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Category:

Music Interviews

“A poignant one from Ben that gives itself to you” Declan Byrne, triple j Home n’ Hosed Today, Melbourne songwriter and producer Ben Alpine returns with his second single ‘Wendouree’. Arriving on the cusp of springtime, ‘Wendouree’ sees the artist lean into sun-drenched alt-pop, brimming with jangly guitars, effervescent synth bursts and organic electronica samples. Immediately setting the tone with its kaleidoscopic sonic palette, ‘Wendouree’ is an exploration in capturing the momentary joy of the present. With its sound tinged in blissful psychedelia, the undulating nature of the track flows effortlessly between placid verses, cascading instrumental layers and infectious harmonies. Allowing the track to build and unfurl with rippling vibrancy, the track shifts gears towards a sparkling finale before receding into an ambient outro submersed in airy tones and soft textures. Speaking of the track, Ben shares: "The main idea is in the line ‘one moment never meant a thing’, referring to those relationships, experiences or situations in your life that, at one point, meant everything to you and you never wanted to lose them. But times have inevitably changed since then and you hold on to different experiences now, and perhaps you will go through that cycle with the stage of your life you're currently in. I think that can be both sobering and comforting in a way, that nothing in your life is ever going to be the way it is right now, and how our perception of our own memories shifts and changes." Following his well-received debut single ‘All In Your Stride’, ‘Wendouree’ is the next exciting chapter in Ben Alpine’s discography. While sharing the sunshine-laced DNA of its predecessor, the single sees Ben broaden his eclectic range, drawing from an array of inspirations from The Japanese House to Hippo Campus. While synthesising these influences, Ben’s experience in former indie electronica act Echo Mono and numerous SoundCloud production aliases sees him maintain an inward focus in his songwriting approach. With a creative output so far showcasing his colourful alt-pop sensibility through an introspective lens, Ben continues to affirm himself as one to watch closely in 2020. https://www.facebook.com/benalpine.au https://www.instagram.com/benalpine/
Music InterviewsMusic News

Ben Alpine

by the partae September 12, 2020
written by the partae
Where are you currently based?

Melbourne!


How did you first start playing music?

I think it was on my 7th birthday that I got a guitar, but I didn’t really latch onto it until I was around 13 and started playing in bands for this holiday program that my mum enrolled me in. I did that program for quite a few years as just an after-school thing and it eventually led to a band called Echo Mono which became more serious and was quite formative for me. Though a few years before joining that band I became interested in electronic music production and downloaded the trial of FL Studio. The trial wouldn’t let you open project files that you saved, so my workaround was to not turn off my computer until I finished the song I was working on. I did that for about 6 months and finished a lot of my first music.


What’s been happening recently and how has your Covid experience been so far?

I’ve just been trying to take it easy really, as my iso experience has luckily been pretty smooth. It’s forced me to slow down quite a lot, which has been good because I think I was about to completely burn myself out trying to prepare a live show if this didn’t happen. Right now I feel pretty eager to knuckle down and pump out some new material as i’ve been thinking about where I want to take this project.


Your new single ‘Wendouree’ is out now, what influenced the sound and songwriting?

You know I’m still not really sure! The main rhythm guitar part is really old, from an Echo Mono song that was never finished. I think at that time I was just getting into the band Hippo Campus and their song ‘Violet’, the riff sounds sort of similar to that I think. Apart from that though the song is completely different to the old version, and I don’t really know what influenced it. I just knew that I wanted to write somewhat atmospheric, alt-pop music that had a sentimental undertone. That’s where Wendouree and All In Your Stride came from.


How did you go about writing Wendouree?

It started from that old Echo Mono song as mentioned, but I literally just took that riff out and wrote a new song around it. I wrote the demo on Ableton wherever I was, I remember writing on the V/Line train a lot, and never really finishing the lyrics, and then rewriting them right before recording them for the final production.


Where and when did you record and who with?

After I had written the demo and a bunch of others, I brought them all to my friend and ex-bandmate Marc Scollo in around April of 2019. We mapped out what we were working on and brought in a few other friends to track all the instruments. So the entire project was recorded in Melbourne just at Marc’s parents’ house. It was never a requirement but it was pretty important to me that no-one involved in the project was much of a professional. We were all students with part-time jobs living with our parents.


What programs/instruments did you use?

I produced the demo out of Ableton, and a few of the elements from the demo made the final production. We then recorded all the live instrumentation, and then I polished all the synths (which are all sequenced) before dropping them into Marc’s Pro Tools session. I had a crack at trying to record all the synths on analog equipment at MESS (Melbourne Electronic Sound Studio) but I pretty quickly realised it wasn’t working trying to fit the analog gear into these already polished songs, especially considering I wasn’t very familiar with that equipment. Producing in the box was what I was familiar with so I opted for that, but hardware really interests me, so hopefully for another day.


How did you approach the recording process and what did you find most challenging and rewarding?

I’d say our approach was quite straight-forward; finish the demo/composition, re-record the instruments/vocals, produce the synths, then mix the whole lot. For this song especially though it was quite back-and-forth as we kept adding to and changing things that we had already done in an attempt to ‘get it to work’. The most challenging and most rewarding thing would’ve been the arrangement. Marc and I were never really convinced that we were going to be able to pull off the track, but I conveniently provided no other options so we just had to commit to it. I’m really happy with it now though and it seems that the song’s twists and turns are what excites people.


Who are you listening to at the moment?

Not a huge amount! My listening has been quite scattered recently, and mostly ambient music.


What do you like to do away from music?

I really like snow skiing, but haven’t been able to do that this year. Recently I’ve been getting into video games again which I feel like I haven’t done properly since I was a kid. I feel pretty eager to finish some more music though so literally just uninstalled some though…


What’s planned for the remainder of 2020 going into 2021?

I won’t say too much but there’s another single coming very soon! And I’m very excited about the music I’m working on now and will hopefully release in 2021.


Favourite food and place to hangout?

Fried chicken burgers are great. And there’s this cool spot up on Mount Dandenong (in Melbourne) that’s great to take people and see the whole city, it’s one of those cliche things where you see how small your life is.

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September 12, 2020 0 comments
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Where are you currently based? I’m currently based out of Nürnberg where I live with my wife and son. How did you first start playing music? I started singing when I was very young, as young as I can remember. Guitar I started learning around 2011. I never really wanted to play guitar, I just needed something to be able to sing to, so naturally guitar seemed like the best thing. What's been happening recently? Nothing out of the usual, producing music, spending time with family and enjoying life :) What's been happening recently and how has your Covid experience been so far? So far Covid hasn’t really impacted my life too much financially, thanks to the help from the government for small businesses. Although I would have made a lot more money if nothing had been canceled or postponed, I’m just glad I’m able to continue paying the bills. Your new single 'Coming Home' will be out on Sept 11, what influenced the sound and songwriting, especially the lyrics? I’ve been using acoustic guitar and atmospheric electric guitar for some time now, so I’m generally always incorporating these elements in my music. Songwriting has never been much of a problem as long as I have a good idea or mood to start with, wich by “coming home” was the cozy home feeling. How did you go about writing Coming Home? Writing about home or life at home was a nice change, because it was so easy to convey in words what being at home feels like. Usually I would have to do a little brainstorming or word finding, but with this song it came naturally. Where and when did you record/produce and who with? I recorded the song on my own in my home studio a few months ago. What programs/instruments did you use? I work with FL Studio and Waves plugins. Acoustic guitar and electric guitar are a must. What did you find most challenging and rewarding during the creation and recording of Coming Home? I honestly can’t think of anything challenging about producing or creating any song in general. If something is challenging during the creation or recording of a song, then your doing it wrong :) What do you like to do away from music? I have lots of hobbies things I enjoy doing, like spending quality time with family, going on a run, or just sitting around and being at peace. Who are you listening to at the moment? Ravi Shankar and a Spotify Playlist called Hindusthani Instrumental. It’s amazing for coming down and relaxing. What's planned for the remainder of 2020 going into 2021? Lots of new music! Our current strategy is releasing singles, which is great, because focusing on one song at a time makes everything go smoother production and songwriting wise. Favourite food and place to hangout? German Pancakes with Ahorn syrup and my favorite place to hangout would have to be on the couch at home! https://www.facebook.com/mikelanemusic
Music InterviewsMusic News

Michael Lane

by the partae September 11, 2020
written by the partae
Where are you currently based?

I’m currently based out of Nürnberg where I live with my wife and son.

How did you first start playing music?

I started singing when I was very young, as young as I can remember. Guitar I started learning around 2011. I never really wanted to play guitar, I just needed something to be able to sing to, so naturally guitar seemed like the best thing.

What’s been happening recently?

Nothing out of the usual, producing music, spending time with family and enjoying life 🙂

What’s been happening recently and how has your Covid experience been so far?

So far Covid hasn’t really impacted my life too much financially, thanks to the help from the government for small businesses. Although I would have made a lot more money if nothing had been canceled or postponed, I’m just glad I’m able to continue paying the bills.

Your new single ‘Coming Home’ will be out on Sept 11, what influenced the sound and songwriting, especially the lyrics?

I’ve been using acoustic guitar and atmospheric electric guitar for some time now, so I’m generally always incorporating these elements in my music. Songwriting has never been much of a problem as long as I have a good idea or mood to start with, wich by “coming home” was the cozy home feeling.

How did you go about writing Coming Home?

Writing about home or life at home was a nice change, because it was so easy to convey in words what being at home feels like. Usually I would have to do a little brainstorming or word finding, but with this song it came naturally.

Where and when did you record/produce and who with?

I recorded the song on my own in my home studio a few months ago.

What programs/instruments did you use?

I work with FL Studio and Waves plugins. Acoustic guitar and electric guitar are a must.

