WHEN KEV MET BOB RIDES AGAIN: AUSTRALIA’S BELOVED MUSICAL ICONS KEVIN MITCHELL & BOB EVANS REUNITE FOR NATIONAL TOUR IN NOV/DEC
Off the back of the monumental success of the inaugural When Kev Met Bob tour last year, Australia’s beloved musical icons Kevin Mitchell and Bob Evans are reuniting for another momentous national tour in November and December, returning to capital cities and playing at a haul of new regional markets. Igniting audiences with its innovative blend of rock and melodic folk, and playing to sold-out venues across the country in 2023, Kev is thrilled to announce the return of the tour, aptly titled When Kev Met Bob Rides Again, with tickets onsale now from www.bobevans.com.au.
Two great singer-songwriters, Kevin Mitchell—frontman of the iconic post-grunge ‘90s rock band Jebediah, and treasured folk artist Bob Evans—both men driven by an unrelenting curiosity and desire to push boundaries. The fact they’re one and the same individual hardly matters, to Kev and Bob it’s all about the music.
When Kev Met Bob Rides Again will launch across the country, kicking off in Brunswick Heads on November 14, before making stops at Gold Coast, Brisbane, Belgrave (Victoria), Perth, Adelaide, Newcastle, Caringbah, Bulli and Sydney, finally, returning to Kev’s adopted hometown of Melbourne for a grand finale at the Northcote Social Club on December 14.
Fans can expect a captivating performance that spans over 30 years of music, blending the high-energy rock anthems of Kev’s seminal masterwork, Jebediah, with the reflective, acoustic melodies of his ARIA award-winning alter ego Bob Evans, featuring a carefully curated selection of fan favourites, alongside new additions from Mitchell’s extensive 12 album catalogue.
The tour will blur the lines between Kev and Bob’s unique styles, swapping out electric and acoustic instruments as needed. For diehard fans of both acts, the upcoming shows will be a celebration of what makes these two artists so special and revered by music fans across the country. “Last year I took the plunge with something that had been at the back of my mind for many years, playing a show that combined my Jebediah and Bob Evans songs together for the first time ever,” explains Kev. “For nearly 30 years I had kept them completely separate but now felt ready to step into a new era. The result was much more than I had expected, sold out shows and a peculiar feeling of completeness that was new. Simply put, it was the most satisfying run of shows I had done in years, and I knew straight away that I had to do it again. So why not now, at the end of 2024? In a year where Jebediah released their first new album in over a decade and with so many other Jebs and Bob songs to choose from, this new round of When Kev Met Bob shows will revisit the best moments from the last tour and add a whole batch of different songs into the mix, stretching all the way back to 1996 and right up to the present”.
When Kev Met Bob Rides Again is not just a return of a successful tour; it is a testament to Mitchell’s enduring love for music and his dedication to his craft. Kev’s alter-ego Bob was born even as Mitchell was at the height of his success with radio and festival mainstay Jebediah. While the band was recording their second album Of Someday Shambles in 1999, Kev began penning songs under his Bob Evans moniker. Since then, Bob has won multiple ARIA awards across his six-album career, with his most recent Tomorrowland released in 2021, and Jebediah just this year released OIKS, the band’s first new album in 13 years, with OIKS catapulting their iconic past and present into a dazzling new era. Over nearly three decades, Kev has continued to push the boundaries of his artistry, from the fuzz pedal guitar-driven energy of Jebediah’s alt-rock to the semi-acoustic stylings of Bob Evans.
When Kev Met Bob Rides Again promises to be an unmissable event, offering a unique opportunity to see two of Australia’s most beloved musical personas in the flesh, as one artist delivers a performance at the height of his creative achievement.
Decades of musical excellence and innovation once again culminate in a concert for the ages. When Kev Met Bob Rides Again promises to be an extraordinary tribute to one of this country’s best loved troubadours.
Tickets to When Kev Met Bob Rides Again are on sale now from www.bobevans.com.au.
WHEN KEV MET BOB RIDES AGAIN NATIONAL TOUR
Presented by Select Music and Catherine Haridy Management
THU 14 NOV | BRUNSWICK PICTURE HOUSE, BRUNSWICK HEADS NSW | 15+ | supported by Liv Marlton
Tickets available from www.eventfinda.com.au | 1800 710 499 | All Eventfinda Outlets
FRI 15 NOV | MO’S DESERT CLUBHOUSE, GOLD COAST QLD | 18+| supported by Liv Marlton and Bronte Eve
Tickets available from www.mosdesertclubhouse.
SAT 16 NOV | THE BRIGHTSIDE, BRISBANE QLD | 18+| supported by Katie Wighton
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
FRI 22 NOV | SOOKI LOUNGE, BELGRAVE VIC | 18+| supported by Amaya Laucirica
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
FRI 29 NOV | ROSEMOUNT HOTEL, PERTH WA | 18+| supported by Artfool
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
SAT 30 NOV | GRACE EMILY HOTEL, ADELAIDE SA | 18+| supported by Katie Pomery
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
THU 5 DEC | FLAMINGOS LIVE, NEWCASTLE NSW | 18+
Tickets available from www. | 02 4956 2066 | Venue
FRI 6 DEC | LANSDOWNE HOTEL, SYDNEY NSW | 18+| supported by Georgia Mooney
Tickets available from www.moshtix.com.au | 1300 GET TIX | All Moshtix Outlets
SAT 7 DEC | HUXLEYS, CARINGBAH NSW | 18+| supported by Georgia Mooney
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
SUN 8 DEC | HERITAGE HOTEL, BULLI NSW | 18+| supported by Georgia Mooney
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
SAT 14 DEC | NORTHCOTE SOCIAL CLUB | MELBOURNE VIC | 18+| supported by Amaya Laucirica
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
|
|
Mollono.Bass drops new magical single ‘Orange Sky’ on 3000Grad Records
Mollono.Bass, the innovative German producer and co-founder of the acclaimed labels Acker Records and 3000° Records, continues to captivate the electronic music scene with his distinctive blend of organic house and melodic techno. With a career spanning over two decades, his music combines a rich emotional depth with the driving energy of the dancefloor, reflecting his rural surroundings and long-standing passion for experimentation.
His latest release, Orange Sky, is another mesmerizing addition to his ever-evolving soundscape. The track showcases Mollono.Bass’s signature ability to weave together intricate, sensual melodies with deep, pulsating basslines. The bass in Orange Sky flows effortlessly, like a mountain stream gliding over smooth rocks, while the emotional core of the track emerges from delicate piano notes and subtle vocal harmonies. The song’s atmospheric layering evokes the beauty of a sunset, with each sonic element mirroring the soft transitions of light across the sky.
What makes Orange Sky stand out is its versatility. Different versions of the track are designed to fit various moods, whether you’re immersed in a sunset groove at an open-air festival or seeking an intimate, reflective moment at home. Mollono.Bass continues to push the boundaries of electronic music, offering listeners a uniquely emotive and immersive experience. Whether you’re new to his music or a longtime fan, Orange Sky promises to deliver a profound journey through sound.
https://www.instagram.com/
Multi-platinum Artists – Cheat Codes and Julia Church, Collaborate on Soundtrack To Dating Let-downs – ‘Modern Tragedy’
Title: Modern Tragedy
Label: Self-release (distributed via Create Music Group)
In an impressive team-up of talent, the Los Angeles trio Cheat Codes and acclaimed Durban-born and London-based singer-songwriter Julia Church combine forces for their new single – “Modern Tragedy.” The track sits at the Cheat Codes‘ signature intersection of dance-electronic and pop, riding on undulating basslines, driving beats, and ethereal melodies from the famed producers, while Julia‘s breathy and soulful vocals bring some wistful and yet hopeful emotions to the entire composition.
