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Monthly Archives

September 2020

Independent artists are releasing music at a much higher rate this year. Maybe it’s because of the pandemic and many people stuck at home, without any concerts or live performances to attend. Musicians have more time on their hands to pivot their business, work on their craft and put forth their music to the online world through various ways such as streaming live or uploading new recordings for downloads.  Last year, musicians gained a lot of ground in the independent segment, making their way into the industry without the aid of a label. Here are some great indie artists that we can expect some great things from in the upcoming year for 2020, and even 2021. LIZZO Everyone is familiar with this breakout indie artist who successfully crossed over this year into the mainstream and showed everyone just how amazing she is. We’ve already seen amazing things from her because she dominated not only the Pop but also the R&B and Rap charts in 2019. Lizzo was even named Entertainer of the Year by Time magazine, and her breakout song “Truth Hurts” was the longest-running Billboard Hot 100 single at number 1 by a solo female rapper - a feat that would not be expected from an independent artist.  Hard to believe someone who started as a sign spinner for Liberty Tax (check her Twitter if you don’t believe it!) could become nominated for eight amazing honors at the 2020 Grammy Awards. She has tolerated and overcome fat-shaming through the media and established herself as a true artist that will be sure to continue to dominate and impress us all. FRANKIE SIMONE If you haven’t heard her yet, you should definitely give her a listen. Expect really big things from this Puerto Rican/Portland-based singer Frankie Simone, represented by Marmoset music licensing agency. As Marmoset put on their site,  listening to her music “feels like they’re putting a microphone directly to their heart.” She is an indie artist with a noticeable and fun twist. She has created a new kind of eccentric electronic pop, full of exciting beats and lots of personality with her empowering lyrics.  Her lead single “War Paint” is a bold song on its own, but if you view the music video you’ll see lots of bright colors that accentuate the lyrics “So when we went to war/I saw your colors all over me.” She has many other songs that have evolved with this electronic and dance background, and prove that she is in the right place and time to seriously dominate the pop music field. JOE TAYLOR This independent singer/songwriter has an awesome ability to connect with audiences with his unique songwriting. Making his own label so that his music could be heard, he quickly sailed through the charts with his latest hit song “Don’t Change”, reaching the number 1 spot. His passion is in collaborations with other artists. He grew up in Canada but now has moved to the metro New York City area to carve out his career, singing soulful guitar tunes and playing in bars. He has a strong drive to have his music heard around the world, and we think he won’t have any problem getting there with his proven track record of success. SUSAN TONEY An Oklahoma native who moved to Los Angeles to make it in the music industry, Susan has finally been noticed as a newcomer and breakout indie artist this year. Her newest album available now is called Headed for Love, with the single song “Starlight” gaining ground by captivating her audience with interesting melody twists.  Susan has been around and making her music since the 2000s, but has more recently been noticed, climbing charts with this 2020 album. “Starlight” has successfully reached the number 1 spot on the Billboard Charts for AC40 as recent as just last week! She draws not only in the Country and Pop genres but also with Rock, Americana, and Blues, giving her that edge that should bring exciting new music in the upcoming year. BAKAR The full name of Abubakar Baker Shariff-Farr, better known to all as the indie artist Bakar is well-known for his indie-rock style of music. He is one to watch as a talented emerging artist, getting nods from the likes of true legends like Sir Elton John, mixing rap, rock, and punk together to create his unique sound, which to some sounds like it is all over the place. Though most of his tracks include rap and hip hop influences, he also demonstrates some Motown and his lyrics give the audience his street smarts, showing everyone that there is much more to him and his unique style. His most recent EP entitled “Will You Be My Yellow?” displays so much potential, we can certainly expect big things to come. There are many other independent artists to watch you should be sure to watch for, such as Megan Thee Stallion, a huge underground artist and great female rapper, or Georgia, a 21-year-old singer and songwriter with undeniable talent, WebsterX, a master at hip hop, rap and defining beats, and Siena Liggins, another Marmoset artist who demonstrates catchy hooks and fun wordplay. Independent artists will have their claim to fame with the ability to reach out to a broader, more online-focused audience, and we couldn’t be happier with the potential outcome. Beef up your Spotify, SoundCloud, or YouTube playlists today with new music for the future. Tell us which artists you think will break out with hits by the end of the year.
Music News

5 Indie Artists Doing Big Things In 2020

by the partae September 11, 2020
written by the partae

Independent artists are releasing music at a much higher rate this year. Maybe it’s because of the pandemic and many people stuck at home, without any concerts or live performances to attend. Musicians have more time on their hands to pivot their business, work on their craft and put forth their music to the online world through various ways such as streaming live or uploading new recordings for downloads. 

Last year, musicians gained a lot of ground in the independent segment, making their way into the industry without the aid of a label. Here are some great indie artists that we can expect some great things from in the upcoming year for 2020, and even 2021.

LIZZO

Everyone is familiar with this breakout indie artist who successfully crossed over this year into the mainstream and showed everyone just how amazing she is. We’ve already seen amazing things from her because she dominated not only the Pop but also the R&B and Rap charts in 2019. Lizzo was even named Entertainer of the Year by Time magazine, and her breakout song “Truth Hurts” was the longest-running Billboard Hot 100 single at number 1 by a solo female rapper – a feat that would not be expected from an independent artist. 

Hard to believe someone who started as a sign spinner for Liberty Tax (check her Twitter if you don’t believe it!) could become nominated for eight amazing honors at the 2020 Grammy Awards. She has tolerated and overcome fat-shaming through the media and established herself as a true artist that will be sure to continue to dominate and impress us all.

FRANKIE SIMONE

If you haven’t heard her yet, you should definitely give her a listen. Expect really big things from this Puerto Rican/Portland-based singer Frankie Simone, represented by Marmoset music licensing agency. As Marmoset put on their site,  listening to her music “feels like they’re putting a microphone directly to their heart.” She is an indie artist with a noticeable and fun twist. She has created a new kind of eccentric electronic pop, full of exciting beats and lots of personality with her empowering lyrics. 

Her lead single “War Paint” is a bold song on its own, but if you view the music video you’ll see lots of bright colors that accentuate the lyrics “So when we went to war/I saw your colors all over me.” She has many other songs that have evolved with this electronic and dance background, and prove that she is in the right place and time to seriously dominate the pop music field.

JOE TAYLOR

This independent singer/songwriter has an awesome ability to connect with audiences with his unique songwriting. Making his own label so that his music could be heard, he quickly sailed through the charts with his latest hit song “Don’t Change”, reaching the number 1 spot. His passion is in collaborations with other artists. He grew up in Canada but now has moved to the metro New York City area to carve out his career, singing soulful guitar tunes and playing in bars. He has a strong drive to have his music heard around the world, and we think he won’t have any problem getting there with his proven track record of success.

SUSAN TONEY

An Oklahoma native who moved to Los Angeles to make it in the music industry, Susan has finally been noticed as a newcomer and breakout indie artist this year. Her newest album available now is called Headed for Love, with the single song “Starlight” gaining ground by captivating her audience with interesting melody twists. 

Susan has been around and making her music since the 2000s, but has more recently been noticed, climbing charts with this 2020 album. “Starlight” has successfully reached the number 1 spot on the Billboard Charts for AC40 as recent as just last week! She draws not only in the Country and Pop genres but also with Rock, Americana, and Blues, giving her that edge that should bring exciting new music in the upcoming year.

BAKAR

The full name of Abubakar Baker Shariff-Farr, better known to all as the indie artist Bakar is well-known for his indie-rock style of music. He is one to watch as a talented emerging artist, getting nods from the likes of true legends like Sir Elton John, mixing rap, rock, and punk together to create his unique sound, which to some sounds like it is all over the place. Though most of his tracks include rap and hip hop influences, he also demonstrates some Motown and his lyrics give the audience his street smarts, showing everyone that there is much more to him and his unique style. His most recent EP entitled “Will You Be My Yellow?” displays so much potential, we can certainly expect big things to come.

There are many other independent artists to watch you should be sure to watch for, such as Megan Thee Stallion, a huge underground artist and great female rapper, or Georgia, a 21-year-old singer and songwriter with undeniable talent, WebsterX, a master at hip hop, rap and defining beats, and Siena Liggins, another Marmoset artist who demonstrates catchy hooks and fun wordplay.

