Georgia’ for those who might be coming to the band for the first time – how do you think this song represents the central core of the McDermott & North sound?

I would say that the sound of ‘Georgia’ is more of a change of pace with our sound. It’s a song you could slow dance to. It’s intimate, slow and romantic.

Can you tell us a bit about how the genesis of the song has matched the final result?

When we first wrote the song it was much slower and on an acoustic guitar. It has definitely changed a lot since the original version, hopefully for the best.

What significance does this song in particular hold for you as a songwriter now?

This song is significant because it was the beginning of a run of Bluesy-sounding songs. After writing Georgia, we went on to write a bunch of songs with the same Blues rhythm and feel.

As an indicator of what we’re still to hear from McDermott & North – what makes ‘Georgia’ such strong single to lead into this new chapter with?

It’s a strong single for the new chapter because it’s a taste of something different. We’re trying to keep our sound as diverse as possible through different types of songs.

What was 2020 like for the two of you creatively? How did you find navigating that last year as a duo?

We spent a lot of time in our van busking around Australia, going to small country towns, so we were fortunate to spend a lot of time playing in front of people even if that was just busking. We also spent a lot of time writing while in lockdown, which is always nice.

Had you been listening to any particular artist / band who has influenced you throughout the last year?

Not too many new artists to be honest, besides Phoebe Bridgers. We have been listening to a lot of her stuff. Her lyrics are pretty potent while also being tongue in cheek, it’s a pretty effective mix I feel. We constantly find ourselves drawing from the 60/70s and still finding some brilliant bands we haven’t heard before. 

What do you think you learned about yourself as a songwriter and about one another as a group?

The importance of perseverance as an artist! It has been inspiring to watch the industry quickly adapt to the unprecedented state of the world during the pandemic, as well as the rebirth of the local music scene and gigs.

What’s exciting you about new music moving forward into 2021?

I think what we’re most excited about is getting out there and playing some live gigs around the country, playing our music to new audiences. As for new music, we have a few tunes up our sleeves, and we’re going into the studio with some exciting people too! We’re truly excited to share it all with you when it’s done, we think it’s going to be a great year. 

Website | Facebook| Twitter | Instagram | YouTube | Triple J Unearthed

When and how did you first get into making music? 

I first got into rapping at 7 years old, my sister was the one who convinced me to do it. Music had been around my family since I can remember so when it came to making it, it was second nature, it helped that I used to mimic all the rappers I saw on tv, that’s where I got my style and swag from and copied everything they did. Otherwise when it came to writing and recording my sister played a big part in that. 

How would you describe your music style to someone who doesn’t know You? 

I would say my style is very melodic and energetic with most songs, I use auto tune in ways to captivate and maintain a particular mood whether it’s dark or uptempo. A lot of the tracks I’ve been recording today just seem to be very catchy and easy to remember, something that goes a long way especially when made simple. In other ways my sound is very out there, I like to experiment with everything. 

The best way I can describe it is, imagine yourself in a space shuttle swerving through meteors at light speed, but everything you hear sounds like an echo and far away, even if it’s right next to your ear. At the same time your booster is powered by a 24 inch chrome spinner with a sub attached to it powered by koolaid, that’s me, that’s Perry P. 

Your new single ‘On The Low’ comes out on the 4th of June, what does the song mean to you? 

To me it’s a realisation that the life I wanna live is only a step away, that all the work being put in will soon pay off in the biggest ways. Throughout a lot of my songs, this track in particular I manifest and speak all of the things I want to happen in life into existence. 

The title ‘On The Low’ represents the quiet grind I’ve been on to make things happen, me having my head down trying to piece things together, and that I won’t allow any outside thoughts and opinions to enter my inner matrix on my way up. 

Another good example of this is the cover art, a young me with a crown on my head, meaning whatever successes happen, it was meant to. Shoutout to Ish for coming through with the sketch. . 

What’s the first song you remember liking? 

The first song I remember liking is Black and Yellow by Wiz Khalifa. There are plenty that I liked before that but this particular track hit me in a different way. I was around 7 or 8 when I first came across it, to this day it remains my favourite song of all time. 