What did you find most challenging and rewarding during the creation and recording of Coming Home?

I honestly can’t think of anything challenging about producing or creating any song in general. If something is challenging during the creation or recording of a song, then your doing it wrong 🙂

What do you like to do away from music?

I have lots of hobbies things I enjoy doing, like spending quality time with family, going on a run, or just sitting around and being at peace.

Who are you listening to at the moment?
Ravi Shankar and a Spotify Playlist called Hindusthani Instrumental. It’s amazing for coming down and relaxing.

What’s planned for the remainder of 2020 going into 2021?
Lots of new music! Our current strategy is releasing singles, which is great, because focusing on one song at a time makes everything go smoother production and songwriting wise.

Favourite food and place to hangout?

German Pancakes with Ahorn syrup and my favorite place to hangout would have to be on the couch at home!

https://www.facebook.com/mikelanemusic
September 11, 2020 0 comments
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Music InterviewsMusic News

Naked Giants

by the partae September 11, 2020
written by the partae
What is your name and role within the band?

Gianni, bass and vocals.

Where are you currently based?
Seattle, Washington.
 
What’s been happening recently and how has your Covid experience been?
It’s been quite strange – we’re in the midst of a bunch of huge transition moments in society right now, including the pandemic’s shift to virtual life as well as a political and social awakening and resistance in the US and beyond. And needless to say for anyone who experiences any level of anxiety, transition moments are super tough! But all in all, us and our families/friends are safe and we’re still able to make music so I’d say we have it pretty good. A recent development has been a big increase in the production quality for live-stream concerts – we’ve played a few virtual shows at venues now, where there are just four people running the whole thing and they’ve turned out amazing, with lights and fancy cameras and great audio and everything. So continuing down that road of creating better virtual material for people to enjoy will be the direction for the rest of this year and most of the next.
 
Your new album ‘The Shadow’ is out now, what influenced the sound and songwriting?
The Shadow was written over the course of a few years, so a whole lot went into it. Mostly it’s a catalogue of our growth as musicians and as individuals. Our extensive touring over the past few years gave us a new appreciation for pushing ourselves musically, and interacting with so many people who have found a bit of themselves in our music emphasized the responsibility we have to spread positivity and just speak the truth. Other musical inspirations just came from all the music we were able to listen to during the long drives across the country in the tour van. Some artists that have stood out as particularly influential for this album: Talking Heads, Neil Young, Stereloab, Sneaks, U2, The Fall, Devo, and of course, Green Day.
 
How did you go about writing the music?
It’s really all about chemistry. We each write a lot of songs on our own, and it’s not until we bring them to the rest of the band that the good stuff really shakes out. For example, we must have jammed on millions of riffs in our time as a band, but there’s just this magic alchemical feeling in the air that happened when we played the riffs for Take A Chance or The Shadow that made us keep coming back to them. It’s this kind of “follow your nose” feeling that guides most of the music, and from there we bounce the ideas off of each other as well as our manager Shea and our record label rep Kim, and keep going back and forth until something that feels genuine and exciting pops out.
From there, lyrics usually fall into place pretty naturally. The mood of the music often dictates what the words will say, rather than the other way around. For example, a song like Television has a kind of frantic electricity running through it, and I just channeled that energy until certain words and phrases popped out – “in-formation all the time… cyclic shadows… TELEVISION” and bang, there’s the basis for the song. It’s all about following that idea to its core – for that song in particular, I started ruminating on all the feelings of anxiety, overstimulation, quick cycles and strange contrasts that come from our interaction with technology. It’s a strangely personal/anti-personal thing, because even as we interact with social media and TV and whatnot on a very intimate level, we’re all interacting with the same ominous nebula and it’s categorizing us all and feeding us advertisements based on our interests…
 
Where and when did you record/produce and who with?
We recorded the album in November of 2019 in Portland, Oregon with Chris Funk and Adam Lee.
 
How did you approach the recording process?
This was a much more informed process than our first album SLUFF. This time around we had more of an idea of the things we can and can’t (or should and shouldn’t) control about the album – we came in with certain things in mind, like particular guitar and bass tones, really dialed in hooks and choruses, but we also left some space for things to change. The songs Turns Blue and The Ripper, for example, were hugely shaped by Chris and Adam’s input. They even pulled some Brian Eno-esque moves on us by taking away parts of Henry’s drum kit, having us sing with the lights off and sunglasses on, anything that would influence and uplift the mood of the particular song. This kind of collaboration is something that can only happen when all parties are open to seeing the best in each other’s work – it’s something that we didn’t have as much of a clue about for SLUFF, and it makes The Shadow really stick out for me.
 
What programs/instruments did you use?
It was a classic rock setup – we laid down all the basic guitar/bass/drum tracks live, then overdubbed vocals, keyboards and percussion later on. We were originally going to record the basics to tape (actually we were going to record over the tape Stephen Malkmus used on his last album!) but there ended up being some technical difficulties there, so it was ProTools for us.
For the gearheads:
I played a Guild B301 Bass through my Orange OB1 amp and a whole bunch of pedals.
Grant played a few Gibson SGs and plenty of other guitars through his Fender Hot Rod, some Benson amps and a bunch of pedals.
Henry played his classic Ludwig/WFL/Slingerland kit and a bunch of cymbals.
We also had the pleasure of playing with the awesome gear at the studio including: Chris’s modular synth setup, various drum machines and synths, Nashville-tuned acoustic guitar, a 1963 Jazzmaster in Olympic White, plenty of percussion, and yes a whole bunch of pedals.
 
Who are you listening to at the moment?
Lots of stuff! Recently I’ve been listening to Sneaks’ new album Happy Birthday which is just great. I’ve also been diving deeper into Deerhoof’s classic Milkman and some even more classic classics like Bach’s Well Tempered Clavier and all those Mozart piano sonatas.
 
What do you like to do away from music?
Music occupies about 90% of my mental space most of the time, but when I’m not actively playing it I like to go for bike rides, play board games, and put together a spiritual philosophy free from reckless idealism and grounded in common truth.
 
What’s planned for the remainder of 2020 going into 2021?
We’re putting together ideas for the next album right now. It’s the last album in the contract with our record label, so we’re thinking of it as the final piece in a trilogy between itself, SLUFF, and The Shadow. Hopefully it’ll come together soon and we can record it by the end of this year to release at some point next year!
 
Favourite food and place to hangout?
We each have cozy homes at the moment – so cooking up some fresh veggies and sitting with our loved ones is the best we could imagine.

https://www.facebook.com/NKDGNTS/
September 11, 2020 0 comments
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Where are you currently based? I’m currently based in Sydney. How did you first start playing music? Music started as I thought myself how to play drums in Ghana and eventually fell in love with everything else about it. How would you describe your sound/music? It's experimental, chilled and flowery. really instrumental because of my love for baselines and pretty chords but also introspective in my writing and message. What's been happening recently and how has your Covid experience been so far? I’ve been working on being a better producer and that has led to me already working on my second album. Covid has been pretty hard since I love performing. It kinda feels like it took something away from me but we’re finding ways around it so I’m more hopeful. Your new track Armadillo is out now, how did you come to collaborate with Maina Doe? This happened during my first session with the Sumatra boys. I made some drums while Fin & Riley(members of Sumatra) played some chords and added baselines to it. When we put them together, we knew we had something so I put some old poetry together and rapped the verses on it. Was still tryna figure out a chorus but Maina had a session with the boys next so she jumped on it and sent me what she did the next day and I knew we had a banger. So yh it wasn’t face to face but we made it happen.  What influenced the sound and songwriting? Tyler, the creator is one of my biggest influences when it comes to sound. Love the flowery aspects but so experimental that you don’t know what to expect.  Poetry has also shaped the way I write but also the likes of J Cole and Bas that have influenced my song writing.  How did you go about writing Armadillo? Armadillo was a poem I wrote to a past lover after a break up. With a lot of reminiscing and holding on in mind, it was a description of the complication that was going on at the time. Didn’t really think I was gonna make a song out of it. Where and when did you record/produce and who did you work with? I worked with Sumatra (includes Finbar Stuart, Riley hilder and additional guitar from James Baldwin) . We made this in the boom child house where most of our projects are made. What programs/instruments did you use? I use Fl studio but the boys use Ableton. How did you approach the recording process? Demo was initially recorded with Sumatra but I then went back to my engineer to redo some Vox before we had to release it. Please tell us about your photography and multimedia interests: Photos was the side hobby/ work I did for people and a lot of artists that I know. It started from Church and eventually to blogs and now a part of my creativity.  I think I can do anything so learning all these mediums was quite easy for me as they all compliment each other.  Who are you listening to at the moment? I'm currently listening to Big Sean's album and an artist called Amber Mark. i highly recommend. What's planned for the remainder of 2020 going into 2021: I perhaps wanna finish my second album ready for 2021 and also land some really cool festival gigs for next year.  Favourite food and place to hangout? Favourite food is anything Thai so wherever has a good Thai, you can find me there. https://www.facebook.com/Yawdoesitall/
Music InterviewsMusic News

Yawdoesitall

by the partae September 11, 2020
written by the partae

Where are you currently based?

I’m currently based in Sydney.

How did you first start playing music?

Music started as I thought myself how to play drums in Ghana and eventually fell in love with everything else about it.

How would you describe your sound/music?

It’s experimental, chilled and flowery. really instrumental because of my love for baselines and pretty chords but also introspective in my writing and message.

What’s been happening recently and how has your Covid experience been so far?

I’ve been working on being a better producer and that has led to me already working on my second album. Covid has been pretty hard since I love performing. It kinda feels like it took something away from me but we’re finding ways around it so I’m more hopeful.

Your new track Armadillo is out now, how did you come to collaborate with Maina Doe?

