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Interview: Midnight Engine – FREZYA on Building ‘FURTIVA’ as a Cinematic Getaway

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Interview: Felsmann + Tiley – Scoring the Absurdity of Modern Existence

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Monthly Archives

January 2022

Music News

A Comprehensive Musical Guide: How to Start Playing Your Favorite Instrument?

by the partae January 11, 2022
written by the partae

Author: Allen Brown

Music is an art that is easily accessible to everyone. There are many different instruments, and it can be difficult when you do not know where to start. This guide will walk you through the process step by step so that you can enjoy playing music in no time at all!

1.Pick the equipment you want

The first step is to pick the equipment you want. This doesn’t have to be expensive, but it should work for your style of playing and comfort level. As mentioned at https://www.allstringed.com, if you prefer a guitar, you can purchase an acoustic, electric, or classical guitar. Learning guitar is not difficult, so you can pick any style.

If you prefer a piano or keyboard, go with an electronic model that is easy to use and has multiple features. You can also find portable keyboards that are lightweight and easy to carry with you.

If you want to try a different instrument, such as the violin or banjo, do some research on the best models for your playing level and budget. It’s essential to get quality equipment, so you don’t develop bad habits from the start.

Once you have chosen your equipment, take some time to read the included instructions carefully. Familiarize yourself with all of the features to use them effectively when practicing.

2. Learn the basics

Once you choose an easy instrument to start with, it’s time to learn the basics. You can go through tutorials online or join a music school near you for better guidance. If you’re getting started on an instrument, it would be best to take classes from professional teachers who have ample experience teaching beginners how to play musical instruments.

You may also want to read about the instrument you have chosen to play. This will help you understand how it works and what techniques are used in playing it.

There are plenty of instructional materials out there that can help beginners learn the ropes quickly. YouTube is one great source for free video tutorials, while books and DVDs usually come with instructional audio CDs. If you’re willing to spend some money, online lessons could be a good option for you – many teachers offer Skype sessions or interactive live streams that make learning easy and fun.

3.Practice!

Once you’ve learned the basics of playing your instrument, it’s time to practice some more! The only way you’ll get better is by actually getting out there and practicing. Even if you don’t feel like doing so or have a busy schedule, remember that this step will be the most important one in becoming a master at what you do.

For your practice, you can start with simple things. Make sure you do your warm-up exercises, as these are the best ways to ensure that you don’t injure yourself while playing. Another thing is making sure that you practice regularly and without fail—for example, if possible every day or at least three times a week.

If this sounds like too much for now, start practicing once a week until it becomes more natural for you to play daily!

You can bring friends to your practice sessions to make it more fun, too. The better you get at playing your instrument, the easier it will be for you to find people interested in learning how to do so!

4.Perform

It will help if you find a way to perform your music. You can do this by:

  • joining an ensemble and performing regularly as much as possible
  • playing for smaller groups of friends and family
  • performing at open mic nights in coffee shops or other similar venues

If you can get yourself out there, it will also help with a recording that people can listen to. This could be creating a YouTube channel or doing it somewhere else online where others can access it easily.

Performing is a great way to improve your skills and get feedback from others.

5.Know how to take care of your equipment

Music equipment is an investment, and like any other investment, you want to take care of it to last. Ensure to read the manufacturer’s instructions on cleaning and storing your instrument.

Therefore, after your practice session, make sure to clean your instrument. Don’t use water on the drum heads; instead, use a damp cloth or a particular cleaning solution if needed. If you want to be careful with your cymbals, wipe them down with rubbing alcohol after each practice session and before putting them away in their case.

Learning to play musical equipment can be very rewarding. It can allow you to communicate your feelings and emotions through melodies and rhythms. Not only that but learning an instrument can also provide a great form of exercise for the mind and body. By following the guide above, you can learn to start playing your favorite instrument.

January 11, 2022 0 comments
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Music News

Let’s Eat Grandma share video for new single ‘Happy New Year’

by the partae January 6, 2022
written by the partae
PRAISE FOR I’M ALL EARS (2018)
 
“remarkable”
The Guardian (5*)

“I’m All Ears doesn’t just defy demographic stereotypes—it sounds like nothing else in pop right now.” 