Independent artists will have their claim to fame with the ability to reach out to a broader, more online-focused audience, and we couldn’t be happier with the potential outcome. Beef up your Spotify, SoundCloud, or YouTube playlists today with new music for the future. Tell us which artists you think will break out with hits by the end of the year.

 

September 11, 2020 0 comments
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Music News

Barong Family Goes Hard for Their 200th Release With 7-Track EP “BF200.” Featuring New Music Yellow Claw, Wiwek, Nonsens, RayRay, Psycho Boys Club and More

by the partae September 9, 2020
written by the partae

Yellow Claw‘s Barong Family celebrates 6 years and 200 releases with an EP compilation appropriately titled “BF200,” which features seven brand new tracks from the brightest names on the label, such as Yellow Claw themselves, Wiwek, Crisis Era, RayRay, GHOSTER, Nonsens, Psycho Boys Club, and more. The Amsterdam-based imprint has become known for its wide range of musical influences and high-tempo BPMs, and “BF200” follows the same vein. Spanning sounds from three continents and even a reworked ’90s classic, “BF200” also has a unique and fantastical backstory. Ever the creative crew, the EP‘s accompanying artwork, and bonus audiobook see Barong Family travels across space and time to save their home planet Mother Earth. Head honchos Yellow Claw describe the impetus behind the EP below:

“It has been a wild ride since when we had put out our first release on Barong Family back in 2014. During the past 6 years, we have met many talented artists who wanted to take part in this adventure with us and joined the family. Moksi, RayRay, Wiwek, and more all saw the transition from Barong Family – a music label to Barong Family – a worldwide brand with its own merch lines, writing camps in Asia, documentaries, sold-out tours in North America, own stages at the world’s biggest festivals. 200 releases seem like a big number, and 6 years feel like a very long time, but for us, thanks to what we do and whom we are fortunate to work with, it feels like we are just starting, as our excitement never faded away.” – Yellow Claw

As for the sonic journey of “BF200,” it begins with “I Want It” from Yellow Claw and Wiwek, who deliver epic hip-hop beats to set the tone of the EP. Next up is Canadian duo Crisis Era‘s “Funky Pills” for all the old school ravers out there, while DJ Soda and RayRay‘s “Obsession” serves up a sneaky dose of hard-hitting bass. Yellow Claw themselves reworked the Tokyo Ghetto Pussy‘s 1995 hit “Kiss Your Lips” for the EP, giving the classic a modern dance facelift. GHOSTER employs Nanami‘s breathy vocals to deliver a solid mission statement in “Belong,” before Danish threesome Nonsens put the pedal to the metal with “Teaze,” speeding up proceedings with immense 4/4 energy. Finally, all systems go on Psycho Boys Club‘s “Break.” Did anyone expect Barong Family to ever take it easy?

More info on Barong Family / Yellow Claw:

Barong Family: Facebook | Instagram | Twitter | Spotify
Yellow Claw: Facebook
 | Instagram | Twitter | Spotify
September 9, 2020 0 comments
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LATEST RELEASE “TALKING IN MY SLEEP” HITS TOP 40 STUNNING STRIPPED VIDEO OF “TALKING IN MY SLEEP” IS OUT NOW September 1, 2020 (Toronto, ON) - Toronto’s A is for Arrows has been capturing the attention of fans and industry alike with infectious, danceable alt-pop tracks since debuting in late 2019. Today, lead singer Alessia Balasbas announces an exciting new era for the project with the forthcoming release of “Can’t Stop” on September 8, the first release as a solo act. Fans can anticipate continued releases from A is for Arrows with the same striking energy that can be found on “Can’t Stop”.   “I love the juxtaposition of this song,” explains Balasbas. “When you initially listen to it, it seems happy and care-free, but if you listen to the lyrics, they’re actually kind of sad. The song is definitely based on real emotions and a time in my life where I didn’t feel very confident in my relationship. I felt like the person I loved wasn’t fully invested and even though it hurt and no matter how terrible they sometimes made me feel, I couldn't stop loving them. I think it’s pretty straightforward and to be honest, it was tough for me to call them out like this and be like “hey you were being pretty shitty, but whatever I’ll let it go cause I love you so much” Moral of the story is music helps me purge - haha!” PRE-SAVE “CAN’T STOP” HERE  “Can’t Stop” follows A is for Arrows’ most recent release “Talking in My Sleep,” which received national acclaim and landed in the Top 40 of the CHR charts. Last week, AIFA released a special stripped video of “Talking in My Sleep,” shot by @thatgoodgraphic. What the video HERE.   Less than a year out, A is For Arrows has already gained the attention of industry and tastemakers alike, having earned praises from the likes of SiriusXM, Wonderland Magazine, Popdust, Atwood Magazine, and Buzz Music LA, in addition to being added to a variety of popular playlists such as Spotify’s It’s a Bop, New Music Friday, Fresh Finds: Pop; Apple Music’s New In Pop; and Amazon Music’s Artists to Watch, Fresh Pop and Brand New Music, to name a few. The project’s blending of contemporary beats, soft synths and heartfelt lyrics has made A is for Arrows a project to watch in Toronto’s eclectic music scene and on the world stage alike.   Whether it’s the glisten of Alessia’s voice, or the raw honesty in her songwriting, one thing is certain - there is a rarity about a project such as A is for Arrows.   For more information, please visit: www.aisforarrows.com To pre-save “Can’t Stop”: https://ffm.to/cantstop Follow & Share Facebook | Instagram | Twitter
Music News

A IS FOR ARROWS MARKS NEW ERA WITH ‘CAN’T STOP’

by the partae September 9, 2020
written by the partae

LATEST RELEASE “TALKING IN MY SLEEP” HITS TOP 40

STUNNING STRIPPED VIDEO OF “TALKING IN MY SLEEP” IS OUT NOW

September 1, 2020 (Toronto, ON) – Toronto’s A is for Arrows has been capturing the attention of fans and industry alike with infectious, danceable alt-pop tracks since debuting in late 2019. Today, lead singer Alessia Balasbas announces an exciting new era for the project with the forthcoming release of “Can’t Stop” on September 8, the first release as a solo act. Fans can anticipate continued releases from A is for Arrows with the same striking energy that can be found on “Can’t Stop”.

“I love the juxtaposition of this song,” explains Balasbas. “When you initially listen to it, it seems happy and care-free, but if you listen to the lyrics, they’re actually kind of sad. The song is definitely based on real emotions and a time in my life where I didn’t feel very confident in my relationship. I felt like the person I loved wasn’t fully invested and even though it hurt and no matter how terrible they sometimes made me feel, I couldn’t stop loving them. I think it’s pretty straightforward and to be honest, it was tough for me to call them out like this and be like “hey you were being pretty shitty, but whatever I’ll let it go cause I love you so much” Moral of the story is music helps me purge – haha!”

PRE-SAVE “CAN’T STOP” HERE

“Can’t Stop” follows A is for Arrows’ most recent release “Talking in My Sleep,” which received national acclaim and landed in the Top 40 of the CHR charts. Last week, AIFA released a special stripped video of “Talking in My Sleep,” shot by @thatgoodgraphic. What the video HERE.

Less than a year out, A is For Arrows has already gained the attention of industry and tastemakers alike, having earned praises from the likes of SiriusXM, Wonderland Magazine, Popdust, Atwood Magazine, and Buzz Music LA, in addition to being added to a variety of popular playlists such as Spotify’s It’s a Bop, New Music Friday, Fresh Finds: Pop; Apple Music’s New In Pop; and Amazon Music’s Artists to Watch, Fresh Pop and Brand New Music, to name a few. The project’s blending of contemporary beats, soft synths and heartfelt lyrics has made A is for Arrows a project to watch in Toronto’s eclectic music scene and on the world stage alike.

Whether it’s the glisten of Alessia’s voice, or the raw honesty in her songwriting, one thing is certain – there is a rarity about a project such as A is for Arrows.

For more information, please visit: www.aisforarrows.com
To pre-save “Can’t Stop”: https://ffm.to/cantstop

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September 9, 2020 0 comments
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Yukon Blonde Announce Fifth Studio LP 'Vindicator' And Share New Track
Music News

Yukon Blonde Announce Fifth Studio LP ‘Vindicator’ And Share New Track

by the partae September 9, 2020
written by the partae

After ten years since forming and five LPs in, Yukon Blonde have been characterized in a lot of different ways. They emerged as a guitar-heavy rock band with their debut self-titled LP in 2010 and by the release of On Blonde in 2015, Yukon Blonde were experimenting with slick, ‘80s inspired pop elements like those heard on the album’s driving hit single Saturday Night. More recently, on 2018’s Critical Hit, the Vancouver-based five-piece band turned their attention to mood making, largely ditching their guitars in favour of synths and drum machines to build danceable, multi-dimensional soundscapes.