“In a world where tragedy seems to be the only constant, we took that pain and transformed it into something greater. Working with Julia, we didn’t just make a track – we created a story that speaks to the struggle and finds beauty in the darkest moments. It’s a reminder that even in the chaos, there’s a harmony waiting to be found.” – Cheat Codes
“‘Modern Tragedy‘ is about navigating the trials and tribulations of modern dating. Feeling as though you’re stuck in a perpetual merry-go-round of excitement and let-downs. I wrote this after being ghosted by someone I really liked. Sometimes all you can do is laugh (and write a song about it).” – Julia Church
Church has worked with some A-list electronic acts in the past, such as John Summit, Diplo, Sub Focus, Kaskade, CamelPhat, Gorgon City, Robin Schulz, to name only a handful, and her performance truly shines when added to Cheat Codes‘ dynamic and creative production prowess. After putting out a pop ballad – “Bloom” with Train, last month, “Modern Tragedy” sees them returning to the dance-electronic realm.
Cheat Codes
Los Angeles trio Cheat Codes remains an inescapable musical force hopscotching through electronic, dance, pop, and now country genres, leaving an impact of innovation and collaboration throughout popular culture. Their total stream tally eclipses a staggering over 6 billion plays. Maintaining a prolific pace, they’ve steadily amassed a diverse discography, including the platinum Pop Radio Top 5 smash “No Promises” (feat. Demi Lovato), the gold-certified “Feels Great” (feat. Fetty Wap, CVBZ), and gold-selling breakout “SEX” with Kriss Kross Amsterdam. Speaking to their international impact, “Only You” (feat. Little Mix) soared to #1 on pop radio in the UK, while they received dozens of platinum certifications in 20 countries. On top of this, they have also done remixes for pop sensations Ed Sheeran and Sam Smith. Igniting clubs worldwide, their 2019 “Level 2” EP yielded the #1 Dance Radio hit “Who’s Got Your Love” (feat. Daniel Blume) in addition to “Ferrari” (feat. Afrojack) and “Be The One” (feat. Kaskade). Acclaimed by Rolling Stone, Paper, TIME, Billboard, and more, the musicians have shut down The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel LIVE! and Good Morning America with stunning and show-stopping performances. Over the past two years, the band has released 4 very different and acclaimed albums focusing on the guys personal style and taste – “Hellraisers Part 1” (pop), “Hellraisers Part 2” (alternative), “Hellraisers Part 3” (dance) and “One Night in Nashville” (country). Collaborations included Tyson Ritter, Travis Barker, blackbear, Icona Pop, Felix Jaehn, and country legends Dolly Parton, Lady A, and Lee Brice just to name a few. Cheat Codes recently released “Location” featuring A7S and “You Don’t Even Know Me” with Sam Feldt, as they are currently focused on returning to their dance-pop roots.
Julia Church
Based in London by way of Durban, South Africa, Julia Church is a multi-platinum-selling artist and songwriter. Her collaborations include John Summit, Diplo, Sub Focus, Kaskade, CamelPhat, Gorgon City, and Robin Schulz, to name a handful. The music she has been involved with has topped Billboard charts, radio airplay charts, and club charts globally, with streams amassing over 300M. She has become notorious for her infectious melodies and distinctive soulful honey-like vocals and has solidified herself as a gem in the electronic and pop world, writing for some of the space’s most respected artists and songwriters. She has also performed at the likes of Printworks, Tomorrowland, Electric Brixton, Outernet and Melkweg. Church is no stranger to writing for other artists. Recent cuts include Australian breakthrough artist Grentperez, DJ Zinc, Eli & Fur, Will Clarke, Joel Corry, Le Youth, Hayden James, and more. Julia is also well accustomed to the cinematic world, having worked with musician and composer Tom Ashbrook + BAFTA and Ivor Novello award winner Rob Lane, with three of their collaborations featuring on Sky Atlantic‘s “A Discovery Of Witches,” recorded at AIR Studios. Julia Church continues to write and perform for some of the most recognized names in music, with her biggest cuts and collabs yet to come.
Cheat Codes‘ forthcoming tour dates:
Sep 28 – Dallas, TX – Bottled Blonde
Oct 05 – San Francisco, CA – Temple
Oct 11 – Monterey, CA – Worlds Away Pre-Party
Oct 24 – Coral Gables, FL – University of Miami
Oct 25 – Charleston, SC – Trio
Oct 26 – Greenville, SC – Voyage Music Festival
Nov 29 – New York City, NY – Marquee
Nov 30 – Boston, MA – Big Night Live
Dec 06 – Denver, CO – Church Nightclub
Dec 07 – Salt Lake City, UT – Sky
Dec 31 – Scottsdale, AZ – Barstool
RAYHAB is the stage name for independent singer, songwriter & producer Natasha K Newling.
With a unique background in professional dance, acting and music production as well as significant personal adversity, Newling has created an empowered artistic vision, one that presents the experience of the world around her through her moniker RAYHAB.
On her artist’s name, Newling comments “I created RAYHAB to establish a distinct identity, separating my work as a producer and engineer from my journey as a recording artist. The name resonated with me. It stems from a sex worker in the bible, the world saw her as nothing but through conviction she was deemed to be worth so much more.”
Newling is an authentic storyteller, her music can be described as eclectic, alt-pop with an experimental playfulness. Embodying a sense of opulence, with rich, layered production that evokes a cinematic experience.
Her latest offering titled, ‘Overkill’ dives into the emotional rollercoaster of a relationship that turned sour with lies and deceit. Newling draws inspiration from a short-lived romantic encounter. Each element feels intentional, weaving together to tell a compelling story through lyric and sound. The storytelling in the song is deeply emotive, drawing listeners in, with heartfelt lyrics and dynamic vocals. Pop with depth, catchy melodies with emotional complexity that lasts long after the song ends.
On writing the song, Newling says, “I imagined continuing a life with a cold and indecisive partner. Through songwriting it was easy to see that I need not lament on a relationship lacking in communication, as it revealed all roads would lead to sadness.”
Newling first burst onto the music scene with her debut release “Will It End?” in 2020, garnering airplay on community radio, Triple J, and ABC Rage. Behind the scenes, Newling honed her production and engineering prowess, working alongside Australia’s top producers and is now a resident producer at Sydney’s Forbes Street Studios. She has racked up credits assisting on various projects including Women Of Soul, Moaning Lisa, and Emilee South; co-writing Will Not Let Them Win for Jess Hitchcock’s latest album, UNBREAKABLE; and engineering and producing for newly formed artist, Marigolden.
Following the recent release of single, Only 21, Newling’s focus is firmly back on RAYHAB, as she gears up to unleash her meticulously crafted, self-written, produced, and engineered debut EP ‘Residue’ which has drawn comparisons to luminaries such as Aurora, Grimes, and Kate Bush.
Overkill is out now on all digital streaming platforms.
Bridge Left to Burn Unleashes Defiant Metalcore Anthem “Vile” – A Brutal Response to Sexism in the Heavy Scene
Brace yourselves for a thrilling new release as Bridge Left To Burn unveils their latest single, “Vile”, a blistering metalcore track that is here to obliterate stereotypes and serve up some serious attitude. This powerhouse track is more than just a song; it’s a defiant middle finger to the naysayers and a rallying cry for women in the heavy music scene.
