Photography: Jake Harm Nam
Photography: Jake Harm Nam
The Southern Hemisphere’s largest music showcase, BIGSOUND is celebrating 25 years this September and as always, the team are looking for the next BIG thing.
With some of Australia’s most coveted showcase spots, BIGSOUND is the place to be. Applications are open now. The team encourages artists to apply now for their chance to be included on our stacked line up. Applications close Wednesday, 1 April 2026 – there will be NO EXTENSIONS.
Otherwise known as Music Industry Christmas, BIGSOUND brings Australian and New Zealand artists together with the big wigs of the global music industry. From labels, promoters and managers to media, festival bookers and venues – the who’s who of Music descend on Brisbane’s Fortitude Valley for what is the biggest week in Australian music annually.
BIGSOUND has a strong track record of platforming artists who go on to achieve significant national and international success, with alumni including Flume, Confidence Man, Rufus du Sol, G Flip, Gang of Youths, Thelma Plum, and Lime Cordiale.
The nitty gritty – BIGSOUND is all about BIG impact
Programmers are seeking export market-ready acts regardless of their career stage (be it unsigned, emerging or established legend) – who can capitalise on momentum and will benefit from the opportunities provided at BIGSOUND.
If selected, you will be playing front of a curated audience of domestic and international industry guests, including A&R representatives, bookers, and delegates from global export events such as The Great Escape and Reeperbahn Festival.
Preparing your applicants in integral – you will need to submit band member details, social media profiles, notable career achievements, streaming and ticketing stats, a short biography, two representative tracks, a high-quality artist image, and a video. Plus you’ll need to talk about what you’re seeking to get out of BIGSOUND, who your dream team would be and what you’re looking to achieve as an act in the future.
Applications close Wednesday 1 April 2026 at 11:59PM, with no extensions. Artists are encouraged to apply early, as programmers assess applications on a rolling basis.
But what’s in it for me?
There is a reason why we call our past showcase artist alumni – BIGSOUND isn’t just a festival, it’s an industry showcase and a global marketplace for Australian talent.
If selected, by night you’ll play in multiple venues across Fortitude Valley in front of tastemakers, trendsetters and industry decision makers; by day, you’ll meet one-on-one with curated industry guests and delegates who we think can help you take the next step in your music career.
You’ll also have access to the full BIGSOUND festival including after parties and the Artist Hub which features artist-focused professional development and networking opportunities across three days of the festival. Your team will receive ONE delegate pass granting access to the full BIGSOUND Program and Delegate Portal (valued at $899), as well as a discounted price to purchase other delegate passes should you wish.
There are limited paid performance spots at BIGSOUND presented as part of our partner event series. We’ll put you forward for these opportunities but there are no promises.
These performance spots are programmed in conjunction with our partners with a focus on aligning to their commercial outcomes.
Photo Credit: PISCO SOUR performs at BIGSOUND 2025 (Darcy Goss)
Bad Bunny brings the fiesta down under this weekend, with his ‘DeBI TiRAR MaS FOToS’ tour bringing his highly anticipated debut to Sydney’s Engie Stadium.
Fresh off the tail of his historic Grammy’s (with his recent Debi Tirar Mas Fotos album earning him Album of the Year) and Super Bowl (or as many have dubbed it, the “Benito Bowl”), Bad Bunny is steadily becoming the biggest international act of our time. The Puerto Rican rapper and singer held nothing back, and where Spanglish translations could only go so far in an English dominated environment, the infectious rhythms and joyful energy paid the balance.
Stepping into the venue, production felt minimal. A simple stage setup with an LED screen backdrop, and on the other end of the stadium the infamous “La Casita” (the house setup that turned the Superbowl into a party in real time) remained dimly lit, serving as the performers B-Stage. Within moments of the show kicking off, it was clear that the set was anything but, with fireworks and strobe lights (Knockout anyone?) lighting up the stadium. Concert-goers became part of the show, with seated patrons donning prop Cameras that served as flashing LEDs as the show went on.
Personally, what stole the show was the cinematic essence of the displays. As someone who has an appreciation for colour grading and well-crafted camera angles, the backdrop transformed the concert from your average screen for the people in the back to still see the show to having “last night was a movie” comments happen in real time – a massive hats off to the camera crew.
The energy throughout the night was next level. At no point did the stadium stand still, with the floor and stands both exploding with different flavours of Latin dancing throughout the night. ‘NUEVAYoL’ captured this essence perfectly, combing his classic Latin Trap sound with more traditional Latin roots.