With their fifth release, Vindicator, Yukon Blonde rewrite their story again. Jeffrey Innes (vocals/guitar/keys), Brandon Scott (vocals/guitar), Graham Jones (vocals/drums), James Younger (vocals/bass/keys), and Rebecca Gray (vocals/keys) douse keyboard melodies and relaxed grooves with psychedelic hues that are both playful and expansive.

PRE-ORDER VINDICATOR HERE

With singles In Love Again and Get Precious already racking up the plays around the globe, today the band are sharing another new single, You Were Mine. “We were all on Galiano island for this recording,” says Innes. “James brought the initial idea to the table, and after several hours of jamming, eating Scooby-snacks and drinking Churchill martinis, it started to fall apart in the most perfect way imaginable. I feel like this song somehow epitomizes the spirit of a successful collaboration in our band. Words like ‘compromise’ had no place in that session; everyone sings leads at some point, everyone plays everything. It’s certainly among our favourites from the record.”

From the opening track, Vindicator will immediately put you under a joyful spell and then never let you go. “We’re more mature and comfortable with ourselves now and we know that we can try something new even at this stage in our career,” explains Younger. “We completely deconstructed the narrative of the band and made the music that felt good at the moment.”

Vindicator is the first Yukon Blonde album written, recorded, and produced entirely by the band. It took shape in their jam space in East Vancouver, a cabin on Galiano Island, in a closet at Younger’s home, and in Innes’ kitchen. But this DIY ethos has always been the backbone of Yukon Blonde who are curious artists with a passion for honing their craft.

The in-house approach to Vindicator allowed Yukon Blonde to stretch themselves creatively and experiment with sounds and styles in ways they haven’t before. The band share vocal duties and Innes, the band’s primary songwriter, lets his lyrics, which touch on everything from love to redefining your relationship with social media, drive the shape of the songs.

Admittedly, making Vindicator by themselves was a creative risk but it’s one that’s paid off. Even the album title is a nod to how Yukon Blonde feel about the record’s outcome. As Innes notes, “You don’t really need to compete with yourself, you just need to challenge yourself.”

“It’s a very rewarding feeling taking control of yourself and your creative ambition,” adds Younger. “It’s something that you can ride high on because expectations were met and fulfilled and that’s a joyous thing.”

Follow Yukon Blonde:
WEBSITE | INSTAGRAM | FACEBOOK | TWITTER
September 9, 2020 0 comments
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The State of Music – INTRODUCING streaming series has been carefully curated by Mushroom Group in partnership with the Victorian Government’s Victoria Together initiative Don’t miss Episode Three, airing this Friday 11 September at 7:30pm AEST on the Victoria Together Facebook, YouTube and website together.vic.gov.au Tune in to catch Archie Roach introduce DALLAS WOODS, Lime Cordiale introduce Nat Vazer and Daryl Braithwaite present Ella J Mushroom Group are pleased to announce the return of The State of Music - INTRODUCING this Friday 11 September. Episode Three will be viewable from 7:30pm AEST via the Victoria Together Facebook, YouTube and website. The four-part streaming series in partnership with Victorian Government supports and champions developing artists of all genres from right across Victoria.   This week, Iconic Indigenous singer-songwriter Archie Roach introduces DALLAS WOODS, an East Kimberly-bred, Melbourne based, rapper who at 26 years old has quickly become one of Australian hip-hop’s most hotly-tipped acts. Blending hard truths with tongue-in-cheek rhymes and clever punchlines is the DALLAS WOODS way, his distinct charisma shining through in latest single ‘If It Glitters It’s Gold’.   Chart-topping indie-pop duo Lime Cordiale introduce us to Melbournian songstress Nat Vazer. Charming audiences with her intimate guitar pop, Nat joined Lime Cordiale on the Victorian leg of their recent The Dirt Cheap tour, walking away with a slew of new fans. Her stunning debut single ‘Keep Away From Parks!’ was named a triple j Unearthed presenter favourite in 2018, with follow up ‘For A Moment’ hailed by Zan Rowe as “A woozy dollop of sunshine with a killer chorus hook.” Fast forward to 2020 and her latest single ‘Higher Places’ and debut LP Is This Offensive And Loud? have been praised by the likes of Rolling Stone Australia, NME Australia and The Music.   Rounding out Episode Three, Australian music royalty, Daryl Braithwaite, introduces audiences to 17-year-old singer-songwriter Ella J. Hailing from Geelong, the up-and-coming pop sensation showcases soulful vocals well beyond her years, her performance on INTRODUCING this week featuring Rob Amoruso. Her catchy songs, from debut single ‘Goodbye Player’ to her new release, ‘Woman (Oh La La)’, have quickly become fan favourites, garnering praise from tastemakers around the country.  The third instalment of INTRODUCING follows on from a stellar Episode Two which featured performances from indie-rocker Nancie Schipper introduced by Alex Lahey, 70’s inspired power-popper Pollyman introduced by You Am I frontman Tim Rogers and indie-popper Kee’ahn introduced by Vika & Linda. Stream Episode Two here. Episode Three of The State of Music – INTRODUCING streams this Friday 11 September from 7:30pm AEST via the Victoria Together Facebook, YouTube and website together.vic.gov.au.  THE STATE OF MUSIC INTRODUCING SERIES ARCHIE ROACH introduces DALLAS WOODS LIME CORDIALE introduces NAT VAZER DARYL BRAITHWAITE introduces ELLA J together.vic.gov.au facebook.com/victoriatogether instagram/victoriatogether YouTube #TheStateofMusic VICTORIA TOGETHER
Festival NewsMusic News

The State of Music – ‘INTRODUCING’ series | Episode Three airing this Friday 11 September

by the partae September 9, 2020
written by the partae
  • The State of Music – INTRODUCING streaming series has been carefully curated by Mushroom Group in partnership with the Victorian Government’s Victoria Together initiative
  • Don’t miss Episode Three, airing this Friday 11 September at 7:30pm AEST on the Victoria Together Facebook, YouTube and website together.vic.gov.au
  • Tune in to catch Archie Roach introduce DALLAS WOODS, Lime Cordiale introduce Nat Vazer and Daryl Braithwaite present Ella J
Mushroom Group are pleased to announce the return of The State of Music – INTRODUCING this Friday 11 September. Episode Three will be viewable from 7:30pm AEST via the Victoria Together Facebook, YouTube and website. The four-part streaming series in partnership with Victorian Government supports and champions developing artists of all genres from right across Victoria.

This week, Iconic Indigenous singer-songwriter Archie Roach introduces DALLAS WOODS, an East Kimberly-bred, Melbourne based, rapper who at 26 years old has quickly become one of Australian hip-hop’s most hotly-tipped acts. Blending hard truths with tongue-in-cheek rhymes and clever punchlines is the DALLAS WOODS way, his distinct charisma shining through in latest single ‘If It Glitters It’s Gold’.

Chart-topping indie-pop duo Lime Cordiale introduce us to Melbournian songstress Nat Vazer. Charming audiences with her intimate guitar pop, Nat joined Lime Cordiale on the Victorian leg of their recent The Dirt Cheap tour, walking away with a slew of new fans. Her stunning debut single ‘Keep Away From Parks!’ was named a triple j Unearthed presenter favourite in 2018, with follow up ‘For A Moment’ hailed by Zan Rowe as “A woozy dollop of sunshine with a killer chorus hook.” Fast forward to 2020 and her latest single ‘Higher Places’ and debut LP Is This Offensive And Loud? have been praised by the likes of Rolling Stone Australia, NME Australia and The Music.

Rounding out Episode Three, Australian music royalty, Daryl Braithwaite, introduces audiences to 17-year-old singer-songwriter Ella J. Hailing from Geelong, the up-and-coming pop sensation showcases soulful vocals well beyond her years, her performance on INTRODUCING this week featuring Rob Amoruso. Her catchy songs, from debut single ‘Goodbye Player’ to her new release, ‘Woman (Oh La La)’, have quickly become fan favourites, garnering praise from tastemakers around the country.