“Vile” isn’t just a song; it’s a statement. It’s for every woman who’s ever been underestimated, sidelined, or dismissed. It’s for those who’ve fought to be heard in a male-dominated space and are sick of being told they don’t belong. This is more than music; it’s a declaration of power and a testament to resilience.
Right before the brutal breakdown, “Vile” features a clip from a sexist comment that was made towards the band by a YouTuber, setting the stage for a sonic onslaught that will make you want to throw your horns up and scream. This provocative element underscores the song’s message: a resolute “screw you” to anyone who has ever tried to undermine or diminish the role of women in heavy music.
“We wanted ‘Vile’ to be more than just a song” says [Vocalist Ava Sukkar]. “It’s a statement of resilience and empowerment. By using the clip of the sexist comment, we’re turning negativity into fuel, showing that we won’t be silenced or sidelined. This is our way of saying ‘We’re here, and we’re not going anywhere.’”
Friday 3 January – The Timber Yard, Naarm/Melbourne
Electronic music icon, RL Grime has announced a Victorian exclusive headline show in Melbourne this summer. Presented by TEG Live and Untitled Group, the artist’s long-awaited return will take place in Melbourne at The Timber Yard, on Friday 3 January 2025.
RL Grime’s return to Australian shores marks his first headline appearance since 2018 followed closely by a series of festival performances in 2019 that left fans eagerly awaiting his return. His exclusive Melbourne show is part of his January visit, including performances at Wildlands Festival in Perth and Brisbane.
RL Grime’s viral remixes of Chief Keef’s “Love Sosa” and Kanye West’s “Mercy” garnered huge attention and praise, cementing him as an artist to watch. His unmistakable sound, sleek monochromatic aesthetic, animated music videos, and infamous annual Halloween mixes, featuring highly anticipated voice cameos from the likes of Pharrell, T-pain, Tony Hawk, and Guy Fieri, set him apart as one of the most innovative figures in his field.
The uncompromising artist has become a fixture in the fabric of live, electronic music across an entire list of flagship festivals, including Coachella & Lollapalooza as well as a pioneer in electronic music creation and production. His debut album “VOID” (2014) premiered as the top Electronic album in the United States, holding the #1 spot for a month. Prior to releasing his second album, he made rare appearances in collaborations with artists including Big Sean, Miguel, and Skrillex where shortly after in 2018 his second album “NOVA” was released. His latest album “PLAY”, released in 2023 under his own label Sable Valley, has been described as “a masterclass in innovation” by EDM.com.
Joining RL Grime on this one off show will be the incredible Ninajirachi and Kaliopi.
Tickets will disappear for RL Grime’s only Melbourne headline show. Do not miss the chance to experience this truly one-of-a-kind, innovative artist live in Melbourne.
Presale Registration HERE
Presale tickets go on sale 12PM AEST Wednesday 18 September
Tickets on sale 12PM AEST Thursday 19 September
GRINSPOON KICK OFF ‘whatever, whenever, wherever’ 43 DATE AUS TOUR
Australian rock icons Grinspoon are psyched to hit the road for their anticipated whatever, whenever, wherever tour, set to kick off tonight with a sold out show at Ballina RSL, before rolling on to sold out shows at Vinnie’s Dive Bar (Gold Coast) tomorrow and The Tivoli (Brisbane) on Friday, before moving to Toowoomba on Saturday and back to the Gold Coast on Sunday. The extensive tour, a run of 43 shows nationally, has fans from all pockets of the country eagerly anticipating the chance to see Grinspoon perform live at some of Australia’s best loved venues.
Following the release of the band’s new album, whatever, whatever, Grinspoon landed an impressive #3 ARIA Album chat debut for their 8th studio album release, their first new release in 12 years. The record’s success underscores the band’s enduring appeal and their ability to deliver music that resonates deeply with their audience.
Grinspoon’s tour promises an electrifying experience, celebrating their new music while paying homage to the hits that have defined their career. Each show will feature a dynamic setlist that includes tracks from whatever, whatever alongside fan favorites from their extensive back catalogue.
“One cannot help but be bursting at the proverbial seams with the imminent arrival of the ‘whatever, whenever, wherever’ tour. We cannot wait to play these songs to people because they’re new; we also cannot wait to see the people because we haven’t seen them for so long. Mackay I’m looking at you, Cairns, what’s it been? Seven years?
It fills us with great excitement, joy, and danceathons, anticipating our touchdown in the regional areas and in the capital cities, especially on Tuesday nights. Why Tuesday nights? Because Tuesday night is a night that people could be partying but they don’t. It’s kind of the rejected night, Tuesdays. Where restaurants and movie theatres run special offers to fill empty seats. We want to bring Tuesdays back to the masses. We wanna make Tuesdays part of the vernacular again. What are you doing Tuesday? This should be the new, ‘what are you doing Friday?’ This is our mission. What are you doing Tuesday? We’re seeing Grinspoon. That’s what we’re doing. What are you doing Wednesday? We’re gonna go see Grinspoon again, because they were so good on Tuesday. So forget Friday, forget Saturdays. Let’s do Tuesdays. See you soon? – Phil Jamieson.
Tickets for the remaining shows are selling fast, and fans are encouraged to secure their spots soon to avoid disappointment. For more information on tour dates and ticket availability, please visit Grinspoon’s official website.
With 13 ARIA Award nominations, over half a million records sold, and an untouchable live reputation, their impact on contemporary Australian rock is undeniable. Grinspoon’s influence continues to shape the Australian rock scene, and whatever, whatever is a testament to their lasting legacy and creative rejuvenation.
Set to tear up stages around Australia with Press Club as main support for all shows, tickets to the band’s extensive 43 date ‘whatever, whenever, wherever’ tour are moving fast.
Ballina, Southport, Brisbane x 2, Gladstone, Mackay, Townsville, Coffs Harbour, Port Macquarie, Pooraka, Adelaide, Barwon Heads and Perth shows are already sold out.
Tickets to remaining shows are available from grinspoon.com.au/.
Grinspoon ‘whatever, whenever, wherever’ tour
Presented by Triple M, with Press Club as main support
TUE 17 SEP | BALLINA RSL, NORTHERN RIVERS | NSW | 18+ GA / AA | 7-10 pm *SOLD OUT
Tickets available from the Club & https://grinspoon.oztix.com.
WED 18 SEP | VINNIE’S DIVE BAR, SOUTHPORT, GOLD COAST NRTH | QLD | 18+ GA | 7-10 pm *SOLD OUT
Plus IXARAS. Tickets available from https://grinspoon.oztix.
FRI 20 SEP | THE TIVOLI THEATRE, BRISBANE | QLD | 18+ GA | 7:30-10:30 pm *SOLD OUT
Plus IXARAS. Tickets available from www.ticketmaster.com.au | 1300 446 925 | All Ticketmaster Outlets
SAT 21 SEP | THE POWERHOUSE, TOOWOOMBA | QLD | 18+ GA | 7:30-10:30 pm *final tx
Plus IXARAS. Tickets available from https://grinspoon.oztix.
SUN 22 SEP | MIAMI MARKETTA LANEWAY, GOLD COAST | QLD | 18+ GA Floor O12+Guardian | 4-8pm *low tx
Plus IXARAS. Tickets available from https://grinspoon.oztix.
TUE 24 SEP | THE DAG PUB, D’AGUILAR | QLD | 18+ GA / AA+ Guardian | 7-10 pm *low tx
Tickets available from https://grinspoon.oztix.
WED 25 SEP | MULTIPLEX CONVENTION CENTRE, BUNDABERG | QLD | 18+ GA / AA+ Guardian | 7-10 pm *venue upgrade
Tickets available from https://grinspoon.oztix.
