Hua Li Reimagines Sophia Sanford’s World on Violet Gave Willingly: Remix Vol....

Linkin Park – Rod Laver Arena, Melbourne – 8 March 2026

Interview: Anna Jeavons – Finding Meaning in the Chaos Inside Anomie

The Jungle Giants – 12 Shows Across AU & NZ This winter

Arky Waters Captures Lightning in a Bottle on ‘OMG’

THE RIONS ANNOUNCE DELUXE EDITION OF DEBUT ALBUM WITH NEW SINGLE ‘IDOL’...

Monsieur Mellow Finds His Flow on ‘Slow Down’ with Taj Ralph

BECK ANNOUNCES FIRST EVER AUSTRALIAN ORCHESTRAL SHOWS – TICKETS ON SALE NOW

Shinedown x Bush Co-Headline Australian & New Zealand Tour

ON THE BANKS WEEK TWO GRACE JONES, THE STREETS & SOLD-OUT DISCO...

Category:

Music News

Music InterviewsMusic News

Cherie Laurent

by the partae
written by the partae
Where are you currently based?
 
I am Based in Melbourne Australia for the last 20 years. 

How did you first start playing music?
I started at a very young age, and I was playing the piano and singing. Back then I was singing in my mother tongue as well as dancing. As a child, I was the Diva in my school, then my mum as well as mostly everyone realized I got talent. They advised my mum to take me to a private singing teacher. My mum and dad were into opera. It was decided for me to learn to sing opera. I was trained as an opera singer from the age 9 as part of a choir and then the private singing lessons with different singing teachers.
 
What’s been happening recently? 
 
I have my TV show “Ma Cherie” on Roku TV that is now reaching so many countries, at the same time you can get it on Amazon fire TV. I do put all my songs and music on my TV show, and I use this show as a vehicle to get my music and music videos to the USA and the world.
 
As I have been releasing songs in the music world, including my music fans and lovers, I am getting to people’s houses, living rooms and even bedrooms with my TV show to promote my music and my music videos.  

I signed a contract to get the show on streaming network called gethappyiTV in California back in January 2022 so my music will take wings from there streaming platform.

By using many different streaming platforms all around the world, I managed to get approached by a fantastic music manager, personal manager and agent in West Hollywood & UK.

I have good numbers of new songs ready to be released in the pipeline and it has been a crazy amount of work putting these together during the lockdown and now it’s time to flourish. One after one each song keeps opening more and more opportunities for my music, TV and even in films. So, I need to take it all in and keep myself grounded. Take it step by step.

Your latest single ‘Daddy’ is out now, what influenced the sound and songwriting?

This is one of the hardest songs I ever written because it is so personal, and it touches such a painful part in my heart. I lost my Dad back in 2005 and I refused to accept his death in my mind for 5 years until I had to visit home and when I walked in to the house, I was thinking in my mind that I will see him sitting on his chair like the day I left home. 

However, he was not there. It was like a shock which I refused to believe, then my brother took me to his grave, where the song inspiration came to me. 

It took a long time to get it out as I did not have the strength to face the demons inside of me. The feeling of regret for not being able to connect with him. 

My mum and sister told me that he kept calling my name when he was on the death bed, and he wanted to see me. I feel so bad that I never went back to say goodbye. To say I love you dad. A word I was never able to say to him when he was alive.

Where and when did you record/produce/master and who did you work with?
 
I recorded the final version earlier this year (2022) and I worked with 2 producers, first was Peter Bee and then I took it to Melodic music to work with Sam the owner. I felt I needed it to be a big and rich song. I know deep Inside me that it will be a gift to my dad and melodic did the mastering for the USA market.
 
How did you approach the recording process?
 
After I have written the song, I worked on the demo with good friend of mine his name was Dean Holtmann. Together, we created the Demo. Dean from NYC and he knew great number of people in the music business, names like David Bowie and Freddie Mercury. He asked me what music I loved and I told him Guns & Roses, Queen and that was the start. We spent nights and days in the studio just trying different thing and I kept adding to it. It was like making the perfect recipe. After the demo was done, everything was easy to explain to Peter Bee when we worked together. 

I felt there was something missing, I was trained in classical music so my ears and the way I feel about the music and sound had to be satisfied, so I asked if I could take it to Sam from Melodic. After I talked to him, Sam said to me “You are such a big personality with a big voice you need music as big as your voice and your music presence”. He worked on the orchestra side. And that’s it, that was the part that was missing, when he sent me the final, I had a vision in my mind which was like I was watching a movie. I was seeing myself walking to my dad presence to get on my knees and present him with my apology and give him the song with my tears covering my face. 

Who are you listening to at the moment? 
 
In my car and my phone I’m listening to “the show must go on” by Queen but I go through all the 50’s, 60’s, 70’s, & 80’s great rock songs that were created to learn and to inspire me to great music! Music that is bigger than life and lasts forever after I have gone.
 
What’s planned for the remainder of 2022 going into 2023?
 
I just got approved with an O1 visa to move to the USA “West Hollywood”.  I have been waiting to have my meeting with the US embassy and then it will be the big move to an ocean of music, film, contacts, and some of the greatest names in the arts to work with. 

There are so many promises, hopes, dreams, and plans with a music manager like the one I signed with and his contact, plus his PR team in USA / UK and a great publisher. 

The TV networks is promising to help me to take my TV show to the international level on bigger networks, which means my music is going to reach a much bigger audience, as my show is a vehicle to take my music to people homes on the silver screen in their private living rooms.

Any upcoming shows?
 
Normal singers do shows in pubs or clubs, therefore, if there are big ones that can perform in stadiums for over 50k, I’ll be there! 

I produce a TV show every week, that plays 3 night a week, 2 in Melbourne Australia on C31 Friday at 11:30pm, Monday at 11pm and in Adelaide on Wednesday nights at 11:30pm, plus I placed the show on Roku TV and Amazon Fire TV. You can stream any on these networks any place around the world.

Each episode getting over 50k view so I guess I do have upcoming shows every week that you can see me and listen to my music and watch my music videos. On top of that you can get the chance to get to know me as an artist and as human being as a person on a very personal level, 

I can tell you about the stories behind the songs and the ups & down behind the music and the music videos. You can tape it or watch it over and over on my YouTube channel “Cherie Laurent” or my website www.macherietv.com

Not so many singers have this opportunity to reach their audience as I do. With 140k followers now I am working on Spotify followers as I did not know how to play Spotify. Now I am working with some of the biggest music PR in LA and they promise a lot. So I will need to wait and see. The Australian PR is doing very well. As you may know the US and the UK market is much bigger and that is what I am dreaming of now.

So to respond to your question more clearly, there are no live shows yet because I am building my fan base using TV all around the world and one day the live shows will come, but when I am ready and know that I will have a full house of fans that love my music and what I do. 

Favorite food and place to hangout?
 
My favorite food are vegetarian dishes and especially Thai food and Japanese seafood, But the problem is I am always on a diet and very strict about what to put in my mouth to keep my body looking the way it does.  It is a full time commitment and it is a full time job (24/7). 

