After a two-year break, how does it feel to release ‘Pages You’ll Never Read’ and share your refined sound with the world?
It feels amazing to be back, and I’m really confident in how my music is coming together now. I’m planning to be much more consistent in the industry from here on out. I really hope people love what I have planned. Stay tuned!
What was the turning point that made you decide to shift your musical style towards pop folk? How did George Harrison and The Sundays influence this change?
I got into pop folk and shoegaze towards the end of 2022. I was really inspired by the production, especially the rich, moody, echoing textures you hear in pop folk/indie songs. As I started listening to more of The Sundays and George Harrison, I knew that was the direction I wanted to take my music in.
‘Pages You’ll Never Read’ delves into deeply personal emotions. Can you share what it was like to channel those feelings into the song?
I wrote the song when I was really upset about the situation, so the lyrics came out pretty naturally. The song came together quickly. When you’re that emotional, the lyrics just flow out without much effort. It felt really freeing to express those emotions and put them into a song. Even though it’s scary because the lyrics are so vulnerable, there’s something incredibly rewarding about sharing it with the public.
How has graduating from Music Industry College shaped your approach to songwriting and your perspective on the music industry?
Attending Music Industry College was one of the most rewarding experiences of my life, and I wouldn’t trade it for anything. The teachers were incredibly supportive, always encouraging us to push ourselves and excel. My time at MIC truly inspired me to continue pursuing a career in the music industry. With free mentoring sessions and valuable insights into what to expect in the field, I left with a much clearer sense of direction and purpose.
What was the creative process like for this single, from the initial journaling to working with producer Tom Megalos?
Working with Tom was an amazing experience. He played a huge role in shaping the sound I was aiming for and bringing my ideas to life. We explored a variety of concepts and sounds, and worked through some lyric tweaks, but it felt great to finally record the song and watch it evolve over time. I had a clear vision of how I wanted the track to sound, and Tom was able to jump in and execute it seamlessly.
Your debut single ‘Talk To Me’ introduced listeners to your artistry. In what ways do you feel you’ve grown as an artist since then?
I released “Talk To Me” when I was sixteen, so my sound has definitely evolved since then. At that time, I wasn’t completely sure which direction I wanted to take my music in. While I still love that song, over time, I realized it wasn’t the path I ultimately wanted to follow. Since taking a break, I’ve picked up the guitar and taught myself how to play, which has opened up new creative possibilities for writing. My taste in music has also changed significantly, so that has helped influence how I want to present myself as an artist moving forward.
How do you balance drawing inspiration from other artists like Billie Eilish, beabadoobee, and Gracie Abrams while maintaining your unique voice?
I pay attention to what I admire most about the artists I look up to, whether it’s their production style or their writing techniques, and I try to blend those elements with my own experiences and style. I make sure that every song I create feels authentic to me—if it doesn’t, I usually end up scrapping it.
What advice would you give to young artists who are still figuring out their sound and identity in the music industry?
If you’re feeling a bit lost, don’t give up, trust the process. Surround yourself with things that inspire you, listen to the artists you love, and embrace your creativity. Everything will fall into place naturally.
Brisbane’s music scene is vibrant and diverse. How has being part of this community influenced your music and opportunities?
The Brisbane music scene is incredible, with some amazing venues like Black Bear Lodge and The Triffid that I can’t wait to perform at. It’s a fantastic place for emerging artists as it has a diverse range of genres and plenty of opportunities to experiment and collaborate. Brisbane’s music scene offers a variety of local venues, festivals, and events that provide artists with a platform to be heard, so I am very excited to play more in Brisbane.
What message or emotions do you hope listeners take away from ‘Pages You’ll Never Read’?
‘Pages You’ll Never Read’ is open to emotional interpretation in any way you choose. While the song has a personal meaning for me, which some people may relate to. I want listeners to connect with the song in their own way. Ultimately, what you take away from it is up to your imagination, and I truly hope it can resonate with you.
