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I’m currently working on my next project, as well as some standalone singles to follow up Life’s A Bitch but ill be able to give a bit more info on that as time goes on.
All I need is a good full english brekky any time of day and a cheap pint in Spoons.
Stephen Malkmus announces his new album, Traditional Techniques, out Friday 6 March via Matador / Remote Control Record and shares lead single ‘Xian Man’.
Traditional Techniques, Malkmus’ third solo LP without the Jicks (or Pavement), is new phase folk music for new phase folks, with Malkmus as attuned as ever to the rhythms of the ever-evolving lingual slipstream. It’s packed with handmade arrangements, modern folklore, and 10 songs written and performed in his singular voice. An adventurous new album in an instantly familiar mode, Traditional Techniques creates a serendipitous trilogy with the loose fuzz of the Jicks’ Sparkle Hard (2018) and the solo bedroom experiments of Groove Denied (2019). Taken together, these three very different full-lengths in three years highlight an ever-curious songwriter committed to finding untouched territory.
Malkmus took on Traditional Techniques as a kind of self-dare. Conceived while recording Sparkle Hard at Portland’s Halfling Studio, Malkmus had observed the variety of acoustic instruments available for use. The idea escalated within a matter of weeks into a full set of songs, and shortly thereafter into a realized and fully committed album. When he returned to Halfling, Malkmus drew from a whole new musical palette–including a variety of Afghani instruments–to support an ache both quizzical and contemporary. The resulting Traditional Techniques is expansive and thrilling. Alongside gorgeous folk music, there are also occasional bursts of flute-laced swagger, straight-up commune rock (‘Xian Man’), and mind-bending fuzz.
Centered around the songwriter’s 12-string acoustic guitar, and informed by a half-century of folk-rock reference points, Traditional Techniques is the product of Malkmus and Halfling engineer/arranger-in-residence Chris Funk (The Decemberists). Matt Sweeney (Bonnie “Prince” Billy, Chavez) plays guitar throughout.
Pre-order Traditional Techniques: https://
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I/AM/ME
NOCTURNAL SUNSHINE – ‘GRAVITY’ FT RY X OUT NOW 2019 was a point of new territory for Maya Jane Coles and her alter-ego, Nocturnal Sunshine. Unleashing the latest studio project in late 2018 with ‘Foundation’ and later ‘U&ME’ the storm began to stir in anticipation for the sophomore Nocturnal Sunshine album ‘Full Circle’, taking the alias in a new direction and delving deep into Maya’s hip-hop influences. Arriving with a plethora of collaborators in tow, Peaches, Catnapp, Three Six Mafia’s Gangsta Boo, Young M.A. and Rising London Rapper, CHA$EY JON£S to name a few, the album drew acclaimed support from all corners of the industry, from Resident Advisor and Mixmag to Q Magazine, FADER and Billboard. This stream only continued across the airwaves with support across Rinse FM and BBC Radio 1, rounding off with Maya appearing on BBC Radio 6 Music for a guestmix with Nemone’s Electric Ladyland.
Entering into a new year, Nocturnal Sunshine seeks to build on the path she has travelled so far, a journey that saw performances across the globe, gracing the stages of Coachella, Sonar Barcelona and London’s Field Day under the alias, along with a dual performance at esteemed London club, FOLD to launch her ‘Full Circle’ LP; Maya made a world first here by performing as both Maya Jane Coles and Nocturnal Sunshine in the same evening. As this story continues to unfold, Nocturnal Sunshine presents a link up with Australian singer-songwriter, Ry X on single ‘Gravity’. Having travelled the world guided by his innate musical compass, Ry X is a musician whose talents know no bounds. From Costa Rica and Indonesia, to London, Berlin and even Hollywood, his excursions have born their fruits in the many collaborations Ry has sought out, linking up with Frank Wiedemann of German electronic duo, Âme under a new alias, Howling. This pairing found Ry aligned with Wiedemann’s, pioneering Innervisions brand, co-founded with Dixon and saw live performances for Ry at Amsterdam’s ADE Fesitval, along with London’s Albert Hall. Adding to this, Ry later caught the ear of R&B queen, Rihanna who invited him to remix single ‘Love on the Brain’. Grabbing the attention of Maya with his ethereal vocals, they team up on ‘Gravity’ to create a bubbling and deeply emotive cut. Inclusive of the signature downtempo breakbeat nuances that lie at the foundations of the Nocturnal Sunshine universe, the haunting and mildly soulful vocals of Ry X strike a chord of their own on ‘Gravity’. Nocturnal Sunshine ‘Gravity’ ft. Ry X is out now via I/AM/ME |
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Just announced – Donny Benét Live – UK & EU 2020
Friday 22 May – Nouveau Monde – Fribourg, CH
Tickets
Sunday 24 May – Botanique – Brussels, BE
Tickets
Tuesday 26 May – The Dome – London, UK
Tickets
Wednesday 27 May – Paradiso Noord – Amsterdam, NL
Tickets
Thursday 28 May – Loppen – Copenhagen, DK
Tickets
Friday 29 May – Lido – Berlin, DE
Tickets
Saturday 30 May – Futurum – Prague, CZ
Tickets
Sunday 31 May – Sunday Moers Festival, Moers DE
Tickets
Tickets on-sale Friday 24 January 9AM BST / 10AM CET
via https://donnybenet.com/
Donny Benét Live – USA & Canada 2020
Tuesday 4 February – L’Esco, Montreal, QC
Wednesday 5 February – Drake Hotel, Toronto, ON
Friday 7 February – Rough Trade, Brooklyn, NY
Saturday 8 February – Great Scott, Boston, MA
Sunday 9 February – Boot & Saddle, Philadelphia, PA
Tuesday 11 February – Songbyrd, Washington, DC
Thursday 13 February – Empty Bottle, Chicago, IL
Friday 14 February – Club Dada, Dallas, TX
Saturday 15 February – Barracuda, Austin, TX
Tuesday 18 February – The Echo, Los Angeles, CA
Wednesday 19 February – Bottom of the Hill, San Francisco, CA
Thursday 20 February – Holocene, Portland, OR
Friday 21 February – Fox Cabaret, Vancouver, BC
Saturday 22 February – The Sunset, Seattle, WA
Tickets via donnybenet.com
What is your name and role within King of Foxes?
Where are you currently based?
How did King of Foxes form?
Your new single ‘No Wrong’ is out now, what influenced the sound and songwriting for this track?
Please talk us through the creative and collaborative process:
How did you go about writing ‘No Wrong’?
Where and when did you record and who with?
How did you approach the recording process?
Who did you work with during the recording/production process?
Who are you listening to at the moment?
What do you like to do away from music?
What’s planned for 2020?
Favourite food and place to hangout?
I’ve been working my way through a Costco-size box of chocolate truffles someone left at my house around Christmas… I don’t have a sweet tooth, but I do have a soft spot for dark chocolate with a little sprinkle of sea salt on it. (Café Brio, in Victoria BC makes the world’s best chocolate truffle, btw. It’s also one of my favourite places to hang out when I’m on the coast.) We did a lot of travelling last year, and honestly right now my favourite place to hang out is my own home.
Website: www.kingoffoxesband.com
The Lazy Eyes are a Sydney four-piece who create prismatic, sprawling psychedelic rock. ‘Cheesy Love Song’ is the lead single from their debut EP, the first of a number of releases over the coming year. Listen and watch HERE.
Harvey (vocals, guitar, keys), Itay (vocals, guitar), Blake (bass) and Noah (drums) have been playing together since they were 15, having met each other while attending Newtown Performing Arts High School. In between then and now, news of the band’s playfully jam-filled and constantly morphing live show has spread throughout their home city like word-of-mouth wildfire, building up a fervent, cult following. Now done with high school, The Lazy Eyes are finally ready to share their music with the wider world.
Showcases at Bigsound 2019 saw The Lazy Eyes take that buzz national, drawing praise from Home and Hosed’s Declan Byrne and seeing triple j, Happy Mag and more, name them as a future act to watch. They have also recently played Fairgrounds Festival, Newtown Festival and are set to perform at Laneway Festival in Sydney in February.
A patient, slowly unspooling track built around languid piano, echoing guitar lines and vintage soaked vocal melodies and harmonies, ‘Cheesy Love Song’ is content to take its time introducing the band, letting its tonal and textural choices lazily mutate from flourishes of soft strings and warm synthesizers into heavy-handed drumming and wild guitar sirens. As a debut single, ‘Cheesy Love Song’ is a wonderfully blooming introduction to The Lazy Eyes that surreptitiously disguises its true sense of ambition and skill.
With their debut release, The Lazy Eyes present themselves as part of the second generation of Australia’s burgeoning psych-rock scene. Bringing a meld of pedal-effected psychedelia, 60’s pop-inspired chord progressions, the tenderness of The Flaming Lips, and the pocket symphonies of Brian Wilson, The Lazy Eyes create emotive and expansive alternative rock. The type of music ideal for introspection, ‘Cheesy Love Song‘ is a small, insular universe unto itself.
The debut also comes with the announcement of management, distribution and agent signings with Travis Banko at Lunatic Entertainment (CHVRCHES, Baker Boy, Skeggs) and The Orchard signing for the world. On the live side, the band will be booked by Matt Bates at Primary Talent (Alt-J, The 1975, Wolf Alice) for UK/Europe/Asia bookings, Ryan Craven at Paradigm Agency (The War on Drugs, Lorde, CHVRCHES) for North America & Evan Davis at Village Sounds (POND, DMA’s, Hatchie) for ANZ.
‘Cheesy Love Song’ by The Lazy Eyes is out now – buy/stream it here.
THE BRAVE
ANNOUNCE THE BREAK OUT
TOUR DATES
Music Feeds @ UNIFY 2020″The Brave played a massive set… every song hit home.”
Wall Of Sound @ UNIFY 2020
After ringing in 2020 with a rabid set at UNIFY, The Brave are backing it up with the announce of an Australian headline tour. Dubbed The Break Out Tour, The Brave will take in shows throughout QLD, NSW, VIC and SA kicking off next month.
Support will come in the form of rising Adelaide heavy-hitters Sleep Talk, emo metallers Bad/Love and Melbourne up-and-comers To Octavia with tickets on sale from 10am AEDT Friday January 24.
In 2019 The Brave revealed their sophomore album Aura, picking up a whopping 9/10 rating from Discovered Magazine in its wake, as well as nabbing compliments from Hysteria (“gritty, vulnerable and full of visceral emotion”), Wall of Sound (“a true demonstration of well-written music”) and more.
On their 2020 headline tour, The Brave will command stages in the Gold Coast, Newcastle, Sydney, Wollongong, Melbourne and Adelaide before rounding the festivities out in their hometown of Brisbane. Tickets are on sale from 10am AEDT, Friday January 24.
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Fledgling Melbourne and Castlemaine act The Bell Streets make their debut with the first of 10 songs to be released in 2020, the slick bedroom pop number, ‘Fragile’. Birthed from the somewhat inevitable partnership of Nick Batterham (The Earthmen, Blindside, Cordrazine) and Josh Meadows (The Sugargliders, The Steinbecks), The Bell Streets started writing songs together about a year ago after a collective three decades or so working and playing throughout the Melbourne music scene and beyond.
Having known each other since the early ’90s when they were both in prominent bands on the long gone but not forgotten Melbourne indie label Summershine Records, Josh and Nick have played on the same bills, toured together, borrowed each other’s instruments and have become great friends.
That friendship is about to bear fruit with the anticipated release of The Bell Streets’ debut album Monument, set to land Friday 3 April via Popboomerang Records. For now though, fans of Nick’s signature moody melancholy and Josh’s distinct pop sensibilities can revel in the first released material from the album on the new single ‘Fragile’. After writing the opening phrase and accompanying ascending piano line, Josh took his humble idea to Nick who quickly put flesh on it, adding loungey licks and melodic charm, to become the pop lullaby that is ‘Fragile’.
“Fragile. A song in praise of fragility and vulnerability – qualities that are not highly valued in the world we live in, where brashness, bravado and self-confidence dominate. To be vulnerable with each other is to be truly human. But, of course, to be vulnerable is to leave ourselves open to being hurt. So our inclination is to harden up, to close ourselves off, to keep our true selves hidden. The song is about honouring the fragility in another person.” – Josh Meadows, The Bell Streets
Emerging from weekly songwriting sessions in Nick’s studio, the 10 songs of Monument are genuine collaborations, with the pair sharing lyric writing and singing duties. The Bell Streets’ voices harmonise easily, as if they had been singing together for years. As they’ve worked on the record, making themselves vulnerable to each other (as songwriting requires), the two have grown closer. Sometimes Josh has come up with the key line to one of Nick’s lyrics. Sometimes vice versa. The resulting sound has a classic feel, but remains fresh and new. The Bell Streets’ songs are poppy, yet have substance. They are born from experience, rejection, steadfastness and unfaithfulness, playfulness, pleasure, forgiveness, new beginnings and gratitude.
Written and performed by Nick Batterham and Josh Meadows
Vocals by Josh Meadows
Recorded and mixed by Nick Batterham
Mastered by Adam Dempsey at Deluxe
‘Fragile’ single is out now via
Bandcamp / iTunes / Apple Music / Spotify
Tour Artwork by Jonathan Zawada
“One of the leaders of the New School”
– Zane Lowe – Beats 1
“He’s the movement’s youngest by age, but arguably its most visible by virtue…”
– triple j
“Kwame has long been on our radar of international MC’s to watch.”
– Highsnobiety
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