As for hangouts, I normally go for power walks, maybe movies or art galleries. I do visit NGV a lot. Most of the time I am working writing new songs. I like to learn as much as I can about every great song being written and at the same time, I do write scripts for TV, films, musicals and most of the time looking and studying new subjects to present to people. I guess that is my hangout. Very boring to others, I am sure.

Thank you for your time and for all these great questions. Thank you for taking the time to read all my responses.

https://www.instagram.com/cherielaurent/

1 comment
1 FacebookTwitterPinterestEmail
Music News

DINOSAUR BEARD unveils reflective & esoteric new single ‘TRANSLUCENT SKIN’ Announces debut EP ‘A MOUNTAIN OF COTTON GOLD’ out October 14

by the partae
written by the partae

Photo by: Brook McKeon

 Melbourne songwriter and musician Dinosaur Beard (aka Adam Finnegan) releases today his latest alternative-rock tune ‘Translucent Skin’ and unveils details about his debut EP coming out in October. On this latest track, Dinosaur Beard proves again he is no average musician using brooding melodies and poetic lyrics to comment on the slow demise in modern society of old power structures during the past few tumultuous years.       

“Translucent Skin’ was the first song I wrote out of the batch of songs that made it onto the EP.  I wanted to make a bold statement for the first single. Something dark, esoteric and a little different for me. Taking some cues from bands like The Cure, Interpol and The Smiths. I wanted something that  encompassed the entire tone of the EP while still being a unique composition in its own right.” Dinosaur Beard

‘Translucent Skin’ was written in the last Melbourne lockdown along with the three other tracks from his debut EP.  It was the first track that he “got really lost in and spent a lot of time with. Demoing it at home before taking it to my collaborator ‘El Paul Michel’ in his home studio in Pascoe Vale where we really fleshed out the song with additional bass and synths. Using reverse guitar parts, off kilter bass loops and a myriad of other experimentation to create something truly unique and nuanced.” 

 

 

The self directed music video for ‘Translucent Skin’ mirrors the song’s narrative, visually capturing the feeling of transformation. It was filmed predominantly in the beautiful Yarra Valley just outside of Melbourne in Redwoods Forest. Dinosaur Beard also enlisted his friends to make his living room into a makeshift forest with branches and fabric inducing an arresting visual treat!  

Watch here

“I began shooting the clip a few months ago. Really yearning that connection to nature I had dearly missed in lockdown, I ventured out to the Redwoods forest in Warburton. I spent the whole day filming just using my Iphone.  I wanted to visually capture the feeling of transformation and alchemy that the forest can provide. Those kinda pagan rituals that have been performed throughout time. Turning lead into gold as represented by the golden triangle and the three women as representations of the divine femine energy rising upon the planet.” Dinosaur Beard 

 

Dinosaur Beard reunited with long term collaborator and engineer Aaron Dobos (Ceres/Alex Lahey/Avalanches) in recording his debut EP ‘A Mountain of Cotton Gold’ at Sing Sing recording studios in Melbourne. The 4-track concept EP attempts to excavate where the world is headed post the pandemic and how things have changed, but with a strong message of hope and resilience. He says “each song is represented by a different ‘Tarot’ card illustrated by Barcelonian artist Ksenia Vinogradenko.

“It’s my statement of intention coming out of the last few years trying to be a more positive force as an artist and person. Seeing the old power structures slowly begin to crumble and the chaos that is ensuing it’s my way of trying to make sense of it all.  A love letter to my friends and the collective as a whole. This is my most ambitious undertaking as an artist.”

Dinosaur Beard

In support of the new single ‘Translucent Skin’ , Dinosaur Beard will be playing at Brunswick Artist Bar, Melbourne with supports from Jordan Clay Band and Isabelle Skye on 

Friday, August 5.

PRAISE FOR DINOSAUR BEARD

“‘Dialect Drum’ delicately teeters between dark and light textures, visually, sonically and thematically; Dinosaur Beard expressing the fear and the triumph that is vulnerability.”

MUSIC FEEDS

“The hazy and melodic track highlights Finnegan’s captivating off-kilter style as it ebbs and flows with various notches of intensity.”

AU REVIEW

“Expansive and warm and it makes you never want to leave.”

DECLAN BYRNE, TRIPLE J

EP: A Mountain Of Cotton Gold is out on Friday, October 14

Facebook | Instagram | Youtube | Triple J Unearthed

0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

RAGEFLOWER

by the partae
written by the partae

Where are you currently based?

I’m living on Gadigal land! Sydney, Australia. 

How did you first start playing music?

I started piano lessons when I was 3 or 4, I then went on to learn brass instruments (trumpet, trombone and euphonium) in highschool playing in orchestra and concert band. I was a massive band geek. I didn’t start writing my own songs until I was around 17, but I’ve always been making up little tunes to accompany my life. 

What’s been happening recently?

I’ve just come back from Byron Bay, I went up for Splendour in the Mud. Had a crazy time but now I’m home I’ll be getting back in the studio to finish off some new music!

Your second single ‘Years’ is out now, what influenced the sound and songwriting?

I was very inspired by Joni Mitchell when I was writing this one, the way her melodies move around like swirling Van Gogh stars. When we got in the studio to put it down I wanted to find some heavier industrial sounds to accompany and contemporise the folk-style writing. 

How did you go about writing Years?

I’d just left a 4 year relationship. I put my guitar in open D tuning and started writing down everything I wanted to say to this person. It was very accusatory starting off, the first verse is basically just saying “you’re fake. I see right through you.” (window frames and such) But as I started writing the second verse, ; I realised all the flaws I was pointing out in this person I also held myself. I was lazy, I was stubborn, I also wouldn’t let things go. I had been in the same place for years, this toxic relationship, not just because of this other person but because I had allowed myself to stay there. 

Where and when did you record/produce/master and who did you work with?

So this song has been in the works for quite a while now. We laid down the drums (Daryl Chin) last year at studios 301 with my beautiful friend and incredible audio engineer Nicolas Mendoza. Over lockdown we put in guitars and bass in a home studio with Max Jacobs and Grace Labrum – this took a long time with restrictions but we got there eventually. The rest of the track was mostly me and Nico Scali (producer) in his studio in Marrickville, experimenting and trying to find something exciting for our ears after sitting on the track for over a year.

Do you have plans for an EP?

I do 🙂 I’ve been sitting on a looooot of music for the last 3 years so there’s a load more to come. I’ve really pushed the sound of RAGEFLOWER out of its box. My identity is fluid, so is my sound.

Please tell us about any upcoming shows/tours:

I haven’t got a lot of shows booked at the moment, I live with chronic pain so I’m trying to get healthy so I can go on tour one day. It does look like I’m getting better though and I’ll be playing a show with SULT at the Botany View Hotel in October. 

Who would you like to work with next?

Dream songwriting collab would be with Aldous Harding or Sevdaliza. But locally I’d love to get in a session with someone like Nick Ward or Carla Wehbe. They are both individually such unique, inspiring artists with huge spirit and great vision. 

What’s planned for the remainder of 2022 going into 2023?

Just recording and releasing! I wanna put as much music out there as I can before the world ends 🙂

Favourite food and place to hangout?

Pasta is life. I like to hang out in the park by myself or on a friend’s couch playing mario kart. 