Following a hilarious skit from Concho the frog (who surprisingly likes Vegemite, despite his species intolerance to salt and sodium – science people please don’t fact check me), the B-Stage party that many had been anticipating exploded into view, ‘VeLDA’ & ‘Titi Me Pregunto’ sending the crowd into a frenzy that felt less like a large scale concert and more like a street party. Crowd favourite ‘MONACO’ surged through the speakers, with Bad Bunny saluting the audience from the roof while the house party raged on below.
The night felt like it could last a lifetime, through the numerous “BE-NI-TO!” chants and a many heartfelt moments of gratitude from Bad Bunny (Muchos Gracias! I understood that one!), the heartwarming feeling of warmth and community came to a nostalgic high with his much-anticipated title-track from his album, ‘DtMF’. Waves of people clutching onto their loved ones, screaming every word they recognised but connecting with every feeling that the rapper conveyed through the song, putting truth behind the uniting power of music and rhythm.
With the year only just beginning, there are no limits for how much Bad Bunny can accomplish with his already stacked accomplishments only 2 months in. Gaining traction as one of the biggest superstars not only in the international music scene, but the music and entertainment world as a whole, it is clear that Bad Bunny is showing no signs of slowing down. Gracias por la increíble noche, Benito.
The party continues – Bad Bunny’s ‘DeBI TiRAR MaS FOToS’ tour continues tonight for his final show at the Engie Stadium at Sydney Showgrounds.
Photography: Maira Troncoso
Words: Ken Magno
Delighting Australian music lovers with the news of its return, Groovin The Moo is excited to share the incredible crop of local and international artists who are set to make its special one-off show in Lismore an unforgettable event.
BAKER BOY proudly stepped into a new creative era with the release of his sophomore album DJANDJAY in 2025 – a powerful fusion of culture, nuance and unbridled pride in his art and self. The charismatic performer is one of Australia’s most commanding and with DJANDJAY propelling Baker Boy forward, Australian music fans get to see one of our best rappers excelling in a new, bold spotlight.
Fierce hip hop multi-talent DENZEL CURRY makes his long awaited return to Australia for Groovin The Moo, having headlined the regional tour in 2023. A wildly entertaining performer with a range of influences that speak to a love of music that varies from hip hop to jazz; alternative to punk, and more, Curry has pioneered his own lane of excellence that a whole generation of artists have found their own similar identity within.
DOPE LEMON brings his tight nocturnal grooves to Lismore, the solo project of ANGUS STONE set to hypnotise and charm at Groovin The Moo in 2026. Touring the world off the back of his 2025 record GOLDEN WOLF, the return of Dope Lemon to Australian fans is one that cannot be missed.
For those who love a bit of line dancing or are keen to get involved, Groovin The Moo welcomes KATH EBBS, presenting the popular queer line dancing phenomenon, COWBOY COUNTRY.
Breakthrough artist MAPLE’S PET DINOSAUR has become one of Australia’s most exciting new artists to watch. Going viral on TikTok with songs like ‘LEGO’ and ‘CHORUS’, the teenager from Newcastle has blown up in the last year thanks to spots on festival bills alongside TOOL, GARBAGE and more.
One of the Northern Rivers’ best, MATT CORBY, joins the GTM lineup fresh off the release of his long-awaited fourth studio album, TRAGIC MAGIC (scheduled to drop in March 2026). Corby’s voice has captivated Australian audiences for many years, his music becoming a staple on the life soundtrack for many Australian music fans. The six time Platinum selling artist brings the soul and seasoning to each record he touches and as a live performer, Corby is one of one.
Hailing from the Central Coast, NINAJIRACHI’s ascent in becoming one of the country’s most recognisable names in EDM was marked by the release of her critically acclaimed debut album, I LOVE MY COMPUTER in 2025. Earning the most ARIA nominations of any artist that year (winning three), the record dominated in many fields, nabbing the producer the Australian Music Prize, Australian Album of the Year at the 2025 J Awards, and more.
Blistering rock comes through courtesy of Gerringong’s finest, THE TERRYS; Sunshine Coast heroes THE CHATS; firebrand acts who have been leading the charge in creating new waves of chaos on stages around the country and overseas.
Another globally renowned and beloved Australian artist, TONES AND I brings her unmistakable sound and relentlessly uplifting live energy to Groovin The Moo this May. Having spent most of the last 18 months touring her BEAUTIFULLY ORDINARY album, performing in arenas and releasing chart climbing hits with the likes of David Guetta and Teddy Swims, Tones is spending the beginning of 2026 pouring back into audiences at home – we can’t wait.
