Socials: @petricmusic
August 2020
CROOKED COLOURS UNVEIL ‘LOVE LANGUAGE’ ACCLAIMED AUSTRALIAN INDIE-DANCE TRIO RETURN WITH EUPHORIC NEW SINGLE LONG-AWAITED NEW TRACK ARRIVES ALONGSIDE OFFICIAL COMPANION VIDEO
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For more info on Crooked Colours, visit:
BOOTLEG RASCAL REVEAL SOUL-INFUSED HIP HOP SLICE ‘FALLING STAR’ FT. SAINT LANE; THE FINAL TRACK FROM THEIR STAGGERED EP RELEASE
SUPPORT FOR TRACKS OFF ‘COLLABORATIONS OF VERY ISOLATED DELINQUENTS ‘19’
“What a mix of styles and sounds the Bootleg boys have chucked in the mixing bowl on this one.”
Declan Byrne – triple j (AUS)
“Bootleg Rascal are on a roll in 2020.”
Dave Ruby Howe – triple j Unearthed (AUS)
“A showcase of Bootleg Rascal’s versatility.”
Pilerats (AUS)
“The Bootleg Rascal boys have proven themselves to be absolute masters.”
Life Without Andy (AUS)
Added to Spotify’s ‘New Music Friday’ (AU/NZ), ‘Indie Arrivals’, ‘The Local List’, ‘The Office Stereo’, ‘Drive Loud!’ (JP) and ‘Indie Palace’ (JP) playlists
Added to Apple Music’s ‘New Music Mix’
After releasing a track a month from their staggered EP titled ‘Collaborations of Very Isolated Delinquents “19’, Gold Coast-based party starters Bootleg Rascal have just unveiled the capstone in final track ‘Falling Star’ featuring Saint Lane – produced by the band themselves, Ian Pritchett (Boo Seeka, Kim Churchill, Angus and Julia Stone), and Simon Dobson (Little May, STUPID BABY).
‘Falling Star’ is a slow burning slice of sophisticated hip hop that maintains an unwavering beat and groove throughout its entirety. The track features rising stars Saint Lane on the second verse with his effortlessly executed cadences, and A.GIRL on back-up vocals with her smooth and sultry brand of R&B.
“We’re stoked to finally work with some of our good friends Lane and Angel,” says frontman Carlos Lara. “’Falling Star’ is one of our favourite tracks from the record, so to have them come in and lay down their parts is really special to us. The track itself is a metaphor I coined for when you’re smitten by someone you’ve just met, but it eventually all just fizzles out. I’m a hopeless romantic, so if I meet someone I click with, I like to start exploring whether there’s a legit connection or not. Sadly, sometimes the more you get to know the person, you realise they’re not right for you. Just like a falling star, it’s beautiful and exciting, but over really quickly.” He continues.
Gold Coast-based New Zealand born rapper Saint Lane burst onto the scene in 2019, picking up praise from the likes of triple j, The Needle Drop, NME, The Guardian, GQ, Billboard and Beats 1 with Briggs. He’s also traversed the country, sharing stages with Lime Cordiale, JID and Bootleg Rascal.
Since their mid-2013 inception, Bootleg Rascal have released a slew of singles, an EP and two albums, all warmly received by critics and fans around the world, with support from the likes of NME, The Line of Best Fit, Clash Magazine, Pilerats and Wonderland Magazine. Multiple tracks have been added to Spotify and Apple Music playlists, high rotation on triple j and they’ve performed on the station’s esteemed ‘Like a Version’ segment.
The band have continually traversed the globe playing multiple sold out headline shows in France, UK, Holland, Germany, New Zealand and Australia, and performed sold out shows in the USA. They’ve also regularly appeared on major Australian festivals including Falls Festival, The Big Pineapple Festival, Lost Paradise, Hills are Alive, Festival of the Sun and Party in the Paddock.
‘Falling Star’ ft. Saint Lane is out now
BOOTLEG RASCAL
RESCHEDULED TOUR DATES
Tickets on-sale now via www.bootlegrascal.com
FRI 15 JAN | WOOLLY MAMMOTH, BRISBANE QLD
SAT 23 JAN | MARRICKVILLE BOWLS CLUB, SYDNEY NSW
FRI 5 FEB | HOWLER, MELBOURNE VIC
FOLLOW BOOTLEG RASCAL
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And The Animal shows creative talent with genre-bending release ‘Zinko’ and single ‘Moonlight’.
And The Animal is Niki and Gori. Two creatures from a different dimension that create music and through their spells make a group of humans play it. They have a pet called KATA that gives them potions for inspiration. The 6 tracks on ‘Zinko’ are an eclectic journey packed with electronic, groovy and powerful beats.
“Zinko definitely presents a different color in our music, compared to what we have done in the past. Our music has always been very eclectic, as we merge different genres and use instruments that are uncommon in electronic music. Most of our past albums have always been on the darker side. This time we decided to go in a different direction and the timing to do that was just perfect. Elianne Nascimento, an amazing and very talented singer from Brazil, joined And The Animal as we were writing this album. We realized how versatile she was and how much power and soul her voice had. We had been thinking of creating something more funky and summery and she just brought the last element we needed to accomplish that.”
Zinko opens with ‘Dragonfly’, an electro-pop banger that immediately captivates the listener. The release’s tunes travel through hip hop beats, house and EDM tones, plus a very cinematic-action-like element that the band experimented with. “We added a horn section in one of our songs (Out Of My Head), which infused a very unique ‘oh wow’ element to it.” The release is meant to sync in perfectly with a summer lifestyle. Zinko is effortlessly warm and sunny electric music, slinking between the groovy sounds of ‘Persia’ to a trip to ‘Neon Skies’. It all makes you feel like a million dollars.
For the single ‘Moonlight’, which came out in the spring, And The Animal collaborated with Chicago rapper D.tha.G.. “He brought his very own west coast hip hop style that makes this song a summer must listen. This single is also included in his newly released EP. The idea behind doing this tune was that it would be a good way to transition to our new EP, Zinko, which would be different from what we have done before.”
And The Animal’s live shows are a very sensorial experience. Their dreamy and dancy tunes going along with magical visuals flooding the stage, make it a must see show.
“Wonderful songwriting that is both aggressive and tender.” – Tone Deaf
“They’ve transformed and blossomed into something remarkably special.” – Pilerats
“Taking the high bar the Perth four-piece set for themselves in 2019 and shattering it with an
emotional blast.” – Scenezine
Indie rock outfit Sly Withers might still be Australia’s best kept secret, but the word looks set to explode on the Perth four-piece with the release of their brand-new single and video today – ‘Cracks.’
Arriving as the first single from their forthcoming new album, ‘Cracks’ showcases the sonic and songwriting dynamics ofa band really stepping into their own, as co-frontmen Sam Blitvich and Jono Mata trade lead vocals through a song that’s bursting with the energy and emotion that has become their trademark. ‘Cracks’ premiered this week on triple j’s Good Nights program, continuing the outstanding support the band has had from the national youth broadcaster.
“I think the understanding between the two of us is ever-growing,” says Blitvich of his relationship writing and singing alongside Mata. “I really like the way we’re sharing songs – both doing lead vocals in certain sections. And for ‘Cracks’ Jono wrote a bridge for it off a little melodic idea I had and then on a plane ride back from over east one time I wrote a bridge for it without knowing he’d already written one. That’s how ‘Cracks’ kind of came together. Those kind of things have been really cool to get more in sync with each other in a way that we’ve always strived to do.”
Produced by Matt Templeman (Make Them Suffer – Worlds Apart) ‘Cracks’ highlights the massive step up in production the band has made since the recording of their breakout EP, 2019’s Gravis, with Blitvich explaining they have a much greater sense of who they are in the studio thanks to, “Temp’s help.”
“I feel like we’ve really fine tuned into exactly what the best possible process is for us. We’ve refined how our studio process works between Jono and I, and between us and Temp.”
The single’s release also comes with a brand-new video that was premiered by the excellent taste purveyors at Pilerats. Made during the COVID restrictions, the socially-distanced clip is undeniably clever in its use of scenery, space and scene edits, bringing an impression of what one of the band member’s dads described as like being a physical representation of a Zoom meeting.
“We had no background idea to the video other than like, ‘Let’s have some backgrounds and move them around’,” says Mata. “But the first time Joel [Neubecker, SW drummer] showed his dad, he was like “Oh it’s like a Zoom call, isn’t it?!”
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LUCA BRASI DROP NEW TRACK DYING TO FEEL ALIVE, SELL OUT ACOUSTIC TOUR
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Macro Music & New World Artists present
LUCA BRASI — LIVE + INTIMATE ON COWARD STICKS
Thursday, September 3 — Altar, Hobart **SOLD OUT
Friday, September 4 — Altar, Hobart **SOLD OUT
Saturday, September 5 — Altar, Hobart **SOLD OUT
Friday, September 11 — Portland Memorial Hall, St. Helens **SOLD OUT
Saturday, September 12 — Portland Memorial Hall, St. Helens **SOLD OUT
Thursday, September 17 — Royal Oak Hotel, Launceston **SOLD OUT
Friday, September 18 — Royal Oak Hotel, Launceston **SOLD OUT
Saturday, September 19 — Royal Oak Hotel, Launceston **SOLD OUT
With special guest Kat Edwards
For more information on Luca Brasi, visit:
WEBSITE | FACEBOOK | TWITTER | INSTAGRAM
Jonny Reebok Releases Double A-Side ‘Aphrodite Dub/Ghost Town Riddim’ Via Soothsayer
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Toronto based DJ and producer Velvet Code launched his very own label SO FIERCE MUSIC, taking a stand for equality, diversity, and creativity. The imprint wants to give artists a voice and platform, no matter their age, race, gender, or sexual identity.
Velvet Code has been active in the music industry for over 20 years and experienced how difficult it can be for LGBTQ+ artists to be seen and heard. “Music executives, former managers, and agents tried to muzzle or tried to force me to play “straight”. I was convinced for years that I had to if I wanted any chance the mainstream music industry was going to pay attention. Well, I refuse to live a lie or change who I am just to please anyone. I was born this way, baby! My hope is that SO FIERCE MUSIC will give people a platform and safe space where an LGBTQ2+ artist or ally can express themselves while gaining an opportunity to make a living from a music career.”
The first release on the label is set for September 25th with the supreme Sofonda Cox. The immensely talented drag queen worked together with Velvet Code on her brand-new track ‘Thrive’. Sofonda has been chosen as TD Bank’s pride ambassador for many years in a row, performs annually at the Toronto Pride PRISM festival, and at clubs across the US, Brazil, Malaysia, and Mexico. A true inspiration and the perfect artist to kick off the musical vision of the label.
For each release, SO FIERCE MUSIC will unleash a special merch line. Designed by Velvet Code and his team, the assets will consist of clack fans, shirts, tops, and hoodies.
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AVAILABLE FOR STREAMING HERE
August 25, 2020 (Toronto, ON) – Making a comeback in 2019 with a new look and sound, Manitoba country trio PETRIC return stronger than ever in 2020 with the release of their new single “Déjà Vu,” available for streaming and download everywhere today. Produced by Grammy nominated, Canadian producer Chris Baseford (Meghan Patrick, Avril Lavigne, Nickelback), “Déjà Vu” comes off of PETRIC’s highly anticipated forthcoming album.
On the new track, the band notes: “This song shows a completely different style and edge that we haven’t ever explored before. When Canada went into lock down, the band needed something to keep the creative juices flowing. With large help from our producer, we recorded this song from all of our home studios.“
The new release follows their 2019 singles “Something To Do With You” and “Single Problem”, which earned over one million streams and was the highest charting single by an independent artist in 2019 (peaking at #19). Forming in 2015, PETRIC was discovered by JUNO Award winner Dallas Smith while showcasing at Country Music Week. Since then, Manitoba brothers Jason and Tom Petric and longtime friend Jordan Day have racked up over twelve million streams, 315K+ views on YouTube, three Top 20 singles on Canadian country radio, and four Manitoba Country Music Awards. The trio have also performed on some of the country’s biggest festival stages such as Boots & Hearts, Cavendish Beach Music Festival, the Calgary Stampede and the Big Valley Jamboree and received praises from country tastemakers such as The Boot, Complete Country and Top Country.
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@PetricMusic
For more information, please visit www.petricmusic.com
Music x Blockchain: PLS&TY Becomes Part of the Industry’s Future by Releasing “Very Special” EP Limited Vinyl on Ethereum Platform Foundation
Title: Very Special EP Limited Vinyl
Platform: Foundation
Visit the product’s page on Foundation platform
PLS&TY becomes a frontrunner in the connection between music and technology by partnering with Ethereum blockchain platform Foundation to sell a limited quantity of his “Very Special” EP on vinyl. The EP was released digitally in April and features four tracks, with collaborations from Sean Kingston, Alex Aiono, Wifisfuneral, to name a few. Foundation‘s mission is to serve as a stock exchange for art and culture, which allows the market’s natural supply and demand dictate the price of the goods sold on the platform; this dynamic pricing model lets artists benefit directly from the hype that surrounds their work. If you’re already anxious for a copy of “Very Special” on vinyl, you’ll need to get your hands on a $PECIAL digital token. Early buyers will secure a better price. When the vinyl is ready to ship, the tokens will be redeemable to receive the physical vinyl anywhere in the world; alternatively, token holders can continue to keep the digital value of the token or trade it in the Foundation market. The intersection of music with blockchain is an exciting glimpse into the future of the industry, and PLS&TY is the first musician to dive right in. Stay in the know by following PLS&TY and Foundation.
“Foundation is an exciting new platform for creators that allows artists like me to realize the true value of our work and benefit directly from the hype that surrounds it. For a lot of people, crypto might feel inaccessible or complicated, but Foundation has built a streamlined process of buying and selling tokenized goods that puts the power in the hands of artists and our communities. Get in now, Be a part of something transformative. You’ll thank me later.” – PLS&TY
Tommy Leas, a Florida native – better known as PLS&TY – is burgeoning into the electronic dance music scene with his unique sound: languid bass, captivating vocals, and enough upbeat melodies to make anybody feel good. After a collection of chart-topping singles including “Good Vibes” (#1 on iTunes US Electronic Charts), “Down For Me“, “Rebel Love (#1 on iTunes US Electronic Charts), and “Motives” (#1 on iTunes US Electronic Charts / Top 25 Billboard Electronic Charts), PLS&TY would see his productions Remixed by Grammy-nominated Morgan Page, Rusko, Cazzette, Bondax, YehMe2 (Josh from Flosstradamus latest venture), and more. His own remix of Genevieve‘s “Colors” was featured in a Hershey’s chocolate television commercial that has amassed over 1 billion views. With his brand new “Very Special” EP released in April of 2020 that includes pop records with artists like Sean Kingston, Wifisfuneral, & Alex Aiono (of Netflix‘s “Finding Ohana“), PLS&TY is showing no signs of slowing down, even after a busy 2019 touring season which included A-List festivals Shaky Beats, Breakaway, Electric Forest, EDC Vegas, & more.
Foundation is a new medium for buying, selling, and trading limited-edition goods and art. Built on the Ethereum blockchain, Foundation claims the power of the stock market and reinvents it for independent artists, designers, and brands across the music, fashion, fine art, and emerging media. The culture’s stock exchange.
MOURN Announce forthcoming album Self Worth Share new single ‘This Feeling Is Digusting’
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Today Death Bells share ‘A Different Kind of Happy‘, a track celebrating small moments of ‘bliss and pure satisfaction’. The duo’s new album New Signs of Life is due 25th September via Dais Records, pre-order here: https://n-s-o-l.com/
The song’s freeing, gossamer guitars, inspired by Cleaners From Venus, lift the track to celestial heights, with the earnest vocals affirming “Despite the uncertainty of life, I wouldn’t give, I wouldn’t give up“. The track celebrates the fleeting moments when you feel totally at peace, the band twisting their usual darkly atmospheric sound to shimmer and shine.
The band explain the track: “This song conveys a feeling of bliss. It was written last year – there were a couple of fleeting moments where everything felt like it was in it’s right place. It was awesome. Obviously times are different now but we still have a lot to be thankful for, and our optimism remains intact.”
Watch the video for ‘A Different Kind Of Happy’ HERE
Death Bells is the longtime musical collaboration between Will Canning and Remy Veselis. Formed in 2015 during their late adolescent years in Sydney, Australia, the act has proven to be a mainstay in the alternative underground musical landscape both in their homeland and overseas during their five-year history. Blurring the lines of post-punk and garage rock, Death Bells has morphed and transformed as the two members have grown up throughout their late teenage years living together into early adulthood. With Canning’s distinctive baritone and the kinetic collection of reverb-drenched leads by Veselis being a constant during their musical output, the two made the permanent move 7,000 miles away to Los Angeles, California in 2018 where the current incarnation of Death Bells has blossomed.
Following the releases of their debut E.P, much-loved first album, and seven-inch single on Funeral Party Records and their 2019 single on Metropolitan Indian, Death Bells have joined the Dais Records family for their highly anticipated sophomore album New Signs of Life. Three years in the making, the release sees the act embrace their diverse tastes to deliver unforgettable hooks and more expansive sounds across its nine graceful songs.
Engineered and mixed under the attentive eye of Colin Knight at Paradise Studios throughout mid-to-late 2019, New Signs of Life is the band’s most complete work to date. Along with classic Death Bells brooding romanticism, the themes of the record divulge personal insight into their move across the world and both the strained and new relationships that have materialised throughout their existence. Slated for release on September 25th, New Signs of Life is as advertised – it is the career-defining new chapter to commence the new decade.
Pre-order New Signs of Life: https://n-s-o-l.com/
Psychedelic Porn Crumpets share twisted fairytale claymation video for Mr. Prism, Second Perth show announced to meet demand!
Following the release of ‘Mr. Prism’ earlier this month, their first single of 2020, Psychedelic Porn Crumpets today share an adventure-filled clay animation video for the song. Created by Oliver Jones, who the band have collaborated with previously on their similarly kaleidoscopic videos, the video for ‘Mr. Prism’ takes us on a colourful journey through ‘sweetsville’, with some surprisingly dark encounters along the way.
Bounding along with maximum energy from the onset, ‘Mr. Prism’ is relentless in its approach – a fiery reminder of the type of band Psychedelic Porn Crumpets have grown into over the last few years on the road. For McEwan, the song was born out of the feverish haze only illness and a crazy tour schedule can bring: “After our last tour of Europe I had a plethora of reasons to see a doctor. First, he thought I had tonsillitis, so prescribed me penicillin, which didn’t help at all. I did Falls Festival over New Year’s and barely got through – turns out I had pneumonia. I was pushing through on all sorts of meds until someone offered me the HMS Hunter alternative and I realised no matter how I’d ever be, I could never turn one down. Mr. Prism (my sickly fun-fuelled fiend of an alter-ego) was born.”
On the creation of the video, McEwan says: “A prismatic man needs a colourful adventure, so when we were throwing ideas back & forth with Oliver it was hard to pass on an edible Claymation. All of us were in awe when he sent us through the final animation – proper cherry-on-top work!”
PRAISE FOR MR. PRISM
“Jumbo sized excellence from PPC! This is exactly the kind of daily boost we all need in our lives. Big frenetic energy and thrill that’ll have you wide awake and ready to take on the world. “
Triple J Claire Mooney
“A majestic piece of four-minute rock that captures the group doing exactly what they do best – melting faces on and off the stage”. Tonedeaf
“A warped, propulsive new single titled ‘Mr. Prism’. Anchoring around its winding rhythms and feverish textural build-ups” Music Feeds
“A supercharged firework spreading wild af but good natured vibes wherever it’s played”.
Life Without Andy
“Psychedelic Porn Crumpets have shared their whirlwind new single Mr. Prism to fuel your soul and give you the energy you need to get through the week.” Happy Mag
“Hmmmm ok then, just pop your head in to hit us with what might be one of your best tracks to date why don’t you. Galloping full tilt and in resplendent glory.” Triple J Unearthed Tommy Faith
PSYCHEDELIC PORN CRUMPETS TOUR DATES
2020
Tickets available at http://www.
Friday, September 11th Prince Of Wales Bunbury
w/ Pot Plant House Party + Grace Sanders
Saturday, 12th September Settlers Tavern Margaret River
w/ Pot Plant House Party + Grace Sanders
Thursday 17th September Badlands Perth NEW SHOW
w/ Dulcie
Friday, 18th September Badlands Perth SOLD OUT
w/ Pot Plant House Party
25th – 28th September Wave Rock Weekender Wave Rock
2021
2021 will see Psychedelic Porn Crumpets heading around the country supporting Sydney’s Ocean Alley. Originally scheduled to tour nationally in May and June this year, COVID-19 restrictions forced the tour to be rescheduled for February and March next year.
Supporting Ocean Alley
Saturday, February 6th Hordern Pavilion Sydney SOLD OUT
Sunday, February 7th Hordern Pavilion Sydney Tickets
Friday, February 12th Fortitude Music Hall Brisbane SOLD OUT
Saturday, February 13th Fortitude Music Hall Brisbane
Licensed All Ages 6.30pm Show Tickets
Friday, March 5th Fremantle Arts Centre Fremantle Tickets
Friday, March 12th Thebarton Theatre Adelaide Tickets
Wednesday, March 24th Melbourne Arena Melbourne Tickets
‘Mr. Prism’ is released out now!
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Where are you currently based?
At the moment I’m based in Woking, just south of London. Not much going on here unfortunately compared to Brighton where I’d previously lived for 4 years before that. Currently looking to move further into London or maybe up north to Manchester!
How did you first start playing music?
I mean I first stared DJ’ing and playing out in early 2017, because up until then I had no clue how to mix and was solely a producer. I was aware of how important it is to be able to DJ as well as make bangers if you wanted to make a living out of all of it, and my music started to get some attention around that time so it was only natural.
What’s been happening recently?
Not a lot haha. Same for everyone I suppose. I’ve been keeping myself really busy though and have been crazy productive over the last 4 months or whatever it’s been now. Lost count at this point. I’ve made a silly amount of music, a lot of which with vocalists and features which previously I hadn’t delved too much into. So overall my production has improved massively I feel and I reckon I’m easily making the best music I’ve ever made atm.
You’ve been a main stayer and champion of UK Bassline for years, how did you first become involved and what do you attribute to your success?
I first broke into the scene through this competition in the summer of 2016. This group called bass music group on Facebook called Lengoland hosted the first-ever ‘war dubs’, a knockout competition where producers basically went head to head with each other to see who could make the better/crazier tune, which then went down to a vote. There were a few spaces left so I thought fuck it what’s the worst that can happen, I’ve not got anything else going on. I’d only ever made like 2 bass tunes before this so was a bit sceptical but ended up getting to the semi-finals and having 3 of the 4 tunes I made released as free downloads, which is where it all kicked off really! Quite lucky to be honest as if it wasn’t for me just going for it and that group even existing, I don’t think I’d be doing what I’m doing now to be honest.
Please tell us about how your sound is progressing through experimentation:
You’ve basically answered the question yourself there! That is exactly how my sound is progressing and evolving. Through experimentation and the intent to try make stuff that sounds different to everyone else. That’s always what I’ve tried to do. Whilst of course keeping things familiar to the UK bass sound and genre so it can appeal to a wider audience as well.
Where and when did you produce and what programs/instruments did you use?
I actually made the main melody that the whole track is based around in Skepsis’ studio whilst we were trying to come up with a 2nd tune. We’d finished Hijack and were tryna work separately just to get ideas going and I made that riff sitting on his couch. We didn’t manage to do anything with it so he just told me to use it myself, and I’d already wrote the lyrics for 1 more a weeks before so I just thought alright let’s try get these to work together, and they did! I produce on Logic and have done since day 1 so that’s what I used. Mainly use Serum for all my bases and then just a whole range of different sounds, plugins, instruments and samples to make the rest of the track.
Who are you listening to at the moment?
No one in particular to be fair, but if i were to pick my favourite 3 tracks atm they’d be:
Shaun Dean & Harry Tremlett – The Sound (did you know)
Alcemist & EJ Kitto – The Plan
Mella Dee – Dev Green
Please tell us about your new single ‘1 More’ Feat EJ Kitto, what influenced the sound and songwriting and how did you come to work with EJ Kitto?
I’ve been working on it since January and it’s been a right pain to mix down, so now it’s done and is getting released I am buzzing. The track is supposed to be from a ravers point of view, early in the morning deep into the crowd surrounded by his/her mates, in what feels like a complete haze of tunes, drinks, smoke and lasers. The lyrics are supposed to just encapsulate what it’s like to go to a UK bass music event. They all finally decide to leave and go back to their mate’s house to continue the party. Me and Emma actually chat loads before without me even realising as she used to run a UK Bass promo page on Instagram where I’d send her videos to upload. It was only when I put out a Facebook status asking for a female vocalist with a London accent that my mate told me she was looking for features and would be ideal for the tune, which she was. She brings exactly what I asked for which is amazing. A spoken word kind of London accent – the main inspiration being Redlight and how he usually has similar female vocal lines on his tracks.Where and when did you produce and what programs/instruments did you use?
You’ve got some big records coming up in the next few months, please tell us more:
I can’t give too much away, but some of my next releases for the rest of the year include a tune with Bru-C, and one with Window Kid, a single release on Dr Fresch’s label, a single release on Chris Lorenzo’s label, and a 2 track dnb release. Its gonna be a wicked few months in terms of music.
Favourite food and place to hangout?
Steak and chips with stupid amounts of peppercorn sauce. Can’t beat it. Favourite place to hangout has got to be Brighton. Got so much love for that city as its basically where the whole Zero project started and grew in the early days. Best city in the UK, especially in the summer.
https://soundcloud.com/zero_uk