Facebook  | Instagram | Youtube | Triple j Unearthed

0 comments
0 FacebookTwitterPinterestEmail
Music News

BRISBANE’S TAHDIG RETURNS WITH HER DEBUT EP ‘TRUTH BE TOLD’

by the partae
written by the partae

After the success of her single release ‘Air Force 1’, Tahdig returns with her anticipated debut EP titled ‘Truth Be Told’. Brisbane rapper Tahdig delivers 6 tracks that feature songwriters and vocalists from her neighborhood. 

Her debut EP demonstrates an exploration of sound production and versatility. This release has allowed Tahdig to showcase her talent as a lyricist and vocal MC. 

Tahdig’s EP features beats crafted by producers (Fewtile, Ramoon, Dillygotitbumpin & JustDan) from around the world allowing her to produce contrasting sounds. ‘Truth Be Told’ was recorded at Brisbane’s Six Degree Studios and saw Tahdig work with sound engineer Gene Castillo (Rush Hour Studio) and artists Skye-Marie and Khavari. ‘Truth Be Told’ is an EP that shines light on subjects that we experience in our lives.

“Truth Be Told is an EP where I get to express my feelings towards certain themes that are important to me such as, ‘Immigrants’. This track was written to convey a message about people leaving their motherland and their experience immigrating to another country in search of a better life and settling in and becoming important members of their community. My objective for making music is to create tracks that focus on important and relatable topics for my audience.

This EP has provided me with an opportunity to showcase my interest towards the Spanish language. My ethnicity is Persian and the spoken language is Farsi, however I have always had an interest in learning Spanish. As a music artist I want to embrace other languages and work with artists from different cultures. I believe diversity is beautiful and music in any spoken language brings people together.”

TAHDIG

2022 is going to be the year Tahdig introduces herself to more audiences around the country with her distinct flair and sound. Developing her love for hip hop and the culture from a young age, Tahdig has cited her early influences; from the likes of Missy Elliott to Eve; 50 Cent to Eminem. Born in Iran and migrating to Central Queensland with her family as a child, Tahdig has been enraptured by hip hop since she was nine years old.

Her recent inspirations have come in the form of artists like Kendrick Lamar, J. Cole and Wale, though her sound also sits in the same lane as your Remy Mas and Cardi Bs – making her one to watch as this year continues!

PLAY/LISTEN

Facebook | Instagram | YouTube | Triple J Unearthed 

0 comments
0 FacebookTwitterPinterestEmail
Music News

Gammer and Pixel Terror Return with Their 1st Single of 2022 – “Step Back.” Out Now on Dim Mak Records

by the partae
written by the partae

Artists: Gammer & Pixel Terror
Title: Step Back
Label: Dim Mak Records

Download / Stream

Dubstep heavyweights Gammer and Pixel Terror join forces for “Step Back,” both artists’ first release of 2022, out on Steve Aoki‘s Dim Mak Records. True to their signature styles, “Step Back” is one of massive proportions and certainly not for the faint of heart. Opening with a glitchy, big room trap style, Gammer and Pixel Terror up the ante with a breakdown of stabbing synths and a sinister dubstep drop. The additional elements of hardstyle and psytrance clearly set the track apart from the rest, making this a strong return to the circuit for both artists. Read on for what Gammer and Pixel Trap had to say about their new release:

“‘Step Back‘ is my first new original track in a while. It’s a song I’m really proud of and feel like expresses the energy we both try to create. Anyways, we spent ages on a cool dubstep drop, but everyone plays the half-baked psytrance drop instead. So 10/10. Fully recommend!” – Gammer

“Took a lot of time back and forth with Gammer to create a festival banger that will suit the needs of nearly any electronic aficionado. From the huge chanty chords to the glitchy dubstep to the double-time hard-psy, we are really thrilled that this displays so much of both of our styles in such a dangerously cohesive way. We hope this will be a summer anthem, and from the support it has already received, we believe it might!” – Pixel Terror

English producer Gammer has become known in the dance circuit for his UK hardcore sound as well as trap and hardstyle, which attracted a new and younger generation of listeners to the heavy-hitting genres. He had become a household name on Monstercat by 2017, known for his timeless party anthems such as “The Drop” or “Party Don’t Stop” and collabs, such as “Quit” with Hudson Mohawke, “Incoming” with Steve Aoki or “Digressions” with Mija. On the other hand, Pixel Terror has made a name for himself with his own dubstep style, with notable releases such as “Contra,” “Enigma,” “Amnesia,” and more. Both artists have performed at some of the world’s best festivals, including Gammer‘s recent performance at Tomorrowland and Pixel Terror‘s at Bootshaus – one of the top club venues in the world. Keep an eye out for more coming from these bass maestros.

More info on Gammer / Pixel Terror / Dim Mak Records:
 

0 comments
0 FacebookTwitterPinterestEmail
Music News

East Melbourne four-piece, Man vs Synth release their second single of 2022 titled In Sheep’s Clothing. 

by the partae
written by the partae

Committed to blending together the vast and ever-changing sounds of indie pop and alternative rock, Man vs Synth incorporates cavernous synthesiser tones with drama-fuelled vocal melodies to create a gripping showcase of authenticity in their newest single.

Equal parts creative and expressive, Man vs Synth is lead by Mathew El Fakhry, the vocalist, writer, producer, guitarist and engineer on the project. He is accompanied by Hamish Cocks (drums), Leigh Biggerstaff (Bass) and Jason Lambrou (synths) as they unite their respective talents to emphasise rhythm in their venture to develop a seldom-explored, genre-defying division of synth-pop.

Previously, Man vs Synth released their self-titled, debut EP – a tale emerging from personal experiences, proclaiming stories of love found, love lost and loneliness.

With new releases planned and live performances on the horizon, keep an eye out for Man Vs Synth in 2022 (and into the new year), starting with their upcoming release In Sheep’s Clothing, available worldwide on Friday 29th July 2022 and accompanying single launch show at The Tote Bandroom in Collingwood VIC on the same night.

0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

Man vs Synth

by the partae
written by the partae
Where are you currently based?
Melbourne! The greatest city I’ve had the pleasure to live in.

How did the band form?
Hamish, Leigh and I have been mates for a dozen years at this point. When it came time to get the band rolling I knew they would be involved. All that was left was to find a keys player and fortunately I had Jason as a contact from my time studying music at Monash Uni. I had a bunch of material written and everyone was happy to jump on board and sink their teeth into it.

What’s been happening recently?
We’ve been gigging around Melbourne a lot! We sold out our first headline show and subsequently played with a variety of local and interstate acts. We’ve been enjoying making funny content for our instagram during rehearsal breaks. Learning the business side of things has been really engaging too. Making merch with Foxtrot Prints has been fun and the reception to the merch was overwhelming to say the least.

Your latest single ‘In Sheep’s Clothing’ is out on the 29th of July, what influenced the sound and songwriting?

Nine Inch Nails was a massive influence for this track. Heavy pounding synth bass defines the track at its core, but Radiohead, Mars Volta, Aphex Twin and many others are also huge influences on us.

How did you go about writing In Sheep’s Clothing?