FRI 27 SEP | HARVEY RD TAVERN, GLADSTONE | QLD | 18+ GA | 7:30-10:30 pm *SOLD OUT
Tickets available from https://grinspoon.oztix.
SAT 28 SEP | GREAT WESTERN HOTEL, ROCKHAMPTON | QLD | 18+ GA /AA | 7:30-10:30 pm
Plus IXARAS. Tickets available from https://grinspoon.oztix.
TUE 1 OCT | SEABREEZE HOTEL, MACKAY |QLD | 18+ GA | 7-10 pm *SOLD OUT
Tickets available from https://grinspoon.oztix.com.
WED 2 OCT | MAGNUMS HOTEL, AIRLIE BEACH | QLD | 18+ GA | 7-10 pm *final tx
Tickets available from https://grinspoon.oztix.com.
FRI 4 OCT | QUEENS BEACH HOTEL, BOWEN | QLD | 18+ GA | 7:30-10:30 pm *low tx
Tickets available from https://grinspoon.oztix.
SAT 5 OCT | DALRYMPLE HOTEL, TOWNSVILLE | QLD | 18+ GA | 7:30-10:30 pm *SOLD OUT
Plus IXARAS. Tickets available from https://grinspoon.oztix.
MON 7 OCT | HINCHINBROOK SHIRE HALL, INGHAM |QLD | 18+ GA | 5:30-9 pm *final tx
Tickets available from https://grinspoon.oztix.com.
FRI 11 OCT | BURDEKIN MEMORIAL HALL, HOME HILL (AYR) | QLD | 18+ GA | 7:30-10:30 pm *final tx
Tickets from www.burdekintheatre.com.
SAT 12 OCT | BROTHERS LEAGUES CLUB, CAIRNS | QLD | 18+ GA / AA | 7:30-10:30 pm *final tx
Plus IXARAS. Tickets available from the Club https://grinspoon.oztix.com.
WED 16 OCT | THE STATION, SUNSHINE COAST | QLD | 18+ GA/AA/VIP | 6:30-9:30 pm
Tickets available from https://www.moshtix.com.au/v2/
FRI 18 OCT | RACEHORSE HOTEL, IPSWICH | QLD | 18+ GA | 7:30-10:30 pm *final tx
Plus IXARAS. Tickets available from https://grinspoon.oztix.
SAT 19 OCT | THE PRINCESS THEATRE, WOOLLONGABBA | QLD | 18+ GA Floor/ AA seated balcony | 7:30-10:30 pm *SOLD OUT
Plus IXARAS. Tickets available from www.ticketmaster.com.au | 1300 446 925 | All Ticketmaster Outlets
SUN 20 OCT | DISTILLERY ROAD BREWERY, BEENLEIGH | QLD | 18+ GA Floor / 12+ AA | 4:30-8pm
Plus IXARAS. Tickets available from https://grinspoon.oztix.
TUE 22 OCT | METRO THEATRE, SYDNEY | NSW | 18+ GA Floor, AA RES Balcony | 7-10 pm *low tx
Tickets available from www.ticketek.com.au | 132 849 | All Ticketek Outlets
FRI 25 OCT | SAWTELL RSL, COFFS HARBOUR | NSW | 18+ GA | 7:30-10:30 pm *SOLD OUT
Plus Purple Disturbance. Tickets available from Club & https://grinspoon.oztix.com.
SAT 26 OCT | WEST TAMWORTH LGS, TAMWORTH | NSW | 18+ GA | 7:30-10:30 pm
Plus Purple Disturbance. Tickets available from https://grinspoon.oztix.
SUN 27 OCT | FINNIAN’S TAVERN, PORT MACQUARIE | NSW | 18+ GA 5-8:30pm *SOLD OUT
Plus Korderoy. Tickets available from https://grinspoon.oztix.
TUE 29 OCT | UNI – BAR ON THE HILL, NEWCASTLE | NSW | 18+ GA /AA | 7-10 pm *low tx
Tickets available from https://grinspoon.oztix.
WED 30 OCT | DRIFTERS WHARF, GOSFORD| NSW | 18+ GA| 7-10 pm *low tx
Tickets available from https://grinspoon.oztix.com.
FRI 1 NOV | SYDNEY COLISEUM, ROOTY HILL| NSW | 18+ GA & RES / AA balcony | 7:30-10:30 pm
Plus Purple Disturbance. Tickets available from www.ticketek.com.au | 132 849 | All Ticketek Outlets
SAT 2 NOV | THE CUBE, CAMPBELLTOWN | NSW | 18+ GA | 7:30-10:30 pm *final tx
Plus PUFF. Tickets available from https://www.thecube.net.
SUN 3 NOV | WAVES TOWRADGI BEACH HOTEL, WOLLONGONG |NSW | 18+ GA | 7-10 pm
Plus PUFF. Tickets available from https://www.moshtix.com.au/v2/
TUE 05 NOV | 170 RUSSELL ST, MELBOURNE | VIC | 18+ GA | 7-10 pm *final tx
Tickets available from https://www.moshtix.com.au/v2/
FRI 8 NOV | BRIDGEWAY HOTEL, POORAKA, ADELAIDE | SA | 18+ GA | 7:30-10:30 pm *SOLD OUT
Plus Ocar The Wild. Tickets available from https://grinspoon.oztix.
SAT 9 NOV | THE GOV , ADELAIDE | SA | 18+ GA / AA+ guardian | 7:30-10:30 pm *SOLD OUT
Plus Ocar The Wild. Tickets available from https://grinspoon.oztix.
SUN 10 NOV | NORTHERN SOUND SYSTEM EVENT CENTRE, ELIZABETH | SA| LIC/AA |5-8pm *final tx
Tickets available from NSS Tickets available from https://www.moshtix.com.au/v2/
TUE 12 NOV | COMMERCIAL HOTEL, SOUTH MORANG |VIC | 18+ GA | 7-10 pm *final tx
Tickets available from https://grinspoon.oztix.com.
WED 13 NOV | VILLAGE GREEN, MULGRAVE | VIC | 18+ GA | 7-10 pm *final tx
Tickets available from https://grinspoon.oztix.com.
FRI 15 NOV | PIER BANDROOM, FRANKSTON | VIC | 18+ GA | 7:30-10:30 pm *final tx
Plus Daddy Issues. Tickets available from https://grinspoon.oztix.com.
SAT 16 NOV | ALL SEASONS, BENDIGO | VIC | 18+ GA | 7:30-10.30 pm *final tx
Plus Daddy Issues. Tickets from https://www.moshtix.com.au/v2/
SUN 17 NOV | BARWON HEADS HOTEL, SURF COAST | VIC | 18+ GA / AA TBC | 6:30-9:30 pm *SOLD OUT
Plus Daddy Issues. Tickets available from https://grinspoon.oztix.
TUE 26 NOV | ASTOR THEATRE, PERTH | WA | 18+ GA Floor, AA Balcony | 7-10 pm *SOLD OUT
Tickets available from www.ticketek.com.au | 132 849 | All Ticketek Outlets
FRI 29 NOV | MUNDARING WEIR HOTEL, MUNDARING | WA | 18+ GA | 6:30-10:30 pm *low tx
Plus Lonesome Dove. Tickets available from https://grinspoon.oztix.com.