Along with Byron Bay-based Corby, local talent from the Northern Rivers region is celebrated on this year’s Groovin The Moo lineup, with Lismore’s homegrown heroes THE COLLIFLOWERS and the talented ANGEL WHITE – a 17 year old Indigenous singer-songwriter currently making waves from her home in Murwillumbah – completing the lineup.
Along with the official artist announcement, Groovin The Moo have teamed up with local music retailer PLANET MUSIC to run the PLANET MUSIC HOMEGROWN HERO competition, where local artists are encouraged to enter and submit their music for a chance to perform. For more details, visit the Groovin The Moo website.
Information regarding camping and shuttle transportation will be provided online, with Groovin The Moo fans now able to register their interest in both camping and shuttles via the official festival sign-up form.
Groovin The Moo Lismore will take place at Oakes Oval, Widjabul/Wia-bal Country, from 11am to 10pm and will be an all-ages event.
EVENT DETAILS
Groovin The Moo Lismore
Oakes Oval, Widjabul/Wia-bal Country
9 May 2026
11am to 10pm
All ages
TICKET INFO
General Admission from $125 + BF
Cream Of The Crop VIP $190 + BF
Mini Moo’s (Under 12) free when accompanied by a ticket-holding parent or guardian
Ages 12–17 $90 + BF when accompanied by a ticket-holding parent or guardian
MobTix for Aboriginal and Torres Strait Islander and Affordability tickets for select Concession Card holders available to request $90 + BF
Lismore Locals will have exclusive access to the ‘Homegrown Groovers’ presale, simply check ‘I’m a Lismore Local’ in the presale sign up form.
LINEUP
(A-Z)
BAKER BOY
DENZEL CURRY (US)
DOPE LEMON
MAPLE’S PET DINOSAUR
MATT CORBY
NINAJIRACHI
THE CHATS
THE TERRYS
TONES AND I
(A-Z)
ANGEL WHITE
THE COLLIFLOWERS
HOMEGROWN HERO SLOT
KATH EBBS PRESENTS COWBOY COUNTRY
It’s the news fans have been waiting for: following the release of his acclaimed fifth studio album, Deadbeat, Tame Impala – the visionary project of Kevin Parker – is returning to Australia, today announcing four huge arena shows in Brisbane, Melbourne, Sydney and Perth this October.
Kevin Parker has emerged as one of the most influential voices of the last decade. Marking a bold new musical chapter, Deadbeat (listen here) arrived in late 2025 led by three killer singles: ‘Loser’, ‘End of Summer’ and ‘Dracula’ – the latter earning Parker his biggest debuts yet at US radio, and landing in at number three on this year’s triple j’s Hottest 100, almost 20 years since Tame Impala’s first appearance in the poll. As a newly six-piece touring band, Tame Impala kicked off the Deadbeat tour with 12 sold-out shows across North America last October and November, with a UK/European tour set to begin this April. From July, Tame Impala will return to the USA and Canada, kicking off a huge area run featuring guests Djo and Dominic Fike.
Conceived across multiple locations over several years, Deadbeat was largely created between Fremantle and Parker’s studio, Wave House, in Injidup, WA. Deadbeat sounds like the work of an artist with a levelled-up mastery, crafted with a newfound embrace of spontaneity for the renowned perfectionist. How that manifests is a distinct minimalism and crunch, with timbres and textures that add an ineffably new dimension to the sound, as well as a richer, more playful vocal range than ever.
With a ‘Dracula’ remix featuring Jennie of BLACKPINK out now, February saw Parker awarded a GRAMMY for Best Dance/Electronic Recording for ‘End of Summer’ – his first solo win, following his 2025 trophy in the same category for ‘Neverender’, his collaboration with French dance pioneers Justice.
Joining Tame Impala on all dates is one of the most exciting names in Australian music right now: fast-rising electronic artist, songwriter and producer Ninajirachi. Raised on NSW’s Central Coast, Nina had a massive 2025 following the release of her debut album I Love My Computer, which took out top honours at the Australian Music Prize, NSW Music’s Breakthrough Artist Prize, two J Awards (including Album of the Year), and three ARIA Awards.
Frontier Members can get early access to tickets via the Frontier presale, which starts Wednesday 25 February (9am local time) – see website for full information. Tickets go onsale to the public from Friday 27 February (11am local time).