I wrote the original riff whilst brainstorming ideas for another band in my own time. But I decided it was too good to share and I was holding on to that one for man vs synth! Sometimes a song can take months or a year to write but In Sheep’s Clothing came together relatively quickly. All the parts seemed to fall into place one after the other.

Where and when did you record/produce/master and who did you work with?

I wrote, performed, recorded, produced, and mixed everything (except the drums were performed by Hamish). Beau McKee mastered the track for me and he performed some dark magic to make it sound as good as it does – believe me. The recordings happened all over Melbourne. From studios I was running to my bedroom to theatre spaces we hired to record the drums this production was very much all over the place.

What does this track mean to you?

This track is about realising you’re not always the good guy in someone’s story. The things about yourself that you hide from others can make you feel like you’re a wolf in sheep’s clothing at times. This song is part of the narrative structure of the album I’m writing which talks about the different hellish places people enter in their everyday lives.

You’re playing the Tote on the 29th to launch In Sheep’s Clothing, what do you have in store for this show?

We’ve got a bunch of new, unheard tracks that we’re premiering for the first time at The Tote which we can’t wait for everyone to hear! We might have a surprise cover nested within one of our tracks too. Be there to check it out!

Who are you listening to at the moment?
I’ve been listening to a lot of Middle Eastern music. From Lina Deeb, to Elias Rahbani and everything in between. On the western side of things Flying Lotus, Tame Impala, Aphex Twin, Justin Timberlake and so many more have racked up a lot of plays on my spotify.

What’s planned for the remainder of 2022 going into 2023?
We’re keen to get a few more singles out by the end of the year and then release the whole album by late this year or early next year. We’d love to tour the east coast!

Favourite food and place to hangout?
Shish Tawouk at A1 Bakery. All day, everyday.
Instagram: @manvssynth
Twitter: @manvssynth
Spotify: manvssynth
Apple Music: manvssynth
0 comments
0 FacebookTwitterPinterestEmail
Music News

CHERIE LAURENT – MELBOURNE BASED ROCK ARTIST RELEASES HER HEARTFELT NEW SINGLE + MUSIC VIDEO ‘DADDY’

by the partae
written by the partae
Melbourne based singer/songwriter CHERIE LAURENT has released her heartfelt new single and music video call ‘Daddy’, which was recently premiered via AAA Backstage.

‘Daddy’ is a tear-jerking song that represents the sounds of a soul’s regret. In this song, Cherie reaches out to the spirit of her deceased father, opening her heart, soul, and emotions of her lifelong struggle for the approval of a father now gone. Tormented by the struggle to keep moving forward in life and feeling she was a disappointment to a father she so dearly loved. She explains to him that she loved him and felt she had no choice but to run away. She finds herself apologizing for not being able to be the daughter that he always wanted.


“This song will shake your heart and make you feel paralysed with a level of tenderness, sadness and the pain that comes with the loss of someone you love.”
 
Cherie Laurent kicked off 2022 with the release of her powerful single called ‘Down On Me’, which is an anthem for equality. The single was aired on well over 80 radio stations worldwide and received positive reviews from Scenestr, HEAVY Mag, AMNplify, Scenezine, IAMUR and many more.

She recently followed up with the release of her raunchy single and music video ‘LOVER’. The release was covered via Hysteria Mag, Subculture Entertainment, Scenestr, and Australian Music Scene, whilst gaining airplay all over the globe.

New single ‘Daddy’ is available on all major online stores and streaming services.

– Click To Stream –
– Socials –
 
0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

PHIL JAMIESON SHARES NEW SINGLE LIGHTS ON + NEW ALBUM SOMEBODY ELSE OUT FRIDAY JULY 29 + ADDS EXTRA SHOWS TO JULY/AUGUST TOUR

by the partae
written by the partae

LIGHTS ON + NEW ALBUM SOMEBODY ELSE

PIC: IAN LAIDLAW

 

Having toured relentlessly for a decade with no new music in sight, 2022 is shining a spotlight on one of Australia’s most esteemed frontmen, with the legendary Grinspoon vocalist and guitarist Phil Jamieson today sharing his new single Lights On and accompanying music video directed by Arlo Cook (Bob Evans, Gretta Zilla). The third single off his impending first-ever solo full-length album Somebody Else, due out on Friday July 29 via Cheersquad Records & Tapes, Lights On is an affable aural gem that’ll certainly shake the crowds into a shimmering frenzy when Phil and his band hit the road this July and August.

With a horde of 2022 appearances onstage at various Aussie festivals helming Grinspoon, including Spring Loaded, Wallapalooza and, imminently, Splendour In The Grass, Phil’s upcoming solo album celebratory launch tour will see Phil, along with band mates Davey Lane on guitar, Sam Raines on drums and Rob Muiños on bass, kicking off at Gaol After Dark in New South Wales on July 2, followed by Eltham Hotel NSW, before traipsing to the Gold Coast, Sunshine Coast, Brisbane, Melbourne, Canberra, Sydney, Central Coast, Adelaide, Albury and closing out at The Big Bonanza in Coffs Harbour on November 4.

Tickets for all album launch shows are available now from https://linktr.ee/philjamieson.

Boasting more hooks than a tackle box, Lights On launches with a crunchy spring in its step, with deep grooves, airy guitars and Phil’s creamy vocals ever-present throughout the tune. With Jackson McRae stepping in to bust out the driving beats on Lights On, Phil and co-producer Oscar Dawson, aka guitarist for Aussie indie rockers Holy Holy, deliver a dreamy and jangly delight that went through multiple variations before its final end result; and the single also may or may not be inspired by bank heists and memories, as Phil elaborates, “It’s been a journey for Lights On, going through many iterations and arrangements and what not. It’s a fun song to move shoulders and hips to – and its release also means I’m closer to releasing the album! The track might be about a bank heist? At its core, it’s about always keeping your heart in place for the person that you love. But it’s also about memories that might have betrayed you in some ways, and maybe about stealing money and maybe about hiding it. Maybe it’s about a bank heist, Oceans 13, Oceans 8. And it also could be about saying: no matter what, I’m gonna kind of hang in there, I’m gonna be there. So sentimental!”

The themes behind Phil’s forthcoming album Somebody Else span time, space and the human experience, traversing everything from time travel to trouble, loneliness, desire, escapism and love. Starting to grow sonic legs a decade ago, Phil initially presented what would eventually become Somebody Else to his team in 2019. Phil explains, “Initially I presented something to my management the weekend before Bob Hawke died, I was working on a few projects and presented the album, to Wonderlick; and they said it was close but to keep working. So I went away with Oscar, Davey, Jordan, Ben and we polished it up, this was all pre-pandemic, back in 2019”. 