TUE 3 DEC | COUNTRY CLUB TASMANIA, LAUNCESTON | TAS | 18+ GA & RES/ AA Balcony | 7-10 pm *low tx
Tickets available from www.ticketmaster.com.au | 1300 446 925 | All Ticketmaster Outlets
WED 4 DEC | FRANKIE J’s, DEVONPORT | TAS | 18+ GA | 7-10 pm *final tx
Tickets from https://www.moshtix.com.au/v2/
FRI 06 DEC | ODEON THEATRE, HOBART | TAS | 18+ GA Floor, RES Balcony AA | 7:30-10.30pm
Tickets available from https://www.moshtix.com.au/v2/
|
|
Teon Gibbs is a versatile recording artist renowned for his exceptional songwriting and unique vocal style. His journey from South London and Botswana to his native Canada has shaped a rich and eclectic musical identity. Teon’s sound blends R&B, Soul, and Hip-Hop into a distinctive mix that resonates globally. With his smooth, soulful voice and relatable lyrics, he connects deeply with his audience.
Over the years, Teon has released several successful albums and singles, earning critical acclaim and charting on major music platforms. His evolving sound, shaped through collaborations with Grammy and Juno award-winning producers, has been highlighted by Complex, Earmilk, Wonderland, CTV, and CBC. His growing fan base is excited about his future releases and the impact of his music.
With the release of The Calm Before, Teon has given listeners a glimpse into the new direction of his sound. His work with producers such as Akeel Henry, Chin Injeti, and Anthony Craig Bell has not only refined his musical style but also reinforced his role as a prominent figure in the Canadian Black Community.
German Techno Pioneer Tom Wax returns with thrilling techno single “Move Your Soul”
For more than 30 years, Tom Wax has remained a key figure in the evolution of techno and house music, both in Germany and internationally. Since his debut in 1988, Wax has pushed the boundaries of electronic music, crafting a unique sound that merges the relentless drive of techno with the rhythmic grooves of house. His influence resonates across dancefloors around the world, as countless DJs and producers continue to draw inspiration from his innovative approach to production and sound design.
What truly sets Wax apart is his ability to evolve while maintaining a deep connection to the roots of his sound. Throughout the ’90s, he made his mark with projects like Arpeggiators and DJ Tom & Norman, creating timeless tracks such as “Cosmic Evolution” and “Freedom of Expression” on revered labels like R&S and Harthouse Frankfurt. His international breakthrough arrived in 1995 through AWeX, a collaboration with Thorsten Alder, which brought forth the legendary anthem “It’s Our Future” on the iconic Plastic City imprint—a track that remains an essential part of techno’s rich history.
In the 2000s, Wax shifted his focus to his solo career, steadily releasing music on high-profile labels such as Toolroom, Filth On Acid, and his own Phuture Wax imprint. His latest release, the hard-hitting single “Move Your Soul” on Better ‘With You Music, showcases his ability to stay relevant in today’s electronic music scene, effortlessly blending fresh elements with his signature Wax sound. The track is a powerful reminder that Wax is still at the forefront, crafting music designed to ignite dancefloors across the globe.
Beyond his prolific output as a producer, Tom Wax has also played a vital role behind the scenes. His work as an A&R for Harthouse/Eye Q and Music Research has helped shape the careers of emerging talents, while his long-standing residency at the legendary Dorian Gray club in Frankfurt cemented his reputation as a DJ capable of commanding any crowd. Collaborating with major players like CJ Bolland, Marshall Jefferson, and Kai Tracid, Wax’s career is further highlighted by a staggering number of remixes for legendary acts like Erasure, Yello, and Jam & Spoon.
With no signs of slowing down, Tom Wax continues to push the boundaries of techno and house, staying true to his craft while constantly evolving. His latest release “Move Your Soul” is proof that, after three decades, Wax remains a crucial force in the electronic music world, as relevant and innovative as ever.
https://www.instagram.com/tomwaxofficial
https://www.instagram.com/bwymusic/
Empire of the Sun announce Crooked Colours and Sumner as special guests on the Ask That God Australian Tour Oct-Nov
Tour kicks off next month | Sydney and Perth sold out
Australian electronic dance group Crooked Colours and alt-electro duo Sumner will join Empire of the Sun as special guests on the Ask That God Australian Tour this Oct & Nov
Sumner join Empire of the Sun on all dates, with Crooked Colours joining in Melbourne and Brisbane only
Sydney and Perth sold out
Final Melbourne and Brisbane tickets on sale now via frontiertouring.com/
Frontier Touring is excited to announce Empire of the Sun’s ‘Ask That God’ Australian Tour will be an all-Aussie affair – with alt-dance group Crooked Colours and Tasmanian alt-electro duo Sumner joining the electro pop wizards as special guests on their tour this October & November.
Kicking off next month at the Hordern Pavilion, Sydney (sold out) on Thursday 24 October, Empire of the Sun’s iconic return with a kaleidoscopic holistic live show will head to Sidney Myer Music Bowl, Melbourne on Saturday 26 October then onto Riverstage, Brisbane on Tuesday 29 October before a west coast show at Red Hill Auditorium, Perth (sold out) on Friday 1 November.
Final Melbourne and Brisbane tickets are on sale now via frontiertouring.com/
 |
Watch: Empire Of The Sun – Happy Like You (Official Video)
Empire of the Sun, the visionary Australian electronic duo comprising Luke Steele and Nick Littlemore, have been making waves across the world with phenomenal live shows and anthemic smash hits for the last decade as one of Australia’s most successful musical exports. Hits include ‘Walking On A Dream’, ‘Alive’, ‘We Are The People’, ‘High And Low’, ‘Half Mast’ and ‘Standing On The Shore’.
With over 6.6 million albums sold globally and a staggering 12.7 billion streams, Empire of the Sun’s have released four studio albums, Walking On A Dream (2008), Ice On The Dune (2013), Two Vines (2016) and 2024’s Ask That God, their first studio album in eight years featuring the visually stunning videos, ‘Changes’, ‘Music On The Radio’ and ‘Cherry Blossom’, ‘The Feeling You Get’ and ‘Happy Like You’.
 |
Watch: Crooked Colours – Flow (Official Video)
Alt-dance group Crooked Colours will join as special guests on Empire of the Sun’s Melbourne and Brisbane dates.
Crooked Colours are the live electronic dance act from Fremantle, Western Australia. Forming in 2013 the band have gone on to release three critically acclaimed albums Vera in 2017, Langata in 2019 and Tomorrows in 2022. These albums include 4 x platinum award singles ‘Flow’, ‘I Hope You Get It‘, ‘Do It Like You’ and ‘Love Language‘ as well as 6 further gold accredited singles in Australia.
Well known for their high energy live performances, the band has toured extensively internationally including numerous internationally recognised festivals such as Bonnaroo, Outside Lands, Life Is Beautiful, Splendour In The Grass, Spilt Milk & Rhythm & Vines to name a few. The band have amassed over 1 billion combined streams across all streaming platforms as well as sold-out headline tours around the world.
 |
Watch: Sumner – Stranded (Official Video)
Joining Empire of the Sun on all Australian dates is alt-electro duo Sumner. Comprised of Chloe Wilson and Jack McLaine, the Tassie pair have garnered critical acclaim for their captivating melodies, intricate electronic production, and authentic lyrics.
Catching the world’s attention in 2018 with their self-released material, Sumner signed to Nick Littlemore and Peter Mayes’ (PNAU) label Lab78 soon after. Releasing their single ‘Stranded’ in 2021, this marked the beginning of a series of singles co-written and produced by PNAU, that propelled the Tasmanian duo to new heights. With over 2.5 million streams and heavy airplay, the song quickly became triple J’s most-played track for over a week.
Sumner has recently supported acclaimed artists such as SAFIA, PNAU and Boo Seeka and has performed at Party In The Paddock, For The Love and Wine Machine, leaving audiences wanting more of their addictive live show.
