JACK LADDER & THE DREAMLANDERS

“For me the song has a violence to it”, says Ladder, when asked about the link between the video and the song’s bare depiction of a relationship  unraveling. “Itʼs about wielding silence in a malevolent way. The idea of BDSM is a physical interpretation of that. There are sounds in the song that remind me of whips and the chord progression is kinda kinky”.

The pain and fear in the video as Ladder is singing is genuine. “Red wine burning my eyes. Real choking with a splitter bar. Alys hitting my face and walking on my head with perspex heels. I didnʼt know Alys very well so wasnʼt sure of what she would be capable of.”

Stephenson isn’t worried about how it will be received. “I don’t think this video is transgressive. Not to anyone who has ever read crime fiction or played a modern video game. Not to an Alice Cooper fan. But there is always a chance that it will upset an internet troll and cause a pile on.” Sexuality isn’t a theme he consciously sets to explore. “I am, however, interested in human vulnerability and ambiguity”.

The video comes just after Ladder completed his ’20 Golden Greats’ solo tour, performing songs from his five albums catalogue. “I was doing a retrospective show trying to make sense of my life and how I came to this point. Itʼs hard to ignore that a huge part of my work is devoted to sado-masochistic themes and self destructive behaviour. A lot of my songs are about being controlled and breaking free from control. Either sexual or substance. This could be the video Iʼve been moving towards for years.”

As for the bongo solos that intersperse the punishment? “The last 20 years has been unkind to them”, says Stephenson.“They have been marked as deeply uncool. I wanted to do something about that. And look, I’m not scared to admit it, I’m a bongo guy”.