A face and voice that would help shape and define the new wave of Australian alternative music back in the mid 90s, Phil’s tenure for over a quarter of a century fronting Lismore’s favourite sons Grinspoon, Phil’s distinctive lyrics and vocal stylings piloted the group’s instantaneous meteoric rise, with Grinspoon becoming the first act ‘Unearthed’ by triple j courtesy of their debut track Sickfest. Going on to command over one thousand live shows, 13 ARIA nominations, six consecutive Top 10 chart debuts and multi-platinum album sales, Grinspoon also continued to be triple j darlings over the years, with a whopping 17 tracks polling in multiple Hottest 100 countdowns, including the iconic anthem Chemical Heart which took out the #2 spot in 2002 as well as #63 in 2013’s Hottest 100 of All Time edition. An accomplished singer, songwriter and guitarist, Phil’s live prowess hasn’t been strictly limited to a band setting, debuting his theatre chops in the 2017 Australian stage production of the Broadway musical American Idiot. Phil’s starring role in the Green Day-penned musical was extremely well received, as has been his more recent solo ventures, including the recently released singles Trouble and the title track from his impending debut solo album Somebody Else. 

From his staggering impact on the Australian musical landscape to his continued work as a solo artist, performer and philanthropist extraordinare, merely labelling Phil a jack-of-all-trades would be entirely a disservice to this accomplished creative, who also shares an affinity for watching Judge Judy, coffee and “playing tennis badly”. But undeniably with Somebody Else, Phil yet again cements his rockstar status, with something for everybody on his maiden solo full-length album, and the album’s live tour celebrations will also feature everything you’d hope for, as Phil concludes, “Keep your expectations low and I will supercede them! I never go to concerts expecting much, I always find that if I go in with low expectations, I come away feeling relatively positive. I know it sounds a bit facetious to say, but you can guarantee that I will be there and also accompanied by a band, which is very exciting to really flesh out these songs. And of course, there will be Grinners songs played too, it would be rude not to. I might even throw in a Powderfinger, Jebediah or Spiderbait song too, just to even out my alt 90s cover set?!”

Lights On is out today. 

Somebody Else will release on Friday July 29 via Cheersquad Records & Tapes, available to presave here.

STREAM: LIGHTS ON

VIEW: LIGHTS ON

PHIL JAMIESON & BAND – SOMEBODY ELSE ALBUM LAUNCH TOUR DATES:

with special guests The Pictures
Tickets from https://linktr.ee/philjamieson

SAT 2 JUL | GAOL AFTER DARK @ SOUTH WEST ROCKS, NSW
Tickets available from: https://artsmidnorthcoast.com/events/gaol-after-dark-opening-night/ 
WED 27 JUL | ELTHAM  HOTEL, ELTHAM, NSW | 18+
Tickets available from: https://moshtix.com.au/v2/event/phil-jamieson-and-band-w-special-guests-the-pictures/138336

THURS 28 JUL | VINNIES DIVE, GOLD COAST QLD | 18+
Tickets available from https://tickets.oztix.com.au/outlet/event/22e449a8-cb91-47b3-88d4-04214fd0e729

FRI 29 JUL | SOLBAR, SUNSHINE COAST QLD | 18+
Tickets available from https://tickets.solbar.com.au/outlet/event/4c5f3d6a-263a-44c2-9c7d-07d008ec0e69

SAT 30 JULY | THE ZOO, BRISBANE QLD | 18+
Tickets available from https://tickets.oztix.com.au/outlet/event/26f68699-f674-4479-b19f-47d4c6d0982d
THUR 4 AUG | JOHN CURTIN HOTEL, MELBOURNE VIC | 18+
Tickets available from https://tickets.oztix.com.au/outlet/event/81eb0c08-3f44-49d4-9ca7-982db9d8da3c
FRI 5 AUG | UC HUB, CANBERRA ACT | 18+
Tickets available from https://moshtix.com.au/v2/event/phil-jamieson/141252
SAT 6 AUG | OXFORD ART FACTORY, SYDNEY NSW | 18+
Tickets available from https://moshtix.com.au/v2/event/phil-jamieson-and-band/138066?skin=OAF
SUN 7 AUG | SHADY PALMS, CENTRAL COAST NSW | 18+
Tickets available from https://tickets.oztix.com.au/outlet/event/b2065c9f-83c0-424e-8059-4f5b137921e9
FRI 12 AUG | LIONS ART FACTORY, ADELAIDE SA | 18+
Tickets available from https://moshtix.com.au/v2/event/phil-jamieson-band/138072?skin=LAF20

SAT 20 AUG | SS&A, ALBURY NSW

Tickets available from https://www.eventopia.co/event/Phil-Jamieson-On-Tour/488674

https://www.eventopia.co/event/Phil-Jamieson-On-Tour/488674

FRI 4 NOV | THE BIG BONANZA, COFFS HARBOUR, NSW
Tickets available from https://bit.ly/TBBearlybird

 

 

0 comments
0 FacebookTwitterPinterestEmail
Music News

RAGEFLOWER unveils emotionally charged art-rock single ‘YEARS’

by the partae
written by the partae

Photo credit: Megan Donnelly

 

Sydney based singer-songwriter and multi-instrumentalist RAGEFLOWER (aka Madeleine Powers) returns with a new sound, and bold new look after the successful debut of ‘Still Calling’ which scored airplay on triple j unearthed, FBi, 4ZZZ and a swag of community radio stations across Australia. 

Delivered with confidence, ‘Years’ is a self-reflective track that chronicles the process one goes through emotionally after a nasty break up. Vocally RAGEFLOWER soars with vulnerability and authenticity much like her contemporaries Phoebe Bridgers and Avril Lavigne.       

“The song was written after a really bad breakup, it initially started as a major diss track but as I was writing the second verse I was like “hmm… this is also me”.  It really transformed the song into a reflection on how often both parties contribute to the destruction of a relationship. It’s about taking ownership of your part in toxicity and true, honest accountability. “

RAGEFLOWER

Like her previous single ‘Still Calling’, RAGEFLOWER enlisted one of Australia’s most revered mastering engineers Steve Smart (Ocean Alley, Dean Lewis, Vance Joy) to work on ‘Years’ with mixing by Nicolas Mendoza (Lime Cordiale, Loretta). ‘Years’ was recorded at Studios 301, Casa Studios and Sunset Magnolia Studios. To create this gentle art-rock track, she 

listened to lush and acoustic folk songs, then pivoted by experimenting with darker and moody soundscapes.

“This song started as a folk song, I was listening to a lot of Joni Mitchell at the time. I wrote the song in open D tuning on the guitar and it originally had this massive jangly folk riff in the intro. When Nico (Producer, Nicodemo Scali) and I started building the production we both decided it needed to go in a different direction, the opposite direction perhaps – and so we started listening to Massive Attack, Bjork and Smashing Pumpkins in the studio to find some sounds that resonated with what we were both feeling. 

It was a very intuitive and exciting song to produce, we really loved experimenting with the industrial drum samples and synths with this one. I think this song is a big turning point for the sound of RAGEFLOWER, I want to flow into a more experimental art-rock space from the last single moving forward.” 

RAGEFLOWER

With the release of ‘Years’, RAGEFLOWER is again proving she’s one of Australia’s most enthralling and brightest new artists. 

PRAISE FOR RAGEFLOWER

“​​I had to hear this! It’s got a nice mix between soft emotion and seething angst.” 

Dave Ruby Howe, triple j Unearthed

“I too was intrigued by the broad range of influences you listed, but it makes complete sense as soon as you hit play. Moments of folk-y tenderness in the chorus interspersed with 90s-ish pop punk touches.”