This happened during my first session with the Sumatra boys. I made some drums while Fin & Riley(members of Sumatra) played some chords and added baselines to it. When we put them together, we knew we had something so I put some old poetry together and rapped the verses on it. Was still tryna figure out a chorus but Maina had a session with the boys next so she jumped on it and sent me what she did the next day and I knew we had a banger. So yh it wasn’t face to face but we made it happen.

What influenced the sound and songwriting?

Tyler, the creator is one of my biggest influences when it comes to sound. Love the flowery aspects but so experimental that you don’t know what to expect.  Poetry has also shaped the way I write but also the likes of J Cole and Bas that have influenced my song writing.

How did you go about writing Armadillo?

Armadillo was a poem I wrote to a past lover after a break up. With a lot of reminiscing and holding on in mind, it was a description of the complication that was going on at the time. Didn’t really think I was gonna make a song out of it.

Where and when did you record/produce and who did you work with?

I worked with Sumatra (includes Finbar Stuart, Riley hilder and additional guitar from James Baldwin) .

We made this in the boom child house where most of our projects are made.

What programs/instruments did you use?

I use Fl studio but the boys use Ableton.

How did you approach the recording process?

Demo was initially recorded with Sumatra but I then went back to my engineer to redo some Vox before we had to release it.

Please tell us about your photography and multimedia interests:

Photos was the side hobby/ work I did for people and a lot of artists that I know. It started from Church and eventually to blogs and now a part of my creativity.

I think I can do anything so learning all these mediums was quite easy for me as they all compliment each other.

Who are you listening to at the moment?

I’m currently listening to Big Sean’s album and an artist called Amber Mark. i highly recommend.

What’s planned for the remainder of 2020 going into 2021:

I perhaps wanna finish my second album ready for 2021 and also land some really cool festival gigs for next year.

Favourite food and place to hangout?

Favourite food is anything Thai so wherever has a good Thai, you can find me there.

Triple J Unearthed | Facebook | Instagram | Youtube | Twitter

September 11, 2020 0 comments
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Where are you currently based? West Leederville in Perth. I have a small home studio where I write and record and the band rehearse there.  What's been happening recently and how has your Covid experience been so far? Well we’ve just started to rehearse more because shows are happening again over here so we’ve just been dusting off the saddles. The covid thing didn’t really affect me that much because I don’t really have a life anyway. I’m always in my music room. Business as usual really.  Your new single 'The Reason' is out now, what influenced the sound and songwriting? The funny thing is when you release a song it takes ages to get to that point and was usually written years ago. So I don’t recall what influenced that particular song. I don’t think it would have been anything specific.  How did you go about writing the track? I think I had the main synth hook and chord progression laying around for a little while and then I kinda had a breakthrough with the vocal delivery and then it all just flowed after that. I don’t remember it being a hard song to work out.  Where and when did you record and who with? It was recorded at the start of the year at Blackbird Studios with Dave Parkin. I also recorded some parts at my place.  What programs/equipment did you use? I use Logic. So I will usually have a demo done and then we go into the studio and redo some, or all of it again. I programmed the drum beat you hear at the start in Logic. Then Jamie came in and laid down the live drums. I think the synths were combination of soft synths and a Roland Juno. I used my Telecaster guitar but I can’t remember the amp we used. We use all sorts of equipment I can’t keep track.  Who are you listening to at the moment? Bob Dylan  What do you like to do away from music? I like to play tennis  What's planned for 2020?  More live shows. We will have a video for The Reason coming out soon that we’ve been recording at my place also. I think we might go back into the studio before the end of the year to record more songs that will probably come out in two years time where I get asked questions about them that I can’t remember the answers for. I have a Christmas song that I’ve had around for a long time that I wanna record. Maybe get around to doing that.  Favourite food and place to hangout? Probably Mexican food. The Bird which is a small live music venue where Emma works.  https://open.spotify.com/artist/06dE3zZujjtXjLRhXEVYsx?si=3FLbRV9WQxyN46xegPy56g https://www.instagram.com/bigorangetheband/ https://www.facebook.com/bigorangeband.perth/ https://bigorange.bandcamp.com/ https://twitter.com/wearebigorange
Music InterviewsMusic News

Daniel Davis of Big Orange

by the partae September 9, 2020
written by the partae

Where are you currently based?

West Leederville in Perth. I have a small home studio where I write and record and the band rehearse there. 

What’s been happening recently and how has your Covid experience been so far?

Well we’ve just started to rehearse more because shows are happening again over here so we’ve just been dusting off the saddles. The covid thing didn’t really affect me that much because I don’t really have a life anyway. I’m always in my music room. Business as usual really. 

Your new single ‘The Reason’ is out now, what influenced the sound and songwriting?

The funny thing is when you release a song it takes ages to get to that point and was usually written years ago. So I don’t recall what influenced that particular song. I don’t think it would have been anything specific. 

How did you go about writing the track?

I think I had the main synth hook and chord progression laying around for a little while and then I kinda had a breakthrough with the vocal delivery and then it all just flowed after that. I don’t remember it being a hard song to work out. 

Where and when did you record and who with?

It was recorded at the start of the year at Blackbird Studios with Dave Parkin. I also recorded some parts at my place. 

What programs/equipment did you use?

I use Logic. So I will usually have a demo done and then we go into the studio and redo some, or all of it again. I programmed the drum beat you hear at the start in Logic. Then Jamie came in and laid down the live drums. I think the synths were combination of soft synths and a Roland Juno. I used my Telecaster guitar but I can’t remember the amp we used. We use all sorts of equipment I can’t keep track. 

Who are you listening to at the moment?

Bob Dylan 

What do you like to do away from music?

I like to play tennis 

What’s planned for 2020? 

More live shows. We will have a video for The Reason coming out soon that we’ve been recording at my place also. I think we might go back into the studio before the end of the year to record more songs that will probably come out in two years time where I get asked questions about them that I can’t remember the answers for. I have a Christmas song that I’ve had around for a long time that I wanna record. Maybe get around to doing that. 

Favourite food and place to hangout?

Probably Mexican food. The Bird which is a small live music venue where Emma works. 

https://open.spotify.com/artist/06dE3zZujjtXjLRhXEVYsx?si=3FLbRV9WQxyN46xegPy56g

https://www.instagram.com/bigorangetheband/

https://www.facebook.com/bigorangeband.perth/

https://bigorange.bandcamp.com/

https://twitter.com/wearebigorange

September 9, 2020 0 comments
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Miss Emilia
Music InterviewsMusic News

Miss Emilia

by the partae September 8, 2020
written by the partae
Where are you currently based? 
I am currently based in Naarm (Melbourne), Australia, but I have Russian/Polish/Jewish roots.
 
How did you first start playing music?
I was lucky enough to come from an extremely musical family, my mother studied music in the Russian Conservatory of Music, and I grew up surrounded by a music school. My first piano lesson was when I was three – and I now teach piano myself, and I was apparently singing and making up little songs from the moment I could speak!
 
How has your COVID experience been? 
My days have mostly been filled with online teaching, cooking new plant-based recipes, online doing emails, marketing and PR or composing new music! There has been a small positive amongst the the trying COVID time, I’ve had time to slow down a bit. Before I was doing 2 – 5 gigs a week, amongst teaching and managing multiple music businesses, so I’ve been appreciating the slower pace recently.
 
What’s been happening recently? 
This is a very trying time for everyone around the world, and I’m very lucky to have a secure day job as a music teacher and a studio space I can lose myself in writing and producing new music. Along with this new release, there are a few already on the back-burner ready to be released soon as well.

You’ve just released your new single ‘Woman With Needs’ what influenced the sound and songwriting? 
I would say the largest influence for this track’s sound was going for that ‘old-school soul’ sound that I adore, in particular Etta James and Aretha Franklin. My songwriting is in a constant state of change, recently I’ve been writing more nostalgic soul music, since that’s the music that really speaks to me and is infectious to sing.
 
Where and when did you record/produce and who with? 
This track, alongside a catalogue of yet-to-be-released music, has been through a mix of production engineers and locations from the start of this year! Primarily I worked on this track with long-time colleagues and friends in the local music community, ‘Woman With Needs’ was recorded with producer Jake Amy (of Attaboi magazine) and mixed by Toby Peterson-Stewart (of The Omnific) who are just incredible at what they do.
 
How was it making the music video during COVID? 
Making the music video for ‘Woman With Needs’ during COVID was definitely a challenge. I ended up giving up any hope in filming and creating it with a seperate director and film crew, and ended up conceptualising, filming and editing the whole thing myself. Many hours were put into putting together a story board, repositioning the camera, doing my own set design, getting the lighting right, editing, and basically trying to figure out how I could create something that looked semi-professional by myself in my home setting.
 
What is it like being a female creator in a male dominated industry? 
Recently it feels like the balance of female creators in lineups, conversations and creations have been levelling out, slowly. We’re seeing more womxn and non-binary creators getting important recognition and celebration for their work, which is wonderful to see. It’s still hard sometimes to feel like your voice is being heard in this male-dominated environment, but I’ve luckily worked very hard to get the respect from my male peers in this industry, and nowadays don’t tolerate any oppressive behaviour. Right now we’re stepping into the right side of history, and I love feeling more empowered and comfortable being a female creator.
 
You’ve rebranded from Emilia to Miss Emilia, how and why did this come about? 
It didn’t come to my attention before I started my journey as ‘Emilia’, that there were many, many Emilia’s releasing music in the world – you really couldn’t find me! Miss Emilia felt more powerful, more of a statement and entity, and with the re-brand I wanted to have a fresh start and release music that was important to me, and spoke of topics that would uplift and empower. I needed a change to be seen, and heard as the artist I am.
 
