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Interview: Midnight Engine – FREZYA on Building ‘FURTIVA’ as a Cinematic Getaway

February 13, 2026

Interview: Felsmann + Tiley – Scoring the Absurdity of Modern Existence

February 13, 2026

Interview: Jordie Tomas Won’t Bleed for the Applause

February 13, 2026

ANYMA BRINGS GROUNDBREAKING LIVE EXPERIENCE ÆDEN TO SYDNEY THIS OCTOBER

February 12, 2026

Benee – Liberty Hall – 11/02/26

February 12, 2026

Glitch Melbourne is back for 2026

February 11, 2026

Laneway Festival Sydney 2026 – Crowds flood Centennial Park to get a...

February 11, 2026

Festival of the Stone 2026 – Saturday 20 June, Byron Bay –...

February 11, 2026

FREZYA and LPSV Turn “FURTIVA” Into a Midnight Getaway

February 11, 2026

Sweat, Sound, Sunshine – Laneway Gold Coast 2026

February 10, 2026
Monthly Archives

November 2020

Association of Artist Managers Australia Launch GROW Mentor Program
Music News

Association of Artist Managers Australia Launch GROW Mentor Program

by the partae November 1, 2020
written by the partae

Australia’s peak body for Artist managers, the AAM, has proudly  launched the inaugural GROW Program, thanks to support from the Victorian Government Music Recovery fund, through Creative Victoria.

Grow is a 3 month virtual pilot  program designed to support and empower womxn of all ages who are Artist Managers running their own business in Victoria.

The program consists of peer-to-peer mentoring with leaders in the fields of law, business and mental health and wellness and unique group webinars focused on business acumen. Participants will be supported to build new business plans, become more financially literate and build confidence in their leadership skills while also receiving a bursary to support their work. Grow has been designed using a broad range of research including  the AAM’s membership survey results from 2020 which found that women in this sector still experience gender inequality.

The 2020 AAM members survey found retention and longevity for female managers decreases after age 35, APRA/AMCOS ‘Australian Women, Screen, Composers Career Barriers and Pathways’ 2017 research paper found that just 21.7% of their members are songwriters. ABC by the numbers 2020 showed that  womxn musicians make up 24% of radio air-play. Music Victoria found barriers for women in the music industry to be lack of paid work opportunities, the casualisation of the work-force and the confidence gap. GROW aims to continue the progression of gender equity in Artist management through building business acumen, confidence  and capacity.

Running in tandem with this will be a special Victorian edition of the Co-Pilot program. Co-Pilot is an annual national mentor program that is a core professional development activity of the AAM. The mentorship is open to all levels of Artist Managers. To ensure a robust and healthy Victorian Artist management community in the future, managers  need to be supported to re-model, re-build and re-tool to have a sustainable and successful future.

The Victorian music industry is arguably the state hardest hit by the pandemic, with stage 4 lockdown in place for most of the year.  Both GROW and  Co-Pilot (Victorian Edition) deliver tailored professional development for those who need it most. All participants will receive generous bursaries to continue their work beyond the program and encourage them to continue to make  community connections.  Both programs will also give participants access to years of industry know-how through working with the most established Australian Artist Managers.

Grow and Victorian Co – pilot are accessible to Victorian AAM members for specific eligibility details please click the links below.

To apply for Grow, click here
To apply for Co-Pilot, click here

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THE RIOT's PSYCHEDELIC JOURNEY IS CAPTURED IN THEIR NEW VIDEO ‘SAME BLUNT’
Music News

THE RIOT share new video for ‘Same Blunt’; Halloween video launch party announced for this Sunday

by the partae November 1, 2020
written by the partae

“..the band have arrived to fill a radical void in the industry.” – Sniffers

“left us all wondering where the bloody hell they’ve been hiding all this time.”– Blunt  Magazine

“genre-bending” – NME

“both captivating and packing an emotional punch” – LWA

“it goes hard” – Music Feeds

“they push the limits like no-one else” – Pilerats

THE RIOT’s new video for single ‘Same Blunt’ explores the three-piece in substance-influenced mode through a warm slightly nostalgic lens.

It’s a psychedelic journey.

The blunt connects everyone in the room. It removes pretending. It reveals authenticity so that people glow their own real colours.

Director Nick Waterman captures the feeling of everyone being on the same shit and super tuned into each other – totally, messily in-sync. “The trippy visuals really bring this feeling to life in a tongue-in-cheek kind of way. At the centre of this beautiful chaos are The Riot who are giving an epic and unhinged performance.”

‘Same Blunt’ is about returning to who you are.

THE RIOT ‘Same Blunt’ Official Video

‘Same Blunt’ was written in a spontaneous fury, coming together in a single day over cheap beers and weed. Beginning with a thrashing guitar riff before descending in an indelible mix of buoyant reggae, biting rap and boisterous punk, the new track is a testament to the band’s genre elasticity. ‘Same Blunt’ is a pummeling polemic about the perils of groupthink and the way immoral institutions can disempower individual thinking.