Abby Butler, triple j Unearthed

“The confessional verses and soaring choruses are brought to another level in the accompanying video that further highlights themes of disconnection and destructive coping mechanisms.”

AAA BACKSTAGE

“If you’re a fan of Phoebe Bridgers’s introspective songwriting and Avril Lavigne’s euphoric, guitar-driven pop-punk anthems then you’ll enjoy Still Calling.” 

COOL ACCIDENTS

“The song is a indie-pop-rock delight which switches between quieter, reflective verses and a full-blooded, powerful chorus.” 

WOMEN IN POP

‘Years’ is released on Tuesday, July 12

Facebook  | Instagram | Youtube | Triple j Unearthed

0 comments
0 FacebookTwitterPinterestEmail
Music News

Acclaimed producers & artists SHEPH.ART & BARRY SALEH combine for lush hip-hop track ‘ACTION’

by the partae
written by the partae

Photo Credit – Jadedamico

SINGLE: STREAM HERE
VIDEO: WATCH HERE

Sheph.ART & Barry Saleh are no strangers to smooth melodies, crisp beats and immaculate vibes. The two producers have steadily made a name for themselves in Liverpool, Sydney producing a multitude of talented acts out of their studio, including A.Girl, Youngn Lipz, Pistol Pete, Billymaree, JKing & more. This work has been featured globally, landing coverage across Red Bull, triple j, AU Dollars Waevz AU to list a handful. Combining for ‘Action’, the two talented young hit-makers are bringing to audiences their debut offering as artists in their own right. Working out of the very same studio, the producers channel influences from J.Cole, Kanye, Brent Faiyaz & The Weeknd into a track that allows them to showcase their versatility and talent as producers, songwriters & now performers as well.

“Let ‘em see my actions speak, Imma let ‘em see my actions speak” sings Sheph.ART. ‘Actions’ takes adversity and let down, channeling it into a smooth & defiant track of self-actualisation. Not allowing naysayers to define them, Barry Saleh & Sheph.ART are articulate and poignant in their resistance to those who try to take advantage of them. The two powerhouses control their venom into a sultry and polished track that clears their minds and positions the pair as the cool & calm beat-slingers of Australian hip-hop; fresh to the stage, but ready to rise rapidly.

“Action’ is a reference to the people who have doubted my musical, creative and business abilities, always being nowhere to be found when crunch time was imminent and now would like a seat at the table to bear the fruits of my labor. I specifically made the production as gritty as possible without losing its melodic essence in order to take the listener through an emotional rollercoaster to feel the hunger that I felt going through the motions of being able to get to where I am today and looking to go forward from here.” Sheph.ART

“Although the beat and the main vocals can sound upfront and in your face, the listener has the option to listen a little more in depth and find that there is a flow of movement in the record. The inspiration of the lyrics came from being turned down by someone who showcased believing in my vision and abilities. This made me realize that there are so many artists just like myself who go through the pain of rejection and I would like to be the voice on their behalf to showcase that their hustle for their growth does not go unnoticed.”  Sheph.ART

Single Art – Jadedamico

Incorporating physical symbols, representing the themes of their individual verses, Sheph.ART & Barry Saleh both wanted to be direct and forthright in the visual accompaniment for ‘Action’. Shot in a sparse backyard, similar to those seen across Western Sydney, the two rappers are able to revel in the growth they’ve needed to show, to land them in the position they are today. ‘Action’ closes with the two gazing into the inferno, reflecting on their past & planning for their future – driven to succeed.

“As a debut, we wanted the music video to represent our themes of the record in a way that was able to be relatable to our audience. In Australia, we are surrounded by bushland, campfires and BBQ and we wanted to incorporate this theme in the video.” Sheph.ART

The video starts off with Barry Saleh walking into an open bushland with a trophy in his hand, leaving the audience confused and wanting to learn what happens next. This trophy is ultimately thrown into a campfire that sparks the light in us both to keep moving forward without feeling the need to please and accommodate society. The symbolic nature of the friends shown in the video reference how people can be present in one’s life and don’t necessarily need to have a negative impact on the outcome of your dreams. Sheph.ART

With a string of production & song-writing credits under their belts, as well as a community that already recognises their name, Sheph.ART & Barry Saleh are poised to now nudge their faces & voices to the front of Australian hip-hop culture. ‘Action’ sets the tone for a slew of upcoming releases that are masterfully executed in flow, melody & production. The two powerhouses are not a flash in the pan, with an energy and purpose driving their future collaborations.

PRAISE FOR SHEPH.ART & BARRY SALEH

“It’s also not surprising that Sheph is on the up. As well as having the talent it takes, he’s working in a boom time for Australian producers”
Red Bull Music

“Past credits include production for the likes of A.Girl, Youngn Lipz, and Pistol Pete, and more than ten million streams for their combined outputs. ‘Action’ continues Sheph.ART and Barry Saleh’s preference for pairing smooth melodies with crisp beats, allowing the intricacies of the track to unfold throughout its two-and-a-half minute runtime.”
Music Feeds

“Working out of the same studio, the Western Sydney artists know the formula it takes to make a hit song. Inspired by the likes of Kanye West and The Weeknd, ‘Action’ showcases their distinct melodies, polished production and powerful lyricism of self-actualisation.”
AU Dollars

“Coulda sworn that lead vocal came from Abel! Lush package and the energy us way up”
Dave Ruby Howe, triple j Unearthed
Facebook
Twitter
Website
Instagram
0 comments
0 FacebookTwitterPinterestEmail
Music News

Archangel Records, Australia’s newest independent record label dedicated to female talent launches today

by the partae
written by the partae

The newest sub-label of the Golden Robot Global Entertainment Group
aims to support independent women and their music.

Archangel’s roster includes Texan alt-rock outfit Tough On Fridays, Meanjin’s Ella Fence and Indonesian boundary-pushers SCALLER
Archangel Records Co-Founders Jasmine Robins and Kay McRae.

At a time when the global music scene needs more than ever a place in which creativity and inclusivity for the game-changing artists around us is put into focus, it is this environment in which Archangel Records, the latest sub-label of Golden Robot Global Entertainment Group, comes into view, making its official launch today.

The brainchild of Australian music-lovers Jasmine Robins and Kay McRae – two young, female employees of Golden Robot Global Entertainment Group who aim to change the way that local music operates – Archangel Records makes its official debut with an already-stacked roster of impressive talent, and a mission statement that is as admirable as it is powerful.

Taking inspiration from the eponymous archangel – that is, an “angel of the highest stature”, and beings which are “fierce, powerful, and relentless” – Robins and McRae look toward these qualities as the prominent focus for their label, leaning into the fierce, powerful, and relentless artists around us who strive to change the world with their fearless art.

Since their respective origins as members of the Golden Robot team, both Robins and McRae have experienced first-hand what it’s like to be part of a label that helps to ensure that the focus is put squarely upon the artist, and exists to create an environment which encourages and fosters creativity.

Now, with their combined experience, the pair’s newest venture strives to provide elegant, modern, and proud representation for women on the already impressive Golden Robot Global Entertainment Group roster, all while serving as a metaphorical middle-finger for those who overlooked the duo or stood in their way.

Built around a shared desire to support independent women and their music, Archangel Records is set to serve as the change that is sorely needed within the Australian music scene.