Across four previous albums – InnerSpeaker (2010), Lonerism (2012), Currents (2015) and The Slow Rush (2020) – Tame Impala has headlined multiple festivals and arenas around the globe. The Slow Rush debuted at #1 in multiple territories and became Tame Impala’s highest-charting album to date in the US, UK, and Canada, landing in the top 10 in 14 countries. As a writer and producer, Parker has collaborated with Dua Lipa, The Weeknd, SZA, Lady Gaga, Travis Scott, Mark Ronson, Gorillaz, Thundercat, Kali Uchis, 070 Shake, Rihanna, Miguel, A$AP Rocky, and many more. Tame Impala’s ‘The Less I Know The Better’ is part of the Billionaires Club with over 2 billion streams and the project has racked up numerous gold and platinum certifications globally.
Sure to be one of the most exciting tours of the year, don’t miss Tame Impala’s triumphant return to Australia this October!
TAME IMPALA
+ special guest Ninajirachi
DEADBEAT TOUR
AUSTRALIA – OCTOBER 2026
Presented by Frontier Touring, Chugg Entertainment and Laneway Presents
FRONTIER MEMBER PRESALE
via frontiertouring.com/tameimpala
Runs 24 hours from: Wednesday 25 February (9am local time)
or until presale allocation exhausted
TICKETS ON SALE
Begins: Friday 27 February (11am local time)
ALL SHOWS LICENSED ALL AGES
Saturday 10 October
Brisbane Entertainment Centre | Brisbane, QLD
ticketek.com.au
Wednesday 14 October
Rod Laver Arena | Melbourne, VIC
ticketek.com.au
Monday 19 October
Qudos Bank Arena | Sydney, NSW
ticketek.com.au
Saturday 24 October
RAC Arena | Perth, WA
ticketek.com.au
Following the rapid sell-out of his New Zealand show, international comedian and viral sensation MASOOD BOOMGAARD has announced an additional New Zealand date, alongside the addition of a brand new Bali show, in response to overwhelming demand for his live show SELF-HELP SINGH.
BOOMGAARD’s much-loved alter-ego SELF-HELP SINGH, the internet’s favourite “comedic alternative life coach” – has captivated millions worldwide with his razor-sharp, hilariously bleak take on motivation, modern life and cultural absurdity. The overwhelming response to the upcoming Australia and New Zealand tour only further cements BOOMGAARD as one of the most in-demand comedic voices working today.
With over 1.7 million followers on Instagram and rapidly growing audiences across TikTok and YouTube, SELF-HELP SINGH’s signature brand of de-motivational enlightenment has struck a chord with audiences worldwide. The newly added New Zealand show comes after the original date sold out swiftly, while the Bali show marks an exciting extension of the tour, taking BOOMGAARD’s live comedy to yet another international stage.
“I am looking forward to returning to Australia- one of the most misunderstood places on earth. Australians have an incredible sense of humour- which means as a nation you’re masking a lot of issues.
Also, I am excited to be visiting new Zealand for the first time. I’m not sure what to expect but I’m sure it’s just as bad as Australia” – MASOOD BOOMAGAARD
Tickets for MASOOD BOOMGAARD’s Australian and New Zealand tour dates are on sale now. Access tickets via destroyalllines.com
MASOOD BOOMGAARD 2026 TOUR
Sunday 26 July The Classic AUCKLAND (5.30pm) **NEW
Sunday 26 July The Classic AUCKLAND (7.30pm) – SOLD OUT!
Wednesday 29 July Comedy Store SYDNEY
Thursday 30 July Sit Down BRISBANE
Friday 31 July Thornbury Theatre MELBOURNE
Sunday 2 August Rechabite PERTH
Tuesday 4 August Atlas Super Club BALI **NEW
Photography: Zane Taprell
Expect lightning-fast tempos, razor-sharp riffs, pulsating drums, and captivating melodies.” Under The Radar
“A rich tapestry of styles from out and out punk, to garage indie.” CLASH
“Think MC5 meets The Fall” Pan M 360
“Ok this kinda rips!” Anthony Fantano
“This new banger will propel them thoroughly on their way to wider recognition.” DIY
Groningen, Netherlands-based four-piece Real Farmer have today (18 February) unveiled Heart Out, a new single that’s a thrilling mix of 60s beat and proto punk. Hollering vocals and swashbuckling guitars conjure up a mental image of the wasted, sweatstained, downtown New York of the mid-70s: that of Richard Hell or Dead Boys. For the video they were filmed playing live by Roger Sargent (The Libertines, Vona Vella, Baxter Dury) at Margate’s iconic greasy spoon Dalby Cafe.
On Heart Out, Real Farmer say: “Some days the urge to give up feels insurmountable. What does art matter in a world where the sick reign and act with impunity? Are we even worthy of love? We need to resist becoming bitter by what is happening out there. Love is the drive to do everything but also sets the intention that an act should have. Resistance needs love.”
The single release comes as Real Farmer have today for the first time detailed their second album Two Wrongs Don’t Make A Right. It’s out 1 May through Peter Doherty’s Strap Originals on vinyl and digital – pre-orders/saves are found here. In allegiance with independent record shops, a limited deluxe colored vinyl will be available in certain stores.
Upon completing upcoming dates in Germany, Netherlands, Switzerland and France, Real Farmer are back in the UK in June for their biggest headline run yet. The gigs are announced as they gear up to support Peter Doherty at a sold out 2,700 cap L’Olympia in Paris tonight.
UK
June 02 – Brighton, Prince Albert
June 03 – London, New River Studios
June 04 – Cardiff, Clwb Ifor Bach
June 05 – Manchester, YES (basement)
June 06 – Newcastle, ZEROX: the Shooting Gallery
June 07 – Glasgow, The Hug & Pint
June 09 – Sheffield, Delicious Clam
June 10 – Oxford, Little Bully
June 11 – Nottingham, JT Soar
June 12 – Norwich, Norwich Arts Centre
June 13 – Southampton, Heartbreakers Bar
EU
May 07 – Köln, Bumann & SOHN
May 08 – Horst, Nikspack Festival
May 09 – Amsterdam, OCCII
May 11 – Berlin, Schokoladen
May 12 – Hamburg, MS Stubnitz
May 14 – Basel, Hirscheneck
May 15 – Bern, ISC
May 20 – Marseille, L’intermédiaire
May 22 – Biel Bienne, venue TBC
May 29 – Utrecht, ACU
May 30 – Eindhoven, Skinfest
June 01 – Paris, Verte est la nuit
Real Farmer’s new album becomes their third release to be recorded at Far Out Sound Studios in Rotterdam by Niek Van Den Driesschen (Rats on Rafts, Iguana Death Cult), following debut album Compare What’s There (2024) and EP RF II (2025). Previous singles on Two Wrongs Don’t Make A Right include the Stereolab-esque Run By Animals video and Missing Link video – a thrashy, stop-start opener and a call to arms. “Not all songs are punk songs, but everything is written in this spirit,” says Real Farmer. “There’s so much happening in the world, that if you’re even a little empathetic, you can’t help but feel overwhelmed and saddened [by it all]. Music remains such an important outlet as well as a meeting point for politics and worldviews. And with this album we hope listeners can also find a sense of empowerment and hope through our songs.”
Real Farmer are fast making a name for themselves in alternative music scenes all over Europe thanks to their energetic blend of DIY punk, angular art-rock and gritty authenticity. In 2025 they supported the likes of Babyshambles, Protomartyr and The Libertines and played The Great Escape, Primavera a la Ciutat and Pitchfork Paris.
The band released their debut EP on Dutch indie Subroutine Records (Tramhaus, The Homesick) in 2019 and signed to Strap Originals in 2023. Their releases have caught adoration of their ever-growing fanbase and key champions in press and radio; including: BBC 6Music, Radio 1, Apple Music 1, So Young, DIY, Louder Than War, God Is In The TV, The Needle Drop and Under The Radar.
Real Farmer are: Jeroen Klootsema (vocals), Marrit Meinema (bass, vocals), Leon Harms (drums) and Peter van der Ploeg (guitar, backing vocals).
TICKETS ON SALE WEDNESDAY 25 FEBRUARY
Frontier Touring is thrilled to announce that one of the biggest and most beloved rock bands of all time – Rock and Roll Hall of Fame Inductees Foo Fighters – will make their hugely anticipated return to Australia and New Zealand next summer. Celebrating their long-standing love of both countries, this return marks another major chapter in the band’s ongoing global touring legacy, as they bring their unparalleled live show to stadiums in Brisbane, Townsville, Sydney, Newcastle, Melbourne and Adelaide this November 2026, followed by Christchurch, Auckland and Perth in January 2027.
Today’s news follows Foo Fighters’ recent history-making performance in Tasmania – the biggest concert ever held in the State, and their first ever appearance in Launceston. The sold-out UTAS Stadium show reaffirmed Foo Fighters’ enduring connection with their fans down under, with frontman Dave Grohl fulfilling his onstage promise that the band would return before his birthday (January 14). Buoyed by their Tassie visit and with a reputation for delivering landmark live moments in every corner of the globe, Foo Fighters have added two regional cities, Townsville and Newcastle, to their forthcoming return.
Over in Christchurch meanwhile, the band will take to the stage at the city’s newly built, state-of-the-art One New Zealand Stadium, on track to be completed in April.
Foo Fighters are stoked to be sharing stages across Australia and New Zealand with 16 of the region’s hottest rising acts, handpicked by the Foos – arrive early and discover your next favourite band, with a support lineup including:
Brisbane: Full Flower Moon Band (Brisbane) + Mini Skirt (Byron Bay)
Townsville: Full Flower Moon Band (Brisbane) + Downgirl (Sydney)
Sydney: The Belair Lip Bombs (Frankston) + TEENS (Hobart)
Newcastle: The Buoys (Sydney) + C.O.F.F.I.N (Sydney)
Melbourne: The Belair Lip Bombs (Frankston) + FRENZEE (Melbourne)
Adelaide: Kurralta Park (Adelaide) + Spooky Eyes (Launceston)
Christchurch: Dartz (Wellington) + Seek Help! (Dunedin)
Auckland: Dick Move (Auckland) + Ringlets (Auckland)
Perth: Southern River Band (Perth) + Last Quokka (Perth)
Telstra Plus Members can access presale tickets from Friday 20 February via telstra.com.au/plus. Spark customer presale also starts Friday 20 February (12pm local time) via spark.co.nz/music. Frontier Members (sign up here) can access presale tickets from Monday 23 February (times staggered). Tickets will then go on sale Wednesday 25 February (times staggered) – see frontiertouring.com/
Renowned for their marathon sets and career-spanning performances, as the world’s premier stadium rock band Foo Fighters have sold over 1.8 million records in Australia alone, with nine #1 albums to date – the most #1’s in any territory for the group. With demand sure to be high for these nine shows, fans are urged to act quickly to secure tickets.
Foo Fighters are Dave Grohl, Nate Mendel, Chris Shiflett, Pat Smear, Rami Jaffee and Ilan Rubin.
FOO FIGHTERS
With special guests
Presented by Frontier Touring and Triple M (AU), The Rock (NZ)
TELSTRA PLUS (AU) MEMBER PRESALE
via telstra.com.au/music
Runs 48 hours from: Friday 20 February
or until presale allocation exhausted
Pre-sale timings staggered per show, visit website for more details
SPARK (NZ) CUSTOMER PRESALE
via spark.co.nz/music
Runs 48 hours from: Friday 20 February (12pm local)
or until presale allocation exhausted, visit website for more details
FRONTIER MEMBERS PRESALE
via frontiertouring.com/
Runs 24 hours from: Monday 23 February
or until presale allocation exhausted
Pre-sale timings staggered per show, visit website for more details
GENERAL PUBLIC ON SALE
Begins: Wednesday 25 February (times staggered, see below)
ALL SHOWS LICENSED ALL AGES
Thursday 5 November 2026
Suncorp Stadium | Brisbane, QLD
Licensed All Ages
On sale: Wednesday 25 February (12pm local time)
axs.com/au
With special guests Full Flower Moon Band (Brisbane) + Mini Skirt (Byron Bay)
Saturday 7 November 2026
Queensland Country Bank Stadium | Townsville, QLD
Licensed All Ages
On sale: Wednesday 25 February (12pm local time)
axs.com/au
With special guests Full Flower Moon Band (Brisbane) + Downgirl (Sydney)
Tuesday 10 November 2026
Accor Stadium | Sydney, NSW
Licensed All Ages
On sale: Wednesday 25 February (12pm local time)
axs.com.au
With special guests The Belair Lip Bombs (Frankston) + TEENS (Hobart)
Thursday 12 November 2026
McDonalds Jones Stadium | Newcastle, NSW
Licensed All Ages
On sale: Wednesday 25 February (12pm local time)
axs.com/au
With special guests The Buoys (Sydney) + C.O.F.F.I.N (Sydney)
Saturday 14 November 2026
Marvel Stadium | Melbourne, VIC
Licensed All Ages
On sale: Wednesday 25 February (11am local time)
axs.com/au
With special guests The Belair Lip Bombs (Frankston) + FRENZEE (Melbourne)
Tuesday 17 November 2026
Coopers Stadium | Adelaide, SA
Licensed All Ages
On sale: Wednesday 25 February (12pm local time)
axs.com/au
With special guests Kurralta Park (Adelaide) + Spooky Eyes (Launceston)
Tuesday 19 January 2027
One New Zealand Stadium | Christchurch, NZ
Licensed All Ages
On sale: Wednesday 25 February (12pm local time)
axs.com/nz
With special guests Dartz (Wellington) + Seek Help! (Dunedin)
Friday 22 January 2027
Western Springs Stadium | Auckland, NZ
Licensed All Ages
On sale: Wednesday 25 February (12pm local time)
axs.com/nz
With special guests Dick Move (Auckland) + Ringlets (Auckland)
Monday 25 January 2027
HBF Park | Perth, WA
Licensed All Ages
On sale: Wednesday 25 February (12pm local time)
axs.com/au
With special guests Southern River Band (Perth) + Last Quokka (Perth)
FOLLOW FOO FIGHTERS:
foofighters.com | Facebook | X | Instagram | Spotify | YouTube | Apple Music | TikTok
frontiertouring.com/
PRESENTED BY DESTINATION NSW & UNTITLED GROUP
Photo credit: Alex Loucas
Following the global unveiling of his next immersive live concept, Anyma presents ÆDEN, today Destination NSW and Untitled Group are thrilled to announce a one-off exclusive performance at The Domain, Sydney on Saturday 17th October 2026 – marking one of the most anticipated electronic music events to hit Australia this year.
Fans can enjoy a captivating glimpse of the world of ÆDEN, a blend of sci-fi futurism and ancient mythology, by watching the video teaser here.
Anyma – the project of Italian-American DJ, producer, and multidisciplinary artist Matteo Milleri – has quickly become synonymous with a new era of immersive electronic performance. Blending cutting-edge audiovisual production with emotive electronic music, Milleri’s work has carved out a singular space where music, visual art and technology converge on a global scale.
ÆDEN represents the next chapter in that evolution. Following acclaimed immersive productions Genesys and Quantum, the new concept expands Anyma’s meticulously crafted visual language into a fully realised environment where sound, narrative and digital design collide. The project will make its worldwide live debut at Coachella, before rolling out across select global cities – with Sydney announced as the sole Australian date.
“We’re so grateful to be partnering with the NSW Government to bring a project of this scale to Sydney,” said Michael Christidis, of Untitled Group. “Anyma presents ÆDEN is a truly boundary-pushing live experience, and delivering it at The Domain as a one-off Australian show is something we’re incredibly proud of. It’s about giving audiences access to the most forward-thinking electronic music experiences in the world, right here at home.”
Minister for Jobs and Tourism Steve Kamper said: “This is exactly the kind of immersive experience we want to see more of in Sydney and NSW, and we are thrilled to be partnering with Untitled Group to bring this world-renowned, cutting-edge artist exclusively to the Harbour City.
“The completely unique nature of Anyma’s shows means that we are expecting a significant number of attendees to travel to Sydney to attend the show. These visitors will not only experience a one-of-a-kind concert at The Domain, but will also stay in our hotels and eat at our restaurants, supporting hundreds of local businesses and jobs.
“Investing in a dynamic calendar of immersive world-class events and experiences like Anyma presents ÆDEN is a key strategic priority in achieving our goals set out in the Visitor Economy Strategy 2035.”
ANYMA PRESENTS ÆDEN
Pre-sale registration here: https://www.anyma.com/sydney
Saturday 17th October 2026 – The Domain, Sydney
Since launching the Anyma project in 2021, Milleri has emerged as one of electronic music’s most forward-thinking creative forces. His recent milestones include becoming the first electronic artist to hold a residency at Sphere in Las Vegas, delivering his Quantum two-stage production at the Great Pyramids of Giza, and headlining global events including Tomorrowland, Ultra Miami, Coachella, and the League of Legends Worlds Opening Ceremony in China.
The announcement of ÆDEN follows the release of The End Of Genesys (Deluxe), out now via Afterlife/Interscope. The expanded release features the original album alongside six new tracks debuted during Anyma’s sold-out Sphere residency, including recent singles “Out Of My Body” featuring EJAE and “Till I Die” with Solomun featuring Claudia Valentina.
Anyma presents ÆDEN in Sydney will be one of the rare opportunities to experience this next evolution of the live project outside of major international festivals and first-run global tour stops – and the only chance for Australian audiences to witness ÆDEN in 2026.