The third instalment of INTRODUCING follows on from a stellar Episode Two which featured performances from indie-rocker Nancie Schipper introduced by Alex Lahey, 70’s inspired power-popper Pollyman introduced by You Am I frontman Tim Rogers and indie-popper Kee’ahn introduced by Vika & Linda. Stream Episode Two here.

Episode Three of The State of Music – INTRODUCING streams this Friday 11 September from 7:30pm AEST via the Victoria Together Facebook, YouTube and website together.vic.gov.au.

THE STATE OF MUSIC
INTRODUCING SERIES

ARCHIE ROACH introduces DALLAS WOODS

LIME CORDIALE introduces NAT VAZER

DARYL BRAITHWAITE introduces ELLA J

together.vic.gov.au
facebook.com/victoriatogether
instagram/victoriatogether
YouTube
#TheStateofMusic

VICTORIA TOGETHER
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Instagram
Website
YouTube
September 9, 2020 0 comments
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THE RUBENS RELEASE NEW SINGLE 'TIME OF MY LIFE'
Music News

THE RUBENS RELEASE NEW SINGLE ‘TIME OF MY LIFE’

by the partae September 9, 2020
written by the partae
  • The Rubens release new single ‘Time Of My Life’ following triple j Good Nights premiere
  • Previous hit single ‘Life in Life’ is now certified Double Platinum with over 30 million streams, making it one of the biggest domestic singles of the last 12 months
  • ‘Live In Life’ has spent 8 months and counting in both Spotify’s Hot Hits Australia & Apple Music’s Today’s Hits. In Spotify’s Hot Hits Australia it spent 3 weeks at #1, 3 months in the top 10 and is currently the second longest standing song in the playlist
  • The Rubens will head out on their biggest Australian tour to date in April 2021
Ivy League Records is proud to release ‘Time Of My Life’, the powerful new single from Menangle’s favourite sons, The Rubens.
Listen to ‘Time Of My Life’ HERE
A song full of hopeful introspection and boasting one of the biggest hooks in the band’s catalogue to date, ‘Time Of My Life’ finds the band musing over the ramifications of time and perspective – the dance between ‘what could’ve been’ and ‘what still could be’, ultimately choosing to overcome fear and embrace the future for all its unknowns, a sentiment that feels particularly timely to the five-piece:
“We wrote this track in a much simpler time, yet the hopefulness of this song feels so relevant and important to right now. Our inbox has been flooded by young people (particularly those about to graduate year 12) feeling really confused and apprehensive about the future, when this should be the time of their lives – so we hope this song helps those people feel heard, supported and inspired knowing there’s still so much to come and to look forward to.” – The Rubens

‘Time Of My Life’ follows recent singles ‘Heavy Weather’ and the band’s summer hit, ‘Live In Life’ – now certified Double Platinum! Undeniably one of the biggest domestic singles of the last 12 months, ‘Live In Life’ has amassed 30+ million streams across platforms, spent close to two months in the top 3 of Spotify’s Hot Hits Australia playlist, including 3 weeks at #1 and has become a staple of the playlist over the last 8 months. ‘Live in Life’ has also spent 8 months on Apple Music’s Todays Hits and has been Shazamed 100,000+ times in Australia alone.

The second postponement of the band’s ‘Live In Life’ tour, their biggest headline tour to date, was announced last month due to COVID-19 (originally scheduled from May – July, then Sept – Dec). The new dates, taking place from April – June, 2021, will see the NSW band play metro cities for the first time since their 2018 LO LA RU album shows, across venues such as Fortitude Music Hall (Bris), Freo.Social (Freo), The Forum (Melb), and the Enmore Theatre (Syd). After having embarked on 3 regional tours in the past 18 months, the band will be revisiting some old regional favourites as well as some towns they’ve never played before, including Bundaberg, Warrnambool, Shepparton and more.

Stay tuned for more incredibly exciting news from The Rubens.

‘Time Of My Life’
The Rubens

Single out now through Ivy League Records

Available to buy/stream here

THE RUBENS
‘LIVE IN LIFE’ AUSTRALIAN TOUR 2021

Supported by Alice Ivy 

Sat-Apr-03-21 – Crooked River Winery – Gerringong, NSW
Thu-Apr-08-21 – Fortitude Music Hall – Brisbane, QLD
Fri-Apr-09-21- Moncrieff Entertainment – Bundaberg, QLD
Sat-Apr-10-21 – Highfields Tavern – Toowoomba, QLD
Fri-Apr-16-21 – Enmore Theatre – Sydney, NSW
Sat-Apr-17-21 – Bar On The Hill – Newcastle, NSW
Wed-Apr-28-21 – Riverlinks Westside – Shepparton, VIC
Fri-Apr-30-21 – Melbourne, VIC    Forum
Wed-May-05-21 – Whitestar Hotel – Albany, WA
Thu-May-06-21 – The River – Margaret River, WA
Fri-May-07-21 – Freo Social – Fremantle, WA
Sun-May-09-21 – Wintersun Hotel – Bluff Point, WA
Fri-May-14-21 – The Gap View Hotel – Alice Springs, NT
Thu-May-20-21 – Altar Bar – Hobart, TAS
Fri-May-21-21 – Altar Bar – Hobart, TAS
Sat-May-22-21 – Saloon Bar – Launceston, TAS
Sun-May-23-21 – Forth Pub – Forth, TAS
Wed-May-26-21 – The Leichardt Hotel – Rockhampton, QLD
Thu-May-27-21 – Seabreeze – Mackay, QLD
Fri-May-28-21 – Otherwise Bar – Townsville, QLD
Sat-May-29-21 – Tanks Arts Centre – Cairns, QLD
Wed-Jun-09-21 – Beer Deluxe – Albury, NSW
Thu-Jun-10-21 – The Whalers Hotel – Warrnambool, VIC
Fri-Jun-11-21 – Torquay Hotel – Torquay, VIC

A drawing of a cartoon character

Description automatically generated

The Rubens have done their best to honour the re-routing. Fans in Adelaide, Canberra & Bendigo – watch this space, more news to come!

The Rubens understand that it’s an extremely tough time for fans. For anyone who has previously bought tickets and wish to know their ticketing options, all ticketing & information can be found at therubensmusic.com .

THE RUBENS

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September 9, 2020 0 comments
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Praise for Phil Stack & Colourful, Noisy… “In his debut solo album, (Phil) flexes his artistic brilliance, from jazz piano-laden ballads (The Centreline) and exuberant rock-infused pop (Tradin Up), to The Long Game, a heart-wrenching orchestral masterpiece tempered by an unassuming '90s grunge flow…” – Sydney Morning Herald   “The man, it turns out, can really sing” ★★★★ Sydney Morning Herald    Australian multi-instrumentalist and singer-songwriter PHIL STACK today announces he will perform two album launch concerts – 6pm and 8:45pm – at Sydney’s Mary’s Underground on Thursday 15 October, complete with his four-piece band. Tickets are on sale now at Moshtix.com.au   The shows take place in celebration of Phil’s just-released debut album, Colourful, Noisy, his first new solo music in almost five years.   Recorded between Camperdown’s Free Energy Device Studios and Phil’s own bush studio, the stunning debut sees Stack playing multiple instruments across seven tracks, his captivating vocal gutsy on current single ‘The Centreline’ and soaring on album closer ‘Celebrate Life’.   Mixed by former Thirsty Merc bandmate Sean Carey (Cat Stevens, Daniel Johns) and Richie Belkner (Boy George, Missy Higgins, Tim Minchin), Colourful, Noisy has garnered praise from fans and critics alike.    “… the record is a cascading meditation on the perils of being alive” – Sydney Morning Herald   Perhaps best known for his work as a founding member and bassist of 5 x ARIA Nominated, multi-platinum selling rock outfit Thirsty Merc, Phil Stack is a rare breed of artist who seamlessly traverses genres from jazz to rock, equally at ease delivering tender ballads and exuberant pop gems.   A force of nature on the double bass, Stack attacks the instrument with an energy, vigour and passion almost unparalleled. He has played with music luminaries including James Morrison, Michael Buble, Keith Urban, Tina Arena, Benji Madden and Wynton Marsalis, and has recorded with You Am I, Ian Moss, The Whitlams, Katie Noonan and more.    Joining Phil on both shows is beloved local artist and former Leonardo’s Bride frontwoman, Abby Dobson. With one of the most distinctive voices in Australian music, and a beautiful solo album It’s Okay, Sweetheart released last year, Abby will be raring to warm Sydney audiences next month.   On 15 October, Phil and his band will treat audiences to songs from his 2015 EP Lap Around The Sun, and will performs songs from the brand new Colourful, Noisy album live for the very first time. LISTEN TO PHIL STACK’S COLOURFUL, NOISY ALBUM HERE  WATCH ‘THE CENTRELINE’ MUSIC VIDEO HERE  DOWNLOAD PRESS ASSETS HERE     PHIL STACK | COLOURFUL, NOISY ALBUM LAUNCH CONCERTS With Special Guest Abby Dobson Information at marysunderground.com   SYDNEY Thursday 15 October – Mary’s Underground Early show – 6pm Late show – 8:45pm Tickets from Moshtix.com.au     Instagram | Facebook | YouTube | Spotify | Apple Music | Bandcamp
Music News

PHIL STACK ANNOUNCES SYDNEY ALBUM LAUNCH SHOWS 15 OCTOBER AT MARY’S UNDERGROUND WITH SPECIAL GUEST ABBY DOBSON TICKETS ON SALE NOW + DEBUT ALBUM – COLOURFUL, NOISY – OUT NOW! GET IT HERE

by the partae September 9, 2020
written by the partae

Praise for Phil Stack & Colourful, Noisy…

“In his debut solo album, (Phil) flexes his artistic brilliance, from jazz piano-laden ballads (The Centreline) and exuberant rock-infused pop (Tradin Up), to The Long Game, a heart-wrenching orchestral masterpiece tempered by an unassuming ’90s grunge flow…”
– 
Sydney Morning Herald

“The man, it turns out, can really sing” ★★★★ Sydney Morning Herald

Australian multi-instrumentalist and singer-songwriter PHIL STACK today announces he will perform two album launch concerts – 6pm and 8:45pm – at Sydney’s Mary’s Underground on Thursday 15 October, complete with his four-piece band.
Tickets are on sale now at Moshtix.com.au

The shows take place in celebration of Phil’s just-released debut album, Colourful, Noisy, his first new solo music in almost five years.

Recorded between Camperdown’s Free Energy Device Studios and Phil’s own bush studio, the stunning debut sees Stack playing multiple instruments across seven tracks, his captivating vocal gutsy on current single ‘The Centreline’ and soaring on album closer ‘Celebrate Life’.

Mixed by former Thirsty Merc bandmate Sean Carey (Cat Stevens, Daniel Johns) and Richie Belkner (Boy George, Missy Higgins, Tim Minchin), Colourful, Noisy has garnered praise from fans and critics alike.

“… the record is a cascading meditation on the perils of being alive” – Sydney Morning Herald

Perhaps best known for his work as a founding member and bassist of 5 x ARIA Nominated, multi-platinum selling rock outfit Thirsty Merc, Phil Stack is a rare breed of artist who seamlessly traverses genres from jazz to rock, equally at ease delivering tender ballads and exuberant pop gems.

A force of nature on the double bass, Stack attacks the instrument with an energy, vigour and passion almost unparalleled. He has played with music luminaries including James Morrison, Michael Buble, Keith Urban, Tina Arena, Benji Madden and Wynton Marsalis, and has recorded with You Am I, Ian Moss, The Whitlams, Katie Noonan and more.

Joining Phil on both shows is beloved local artist and former Leonardo’s Bride frontwoman, Abby Dobson. With one of the most distinctive voices in Australian music, and a beautiful solo album It’s Okay, Sweetheart released last year, Abby will be raring to warm Sydney audiences next month.

On 15 October, Phil and his band will treat audiences to songs from his 2015 EP Lap Around The Sun, and will performs songs from the brand new Colourful, Noisy album live for the very first time.

LISTEN TO PHIL STACK’S COLOURFUL, NOISY ALBUM HERE
WATCH ‘THE CENTRELINE’ MUSIC VIDEO HERE
DOWNLOAD PRESS ASSETS HERE

PHIL STACK | COLOURFUL, NOISY ALBUM LAUNCH CONCERTS

With Special Guest Abby Dobson

Information at marysunderground.com

SYDNEY
Thursday 15 October – Mary’s Underground
Early show – 6pm
Late show – 8:45pm
Tickets from Moshtix.com.au

Instagram | Facebook | YouTube | Spotify | Apple Music | Bandcamp

September 9, 2020 0 comments
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SLUM SOCIABLE RETURN WITH EUPHORIC NEW SINGLE 'EXPLAIN MYSELF'
Music News

Slum Sociable Return With Euphoric New Single ‘Explain Myself’

by the partae September 9, 2020
written by the partae
Liberation Records are elated to share, ‘Explain Myself’, the new track from much-loved Melbourne based duo, Slum Sociable.

‘Explain Myself’ is the first taste of the band’s newest EP, due for release later this year, and arrives teeming with infectious bass, wholesome house keys and an immense guitar riff. These elements are united by Miller Upchurch’s distinct vocals, delivering an anthemic melody with astute lyrics. The release saw the duo recording in Sydney, where they paired up with Xavier Dunn (Jack River, CXLOE, Graace) for a track as effortless to listen to as it was to create.

“It came together really quickly. Hooky lyrics. Phat riff. What more could ya want?” 
– Ed, Slum Sociable
Premiered on triple j last night, ‘Explain Myself’ follows the release of EP L.I.F late 2019, featuring ‘Afterthought’, ‘Déjà Vu’ and ‘Life Is Free’. Slum Sociable have accumulated career streams of over 30 million across Apple Music and Spotify. Throughout the course of their musical journey, the band have also clocked radio spins on BBC Radio 1, Beats 1 and KCRW, and online love from Billboard, NYLON, CLASH, Earmilk, Indie Shuffle, Pilerats, Purple Sneakers and more.

Slum Sociable continue to evolve their sound organically on ‘Explain Myself’, a standout moment from the duo. In a time where shows are inaccessible, the jubilant song leaves little to the imagination, conjuring images of hands high in the air and chant-along choruses in a festival crowd.

SLUM SOCIABLE

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One of Australia’s most prolific and exciting producers Ukiyo has today released his hypnotic new single The Middle featuring Panama.  This is a lowkey, pulsing bed of a track, with bubbling energy permeating throughout and is perfectly complemented by a gorgeous, glowing video that will transport the viewer on a journey to a mellow, rose-pink, levitating otherworld.  The Middle is the latest single to be shared from Ukiyo’s forthcoming self-titled debut LP Ukiyo LP, set for release on November 13 – Vinyl/CD available for pre-order and pre-save the album from today.    Influenced by the ambient electronic of Tourist and the dancefloor vibes of Jon Hopkins, The Middle is a stunning, moving track, one which washes over the listener in a way that will have them pressing replay again and again.  Wistful and delicate, Panama’s gentle, raw vocal sings lyrics that speak to the compromises and sacrifices that we make to keep our relationships alive.  Mixed by Tim Watt (Golden Features, MUTO, Hermitude, Crooked Colours) and mastered by Wayne Sutherland (What So Not, Motez, Willaris K), The Middle is a beautiful addition to Ukiyo’s stunning discography.  Speaking on the inspiration behind the track, Ukiyo says, “The Middle is all about meeting in ‘the middle.’  The original demo when I sent it to Panama was called “stay” which I thought was a funny little response to my previous track “Go” with Chymes.  They both discuss similar themes of dysfunctional relationships & the fight within when you’re trying to leave them….working with Panama was a dream come true.  His ‘Always’ EP way back in 2013 with all the amazing remixes on it was one of the things that got me absolutely hooked on electronic music & learning how to make it so this song is a bit of a full circle moment.”   The video for The Middle is thoughtful and surreal, as objects levitate off the ground in a fantasy, rose-tinted world.  It’s abandoned, but peaceful.  Working once again with the production company Black Lake who have made clips for OTR, Shallou, Martin Garrix and more, Ukiyo explains how the video for The Middle came about, saying, “‘Ukiyo’ translates literally as ‘floating world’, so this video is a little homage to that. It also continues the themes of the Good Enough music video, comparing human relationships to our relationship with the Earth.”   With his long list of career accolades including playlist additions from Pharrell Williams and Martin Garrix, brand syncs with American Eagle, Ripcurl, Microsoft, Volkswagon, HBO and Netflix, not to mention a casual 30 million collective streams, it’s safe to say that anticipation for Ukiyo’s debut LP is at an all time high.  And fans don’t need to wait for too much longer, for Ukiyo’s self-titled debut LP is completed and set for release November 13, full track listing below.  The album is a celebration of the Australian music scene, with some of the country's best contributing to the record and an all-star line up of features including Panama, Maribelle, Janeva, Sammi Constantine, Bajilionaire and more. “I’m absolutely in love with the Australian music scene so in the unique position I’m in as a producer, I knew I wanted my album to be a showcase of some of the incredible talent we’ve got here.” Ukiyo explains.  Pre order vinyl/CD and pre-save the album now.     Follow Ukiyo  
Music News

UKIYO ANNOUNCES NEW SINGLE AND VIDEO ‘THE MIDDLE’ FEAT. PANAMA + SELF-TITLED DEBUT LP ‘UKIYO LP’ OUT NOVEMBER 13

by the partae September 9, 2020
written by the partae

One of Australia’s most prolific and exciting producers Ukiyo has today released his hypnotic new single The Middle featuring Panama.  This is a lowkey, pulsing bed of a track, with bubbling energy permeating throughout and is perfectly complemented by a gorgeous, glowing video that will transport the viewer on a journey to a mellow, rose-pink, levitating otherworld.  The Middle is the latest single to be shared from Ukiyo’s forthcoming self-titled debut LP Ukiyo LP, set for release on November 13 – Vinyl/CD available for pre-order and pre-save the album from today.

Influenced by the ambient electronic of Tourist and the dancefloor vibes of Jon Hopkins, The Middle is a stunning, moving track, one which washes over the listener in a way that will have them pressing replay again and again.  Wistful and delicate, Panama’s gentle, raw vocal sings lyrics that speak to the compromises and sacrifices that we make to keep our relationships alive.  Mixed by Tim Watt (Golden Features, MUTO, Hermitude, Crooked Colours) and mastered by Wayne Sutherland (What So Not, Motez, Willaris K), The Middle is a beautiful addition to Ukiyo’s stunning discography.  Speaking on the inspiration behind the track, Ukiyo says, “The Middle is all about meeting in ‘the middle.’  The original demo when I sent it to Panama was called “stay” which I thought was a funny little response to my previous track “Go” with Chymes.  They both discuss similar themes of dysfunctional relationships & the fight within when you’re trying to leave them….working with Panama was a dream come true.  His ‘Always’ EP way back in 2013 with all the amazing remixes on it was one of the things that got me absolutely hooked on electronic music & learning how to make it so this song is a bit of a full circle moment.”

The video for The Middle is thoughtful and surreal, as objects levitate off the ground in a fantasy, rose-tinted world.  It’s abandoned, but peaceful.  Working once again with the production company Black Lake who have made clips for OTR, Shallou, Martin Garrix and more, Ukiyo explains how the video for The Middle came about, saying, “‘Ukiyo’ translates literally as ‘floating world’, so this video is a little homage to that. It also continues the themes of the Good Enough music video, comparing human relationships to our relationship with the Earth.”

With his long list of career accolades including playlist additions from Pharrell Williams and Martin Garrix, brand syncs with American Eagle, Ripcurl, Microsoft, Volkswagon, HBO and Netflix, not to mention a casual 30 million collective streams, it’s safe to say that anticipation for Ukiyo’s debut LP is at an all time high.  And fans don’t need to wait for too much longer, for Ukiyo’s self-titled debut LP is completed and set for release November 13, full track listing below.  The album is a celebration of the Australian music scene, with some of the country’s best contributing to the record and an all-star line up of features including Panama, Maribelle, Janeva, Sammi Constantine, Bajilionaire and more. “I’m absolutely in love with the Australian music scene so in the unique position I’m in as a producer, I knew I wanted my album to be a showcase of some of the incredible talent we’ve got here.” Ukiyo explains.  Pre order vinyl/CD and pre-save the album now.

Follow Ukiyo
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Spotify
YouTube

September 9, 2020 0 comments
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https://www.youtube.com/watch?v=_iS7zOcRKNQ
Music News

Violent Soho – Watch The Official Video For ‘Slow Down Sonic’

by the partae September 9, 2020
written by the partae

“Filmed deep in South West Queensland, we wanted the video for ‘Slow Down Sonic’ to illustrate the feel and mood of the song and how we connect with specifically Australian spaces and the daily lived experience.” – Violent Soho

 

VIOLENT SOHO

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BIGSOUND 2020 MOVES TO FREE, VIRTUAL EVENT DOUBLING DOWN ON COMMUNITY, SURVIVAL AND RE-FUTURING
Festival NewsMusic News

BIGSOUND moves to a free virtual event for 2020!

by the partae September 9, 2020
written by the partae
DOUBLING DOWN ON COMMUNITY, SURVIVAL AND RE-FUTURING
With ongoing COVID-19 restrictions and domestic border closures, BIGSOUND 2020 will now move to be a free virtual event, allowing and creating new opportunities for Australian artists and industry to connect with each other and the international music community from their own homes and workspaces.
Connecting digitally on Wednesday 21 and Thursday 22 October, BIGSOUND 2020 will focus on three pillars of community, survival, and re-futuring, building on its 18-year history of bringing music, art and business together in a new conference program custom-built for the challenges and awakenings that 2020 has delivered.
“BIGSOUND has always been about bringing our business and arts community together and while we were hopeful of being in our spiritual home in the Fortitude Valley live music precinct, 2020 has made other arrangements,” said QMusic CEO Angela Samut.

“It has never been more important for the Australian industry to come together to focus on survival and re-futuring with a program that offers a mainstream conference program, professional development and mental health activities as well as the introduction of The BIGSOUND 50.”
Despite the unfortunate suspension of live showcases, BIGSOUND Festival co-programmers Dom Miller and Ruby-Jean McCabe, alongside First Nations Programmer Alethea Beetson, will still select the best artist applications to spotlight the next crop of emerging Australian music talent to become The BIGSOUND50. The event will double down on its role in shining a global spotlight on the artists of tomorrow and sharing them with the wider music industry to further expand audiences and connect them with potential business relationships.
As well as significant coverage across BIGSOUND and its official online media and playlists, the artists will receive one-on-ones with industry mentors, online meetings with industry professionals, and opportunities to connect with relevant delegates both during and after BIGSOUND in a unique program to help assist their artist growth, career goals, and potential future pathways. The BIGSOUND50 artists will also get first priority application access for BIGSOUND 2021, giving special consideration for attendance and live performing at next year’s event as the industry moves towards a new normal.
The full BIGSOUND program will be released in late September, under the care of Creative Director Janne Scott, Conference Programmer Tom Larkin, and First Nations Producer and Programmer Alethea Beetson.
The innovative BIGSOUND 2020 virtual program of keynote addresses, online workshops, panels and discussions will explore the serious industrial needs of the business of music, bringing together key players to plot our immediate survival, while taking this unique opportunity in history to have the necessary discussions about re-futuring the building blocks on which we operate.
BIGSOUND will have big conversations, from the new commercial realities through to the mental and physical health of industry participants. From equity of revenue to equity of opportunity, from respect for business through to respect for the community on which it’s built, BIGSOUND will ask the questions and prompt the discussions that need to be had to build a strong industry that will walk us forward into the next decade.
BIGSOUND will again feature First Nations House in partnership with Spotify (this year virtually) providing a poignant and important program of domestic and international delegates discussing the future of the music industry, creating virtual performance opportunities and offering valuable connections to those across the music industry from a First Nations perspective.
“BIGSOUND 2019 saw the largest cohort of Aboriginal and Torres Strait Islander artists showcasing at BIGSOUND,” said First Nations programmer Alethea Beetson.

“With the move to a virtual platform, we have the potential to showcase First Nations artists throughout the whole year; have the long-term Indigenous led conversations required to dismantle and change the music industry; and continue the work of those who have gone before us in building the sovereign music sector.”


“Working with Spotify, we are able to give more space to First Nations artists from these lands, and also continue our collaborations with our First Nations relatives across the oceans – in particular Aotearoa (New Zealand) and Turtle Island (Canada).”
Delegates who purchased a ticket to the BIGSOUND physical event will receive a full refund with free digital registrations open from today at www.bigsound.org.au. The full BIGSOUND delegate portal will be open for registrants from the end of September for networking and exclusive content.
BIGSOUND thanks the ongoing support of our partners: Australia Council for the Arts, Queensland Government through Arts Queensland, Tourism and Events Queensland, triple j, Spotify, Oztix, APRA AMCOS and Levi’s®.
BIGSOUND 2020 won’t have a physical presence this year, but it will deliver on the promise it has made to the music community for 18 years. This was not the year anyone expected, but BIGSOUND will continue to deliver for artists, be the place of the big discussions for industry, and this year be front and centre in bringing the community together at a time that has never been more important.

Free virtual delegate passes are available now from BIGSOUND.org.au

WEBSITE  | FACEBOOK  |  INSTAGRAM |  TWITTER

September 9, 2020 0 comments
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https://www.weare500.com We Are FSTVL is delighted to announce it’s brand new COVID safe event series We Are 500, taking place over 5 weeks at Damnys Hall Aerodrome from September 5th - October 4th 2020. 500 guests ✔️ 5 weeks ✔️ Massive outdoor main stage ✔️ The world's biggest DJs ✔️ Pods of 2, 3, 4, 5 or 6 people on spacious tables with umbrellas ✔️ Only 500 tickets per show!  ✔️ VIP table bookings available. _____________________________________________________________________________ LINEUPS: WEEK 1 OPENING PARTY  (SAT SEP 5TH) GW HARRISON  / JESS BAYS / LOW STEPPA / SAM DIVINE WEEK 1 (SUN SEP 6TH) LOCO DICE / WAFF WEEK 2 (SAT SEP 12TH) CHASE & STATUS (DJ SET) / RAGE / SAMMY VIRGI & GUESTS WEEK 2 SUN SEP 13TH) PATRICK TOPPING & GUESTS  WEEK 3 (SAT SEP 19TH) ANDY C / HARRIET JAXXON WEEK 3 (SAT SEP 20TH) SOLARDO / BEN HEMSLEY WEEK 4  Coming soon... WEEK 5 Coming soon... ______________________________________________________________________________ Kicking off week 1 in style the opening party see’s sets from WAF favourites GW Harrison, Jess Bays, Low Steppa and Sam Divine on the Saturday whilst the Sunday sees a techno take over from Loco Dice and wAFF.  Week 2 opens up with Chase & Status, Rage and Sammy Virgi with Patrick Topping & guests taking over the Sunday. Week 3 continues on the d’n b vibe with festival favourite Andy c and Harriet Jaxxon whilst the Solardo boys will be tearing it up on Sunday. More lineup coming soon.  Full details can be found here: https://www.weare500.com 
Festival NewsMusic News

We Are FSTVL announce new socially distanced events We Are 500 – DATES: SEPTEMBER 5TH – OCTOBER 4TH 2020 VENUE: DAMNYS HALL AERODROME, UPMINSTER FROM £24.50 PER PERSON

by the partae September 9, 2020
written by the partae
https://www.weare500.com
We Are FSTVL is delighted to announce it’s brand new COVID safe event series We Are 500, taking place over 5 weeks at Damnys Hall Aerodrome from September 5th – October 4th 2020.
500 guests ✔️ 5 weeks ✔️ Massive outdoor main stage ✔️ The world’s biggest DJs ✔️ Pods of 2, 3, 4, 5 or 6 people on spacious tables with umbrellas ✔️ Only 500 tickets per show!  ✔️ VIP table bookings available.
_____________________________________________________________________________
LINEUPS:
WEEK 1 OPENING PARTY  (SAT SEP 5TH)
GW HARRISON  / JESS BAYS / LOW STEPPA / SAM DIVINE
WEEK 1 (SUN SEP 6TH)
LOCO DICE / WAFF
WEEK 2 (SAT SEP 12TH)
CHASE & STATUS (DJ SET) / RAGE / SAMMY VIRGI & GUESTS
WEEK 2 SUN SEP 13TH)
PATRICK TOPPING & GUESTS
WEEK 3 (SAT SEP 19TH)
ANDY C / HARRIET JAXXON
WEEK 3 (SAT SEP 20TH)
SOLARDO / BEN HEMSLEY
WEEK 4
Coming soon…
WEEK 5
Coming soon…
______________________________________________________________________________
Kicking off week 1 in style the opening party see’s sets from WAF favourites GW Harrison, Jess Bays, Low Steppa and Sam Divine on the Saturday whilst the Sunday sees a techno take over from Loco Dice and wAFF.
Week 2 opens up with Chase & Status, Rage and Sammy Virgi with Patrick Topping & guests taking over the Sunday. Week 3 continues on the d’n b vibe with festival favourite Andy c and Harriet Jaxxon whilst the Solardo boys will be tearing it up on Sunday. More lineup coming soon.
Full details can be found here: https://www.weare500.com
September 9, 2020 0 comments
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TRIPLE ONE SHARE SECOND SINGLE 'SALINA' FROM FORTHCOMING DEBUT ALBUM PANIC FORCE LP AVAILABLE NOW FOR PRE-ORDER
Music News

TRIPLE ONE SHARE SECOND SINGLE ‘SALINA’ FROM FORTHCOMING DEBUT ALBUM PANIC FORCE LP AVAILABLE NOW FOR PRE-ORDER

by the partae September 9, 2020
written by the partae

PRAISE FOR TRIPLE ONE

“The next-gen of voices in Aussie hip-hop who aren’t afraid to broaden the definition of the scene they run in”
GQ Australia

“Triple One have been redefining the sound of Australian hip-hop”
Redbull Music

“They have this Brockhampton-style energy in the sense of free will and creativity”
Zane Lowe (Beats Radio 1)

“A versatile and creative force you can’t take your eyes off”
Life Without Andy

“Unexpected – and groundbreaking”
Pilerats

Butter
ARIA Gold

Sydney’s Triple One today share their latest single ‘Salina’, the second glimpse of their feverishly-anticipated debut album Panic Force, due for release this October. Watch and listen HERE.

With crunching guitars, skittering trap drums, emo-inflected vocals, and a falling, crystal-clear melody, ‘Salina’ recalls the group’s earliest experiments in genre and texture. Boasting sharp production and a wealth of hooks, ‘Salina’ blows the Triple One sound up to the most refined degree of pop prowess yet, as they ready their debut album for release. Touching on themes of feeling lost and aimless underneath the weight of life’s difficult choices, the single paints an evocative portrait of long, lonely nights spent with indecision, regret, and overthinking swirling around in the head; a devil on one shoulder, an angel on the other. In doing so, it demonstrates once more why the group’s emotional acuity cuts so deep: formidable bars delivered with venom and open-hearted honesty.

Vocalist Marty Bugatti shares that “Salina is about heartbreak and how it often leads to self-destructive behaviour. It’s also about trying really hard but never quite reaching your own expectations and then taking it out on other people because you can’t admit your own wrongs”, while Lil Dijon describes the track as being about “a battle of choices, and in the consequences when the choices are made.”

The release of Triple One’s long-awaited debut LP follows three EPs and a torrent of standalone singles that have catapulted the foursome from underground buzz act to garnering national and international acclaim, including lead single ‘Loverose‘, their ARIA Gold-certified mental health anthem ‘Butter‘ and radio favourites ‘So Easy‘ and ‘Handyman‘. Triple One‘s notoriously chaotic live gigs include a sold-out national tour in 2019, and show-stealing sets at Listen Out, Hidden, and Falls Festival. Along the way, they’ve impressed and surprised with their insatiable, all-consuming appetite to continuously venture into uncharted artistic terrain, and a rebellious desire to constantly fold new sounds and textures into their brand of unbounded, unclassifiable hip-hop.

Panic Force pushes that sonic envelope even further, offering the chance to watch one of Australian hip hop’s most versatile outfits apply themselves to a full-length project. Traversing thrilling peaks and pitch-black lows, Panic Force is a triumph of raw reflection, acknowledging our flaws and all the things that ultimately make us human. Set against the backdrop of a planet in physical and moral decay, Triple One’s debut sees the foursome deliver 12 tracks that highlight their signature diversity while also pushing them, lyrically, conceptually, and sonically, into new territory, exploring themes of relationships and escape, temptation, the hubris of man and much more.