At its core, Archangel Records exists to help elevate the female presence in a heavily male-dominated industry, and endeavours to erase the stereotypes that surround women in music. Armed with a roster full of contemporary and imaginative artists, the label strives to create a space with a wide and inclusive range of genres and people.

With its official launch into the local and international music scene taking place today Wednesday, 27 July, Archangel Records is welcomed into the world with an already-admirable roster of artists. These artists include the likes of Meeanjin/Brisbane based singer-songwriter Ella Fence, and Indonesian boundary-pushers SCALLER.

​​Ella Fence is set to announce the release of a new album through Archangel Records soon, while SCALLER will put their new single, ‘Music We All Have‘, up for pre-order on Thursday, 28 July, with new album Noises & Clarity set to arrive in late September.

Notably, the Archangel Records roster also includes Texan alt-rock outfit Tough On Fridays, who are set to release their forthcoming album, The Encore You Didn’t Ask For, through the label. Their first full-length release since the arrival of 2020’s A Fantastic Way To Kill Some Time, the upcoming record is set to release in November, with the first single ‘Growing Pains’ available for pre-order through the Archangel Records website which also launched today.

With a roster of fierce talent already up their sleeves, and a strong desire to continuously expand, Archangel Records is set to continue their shake-up of the musical landscape by ensuring the way that they sign artists aligns with their integrous vision.

Focusing strongly on female artists and female-led bands, Archangel Records aims to assert themselves as an approachable label which is open to hearing from new, upcoming, and established acts as opposed to actively ‘hunting’ new talent in accordance with the archaic industry methodology.
Jasmine Robins and Kay McRae photographed by Rin Evans.

Archangel Records Co-Founder, Kay McRae, states:

“Nothing feels better than being in your element. Listening to music, creating connections and new experiences… It’s amazing. As time has gone on I’ve noticed that something is lacking in this industry, and that’s women. I want to change that.”

Armed with a fresh and exciting approach to the music industry, Archangel Records are committed to ensuring that their roster is as diverse as it is powerful, with a strong focus on breaking down the barriers that stand in the way of any artist, and a dedication towards the same fiercely independent nature that underlines the Golden Robot Global Entertainment Group.

Archangel Records Co-Founder, Jasmine Robins, adds:

“The music industry is fast paced and fierce, but rewarding to work in. Seeing releases go out and watching them do well, knowing that you’ve had a hand working on them, is an incredible feeling. The connections you make with artists, managers and people in the music world are connections that will last a lifetime and another reason why I love this industry so much.”

Archangel Records joins the likes of Social Family Records, Riot Records, Crusader Records, Counter Clockwise Records, and others already within the Golden Robot Global Entertainment Group, and aims to continue their expansion with more groundbreaking talent in the coming months and years.

CEO & Founder of Golden Robot Global Entertainment Group, Mark Alexander-Erber, adds:

“I am over the moon to not only have two hard working and loyal staff members as part of our global team but they have shown an entrepreneurial attitude and flair at such a young age. I would be crazy not to back their initiative and leadership in the undertaking of this new label. They have my full support and the backing of the Golden Robot International machine in every way.”

Archangel Records makes its official launch on Wednesday 27 July as part of the Golden Robot Global Entertainment Group.

Tough On Fridays’ new album, The Encore You Didn’t Ask For, arrives in November via Archangel Records, with the first single ‘Growing Pains’ available for pre-orders now. Pre-save here.

Click here for more information about Archangel Records.
Facebook
Website
Instagram
0 comments
0 FacebookTwitterPinterestEmail
Music InterviewsMusic News

The Mess Around

by the partae
written by the partae

 Where are you currently based?

 

The band is currently located in the most isolated (and beautiful!) city in the world, Boorloo/Perth, Western Australia. 

 

How did The Mess Around form?

 

The Mess Around were formed in the depths of the pandemic by founding members, Alex Ford (Drums), Chris Dyson (Guitar) and Joel Bradbury (Vocals). The three founded the group based on their love of Surf Rock, Australian Indie and 1990s Grunge Rock. After some lineup changes Cian Moore (Bass) and Luca Bonini (Guitar) joined to round out the group in late 2021 providing not only chaotic youthful energy, but also rhythmic drive and harmonic thickness. 

 

What’s been happening recently?

 

Recently the boys have departed on their WA “Kings of the South” tour on the back of their latest single release “Still Broke” hitting towns such as Mandurah, Margaret River and Esperance just to name a few. Being their first time playing shows outside the Perth Metro area, they are stoked to be bringing their unique brand of surf rock to WA music lovers across the state’s picturesque south west. On top of this the boys have been spending their time whilst at home in Perth to continue to record and write the music that fans have come to know and love. 

 

Your latest single ‘Still Broke’ is out now, what influenced the sound and song writing?

 

“Still Broke” tells the story of a wild time out and about on a long hot Aussie summer night. Influenced by the hectic nature of the Aussie summer and arvo BBQs that turn into sunset beach sessions, that then turn into nights out on the town and watching the sunrise from the roof of your mates 4×4. The group attempted to capture the instant nostalgia of a great time had around great people. Verses spill into choruses that then open out into a signature Mess Around bridge section before then diving back into a final outro to tie it all together. It is this dynamic flowing nature that allows the listener to feel lost inside a good time, just as you so often are when trying to wrangle the larrikins we call friends on a night out. 

 

How did you go about writing Still Broke?

 

As with a lot of the band’s music “Still Broke” started from riff powerhouse, guitarist Chris Dyson. Often he’ll come into rehearsal sessions with a smattering of riffs that the boys can choose to jam on, and the boppy chord progression that sits under the song’s melodic lines was what happened to be on offer. From there singer Joel found his way through the song’s catchy melody lines (paired with crass demo lyrics about farts and balls) whilst drummer Alex and bassist Cian locked into a groove tighter than an atomic bond. All that was left was for Luca to lay down his signature lead lines and backing vocals and the song began to really rock. The group chose to have the lyrics performed in a “call and response” style in the chorus to signify the mateship that the song attempts to portray, whilst verses remain sparse although dripping with reverb allowing the listener to soak in the lush harmonics of the tune. 

 

Where and when did you record, produce and master?

 

As with a lot of The Mess Around’s music, what you’ll find recorded on Spotify will stay faithful to what is played live, so in terms of production the band aims to be able to perfect the structure and arrangement of songs in their rehearsals to deliver audiences thoughtfully crafted music – that can then be listened to on repeat wherever they stream their music. 

 

As for recording, our incredibly talented drummer Alex handled the engineering and tracking as each member played their part and was able to beautifully capture the sonic landscape of the song and its beachy intentions. 

 

Once happy with the tracking we then sent it through to good friend of the band, and sound wizard, Jay Huxtable over at Oracle Sound. he mixed and mastered the hell out of it, providing the finishing touches that gave this song its raw surf rock goodness.
Who are you listening to at the moment?

 

Some local bands we are enjoying include Surf Shop Cops, Reef Eater, Moth Street Artists, Drowse, Solar Juice, All Day Breakfast Club and Sunny Flowers. 