About Anyma
Anyma is the American-born Italian electronic music and multidisciplinary artist Matteo Milleri. Renowned for boundary-defying techno compositions, visuals and live shows, Anyma became the first electronic music artist to hold a residency at Sphere Las Vegas in 2024. The meticulously produced Afterlife Presents Anyma “The End of Genesys” cybernetic opera drew in an audience of 200,000 people across all 12 dates. Exploring themes of technology, nature, humanity, and coexistence, Anyma also created the Genesys album trilogy. A debut album, Genesys, came out in 2023, followed by 2024’s Genesys II (Afterlife/Interscope), with a third, The End of Genesys in 2025. The trilogy was drawn to a close on NYE 2025 with The End of Genesys Deluxe, including latest single ‘Out Of My Body’, featuring KPop Demon Hunters star EJAE. Anyma’s further collaborators across albums and live shows have included Sevdaliza, Grimes, Ellie Goulding, FKA Twigs, John Summit and many more. In 2024, he took on visual creative direction for The Weeknd’s “One Night Only” concert in São Paulo, Brazil. In 2025, Anyma held a summer residency at the world’s largest club [UNVRS] in Ibiza. He also headlined Ultra Miami 2025 with a B2B set with Solomun, additionally headlining Sziget Festival, Zürich Open Air, and many more. Last year, Anyma launched the beginning of his creative partnership with Oakley, was announced as a 2026 Coachella headliner, ranked #10 on DJ Mag’s Top 100 DJs list, soundtracked the Vetements 2025 Paris Fashion Week runway show with Chris Avantgarde, headlined and provided creative direction at the League of Legends World Championship in China, and delivered a sold-out performance at the iconic Pyramids of Giza, where he unveiled his groundbreaking two-part show, “Quantum Genesys.”
Anyma presents ÆDEN is proudly supported by the NSW Government through its tourism and events agency, Destination NSW.
Presale registration is now open.
Presale tickets go on sale 2pm AEDT Wednesday 18th February 2026.
General public tickets on sale 10am AEDT Friday 20th February 2026.
For more info on Anyma, visit:
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X
Photography: Jake Harm Nam
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Photography & Words: Charlotte Najjar
Well, 17,589 steps and many rain ponchos later, Laneway 2026 was certainly the place to be on Sunday. Not even the pouring rain could keep Sydney from pulling up to one of the biggest festivals of the year, thousands flocking in early to catch artists such as Cavetown, Shady Nasty and Teen Jesus and The Jean Teasers.
The weather also didn’t stop the featured artists from giving us their all on the stage, a handful of UK artists even praising the brief pause from the heat, making way for something more comparable to the british summers.
The Belair Lip Bombs, fresh off their European tour brought big energy to the Hope Springs stage, an excellent warm up before heading over to Cavetown at the main stages.
The day flew by in a blur of talent, Shady Nasty was an excellent introduction to the Everything Ecstatic DJ tent, the place was seriously packed out, and Wisp was another crowd favourite with their alt, shoe-gazy sound that took over the space.
Of course, checking out Teen Jesus in between was a non-negotiable, with the recent release of their album “Glory“, they garnered quite the hype and were an honest highlight of the day.
A quick dash back to center stage got us to Alex G in the nick of time, then it was a quick lunch break before a crazy back to back trio of Lucy Dacus, The Dare and Role Model. All three brought a unique energy to each of their spaces, especially The Dare who I genuinely have no words to describe the energy and stage presence of. Just know the next time he plays near you, get to that show immediately.
Geese was next up on my list, and this up and coming band from NYC did not disappoint. Such a cool new sound, a bit rock a bit jazz, and a crowd that are already forming such a loyal fan base for the group here in Sydney.
I’ve heard that Pink Pantheress put on an incredible show, drawing insane crowds to the tent, so much so it had people climbing trees to get a look. I however, was not one of those brave enough to venture into such a crowd, as I was busy gearing up for Wet Leg over at the main stage.
I popped over just in time to catch The Wiggles make a special guest appearance as Role Model’s “Sally”, before heading into the pit to enjoy the UK band’s incredible performance. The show was phenomenal, made even better by the iconic red landline microphone that they brought out for CPR.
The final few sets were definitely a stretch to try and get to all at once. Malcolm Todd really delivered on a great sound and performance for his adoring fans, but I have beef with whoever scheduled him at the same time as Wolf Alice. Alas, that is the festival lifestyle, so it was quite the sprint (and I mean that in the most literal sense I can assure you) for myself and a few others to get there in time for the group, but there were zero regrets. Definitely one to see if you’re attending any of the other Laneway dates.
Finally, to end the night, a quick stop over at Yung Lean and Bladee (incredible) before what everyone had been waiting for. I swear I blinked and every stage had emptied within seconds, everyone headed to the same spot to try and catch a glimpse of pop phenomenon (Femininomenom even) Chappell Roan.
Despite the absolutely insane crowd, it was the perfect end to the perfect day. Chappell has a stage presence and personality like no other, controlling the environment around her to create a truely emersive show. It was such a treat to have her here again, after her 2023 show at Liberty Hall, it was quite the change of pace. Either way I think we are all hoping to have her back here as soon as possible, just to witness another show of a lifetime.