What direction are you taking your music with this single and future music? 
The music that I will release from here on out will be music that is true to me. True to my roots and upbringing, true to my story and experience, true to the person that I strive to be. My music is music for the soul, feel good, and powerful.
 
Who are you listening to at the moment? 
I’m so, so lucky to be surrounded by incredible local musicians that are churning out incredible music. I’m all about that local sound! There are too many fantastic artists at the moment to even list, so I’d say check out one of my favourite ‘home’ venues The Night Cat, who have been putting a spotlight in their spotify playlists of local music coming out of Melb. Anything with a good groove and a good feel I’m all about.
 
What do you like to do away from music? 
Music is my central passion, work and love of my life; but outside of it and especially during COVID I love to experiment with vintage fashion looks and taken an interest in sustainable beauty, cook plant-based food, experiment with graphic design, self-timed photoshoots and visual art creation. I also love lying outside in the garden in the sunshine with my big lassie dog Chester and growing my ever-expanding plant and local handmade art collection.
 
What’s planned for the remainder of 2020 going into 2021? 
Who knows what this year will bring really, when restrictions will be lifted, and what that even means for now is quite blurry. I’m just trying to focus on the now, taking care of myself and checking in with loved ones, trying out new creations and honing into my values and trying to shape and grow into the person I want to be. I hope to have the privilege, space and time to release more music, that speaks to me and can maybe speak and bring joy to others.
 
Favourite food and place to hangout? 
I’d have to say I’m a sucker for pasta and potatoes, anything that involves those two food groups, I’m happy! I’ve also, pre-covid, and as much as possible nowadays, been trying to make or find the perfect plant-based burger, or any plant-based soul food really! Right now, my favourite place to hang out is in the sunshine in my garden, or in my reading chair by the window in my room.
Website: www.missemiliamusic.com
Facebook: https://www.facebook.com/missemiliamusic/
Instagram: https://www.instagram.com/missemiliamusic/
Youtube: https://www.youtube.com/channel/UCl1AmPy7UXbH5k0uw5K3Ofw
Soundcloud: https://soundcloud.com/missemiliamusic
Bandcamp: https://missemiliamusic.bandcamp.com/releases
Spotify: https://open.spotify.com/artist/3ZHAHnV43xA7jn00zqv2sq
September 8, 2020 0 comments
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Music InterviewsMusic News

Suit of Lights

by the partae September 6, 2020
written by the partae

What is your name and role within Suit of Lights?

My name is Joe Darone. Suit of Lights is the name I’ve recorded under for the last 15 years, with various friends. I write and sing the songs, and play keys.

Where are you currently based?

New York City

What’s been happening recently and how has your Covid experience been so far?

This year I was focused on getting the record out – come hell or high water – but I realized that trying to release an album during a pandemic is a bit absurd, right?

Like, let’s keep this in the proper perspective. It’s not that important in the overall scheme of things.

It’s Suit of Lights 15th anniversary, how does it feel to hit this milestone and how has SOL evolved over the years?

It’s an odd feeling, the records are a kind of cataloguing of ideas and emotions and it’s interesting to look back and see – not everything is pretty! But I’d say the main evolution from the first album to the latest album is the level of sophistication in writing and arrangements.

Your new album ‘Hide and Seek’ is out now, what influenced the sound and songwriting?

Well, the idea is that it’s an album of games. From the birth song “Tag!” to the death song “Ring of Roses” and various adventures and follies in-between. I like adventurous music, so groups like Sparks and Cardiacs are heavy influences.

How did you go about writing the album?

“Hide and Seek” was the first song I wrote, about the nature of existence. It seemed like adventure theme-music, the beginning of something.

I started thinking about the overlap in games we play as both children and adults. Titles like “Rock Paper Scissors” and “Tug of War” were just begging to be written.

Where and when did you record/produce and who with?

I produced the album, and it was recorded in several locations.

We recorded Chris Connors’ guitars, plus bass and horns at Concrete Sound, his studio in Brooklyn. Arun’s guitars were done at Rebirth Music, his studio in Austin, TX. Vocals and keys were done at my place in Hoboken, NJ. and we tracked drums and mixed with Jeff Aderman at Big Blue North in Utica, NY.

Oh, and we have an Australia connection – It was mastered at Surgical Sound in Tasmania by Dr. Timo G. Less!

How did you approach the recording process and what did you find most challenging and rewarding?

I aways start with home demos, which become the foundation to record all the real tracks in the studio, but in the past I was always on a budget and watching the clock, so there were always ideas that didn’t make it onto the album. This time, I bought a Neumann U87ai microphone and a Neve Portico 5017, and I went to town on vocal harmonies, doing my best Beach Boys impression.

What programs/instruments did you use?

The drums were recorded in analog using the CLASP system, which stands for Closed Loop Analog Signal Processor. Basically you’re hitting analog tape in real time. Vocals, guitar, bass, drums, keys, and trumpet were done in Logic Pro X.

The album is available for $1.50, where can we listen/purchase?

Limited edition LP, CD and downloads are at www.suitoflights.com

It’s also available on Apple Music, Amazon, Spotify, Tidal, and YouTube

Who are you listening to at the moment?

New Lemon Twigs album, Weyes Blood, Ruby Roses, and I just discovered a band called A Formal Horse.

What do you like to do away from music?

I’ve actually been catching up on reading. Just read autobiographies by Elvis Costello, Christopher Hitchens and Bob Lazar. I’d like to get back to drawing and painting at some point.

Trevor Dunn, Steve Pedulla, and Jamie Egan have all played on previous albums, how do you decide who you are going to work with and how does the collaborative process usually take place?

It’s usually just by chance. From the beginning, there was no set lineup or anything, Arun and I were splitting up everything between the two of us. Then, we started bringing in some of our friends. I didn’t know Trevor personally, I was just a huge Mr. Bungle fan, so I sent him some demos and he was interested.

Everyone on Hide and Seek has played on previous SOL albums, except the trumpet player David Levy (Norah Jones, Deep Purple), he was a friend of Chris Connors. Oh, and Evan Hooker from Ruby Roses and Arun’s kids Ruby and Hugo sang some backups.

You were in the band The Fiendz, how have you developed as a musician and person since?

Well, the first Fiendz single came out when I was 15. So we were literally growing up in that band, immature and not great with communication. Add in a little bit of success and failure and it eventually became toxic. I’d like to think that I’ve matured in the decades since then.

Musically, I’ve always played by ear so in terms of learning actual music theory, it’s been a very slow process. You can play punk rock drums without knowing any theory, but playing keys kinda forces you into it.

What’s planned for the remainder of 2020 going into 2021?

Our record has just hit radio and debuted at #30 most added on the NACC charts, which is pretty great. I’m really curious to see how COVID plays out in the states, it’s an embarrassing mess and tough to make plans too far ahead.

Favourite food and place to hangout?

I love spicy food! Indian, Nashville hot chicken, and Jamaican Jerk. I have about 20 different hot sauces in my fridge.

I like hanging out in coffee shops.

Listen/Buy: https://suitoflights.com/album/hide-and-seek

 www.suitoflights.com

September 6, 2020 0 comments
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Stanley Odd
Music InterviewsMusic News

Stanley Odd

by the partae September 5, 2020
written by the partae

Where are you currently based?

We’re sort of interspersed across the Central Belt of Scotland – from Glasgow to Edinburgh

What is your name and role within Stanley Odd?

I’m Solareye. I rap, record, some production and jump about.

How did you first start playing music?

Sheesht. My Dad had a good record collection and a guitar, so I started mucking about with that when I was about 12 or 13. Got into bands in my teens but was always really into hip-hop and rap so started adding little raps into the songs. That gradually morphed into a live hip-hop group with ma pals that I grew up with. We started touring round Scotland and it sort of grew from there.

How did Stanley Odd form?

Well – me and Veronika Electronika were meant to be playing a DJ/Emcee-type set and the DJ couldn’t make the show. A couple of pals joined us on guitar and drums. That was the organic start of the live hip-hop group. We’re now a six piece – Samson on kit and production, AdMack – bass and synths, Thilo – keys and more synths, Scruff Lee on guitar, Veronika singing and me rapping.

What’s been happening recently and how has your COVID19 experience been up until now?

We were meant to do a small venue UK tour April and May, then festivals for the summer, then a bigger tour and album launch in autumn. None of that transpired. BUT. Instead we finished the record in the first couple of months of lock-down – all recording individually then sending bits back and forth. Samson produced and mixed it. The record is finished and we’re mad happy with it. We’re none releasing a new single and video every six weeks for the rest of the year and putting the album out in March 2021. Change and adapt eh. It’s dead exciting to be able to focus on so many different songs off the record in six-week blocks. And we’re working with a bunch of great folks to make the videos, so every cloud has a silver lining.

Your new single ‘Night Rip’ is out on August 14, 2020, what influenced the sound and songwriting?

‘Night Rip’ is an example of how we’ve approached the whole record this time round. It’s about making music, not even thinking about what style or genre folks might want to box it in. It’s on some dark-pop analogue synth electro with breakbeats vibes – with no raps, which is a first for us. Just Veronika and me in a melancholy duet about breaking up.

How was Night Rip written?

We wrote it in the studio – before lockdown. We’ve been booking 4 or 5-day blocks of studio time and working on a bunch of demo ideas each time – everyone makes beats, instros and ideas them uploads them to DropBox. So we pick a few then develop them in the studio. The guys filled the studio up with analogue synths – Korg MS-20, Roland Juno, SH-101, Moog Sub Phatty, 808s – then start replacing sounds in the demos and building the song.

This one, I remember we’d been working on stuff all day and the band all went out for food quite late at night. Veronika had this line ‘Oh I’m restless, yes I’m restless’ and we stayed at the studio and wrote the story of a moonlight flit – somebody leaving everything behind in the middle of the night, or sort of chasing the daylight of dawn and disappearing. Then we sang it together so that the situation could be that both people in the relationship were feeling the same but not telling the other.

We tracked the drums another day me and Samson. Then Samson produced and mixed it during lockdown.

Where and when did you record, produce and master and who with?

We do everything ourselves. We’ve almost always recorded, mixed and mastered ourselves. I think we’re just too attached to stuff and don’t want to let it go. We have done some great work with other people occasionally but generally prefer to keep it all in house. This record, we tracked a bunch of it together with sometimes everyone actually recording their own parts. Samson mixed it and produced it with production elements again from everyone. It’s funny – because we’re a live band and have such a hip-hop production ethic, we always end up recording, then sampling the recordings and rebuilding them. That kind of lends itself to just getting on and doing it all yirsel.

What programs/instruments you use?

OK

Ableton for ideas, production, development and live stuff. We also use Push for live (sometimes 2 or 3 between us)

Pro Tools for mixing and mastering

Moog Sub Phatty

Microkorg (still!)

Roland Juno-6

Roland SPD-SX

Novation Bass Station

A beat up SM58 or Electro Voice ND967

Fender Tele

Fender/ Musicman basses

Ampeg amps

Korg MS20

What do you like to do away from music?

Make more music.

Sulk about not getting to play live the noo.

Go for a run I suppose.

Who are you listening to at the moment?

For unapologetic DIY pop: Carla J Easton

New production: Dunt, SHEARS

Podcast/ video stream: You Call That Radio

Scottish rap: Spawn Zero, Empress, Steg G & Freestyle Master, CCTV, Shogun, Togo Fam +++

Always: MF Doom, Pharoahe Monch, Aesop Rock

What’s planned for the remainder of 2020?

A new single and video every 6 weeks. Next one – KILLSWITCH – is out 25/09

Favourite food and place to hangout?

Lockdown has been all about get those home cooking skills up. Now we’re making homemade bhuna and naan bread so I feel like I’m all set here thanks.

 

https://www.facebook.com/stanleyodd

https://www.instagram.com/stanleyodd/

https://twitter.com/StanleyOdd

September 5, 2020 0 comments
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Braxton keeps up his run of remarkable releases with his brilliant remix of Matt Fax feat. RBBTS ‘Set Your Sails’ on Colorize, out now. The label invited him to choose any track from Fax’ album ‘Progressions’ to rework, a vote of confidence fully justified by the result.   The Brighton-based producer is a by-word for quality and thoughtful composition, finding favour as a regular with imprints including Anjunadeep and Colorize. He has put lockdown to best possible use already, with his recent double A side ‘Torn/Chiaroscuro’ (Anjunadeep) gaining attention from Phil Taggart, Jaguar’s BBC Introducing Dance Show, and more.   His entrancing rework of the driving dance-led cut from French DJ/producer Matt Fax adds dreamy synth chords and a breakbeat element, giving full rein to the haunting, sumptuous vocals of European duo Anne Kalstrup and Hendrik Burkhard aka RBBTS. ‘Set Your Sails’ (Braxton Remix) is Out Now. Get it here: https://colorize.ffm.to/0227r1 Hey Braxton, thanks for speaking with us! Congrats on your new release, the absolutely stellar remix of Matt Fax ‘Set Your Sails’. Can you tell us how this remix came about?  Thank you for having me! Well Colorize got in touch with Matt’s new album and let me choose a track to remix, there were a couple on there I liked but this one really stood out.  Have you got much of a relationship with Matt Fax too, or is it more the label? How did you pick this song as the one you wanted to remix, what swayed you?  I think it was the vocals mainly, I prefer to remix tracks with vocals because it gives me more flexibility to bring something different to the track. I had a go at remixing another track but I struggled to do something meaningful with it, then this one came along and I could really get stuck in.   A lot of the tracks you’ve released have these really special vocals. Is this something you look for in a track you want to remix, is it one of the key components that grabs you?  Yeah absolutely, a lot of the music I make has a kinda anthemic quality, sometimes it’s subtle and sometimes it’s really in your face. I like my tracks to sit somewhere between the club and headphones, and vocals really help me to get that balance across. And when it comes to making an original track, what is it that you tackle first? Do you pick or write a vocal, then create the track around it, or the opposite?  It’s usually the opposite, but there’s never a right or wrong way really, the most important thing I’ve found is to let the track develop as naturally as possible. Sometimes vocals it will happen early on in the writing process, and it’ll involve humming along some sort of topline idea before getting the vocals down properly. Other times I’ve gotten to the ‘end’ of the process with a track before deciding I want vocals on it. I try and keep all options open at every stage as it allows much more freedom to experiment during the writing process.  What can we expect from you in the rest of 2020? You’re an Anjunadeep favourite, will we be seeing your name on the label again this year?  I very much hope so, it’s a label I’ve admired for such a long time now and to be working with them is still a little bit mind-blowing :)  And on a more personal note to finish – what has this time in lockdown taught you?  I learned that people deal with complex situations in completely different ways and we all need to show a lot more empathy in order to better understand each other. Thanks for your time!  No, no……Thank YOU! x
Music InterviewsMusic News

Braxton

by the partae September 4, 2020
written by the partae

Braxton keeps up his run of remarkable releases with his brilliant remix of Matt Fax feat. RBBTS ‘Set Your Sails’ on Colorize, out now. The label invited him to choose any track from Fax’ album ‘Progressions’ to rework, a vote of confidence fully justified by the result.

 

The Brighton-based producer is a by-word for quality and thoughtful composition, finding favour as a regular with imprints including Anjunadeep and Colorize. He has put lockdown to best possible use already, with his recent double A side ‘Torn/Chiaroscuro’ (Anjunadeep) gaining attention from Phil Taggart, Jaguar’s BBC Introducing Dance Show, and more.

 

His entrancing rework of the driving dance-led cut from French DJ/producer Matt Fax adds dreamy synth chords and a breakbeat element, giving full rein to the haunting, sumptuous vocals of European duo Anne Kalstrup and Hendrik Burkhard aka RBBTS.

‘Set Your Sails’ (Braxton Remix) is Out Now. Get it here: https://colorize.ffm.to/0227r1

 

Hey Braxton, thanks for speaking with us! Congrats on your new release, the absolutely stellar remix of Matt Fax ‘Set Your Sails’. Can you tell us how this remix came about? 


Thank you for having me! Well Colorize got in touch with Matt’s new album and let me choose a track to remix, there were a couple on there I liked but this one really stood out. 

Have you got much of a relationship with Matt Fax too, or is it more the label? How did you pick this song as the one you wanted to remix, what swayed you? 


I think it was the vocals mainly, I prefer to remix tracks with vocals because it gives me more flexibility to bring something different to the track. I had a go at remixing another track but I struggled to do something meaningful with it, then this one came along and I could really get stuck in.  

A lot of the tracks you’ve released have these really special vocals. Is this something you look for in a track you want to remix, is it one of the key components that grabs you? 

Yeah absolutely, a lot of the music I make has a kinda anthemic quality, sometimes it’s subtle and sometimes it’s really in your face. I like my tracks to sit somewhere between the club and headphones, and vocals really help me to get that balance across.

And when it comes to making an original track, what is it that you tackle first? Do you pick or write a vocal, then create the track around it, or the opposite? 


It’s usually the opposite, but there’s never a right or wrong way really, the most important thing I’ve found is to let the track develop as naturally as possible. Sometimes vocals it will happen early on in the writing process, and it’ll involve humming along some sort of topline idea before getting the vocals down properly. Other times I’ve gotten to the ‘end’ of the process with a track before deciding I want vocals on it. I try and keep all options open at every stage as it allows much more freedom to experiment during the writing process. 

What can we expect from you in the rest of 2020? You’re an Anjunadeep favourite, will we be seeing your name on the label again this year? 

I very much hope so, it’s a label I’ve admired for such a long time now and to be working with them is still a little bit mind-blowing 🙂 

And on a more personal note to finish – what has this time in lockdown taught you? 


I learned that people deal with complex situations in completely different ways and we all need to show a lot more empathy in order to better understand each other.

Thanks for your time! 


No, no……Thank YOU! x

 

September 4, 2020 0 comments
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PLANTS AND ANIMALS Share new single 'Le Queens' New album The Jungle out October 23
Music InterviewsMusic News

PLANTS AND ANIMALS Share new single ‘Le Queens’ New album The Jungle out October 23

by the partae September 3, 2020
written by the partae

Today, Plants and Animals are releasing a brand new single and video for ‘Le Queens’. A French song featuring Adèle Trottier-Rivard on vocals, the theme was inspired by an evening spent in Queens, NY. The new song and video are premiering this morning via Consequence of Sound, alongside an Origins feature about the track, click here to read. The Jungle, their fifth studio album, is set to be released October 23rd via Secret City Records / Remote Control.

The band shares the inspiration behind the song: “Woody got this machine that makes a drum kit play samples and he didn’t know how to use it. But he chopped up some of Warren’s guitar chords and played them with his bass drum anyway. So it all ended up as this wobbly, dreamy jam that we all got attached to. Nic wrote most of the lyrics in the lineup at Home Depot. They’re about an evening in Queens, dancing among strangers, time moving backwards in slow motion and falling in love.”

The music video, directed by Yann-Manuel Hernandez, features Quebec’s acclaimed singer-songwriter Michel Rivard. The director shares the creative process and context of this unexpected moment: “Le Queens is a tribute to the Quebec cinema of the 60s and 70s, to the Nouvelle Vague, to Groulx, to Quebec waking up, to the love that persists in spite of everything, to life’s free spirit and its craziness. The band got totally on board and we even managed to create a little show in an alleyway in Montreal to capture documentary moments of life. This atypical side is also reflected in the idea of adding an outro to the music video with Michel Rivard, founder of Beau Dommage, who re-enacts an emblematic scene from the Nouvelle Vague: Rivard plays Devos, Spicer plays Belmondo.”

The Jungle starts with electronic drums that sound like insects at night. A whole universe comes alive in the dark. It’s beautiful, complex and unsettling. Systematic and chaotic. All instinct, no plan. Voices taunt, “yeah, yeah, yeah”. This tangled time in which we find ourselves is reflected back in shadows.

Every song is such a landscape. The first one grinds to a halt and you become a kid looking out a car window at the moon, wondering how it’s still on your tail as you speed past a steady blur of trees. You watch a house go up in a yellow strobe that echoes the disco weirdness of Giorgio Moroder, Donna Summer and David Bowie. You get pummeled by a rhythm then set free by a sudden change of scenery—the wind stops, clarity returns. You’re under a streetlight in Queens, soft focus, slow motion, falling in love. You speak French now too, in case you didn’t already. Bienvenue.

These are personal experiences made in a volatile world, and they reflect that world right back at us, even by accident. There’s one song Nic sings to his teenage son who was dealing with climate change anxiety and drifting into uncharted independence. The band carries it out slowly together into a sweet blue horizon. Warren wrote the words to another shortly after losing his father. It’s about the things we inherit not necessarily being the things we want. In a broader sense, that’s where a lot of people find themselves right now.

Plants and Animals are an iconic Montreal-based trio that began playing together as kids and emerged on the international scene in 2008 with Parc Avenue. The band has developed a varied cult following ever since, built on the shoulders of their self-produced records and their intense live shows. Parc Avenue was a critically acclaimed record (Pitchfork 8/10) released during the famous Montreal-is-the-new-Seattle music moment. This release set Plants and Animals as an incredible live force, a powerful songwriting trio and opened doors for them to tour the world many times over with people like Portugal. The Man, Gnarls Barkley and more. Three other releases followed and kept the band’s status up high: La La Land (2010) “they’re complicated and gorgeous [songs] and feel as innate as desire itself.” (Paste Magazine), The End of That (2012) “vibrant, constantly rewarding” (Spin) and Waltzed in from the Rumbling (2016) “… the strike rate is remarkably high” ★★★★ (Q Magazine). The band was shortlisted (2008) and longlisted (2010) for the Polaris Music Prize and received multiple Juno Awards and ADISQ Awards nominations over the years.

Pre-order / Pre-save The Jungle https://plantsandanimals.lnk.to/thejungle

Plants and Animals – ‘Le Queens’
Purchase / Stream: https://plantsandanimals.lnk.to/thejungle

Plants and Animals – The Jungle
1. The Jungle
2. Love That Boy
3. House On Fire
4. Sacrifice
5. Get My Mind
6. Le Queens
7.  In Your Eyes
8. Bold
Plants and Animals – The Jungle is out Friday 23 October via Secret City Records / Remote Control.
  

Plants and Animals
website | facebook | twitter | instagram
secretcityrecords.com
remotecontrolrecords

September 3, 2020 0 comments
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Where are you currently based? London How did you first start producing and mixing? I came from a rock and metal background originally. I was never into actual instruments myself but my friends were and I loved being around that environment. I was lucky enough to have a computer at the time, and managed to start teaching myself how to produce. I was then introduced to Pendulum who were obviously the only people doing rock and drum and bass at that time, and it sort of stemmed from there. How did your career start? I got in with Monstercat when they just started, around 2010. I put out a few beat sample packs with them, but then Mike Darlington really encouraged me to go farther and that’s when I put out my first EP, The Takeover. How has your COVID experience been so far? It’s given me more time to work on music that’s for sure. I probably wouldn’t have finished the album as quick as I did if I had still been touring. It’s been rough not being able to test my songs live though! What influenced the sound and songwriting for your epic new album 'The Promised Land'? The whole album was inspired by a lot of different themes, mainly how nature and technology clash and interact. There wasn’t any particular moment that inspired the entire album but I went on a journey of discovery for the past couple of years, listening to a broader range of music and tying my vast range of influences into the album. What did you find most challenging and rewarding through the process of creating this album? This is my debut album so the finished product was the most rewarding. The most challenging was probably admitting that it was done, because I’m always looking to keep improving the tracks! Your sound has evolved from the stereotypical Drum 'n Bass sound to a more mature and cross-genre sound, please tell us about how and why this has come about: The main thing that I wanted to do with the album was start expanding from drum ‘n’ bass and start doing other genres. People have this impression of me, because I make drum ‘n’ bass all the time, that I only listen to drum ‘n’ bass and that’s completely untrue. People who know me know I listen to and love literally all kinds of music. I love everything from, as I say, film and video game scores to screamo to french house to electro house to old school garage to whatever. You name it! I listen to everything. I really tried to hone that in when I pulled influences for the album, just to show people that it doesn’t have to come from drum ‘n’ bass at all. A lot of them don’t even come from dance music. Very rarely, except maybe some sound design and mixdown things. The main goal with it was to start introducing MUZZ as a multigenre brand and artist rather than drum ‘n’ bass only.  Where do you see Drum 'n Bass progressing in the coming years? The future of any genre is to evolve it and mash it with other styles and new sounds, which is what I’ve always done since I started making music, and this album explores those new territories. I love the genre, and always will, but I also love many other genres and don’t want to close those doors.  What do you like to do outside of music? Gaming, food, traveling!  Which artists are you listening to at the moment? Grimes, Rezz, Charli XCX, Fade Black, Oakwite, Loathe, G Jones are currently on repeat for me. What is planned for the remainder of 2020? Just to continue promoting this album as much as possible. It’s been such a process having it come together, I’m so happy it’s finally out! Favourite food and place to hangout? You can’t beat Middle Eastern food, and I honestly just love being in my studio in my own world. Twitch: twitch.tv/monstercat YouTube: youtube.com/UKFDrumandBass Facebook: facebook.com/MUZZHQ
Music InterviewsMusic News

MUZZ

by the partae September 1, 2020
written by the partae

Where are you currently based?

London

How did you first start producing and mixing?

I came from a rock and metal background originally. I was never into actual instruments myself but my friends were and I loved being around that environment. I was lucky enough to have a computer at the time, and managed to start teaching myself how to produce. I was then introduced to Pendulum who were obviously the only people doing rock and drum and bass at that time, and it sort of stemmed from there.

How did your career start?

I got in with Monstercat when they just started, around 2010. I put out a few beat sample packs with them, but then Mike Darlington really encouraged me to go farther and that’s when I put out my first EP, The Takeover.

How has your COVID experience been so far?

It’s given me more time to work on music that’s for sure. I probably wouldn’t have finished the album as quick as I did if I had still been touring. It’s been rough not being able to test my songs live though!

What influenced the sound and songwriting for your epic new album ‘The Promised Land’?

The whole album was inspired by a lot of different themes, mainly how nature and technology clash and interact. There wasn’t any particular moment that inspired the entire album but I went on a journey of discovery for the past couple of years, listening to a broader range of music and tying my vast range of influences into the album.

What did you find most challenging and rewarding through the process of creating this album?

This is my debut album so the finished product was the most rewarding. The most challenging was probably admitting that it was done, because I’m always looking to keep improving the tracks!

Your sound has evolved from the stereotypical Drum ‘n Bass sound to a more mature and cross-genre sound, please tell us about how and why this has come about:

The main thing that I wanted to do with the album was start expanding from drum ‘n’ bass and start doing other genres. People have this impression of me, because I make drum ‘n’ bass all the time, that I only listen to drum ‘n’ bass and that’s completely untrue. People who know me know I listen to and love literally all kinds of music.

I love everything from, as I say, film and video game scores to screamo to french house to electro house to old school garage to whatever. You name it! I listen to everything. I really tried to hone that in when I pulled influences for the album, just to show people that it doesn’t have to come from drum ‘n’ bass at all. A lot of them don’t even come from dance music. Very rarely, except maybe some sound design and mixdown things.

The main goal with it was to start introducing MUZZ as a multigenre brand and artist rather than drum ‘n’ bass only. 

Where do you see Drum ‘n Bass progressing in the coming years?

The future of any genre is to evolve it and mash it with other styles and new sounds, which is what I’ve always done since I started making music, and this album explores those new territories. I love the genre, and always will, but I also love many other genres and don’t want to close those doors. 

What do you like to do outside of music?

Gaming, food, traveling! 

Which artists are you listening to at the moment?

Grimes, Rezz, Charli XCX, Fade Black, Oakwite, Loathe, G Jones are currently on repeat for me.

What is planned for the remainder of 2020?

Just to continue promoting this album as much as possible. It’s been such a process having it come together, I’m so happy it’s finally out!

Favourite food and place to hangout?

You can’t beat Middle Eastern food, and I honestly just love being in my studio in my own world.

 

Twitch: twitch.tv/monstercat

YouTube: youtube.com/UKFDrumandBass

Facebook: facebook.com/MUZZHQ

September 1, 2020 0 comments
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So, Danny, you’ve got a few aliases, DNYO, Danny Olivera, Danny Loko... any more we should be aware of? Or just the 3?  There are a few more. These I like to keep hidden from the public. DNYO and Danny Oliveira already confuses people, imagine if they knew the other ones :)  Tell me about São Paulo. What's the music scene like there?  Big metropolis. Lot’s of everything really. My fav city in Brazil for sure, great night life, best food, best service. Culture speaks very loud in São Paulo, so the music is always kicking.  How did you get involved in the scene there?  I started making my own little parties, soon enough I started spinning at local clubs. But after living abroad I had a much better experience when coming back. Times were good. This was 2005 I think. There were lots of groups of different tribes making the night of the city back then. I miss how simple it was and the effect it made on so many.  Have you always been into electronic music?  Pretty much since I was 14. I got into my first club night when I was 15. I used to sneak into a few clubs at that point back in Miami. By 16 I was already hooked on Oakenfold, PVD, Tenaglia, Sanches, Calr Cox, all of the ones that came to South Florida, I was there.  How would you describe your sound/the music that you play?  If I’m spinning straight up techno Danny Oliveira night, that sound is not the typical Pop “Business” Techno you hear these days, as I don’t like the usual, never did, so the sound is considered to be designed differently, when there’s time for “loops” they will be there, when there’s time for serious arrangements and progressions, they will be there as well. If I’m spinning as DNYO, then it’s a whole different world. It’s deeper, sometimes melodic, but mostly hypnotic. I go through big chunks of House and Techno as a base and DNYO comes out. It’s a mixture of a lot of things put into one, there are no rules for DNYO, but it does concentrate more fans alike around the Progressive House styles.  What's been happening recently? Any releases that we should keep our ears out for?  Lately I’ve been working on a few ideas with some friends. These, consist of making a move towards some new ground for music here in Brazil, it’s a slow process due to our current situation in the world. I have some music due to come out on Juicebox India and Timeless Moment still this year but we’ll have to wait and see.  What have been your most memorable gigs over the last couple of years? Hmmm, Hyderabad last October. I get the chills just thinking about it. Forest Peak 2 years ago, it’s an intimate techno experience up in the mountains of Rio, that was something to remember. Spun at D.edge with a couple of friends, very close and intimate night, lots of friends came out, special night.  What are the best clubs for underground tunes in Sao Paulo?  Probably D.edge is the only place to go as a club with an underground agenda.  Where can we hear you DJ?  Really underground parties when I spin techno. DNYO gets way more exposure and dates outside of Brazil. We will have to wait for this pandemic to pass and see what holds for the industry, so that many of us can start planning again.  Are you on the streaming bandwagon like the rest of the world? Or will we have to wait until this whole thing blows over?  I’m not on that wagon, I’m outside, like a drone. Just flying through, watching and consequentially waiting for that wagon to crash and eventually die. The Napster People. It’s unbelievable how millions of artists and musicians simply let these smart guys take away their rights. Pull it from the inside out and drain it for 14% of 1 cent on the Dollar. No wonder the world is at where it is these days.  Can you give us your top 3 plugs in the studio at the moment?  Ovox from Waves is really good. Parallels from Softube and Thermal by Output.  Any advice for budding producers looking to go down the rabbit hole?  They can dive in and fight their way through, hopefully they can come in with some history in their heads cause this, where we are right now, is far from being the best model of an industry. Or they can stay in wonderland. This is the worst time to be a musician/ producer/ let alone a DJ. It has been for a couple of long years. I’m doing it because I still have some fuel left in me. Not everybody does. That fuel comes from a lot of things put together, a certain structure that is extremely hard to come by and that in the days of today, it’s just not possible, I don’t see it any other way.  What do you like to do away from music?  When I’m away from music I race. Unfortunately I don’t live in Germany, but I do my best to drive as fast as I can, anywhere I can. Gives me an edge. When I can’t, you can always find me racing in my favorite Simulators in an online lobby somewhere.  Who are you listening to at the moment? Any artists standing out for you right now?  Mostly, these days, Ambient. Sound healing. Apart from that, any thing that sounds new, futuristic, “fresh”. Forest Drive West. Barker, BAILE, John Gurd, Altus and Poemme, put these one and take a deep dive.  What's planned for the remainder of 2020?  No idea man. My releases are on pause due to this pandemic. Right now the plan is to stay sane and persist the inevitable.  Favourite food and place to hangout?  Grandma food is my favorite. There are a few places, but I’ll mention one that I’ve been going since I was a teenager, It’s called “Casa da Pizza” in São Paulo. It’s in front the Repreza do Guarapiranga - the main body of water the state. It’s a pizzaria. Best Pizza in town, best service in town. I usually grab a big table and make a lot of noise with friends, extremely friendly place, feels like home to me.  LINKS: https://linktr.ee/dannyoliveira
Music InterviewsMusic News

DNYO

by the partae September 1, 2020
written by the partae

Interviewer: Anthony Huttley

So, Danny, you’ve got a few aliases, DNYO, Danny Olivera, Danny Loko… any more we should be aware of? Or just the 3? 

There are a few more. These I like to keep hidden from the public. DNYO and Danny Oliveira already confuses people, imagine if they knew the other ones 🙂 

Tell me about São Paulo. What’s the music scene like there? 

Big metropolis. Lot’s of everything really. My fav city in Brazil for sure, great night life, best food, best service. Culture speaks very loud in São Paulo, so the music is always kicking. 

How did you get involved in the scene there? 

I started making my own little parties, soon enough I started spinning at local clubs. But after living abroad I had a much better experience when coming back. Times were good. This was 2005 I think. There were lots of groups of different tribes making the night of the city back then. I miss how simple it was and the effect it made on so many. 

Have you always been into electronic music? 

Pretty much since I was 14. I got into my first club night when I was 15. I used to sneak into a few clubs at that point back in Miami. By 16 I was already hooked on Oakenfold, PVD, Tenaglia, Sanches, Calr Cox, all of the ones that came to South Florida, I was there. 

How would you describe your sound/the music that you play? 

If I’m spinning straight up techno Danny Oliveira night, that sound is not the typical Pop “Business” Techno you hear these days, as I don’t like the usual, never did, so the sound is considered to be designed differently, when there’s time for “loops” they will be there, when there’s time for serious arrangements and progressions, they will be there as well. If I’m spinning as DNYO, then it’s a whole different world. It’s deeper, sometimes melodic, but mostly hypnotic. I go through big chunks of House and Techno as a base and DNYO comes out. It’s a mixture of a lot of things put into one, there are no rules for DNYO, but it does concentrate more fans alike around the Progressive House styles. 

What’s been happening recently? Any releases that we should keep our ears out for? 

Lately I’ve been working on a few ideas with some friends. These, consist of making a move towards some new ground for music here in Brazil, it’s a slow process due to our current situation in the world. I have some music due to come out on Juicebox India and Timeless Moment still this year but we’ll have to wait and see. 

What have been your most memorable gigs over the last couple of years?

Hmmm, Hyderabad last October. I get the chills just thinking about it. Forest Peak 2 years ago, it’s an intimate techno experience up in the mountains of Rio, that was something to remember. Spun at D.edge with a couple of friends, very close and intimate night, lots of friends came out, special night. 

What are the best clubs for underground tunes in Sao Paulo? 

Probably D.edge is the only place to go as a club with an underground agenda. 

Where can we hear you DJ? 

Really underground parties when I spin techno. DNYO gets way more exposure and dates outside of Brazil. We will have to wait for this pandemic to pass and see what holds for the industry, so that many of us can start planning again. 

Are you on the streaming bandwagon like the rest of the world? Or will we have to wait until this whole thing blows over? 

I’m not on that wagon, I’m outside, like a drone. Just flying through, watching and consequentially waiting for that wagon to crash and eventually die. The Napster People. It’s unbelievable how millions of artists and musicians simply let these smart guys take away their rights. Pull it from the inside out and drain it for 14% of 1 cent on the Dollar. No wonder the world is at where it is these days. 

Can you give us your top 3 plugs in the studio at the moment? 

Ovox from Waves is really good. Parallels from Softube and Thermal by Output. 

Any advice for budding producers looking to go down the rabbit hole? 

They can dive in and fight their way through, hopefully they can come in with some history in their heads cause this, where we are right now, is far from being the best model of an industry. Or they can stay in wonderland. This is the worst time to be a musician/ producer/ let alone a DJ. It has been for a couple of long years. I’m doing it because I still have some fuel left in me. Not everybody does. That fuel comes from a lot of things put together, a certain structure that is extremely hard to come by and that in the days of today, it’s just not possible, I don’t see it any other way. 

What do you like to do away from music? 

When I’m away from music I race. Unfortunately I don’t live in Germany, but I do my best to drive as fast as I can, anywhere I can. Gives me an edge. When I can’t, you can always find me racing in my favorite Simulators in an online lobby somewhere. 

Who are you listening to at the moment? Any artists standing out for you right now? 

Mostly, these days, Ambient. Sound healing. Apart from that, any thing that sounds new, futuristic, “fresh”. Forest Drive West. Barker, BAILE, John Gurd, Altus and Poemme, put these one and take a deep dive. 

What’s planned for the remainder of 2020? 

No idea man. My releases are on pause due to this pandemic. Right now the plan is to stay sane and persist the inevitable. 

Favourite food and place to hangout? 

Grandma food is my favorite. There are a few places, but I’ll mention one that I’ve been going since I was a teenager, It’s called “Casa da Pizza” in São Paulo. It’s in front the Repreza do Guarapiranga – the main body of water the state. It’s a pizzaria. Best Pizza in town, best service in town. I usually grab a big table and make a lot of noise with friends, extremely friendly place, feels like home to me. 

LINKS: https://linktr.ee/dannyoliveira

September 1, 2020 0 comments
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DEBUT ALBUM, SLOB STORIES OUT AUGUST 28
Music InterviewsMusic News

Dave The Band

by the partae August 31, 2020
written by the partae

What is your name and role within dave the band?

Noah is my name and singing and playing guitar is my role within dave the band.

Where are you currently based?

Newcastle, Australia

How did the band form?

We formed in high school when Gabe and I were in year 7. Max joined us after school and we’ve been happily dave ever since.

What’s been happening recently and how has your COVID experience been?

We’ve been gearing up for our album release. Lots of online stuff thanks to COVID. Our experience in Newcastle hasn’t been too bad. I’ve been surfing a lot and writing lots of songs.