Pitchfork (Best New Music)
 
“This is a thrilling, fascinating album that continually startles: it’s a bold step forward and one that feels like a glimpse into the future.”
NME (4*) 
 
“[M]asterful manipulations of mood and texture […] a second effort that exceeds expectations”
TheMusic.com.au (4*)
Let’s Eat Grandma, the duo composed of songwriters, multi-instrumentalists and vocalists Rosa Walton and Jenny Hollingworth, today share ‘Happy New Year‘, an upbeat, blissful song celebrating friendship, and the opening track from their upcoming much anticipated third full-length album, Two Ribbons. Co-produced by David Wrench and Let’s Eat Grandma, Two Ribbons will be released on April 8 via Transgressive.

Rosa Walton said the following about the track: “‘Happy New Year’ is a celebratory song written about my relationship with my best friend. I wrote it after a breakdown between us that lasted for a long period of time, to communicate to her how important she is to me and how our bond and care for each other goes much deeper than this difficult time. I used the setting of New Year as both an opportunity for reflection, looking back nostalgically through childhood memories that we shared, and to represent the beginning of a fresh chapter for us. I’d been struggling to come to terms with the fact that our relationship had changed, but as the song and time progresses I come to accept that it couldn’t stay the way it was when we were kids forever, and start to view it as a positive thing – because now we have been able to grow into our own individual selves.”

With a video featuring the band embroiled in a tennis match-turned-party, ‘Happy New Year’ is the third song to be heard from Two Ribbons following the album’s stunning, melancholic title track ‘Two Ribbons‘ and the ethereal, glistening pop song, ‘Hall Of Mirrors‘, about a beautiful, intense moment remembered, with the latter attracting airplay on triple j and both tracks across community radio nationwide.

Let’s Eat Grandma released their second album, I’m All Ears, in 2018. It came out to a blaze of critical glory, thrilled fans who’d been with them since I, Gemini, and won them interested new listeners as they widened their musical scope. They won Album of the Year at the Q Awards along with many end of year list placements, toured relentlessly, played a life-changing set at Coachella, and then… they disappeared.

​​Two Ribbons tells the story of the last three years from both Jenny and Rosa’s points of view. As a body of work, it is astonishing: a dazzling, heart-breaking, life-affirming and mortality-facing record that reveals their growing artistry and ability to parse intense feeling into lyrics so memorable you’d scribble them on your backpack. The band has been through a lot in the last three years, and Two Ribbons is the artefact that signals some kind of progression out of distressing times; a story of loss, change, and of survival; a proof of life.

Such was the intensity of Jenny and Rosa’s bond that when they promoted their first album, they positioned themselves as twins. Friends since early childhood, they had graduated into a teenage friendship that was unbreakable and practically telepathic. Those intense and all-consuming friendships are subject to the same ebbs and flows as any other, and as they grew older the two began to find themselves as individuals, tastes differing here, reactions jarring there. There was a time when both felt a little trapped, and needed to fight to create the space to express themselves as individuals within their relationship.

And so the partnership began to fray. Two Ribbons can be heard as a series of letters between the two of them, taking the place of conversations as they try to make sense of the rift in their relationships. It’s a cathartic blood-letting and a devastating realisation about the fickleness of life. Though it is still very much a Let’s Eat Grandma album, for the first time there are Rosa’s songs and Jenny’s songs.

Both Rosa and Jenny found themselves more involved in the production of this album, experimenting with new sounds and diverse instrumentations within the studio, collaborating with David Wrench, also the primary producer of I’m All Ears. On this record Rosa in particular threw herself into the behind the scenes work and driving her own sonic agenda, whilst Jenny sought to synthesise new influences to forge new spaces artistically for the group.

The backdrop to Two Ribbons is two women navigating their way through a lot, for the first time without the tiller of each other to guide them. The songs they wrote and eventually brought to each other are little pockets of light in the darkness, signals in the night to show each other how they were feeling and what they had lost.

Two Ribbons is an album that treads a fine line expressing the most intimate feelings of, whilst making space for, the different perspectives of two women; an album that says this is not the beginning or the end but part of a never-ending circle. It’s cyclical in nature; there is sadness, and pain, and joy, and hope – and knows that no matter what detours we take, we are all connected.

Two Ribbons by Let’s Eat Grandma
is out April 8, 2022 on Transgressive / [PIAS]
Pre-order: https://letseatgrandma.ffm.to/tworibbons
January 6, 2022 0 comments
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Music News

GHEIST unveil music video for ‘We Are Not Alone’ promoting awareness around Mental Health

by the partae January 6, 2022
written by the partae
The Music video aims to drive awareness around the subject of Mental Health in a reflection of the past 18+ months

WATCH: https://vimeo.com/568527183/b32709860a

​​Following on from their essential Zukunft album on their own Radau Music label in November, GHEIST now serves up a hugely poignant new video for ‘We Are Not Alone.’ The video touches on the subject of mental heath, which is close to the German pair’s heart as they recently lost a close friend and tour manager due to suicide.

The album explored a world of emotional, colorful, diverse, and delicately crafted electronic music with hints of melancholic optimism. This single is another standout that finds the duo really evaluate their sound and skills to new levels. It features their signature mix of  breakbeats, beautifully crafted synthesizers and exciting vocals delivered with real melancholy. They touch on the difficulties of being alone while the video shows someone in isolation at home and looking lost.

Say the pair, “Coming out of these exhausting and strange past 18 month there appears to be a topic that has always been around us but seems now bigger than ever. We’ve been isolated, we’ve been alone and highly in danger of suffering from depression. It’s a matter of the heart for us to talk about this sad phenomenon and get loud about it. We just recently lost a close friend who committed suicide and no one saw it coming.”

“We see it as our duty as artists to point out this problem and create a safe place to open up and destigmatize mental illness as such and built awareness especially for people with suicidal tendencies.  We are about to head into winter and we are still in a post pandemic phase as a society. We should sensitize ourselves for those who need to be seen and make sure that no one feels alone or left behind. Please let us all take care of each other and make the time to listen because WE ARE NOT ALONE.”
‘We Are Not Alone’ carries a vital universal message that should be shared as far and wide as possible.
GHEIST

Facebook: https://www.facebook.com/gheistmusic

Instagram: https://www.instagram.com/gheistmusic/

January 6, 2022 0 comments
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Festival NewsMusic News

UNIFY FOREVER TROPHY EYES ADDED TO LINEUP PLAYING CHEMICAL MIRACLE IN FULL MATON SUNDAY SESSIONS LINEUP + FESTIVAL SET TIMES ANNOUNCED Thursday 20 – Sunday 23 January

by the partae January 6, 2022
written by the partae

 Tickets on sale now

The countdown is officially on! In just two weeks’ time, Tarwin Meadows will be heaving with the colossal sounds of UNIFY 2022 and the festival just got bigger! UNIFY is stoked today announce that Trophy Eyes have been added to the already mammoth weekend of heavy music goodness.

This huge news comes as the festival also releases the lineup for Maton Sunday Sessions and set times so you can get planning your return to heavy music Christmas now!

Just over five years since Trophy Eyes’ universally acclaimed sophomore album Chemical Miracle, the band are celebrating by playing the record in full at UNIFY 2022! Released in October 2016, Chemical Miracle was welcomed with rave reviews as it peaked at #8 on ARIA Australian Albums Chart. Chemical Miracle paved the way in getting the punk rock band from Newcastle to where they are now – conquering the globe with headline tours across North America, the UK and Aus, playing festival dates at Reading and Leeds (UK) and Disrupt Festival (US) as well as filling huge support spots on tour with Bring Me The Horizon. Trophy Eyes recently released new singles ’27 Club’ and ‘Bittersweet’, following up on their 2018 album The American Dream which enjoyed huge success at triple j, achieving Feature Album and lead single ‘You Can Count On Me’ breaking into the Hottest 100. No doubt about it, UNIFY is going to be electric when Trophy Eyes perform on the mainstage ahead of The Amity Affliction on Friday night!