Who are your biggest influences? 

I could go on and on if I was to really name all of my musical influences but growing up I was listening to every genre there was, not just hip hop, but in this case the ones that

influence my music the most today are, Kendrick, Schoolboy Q, Travis Scott and drake. They all influence me in a different way, whether it be on delivery, style or flow. 

I’m one of those people that really listen to music, not just listen, if you know what I mean. I guess it’s just the musical ear I’ve been given, being able to pay attention to the small and minor details and learn how to take and then turn them into my own thing. I really study the ones that come before me, it’s helped me evolve into the artist I am today, so I’ll always be learning, from Adele to Jay Z, my thoughts will always be focused on how the great ones did it and how I can apply that to myself and be better. 

Who is Perry P outside of the music game? 

Perry is a pretty quiet and private guy to say the least, just a hardworking lowkey individual. That changes when I’m around my friends though, I turn into a demon at times, especially if there’s loud music playing, crazy energy that can’t be tamed, it’s just my thing. But I’m your average joe, get along with everyone and just like to have a good time. One thing I pride myself on is bringing up the mood of the people around me, no matter the time or place. So if you ever find yourself in the same vicinity as me, gear up for action. 

What’s your outlook on Australia’s music scene at the moment? 

For a while now I’ve felt that the scene in Australia is gonna be crazy once it pops off, in my mind all it’s gonna take is for one person to really take off and that’s gonna open doors for so many others, especially within Perth. Right now we are doing our thing but it’s not yet at that stage where we’ve got the world’s attention on us, that’s what we’re striving for. Collectively we are destined to do amazing things and individually there are key names to look out for. 

Personally within my city, besides myself I feel like those guys are Young Pascal, Yourboymars, Trapboii and Nabiiou$, just to name a few, guys I see really pushing the bar, these are my peers so when I see them doing well it only motivates me. Give it a few years and Australia is gonna be a hotspot, I truly believe that! 

Who do you want to work with in the future? 

There are plenty of people I want to work with in future but to be honest I’m more excited to work with the same guys I’ve been working with currently, five years from now and onwards. Coming up with the same people you started with is a different feeling when you’re all together at the top, something I can’t wait for. 

Any shoutouts…. 

Shoutout to my mum for keeping my head straight and my siblings for playing MTV everyday when I was a kid, I took notes, now it’s about to take us a long way. 

Instagram: http://instagram.com/perrypleasurre/ 

‘ON THE LOW’ by Perry P will be out on all streaming platforms on 4th June, 2021.

What significance does this record have to you now, that it’s out there and you can look back on it as a completed record?

The record loses significance in some way to me after it’s been released. When I’m writing and recording it seems like this mammoth task and I imagine once I finish it I will feel really accomplished. But it kinda turns out the other way. I won’t listen to the record for maybe 2-4 weeks after it’s been released, then I’ll hit it up and kinda feel like ah well that’s kinda cool I guess?? What do I do now..? What’s next? It’s a weird rollercoaster of emotions.

How long did the recording of this EP take and if there was, what was something you learned about yourself as an artist during that process?

Roughly 18 months I think. There was a lot of delay due to lockdown here in Melbourne. Every time I’m involved in some kind of recording or record or whatever I seem to learn to be less and less hard on myself. I’m learning to take my foot off the gas when an obstacle comes my way. Instead of doubling down and hoping for the best. 

Is there any one song that stands out to you as a favourite (and why)?

Life In Hollywood is definitely the track I want people to hear. It’s something new for me with the guitar taking the backseat and letting the vocals and synth drive. It’s new territory for me and I want people to notice that more than anything else. 

Was there a moment when making this EP where you thought, ‘This is turning into something that I wasn’t expecting’ – did the initial vision you had for it change in the final product?

As soon as I started recording Life In Hollywood I was like, ‘Holy shit I haven’t been here before.’ I was trying to work out what the guitar was supposed to do, but it became obvious early on that it wasn’t needed. Homage Part 1 & 2 were going to be one bigger song but at some point got split up and book ending the EP. 

Was much of the material written pre-lockdown or during?

About 50/50. I wrote the bassline for She Wants You about 4 years ago. Life In Hollywood came in the depths of lockdown.  

Thinking about the music you’re wanting to make in the future, how does this EP capture this energy?

I’m excited about playing more synth and keys for sure, to broaden my knowledge a bit. This EP in particular I have really grown to love writing and playing bass, so I think these instruments that usually take a back seat role will come to the forefront in future recordings. 

Being in Melbourne, how much of an escape has music been for you over the last 12 months?

It’s been an escape and a prison. I had more time than ever to sit down and write and record, but it was almost the only thing I did during lockdown. Writing and recording is usually my happy place but during lockdown I didn’t really have any other place to escape to. Music felt like a chore at times.

The Life In Hollywood EP is out now.

PLAY/LISTEN

Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

Who are Jubël? – what does the name mean?

Jubël is a Swedish pop duo, with me Victor and Sebastian. 

The Swedish word ”jubel” means a cheering crowd. 

Describe your sound:

Our sound is organic driven pop with electronic influences. We always try to focus on strong melodies. 

What is your overall vibe?

We want to bring warm, joyful vibes. We often write about longing for summer and good times.

Do you both play instruments? How are the roles divided between you – does one of you write, the other produce?

We both play guitar. 

The process is different from each song but Sebastian is the main producer and we always work together when writing melodies and lyrics. 

You live in Stockholm, If we were to visit for one day what is the most important thing to see or do?

Visit the archipelagos during summer is a must! Taking the boat between different places and just enjoy the beautiful landscape. 

You have worked with some cool brands who have taken on your music for their commercials – tell me about these:

We’ve been featured in a instore campaign with HM with one of our first single ”Illusion”.  It was really cool getting videos sent from all over the world with our song getting played in the store. 

Sweden is a nation of DJs – Do you DJ? Do you prefer to per perform live on stage?

We did DJ a lot a few years ago, good or not, we had a really fun run :)! 

When we created Jubël we wanted to be more interactive with the audience so Live was the way to go. We feel more hyped about going on stage playing Live. 

Do you think that the EDM from Sweden DJs over the last few year have elevated Sweden on the global electronic music map?

Absolutely, the EDM wave was/is huge with Sweden in the top. This has made a very big impact on the scene I would say. 

Tell me about your new release Dumb, What is it about? How does it sound? Where should we listen to it?

It’s a love story about wanting to reach out to someone but being afraid of getting neglected. We wanted to make something fun and catchy. The song is up-tempo with a strong guitar hook, lots of nice vibes. You can listen to it on all Platforms. 

The video is fun and has the ultimate twist, don’t tell us the ending but what was the idea and the styling behind it?

We wanted to keep the retro theme from the ”Weekend Vibe” video. The director Sebastian Sandblad got a story from listening to the song and we loved all of his ideas. 

Are you hopeful for the future for music and gatherings now we have the vaccine?

The future looks bright, we are super excited to go out traveling and finally doing shows again. It will be great !

LISTEN / STREAM ‘DUMB’ HERE

Connect with JUBËL

 

Having stormed onto the scene with their daring debut ‘Very Fun Times’, Sterling Press are a fresh four-piece who deliver a compelling brand of in-your-face indie with roots in Ska that also throws back to the brit-pop heyday. ‘Lots Of Noise’ is the latest offering from the group, which has been lauded by the Specials, Radio X and now, us! We had the pleasure of catching up with the band on all things music, school and golf.

Hey guys, can you introduce yourselves and what role you play in the band?

Not just instruments!

The band is made up of Marlon (bass/vocals) , Ed (guitar/vocals), Greg (guitar/vocals) and Lucien (drums). We all write the songs together so there isn’t one person that writes a song from start to finish. We all chip in along the way. It normally starts with ed and marlon in a shed together and then goes to greg who works his producer magic and makes the demos sound class before playing it as a band with lucien as well.

How did you all meet?

We all met in school. We were the kids that played music for all the school musicals and whatnot so we became friends through that stuff and eventually decided to make our own band and write our own music.

What is ‘Lot’s Of Noise’ about and can you explain what influenced the lyrics?

It’s just a story of a woman who works in a pub and dreams of something bigger. Felt like most people have been/are in a similar situation including ourselves so felt relevant to sing about.

What are your biggest highlights of your career so far?

Getting support from legends like Steve Lamacq has been fucking sick. We put so much work into each song so it’s class to see it appreciated by the top DJs. We started the band during lockdown so obviously we haven’t been able to do much but it’s still been a great few months.

Any big plans in the next few weeks and months?

Wanna gig as much as we can. Try to play throughout the summer. We have our own shows in July including a London sellout which is gonna be massive but hopefully we can get some support shows and festival slots to take us through to Winter where a headline tour may be on the horizon.

Finally, who is the best golfer? Referencing your instagram, of course:

Not gonna lie, that was the first time any of us had picked up a golf club. I’d say Greg had the most natural talent.

https://www.instagram.com/sterlingpress/

Where are you currently based?

I’m in Perth at the moment.

How did you first get into playing electronic music?

Back in high school I used to take music as a class, it basically meant I’d get an hour everyday to play guitar and chat shit with my mates. We were shown Logic Pro by our teacher and were pretty intrigued. The next day I transferred logic onto my Mac and was just amazed by how everything worked. If always been a fan of electronic music and now the possibility of making my own was at my fingertips.

What’s the Perth music scene like at the moment?

It’s doing very well compared to the rest of the world. There’s gigs left and right. Besides the capacity limits its almost back to normal in venues and clubs. Pretty shit that the government won’t let festivals come back though, everyone here is definitely hanging for them.

What’s been happening recently?

I had my summer uni break so I knuckled down to write some tunes over the summer months. Over this time Solsta was a little quiet but sometimes you just need to take a step back from putting music out and just focus on learning. My last release before together started to gain me a bit of momentum so I wanted to keep the ball rolling and come back even bigger.

Your latest release ‘Together’ Ft. Bexx is out now, what influenced the sound and song writing for this track?

I really wanted to write a track that sounded organic and mellow but still had a tint of grit to it. The writing process of together was me sitting their trying to build this huge atmosphere that constantly built tension. I’d combine like 30 different elements and then when I was happy if strip it back into a instrumental that a vocalist could work with

How did you come to work with Bexx?

So there’s this music production school in Perth called LabSix. I got a few mixing lessons there and went to a few presentations where past students would show off some music and get some feedback. During my big writing stint over the uni break I went in to catch up with Jeremy (one of the instructors I’d worked with) and we just chatted about how to further the Solsta project. After this chat he linked me up with BEXX and a few days later she sent me the vocals you hear. It was that quick.

Where and when did you record/produce/master and who with?

I created the skeleton of the track in my bedroom studio before I got linked up with BEXX. Perth was in lockdown at the time so we weren’t able to get some studio time. She recorded the vocals at her place sent me them. Over the next few weeks I polished the track off in one of the lab six studios Jeremy gave me permission to use. This was huge by the way, big ups to Jeremy and LabSix for giving me the opportunity’s they have.

What programs equipment did you use to record and what do you use live?

I haven’t developed a live show beyond mixing on decks, but it’s definitely something I’ll be doing in the future. In terms of recording, I use a wide range of instruments. I have a couple of guitars, a mono synth and this wierd sequencer called a subharmonicon. I run em through an appollo arrow into logic and then muck around with plug ins as well.

How did you approach the recording/production process?

When I have a writing session for new ideas I’ll set a timer for 40 minutes and just create something. After that 40 mins is up I’ll start again. I’ll do this like 3 or 4 times then take a break, come back and pick an idea to pursue. In my opinion this kinda eliminates writers block because your forced to just make something and eventually one of those somethings will sound decent.

Any idea who you’ll be collaborating with in the future?

I got another huge song coming out with BEXX very soon. I’ve also been working on a couple of other tracks with local Perth producers that are huge. Can not wait to get them out!

Do you have any shows coming up?

Not yet. I’m really trying to nail my production the first half of this year. I’m planning on dropping my Debut ep later in the year so will definitely try and get some shows going with that. Should be huge.

What do you like to do away from music?

I’m at uni at the moment so when I’m not cooking up some music I’m studying. Whenever I get the chance I love to get in the water for a surf to.

Who are you listening to at the moment?

Atm I’m pumping crooked colours, choomba and Kream. Kream and Choomba just get me going and crooked colours mellows me out. Perfectly diversified portfolio.

What’s planned for the remainder of 2021?

I just want to keep grinding music. I’m not to worried about trying to play shows every weekend. I want my music to be perfect. If I can just keep putting good tunes out there and generate a following of people who enjoy it I’ll be stoked. That’s the plan for 2021.

Favourite food and place to hangout?

I love KFC. Absolutely froth it. To be honest my favourite place to hang out is definitely in the studio. I spend a bit of time in the studios at Labsix in Perth and it’s definitely my happy place. Just chilling and chatting to other producers who come through.

Where are you currently based?

Sydney, Australia

How did you first start playing music?

My father is a Bass player and Singer so Music has always been in my blood and in the house since I was little

What’s been happening recently?

I have been perfecting my ALIASOUND haha and creating tracks and a whole new image for my new era of Artistry 

Your debut self titled EP is out May 14 2021, what influenced the sound and songwriting?

Yes so exciting….The sound was influenced by a whole range of musical talent I have been exposed to throughout my life. From Rnb and Funk to Pop and Rock. The lyrics were inspired by my self discovery and evolution in which I like to share.

How did you go about writing the music?

The very talented Phil Anquetil and I had a brainstorming session in which we discovered a combination of different feels, from Artists for eg: Prince, Pink, Evanescence and Paramore, that influenced me throughout my musical history, to create a whole new style for me as an Artist.

Where and when did you record/produce/master and who with?

Phil Anquetil and I worked together in Phil’s own studio. We created this EP in the midst of the restrictions and lockdowns of 2020, which turned the year in to a positive experience.

How did you approach the recording/production process?

It varied from track to track, some I approached with ideas lyrics and melody already written and some were written from scratch.

What did you find most challenging and rewarding during the creation of the EP?

A challenge was finding time in Phil’s busy schedule haha…..Rewards was definitely the finished EP, when you see a completed body of work it is very fulfilling.

Who are you listening to at the moment?

Spotify everything, haha. I really like to keep up to date with new Artists and Music that is coming out. The Kid LAROI and Olivia Rodrigo come to mind as they have been quite ground breaking and have a fresh sound, which I appreciate. I also have a love for Deep House and Techno so usually have a kick a* local or international Dj’s mix or release on the burn.

What do you like to do away from music?

I love dancing, hanging out with family and friends and going away on holiday.

What’s planned for the remainder of 2021?

Werk Werk Werk haha. Promoting, my new material and writing/recording more for the next releases.

Favourite food and place to hangout?

Love Pancakes on the Rocks but faves are hard for me as there is so much to experience.

Follow ALIA:

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Stay Awake are an international punk rock band based in Bangkok. With influences ranging from Propagandi, Rise Against and Boy Sets Fire, several Asian tours and two hard hitting EPs, Stay Awake has developed a reputation for their professionalism and energetic live performances.

Where are you currently based?

Currently based in Bangkok, Thailand

What is your name and role within Stay Awake?

My name is John and I play rhythm guitar and sing

How did you first start playing music?

My mum bought me a guitar when I was 11 years old. Began doing stuff like ‘Smoke on the Water’ but from an early age would write my own songs. I was born in the 1980s, rock music was the most popular thing then and I always wanted to be part of it.

How did Stay Awake form and how did you all end up in Bangkok?

We all came from different areas in the world. I guess we all seek adventure and like what Bangkok offers, it’s an amazingly dynamic city. Andy formed the band with two other guys in 2018, but they quit when the band became more serious. I brought in Uly, the drummer from our old band ‘The Sangsom Massacre’, and he brought Paul along on bass. The current lineup works so well.

What’s been happening recently?

Bangkok is all locked down again due to a spike in covid19 infections. No tour, no shows. Bad time for live music…

Your latest EP ‘Portraits’ that was released in March 2021, What influenced the sound and songwriting?

We have lots of influences, but I think the main vibe is punk music from late 1990s and early 2000s. Was quite a nostalgic journey joining this band and writing stuff that inspired us in our youth with our own styles.

How did you go about writing Portraits?

The theme of Portraits is about looking at yourself and society. We had a lot of time to write because of 2020’s lockdowns and we feel the music is a snapshot of the year that was; internet interactions becoming the norm, increased government control, fear, division and a time to reflect on ourselves and who we want to become. We have all had to question things, accept changes, been influenced by the media and maybe even delved into conspiracies… Portraits is a record about this.

Where and when did you record, produce, master and who with?

We recorded in Bangkok at Vintage Studios Nov/Dec 2020, mixed by a super talented Thai mixer called Nin and mastered by US producer Shordeli.

How did you approach the recording process?

It was much easier than the first EP as we knew the process better and the studio. Each of us has been in studios previously so we also brought our combined experiences. In Thailand, the engineers aren’t very vocal or opinionated, you’re left to your own devices so you need to be clear on what you want. We hired the help of our friend Yotam Ben Horin from veteran Israli punk band Useless ID – he really helped us lift our game, improve our melodies and cut every song down to about 3 minutes.

Did Covid impact the creative/recording process?

Not so much, in November/December 2020 we weren’t locked down in Bangkok. Maybe we had more time to spend in the studio as there were less obligations and no travel.

You’ve been on some epic tours, please tell us about what you most enjoy and what you find most challenging when on the road:

The awesome parts of touring are meeting new people, showing our music to others and being inspired by new bands. But the most fun is being with ‘the guys’ in a new place, having a laugh, being super pumped after a show and talking about it in the hotel after. In the Philippines the crowds are super receptive, you feel like rockstars. Sometimes performing in outer-city punk shows, things can be a bit DIY. In Japan the sound teams and equipment is top notch so you’re always happy with your sound on stage. We have seen both sides of the spectrum in Asia. Most challenging part of touring? Dealing with hangovers from free local beer

Who are you listening to at the moment?

I have been listening to some heavier stuff, Defeater, Killing the Dream and Gideon, but also punk bands Like Pacific and newer Propaghandi albums. I found a 2004 Melbourne band called ‘Away from Now’ on Spotify last month and have been playing a bunch of their stuff.

What do you like to do away from music?

I like reading, working out, yoga and building my businesses (I am currently working in the cannabis industry developing consumer products and doing music events)

What’s planned for the remainder of 2021?

We are filming our music video as soon as lockdowns are over. Maybe we can do a domestic tour to north Thailand. Hopefully another band bonding trip to the beach to write new songs later this year. The band is hugely supportive of each other even without shows to play.

Favourite food and place to hangout?

Bangkok has so many places to eat, so much variety, it’s hard to choose a favourite… but one I always bring friends is Barcelona Gaudi, a delicious Spanish tapas restaurant in Asoke built in Gaudi style. Best Thai food? Nearly every street has someplace new to try.

https://www.facebook.com/stayawakeofficial

https://www.instagram.com/stayawakepunks/

https://music.apple.com/th/album/portraits-ep/1559884920

(P O R T R A I T S  on Apple Music)

https://stayawakeofficial.bandcamp.com/album/portraits

Following the release of their debut EP ‘Friends’ in 2020, Adelaide’s pop-punk outfit Wing Defence is back on the court with the video for their latest single ‘Greener Pastures‘ (watch HERE).

‘Greener Pastures’ is the spicy comeback from South Australia’s ‘Best Group’ (as awarded at the 2020 SAM Awards) accompanied with fierce and honest lyrics. The incredibly catchy new number is a powerful nod to anyone that’s ever felt trapped in a job where you’re overworked, rarely appreciated and under-paid. 

Since its release only a few weeks back, the track has been played on Triple J’s Home & Hosed, Triple J Unearthed’s ‘Tops’ and has received love from Pilerats, Dave Ruby Howe – as well as being added to playlists including Spotify’s Local Noise, Domestic La La’s Tuna Tuesday,  Home & Hosed on Spotify + more!

“You’d be pretty lucky if you’ve avoided a situation where you’ve been treated unfairly by your boss or a colleague… It’s incredibly frustrating and upsetting when this happens and you just want to tell them where to go, which most of the time, you can’t! That’s what this song is all about — a way of releasing all the frustration around the things you can really never say.” states guitarist Benny Tamblyn.

Formed in 2018 by Skye Walter and Paige Court, the indie act has been quick to generate hype around their punchy bubblegum-punk melodies and distinctive Australian sound. Since their debut release, ‘Stuck’ in 2018, Wing Defence rapidly positioned itself as one of South Australia’s most exciting new exports. Within twelve months they received national praise after performances at  BIGSOUND, Groovin’ The Moo and Laneway Festival (Triple J Unearthed Winner, 2018) and toured the country with Polish Club and The VANNS.

Recorded at Depict Studios & mixed by Wade Keighran (Wolf & Cub and Polish Club) at Rolodex Studios, ‘Greener Pastures’ is the beginning of a new direction from the band, who are using their latest single to formally introduce touring musicians, Benny Tamblyn, Anthony Costanzo and Miles Sly to the Wing Defence line-up. Lead vocalist Skye Walter elaborates, “They’ve always been WD’s at heart and we’ve been through a lot together, so we figured now was the perfect time to bring them along for the ride with us”.

With big plans for 2021 and beyond, Wing Defence have recently signed a distribution deal with Korean music distribution company Sound Republica and are on the Dock 7 Records label in Germany. 

‘Greener Pastures’ is the band’s first release of 2021, with a sophomore EP teased for 2022

(answers by Skye Walter)

Where are you currently based? 

Adelaide, South Australia.

How did you first start playing music?

I knew how to sing but needed an instrument to help me write music. So I picked up a guitar and started playing it. And then, a bunch of awesome friends and musicians came into my life and we began to make magic together… this is called Wing Defence. 

What’s been happening recently?

We signed to a great record label in South Korea called Sound Republica. That was very exciting. Other than that, writing new tunes, going to work, eating, sleeping, repeating.

Your new single ‘Greener Pastures’ is out now, what influenced the sound and songwriting?

Benny (our guitarist and producer) wrote this one. He’s fed up with his job, if you can’t tell! Haha. 

How did you go about writing Greener Pastures?

Benny wrote it in a moment of pure frustration and anger… great time to write a bloody banger of a tune! Thanks Benny’s shit job, you’re the best! 

Where and when did you record/produce/master and who with?

Recorded most of it in Benny’s bedroom studio, then we headed to Depict Studios with the legend that is Lachy to record the live drums and bass. We then sent it over to Wade Keighran (Wolf and Cub & Polish Club bassist) to mix and master. What a team!

Who are you listening to at the moment?

Dream Wife, The Grates, Avalanches new album, Yo La Tengo, Jeff Buckley… so many!

What do you like to do away from music?

Vanlife, Yoga teaching, playing with my beautiful one year old & eating delicious foods. 

Any gigs coming up? 

-Tonight at Jawbreaker with our great mates Bitchspawn and Yorke Heath.

-A regional show in Paigy’s home town, Port Pirie on May 28th.

-And then a really exciting one coming up that I’m not allowed to tell you about.

What’s planned for the remainder of 2021?

Release another single and hopefully play some more rad shows.

Favourite food and place to hangout?

My favourite food used to be pickled octopus but then I watched My Octopus Teacher and I can never eat it again… I have now replaced this with marinated asparagus spears (the crisp ones not the soft ones) and truck loads of spicy sauerkraut.

I like hanging out at home with my baby Billy, my partner Stevie and my mates. I also enjoy travelling in my Campervan.

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