Your debut album will be out August 28, 2020 – what influenced the sound and songwriting?

The sound is influenced by the energy and feeling we’ve cultivated over the years jamming and playing together as much as we can. The songwriting was influenced by nightclubs, coffee, footy, hot summers, cold winters and being an all-round Sadsack.

How did you go about writing the music?

With a guitar. It was easy.

Where and when did you record/produce/master?

We recorded in Chicago with Steve Albini. He’s a sound engineer, not a producer. We aren’t interested in anyone else telling us how to play our songs. Steve was just there to capture what we were playing. It was mastered by Steve’s Shellac bandmate Bob Weston.

What programs/instruments did you use?

Guitar, bass and drums. What’s a program? I also played Steve’s Wurlitzer on Brave and Sadsack.

Please tell us about how you came to work with Steve Albini and the experience you had:

We emailed his studio and booked it. It was as easy as writing the music.

The experience was awesome. I had mentally prepared for there to be some hitches and not have everything turn out as I would have liked, but the whole experience at Steve’s studio was like a dream.

Your new single ‘Where Are You’ is out now, what influenced this track and what does it mean to you?

I’m still working out what this song means to me. I can’t really remember writing it but it was one of the first we started working on for Slob Stories. Steve wouldn’t let me double the vocals on this song for some reason.

Who are you listening to at the moment?

Household Item One, Lovedavid, De La Soul, Vex Ruffin, Andy Shauf, Purple Mountains, Frances Quinlan, Wes Montgomery, Jason Molina, Bill Frisell, Yo La Tengo

What do you like to do away from music?

I don’t like to be away from music but I like surfing.

How’s the time been supporting and playing with bands from Newcastle?

It’s been awesome. We’ve got a special scene here with lots of great artists. It’s a big city vibe without the wank.

What’s planned for the remainder of 2020 going into 2021?

Recording another album!

Favourite food and place to hangout?

Coffee and bagels at Frothers Espresso. Beers and pizza at The Ori.

 

Facebook – https://www.facebook.com/davebandnewcastle

Instagram – https://www.instagram.com/davetheband_/

August 31, 2020 0 comments
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Summer is an exciting season for artists and audiences alike, with an increased demand for new music to fuel outdoor activities, summer flirtation and the general highlife that comes with it. Tiahi’s new single “Get Loving On” does exactly that and after the success of his previous release “Free” we reached out to the Berlin-based singer-songwriter and multi-instrumentalist to chat about the story behind “Get Loving On”. P: Tiahi, Get Loving On is definitely a love song with a creative storyline but at the same time also a true summer song  - what was the inspiration behind it, where did you write it and is it based on a true story? T: Yes and no (laughs), it went like this: I was in Vienna for a workshop and one night we went out to party. We were all buzzing from the day and then there was this beautiful girl that I just had to get to know. We really hit it off and I guess it was a bit of love at first sight, if that still exists. P: And then you got your loving on? T: No, actually we didn't (laughs again). As if the distance Berlin-Vienna wasn't enough, I was flying to Costa Rica for 3 months the following week and I found myself on the beach, thinking about all the things I'd want to do with her if we were closer and that's how I wrote the song basically. P: Wow, that's an amazing story. But with a bit of a bittersweet ending I guess.. Sounds like you didn't get to do the things you are singing about after all, so how does performing the song now make you feel? T: Oh I feel great about it, I'm thankful for the feeling she gave me, the inspiration and the buzz. Takes me right back to Costa Rica and reminds me that there is more love waiting out there.. P: No doubt about that. One last question that I just have to ask: how do you come up with a line like "Water so clear you see right through / Jump off a plane in Tuvalu"? Have you been? T: That's a good question (laughs). I was traveling in the South Pacific, 10h ferry ride in Tonga where I met this guy from France who'd been in the area for ages and he told me a lot of stories and one of them was about him jumping off a plane in Tuvalu, skydiving. I never forgot about it and when I was writing the song it popped up in my head and I was like 'yep, that's it'. P: Fantastic, Tiahi, thank you for your time and all the best for your upcoming releases T: Likewise, thank you for having me!  Listen to “Get Loving On” on your platform: http://smarturl.it/88gq0i  Find Tiahi on Facebook: www.facebook.com/tiahiofficial Find Tiahi on Instagram: www.instagram.com/tiahi.music  YouTube: https://youtu.be/7hs-mZpFetM
Music InterviewsMusic News

Tiahi ‘Get Loving On’

by the partae August 31, 2020
written by the partae

Summer is an exciting season for artists and audiences alike, with an increased demand for new music to fuel outdoor activities, summer flirtation and the general highlife that comes with it. Tiahi’s new single “Get Loving On” does exactly that and after the success of his previous release “Free” we reached out to the Berlin-based singer-songwriter and multi-instrumentalist to chat about the story behind “Get Loving On”.

Tiahi, Get Loving On is definitely a love song with a creative storyline but at the same time also a true summer song  – what was the inspiration behind it, where did you write it and is it based on a true story?

Yes and no (laughs), it went like this: I was in Vienna for a workshop and one night we went out to party. We were all buzzing from the day and then there was this beautiful girl that I just had to get to know. We really hit it off and I guess it was a bit of love at first sight, if that still exists.

And then you got your loving on?

No, actually we didn’t (laughs again). As if the distance Berlin-Vienna wasn’t enough, I was flying to Costa Rica for 3 months the following week and I found myself on the beach, thinking about all the things I’d want to do with her if we were closer and that’s how I wrote the song basically.

Wow, that’s an amazing story. But with a bit of a bittersweet ending I guess.. Sounds like you didn’t get to do the things you are singing about after all, so how does performing the song now make you feel?

Oh I feel great about it, I’m thankful for the feeling she gave me, the inspiration and the buzz. Takes me right back to Costa Rica and reminds me that there is more love waiting out there..

No doubt about that. One last question that I just have to ask: how do you come up with a line like “Water so clear you see right through / Jump off a plane in Tuvalu”? Have you been?

That’s a good question (laughs). I was traveling in the South Pacific, 10h ferry ride in Tonga where I met this guy from France who’d been in the area for ages and he told me a lot of stories and one of them was about him jumping off a plane in Tuvalu, skydiving. I never forgot about it and when I was writing the song it popped up in my head and I was like ‘yep, that’s it’.

Fantastic, Tiahi, thank you for your time and all the best for your upcoming releases..

Likewise, thank you for having me! 

Listen to “Get Loving On” on your platform: http://smarturl.it/88gq0i 

Find Tiahi on Facebook: www.facebook.com/tiahiofficial

Find Tiahi on Instagram: www.instagram.com/tiahi.music 

YouTube: https://youtu.be/7hs-mZpFetM

August 31, 2020 0 comments
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CRYSTAL CITIES announce second album and return with the sharp and hard-hitting new single DON’T SPEAK TOO SOON
Music InterviewsMusic News

Crystal Cities

by the partae August 31, 2020
written by the partae

What is your name and role within the band?

My name is Geoff Rana and I’m the singer, songwriter, guitarist and keys player in Crystal Cities. Plus, I’ve recently added producer and engineer to my resume’.

How did Crystal Cities form?

It was formed by 3 scientists, Geoff, Dan and Jared, who, after years of experimenting, finally tweaked the fibonacci sequence to complete the first ever rock n roll time machine. We then transported ourselves a 1000 years into the future and have since returned to try and save the future of Rock music.

What’s been happening recently and how has your COVID experience been?

Covid hasn’t been too kind to musicians… But it has allowed us to finish the album a bit quicker than what we normally would have.

Please tell us about your upcoming album:

It’s called Hold Me Close Hold Me Tight and it’s way more loud and guitar-driven than our previous stuff. There’s lots of energy in these new songs which I think people are going to really dig.

Your new single ‘Don’t Speak Too Soon’ is out now, where and when did you record/produce?

We recorded this in Studio A, aka My bedroom which was fitted with all the latest gear and equipment to create the unique sounds we were after. Such gear included:
– Set of clothes draws
– Cupboard
– Fold out bed
– Guitar
– Microphone, and
– An audio interface

If you listen carefully you will be able to hear cars, planes, kids screaming, and vacuum cleaners in the background of the track.

What influenced the sound and songwriting?

I always try to write songs that are going to sound good live. So, that was one aspect…

How did you go about writing Don’t Speak Too Soon?

Well, it’s a classic story that seems to repeat for me… I picked up the guitar, strummed it and then thought “no that’s rubbish”, waited another hour, tried again, and boom it worked! Don’t Speak To Soon was born.

Who did you work with during the creation of the album?

Myself and the other two scientists, Dr Jared King and Professor Daniel Conte ,both outstanding in their field. But it was myself that I worked on the most since I had a lot of issues that needed resolving…

How did you approach the recording process?

From behind. Scared the living shit out of it I did.

What did you find most challenging and rewarding?

Wearing clothes and not wearing clothes.

What do you like to do away from music?

Listen to music.

Who are you listening to at the moment?

My wife.

What’s planned for the remainder of 2020?

Releasing more tunes and (hopefully) playing some shows…

Favourite food and place to hangout?

Bananas. In trees.

 

Website
https://www.crystalcities.co


Facebook
https://www.facebook.com/crystalcitiesmusic


Instagram
https://www.instagram.com/crystalcitiesmusic


Twitter
https://twitter.com/CrystalCities


Spotify

http://bit.ly/Crystal_Cities_Spotify


YouTube
https://www.youtube.com/crystalcities


Soundcloud
https://soundcloud.com/crystalcities


Triple j Unearthed
https://www.triplejunearthed.com/artist/crystal-cities


Bandcamp
https://crystalcities.bandcamp.com


Apple Music

http://bit.ly/Crystal_Cities_Apple_Music

August 31, 2020 0 comments
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