Stay connected with Triple One:
Website | Facebook | Twitter | Instagram | Youtube

September 9, 2020 0 comments
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“A poignant one from Ben that gives itself to you” Declan Byrne, triple j Home n’ Hosed Today, Melbourne songwriter and producer Ben Alpine returns with his second single ‘Wendouree’. Arriving on the cusp of springtime, ‘Wendouree’ sees the artist lean into sun-drenched alt-pop, brimming with jangly guitars, effervescent synth bursts and organic electronica samples. Immediately setting the tone with its kaleidoscopic sonic palette, ‘Wendouree’ is an exploration in capturing the momentary joy of the present. With its sound tinged in blissful psychedelia, the undulating nature of the track flows effortlessly between placid verses, cascading instrumental layers and infectious harmonies. Allowing the track to build and unfurl with rippling vibrancy, the track shifts gears towards a sparkling finale before receding into an ambient outro submersed in airy tones and soft textures. Speaking of the track, Ben shares: "The main idea is in the line ‘one moment never meant a thing’, referring to those relationships, experiences or situations in your life that, at one point, meant everything to you and you never wanted to lose them. But times have inevitably changed since then and you hold on to different experiences now, and perhaps you will go through that cycle with the stage of your life you're currently in. I think that can be both sobering and comforting in a way, that nothing in your life is ever going to be the way it is right now, and how our perception of our own memories shifts and changes." Following his well-received debut single ‘All In Your Stride’, ‘Wendouree’ is the next exciting chapter in Ben Alpine’s discography. While sharing the sunshine-laced DNA of its predecessor, the single sees Ben broaden his eclectic range, drawing from an array of inspirations from The Japanese House to Hippo Campus. While synthesising these influences, Ben’s experience in former indie electronica act Echo Mono and numerous SoundCloud production aliases sees him maintain an inward focus in his songwriting approach. With a creative output so far showcasing his colourful alt-pop sensibility through an introspective lens, Ben continues to affirm himself as one to watch closely in 2020. https://www.facebook.com/benalpine.au https://www.instagram.com/benalpine/
Music News

BEN ALPINE RETURNS WITH SECOND SINGLE ‘WENDOUREE’

by the partae September 9, 2020
written by the partae

“A poignant one from Ben that gives itself to you”
Declan Byrne, triple j Home n’ Hosed

Today, Melbourne songwriter and producer Ben Alpine returns with his second single ‘Wendouree’. Arriving on the cusp of springtime, ‘Wendouree’ sees the artist lean into sun-drenched alt-pop, brimming with jangly guitars, effervescent synth bursts and organic electronica samples.

Immediately setting the tone with its kaleidoscopic sonic palette, ‘Wendouree’ is an exploration in capturing the momentary joy of the present. With its sound tinged in blissful psychedelia, the undulating nature of the track flows effortlessly between placid verses, cascading instrumental layers and infectious harmonies. Allowing the track to build and unfurl with rippling vibrancy, the track shifts gears towards a sparkling finale before receding into an ambient outro submersed in airy tones and soft textures.

Speaking of the track, Ben shares: “The main idea is in the line ‘one moment never meant a thing’, referring to those relationships, experiences or situations in your life that, at one point, meant everything to you and you never wanted to lose them. But times have inevitably changed since then and you hold on to different experiences now, and perhaps you will go through that cycle with the stage of your life you’re currently in. I think that can be both sobering and comforting in a way, that nothing in your life is ever going to be the way it is right now, and how our perception of our own memories shifts and changes.”

Following his well-received debut single ‘All In Your Stride’, ‘Wendouree’ is the next exciting chapter in Ben Alpine’s discography. While sharing the sunshine-laced DNA of its predecessor, the single sees Ben broaden his eclectic range, drawing from an array of inspirations from The Japanese House to Hippo Campus. While synthesising these influences, Ben’s experience in former indie electronica act Echo Mono and numerous SoundCloud production aliases sees him maintain an inward focus in his songwriting approach. With a creative output so far showcasing his colourful alt-pop sensibility through an introspective lens, Ben continues to affirm himself as one to watch closely in 2020.

https://www.facebook.com/benalpine.au

https://www.instagram.com/benalpine/

 

September 9, 2020 0 comments
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Where are you currently based? West Leederville in Perth. I have a small home studio where I write and record and the band rehearse there.  What's been happening recently and how has your Covid experience been so far? Well we’ve just started to rehearse more because shows are happening again over here so we’ve just been dusting off the saddles. The covid thing didn’t really affect me that much because I don’t really have a life anyway. I’m always in my music room. Business as usual really.  Your new single 'The Reason' is out now, what influenced the sound and songwriting? The funny thing is when you release a song it takes ages to get to that point and was usually written years ago. So I don’t recall what influenced that particular song. I don’t think it would have been anything specific.  How did you go about writing the track? I think I had the main synth hook and chord progression laying around for a little while and then I kinda had a breakthrough with the vocal delivery and then it all just flowed after that. I don’t remember it being a hard song to work out.  Where and when did you record and who with? It was recorded at the start of the year at Blackbird Studios with Dave Parkin. I also recorded some parts at my place.  What programs/equipment did you use? I use Logic. So I will usually have a demo done and then we go into the studio and redo some, or all of it again. I programmed the drum beat you hear at the start in Logic. Then Jamie came in and laid down the live drums. I think the synths were combination of soft synths and a Roland Juno. I used my Telecaster guitar but I can’t remember the amp we used. We use all sorts of equipment I can’t keep track.  Who are you listening to at the moment? Bob Dylan  What do you like to do away from music? I like to play tennis  What's planned for 2020?  More live shows. We will have a video for The Reason coming out soon that we’ve been recording at my place also. I think we might go back into the studio before the end of the year to record more songs that will probably come out in two years time where I get asked questions about them that I can’t remember the answers for. I have a Christmas song that I’ve had around for a long time that I wanna record. Maybe get around to doing that.  Favourite food and place to hangout? Probably Mexican food. The Bird which is a small live music venue where Emma works.  https://open.spotify.com/artist/06dE3zZujjtXjLRhXEVYsx?si=3FLbRV9WQxyN46xegPy56g https://www.instagram.com/bigorangetheband/ https://www.facebook.com/bigorangeband.perth/ https://bigorange.bandcamp.com/ https://twitter.com/wearebigorange
Music InterviewsMusic News

Daniel Davis of Big Orange

by the partae September 9, 2020
written by the partae

Where are you currently based?

West Leederville in Perth. I have a small home studio where I write and record and the band rehearse there. 

What’s been happening recently and how has your Covid experience been so far?

Well we’ve just started to rehearse more because shows are happening again over here so we’ve just been dusting off the saddles. The covid thing didn’t really affect me that much because I don’t really have a life anyway. I’m always in my music room. Business as usual really. 

Your new single ‘The Reason’ is out now, what influenced the sound and songwriting?

The funny thing is when you release a song it takes ages to get to that point and was usually written years ago. So I don’t recall what influenced that particular song. I don’t think it would have been anything specific. 

How did you go about writing the track?

I think I had the main synth hook and chord progression laying around for a little while and then I kinda had a breakthrough with the vocal delivery and then it all just flowed after that. I don’t remember it being a hard song to work out. 

Where and when did you record and who with?

It was recorded at the start of the year at Blackbird Studios with Dave Parkin. I also recorded some parts at my place. 

What programs/equipment did you use?

I use Logic. So I will usually have a demo done and then we go into the studio and redo some, or all of it again. I programmed the drum beat you hear at the start in Logic. Then Jamie came in and laid down the live drums. I think the synths were combination of soft synths and a Roland Juno. I used my Telecaster guitar but I can’t remember the amp we used. We use all sorts of equipment I can’t keep track. 

Who are you listening to at the moment?

Bob Dylan 

What do you like to do away from music?

I like to play tennis 

What’s planned for 2020? 

More live shows. We will have a video for The Reason coming out soon that we’ve been recording at my place also. I think we might go back into the studio before the end of the year to record more songs that will probably come out in two years time where I get asked questions about them that I can’t remember the answers for. I have a Christmas song that I’ve had around for a long time that I wanna record. Maybe get around to doing that. 

Favourite food and place to hangout?

Probably Mexican food. The Bird which is a small live music venue where Emma works. 

https://open.spotify.com/artist/06dE3zZujjtXjLRhXEVYsx?si=3FLbRV9WQxyN46xegPy56g

https://www.instagram.com/bigorangetheband/

https://www.facebook.com/bigorangeband.perth/

https://bigorange.bandcamp.com/

https://twitter.com/wearebigorange

September 9, 2020 0 comments
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