The band are throwing an exclusive Same Blunt Halloween Video Launch Party this Sunday, November 1st . Hit the band up through their IG post for details – HERE

THE RIOT’S NEW SINGLE

‘SAME BLUNT’ IS OUT NOW

 

INSTAGRAM

FACEBOOK 

TWITTER 

YOUTUBE  

SPOTIFY

APPLE MUSIC

SOUNDCLOUD

November 1, 2020 0 comments
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Festival NewsMusic News

DONNY BENÉT Announces Live Experience A virtual live performance of his new record Mr Experience Saturday 21 November Tickets on sale now

by the partae November 1, 2020
written by the partae

2020:

Mr Experience is released.

Global pandemic occurs – Live music shows and touring stops.

How do we bring the live experience of Mr Experience to a worldwide audience?

Today, Australia’s self-proclaimed “adult entertainer” Donny Benét announces Live Experience – a virtual live performance of his new record Mr Experience, taking place on Saturday 21 November in the comfort of your own home, wherever you are around the globe. To prevent you from being restricted by timezones, you will be able to watch the stream on this date at your convenience, however, Benét suggests tuning in at 8PM local time for optimal viewing.

Accompanied by his Show Band, Donny Benét has enlisted director Alex Smith and his collection of vintage video cameras and editing equipment, alongside a talented production crew, to capture the adventurous and exciting experience of a Donny Benét live show.

Tickets are on sale now via Eventbrite at a price of your choosing (pay as you can).

After humble lo-fi beginnings in the Australian art-pop underground, Donny Benét has expanded his cult-like following across the globe with a resonant array of danceable repertoire dealing with love and affection. Mr Experience marks a new chapter informed by a wealth of musical and personal development.

Featuring the singles ‘Mr Experience’, ‘Girl Of My Dreams’, ‘Second Dinner’ & ‘Moving Up’, Donny Benét envisions Mr Experience as a soundtrack to a dinner party set in the late 1980s. Since its release, it has been met with worldwide acclaim, including glowing reviews, features with Billboard, NME and Monocle, and has recently received nominations for ‘Best Adult Contemporary Album’ & ‘Best Cover Art’ at the 2020 ARIA Awards taking place in November.

Buy / Stream / Download Mr Experience via https://donnybenet.lnk.to/mrexperience

A message from Donny Benét on Live Experience
In February I was fortunate enough perform in US/Canada on one of my most successful tours. It was so great to finally meet and connect with my US/Canadian audiences and I was very much looking forward to returning later in the year to tour Mr Experience.In March 2020 we had just begun rehearsing the band to prepare for the Mr Experience European tour in May and was looking forward to returning to Europe again to perform the new songs. Lockdown soon followed and we had to press pause after only one rehearsal together.
Like everything this year plans were made, changed, changed again and postponed.I wanted to stay connected to my audience throughout the early weeks of lockdown and decided to host The D Zone online every week until the new album was released. I had put so much love into writing Mr Experience and wanted to present it in the highest quality setting for audiences rather than a series of streamed shows.

I always had the idea of filming a live performance for posterity and generally being something on my wish list. As a huge music nerd I’ve spent endless hours trawling the internet watching live performances of my favourite artists and I always loved the idea that one day there would be a high-end production of a Donny Benét performance filmed and viewed online for years to come!

With the prospect of not being able to leave Australia for a long time this seemed like the perfect opportunity to indulge in this concept and create a piece of art with longevity. I approached the director Alex Smith to help bring this concept into reality. I always enjoy working with Alex – we both seem to operate within an extremely fine line of subtleties and niche references. Alex utilised his collection of vintage video cameras and editing equipment, alongside a talented production crew, to capture the adventurous and exciting experience of a Donny Benét live show.

My fantastic band lived up to all expectations with their warmth and musicality and for this special occasion we were able to invite two backing singers.

I’m ecstatic with how it turned out and it’s been quite satisfying to accomplish this project in an extremely dire time for live music. I hope you enjoy watching this concert!

–  Donny Benét

UPCOMING SHOWS

Live Experience Livestreamed Concert
Saturday 21 November
Tickets & more info via Eventbrite

Great Southern Nights – Live Experience – Solo 
Thursday 12 November (Early Session + Late Session) – SOLD OUT
The Vanguard, Sydney, AU

2021 Rescheduled Australian Tour Dates
12 Mar – Corner Hotel, Melbourne, AU
13 Mar – The Zoo, Brisbane, AU
19 Mar – Oxford Art Factory, Sydney, AU
2021 EUROPE & UK DATES 
04 May – Nouveau Monde, Fribourg, CH
05 – May Exil, Zurich, CH
06 May – Milla Club, Munich, DE
07 May – Pohoda Day FM, Bratislava, SK
08 May – Futurum Music Bar, Prague, CZ
09 May – Lido, Berlin, DE
11 May – Musikenshus, Gothenburg, SW
12 May – Blaa, Oslo, NO
13 May – Fasching, Stockholm, SW
14 May – Plan B, Malmo, SW
15 May – Loppen, Copenhagen, DK
16 May – Hafenklang, Hamburg, DE
17 May – Gebaude 9, Cologne, DE
18 May – Aeronef, Lille, FR
20 May – The Hope And Ruin, Brighton, UK
21 May – Headrow House, Leeds, UK
22 May – Broadcast, Glasgow, UK
23 May – Whelans, Dublin, IE
25 May – Yes, Manchester, UK
26 May – Hare and Hounds, Birmingham, UK
27 May – The Dome, London, UK
28 May – Paradiso Noord, Amsterdam, NL
29 May – Botanique, Brussels, BE

Tickets via donnybenet.com

Praise for Mr Experience

Nominated for ‘Best Adult Contemporary Album’ ARIA Awards 2020
Nominated for ‘Best Cover Art’ ARIA Awards 2020

Feature Album – 2SER
Local Feature – SYN FM

“Benét makes bonafide jams.”  – KEXP

“There’s a warmth to Donny Benét’s fifth album that rages with the way things are right now. As people turn to the comforting blanket of the music they grew up with to make a little sense of a world that simply doesn’t, ‘Mr. Experience’ takes the past and twists it into something modern yet classic.” – NME

“Benét’s quirky approach shows us that he knows how to charm listeners so that they suspend disbelief for the duration of the song and just enjoy the moment. Mr Experience offers feelgood respite from these strange and uncertain times.” – The Music

“There’s no one quite like Donny Benét… a Commodore of Yacht Rock, delivering disco for dinner parties… he’s lighting up the room.” – STACK

“a ten track magic carpet ride to bass heaven and back. A body of work that reaffirms his consummate musicianship and, well… experience.” – The Creative Issue

Donny Benét – Mr Experience1.  Mr Experience
2. Moving Up
3. Second Dinner
4. Reach Out
5. Girl of My Dreams
6. Negroni Summer
7. One Night in Paradise
8. Take a Trip
9. You Don’t Need Love
10. Waterfall (Love Scene)
Donny Benét – Mr Experience is out now via Dot Dash Recordings / Remote Control
Donny Benét
Facebook | Twitter | Instagram | YouTube | Bandcamp
November 1, 2020 0 comments
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CRATERFACE RELEASE CONFESSIONAL MIXTAPE BURN AFTER LISTENING + ART RAP HEALTH CLINIC TOUR WITH SHADY NASTY THIS NOVEMBER
Festival NewsMusic News

CRATERFACE RELEASE CONFESSIONAL MIXTAPE BURN AFTER LISTENING + ART RAP HEALTH CLINIC TOUR WITH SHADY NASTY THIS NOVEMBER

by the partae November 1, 2020
written by the partae
Photo by Kevin Stathis

PRAISE FOR CRATERFACE

DON’T BE CONFUSED
FBi Radio Packet Album

“A proper firestarter”
NME Australia

“Temper futuristic pop with roaring hip-hop”
Bandcamp

“Carving their lane emphatically in 2020”
Dave Ruby Howe, triple j Unearthed

“Burning a new path in hip hop experimentation”
Newcastle Herald

“There’s nothing quite like it in Australia at the moment”
Pilerats

Alternative rap duo Craterface today share their sophomore release, the confessional mixtape BURN AFTER LISTENING. Listen HERE.

Rarely do titles come more bodacious or attention-grabbing than that of Craterface’s second mixtape. Its three words embody the all-caps catharsis of the duo’s deeply personal second full-length. BURN AFTER LISTENING is an instruction, a promise, a statement of intent that says here in your hands, you hold a piece of art so potent, so all-consuming, so loaded with confession and packed with every fibre of the artists’ souls that it becomes impossible to wash off. The only appropriate response is to sit, reflect and, finally, burn after listening. 

Craterface wouldn’t have it any other way. The longtime creative partnership of rapper baby bruh and producer/vocalist Taki Local simply don’t do things in half-measures, pouring the entirety of themselves into their music, allowing listeners to piece through their brand of impassioned alt-hip hop and take what they will. “It’s so easy for us”, Taki Local says of the creative connection that exists between them; “I can’t imagine doing it with anyone else”, baby bruh concludes. The fervent devotion they inspire is second only to the group’s own commitment to leave-everything-out-there sincerity, egoless creative expression and authenticity.

Together they reflect, “This tape is the culmination of an emotional year, but at its core is about the power of spirituality and the effect that has on people who consider themselves just cogs in the wheel. The fact the creation of this tape took us both on a genuine, authentic spiritual path is more valuable than anything else, and we will never forget the strength it holds in that regard. Listen to this tape at whatever volume you please, and do so in the sun.”

BURN AFTER LISTENING is in some ways, a quintessential sophomore release: challenging and yet more rewarding than its predecessor, more spiritually fulfilling for its creators. Where Craterface’s debut mixtape DON’T BE CONFUSED was a smorgasbord of pop-adjacedent hip hop, its follow-up is a more concentrated effort at honing in a particular aesthetic and style. This time gravitating towards lo-fi, introspective New York rap, gritty mid-2000s hip hop and the anarchy of hyper-pop. At the same time, this release expands the duo’s creative universe outwards, drawing a cast of hand-selected artists into their strictly-in-house collaborative studios, including Art Rap Health Clinic tour-mates Shady Nasty on second single ‘ORIGAMI’ and Rhode Island producer-rapper Jair on opening track, ‘JAIR MALEEK DELGADO’.

Musing on themes of religion, spirituality, heartbreak, self-improvement and the cyclical nature of life, BURN AFTER LISTENING centres the confessional nature of baby bruh’s lyricism, while Taki Local’s production matches that fragmented energy with a boundarylessness mania reminiscent of SOPHIE or JPEGMAFIA. Already a singular act in the Australian music landscape, BURN AFTER LISTENING represents Craterface’s contribution to a new strand of hip hop in this country, one which is decidedly more insular, introspective and emotionally, creatively and stylistically innovative too. 