Don’t miss the incredible Empire of the Sun with special guests Crooked Colours and Sumner this October and November!
EMPIRE OF THE SUN
ASK THAT GOD AUSTRALIAN TOUR
OCTOBER & NOVEMBER 2024
WITH SPECIAL GUESTS CROOKED COLOURS (MELB & BRIS ONLY) & SUMNER (ALL DATES)
Presented by Frontier Touring
FINAL TICKETS ON SALE NOW
via frontiertouring.com/
Thursday 24 October
Hordern Pavilion | Sydney, NSW
Lic. All Ages
SOLD OUT
Saturday 26 October
Sidney Myer Music Bowl | Melbourne, VIC
Lic. All Ages
SELLING FAST
ticketek.com.au
Tuesday 29 October
Riverstage | Brisbane, QLD
Lic. All Ages
SELLING FAST
ticketmaster.com.au
Friday 1 November
Red Hill Auditorium | Perth, WA
Licensed 13+*
SOLD OUT
*Persons 12 & Under are not permitted. 13-17 year olds are permitted if accompanied by a guardian and must remain with them at all times.
Patrons are advised to purchase tickets only through authorised ticket sellers.
We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.
FRINGE FLAVOURS NIGHT MARKET:
QUEEN VIC’S NEW SPRING SERIES RETURNS THIS WEEK
FAST FACTS
When + Time: Every Wednesday from 18 September to 16 October | 5:00pm-10:00pm
Where: Queen Victoria Market – corner Queen and Therry Streets, Melbourne
Parking: Available in the multi-level undercover car park at 452 Queen St, Melbourne
Pricing: Free entry with food, beverages, and goods for purchase
Queen Victoria Market’s popular night market series returns this week for its spring iteration. Partnering with Melbourne Fringe Festival, Fringe Flavours Night Market will bring to life an unparalleled experience of what Melbourne is all about: arts, culture, food and shopping.
Running for five weeks, Queen Vic’s iconic open-air sheds will burst to life with food trucks and stalls, bars and a diverse range of wares from local makers and creators.
Come for the feast, stay for the Fringe! Visitors can feast on a multitude of Melbourne street food while being entertained by Melbourne Fringe Festival’s most spectacular performances.
With no entry fee, visitors are encouraged to come hungry and get ready to eat their art out!
FOOD
Foodies won’t be disappointed with tantalising highlights including:
Pierogi Pierogi: Savour plates and platters of their famous Polish dumplings.
La Trafila: Artisan handmade pasta including Bolognese; sun dried tomato with ricotta and basil pesto; broccoli with garlic and chilli infused oil; and creamy mushroom and truffle.
Boy Churrasco’s: Choose from a selection of meat meals – picanha, chicken, chorizo, pork belly or beef asado – served with salad and smoked chipotle mayo.
La Mano: Delight in smoked beef cheek and cheese tacos or pork and pineapple tacos for a taste sensation like no other.
Toyoki Souffle: Indulge in original, golden custard, fruit lover, matcha green tea or acai souffles.
Crème Brûlée Donuts: Treat yourself to custard and Nutella filled donuts.
Oksusu: For those wanting something a little more unique – corn ice-cream and corn cheese.
DRINKS
Beverage enthusiasts can indulge with three spring-inspired bar menus:
Berry Refreshing Cocktail Bar: blueberry, strawberry, raspberry and blackberry cocktails.
The Margarita Station with jalapeno pineapple and blood orange margs.
Fringe Flavours Bar will be slingingBrick Lane beers, wines from ReWine, spiced rum and gin and tonic cocktails.
ENTERTAINMENT
Fringe Flavours Night Market is packed with entertainment to enhance the experience with performances across the season from:
Tash York (cabaret): Witness the wine-loving antics and witty repartee of this multi-talented cabaret performer known for her dynamic voice and energy.
GRRL Power (music): Get ready for a powerful performance by Fem Belling, Chelsea Wilson, Parvyn Singh and Ofa Fotu as they captivate audiences with their iconic girl-band bangers.
Ruby Slippers (burlesque): Prepare for a high-femme kaleidoscopic performance full of extroversion and light perversion by the globally recognised artist.
Throw Catch Collective (circus): Be amazed by the virtuosic juggling and boundless energy of Australia’s best jugglers blending rhythm, movement and playfulness into a mesmerising circus show.
Bettie Bombshell (burlesque):
Darby James (cabaret): Discover this rising star and unique talent in a captivating cabaret performance.
Boyd Kelly (music): Groove through the Night Market to soulful, funky beats from this innovative DJ.
Your new track ‘A Chosen Death’ packs a punch! Can you tell us a bit about the inspiration behind the song and the themes you wanted to explore?
A Chosen Death was brought to fruition through a deep look into our post pandemic world and the increasingly unhinged and polarised views being fed to the public through traditional media. It poses the question ‘Can we really trust the narrative of our elected leaders or that of whomever is pulling their strings?’. We hope to invite critical thought and observation as well as hope that if we all speak our truth things may get better.
The track dives into post-pandemic life and polarised views in the media. How did the chaos of recent years influence your songwriting process?
From Scott: It’s really opened my eyes to how fragile society is. It’s been hard to put what I’ve wanted to into words without wrongfully condemning myself and by proxy the rest of the band. I’ve never wanted to get political or impose my personal views on anyone. So it’s important for me to write lyrics that everyone can find their own meaning in.
You’ve posed some big questions in the lyrics, like whether we can trust our leaders. What do you hope listeners will take away from the track?
From Scott: I hope to inspire a healthy criticism of our authority and social trends but ultimately the courage to speak ones truth.
What was it like working with Garath Hargreaves on production? Did he help bring a fresh perspective to your sound?
It is always a pleasure working with Gary. He has produced our whole discography and we don’t know if we’ll ever work with anyone else. He has a very good ear for Metalcore production and continuously helps us get the sound we are looking for. Gary also puts a lot into our live sound. He will also be our sound engineer for our tour in Oct/Nov.
You’re kicking off the ‘A Chosen Death’ tour in October. What can fans expect from these live shows? Any surprises in store?
We hope to just go out there and give it our best every single night. We have put a lot of work into constructing a set list that will accommodate our earliest fans to our newest. We hope to bring dynamics into our set that will form a journey to the people in the crowd.
You’ve toured with some heavy hitters like Volumes and Gravemind. How does it feel to get back on the road with new music after the pandemic?
It is very refreshing getting back on the road after the pandemic. During the pandemic we had to cancel our first headline tour around Australia along with our first international show. We were unsure if we would be able to pick up the pieces when the dust cleared. Thankfully we were able to get a couple of opportunities to tour again in 2023 & are stoked that we are able to head out on a headline tour this year.
You’ve got a knack for blending bone-crushing breakdowns with melodic hooks. How do you strike that balance when writing songs like ‘A Chosen Death’?
We all listen to a pretty wide variety of music which lends itself inherently to a bit of a mix when it comes to writing. We almost always write the instrumentals first and fit the vocal placement and lyrical content to the mood of the finished song. Generally when we’re writing we naturally lean towards finding contrast, usually having clean/melodic sections directly before or after heavy sections, blending heavy vocals into the choruses or having both vocalists sing/scream different lyrics at the same time and using a variety of synth/electronics to build the mood of the track. Often we’ll carry the same electronics over from the melodic sections to the heavy sections to help tie them together musically.
The song’s title has a bit of a grim edge. What does ‘A Chosen Death’ mean to you, and how does it tie into the broader message of the track?
A Chosen Death refers directly to the state in which the world has found itself in. Polarising views pushed by government and media have driven humans further and further apart, effectively causing the death of a cohesively functioning society. The catch is that we elected these representatives and we feed back into the media narrative, thereby becoming a death we chose ourselves.
Your upcoming shows are spread across some iconic Aussie venues. Do you have a favourite city to play in, or a memory from past gigs that stands out?
Obviously, our home town of Brisbane is where a lot of the bigger/ most memorable shows we have played, But if we were to pick a town away from home it would have to be Melbourne. Melbourne crowds always seem to welcome us with open arms and we always get a really positive response after every show there.
After the tour, what’s next for UNI/VS? Are there more singles or perhaps a full album in the works?
We have sported the idea of doing a full length album but with the current size of the band and how people consume music in this day and age, we are unsure if putting the energy into a full length is the right thing to do. New music is definitely in the works, how we release it e.g. a full length, EP or singles is still unknown. We are also working on hitting some locations around Australia we haven’t played before, mostly regional towns but are pushing hard to get over to Perth as well.
SHOWS
Friday 5th of October – The Valley Loft – Brisbane
Saturday 12th of October – The Burdekin Hotel – Sydney
Sunday 13th of October – La La La’s – Wollongong
Saturday 2nd of November – Laundry Bar – Melbourne
Sunday 3rd of November – Crown & Anchor – Adelaide
How does it feel to represent Middle Eastern music on a global stage, especially through collaborations such as “808” with BIA?
It’s an absolute privilege. Collaborating with BIA was an amazing musical union and we produced a track that reached #7 on the official Spotify Top-200 United Arab Emirates Charts. With the support of FIVE Hotels and Resorts and Warner Music Central Europe,, the song became a tremendous global hit!
FIVE Music and FIVE Hotels and Resorts have been instrumental in promoting diversity—how has this partnership helped shape your career?
FIVE Music gives multiple diverse artists a strong platform to create, develop and perform. From my own personal experience, signing with FIVE Music has been deeply transformative. At the FIVE Music studio at FIVE Palm Jumeirah, I am able to create the incredible music I produce today, and perform on some of the world’s biggest stages.
“808” blends hip-hop, pop, and dance influences. What was the creative process like in bringing together these different sounds?
As diverse artists collaborating, two uniquely different artistic styles blended together to produce the song of the summer. The song also pays tribute to an iconic instrument – the 808 drum machine. Joining forces with artists who are passionate about high-quality music is always thrilling.
Working with BIA, known for her international success, must have been exciting. How did her style influence the direction of “808”?
It definitely was! BIA is a powerhouse of pure talent and our combined artistic expressions are clearly showcased in “808.” The music video beautifully contrasts Dubai’s dual nature, merging its extravagant lifestyle with fast cars and luxury yachts, alongside the traditional desert dunes.
Middle Eastern music is rising in global popularity—what do you think are the reasons behind this growing trend?
Primarily, it’s about awareness and acceptance, and the direction in which our region is advancing.
This shift signifies not only a greater acceptance of diverse cultures, but also proudly highlights the region’s dynamic progression across all fronts – and borders.
How has your role in the Netflix series “Dubai Bling” impacted your music career and your international recognition?
The show has had great success, and I appreciate all the incredible opportunities that have been associated with being a central figure on a widely-popular Netflix show.
Can you share more about your experience performing at BLING and Paradiso Dubai? How do these venues contribute to the global exposure of Middle Eastern artists?
BLING at FIVE Palm Jumeirah is an incredible underground club where urban music takes centre stage and artists are given a chance to experiment with different genres of music.
Paradiso Dubai (Barcelona 50 Best Bar 2022’s counterpart in the Middle East) at FIVE LUXE, in contrast, is a cocktail bar that caters to a sophisticated audience that prefers to enjoy quality time with friends while listening to great music, rather than dancing non-stop in a club. The ambiance is uniquely captivating, setting it apart from any other destination I’ve encountered in Dubai.
You’ve collaborated with international stars like Shaggy and now BIA—how do you choose the artists you want to collaborate with?
It’s always about finding the right fit, as each track is unique. My team and I are always searching for the best suited voice, musical style, creative energy – and from there; everything proceeds smoothly.
“808” symbolises personal growth and empowerment. Can you elaborate on the message you wanted to convey through this track?
The core message of this track is – just be your most authentic self.
Looking forward, what are your next goals in continuing to elevate Middle Eastern music and bridging the gap between cultures?
There is a lot to come, so get ready for exciting new tracks and mega announcements that I’m eager to reveal.
There’s also an incredible musical line-up to look forward to at Playa Pacha at FIVE LUXE, Dubai’s Ibizan-inspired pool and beach club, as well as the legendary Bohemia at Beach by FIVE, FIVE Palm Jumeirah, renowned for its spectacular day-to-night parties.
WEBSITE: https://www.fivehotelsandresorts.com/
INSTAGRAM FIVE Hotels and Resorts: https://www.instagram.com/fivehotelsandresorts/
INSTAGRAM DJ BLISS: https://www.instagram.com/djblissdubai/
TIK TOK: @fivehotelsandresorts
DJ BLISS ON APPLE MUSIC: https://music.apple.com/gb/artist/dj-bliss/336594657
DJ BLISS ON SPOTIFY: https://open.spotify.com/artist/4SePAG9OlC4tupADxTPs9s
DJ BLISS ON YOUTUBE: https://youtube.com/@djbliss?feature=shared
Congrats on the release of ‘Vulnerably Happy’! The track is so raw and intense. Can you tell us more about the story behind the song and how that bus stop moment inspired you?
Thanks guys! So happy to chat to you again, last time was such a pleasure.
Ok, so the bus stop situation is kinda the origin story about how the whole album came about, so here we go;
I was randomly standing by a construction-site waiting for a bus home. It had been an intense summer, a complicated relationship was weighing pretty heavy on me but something brought me out of my head; the heavy machinery from the site were creating these stumbling rhythms, morphing in and out of each other, sometimes creating moments of sync, only to completely fall apart again. It made me dance in a really weird way, trying to follow the unpredictability and tension in their glitchy polyrhythms.
I recorded the construction site sounds, hurried home and tried to translate the experience, the heavy machinery and the weird movements into music. That experiment turned into ‘Vulnerably Happy’ and kickstarted my creative approach for the album; letting my body lead the way and dance the music to life.
Your upcoming album, “The Secret Our Bodies Hold,” sounds incredibly personal. What can fans expect from this album, and how does it differ from your previous work?
I’ve always used dance to find courage. You see, I often write songs on the piano and they often turn out waayyy more self-exposing than I’m actually comfortable with, which then results in me shelving the song, thinking that it can never actually see the light of day. But at some point I found out that if I give my emotions a physique to freely explore the feeling through, I find the needed courage to stand by them.
So, to answer your question, I think The Secret Our Bodies Hold is both more emotionally and physically extreme than my previous work. I’ve explored body and emotion in harmony and conflict and as a result, it doesn’t always resolve in this catharsis that we tend to crave in pop music. I think the album leaves you with more questions than answers.
You’ve been quite busy lately—Roskilde Festival, Danish Breakfast TV, and even gracing the cover of GAFFA Magazine. How has all this exposure influenced your music and your approach to performance?
It’s been mental! I had never expected THIS album to launch me into that kind of next level career shit. The fact that I stopped trying to look at myself from the outside with industry-eyes while making it… I think that makes the commercial success feel rewarding in a healthier way, you know? It’s reaffirming that I should keep going with my instinct, which is easy to preach but a real challenge to practise.
That dynamic can be so confusing; striving for recognition and success can really fuck your navigation up. If you get acknowledgement for something you KNOW you compromised on, there’s a risk that it leads you in the wrong direction – further away from yourself. I’ve been there and that was not a good place.
Performing at Roskilde Festival is a massive achievement. How did it feel to be on that stage, and what was the audience’s reaction to your set?
It’s kind of a blur, to be honest. I often find that those moments you’ve been dreaming of your whole life can be a bit roller-coaster-y. Like, I felt happy, sad, self-aware, present, control, loss, totally in control, everything in glimpses and at once. We played most of the new album which was obviously something to demand from the crowd, that they’d be open to so much new music; but damn, did they welcome it with love!
It took me a couple of days to unpack, zooming in on videos to see if my emotions were visibly as all over the place as I felt. To my relief and surprise, my chaos was on the inside and now I just feel freaking proud.
Your school tours are a unique and powerful way to connect with young people about important issues like sexuality and self-acceptance. What inspired you to start these tours, and what has been the most memorable experience so far?
The answer to that question is a total apropos to your previous question. Around 2020 I was feeling quite lost in my career. I had been signed to a major label, written a lot of songs with amazing writers and producers around the world and I was trying to walk a more mainstream path. I was living out a lot of dreams on that path but along the way, my idea of success had been corrupted. Aiming for mainstream success comes with a humongous margin of error. The criteria for that kind of success is so hard to reach, so even though you do pretty good and the best you can, you still feel like a failure.
That’s when I started touring schools. I wanted to do something actively to make a change for teens who feel different and who grow up in environments that don’t accept them. That’s my own story and I know how much it would have meant, if someone like me had represented me back then. The wild thing is that I see the change happening before my eyes; during 45 minutes bullies turn into fans and we talk about a lot of difficult identity questions. All these shows have helped me rewire my brain into a healthier place, where success is not defined by uncontrollable commercial measures, but by integrating my values into my music and career in general.
‘Vulnerably Happy’ has this industrial, almost aggressive sound to it. How did you translate that emotional and physical intensity into the music?
I created the beat from my recording of the construction site and amplified it with some samples of a very naughty-sounding shelf that Rangleklods recorded and put on his Patreon. Then I made the bass-synth inspired by my butt (yes), simply cos it was bouncing in that rhythm to the beat. After that I found some really ugly pages in my notebook with the scrippled lyrics, that I’d written in a very helpless state of mind. The melody came as an improvisation over those words.
I realized that I could sing it with more emotion, calmness and catch all these little details in my vibrato if I recorded the vocals at a 10% lower speed. To me, that created a certain ambiguity that I still don’t quite understand myself and that excites me.
With “The Secret Our Bodies Hold” set to release on November 1st, can you give us a little tease of any standout tracks or themes that are especially close to your heart?
Right now I’m most excited about a song called ‘Dinotopia’, which features me rapping dinosaurs and dirty-talking but it’s also weirdly touching at the same time. With that said, I think the real power of this album lies in its entirety. I can’t wait to see people notice the connections and create their own understanding of it. My own is still changing and I’m so eager to find out what you see.
You’re one of the most played artists on Danish radio right now. How does it feel to have your music resonate so deeply with your home country, and how do you plan to bring that energy to an international audience, maybe even Australia?
I’m so proud. I’ve hustled for 12 years and it’s almost become an identity-thing to work in opposition to the mainstream, cos that part of the industry has rejected me again and again. To suddenly be acknowledged like this is obviously amazing but also comes with a side effect of identity crisis. Like, am I… dare I say it…. mainstream now???
I’m so happy that ‘New Moon, Same Old Me’ was the song to do this. It’s a symbol of my friendship with Brimheim, who is also one of my favorite artists in the world. The emotional intensity and the nuances in the relation on this song is a direct result of our love for each other and I think that might be what’s hitting people.
Me and my little team are working out butts off to make the most of it and Australia is no 1 on my wishlist; you guys have embraced the music with such love!
GAFFA Magazine has compared you to iconic artists with your recent cover feature. How do you handle the pressure of such high expectations, and how does it shape your creative process?
It took me ages to realize that I HAD to stop comparing myself directly to other artists. Especially superstars. I take so much inspiration from my own idols, often imitate them in music or in release-strategies and general career-development. But it’s so important to be extremely real with yourself about who you are and how those imitations become integrated in your career, in a scale that applies to you. If I compare myself directly to David Bowie or Dua Lipa, I’m setting myself up for failure, cos our careers are simply not comparable – and I don’t want them to be. But being able to take elements and translate them into your own reality is a potential superpower
With that said, I’m totally flattered by a lot of the comparisons people make – but I don’t let it become a pressure anymore cos I know I can only do it the Asbjørn way.
Australia is keen to see you live! Any plans to bring your music and message Down Under soon? What can Aussie fans expect from an Asbjørn show?
I will be needing a spider security guard at all times, since I am deadly arachnophobic but apart from that; YES, it is very much my plan to visit Australia soon. In a recent interview with DNA Magazine, I also indulged in doing some serial-dating while touring the country, so that’s exciting – but apart from that, my concerts are meant for finding connection. To each other, to ourselves and to our bodies. Exploring freely and forgetting how we look from the outside. At least that’s what I strive for, on stage, in music and in life.
UNI/VS share reflective new single “A Chosen Death” and announce East Coast headliner
Brisbane metalcore outfit UNI/VS has returned with their latest single, A Chosen Death, alongside the announcement of their A Chosen Death Australian Tour, which will run across the East Coast in October and November. Tickets are on sale now!
Their first release of the year, A Chosen Death is a fierce return from the four-piece, blending chugging guitar riffs, intense vocals, and emotional cleans. Produced, mixed, and mastered by Garath Hargreaves (Wildheart, Young Lions), the song explores life post-pandemic and questions the increasingly polarized and unhinged narratives often portrayed in traditional media.
“We wanted to pose the question, ‘Can we really trust the narrative of our elected leaders or that of whomever is pulling their strings?’” the band explains. “We hope to encourage critical thinking and observation, as well as inspire hope that if we all speak our truth, things might improve.”
The band will bring their explosive live performances to five shows across Australia in October and November. Presented by Stronghold Booking and joined by special guests st.sinner, the tour will kick off at The Valley Loft in Brisbane on October 4, followed by The Burdekin Hotel in Sydney on October 12, La La La’s in Wollongong on October 13, Laundry Bar in Melbourne on November 2, and concluding at Crown & Anchor in Adelaide on November 3.
UNI/VS, consisting of Scott Willis (vocals), Michael Ryan (guitar/vocals), Nik Sudweeks (drums), and Shaw Schmidt (bass), formed in Brisbane in 2017 and quickly gained recognition in Australia’s heavy music scene. Known for their melodic hooks, crushing breakdowns, and introspective lyrics, the band has earned a loyal following and toured extensively across the country, sharing stages with acts such as Volumes (US), Gravemind, Patient Sixty-Seven, and Crooked Royals (NZ).
With hundreds of thousands of digital streams to their name, UNI/VS is poised to continue their momentum with their new music and upcoming tour.
Don’t miss out on seeing UNI/VS live at a venue near you! A Chosen Death is streaming now on all major platforms.
Friday 5th of October – The Valley Loft – Brisbane
Saturday 12th of October – The Burdekin Hotel – Sydney
Sunday 13th of October – La La La’s – Wollongong
Saturday 2nd of November – Laundry Bar – Melbourne
Sunday 3rd of November – Crown & Anchor – Adelaide
https://www.youtube.com/watch?v=wSRc3fgJCpU