When the carnage of the weekend has left you feeling a little worse for wear, it’s time to grab a coffee, sit back and relax to the sweet stripped back sounds of some of the country’s finest musos at Maton Sunday Sessions!

Kicking off from 10:15am – 1pm on the final day of UNIFY, Maton Sunday Sessions will round off a stacked weekend of killer sets and moshpit antics with unplugged sounds from…

BEN STEWART (SLOWLY SLOWLY)
BUGS (ACOUSTIC)
ALEX MOSES (COLUMBUS)
JOSHUA O’DONNELL (BANKS ARCADE)

Leading the charge is Slowly Slowly’s frontman Ben Stewart with his vivid lyricism and emotionally charged vocals. There’s an unshakable sense of comfort and resonance that takes a hold when Ben performs, be a part of it as he closes out UNIFY with his stunning set.

Bugs will amaze you with an acoustic performance of their heartfelt and authentic pop rock slowed down to help ease you into the real world after a whirlwind weekend of heavy music chaos.

Join Columbus’ vocalist and guitarist Alex Moses as he stuns you with acoustic renditions of the rock-trios earnest and relatable ballads.

That’s after Banks Arcade frontman Joshua O’Donnell warms up the stage, backing up the band’s debut UNIFY set with peeled back versions of their boundary breaking music.

ICYMI, Trophy Eyes and Maton Sunday Sessions artists aren’t the only additions to UNIFY lately with Slowly Slowly and Stories also added to the bill recently. UNIFY 2022 really is going to be one hell of a time!

Now it’s time to get your camping essentials together and plan your UNIFY weekend hustle because the 2022 set times are finally here!

Get ready to be back on our beautiful site, camping with new and old mates amongst the sprawling pastures of Tarwin Lower with the sounds of some of Australia’s best heavy acts in the air, delicious food in your tum and icy cold beers to share! Tickets to Australia’s heavy music wonderland are on sale via Ticketmaster now with Afterpay, PayPal & Visa Checkout available.

Wanna play UNIFY? triple j Unearthed’s comp is now open! Get all the details on how to enter here.

THE AMITY AFFLICTION | VIOLENT SOHO
TROPHY EYES (Playing Chemical Miracle In Full) | SLOWLY SLOWLY
(+ in alphabetical order) Alpha Wolf, alt. (Thursday Night Pre Party), Banks Arcade, Bugs, Bloom, Dream On Dreamer, Dregg (Thursday Night Pre Party), Drown This City (Thursday Night Pre Party), Gravemind, Grenade Jumper (Thursday Night Pre Party), The Last Martyr, Ocean Grove, Plini, Pridelands, Redhook, Rumours (Thursday Night Pre Party), Short Stack, Starve, Stepson, Stories (Reunion Set), Teen Jesus And The Jean Teasers, Teenage Joans, Thornhill, To Octavia, WAAX, Wildheart, Yours Truly 

UNIFY FOREVER
20 – 23 January 2022*
Tarwin Lower, South Gippsland, VIC
*Back up weekend of 10 – 13 March 2022 pencilled should January dates need to move
unifygathering.com

TICKETING INFO
Tickets onsale now via Ticketmaster
Payment available via Afterpay, PayPal & VISA Checkout

Head to unifygathering.com for further info on ticketing, camping & more

MEDIA ACCREDITATION
Legitimate media can apply for accreditation to UNIFY before Monday 10 January here

THANKS TO OUR PARTNERS
Sailor Jerry, Heaps Normal, Maton

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January 6, 2022 0 comments
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Music News

EELS release new single ‘Amateur Hour’

by the partae January 6, 2022
written by the partae
EELS
RELEASE NEW SINGLE ‘AMATEUR HOUR‘

NEW ALBUM EXTREME WITCHCRAFT
OUT JANUARY 28 ON PIAS / E WORKS RECORDS

Photo credit: Gus Black
Ahead of the release of their anticipated fourteenth studio album Extreme Witchcraft, out January 28 via [PIAS] and the band’s own E Works Records, EELS have today shared the album’s opening track, ‘Amateur Hour’.

‘Amateur Hour’ follows on from recently released singles ‘The Magic,’ ‘Steam Engine‘ and ‘Good Night on Earth‘, which The New York Times heralded as “a quintessential Eels song: hoarse, succinct, dry-eyed and well aware of life’s ironies,” and received rotation adds across Double J, 2SER, Edge Radio and rage (Feature Video), while early previews of the album have seen Extreme Witchcraft described as “honest to god rock n’ roll” by DIY Magazine, “wit, tunes and third-degree self awareness” by Uncut, and “E delivers again on his percussive, groove-rich latest” by MOJO.

EELS leader Mark Oliver Everett, aka E, co-produced the record with PJ Harvey producer and guitarist John Parish, marking the first time the two have recorded together since 2001’s Souljacker album.

Says E: “John Parish is one of the most even-tempered, polite people I’ve ever met. A true gentleman. Actually he’s probably THE most polite person I’ve ever met. But when he gets into the studio he becomes a mad scientist. If you make music with John Parish, you get stuff no one else does. He has a really unique toolbox and musical outlook. Perhaps his politeness is a coping mechanism to keep Mr. Hyde under control when he’s out of his laboratory.”

EELS have had one of the most consistently acclaimed careers in music. The ever-changing project of principal singer/songwriter E (Mark Oliver Everett), EELS have released 13 studio albums since their 1996 debut, Beautiful Freak. In 2008, E published his highly acclaimed book Things the Grandchildren Should Know and starred in the award-winning Parallel Worlds, Parallel Lives documentary about the search to understand his quantum physicist father, Hugh Everett III. 2020’s Earth To Dora album, received extensive critical praise, and was described as “their sweetest natured album ever” by The Independent and awarded four stars in MOJO and NME.
Extreme Witchcraft by EELS
is out January 28, 2022 on [PIAS] / E Works Records
Pre-order: https://ffm.to/extremewitchcraft

January 6, 2022 0 comments
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Music InterviewsMusic News

Bae Baracus

by the partae January 6, 2022
written by the partae

Where are you currently?

Clef – Gibsons, BC, Canada, planet Earth

Dolly – Vancouver, B.C.

Lin – Sunshine Coast, BC

 

How did you first start playing music? 

Clef – I’ve been playing for so long that I don’t remember! But I’ve always been involved in something, whether it’s high school jazz band, composing an indie film score, a neo-soul vibe project, an extemporal spectacle band, or Bae Baracus! 

Dolly – Learning to play the tin whistle in school…

Lin – Playing recorder, violin and piano as a kid

 

What’s been happening recently? 

Clef – Mostly baby-raising, tryna live in the moment. 

Dolly – A long break in Dublin, Ireland, where I’m from. Been surrounded by lots of trad music, maybe that will come out in future writing.

Lin – Not much right now, just coming out the other side of the holiday break, with the kids home from school (more local Covid measures) against the same intense backdrop that ended 2021…<grimace>

 

You’ll be releasing a remix and video of your single ‘Flex’ on Jan 14, what originally influenced the sound and songwriting for Flex? 

Dolly – Being disconnected from people during the pandemic (and before, to be honest). Frustration at trying to communicate online and how it takes away the human element. People communicate much differently when they have to look into each other’s eyes, rather than from behind a screen. That sincere message is delivered in a slight tongue in cheek wrapper, as you can see from the video.

Clef – I think it was a tongue-in-cheek approach but I’ve learned that nothing serious comes out of taking yourself too seriously. 

Lin – We wrote & recorded our album in a weekend last summer, and wanted some songs with an element of fun & danceability, in anticipation of live shows and people needing to let off steam. A couple of the songs had a nod to old piano-house and the basis for Flex also has a retro vibe. For some reason, it made me think of the 90s Berlin scene (no idea why as I’d never even been there) but Dolly had lived in Germany and we decided to try a ‘persona’ to deliver the message, which we thought worked really well for the track. 

 

Why did you decide to remix Flex? 