BURN AFTER LISTENING by Craterface is out now,
buy/stream it here.

Artwork by Connor Dewhurst.

TRACKLIST
JAIR MALEEK DELGADO FT. JAIR
BURNT OUT
ORIGAMI FT. SHADY NASTY
SHOW LOVE
BREATHE DEEP
BIG WHEELIN’
4 DOOR
PLASTIC
PICK UP YOUR STUFF
SHE’S GONE
CHECK ON ME FT. KEVIN DW
A GOD IS IN US ALL

TOUR DATES
Thu Nov 5 – The Cambridge – Newcastle
Fri Nov 6 – La La La’s – Wollongong
Fri Nov 20 – Mary’s Underground – Sydney
Thu Dec 3 – Mary’s Underground Sydney

Tickets available here.

Stay connected with Craterface:
Facebook | Instagram | Youtube | Soundcloud | Bandcamp | triple j Unearthed

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Violent Soho Share Live Versions Of 'Vacation Forever' and 'Canada'
Music News

Violent Soho Share Live Versions Of ‘Vacation Forever’ and ‘Canada’

by the partae November 1, 2020
written by the partae
Everything Is A-OK
Violent Soho
Album out now through I OH YOU
Available to buy/stream here

Everything Is A-OK tracklisting:
1. Sleep Year
2. Vacation Forever
3. Pick It Up Again
4. Canada
5. Shelf Life
6. Slow Down Sonic
7. Lying On The Floor
8. Easy
9. Pity Jar
10. A-OK

VIOLENT SOHO

Website
Facebook
Instagram
Twitter
YouTube
Spotify

 

 

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"One of the fiercest live forces in the country right now" – Pilerats "One of the most unforgiving and unapologetic bands on the scene today, the four-piece have managed to set themselves apart as an intense musical powerhouse, backing it up with stunning live performances" – Tone Deaf​ "Exciting, energetic and entertaining, the group are brimful of musicianship, savage wit, charisma and confidence" – The Music "Rock-n-trash, left wing BS with no respect" – Trump Supporter (YouTube)​ Canberra’s fearless and uncompromising punk-rock activists Glitoris' blistering live album, The Slut Power Sessions – Live at the Basement is out today via Buttercup Records / MGM. Expertly recorded in June 2020 at a sweat-drenched hometown show, The Slut Power Sessions – Live at the Basement features live cuts of widely applauded singles ‘Slut Power’, a raging call-to-arms signalling the insidious nature of violence against women, ‘The Policy’, a modern-day, self-empowerment rock anthem featuring soaring stadium-sized harmonies, driving guitars and relentless rhythm, and the satirical ‘Cock Rock’, boasting a hurricane drum solo that would make John Bonham hang his head in shame.  The Slut Power Sessions – Live at the Basement is yet another reminder of why the raging quartet is widely noted as the most fiercely political, uncompromising and unforgettable live forces in Australia today. Glitoris The Slut Power Sessions: Live at the Basement Buttercup Records Friday 30 October 1. Warriors 2. The Policy 3. Trump Card 4. Slut Power 5. Cock Rock 6. Sex Video  7. Pole
Music News

Australia’s formidable punk-rock activists Glitoris’ live LP, The Slut Power Sessions – Live at the Basement, out today

by the partae November 1, 2020
written by the partae

“One of the fiercest live forces in the country right now” – Pilerats

“One of the most unforgiving and unapologetic bands on the scene today, the four-piece have managed to set themselves apart as an intense musical powerhouse, backing it up with stunning live performances” – Tone Deaf​

“Exciting, energetic and entertaining, the group are brimful of musicianship, savage wit, charisma and confidence” – The Music

“Rock-n-trash, left wing BS with no respect” – Trump Supporter (YouTube)​

Canberra’s fearless and uncompromising punk-rock activists Glitoris‘ blistering live album, The Slut Power Sessions – Live at the Basement is out today via Buttercup Records / MGM.

Expertly recorded in June 2020 at a sweat-drenched hometown show, The Slut Power Sessions – Live at the Basement features live cuts of widely applauded singles ‘Slut Power’, a raging call-to-arms signalling the insidious nature of violence against women, ‘The Policy’, a modern-day, self-empowerment rock anthem featuring soaring stadium-sized harmonies, driving guitars and relentless rhythm, and the satirical ‘Cock Rock’, boasting a hurricane drum solo that would make John Bonham hang his head in shame.

The Slut Power Sessions – Live at the Basement is yet another reminder of why the raging quartet is widely noted as the most fiercely political, uncompromising and unforgettable live forces in Australia today.

Glitoris
The Slut Power Sessions: Live at the Basement

Buttercup Records
Friday 30 October

1. Warriors
2. The Policy
3. Trump Card
4. Slut Power
5. Cock Rock
6. Sex Video
7. Pole

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The Resignators Drop New Single Bluebird Tattoo
Music News

The Resignators Drop New Single Bluebird Tattoo

by the partae November 1, 2020
written by the partae

Today, Melbourne ska punk band The Resignators drop their new single Bluebird Tattoo. The song tells the story of Melbourne’s most unique music and fashion movement of the 1970’s, the Sharpies.

LISTEN TO BLUEBIRD TATTOO

The Sharpies were a multicultural group of “pre-punks” (localised to Australia and primarily Melbourne) that embraced a very specific style of fashion, haircut and dancing. They heralded the beginning of Aussie Pub Rock, and despite negative press due to their tendency to rumble between rival Sharpie gangs, they lasted over a decade and contributed to the rise of careers of AC/DC, Lobby Loyde and the Coloured Balls, Billy Thorpe and the Aztecs.

One of the most common icons for the Sharpies was a bluebird tattoo, the song tells the story of how many years later, two Sharpie lovers remember each other fondly every time the see their bluebird tattoos. When they danced they could make it fly!

Bluebird Tattoo sees The Resignators at the peak of their form combining ska punk with rock on what is without doubt one of the bands finest songs to date. Blistering guitars, thumping bass, melodious keyboards, driving drums, a military like horn section capped off with one the most anthemic choruses from a ska punk band you’ll hear this year.

Bluebird Tattoo is a more balanced blending of ska punk and rock without becoming too much of one or the other. The Resignators’ take on ska is heavy and they tend toward raucous rock with something of a ska twist, but most of all they make you dance!

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Artist: The Subs Title: I Want To Dance Again Record Label: The Subs Release Date: 30th October 2020 Tracklist: 1) I Want To Dance Again (Original Mix) 2) I Want To Dance Again (Radio Edit) 3) I Want To Dance Again (Instrumental) Video link: https://www.youtube.com/watch?v=vvy-MHl8uAc Order link: https://my.spread.link/i-want-to-dance-again The Subs come correct with a new single whose title we can absolutely all get behind. Once you hear the music too, you will be compelled to dance. I Want To Dance Again is an all out bit of electronic joy, with busy chords and bright pads, kinetic kicks and real energy all racing up to the cosmos. Add in a vocal that repeats the title and brings the soul, and you have a real recipe for success. It’s the Subs tribute to losing yourself on the dance floor, forgetting who you are and becoming who you want to be. Dance and feel alive again with this irresistible standout single from The Subs. https://thesubs.be/ https://www.residentadvisor.net/dj/thesubs http://www.twitter.com/thesubs https://www.instagram.com/thesubs/?hl=en
Music News

Belgian Electronic Live Act The Subs Return with Thrilling New Single, I Want to Dance Again

by the partae November 1, 2020
written by the partae
Artist: The Subs
 
Title: I Want To Dance Again
Record Label: The Subs
Release Date: 30th October 2020
 
Tracklist:
1) I Want To Dance Again (Original Mix)
2) I Want To Dance Again (Radio Edit)
3) I Want To Dance Again (Instrumental)
Video link: https://www.youtube.com/watch?v=vvy-MHl8uAc
Order link: https://my.spread.link/i-want-to-dance-again
 
The Subs come correct with a new single whose title we can absolutely all get behind. Once you hear the music too, you will be compelled to dance. I Want To Dance Again is an all out bit of electronic joy, with busy chords and bright pads, kinetic kicks and real energy all racing up to the cosmos. Add in a vocal that repeats the title and brings the soul, and you have a real recipe for success. It’s the Subs tribute to losing yourself on the dance floor, forgetting who you are and becoming who you want to be.
 
Dance and feel alive again with this irresistible standout single from The Subs.

 
https://thesubs.be/
https://www.residentadvisor.net/dj/thesubs
http://www.twitter.com/thesubs
https://www.instagram.com/thesubs/?hl=en
November 1, 2020 0 comments
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Serbian Star REBLOK debuts on Heldeep Records with slamming ‘PLAYER EP’ Out now via Heldeep Records
Music News

Serbian Star REBLOK debuts on Heldeep Records with slamming ‘PLAYER EP’ Out now via Heldeep Records

by the partae November 1, 2020
written by the partae

DJ and producer REBLOK has already proven to be a multigenre track releasing machine with hits such as ‘Smile’, ‘Toxicity’ and ‘Stop the World’. Goran Paradjina, known as REBLOK, is now ready to make his debut on Heldeep Records with his ‘PLAYER EP’.

The track kicks off with raw vocals accompanied by a rugged bass vibration, conveying a tremendous urge to dance to it. The breakdowns excel with a head-snapping beat filled with ravet synth chords and percussive switches. With some haunting keys and its energetic undertone, no more is needed for this banger to create a fierce atmosphere. Blurring the definitions of genres, this no-nonsense infectious stomper will work the dancefloor in your living room to its hardest!

Ever since exploding into the scene with his Beatport Top 10 track ‘Smile’, REBLOK has been receiving support from the likes of BBC Radio 1’s Annie Mac and Danny Howerd, as well as dance music heavyweights David Guetta, Jamie Jones, Seth Troxler and Diplo among others. The Croation-born DJ and producer is ready to make an indelible mark on the dance industry.

About Heldeep Records:

International superstar Oliver Heldens founded Heldeep Records to create a platform to showcase the new music of budding producers after receiving 1000s of demos. Since 2014, Heldeep Records has grown from a modest imprint into a fully-fledged label, featuring respected mainstay acts like ALOK, Chocolate Puma, & Dada Life as well as hosting stages at leading festivals across the globe like Tomorrowland, Mysteryland, Electric Forest, Spring Awakening Music Festival and South West Four. Heldeep artists are showcased weekly on Heldeep Radio, which is syndicated across 91 stations, in 66 countries and reaches 118 million people a week.

CONNECT W/ REBLOK
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SoundCloud
Spotify
Spotify
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YouTube
CONNECT W/ HELDEEP RECORDS
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Where are you currently based? We are currently based in North London. How did Théa Marie form? I began my music carrier as a singer songwriter simply called ‘Théa’. As I started studying in the Institute of Contemporary Music Performance in London, I realised I needed a band to portray my songs exactly how I wanted. One thing lead to the next, my flatmate Julianna became my drummer and our friend Peter became my guitarist. They both add a ‘rock style’ to my soul/jazzy compositions, which I absolutely love. Two years later, we created Théa Marie - a soul rock trio from London.  Your band members are based around the world, how does Théa Marie operate as a band? Yes, Julianna is Franco English, Peter is American and I am Franco American! It’s crazy to think we all just randomly met in our uni in London. We are very good at getting the job done and concentrating on our music. We operate very well together because we are first of all friends and have the same work ethic.  For rehearsals, I will bring a new song, sing and play it on the guitar and we’ll all just jam on it and feed off of different ideas.  You released an album a few months ago, what influenced the sound and songwriting? Some songs on the album were written about five years ago, while others were written two years ago. They all express the emotions I used to have like homesickness, loneliness, falling in love for the first time… This is why the album is called ’THEN’ - emotions of the past. The songwriting was influenced by folk artists like James Vincent McMorrow and soul artists like Amy Winehouse.  How did you go about writing the music? I find a progression of chords first, then melodies and lastly lyrics. Usually, my best melodies and lyrics will be written late at night. For some reason, the emotions that I’ve felt throughout the day become more intense in the evening… I don’t know why. In a way it’s great because it means I have more inspiration for my writing.  How did you approach the recording process? So we recorded the album in two different sessions: one in December of 2018 and one in April of 2019 - we took our time. I kept all the stems of the album for a long time because I wanted the perfect person to mix the tracks - someone who understood the atmosphere I was going for. Luckily, I spent the London lockdown with my flatmates and Jimmy, a brilliant sound engineer and producer. He was nice enough to mix the whole album within 2 weeks - amazing! He now has his own mixing/mastering/production studio called Vakant Studios, you should check him out!  Where did you record? We recorded in the recording studio of my university.  Please tell us about your latest collaboration: I wrote ‘Settle Down, Love’ with The Dunwells, two brothers from Leeds. We met in 2018 during one of my school’s events and have kept in touch since. During our songwriting session, I was very anxious by my life. I was explaining to them that I wished I could calm my mind and tell it that everything will be okay. That’s how the idea of ‘Settle Down, Love’ started. We personified my anxious mind and built a conversation with it trying to settle it down.  As soon as we finished writing the song, we knew we had to release it. We knew that so many people would connect with it.  Who are you listening to at the moment? I am still listening to James Vincent McMorrow, I love all of his albums. I recently discovered Lucy McWilliams - her sound is so groovy, chill and elegant. What do you like to do away from music? I love finding new places to hang out at. When I’m free, I love walking around London and finding cute places I can come back to later.  What's planned for the remainder of 2020 going into 2021? We’re preparing a new set up for our live sets: I play bass instead of guitar, and Julianna and Peter do backing vocals while they play their instruments. It’s fun to change it up and it adds more spice to our authenticity and style of music.  Favourite food and place to hangout? Théa: Favorite food is the Bufala pizza from the Salusbury Food Store in Queens Park. Favorite place is at the top of Alexandra Park on a clear day.  Julianna: Favourite food is the veggie breakfast at La Diva Kilburn and favourite place to hang out is on Primrose Hill on a warm evening. Peter: Favourite food is a vegetable red curry from Spicy Basil - Kilburn's hidden culinary gem, and favourite place to hang out is Hampstead Heath on a sunny day. Settle Down, Love links:  https://songwhip.com/thea-marie/settle-down-love www.theamariemusic.com www.facebook.com/itstheamariemusic  www.instagram.com/itstheamariemusic  www.soundcloud.com/itstheamariemusic  https://www.youtube.com/channel/UCU1J-AWLVi7TYPdmMFug6xQ?view_as=subscriber https://open.spotify.com/artist/4bPS3pOEMswsAkEFPU4g1b?si=LS95K871TpWdYoxrj9l7lQ
Music InterviewsMusic News

Thea Marie

by the partae November 1, 2020
written by the partae

Where are you currently based?

We are currently based in North London.

How did Théa Marie form?

I began my music carrier as a singer songwriter simply called ‘Théa’. As I started studying in the Institute of Contemporary Music Performance in London, I realised I needed a band to portray my songs exactly how I wanted. One thing lead to the next, my flatmate Julianna became my drummer and our friend Peter became my guitarist. They both add a ‘rock style’ to my soul/jazzy compositions, which I absolutely love. Two years later, we created Théa Marie – a soul rock trio from London.

Your band members are based around the world, how does Théa Marie operate as a band?

Yes, Julianna is Franco English, Peter is American and I am Franco American! It’s crazy to think we all just randomly met in our uni in London. We are very good at getting the job done and concentrating on our music. We operate very well together because we are first of all friends and have the same work ethic.

For rehearsals, I will bring a new song, sing and play it on the guitar and we’ll all just jam on it and feed off of different ideas.

You released an album a few months ago, what influenced the sound and songwriting?

Some songs on the album were written about five years ago, while others were written two years ago. They all express the emotions I used to have like homesickness, loneliness, falling in love for the first time… This is why the album is called ’THEN’ – emotions of the past. The songwriting was influenced by folk artists like James Vincent McMorrow and soul artists like Amy Winehouse.

How did you go about writing the music?

I find a progression of chords first, then melodies and lastly lyrics. Usually, my best melodies and lyrics will be written late at night. For some reason, the emotions that I’ve felt throughout the day become more intense in the evening… I don’t know why. In a way it’s great because it means I have more inspiration for my writing.

How did you approach the recording process?

So we recorded the album in two different sessions: one in December of 2018 and one in April of 2019 – we took our time. I kept all the stems of the album for a long time because I wanted the perfect person to mix the tracks – someone who understood the atmosphere I was going for. Luckily, I spent the London lockdown with my flatmates and Jimmy, a brilliant sound engineer and producer. He was nice enough to mix the whole album within 2 weeks – amazing! He now has his own mixing/mastering/production studio called Vakant Studios, you should check him out!

Where did you record?

We recorded in the recording studio of my university.

Please tell us about your latest collaboration:

I wrote ‘Settle Down, Love’ with The Dunwells, two brothers from Leeds. We met in 2018 during one of my school’s events and have kept in touch since. During our songwriting session, I was very anxious by my life. I was explaining to them that I wished I could calm my mind and tell it that everything will be okay. That’s how the idea of ‘Settle Down, Love’ started. We personified my anxious mind and built a conversation with it trying to settle it down.

As soon as we finished writing the song, we knew we had to release it. We knew that so many people would connect with it.

Who are you listening to at the moment?

I am still listening to James Vincent McMorrow, I love all of his albums. I recently discovered Lucy McWilliams – her sound is so groovy, chill and elegant.

What do you like to do away from music?

I love finding new places to hang out at. When I’m free, I love walking around London and finding cute places I can come back to later.

What’s planned for the remainder of 2020 going into 2021?

We’re preparing a new set up for our live sets: I play bass instead of guitar, and Julianna and Peter do backing vocals while they play their instruments. It’s fun to change it up and it adds more spice to our authenticity and style of music.

Favourite food and place to hangout?

Théa: Favorite food is the Bufala pizza from the Salusbury Food Store in Queens Park. Favorite place is at the top of Alexandra Park on a clear day.

Julianna: Favourite food is the veggie breakfast at La Diva Kilburn and favourite place to hang out is on Primrose Hill on a warm evening.

Peter: Favourite food is a vegetable red curry from Spicy Basil – Kilburn’s hidden culinary gem, and favourite place to hang out is Hampstead Heath on a sunny day.

Settle Down, Love links:
https://songwhip.com/thea-marie/settle-down-love
www.theamariemusic.com
www.facebook.com/itstheamariemusic
www.instagram.com/itstheamariemusic
www.soundcloud.com/itstheamariemusic
https://www.youtube.com/channel/UCU1J-AWLVi7TYPdmMFug6xQ?view_as=subscriber
https://open.spotify.com/artist/4bPS3pOEMswsAkEFPU4g1b?si=LS95K871TpWdYoxrj9l7lQ
November 1, 2020 0 comments
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Cara Bateman
Music InterviewsMusic News

Cara Bateman

by the partae November 1, 2020
written by the partae

Where are you currently based?

At the moment I’m based out of Delta, BC, Canada.

How did you first start playing music?

I’ve been singing for as long as I can remember. My first memory is at about three years old just belting Christmas carols at the top of my lungs. As I got a bit older I’d listen to albums front to back and would try to mimic the singers exactly – learning every word and inflection. I used to be shy when it came to singing in front of an audience, but close friends continued to push me to give it a go for so many years. After a few years playing open mics in university, I started to want to take things more seriously. That brings us to about five years ago now when I started teaching myself to play guitar so I could write my own songs and accompany myself. It’s a never-ending journey of discovery and learning!

What’s been happening recently and how has your Covid experience been so far?

Covid has presented challenges for me like it has everyone, but when it started to impact things back in March I decided to take advantage of the time off to further commit myself to music and creativity. I already had these recordings in the bag (for the upcoming EP, ‘Some Thoughts I’ve Had’), but really wanted music videos for them. So I picked up my iPhone, did a bunch of research on filmmaking and video editing, and the rest is history. I’ve got three of four videos done so far and can’t wait to share them with the world!

How has your sound changed since your first release in 2016?

Oh man. Drastically. My first album is country/rock/folk, and this one is jazz/soul/R&B. Couldn’t be more different!

What inspired these changes in your sound?

Part of it comes from my knowledge on guitar. I’ve still got a long way to go to get my chops up to snuff, but at this point I can play a bit more than some basic C, G, and D chords. I also find that I’m heavily influenced by my surroundings and life experiences at the time. In one particular rough patch of my life a couple years back, I was churning out alt, grunge-style songs (that have yet to make it out into the world). Last year, I moved into a community house with some unreal musicians and artists who sent me deeper down the jazz, R&B, soul, and gospel rabbit hole, and I’m still exploring those sounds and riding that wave. There is a LOT to explore within those genres! And these recordings reflect a lot of those influences.

Please tell us what inspired your song ‘Love is’ and how you went about writing it:

I had a recording session booked with the musicians you hear on the album. Leading up to that session, I had a number of newer songs I’d written that I really liked. Three of them felt like this cohesive unit, but the rest almost felt like they could be the start of a completely different album. So the week before the session, I started writing furiously to come up with something that felt like the final piece of the puzzle.

At the time I was in a relationship that I felt wasn’t right for me, but I didn’t want to admit it. ‘Love Is’ became a reverie of a love I hoped to find in the future, while reminiscing on some beautiful and challenging moments from loves past.

Where and when did you record and who with?

I was living in Victoria, BC, and booked a gig opening for Zach Kleisinger – an amazing singer-songwriter from Vancouver. I loved his set, and I remember thinking his backing band was incredible. Turns out, we all hit it off after the show and I made my way to Vancouver a few weeks later to record with Zach’s backing band. Harry Tudor played drums, Colin Weeks was on bass and backup vocals, and Yitzy Holton-Hinshaw played lead guitar and keys and was our sound engineer and producer. We recorded everything live-off-the-floor in a small bedroom in Yitzy’s home (otherwise known as Flavour Studios). In three days we figured out the arrangements, barely slept, and laughed a lot. It was hands down the most fun recording experience I’ve had to date.

What programs/instruments did you use to record?

Production was minimal on this record as I wanted everything to feel raw and to capture the emotion of the songs. I sang and played rhythm guitar, Yitzy sat in on lead guitar and keys, Colin slayed the bass and Harry nailed the drums.

How did you approach the recording process?

In the past, I’ve been guilty of perfectionism and paralysis by analysis. With these songs, I felt like we all had such great chemistry as a band and things seemed to flow effortlessly. We decided not to use a click track which helped to throw perfectionism out the window right off the bat. Truth be told, I actually love hearing a flaw here and there in a recording – it feels emotional and human and it’s fascinating. So instead of overanalyzing and second-guessing things, I decided to go with the flow and it honestly came together fairly quickly. That’s not to say that we didn’t work hard – I’m pretty sure I was delusional by the end of the third recording day. But I wanted to trust my gut on these. Playing the songs felt right and I liked what I was hearing, so I wanted to keep things fun and lighthearted without bringing any stress into it.

You’ll be releasing a music video for ‘Love Is’ on November 23, how did the video concept come about?

I just wanted something super positive, uplifting, and wholesome for this video. At this time especially, I felt like I needed to make something that could bring a bit of joy to people’s lives. So I decided I wanted some footage in the style of a home video to showcase different types of love – young parents with their babies, a senior couple, newlyweds, and a man with his dogs. Because of Covid I was limited to the number of people I could collaborate with, but at the same time – I’d moved in with my folks in my hometown when the pandemic hit. So the cool thing about this video, for me, is that everyone that appears in it is either a family member or a close childhood friend who I may have lost contact with at one time or another. It felt very personal and close to my heart.

Where did you film? And how was the experience? 

All of the footage was shot at parks, or in people’s backyards in the Vancouver area. And filming was an absolute blast! It was great to reconnect with old friends, and to include my friends and family in a part of my musical world.

What do you like to do away from music?

I’m an avid runner and cyclist, but I also love hiking, longboarding, camping, and basically anything outdoorsy. Since the pandemic hit I’ve taken up mountain biking which is scary and fun. I dabble in some acting and love to draw, and am pretty much always on the hunt for the next creative project.

Who are you listening to at the moment?

Eloise! She’s been my soundtrack for 2019 and 2020. Also Ella Fitzgerald, Blossom Dearie, Samm Henshaw, Ruston Kelly, Yebba, H.E.R., Chris Stapleton, James Taylor . . . I could go on.

What’s planned for the remainder of 2020 going into 2021?

I’ll be releasing three more songs to complete the full ‘Some Thoughts I’ve Had’ EP, and the music videos that I made in isolation. I also wrote a super upbeat pop song with my friend/fellow musician Alexander Ferguson in recent months. It’s totally different from anything I’ve ever done, and we’ll be releasing that a few months into 2021, too!

Favourite food and place to hangout?

Pasta. Every day all day. Every different type. I could literally eat pasta for the rest of my life. Favourite place to hang out? If we’re talking restaurants and we’re on the subject of food then I’m gonna go with Tapa Bar in Victoria, BC. The bacon wrapped almond stuffed dates are a killer and their sangria is perfection.

Website: www.carabateman.com
Instagram: www.instagram.com/b.cara
Facebook: www.facebook.com/carabatemanmusic
Twitter: www.twitter.com/batemanmusic
Soundcloud: https://soundcloud.com/carabatemanmusic
Bandcamp: https://carabatemanmusic.bandcamp.com/releases
YouTube: https://www.youtube.com/channel/UCuRyjaLhQ2VhNZ0ZWo7gIxA?view_as=subscriber
November 1, 2020 0 comments
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