depths of the soul” – Atwood Magazine

“His most elegant album yet” – Rolling Stone

“Vollebekk’s signature is creating melancholy, yet delightful R&B-tinged folk songs and New Ways does not waver from this standard” – Bandcamp

★★★★ – Independent UK

Today, Leif Vollebekk shares a brand-new EP of live recordings titled New Waves, via Secret City Records / Remote Control Records – available now on all streaming platforms. The EP will be available in LP format: pre-order HERE for the April 22nd release date. In this enduring worldwide pandemic, Leif’s EP is a beaming ode to the unique connection live music brings, an amalgam of feelings that can only be shared with an audience.

“Last year I had a chance to revisit these songs and I realised they had something my records didn’t have,” says Leif. “They resonate with that incalculable energy of a live audience. It didn’t matter whether they were listening to FM radio on the freeway, watching a CBS broadcast of The Late Late Show at home or standing right there in front me at the Troubadour in LA. The audience completes the music. They inform it and they shape it. They’re on the other end of the frequency and they make new waves of their own. That symbiosis is something during these past two years I’ve missed more than anything. And I feel it on this record.”

Leif concludes: “The thing about live music is that, until about a hundred years ago, it was the only kind of music there was.”

Last November, Leif shared a first track from the EP, the live version of ‘I’m Not Your Lover,‘ recorded at The Troubadour in Los Angeles back in 2020. Its accompanying video, directed by close collaborator Kaveh Nabatian, captured, once again, the essence of Leif’s music and its connectivity to nature.

Last spring, Leif Vollebekk was invited to the Late Late Show with James Corden for his debut late-night performance in the United States. Invited by host James Corden himself, this performance was filmed with the help of friends in Boulder, Colorado, beautifully directed by Andy Mann and featured his most recent single, ‘Long Blue Light‘, which was released on November 10, 2020, and has since garnered over 15 million streams. Watch the segment HERE. For those who enjoy the Netflix series “Feel Good” featuring Mae Martin and Lisa Kudrow, don’t miss the first episode of the second season featuring the inimitable song ‘Transatlantic Flight‘ off New Ways.

His most recent full-length, New Ways, was a sonic documentation of everything that Leif felt at the time; tenderness and violence, sex and rebirth. “Anything that I wouldn’t ever want to tell anyone – I just put it on the record,” he says. It was recorded at Capitol Studios in Los Angeles and Breakglass Studios in Montreal, and it features Olivier Fairfield (Timber Timbre) and Homer Steinweiss (The Dap-Kings, Amy Winehouse, Mark Ronson) on drums, and additional vocals by Angie McMahon. It was mixed by Chris Allen in NYC (Yoko Ono, Fleet Foxes, Sigur Rós, Margaret Glaspy) and mastered by Greg Calbi at Sterling Sound (David Byrne, The War On Drugs, Gregory Alan Isakov, Tame Impala, Father John Misty, Bob Dylan, Patrick Watson). The album now has over 33 million streams, support from Pitchfork, Uncut, NPR/World Cafe, The New York Times and obtained a credible Polaris Music Prize 2020 Long List nod. His 2017 breakthrough album Twin Solitude landed a spot on the Polaris Music Prize 2017 shortlist, a Juno nomination, and is now at 53 million streams. It was critically acclaimed by Uncut, NPR Music, The Fader, The Sunday Times Culture, The Line of Best Fit, Paste, Brooklyn Vegan, WXPN, KCRW and Exclaim!, to name a few.

Buy / Download Leif Vollebekk – New Waves (Live Recordings ’19-’21): https://found.ee/LV-NewWaves

Leif Vollebekk – ‘I’m Not Your Lover’ (Live at The Troubadour)
Stream / Download: 
https://found.ee/LV-INYL-Live

Leif Vollebekk
Website | Facebook | Twitter | Instagram

February 2, 2022 0 comments
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Music News

Rose Ranger ‘Confession’ Premiere

by the partae February 1, 2022
written by the partae
Hailing from Vancouver’s North Shore, Rose Ranger’s creative process is inextricably linked with the ocean and mountains that are stone’s throw away from her front door. She has written and recorded with some of Canada’s top musicians, toured the world, opened for Keith Urban, has had music featured on key television programs like Dawson’s Creek and films such as The Bandit Hound.  Combined with her love of all musical genres and her utmost appreciation for all the creative arts – the blend creates a dynamic vibrancy in her songwriting process.  This song is a testament to all of those influences…get ready for a powerful pop ride.

https://roseranger.com/

https://www.facebook.com/roseranger

https://www.instagram.com/roseranger/

https://twitter.com/roseranger

February 1, 2022 0 comments
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Music InterviewsMusic News

Bad Moon Born

by the partae February 1, 2022
written by the partae
We sat down with Voya the Guitarist/Producer from Sydney band, Bad Moon Born…
Where are you currently based?
Voya: Currently based in Sydney. Predominantly around where the Fat Pizza movie was filmed.
 
How did you first start playing music?
Voya: One of the most inspiring moments for me was getting to high school, and being taken around on a tour of the facilities.
Once we got to the music room, we saw a senior band covering Toxicity by System Of A Down, which lead to me dropping any other interests I had in life to do the same.
They were cool AF.
 
Please tell us how Bad Moon Born started:
Voya: Bad Moon Born started after a couple of our previous bands fizzled out through our musical journey, and we wanted to start afresh.
It was also our way of rebranding after doing some pretty cringe-worthy things as a younger band.
 
Your latest single ‘Light Leaves The Day’ is a step away from your hard rock sound, what influenced the sound and songwriting for this track?
Voya: Just felt like doing something different. We’re into a vast array of music and genres, which is something we wanted to lean into further.
We also wanted to use this track as a way of easing people into what’s to come.
 
How did you go about writing ‘Light Leaves The Day’?
Voya: I had the chord progression you can hear on the acoustic for a while, and Jordan was really keen on a ballad because he’s a sensitive guy.
My main objective was that I wanted it to be a ballad without sounding like a traditional ballad, if that makes sense. I feel like the style of bass and drumming really help to keep it from falling into that stock ballad territory.
I’m glad we achieved this, otherwise I probably wouldn’t have enjoyed the song as much. As for the lyrics – that’s all Jordan. The whole singles collection we released is quite personal for him, lyrically.
I feel like this was the perfect touch to end this journey and hopefully, it arouses some curiosity around what we’ll be doing next.
 
Where and when did you record/produce/master and who with?
Voya: I recorded, produced, and mixed the track at my studio almost a year ago now, I think. The drums (and chair we used to sample the rimshot) were recorded with Chris Blancato (Northlane).
He also mastered this track, as well as the last 3 singles.

How did you approach the recording process?
Voya: Jordan and I demoed the whole song midway through 2020, and sat on it for a while, thinking about what we could add to it. Anything we tried adding caused the track to lose its stark, intimate feel.
When we started to track the song properly, we only ended up re-recording the vocals, guitars, and drums, due to deciding we’d prefer to keep the original synth, bass, and string parts.
So it was a fairly spaced out, and naturally occurring process.
 
What do you have planned to support the single?
Voya: We’ve just released a video clip for it, and will be doing a live performance of it soon as part of a virtual concert-type thing. We’ve also got the great team over at Beehive handling the PR for the release.

Who are you listening to at the moment?
Voya: Nickelback and Skrillex, exclusively. I’m not even joking.

What do you like to do away from music?
Voya: Every time I’ve been asked this I don’t know what to say, because the deeper I think about it, the more I realize I don’t actually do much else apart from music.
This leads me to wonder what I’d do if I couldn’t do music anymore, which in turn leads me to the deep dark sadness of feeling a sense of shallowness in my life.
That said, one could argue that it’s just an obsessive commitment.
 
What’s planned for 2022?
Voya: Writing our debut album. Anything else isn’t worth planning at the moment, unless you’re someone who loves covid related postponements and cancellations.
 
Favourite food and place to hangout?
Voya: Ćevapi. If you don’t know what they are, I highly suggest trying them ASAP.
My favourite place to hang out is at home. I don’t enjoy going out too much because it’s usually full of loud and obnoxious people who want you to share their enthusiasm for ‘being out.’
I’ll stick to my studio, thanks.
Official Website | Facebook | Twitter | Instagram | Youtube | Triple J Unearthed
February 1, 2022 0 comments
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Music News

ABI MUIR ‘STILL THE SAME’ VIDEO PREMIERE

by the partae February 1, 2022
written by the partae

Abi Muir immediately hooks the listener with goosebump-inducing vocals reminiscent of Ariana Grande and Billie Eilish, leading the listener on a modern indie pop journey. Her latest single “Still The Same” is a perfect example of why. “Still the Same” features a 2000s indie-pop vibe, taking listeners back to the Y2K era, telling a familiar story of a person seeing an old lover after a long passage of time. Dramatic strings with a powerful drum line and piano support the emotive vocals, communicating the feeling one has when realising the passage of time and the effects of change. 

The song’s vocals were recorded at The Plutonium, Brisbane, with producer Aidan Hogg, who also provided mixing for the track. The instrumentation was provided by David D’Amore on drums, Peter Bullis on keys and Kyle Rohan on Guitar/Bass. All 3 are incredible creative musicians who also play as part of the successful progressive rock/post-hardcore band Forest. After hearing Abi’s demo’s, they brought their skills to collaborate with Abi on crafting the tracks. Mastering for the track was provided by Ben Feggans, Studios 301.

Abi Muir describes the inspiration for the track as, “Still the same was inspired by a book I read where the character became immortal and lived many different lives but was still the same person on the inside. I wanted to tell this story in song and communicate the emotions and feeling of time passing, watching people you used to know grow and change, whilst you as the observer feel the same, standing still in time.”

Despite being so young, Abi Muir has already managed to collect an incredible amount of accolades to her name! Her debut single, “heebiejeebies”, recorded in her home studio, quickly gained her a large following and caught the attention of industry professionals. Abi has an International win in the Unsigned Only competition as well as being a Finalist in the Queensland Music Awards. Abi’s highly anticipated debut EP is scheduled for release early 2022, so definitely keep an eye out for this future indie pop sensation.

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