Dolly –  It’s the clubbiest song we’ve done so far, it cries out for remixing.

Lin – Yeah, this is one of our faster songs at 125bpm and I wanted to do a moody half-time kind of approach as a b-side

 

How did you approach the remix process?

Dolly – For my part, I added more primal vocal sounds and swirls to add another layer

Clef – Shout out to Lin for remix! I just blipped and blooped on the remix ?

Lin – Like all our tracks, this came together super fast and I threw it down in a couple of hours. Dolly sent some additional vocal parts and Clef sent some of his inimitable OP1 work… Our approach as a band is to not overthink things nor obsess over details, which I think is one reason why we have so much fun creating together. 

 

What influenced the video concept? 

Dolly – We agreed that if we were going to sing about flexing, the video needed to be fun and funny, kitsch and campy. Like “Physical” by Olivia Newton John. 

Clef – I think that the concept for the video was pretty much there from the jump, what remained to be seen was how we’d pull off a concept as ambitious as that, and I gotta say, I am amazed by the outcome, I think this video is hilarious! 

Lin – this has been a tough couple of years for everyone, and we just wanted to lighten things up a bit and keep things fun. Also, knowing that we were going to release in January, where traditionally people think about working out, it felt like this was the right route. The original concept had a whole cast of extras and a massive nightclub scene, but ya know, lack of budget, time and a pandemic scuppered that 🙂 

 

Where and when did you film and who did you work with?

Dolly – We filmed at Gibson’s CrossFit gym on the sunshine coast (big thanks!) in November, with the wonderful Tallulah directing/filming/lighting. A one woman marvel! 

Lin – Massive thanks to Gibsons CrossFit for letting us have freedom to play in their amazing gym! And also to Tallulah for shooting and directing us. I edited the video and the team at LyricVids.Com in Toronto did some colour correction and VFX to give it added sparkle. 

 

What did you find most rewarding and challenging whilst creating the video? 

Clef – From my end the process was really easy and I was just excited to be there, but it felt like a good time all around and energy at the set was super positive and exciting. The difficulty for me was getting there in the cold, straight from a bartending shift. 

Dolly – Rewarding: getting to perform and be silly in a CrossFit gym with a great group of people! Challenging: finding a time we were all available..

Lin – I’m not a video editor, but I’ve cut most of our videos out of necessity, so that presents some challenges but that said I’m really happy with how this turned out. The most rewarding thing was having 3 hours in this amazing gym, going in with not much of a plan, but just having the freedom to play! I’ve kept myself pretty isolated through the pandemic so it was amazing hanging with Dolly, Clef and Tallulah and letting loose a bit 🙂

 

Who are you listening to at the moment? 

Dolly – Róisín Murphy and Fontaines D.C.

Clef – My buddy got me on the latest Yves Tumor LP from 2020 and WHOAMEMY

Lin – I’m loving Shad’s latest album ‘Tao’ and Little Simz ‘S.I.M.B.I.’

 

What do you like to do away from music? 

Clef – Music is like religion for me so it’s hard to say I could do anything “away” from music but there are other things I’d like to do around music, especially in the technology domain. I’m very interested in how tech-driven solutions could give more control to artists in the production and distribution of their work and how to implement my IT knowledge into a musical space.

Dolly – Riding my motorcycle and my bicycle. 

Lin – Growing vegetables without the use of chemicals.

 

What’s planned for 2022? 

Dolly – Live performances, hopefully!

Clef – It’s gonna be a crazy year, a lot of things need to work out to make it tenable or else I’m gonna have to get off this planet!
Lin – Really hoping for us to play some live shows and to bring the fun vibe of Bae to some clubs and festivals later this year. 

 
Favourite food and place to hangout?
Dolly – Fish n chips or sushi. Up in the mountains or in a dive bar. 

Lin – Pizza or Curry… I love being in the woods of British Columbia. Pizza or curry in the woods would be a magical thing, in fact that’s a pretty achievable goal for 2022. 

https://www.facebook.com/baebaracus

https://www.instagram.com/baebaracus/

https://twitter.com/BaeBaracus

 

 

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