 

Some national/international acts we love are Spacey Jane, Tyler the Creator, Jane’s Addiction, John Mayer, Powder Finger, R.E.M, King Gizzard and the Lizzard Wizard and Ocean Alley. 

 

What do you like to do away from music?

 

The band have a very diverse set of interests outside of music. Joel and Luca are avid sports fans and are often found playing tennis, basketball or kicking the footy. Alex, Chris and Cian prefer the comfort of home and enjoy playing classic video games and building computers. Of course all the boys enjoy hitting up local venues and watching the best live music WA has to offer!

 

What’s planned for the remainder of 2022 going into 2023?

 

2022 began for the band as a period of writing some of the great tunes such as “Still Broke” and “Balance” that have since been released out into the world for all to enjoy. Since then the boys began a period of heavy gigging which ramps up with their “Kings of the South Tour” from August to October of 2022. After that you can expect to see them writing and recording down at Oracle Studios once again working hard at what they love to do. 2023 will hold much more time spent in the studio for the group and who knows, maybe even a trip across the desert to visit their neighbors to the East ;).  

 

Favourite food and place to hangout?

 

As a group the boys will always go out for Burgers and Mexican, and then head to the closest dive bar to soak in the sights and sounds that the local scene has to offer.

@themessaroundofficial
0 comments
0 FacebookTwitterPinterestEmail
Music News

TIED DOWN release energetic punk-rock infused single ‘UNDEFEATED’

by the partae
written by the partae

Photo by: Portia Gebauer

PLAY/LISTEN

Perth indie punk-rockers Tied Down return with a punchy and soaring new single ‘Undefeated’. Featuring explosive drumming, powerful vocals and high tempo punk-riffs, the result is a masterful combination of all that Tied Down has become known for. 

Building from the consistent sound delivered with previous releases, ‘Undefeated’ marks a powerful back up to their last single ‘Slow’ which similarly showcased their skillset and roots in the punk/rock genre. With this current release, Tied Down has proven themselves as being able to produce a nuanced and tastefully curated exploration of passionate, yet refined, high-energy music.

“Undefeated is a track armed to the teeth with fast paced riffs, explosive drumming, a driving bassline and a powerful vocal arrangement which we’ve become known for. Fighting against the challenges of daily life and an unwillingness to give up despite what’s thrown at you is what this track is all about. We want this track to uplift and empower anyone dealing with issues they feel are out of their control and have a feeling it will do exactly that!” Tied Down.

Crackling with energy, ‘Undefeated’ Is a cathartic exploration of resilience. The delicate balance between vulnerability and boldness will have you reminiscing on the tenderness of existence. A punchy 90s pop-punk instrumentation underpins this fiery single while delicately woven strands of instrumentation 

In a similar vein to contemporaries The Dead Love, Slowly Slowly, Dear Seattle, and Waxflower. Tied Down prove themselves as being able to deliver exceptional music with refined production. Recorded live at Hopping Mouse Studios the track was then recorded and produced by Matt Templeman (Sly Withers, Voyager) and mastered by Simon Struthers (Psychedelic Porn Crumpets, Karnivool, Something For Kate)  at Forensic Audio Mastering. 

Speaking of the process of making the music, Tied Down share unique insight into the collaborative efforts. “Undefeated started with a riff written by Kado (Rhythm Guitar) which saw Deano spring into action pretty easily on the drums. Once we marked out the progression and arrangement of the track, the rest of us latched on nicely. We already had the concept of writing a more up-tempo, uplifting track heading into this one so once Dolsy (Bass) and Steve (Lead Guitar) got their hands on it, it really started to take shape. I think CJ (Vocals) sat on it for a couple of days and sent all the lyrics through in the chat which hit home for all of us. All in all, we’re super proud of how Undefeated came about and the message it conveys.” Tied Down.

Tied Down are no stranger to the stage. Having supported Hands Like Houses on the WA leg of their national tour, they have further supported local legends South Summit and DICE to sold out crowds at Mojos and Milk Bar respectively. 

The release of ‘Undefeated’ will be accompanied by a launch show in the main room of The Rosemount Hotel on July 16th. Supported by Angie Colman and Reins, Tied Down say of the launch “The Rosie has become a bit of a home for us over the years and we’ve got a really special setlist lined up to mark the occasion” Tied Down.

PRAISE FOR TIED DOWN

“The explosive and energetic Tied Down have melded a quixotic blend of punk, rap and indie-rock into their own unique sound”

The AU Review

“Bruised, delicate alternative rock that smoulders throughout with instrumentation that showcase a band who know how to harness their skills”

Scenestr

“explosive and energetic sound infusing punk, rock, rap and indie roots.”

WAM FEST

“Australia has long been a fertile breeding ground for great rock acts. [Tied Down] might be the latest group worthy of that title.”

SOUNDS OF OZ

UNDEFEATED is out now.

triple j Unearthed | Facebook | Instagram | YouTube 

0 comments
0 FacebookTwitterPinterestEmail
Festival NewsMusic News

THE MESS AROUND | PERTH BASED INDIE ROCKERS RELEASE NEW SINGLE ‘STILL BROKE’ + ANNOUNCE TOUR DATES

by the partae
written by the partae

Perth based Indie Punk outfit The Mess Around have just released their new single ‘Still Broke’, which was premiered via HEAVY Mag.

The band have also announced a huge run of WA tour dates to celebrate the release that kicks off on July 29 at Lucy’s Love Shack, Perth. The run of dates includes a performance at Blossom Festival, where the boys will showcase their outstanding live show on the big stage.

The Mess Around are a collection of 5 larrikins that create a fresh and diverse brand of music. A highly talented melting pot of musical backgrounds, their songs though often irreverent, are inconspicuous in their messages of love, self-improvement and finding a balanced lifestyle.

Their shenanigans recently saw them featured on Channel 9 News as they went through local bottle shops in a bobsled.

The band draws influence from the likes of Dune Rats, Skegss, Hockey Dad, Bugs, The Chats, The Grogans, The Terry’s and Sly Withers.

Conceived during the pandemic, The Mess Around released their debut single ‘On My Mind’ in 2021. They then followed up with the release of single ‘Pasito’ later that year. The band released their latest single ‘Balance’ earlier this year, which was added to the All New Rock playlist on Spotify. They have since stepped back into the studio to record a plethora of outstanding new music.

New single ‘Still Broke’ is available on all major online stores and streaming services.

THE MESS AROUND
TOUR DATES
July 29th – Lucy’s Love Shack, Perth, WA
Tickets available at www.oztix.com.au | 18+ only
August 13th – Pier Hotel, Esperance, WA
Tickets available at door | 18+ only
August 19th – Top Floor Nightclub, Mandurah, WA
Tickets available at www.oztix.com.au  | 18+ only
August 26th – The River Pub, Margaret River, WA
Tickets available at www.oztix.com.au  | 18+ only
September 9th– The Prince Of Wales, Bunbury, WA
Tickets available at door | 18+ only
September 23rd – 26th– Blossom Festival, Perth, WA
Tickets available at www.blossomfestival.com.au | 18+ only
October 1st– Amplifier Bar, Perth, WA
Tickets available at door | 18+ only
October 15th– Six Degrees, Albany, WA
Tickets available at door | 18+ only
0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts