Monthly Archives

January 2020

SUPPORT FOR PREVIOUS SINGLES 'BIG WORLD' & 'FIND ANOTHER YOU' “Synth melodies that riddle amongst its funk grooves and hook-y choruses plucked straight out of an old-school electro-pop delight only brought forward into the future”. - Pilerats (AUS) “Huge feel good pop vibes. I've transported back to a dancefloor circa 2010 and this is getting dropped between La Roux, Ou Est Le Swimming Pool, and Art vs Science”. - Gemma Pike – triple j (AUS) “Absolute banger, I LOVE this!”. - Alex Baker - Kerrang Radio (UK) Following on from the release of their internationally praised singles 'Big World' and 'Find Another You', Melbourne four-piece indie-pop band MOBS have started their new year with another stunningly colourful new single 'I’ll Be Back'. The track instantly captivates with flowing synths and guitars, before bursting into life with its swinging style and punchy drums, then giving way to lead singer Jordan Clarey. Massive hooks fill the choruses, accompanied by the tracks infectious swinging beat, not leaving out Jordan’s backing vocals giving the perception of backing group singing and clicking their fingers in time with the beat. Jordan talks about the inspiration behind "I’ll Be Back": “This is based on the character Kyle Reese coming back in time to protect Sarah Connor from the Terminator. It’s about loving someone despite the space, time or distance between them. It’s still subtle enough to feel like a love song, while also giving props to the characters from the film.” To coincide with the release, the band are heading stateside to perform in the USA and Canada alongside pop-rock juggernauts Set It Off, following on from performances throughout China earlier in November. This continues on from a furious touring schedule, which has seen them support the likes of The Dangerous Summer (USA) The Maine (USA), Deaf Havana (UK), Never Shout Never (USA) and Stand Atlantic (AUS). “The nostalgic pop sound that we have created is something that we have been working on for a long time and it’s amazing that we have the opportunity to take these songs overseas and showcase them to people on the other side of the world” mentions bass player Scott MacDougall. In the coming weeks MOBS will reveal an accompanying music visual for ‘I’ll Be Back’. ‘I’ll Be Back’ is available worldwide now via RUDE RECORDS MOBS ‘I’LL BE BACK’ AMERICAN TOUR SUN 9 FEB | PHANTASY NITECLUB, OH TUE 11 FEB | MAJESTIC THEATRE, MADISON WI WED 12 FEB | THE MUSIC VENUE, DILWORTH MN THU 13 FEB | THE PARK THEATRE, WINNIPEG MB SAT 15 FEB | THE REC ROOM, CALGARY AB SUN 16 FEB | TEMPLE, EDMONTON AB TUE 18 FEB | THE BITMORE BALLROOM, VANCOUVER BC WED 19 FEB | HMOBS KICK OFF 2020 WITH NEW SINGLE ‘I’ll BE BACK’OLOCENE, PORTLAND OR https://open.spotify.com/album/11dGkWsaPi8ElHsGgSP1t6 FOLLOW MOBS FACEBOOK | TWITTER | INSTAGRAM | SPOTIFY | APPLE MUSIC

MOBS KICK OFF 2020 WITH NEW SINGLE ‘I’ll BE BACK’

by the partae January 10, 2020

written by the partae

SUPPORT FOR PREVIOUS SINGLES ‘BIG WORLD’ & ‘FIND ANOTHER YOU’

“Synth melodies that riddle amongst its funk grooves and hook-y choruses plucked straight out of an old-school electro-pop delight only brought forward into the future”.
– Pilerats (AUS)

“Huge feel good pop vibes. I’ve transported back to a dancefloor circa 2010 and this is getting dropped between La Roux, Ou Est Le Swimming Pool, and Art vs Science”.
– Gemma Pike – triple j (AUS)

“Absolute banger, I LOVE this!”.
– Alex Baker – Kerrang Radio (UK)

Following on from the release of their internationally praised singles ‘Big World‘ and ‘Find Another You‘, Melbourne four-piece indie-pop band MOBS have started their new year with another stunningly colourful new single ‘I’ll Be Back‘.

The track instantly captivates with flowing synths and guitars, before bursting into life with its swinging style and punchy drums, then giving way to lead singer Jordan Clarey. Massive hooks fill the choruses, accompanied by the tracks infectious swinging beat, not leaving out Jordan’s backing vocals giving the perception of backing group singing and clicking their fingers in time with the beat.

Jordan talks about the inspiration behind “I’ll Be Back”:

“This is based on the character Kyle Reese coming back in time to protect Sarah Connor from the Terminator. It’s about loving someone despite the space, time or distance between them. It’s still subtle enough to feel like a love song, while also giving props to the characters from the film.”

To coincide with the release, the band are heading stateside to perform in the USA and Canada alongside pop-rock juggernauts Set It Off, following on from performances throughout China earlier in November. This continues on from a furious touring schedule, which has seen them support the likes of The Dangerous Summer (USA) The Maine (USA), Deaf Havana (UK), Never Shout Never (USA) and Stand Atlantic (AUS).

“The nostalgic pop sound that we have created is something that we have been working on for a long time and it’s amazing that we have the opportunity to take these songs overseas and showcase them to people on the other side of the world” mentions bass player Scott MacDougall.

In the coming weeks MOBS will reveal an accompanying music visual for ‘I’ll Be Back’.

‘I’ll Be Back’ is available worldwide now via RUDE RECORDS

MOBS
‘I’LL BE BACK’ AMERICAN TOUR

SUN 9 FEB | PHANTASY NITECLUB, OH
TUE 11 FEB | MAJESTIC THEATRE, MADISON WI
WED 12 FEB | THE MUSIC VENUE, DILWORTH MN
THU 13 FEB | THE PARK THEATRE, WINNIPEG MB
SAT 15 FEB | THE REC ROOM, CALGARY AB
SUN 16 FEB | TEMPLE, EDMONTON AB
TUE 18 FEB | THE BITMORE BALLROOM, VANCOUVER BC
WED 19 FEB | HMOBS KICK OFF 2020 WITH NEW SINGLE ‘I’ll BE BACK’OLOCENE, PORTLAND OR

FOLLOW MOBS

FACEBOOK | TWITTER | INSTAGRAM | SPOTIFY | APPLE MUSIC

January 10, 2020 0 comments

Music News

THE BIG MOON RELEASE NEW ALBUM ‘WALKING LIKE WE DO’

by the partae January 10, 2020

written by the partae

Out today via Fiction Records / Caroline Australia
https://caroline.lnk.to/WalkingLikeWeDo

“A love letter to the dirty streets of London… recalls such English eccentrics as The Kinks, Blur, Pulp and Arctic Monkeys” – The Telegraph ★★★★

“The Big Moon show that they aren’t afraid to stray from their comfort zone” – DIY ★★★★

“A fresh, widescreen sound and outward-looking perspective move Brit indie-rockers up a level” – Q Magazine ★★★★

“The London four-piece deliver a follow-up that oozes confidence, attitude and class” – Sunday Times UK

“Walking Like We Do signals a band growing up, having fun, and developing their sound” – Loud & Quiet

The Big Moon are very excited to release their new album, ‘Walking Like We Do’, today via Fiction Records / Caroline Australia.

Recorded early 2019, in three and a half weeks – compared to the 12 days their 2017 debut Love In The 4th Dimension took – Walking Like We Do represents a giant leap forward for The Big Moon. “Before we were more of a plug-in and play kind of a band, but these songs need a bit more,” lead singer, guitarist and songwriter Juliette Jackson explains. Frequently piano and keyboard-led rather than being reliant on grungey guitars, and rich in tight-knit vocal harmonies and rolling grooves, it’s a cinematic but innately hook-laden set that truly expands the band’s range.

“For a while I think I was writing songs that were more like [those on] the first album because I felt like that’s what we should do,” Jackson says. “But after six months I knew I wanted it to be sonically bigger, deeper, wider and more spacious than a rock album. We wanted to let the songs breathe a bit more. And while we still wanted it to have energy and all the right feelings, we just wanted to be more creative with how you conjure a mood.”

Citing Vampire Weekend, Solange, James Blake and Frank Ocean as reference points, the band approached producer Ben Allen, whose diverse work with Animal Collective, Gnarls Barkley and Bombay Bicycle Club made him the perfect fit for the project. After an introductory Skype chat, the band travelled to his studio in Atlanta, Georgia.

This renewed ambition is reflected in Jackson’s choice of subject matter too, which largely finds her swapping straightforward love songs for more thorny subjects. Driven by sombre piano trills, ‘Dog Eat Dog’ meditates on societal injustice, and was inspired by the Grenfell tragedy. ‘Barcelona’ examines the inevitable state of flux caused by growing older, while ‘It’s Easy Then’ discusses the sense of impending doom that goes hand in hand with being a citizen of the world in 2019. Extending that theme further, lead single ‘Your Light’ – which has received high rotation airplay on triple j – is about finding solace in relationships during chaotic times, finding Jackson as wry as ever in couplets like, “Maybe it’s an end cause this don’t feel like a start / But every generation probably thought they were the last.”

“I don’t want to use the word empowerment,” bassist Celia Archer grimaces, “But there are definitely songs that offer some sort of hope. There’s a lyric in ‘A Hundred Ways To Land’: “We don’t know where we’re going / But we’re walking like we do.” That sums up a lot of what Juliette was saying, in that there’s a lot going on, and we’re all figuring it out, but it’s better to move confidently forward in the face of all of this shit than just do nothing.”

“It all feels relentless,” Jackson agrees. “I mean, everyone is trying to process it. We made these songs to provide listeners with some release. And for us too. It took us a while to realise we could do anything on this album, and feel confident with our own voices. But I realised that there is strength in our character, in our lyrics, and in the decisions we make.”

The Big Moon – Walking Like We Do
Out now via Fiction Records / Caroline Australia

STREAM / BUY / DOWNLOAD

Tracklisting:

1. It’s Easy Then
2. Your Light
3. Dog Eat Dog
4. Why
5. Don’t Think
6. Waves
7. Holy Roller
8. Take A Piece
9. Barcelona
10. A Hundred Ways To Land
11. ADHD

CONNECT WITH THE BIG MOON

January 10, 2020 0 comments

CHERRY RETURNS! Carving up our next chapter (at 68 Little Collins Street, Melbourne) Soul In The Attic with China Beach Thursday 19th December, 8pm Thursday December 19th for the weekly “Soul in the Attic” China Beach live on the Cherry stage! supported by Sal Wonder DJ’s including Vince “The Prince” Peach $10 Espresso Martinis ALL NIGHT too x Note: Entry to the show entitles you to stick around and party with no extra charge. To help see the move of our classic Soul night out of the basement and into an attic, we’re welcoming China Beach and their energetic garage-disco to our new stage! In a flurry of sequins, zebra print and flares, this group always brings the fire for anyone wanting to burn their dancing heels. Having been bunkered down in the studio working on an album, this eight-piece funky outfit share the boogie feels about love taking things higher, dancing at home on the weekend and making sure life gets freaky. It’s not all techno in Melbourne. Every Thursday for Soul in the Attic our resident DJ’s spin all things soul, funk, disco and classic 45’s ’til late! The new Cherry is located at 68 Little Collins Street. It might be the best rock n roll bar in town. Upcoming events With 4 nights a week of live music entertainment, there's a ton of amazing music talent you won't want to miss each week at Cherry - 68 Little Collins Street. Check out what's coming up

Festival News Music News

This week at Cherry! Don’t miss out on the Cherry Bushfire Benefit, The Gurdies, DPRS Fundraiser and so much more!

by the partae January 10, 2020

written by the partae

This week at Cherry Bar!

Cherry Bushfire Benefit
Friday 10th January, 8pm

Free entry or entry by donation
Bushfire trauma/mental health support fund benefit managed by Magda Szubanski and Egg Boy!
Read about the fund here – http://bit.ly/2FwNAuQ
With Mannequin Death Squad, Asylum Sis†ers & Silver Bite

Entry to the show entitles you to stick around and party with no extra charge ’til our new 7AM closing!

This Friday January 10th we’re presenting a cavalcade of up and coming artists to keep our hand in and raise funds. With the show being free entry, all artist performance fee’s directed from Cherry will be donated towards our recent national disaster. It’s no surprise for anyone compassionate that such a horrible series of bushfires will leave many within our community with the scars of deep trauma and mental anguish. Artists performing on the Cherry stage on the night include Mannequin Death Squad, Siler Bite more TBA

Legendary comedian and Kimmy K’s new BFF Magda Szubanski (Kath & Kim, Fast Forward, Babe) has teamed up with Will Connolly aka “Eggboy” (anti-racism activist, philanthropist) to tackle the flow on effect that many face outside of the devastating losses of peoples homes. With the fund this dynamic duo have set up, they will be co-ordinating with foundations and charities such as Beyond Blue to make sure this “care chest” goes to the best places, where it is most needed. An agenda of letting people know that long after these fires have burnt out, we will still be here to support those who have suffered…

And when you’ve come the show at Cherry, be our guest to party ’til close (Thursday that’s ’til late, Friday and Saturday right through ’til 7AM!) for no extra charge. The new Cherry is located at 68 Little Collins Street. It might be the best rock n roll bar in town.

RSVP Here!

The Gurdies
Friday 10th January, 2am
(Technically Saturday Morning)

At our new address of 68 Little Collins Street (some may recall a bar called Pony?), Cherry is slightly different to our old basement… With two levels (you can grab a drink in our parlour bar or duck up to the bandroom) we’re going to have special 2AM shows going forward!

The Gurdies are coming in hot from the Mornington Peninsula, we can’t stress enough that if yo like the guitar thing, do not miss their brand of scuzzed up garage rock!

Now though this show is technically the Saturday morning, think of it like you’re still out from the night before…

The new Cherry is located at 68 Little Collins Street. It might be the best rock n roll joint in town…

RSVP Here!

DPRS ‘Wave Of Support’ Show
Saturday 11th January, 8pm

DPRS Wave of Support w/ The Rollercanes & Baby Mullet

The call has been made loud and clear. In the face of disaster and devastation across this incredible land – the people, the animals and the heroes that battle these fires need our support. DPRS have a gig at Cherry Bar this Saturday with absolute legends The Rollercanes & Baby Mullet and we are sending this wave through to those who need it. All proceeds from the night are being split 3 ways and donated to relief efforts for the CFA, WIRES animal relief and the Fire Relief Fund for First Nations Communities set up by Yorta Yorta man Neil Morris of DRMNGNOW.

Tickets are available at the link, $10 presale and $15 on the door.

It would mean a lot for everyone to get down and show their support, in these difficult times it is important to surf together. If you have the capacity and want to donate to any of the funds mentioned above, the links are listed below. Be safe, be strong, be positive and we will see you there.

CFA VIC donation link:

https://www.cfa.vic.gov.au/about/supporting-cfa

WIRES Emergency Fund for Wildlife:

https://www.facebook.com/donate/1386120504919105/10158318179549750/

Fire Relief Fund for First Nations Communities:

https://au.gofundme.com/f/fire-relief-fund-for-first-nations-communities

Get Tickets

Cherry Blues with Phil Para
Sunday 12th January, 5pm

Phil Para Band performing two (more?) sets live at Cherry!
Our weekly Cherry Blues is FREE ENTRY with doors from 5PM
Espresso Martinis for $10 all afternoon too!

This Sunday January 12th we’re welcoming Melbourne’s legendary guitar virtuoso Mr. Phil Para to Cherry.

Yes, if you’d heard the story Phil has recovered from his quadruple heart by-pass surgery and back tearin’ up stages. Have you joined us for a bevy at the new Cherry (68 Little Collins Street) yet? Phil delivers his unique fusion of blues, jazz and Latin groove influences with the type of sheer showmanship that has found this axeman become true folklore in our town.

Our weekly Cherry Blues is still FREE ENTRY with doors now from 5PM and supervised children are welcome to attend. We’re also offering table seating with a new snacks menu and wine list.

Starcrawler
Monday 13th January, 8pm

Starcrawler (USA) performing live on the Cherry stage!
Support: Smooch
Ticket entitles you to stay and party!

This Friday don’t miss Los Angeles based Starcrawler (USA) and their glammed up, punk’n’roll assault live at Cherry! Lead by the untamable stage presence of vocalist Arrow de Wilde, they’re headed down under on a colossal East Coast run supporting fellow Californian natives The Growlers.

The frequent reporting of their oft-visceral live show (at one South by South West appearance, de Wilde terrorized the room by spitting blood at photographers and slapping punters’ phones from their hands), appearance on Jools Holland and the exciting second album Devour You has us eagerly awaiting their Australian debut.

“Blending the sludgy, doom-laden riffs of Black Sabbath with the urgent pop-punk of The Runaways, the young LA band Starcrawler are a group whose entire DNA seems linked to the 1970’s” – The Guardian.

With admission to any ticketed show in our bandroom you’re welcome to stay until close and party. Cherry is now located at 68 Little Collins Street. It’s probably the best rock&roll joint in town.

Get Tickets

Upcoming events

With 4 nights a week of live music entertainment, there’s a ton of amazing music talent you won’t want to miss each week at Cherry – 68 Little Collins Street.

Check out what’s coming up

January 10, 2020 0 comments

Where are you currently based and what is the music scene like there? I currently live in the college town of Auburn, AL, where we have a small but dedicated community of electronic music fans. There are several local DJ’s, including myself, who hold residencies and throw events for the EDM community, while also hosting a slew of new and established artists. How did you first start playing music? With both my parents being musicians, I started playing at an early age; first learning how to drum, then learning guitar, and finally piano. I participated in the music programs at my school for several years playing percussion, and once I even got to perform at Carnegie Hall. What's been happening recently? Things have been pretty crazy lately. Getting my EP picked up by none other than Gramatik has definitely helped expose my music to a lot of people, and I’ve been steadily booking shows for 2020 as a result. Between performing and visiting family for the holidays, I’ve been trying to find time to sit down and work on some new material. Your new EP 'Manufactured Moments' is out now via Lowtemp, what influenced the sound and songwriting for this EP? With this EP I really wanted to explore the sounds of 60’s-70’s psychedelia and create something that instilled a feeling of antiquated grooviness, presented in the form of modern nuero-hop beats. I take a lot of influence from the bass music community (obviously), but also from older psychedelic soul records and bands. I tried to bridge the gap between the two. How did you go about writing the music? I spent a little over a month preparing for this album by digging through old records and cutting samples that would serve as the building blocks of the tracks. During this time I also created a plethora of sounds using synthesis and cut samples of those as well. Once I felt I had all the building blocks, I spent a month straight working in the studio 9-5, creating ideas for beats. I generated around 10 initial rough ideas and then chose my favorite four to complete, and these four are what you hear on the EP. Where and when did you record/produce? I produced the entirety of the record in my home studio in Auburn. I prefer to begin working as early as possible so I can have all day to complete an idea. A good session often went into the early hours of the next morning. What programs/instruments did you use? I produce my music in Ableton and self-recorded the majority of the guitar heard in the EP. The electronic sounds were created using Serum and Operator (both are software synthesizers in Ableton) and a handful of analogue synthesizers. How did you approach the recording/production process? For this EP, I really wanted to take an organized and planned approach to the writing process with a lot of self-imposed deadlines. I find that when I just work based on how I’m feeling, a lot of tracks tend to get stuck in limbo and are never finished. For this EP I made a pretty meticulous plan for how I would go about writing, with deadlines for each phase of the process so I wouldn’t get bogged down with indecision. I think the results really speak volumes. As to me, this definitely feels like my best and most cohesive work to date. How did you come to release Manufactured Moments via Lowtemp? I have been working with Adam Stehr (Gramatik’s touring guitarist) for the past few years on guitar and music in general. Adam is extremely talented and knowledgeable. I’m very grateful to be able to learn from him. When I asked him to help me with the mixes for a few of my tracks, he ended up forwarding them to Denis (Gramatik). Apparently Denis dug the tunes, and he offered me to release on Lowtemp shortly after hearing the EP. It’s a huge honor to be featured on the label of someone I have listened to and looked up to for so long, and I’m extremely grateful to Adam for making it happen. He was even kind enough to lay down some guitar which can be heard on “Candlelight." What do you like to do away from music? My biggest hobby away from music is probably reading, I love books. Additionally I love film and video games. Anything with a story. Beyond that I enjoy creating digital art, either for my music or just for fun, and being outside with my dog. Who are you listening to at the moment? Electronic music wise i’ve really been enjoying the latest from Charlesthefirst, Of The Trees, and Jade Cicada. These guys all push the envelope when it comes to sound design but they present it in such a chill, laid-back way that I identify with heavily. Beyond electronic beats I really stay listening to albums from my favorite bands like Radiohead, Washed Out, and Tame Impala. I’m also always digging for groovy classic records and rare gems to add to my productions. What's planned for 2020? I’ve got another upcoming release this month with Wavecraft Collective (date tba) and I’m really excited to start the year off with this one because it’s an especially hard tune. I’ve also got a handful of collaborations i’ve been working on with some really talented people and I’m really excited to share them. Performance wise I think this will be my biggest year yet. I am working with the team at Electric Hawk to spread my wings as much as possible this year (pun intended) and have already booked a slew of show in new cities. Hoping for big things and a few festivals this year. Favourite food and place to hangout? Definitely Kung-Pao Chicken, especially if I made it myself. Favorite place to hangout is definitely my porch. I live on the second story and have a massive porch that overlooks downtown. Perfect place to read or work on music.

Music Interviews Music News

Common Creation

by the partae January 9, 2020

written by the partae

Where are you currently based and what is the music scene like there?

I currently live in the college town of Auburn, AL, where we have a small but dedicated community of electronic music fans. There are several local DJ’s, including myself, who hold residencies and throw events for the EDM community, while also hosting a slew of new and established artists.

How did you first start playing music?

With both my parents being musicians, I started playing at an early age; first learning how to drum, then learning guitar, and finally piano. I participated in the music programs at my school for several years playing percussion, and once I even got to perform at Carnegie Hall.

What’s been happening recently?

Things have been pretty crazy lately. Getting my EP picked up by none other than Gramatik has definitely helped expose my music to a lot of people, and I’ve been steadily booking shows for 2020 as a result. Between performing and visiting family for the holidays, I’ve been trying to find time to sit down and work on some new material.

Your new EP ‘Manufactured Moments’ is out now via Lowtemp, what influenced the sound and songwriting for this EP?

With this EP I really wanted to explore the sounds of 60’s-70’s psychedelia and create something that instilled a feeling of antiquated grooviness, presented in the form of modern nuero-hop beats. I take a lot of influence from the bass music community (obviously), but also from older psychedelic soul records and bands. I tried to bridge the gap between the two.

How did you go about writing the music?

I spent a little over a month preparing for this album by digging through old records and cutting samples that would serve as the building blocks of the tracks. During this time I also created a plethora of sounds using synthesis and cut samples of those as well. Once I felt I had all the building blocks, I spent a month straight working in the studio 9-5, creating ideas for beats. I generated around 10 initial rough ideas and then chose my favorite four to complete, and these four are what you hear on the EP.

Where and when did you record/produce?

I produced the entirety of the record in my home studio in Auburn. I prefer to begin working as early as possible so I can have all day to complete an idea. A good session often went into the early hours of the next morning.

What programs/instruments did you use?

I produce my music in Ableton and self-recorded the majority of the guitar heard in the EP. The electronic sounds were created using Serum and Operator (both are software synthesizers in Ableton) and a handful of analogue synthesizers.

How did you approach the recording/production process?

For this EP, I really wanted to take an organized and planned approach to the writing process with a lot of self-imposed deadlines. I find that when I just work based on how I’m feeling, a lot of tracks tend to get stuck in limbo and are never finished. For this EP I made a pretty meticulous plan for how I would go about writing, with deadlines for each phase of the process so I wouldn’t get bogged down with indecision. I think the results really speak volumes. As to me, this definitely feels like my best and most cohesive work to date.

How did you come to release Manufactured Moments via Lowtemp?

I have been working with Adam Stehr (Gramatik’s touring guitarist) for the past few years on guitar and music in general. Adam is extremely talented and knowledgeable. I’m very grateful to be able to learn from him. When I asked him to help me with the mixes for a few of my tracks, he ended up forwarding them to Denis (Gramatik). Apparently Denis dug the tunes, and he offered me to release on Lowtemp shortly after hearing the EP. It’s a huge honor to be featured on the label of someone I have listened to and looked up to for so long, and I’m extremely grateful to Adam for making it happen. He was even kind enough to lay down some guitar which can be heard on “Candlelight.”

What do you like to do away from music?

My biggest hobby away from music is probably reading, I love books. Additionally I love film and video games. Anything with a story. Beyond that I enjoy creating digital art, either for my music or just for fun, and being outside with my dog.

Who are you listening to at the moment?

Electronic music wise i’ve really been enjoying the latest from Charlesthefirst, Of The Trees, and Jade Cicada. These guys all push the envelope when it comes to sound design but they present it in such a chill, laid-back way that I identify with heavily. Beyond electronic beats I really stay listening to albums from my favorite bands like Radiohead, Washed Out, and Tame Impala. I’m also always digging for groovy classic records and rare gems to add to my productions.

What’s planned for 2020?

I’ve got another upcoming release this month with Wavecraft Collective (date tba) and I’m really excited to start the year off with this one because it’s an especially hard tune. I’ve also got a handful of collaborations i’ve been working on with some really talented people and I’m really excited to share them. Performance wise I think this will be my biggest year yet. I am working with the team at Electric Hawk to spread my wings as much as possible this year (pun intended) and have already booked a slew of show in new cities. Hoping for big things and a few festivals this year.

Favourite food and place to hangout?

Definitely Kung-Pao Chicken, especially if I made it myself. Favorite place to hangout is definitely my porch. I live on the second story and have a massive porch that overlooks downtown. Perfect place to read or work on music.

Common Creations socials:

IG: https://www.instagram.com/common_creation/

FB: https://www.facebook.com/CommonCreation/

January 9, 2020 0 comments

Hitting four locations across Australia in Gepps Cross (SA), Mt Evelyn (VIC), Townsville (QLD) and Dunsborough (WA) throughout February, festival organisers have locked in a spicy lineup at every location that's sure to turn up the heat. It's the festival's first year that invites two huge international acts all the way from the US. Hotter Than Hell 2020 welcomes the kings of grunge Everclear, and South Californian punk lords Unwritten Law to headline across the four weekends. Keeping the line up hot, they are joined by Brisbane's indie rock royalty The Grates, Australian's original rambunctious larrikins Frenzal Rhomb, and Australian punk royalty Cosmic Psycho's. Join in for a weekend of your favourite noughties and nineties rock as the bands turn up the heat for this years Hotter Than Hell Festival Tour. SATURDAY FEBRUARY 1 | GEPPS CROSS COOPERS ALEHOUSE Everclear Unwritten Law The Grates | Frenzal Rhomb Area 7 Young Offenders SATURDAY 15 FEBRUARY | TOWNSVILLE KIRWAN TAVERN Everclear Unwritten Law The Grates | Frenzal Rhomb Area 7 SATURDAY FEBRUARY 8 | MT EVELYN YORK ON LILYDALE Everclear Unwritten Law The Grates | Frenzal Rhomb Cosmic Psycho's Chasing Ghosts SATURDAY 22 FEBRUARY | DUNSBOROUGH DUNSBOROUGH TAVERN Everclear Unwritten Law Frenzal Rhomb The Superjesus Motor Ace Axe Girl CONNECT ONLINE WITH HOTTER THAN HELL

Festival News Music News

Hotter Than Hell 2020

by the partae January 9, 2020

written by the partae

Hitting four locations across Australia in Gepps Cross (SA), Mt Evelyn (VIC), Townsville (QLD) and Dunsborough (WA) throughout February, festival organisers have locked in a spicy lineup at every location that’s sure to turn up the heat.

It’s the festival’s first year that invites two huge international acts all the way from the US. Hotter Than Hell 2020 welcomes the kings of grunge Everclear, and South Californian punk lords Unwritten Law to headline across the four weekends.

Keeping the line up hot, they are joined by Brisbane’s indie rock royalty The Grates, Australian’s original rambunctious larrikins Frenzal Rhomb, and Australian punk royalty Cosmic Psycho’s.

Join in for a weekend of your favourite noughties and nineties rock as the bands turn up the heat for this years Hotter Than Hell Festival Tour.

SATURDAY FEBRUARY 1 | GEPPS CROSS
COOPERS ALEHOUSEEverclear
Unwritten Law
The Grates | Frenzal Rhomb
Area 7
Young Offenders

SATURDAY 15 FEBRUARY | TOWNSVILLE
KIRWAN TAVERN

Everclear
Unwritten Law
The Grates | Frenzal Rhomb
Area 7

SATURDAY FEBRUARY 8 | MT
EVELYN
YORK ON LILYDALEEverclear
Unwritten Law
The Grates | Frenzal Rhomb
Cosmic Psycho’s
Chasing Ghosts

SATURDAY 22 FEBRUARY | DUNSBOROUGH
DUNSBOROUGH TAVERN

Everclear
Unwritten Law
Frenzal Rhomb
The Superjesus
Motor Ace

Axe Girl

CONNECT ONLINE WITH HOTTER THAN HELL

January 9, 2020 0 comments

The kings of grunge are back, and Everclear are ready to make a comeback across Australia with 11 shows announced for their 2020 tour. “Australia has always been a very special place for Everclear. We can’t wait to come back, play our music, and reconnect with our Australian fans. They’ve always been so enthusiastic and faithful to us and our music that even though the distance is so far from where we live, every time we come back to Australia it feels like we’re coming home," says lead singer, Art Alexakis. The band have only toured the country once in the last 17 years which makes this tour a little extra special for long-time fans of the band. Fans can enjoy an intimate experience with the band, singing their classics 'Santa Monica' and 'Father Of Mine' during this not to be missed comeback tour. UPCOMING EVERCLEAR 2020 TOUR DATES THU 30 JAN | The Cambridge Hotel | TICKETS FRI 31 JAN | The Metro Theatre | SYDNEY, NSW | TICKETS SUN 2 FEB | Odeon Theatre | HOBART, TAS | TICKETS THUR 06 FEB | Croxton Bandroom | THORNBURY, VIC | TICKETS FRI 07 FEB | Pier Bandroom | FRANKSTON, VIC | TICKETS SUN 09 FEB | The Basement | CANBERRA, ACT | TICKETS WED 12 FEB | The Helm | MOOLOOLABA, QLD | TICKETS THUR 13 FEB | Parkwood Tavern | GOLD COAST, QLD | TICKETS FRI 14 FEB | Racehorse Hotel | IPSWICH, QLD | TICKETS THU 20 FEB | Freo Social | FREMANTLE, WA | TICKETS FRI 21 FEB | The Carine Glades Tavern | DUNCRAIG, WA | TICKETS CONNECT ONLINE WITH EVERCLEAR

Festival News Music News

Everclear Australia Tour 2020

by the partae January 9, 2020

written by the partae

The kings of grunge are back, and Everclear are ready to make a comeback across Australia with 11 shows announced for their 2020 tour.

“Australia has always been a very special place for Everclear. We can’t wait to come back, play our music, and reconnect with our Australian fans. They’ve always been so enthusiastic and faithful to us and our music that even though the distance is so far from where we live, every time we come back to Australia it feels like we’re coming home,” says lead singer, Art Alexakis.

The band have only toured the country once in the last 17 years which makes this tour a little extra special for long-time fans of the band. Fans can enjoy an intimate experience with the band, singing their classics ‘Santa Monica’ and ‘Father Of Mine’ during this not to be missed comeback tour.

UPCOMING
EVERCLEAR 2020
TOUR DATES

CONNECT ONLINE WITH EVERCLEAR

January 9, 2020 0 comments

Unwritten Law return for a killer 2020 tour across the nation. No strangers to Australian soil, the original skate lords from Southern California are pleased to announce they will be running mayhem across a total of 12 stages both in the east and west coast. Fans can look forward to a personal space with the band away from Hotter Than Hell festival crowds, singing along to famous tracks such as 'Seein' Red' and 'Save Me'. "We’ve been coming to Australia for a long time and we’ve come to think of it as our home away from home. I think we just get each other. Every trip over is such a magical thing. We really pour our hearts and souls into every show and leave it all out there every night. And that’s exactly what we plan to do. We’re gonna play some songs we haven’t played in a long time, we’re gonna play the songs we know you want to hear, and you may even hear some of what’s to come." says Unwritten Law's frontman, Scott Russo. With a stacked 12 venues across five states, there is no excuse to miss out on this highly anticipated Unwritten Law comeback tour. UNWRITTEN LAW 2020 TOUR SHOWS FRI 31 JAN | Chelsea Heights Hotel | CHELSEA HEIGHTS, VIC TICKETS SUN 02 FEB | The Croxton | THORNBURY, VIC TICKETS TUE 04 FEB | Kambri at ANU | CANBERRA, ACT TICKETS WED 05 FEB | UOW Uni Bar | WOOLOONGONG, NSW TICKETS SAT 06 FEB | Cambridge Hotel | NEWCASTLE, NSW TICKETS FRI 07 FEB | Ettamogah Hotel | KELLYVILLE RIDGE, NSW TICKETS SUN 09 FEB | The Barwon Club | GEELONG, VIC TICKETS WED 12 FEB | Parkwood Tavern | GOLD COAST, QLD TICKETS THUR 13 FEB | The Back Room | BRISBANE, QLD TICKETS FRI 14 FEB | The V Room | SUNSHINE COAST, QLD TICKETS THU 20 FEB | The Carine | DUNCRAIG, WA TICKETS FRI 21 FEB | Leisure Inn | ROCKINGHAM, WA TICKETS CONNECT ONLINE WITH UNWRITTEN LAW

Festival News Music News

Unwritten Law Australian 2020 Tour

by the partae January 9, 2020

written by the partae

Unwritten Law return for a killer 2020 tour across the nation. No strangers to Australian soil, the original skate lords from Southern California are pleased to announce they will be running mayhem across a total of 12 stages both in the east and west coast.

Fans can look forward to a personal space with the band away from Hotter Than Hell festival crowds, singing along to famous tracks such as ‘Seein’ Red’ and ‘Save Me’.

“We’ve been coming to Australia for a long time and we’ve come to think of it as our home away from home. I think we just get each other. Every trip over is such a magical thing. We really pour our hearts and souls into every show and leave it all out there every night. And that’s exactly what we plan to do. We’re gonna play some songs we haven’t played in a long time, we’re gonna play the songs we know you want to hear, and you may even hear some of what’s to come.” says Unwritten Law’s frontman, Scott Russo.

With a stacked 12 venues across five states, there is no excuse to miss out on this highly anticipated Unwritten Law comeback tour.

CONNECT ONLINE WITH UNWRITTEN LAW

January 9, 2020 0 comments

Festival News Music News

VINNIES DIVE RED CROSS BUSHFIRE APPEAL LINEUP ANNOUNCED + 100% OF PROCEEDS DONATED TO RED CROSS AUSTRALIA

by the partae January 9, 2020

written by the partae

Vinnnies Dive and SIEGE JR are exceptionally honoured to present the Vinnies Red Cross Bushfire Appeal. Amongst the sheer devastation across the country, we’ve put together a whole day of unity, community and music to raise money for the Australian Red Cross.

Kicking off at 12pm on Australia Day, Sunday 26 January, we’ve put together the best local lineup in the spirit of hope. 12 hours, 12 bands. Featuring Donny Love, Radolescent, The Disables, The Wrath, Lens, Honeygum, Stoker and many, many more.

100% of ticket and bar sales, as well as staff wages, will be donated to the Australian Red Cross bushfire appeal.

Tickets are on sale now. Get involved and make a difference for those who need it the most.

VINNIES DIVE RED CROSS BUSHFIRE APPEAL LINEUP

Donny Love
Radolescent
The Disables
The Wrath
Lens
Entrapment
GBU
In Ashes
Stoker
Honeygum
The Dirty F-Holes
Loud Goes Bang

FACEBOOK EVENT
TICKETS
DONATION LINK

SUNDAY 26 JANUARY | VINNIE’S DIVE | GOLD COAST, QLD

About Australian Red Cross

We save lives and support people before and after disasters strike. We work to alleviate suffering during wars and conflict and promote the laws of war. And we work to assist our most vulnerable community members – no matter their circumstances.

We are committed to reconciliation and building an Australia where humanity can thrive. One with a rich identify built on trust, respect and understanding. Where we learn about out shared history and take pride in the histories, cultures and achievements of Aboriginal and Torres Strait Islander peoples.

January 9, 2020 0 comments

In December 2019, XL Recordings announced that the acclaimed, Chicago-based jazz musician Makaya McCraven is to release a unique reimagining of I’m New Here, the final album by the late, legendary musician, poet and author Gil Scott-Heron. Titled We’re New Again, the album will be released on February 7th and marks the tenth anniversary of I’m New Here. It’s the second full-length interpretation of the album, following Jamie xx’s 2011 We’re New Here album. First conceptualised in 2005, and ultimately produced, by Richard Russell during New York recording sessions commencing in January 2008, I’m New Here was Gil Scott-Heron’s first album in thirteen years and found him sounding as vital and insightful as ever before, as Russell wrapped a minimal and electronic sonic world around Scott-Heron’s raw vocals. On We’re New Again, those original sessions now have a complete new context, using samples collected from McCraven’s improvised live sessions with new wave Chicago jazz musicians and vintage samples taken from McCraven’s musician parents’ recordings. It’s a musical situation that reconnects Scott-Heron with his hometown of Chicago, and a lineage of jazz and the blues that perfectly compliments his voice. Today sees the release of the first piece of music from the album: McCraven’s reimagining of ‘Where Did The Night Go’. It’s a perfect example of McCraven’s approach to the record and features a sample from the Stephen McCraven Quartet’s ‘Silhouette of Eric’. Makaya McCraven, whose work Richard Russell first discovered after hearing McCraven’s 2017’s Highly Rare album, is widely regarded as one of the most exciting and original voices in modern jazz. Equally renowned and revered as a musician, drummer, beat-maker and producer, McCraven has released a run of records that are at once genre-defying and redefining such as Universal Beings, Highly Rare and Where We Come From (Chicago x London mixtape) for the highly influential Chicago label International Anthem. As the New York Times states: “Makaya McCraven has quietly become one of the best arguments for jazz’s vitality" Gil Scott-Heron, Makaya McCraven - 'Where Did The Night Go' Purchase / Stream: https://xl.ffm.to/werenewagain Gil Scott-Heron - We’re New Again - A Reimagining By Makaya McCraven 1. Special Tribute (Broken Home pt.1) 2. I’m New Here 3. Running 4. Blessed Parents 5. New York is Killing Me 6. The Patch (Broken Home pt.2) 7. People of The Light 8. Being Blessed 9. Where Did the Night Go 10. Lily Scott (Broken Home pt.3) 11. I’ll Take Care of You 12. I’ve Been Me 13. This Can't Be Real. 14. Piano Player 15. The Crutch 16. Guided (Broken Home pt.4) 17. Certain Bad Things 18. Me and the Devil Gil Scott-Heron - We're New Again - A Reimagining By Makaya McCraven is released Friday 7th February 2020 via XL Recordings / Remote Control.

Music News

GIL SCOTT-HERON We’re New Again A Reimagining By Makaya McCraven Released Friday 7th Feb 2020 First single ‘Where Did The Night Go’ released today

by the partae January 9, 2020

written by the partae

In December 2019, XL Recordings announced that the acclaimed, Chicago-based jazz musician Makaya McCraven is to release a unique reimagining of I’m New Here, the final album by the late, legendary musician, poet and author Gil Scott-Heron. Titled We’re New Again, the album will be released on February 7th and marks the tenth anniversary of I’m New Here. It’s the second full-length interpretation of the album, following Jamie xx’s 2011 We’re New Here album.

First conceptualised in 2005, and ultimately produced, by Richard Russell during New York recording sessions commencing in January 2008, I’m New Here was Gil Scott-Heron’s first album in thirteen years and found him sounding as vital and insightful as ever before, as Russell wrapped a minimal and electronic sonic world around Scott-Heron’s raw vocals.

On We’re New Again, those original sessions now have a complete new context, using samples collected from McCraven’s improvised live sessions with new wave Chicago jazz musicians and vintage samples taken from McCraven’s musician parents’ recordings. It’s a musical situation that reconnects Scott-Heron with his hometown of Chicago, and a lineage of jazz and the blues that perfectly compliments his voice.

Today sees the release of the first piece of music from the album: McCraven’s reimagining of ‘Where Did The Night Go’. It’s a perfect example of McCraven’s approach to the record and features a sample from the Stephen McCraven Quartet’s ‘Silhouette of Eric’.

Makaya McCraven, whose work Richard Russell first discovered after hearing McCraven’s 2017’s Highly Rare album, is widely regarded as one of the most exciting and original voices in modern jazz. Equally renowned and revered as a musician, drummer, beat-maker and producer, McCraven has released a run of records that are at once genre-defying and redefining such as Universal Beings, Highly Rare and Where We Come From (Chicago x London mixtape) for the highly influential Chicago label International Anthem. As the New York Times states: “Makaya McCraven has quietly become one of the best arguments for jazz’s vitality”

Gil Scott-Heron, Makaya McCraven – ‘Where Did The Night Go’
Purchase / Stream: https://xl.ffm.to/werenewagain

Gil Scott-Heron – We’re New Again – A Reimagining By Makaya McCraven

1. Special Tribute (Broken Home pt.1)
2. I’m New Here
3. Running
4. Blessed Parents
5. New York is Killing Me
6. The Patch (Broken Home pt.2)
7. People of The Light
8. Being Blessed
9. Where Did the Night Go
10. Lily Scott (Broken Home pt.3)
11. I’ll Take Care of You
12. I’ve Been Me
13. This Can’t Be Real.
14. Piano Player
15. The Crutch
16. Guided (Broken Home pt.4)
17. Certain Bad Things
18. Me and the Devil

Gil Scott-Heron – We’re New Again – A Reimagining By Makaya McCraven is released Friday 7th February 2020 via XL Recordings / Remote Control.

January 9, 2020 0 comments

In addition to moving to a bigger venue, Don’t Let Daddy Know is going bigger with their line-up for this major event as well with dance titans like Dimitri Vegas & Like Mike, Sunnery James & Ryan Marciano, Oliver Heldens and Fedde Le Grand to name a few. Besides the main stage there will be a hardstyle stage and a Sexy By Nature stage, where Sunnery James & Ryan Marciano will play their second set of the evening. These three areas with an extremely well curated list of DJ’s insure the high quality experience Don’t Let Daddy Know stands for. WATCH TRAILER Earlier, successful Dutch dance concept Don’t Let Daddy Know announced that they move venues for their 2020 event from Ziggo Dome to RAI Amsterdam. Due to the extremely high number of pre-registrations for their annual weekender in March 2020, E&A Events decided to celebrate the seventh edition at this new location. They’ll create a completely new indoor festival on Friday, March 6 called Don’t Let Daddy Know Music Festival. Ever since its inception on party island Ibiza, the Don’t Let Daddy Know events turned into much more than just a club night; they became a movement, a lifestyle. After seven years of sold-out shows, hundred of thousands of happy dancers from all over the world and a top of the bill line up, RAI Amsterdam will welcome 30.000 party people and take them on a magical musical rollercoaster ride. For more information, please check the website www.dldk.com/2020 BUY TICKETS General Info Event: Don't Let Daddy Know Location: RAI Amsterdam Date: Friday March 6th 2020 Times: 22.00 PM – 07.00 AM Age: 18+ Tickets: dldk.com/2020 MAIN Dimitri Vegas & Like Mike Brennan Heart b2b Coone - Headhunterz b2b Wildstylez - Lucas & Steve - Mike Williams - Nicky Romero - Oliver Heldens - Sem Vox b2b Dimitri Vangelis & Wyman - Showtek - Sunnery James & Ryan Marciano - W&W HARDSTYLE Adrenalize - Ben Nicky presents Xtreme - Coone Da Tweekaz - Frontliner - Sub Zero Project hosted by MC Villain Sexy by Nature Fedde Le Grand - Lucas & Steve Sunnery James & Ryan Marciano (3-hour set) - Third Party CONNECT W/ DON'T LET DADDY KNOW Website Facebook Instagram YouTube CONNECT W/ E&A EVENTS Website Facebook Instagram YouTube

Festival News Music News

Don’t Let Daddy Know announces full line-up of next edition at RAI Amsterdam Don’t Let Daddy Know Music Festival at RAI Amsterdam – March 6, 2020

by the partae January 9, 2020

written by the partae

In addition to moving to a bigger venue, Don’t Let Daddy Know is going bigger with their line-up for this major event as well with dance titans like Dimitri Vegas & Like Mike, Sunnery James & Ryan Marciano, Oliver Heldens and Fedde Le Grand to name a few. Besides the main stage there will be a hardstyle stage and a Sexy By Nature stage, where Sunnery James & Ryan Marciano will play their second set of the evening. These three areas with an extremely well curated list of DJ’s insure the high quality experience Don’t Let Daddy Know stands for.

WATCH TRAILER

Earlier, successful Dutch dance concept Don’t Let Daddy Know announced that they move venues for their 2020 event from Ziggo Dome to RAI Amsterdam. Due to the extremely high number of pre-registrations for their annual weekender in March 2020, E&A Events decided to celebrate the seventh edition at this new location. They’ll create a completely new indoor festival on Friday, March 6 called Don’t Let Daddy Know Music Festival.

Ever since its inception on party island Ibiza, the Don’t Let Daddy Know events turned into much more than just a club night; they became a movement, a lifestyle. After seven years of sold-out shows, hundred of thousands of happy dancers from all over the world and a top of the bill line up, RAI Amsterdam will welcome 30.000 party people and take them on a magical musical rollercoaster ride.

For more information, please check the website www.dldk.com/2020

BUY TICKETS

General Info

Event: Don’t Let Daddy Know

Location: RAI Amsterdam

Date: Friday March 6th 2020

Times: 22.00 PM – 07.00 AM

Age: 18+

Tickets: dldk.com/2020

MAIN

Dimitri Vegas & Like Mike

Brennan Heart b2b Coone – Headhunterz b2b Wildstylez – Lucas & Steve – Mike Williams – Nicky Romero – Oliver Heldens – Sem Vox b2b Dimitri Vangelis & Wyman – Showtek – Sunnery James & Ryan Marciano – W&W

HARDSTYLE

Adrenalize – Ben Nicky presents Xtreme – Coone

Da Tweekaz – Frontliner – Sub Zero Project

hosted by MC Villain

Sexy by Nature

Fedde Le Grand – Lucas & Steve

Sunnery James & Ryan Marciano (3-hour set) – Third Party

CONNECT W/ DON’T LET DADDY KNOW

CONNECT W/ E&A EVENTS

January 9, 2020 0 comments

Algiers have debuted new track and video ‘We Can’t Be Found’, taken from the London/NYC four-piece’s highly anticipated third album There Is No Year, out January 17 on Matador Records / Remote Control. The mesmerising visual for the sinuous, dub-inflected song, which builds to a soaring, cascading chorus, propelled by the powerhouse vocals of frontman Franklin James Fisher, was directed by Ian Cone. “I always feel the most successful music videos are the ones that are reflective and convey the mood of the song to the listener over everything else,” says guitarist Lee Tesche. “In this instance, we collaborated with the artist Lloyd Benjamin, trying to frame some of his sculpture work in a more abstracted way, referencing the urban dystopian cityscapes found in the German expressionist films of the 1930s. The result aspires to be somewhere in between the unsettling work of Darius Khondji and the set design of The Cabinet of Dr. Caligari or Fritz Lang's Metropolis.” ‘We Can’t Be Found’ follows the release of ‘Void’, accompanied by a visceral live video shot in the band’s hometown of Atlanta, as well as the video for ‘Dispossession’, filmed in the Noisy le Grand suburbs of Paris. The Guardian described the latter track as “powered, as ever, by the soapbox preacher vocals of Franklin James Fisher, and amplified by portentous gospel backing vocals, the Atlanta group anthemically square up to oppression”. There Is No Year was recorded in New York throughout 2019 by childhood friends and Atlanta natives Franklin James Fisher, Ryan Mahan and Lee Tesche, as well as drummer Matt Tong (ex-Bloc Party), alongside producers Randall Dunn (Sunn O))), Earth, Oren Ambarchi) and Ben Greenberg (Zs, Uniform, The Men). The album is titled after author and fellow Atlanta native Blake Butler’s novel of the same name, a major inspiration to the band over the course of the album’s making. “Even those aware of the ideals of this outspoken four-piece will find their latest direction on There Is No Year traversing unprecedented ground,” says Butler in his bio for the album. From the instant synth-pulse of the opening seconds of There is No Year, it’s clear that Algiers have set out to stake new ground, internally as much as sonically. At the forefront of this evolution is the centrality of power housed in Algiers’ multi-instrumentalist lead vocalist, Franklin James Fisher, whose voice and words provide the backbone of the album, his lyrics sourced entirely from an epic poem, Misophonia, composed during his search for meaning amidst a protracted personal period of anxiety and lack. There Is No Year encompasses future-minded post-punk R&B from the trapped heart of ATL, where they began; to industrial soundscapes à la 4AD-era Scott Walker or Iggy & Bowie’s Berlin period; to something like the synthetic son of Marvin Gaye and Fever Ray. The whip-tight rhythm section of multi-instrumentalist Ryan Mahan and Matt Tong moves back and forth from infectious menace to sci-fi soundtrack to big band fever dream. Mahan’s beat programming and synth constructions fill out the fibrous threshold, while Tesche’s sound-sleeves and aural-layering shapeshift into a richly polished means of exploration, revealing more and more the deeper you delve. Algiers - 'We Can't Be Found' (Official Video) Stream / Purchase: https://algiers.lnk.to/thereisnoyear Algiers - There Is No Year 1. There Is No Year 2. Dispossession 3. Hour of the Furnaces 4. Losing is Ours 5. Unoccupied 6. Chaka 7. Wait for The Sound 8. Repeating Night 9. We Can't Be Found 10. Nothing Bloomed 11. Void Algiers - There Is No Year is out Friday 17 January via Matador Records / Remote Control Records.

Music News

ALGIERS Release new single & video ‘We Can’t Be Found’ There Is No Year out Friday 17 January

by the partae January 9, 2020

written by the partae

Algiers have debuted new track and video ‘We Can’t Be Found’, taken from the London/NYC four-piece’s highly anticipated third album There Is No Year, out January 17 on Matador Records / Remote Control.

The mesmerising visual for the sinuous, dub-inflected song, which builds to a soaring, cascading chorus, propelled by the powerhouse vocals of frontman Franklin James Fisher, was directed by Ian Cone. “I always feel the most successful music videos are the ones that are reflective and convey the mood of the song to the listener over everything else,” says guitarist Lee Tesche. “In this instance, we collaborated with the artist Lloyd Benjamin, trying to frame some of his sculpture work in a more abstracted way, referencing the urban dystopian cityscapes found in the German expressionist films of the 1930s. The result aspires to be somewhere in between the unsettling work of Darius Khondji and the set design of The Cabinet of Dr. Caligari or Fritz Lang’s Metropolis.”

‘We Can’t Be Found’ follows the release of ‘Void’, accompanied by a visceral live video shot in the band’s hometown of Atlanta, as well as the video for ‘Dispossession’, filmed in the Noisy le Grand suburbs of Paris. The Guardian described the latter track as “powered, as ever, by the soapbox preacher vocals of Franklin James Fisher, and amplified by portentous gospel backing vocals, the Atlanta group anthemically square up to oppression”.

There Is No Year was recorded in New York throughout 2019 by childhood friends and Atlanta natives Franklin James Fisher, Ryan Mahan and Lee Tesche, as well as drummer Matt Tong (ex-Bloc Party), alongside producers Randall Dunn (Sunn O))), Earth, Oren Ambarchi) and Ben Greenberg (Zs, Uniform, The Men). The album is titled after author and fellow Atlanta native Blake Butler’s novel of the same name, a major inspiration to the band over the course of the album’s making.

“Even those aware of the ideals of this outspoken four-piece will find their latest direction on There Is No Year traversing unprecedented ground,” says Butler in his bio for the album. From the instant synth-pulse of the opening seconds of There is No Year, it’s clear that Algiers have set out to stake new ground, internally as much as sonically. At the forefront of this evolution is the centrality of power housed in Algiers’ multi-instrumentalist lead vocalist, Franklin James Fisher, whose voice and words provide the backbone of the album, his lyrics sourced entirely from an epic poem, Misophonia, composed during his search for meaning amidst a protracted personal period of anxiety and lack.

There Is No Year encompasses future-minded post-punk R&B from the trapped heart of ATL, where they began; to industrial soundscapes à la 4AD-era Scott Walker or Iggy & Bowie’s Berlin period; to something like the synthetic son of Marvin Gaye and Fever Ray. The whip-tight rhythm section of multi-instrumentalist Ryan Mahan and Matt Tong moves back and forth from infectious menace to sci-fi soundtrack to big band fever dream. Mahan’s beat programming and synth constructions fill out the fibrous threshold, while Tesche’s sound-sleeves and aural-layering shapeshift into a richly polished means of exploration, revealing more and more the deeper you delve.

Algiers – ‘We Can’t Be Found’ (Official Video)
Stream / Purchase: https://algiers.lnk.to/thereisnoyear

Algiers – There Is No Year

1. There Is No Year
2. Dispossession
3. Hour of the Furnaces
4. Losing is Ours
5. Unoccupied
6. Chaka
7. Wait for The Sound
8. Repeating Night
9. We Can’t Be Found
10. Nothing Bloomed
11. Void

Algiers – There Is No Year is out Friday 17 January
via Matador Records / Remote Control Records.

January 9, 2020 0 comments

Wild Nothing - the project of Richmond, VA-based Jack Tatum - will release his new EP, Laughing Gas, on January 31st on Captured Tracks / Remote Control, and today presents 'Foyer,' the propulsive, synth-funk lead single. Laughing Gas is the third EP from Wild Nothing, and follows his recently released album, Live From Brooklyn Steel. Tatum delves deeper into the territory where he thrives: namely, the synth and sophisti-pop of the 1980s. Working within a more mechanical and synthetic framework than his previous releases, Wild Nothing continues to delicately toe the line between the organic and the unnatural. These are still pop songs, but there’s an underlying sense of uneasiness that threads the music together. Recorded in Los Angeles and Richmond with the help of Jorge Elbrecht, these five songs were originally imagined alongside last year's Indigo and were written and tracked simultaneously with the album. When work on the full-length was nearing completion, Tatum set these ideas aside; they seemed to fit better on their own. In spare moments between tours, Tatum began to look back and piece the songs together at his home studio in Richmond, reconnecting with Elbrecht to mix the EP. “I think of the EP’s title as being representative of a kind of manufactured bliss and loss of control,” says Tatum. “So much of people’s lives are caught up in the quest for wholeness and sometimes it feels so much easier to loosen our grip through these fabricated shortcuts, whether it’s escapism, self-medication, seeking external validation or any number of other things. I often find myself guilty of almost all of these, but ultimately I think this EP finds me in a place of trying to go easier on myself. I've been extremely fortunate to continue releasing the music I love after 10 years of Wild Nothing and this release feels no different.” Wild Nothing - 'Foyer' Purchase / Stream: https://WildNothing.lnk.to/LaughingGas

Music News

WILD NOTHING Announces new EP Laughing Gas out Jan 31 Releases new single ‘Foyer’

by the partae January 9, 2020

written by the partae

Wild Nothing – the project of Richmond, VA-based Jack Tatum – will release his new EP, Laughing Gas, on January 31st on Captured Tracks / Remote Control, and today presents ‘Foyer,’ the propulsive, synth-funk lead single.

Laughing Gas is the third EP from Wild Nothing, and follows his recently released album, Live From Brooklyn Steel. Tatum delves deeper into the territory where he thrives: namely, the synth and sophisti-pop of the 1980s. Working within a more mechanical and synthetic framework than his previous releases, Wild Nothing continues to delicately toe the line between the organic and the unnatural. These are still pop songs, but there’s an underlying sense of uneasiness that threads the music together.

Recorded in Los Angeles and Richmond with the help of Jorge Elbrecht, these five songs were originally imagined alongside last year’s Indigo and were written and tracked simultaneously with the album. When work on the full-length was nearing completion, Tatum set these ideas aside; they seemed to fit better on their own. In spare moments between tours, Tatum began to look back and piece the songs together at his home studio in Richmond, reconnecting with Elbrecht to mix the EP.

“I think of the EP’s title as being representative of a kind of manufactured bliss and loss of control,” says Tatum. “So much of people’s lives are caught up in the quest for wholeness and sometimes it feels so much easier to loosen our grip through these fabricated shortcuts, whether it’s escapism, self-medication, seeking external validation or any number of other things. I often find myself guilty of almost all of these, but ultimately I think this EP finds me in a place of trying to go easier on myself. I’ve been extremely fortunate to continue releasing the music I love after 10 years of Wild Nothing and this release feels no different.”

Wild Nothing – ‘Foyer’
Purchase / Stream: https://WildNothing.lnk.to/LaughingGas

Wild Nothing – Laughing Gas

1. Sleight Of Hand
2. Dizziness
3. Foyer
4. Blue Wings
5. The World Is A Hungry Place

Wild Nothing – Laughing Gas is out Friday 31 January via Captured Tracks / Remote Control.

wildnothingmusic.com
capturedtracks.com

January 9, 2020 0 comments

Music Interviews Music News

Reno

by the partae January 9, 2020

written by the partae

Where are you currently based and what is the music scene like there?

I’m currently based in Bali. There’s so many different music scenes in Bali from traditional music to the underground scene.

How did you first start singing and playing music?

I was interested in music from a young age and played my first instrument at 6years old. As a young teenager I explored all types of instruments and listened to all kinds of different music that inspired me to start writing, make music and learn how to sing.

You’ve recently landed in Australia, how’s it been so far?

Melbourne has been amazing, I’ve seen a lot of great bands, underground culture, street art and skateboarding scene. The city is so inspiring.

You’ve just released your debut 14 track album ‘The Time Is Now’ what influenced the sound and songwriting?

The influence mostly comes from the 50’s era to the 70s punk and rock and roll. My songwriting is mostly influenced from my own life experiences.

How did you go about writing the music and over what time period were the songs written?

There are both English and Indonesian songs on my album which I have written over the past few years. Some songs came to me effortlessly but others took a little longer.

Where and when did you record and who with?

I recorded my album between Jakarta and Bali with a lot of talented musicians. I finished the album with my producer Cipta Gun at his studio in Bali.

How did you approach the recording process?

Some songs were recorded live and other songs were recorded track by track between Jakarta and Bali.

What programs/instruments did you use to record/produce/master?

We used all live recorded instruments and protools to master.

What did you find most challenging and rewarding during the songwriting and recording process?

The most challenging thing was probably scheduling everyone’s time to record. The most rewarding thing was being able to compose my music with so many talented people.

Where can we buy/listen to ‘The Time Is Now’?

The album is out now on all digital music platforms. The CD and merchandise is available through my website www.reno.co.id

You are from the beautiful country of Indonesia, what is the live music scene like there at the moment?

Indonesia is huge and we have more than 17,000 islands so we definitely have a broad mix of all types of live music. From traditional, electronic, punk and pop culture.

Who are you listening to at the moment?

I’m not listening to anything in particular at the moment but I’m always looking for all types of new music and bands to inspire me.

What’s planned for 2020?

Touring to promote my album ‘The Time is now’ and a lot of skateboarding.

Favourite food and place to hangout?

In Bali you can always catch me hanging at ‘Gimme Shelter’, ‘Twice’ bar or the skatepark. My favourite food is Babi guling, google it 🙂

Socials

https://www.instagram.com/renpratsren

Spotify: https://open.spotify.com/album/21OqFSuqTVYM2bkRBF3wH9?si=x1hmwPiwRau6fD4jLZzxQQ

January 9, 2020 0 comments

Music News

Joe Corti debuts All Night Long set, Corsica Studios, 17th January A celebration of success of his China White event brand/label

by the partae January 8, 2020

written by the partae

Joe Corti gets 2020 going with his debut All Night Long 7 hour set at Corsica Studios on January 17^th. It was at that same 500 cap club, just one year ago, that China White, his event brand and label was born.

Why Corsica? Says Joe, ‘I love everything about the venue! the small rooms, the heavy sound system, the people who run it… I waited a while to get into Corsica and now a year on, it embodies the label and party brand perfectly, so where better to kick start this new year!’

His events have transcended the vibrant London scene to become cult favourites around the UK. He’s featured guests such as Brame & Hamo, Marquis Hawkes, Leo Pol, Cody Currie and more, becoming a tastemaker’s tastemaker. The all-nighter will celebrate and mark the brand’s successful first year and herald a series of eagerly awaited releases and gigs for the much- and deservedly- hyped London-based Corti.

Be it on the dancefloor or through the speakers, Joe will deliver a unique but zeitgeist-grabbing mix of soulful disco, chunky house grooves and an uplifting infectious vibe.

Having burst on to London’s dance music scene with a bang in 2018, embarking on a tour of the states and releasing three pieces of hedonistic dance floor indulgence, then birthing China White, he’s been planning this celebration for some time. ‘The start of the new year felt like the perfect opportunity. It’s hard to fully express yourself in a couple of hours so playing all night long will give China White & Joe Corti fans a much better idea of who I am, where I come from and more importantly where I want to take things in 2020 and beyond.’

Joe Corti plays All Night Long @ Corsica Studios on January 17th – Get tickets here: http://bit.ly/2QwI9Cs

January 8, 2020 0 comments

"..these rapscallions know how to turn any crowd into absolute hysteria.” – Happy Mag "...the trio showcase their knack for grabbing your attention and holding onto it so tight it feels like your eyeballs could pop out. " - Life Without Andy “Crocodyl-yes.” – The Music "Get these guys on every festival bill immediately." - Declan Byrne, triple j Hot off the heels of their most colossal year yet, Crocodylus today reveal secret track 'Feed The Shark' taken from their latest EP 'Enjoy'. Those with a vinyl copy of the EP may have caught the delightful surprise hiding at the very end of final belter 'Kraut' which offers a different speed from the usually raucous surf-rock trio. Light and poppy the song employs jangly guitars and plenty of crowd-sourced vocals which will surely be a treat live. Never ones to take time off the band will undertake a bunch of under 18s and 18+ dates spanning across Sydney, Melbourne and Adelaide this February to belt out the chorus live. 'Feed The Shark' comes off the back of a hefty 2019 for the northern beaches boys who began the year with the first single from their third EP, the fan-focussed 'Enjoy' which was released on viral punks The Chats' label Bargain Bin Records. Focus track 'Motivation' caught the attention of Spotify and was included in New Music Friday AU/NZ and All New Rock US, while single 'Adrenaline' was touted by General Pants, Wrangler and added to rotation on FBi Radio. They then finished the year with a reverb-charged 28-date Europe tour supporting the very same mullet-bearers across six countries, with Bad//Dreems and Totally Unicorn in tow. They also picked up a deal with legendary UK booking agency Xray Touring after selling out almost 50% of the dates. Before traipsing across the globe, their unpredictable live show was honed on local stages where they've supported the likes of Ocean Alley, Dune Rats, Hockey Dad and Psychedelic Porn Crumpets, as well as playing a coveted spot on last year's Yours & Owls Festival, and kicked off 2019 with a tri-headline tour alongside A. Swayze and the Ghosts and VOIID. Snap up a ticket to see them in the flesh after feeding your new music craving. CROCODYLUS 'ENJOY' EP OUT NOW via Bargain Bin Records Saturday, 8th February YoYo's, Frenchs Forest Under 18s TICKETS Saturday, 8th February Narrabeen RSL, Narrabeen 18+ TICKETS Saturday, 15th February The Brick Room, Adelaide Under 18s TICKETS Saturday, 15th February The Brick Room, Adelaide 18+ TICKETS Saturday, 22nd February Wrangler Studios, Melbourne Under 18s TICKETS Saturday, 22nd February The Grace Darling, Melbourne 18+ TICKETS For more info visit crocodylusband.com

Festival News Music News

CROCODYLUS REVEAL SECRET TRACK ‘FEED THE SHARK’

by the partae January 8, 2020

written by the partae

“..these rapscallions know how to turn any crowd into absolute hysteria.” – Happy Mag
“…the trio showcase their knack for grabbing your attention and holding onto it so tight it feels like your eyeballs could pop out. “ – Life Without Andy
“Crocodyl-yes.” – The Music
“Get these guys on every festival bill immediately.“ – Declan Byrne, triple j

Hot off the heels of their most colossal year yet, Crocodylus today reveal secret track ‘Feed The Shark’ taken from their latest EP ‘Enjoy’. Those with a vinyl copy of the EP may have caught the delightful surprise hiding at the very end of final belter ‘Kraut’ which offers a different speed from the usually raucous surf-rock trio.

Light and poppy the song employs jangly guitars and plenty of crowd-sourced vocals which will surely be a treat live. Never ones to take time off the band will undertake a bunch of under 18s and 18+ dates spanning across Sydney, Melbourne and Adelaide this February to belt out the chorus live.

‘Feed The Shark’ comes off the back of a hefty 2019 for the northern beaches boys who began the year with the first single from their third EP, the fan-focussed ‘Enjoy’ which was released on viral punks The Chats’ label Bargain Bin Records. Focus track ‘Motivation’ caught the attention of Spotify and was included in New Music Friday AU/NZ and All New Rock US, while single ‘Adrenaline’ was touted by General Pants, Wrangler and added to rotation on FBi Radio.

They then finished the year with a reverb-charged 28-date Europe tour supporting the very same mullet-bearers across six countries, with Bad//Dreems and Totally Unicorn in tow. They also picked up a deal with legendary UK booking agency Xray Touring after selling out almost 50% of the dates.

Before traipsing across the globe, their unpredictable live show was honed on local stages where they’ve supported the likes of Ocean Alley, Dune Rats, Hockey Dad and Psychedelic Porn Crumpets, as well as playing a coveted spot on last year’s Yours & Owls Festival, and kicked off 2019 with a tri-headline tour alongside A. Swayze and the Ghosts and VOIID.

Snap up a ticket to see them in the flesh after feeding your new music craving.

CROCODYLUS
‘ENJOY’ EP
OUT NOW
via Bargain Bin RecordsSaturday, 8th February
YoYo’s, Frenchs Forest
Under 18s
TICKETS

Saturday, 8th February
Narrabeen RSL, Narrabeen
18+
TICKETS

Saturday, 15th February
The Brick Room, Adelaide
Under 18s
TICKETS

Saturday, 15th February
The Brick Room, Adelaide
18+
TICKETS

Saturday, 22nd February
Wrangler Studios, Melbourne
Under 18s
TICKETS

Saturday, 22nd February
The Grace Darling, Melbourne
18+
TICKETS

For more info visit crocodylusband.com

January 8, 2020 0 comments

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Reno

Joe Corti debuts All Night Long set, Corsica Studios, 17th January A celebration of success of his China White event brand/label

CROCODYLUS REVEAL SECRET TRACK ‘FEED THE SHARK’