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Arky Waters ‘Run It Up’ ~ out now ~

May 8, 2026

Interview: Capacity – Doomscrolling Through Sound: Inside CAMEO HD

May 7, 2026

Interview: Monsieur Mellow – Following Feeling on Dreaming In Colour

May 5, 2026

G̱a̱mksimoon Unleash “Ḵ’ap Ha’yin” – A Defiant Soundtrack of Ts’msyen Resistance and...

May 5, 2026

Interview: Sola Rosa on Instinct, Collaboration, and the Evolution of In The...

May 3, 2026

JVLY – WALKED THE SUN (dj poolboi remix) ~ out now ~

May 3, 2026

The Velvet Club announce highly anticipated debut album Are You Falling In...

May 1, 2026

Monsieur Mellow – Dreaming In Colour (EP) ~ out now ~

May 1, 2026

Real Farmer share new single/video 9 Till Not Alright

April 30, 2026

Sonny Fodera Returns Home For 2026 Australian Tour

April 29, 2026

Music Interviews

by the partae
Where are you currently based? We're all based around the inner-west of Sydney City. How did Grids & Dots form? We were originally sort of an art project between myself and Carmen Minikus, before going through a number of different iterations over the next few years few years to becoming the band we are now. I feel like we've really just found our feet (and our sound) over the past year and a half or so. What's been happening recently and how has your Covid experience been so far? Like everyone else, our live shows came to a grinding halt as the world turned upside down in Feburary or March, but I think we were really lucky in a way as we had already just booked in recording and mixing time for our debut EP and we were able to get a lot of done just as the restrictions came into place. There was some down time as we isolated like everyone else, but we've still managed to keep moving! How did you first start playing music? Myself and Carmen first started playing together in a flat share near Chinatown about six years ago, coming from completely different musical backgrounds. She was a classically trained pianist, and I was a guitarist more used to playing in noisy post-rock types of bands. We somehow found some kind of connection in each other's music, but it really took shape when Carmen started playing guitar. We haven't looked back since. Your new single 'The Great Divide' is out now, what influenced the sound and songwriting? I feel like the sound of the song really sits in that pocket of being dream pop, with the reverb-drenched guitar and floating melodies, but it definitely has a driving element to it coming from the rhythm section which makes it sort of an uplifting tune and stops it from being too melancholic, I think. The songwriting itself was influenced by personal experiences of people you care about or used to care a lot about who have become physically or emotionally distant to where you can't find them anymore.  How did you go about writing the single? When I was writing the initial melody and structure, I definitely thought about having Carmen becoming more involved in the singing and writing process and trying to harmonise together. I have always loved bands who used multiple vocal harmonies drifting in and out with each other, like the Byrds or maybe Teenage Fanclub, and I really wanted to try some of that approach in our music. The song was actually still unfinished when we brought it into the studio, and our producer, who is a great songwriter himself, helped give it a few finishing touches. We taught it to the rest of the band on the spot and ran with it. Where and when did you record/produce? Th EP was recorded and produced with Wayne Connolly, at Hercules Street Studio in Surry Hills. The main instrument and vocal tracks were recorded in early March, and then we added more overdubs and layers when we could over the partial lockdown months, before going in and starting to mix everything in the months afterwards. We're still mixing the EP now actually, but hopefully it will all be done soon! How did you approach the recording/production process and who did you work with? Some of these songs had actually been ready for a couple of years before we went into the studio, so they had been demoed a few times already, and we were dying to get them out there. Then there are a couple of songs like the Great Divide which are really new comparatively. We worked with Wayne, whose production work with a number of Australian indie-rock bands we were really big fans of, as well as admiring the bands he himself had played in as well. What do you most enjoy about writing and playing music? For me writing music is pure catharsis. Some people just need some kind of outlet for their happy / sad feelings or else they go a bit nuts, and I think that I am one of them. I write a lot of stuff in the songs that I sometimes find difficult to say. Then there's just the thrill of playing the music to an audience, with some people who you really care about playing with you, and literally creating something out of nothing with them. Nothing can beat that feeling, really! Who are you listening to at the moment? I've been obsessed with Ruby Haunts latest album for about half a year now. Black Marble are another go to band of mine, and I've recently started listening to an old Alt-rock band from 80s New Zealand called The Clean. They were on that amazing Flying Nun record label and the music is just fantastic. What do you like to do away from music? I'm a digital designer by trade, and I like photography and reading a lot, and occasionally playing retro video games. We also go out camping a lot in summertime. What's planned for the remainder of 2020 going into 2021? We have a new single which is a cover of a song by Nick Drake out next month through Scenic Drive records, and then our debut EP will be out early next year. We have an albums worth of material we're writing now which we hope to record in Feb or March next year which we are literally so excited about. Favourite food and place to hangout? One of my favourite restaurants is a small Italian place on Cleveland St. in Darlington called Kindred. Just a super nice local atmosphere and the best food. Our favourite place to hang out and chill is the dog beach behind the main strip in Rose Bay! ‘The Great Divide’ is out now! Official Website | Facebook | Twitter | Instagram | YouTube | Triple J Unearthed

Grids & Dots with Daniel Handaru

YOURS TRULY ANNOUNCE ALBUM RELEASE LIVESTREAM + 'SELF CARE' TAKES OUT FEATURE ALBUM ON TRIPLE J THIS WEEK + LIMITED VINYL COPIES SELLING FAST

YOURS TRULY ANNOUNCE ALBUM RELEASE LIVESTREAM + ‘SELF CARE’ TAKES OUT FEATURE ALBUM ON TRIPLE J THIS WEEK + LIMITED VINYL COPIES SELLING FAST

Luiz Faria

Luiz Faria

Sydney hip hop artist Lanstan debuts new single, ‘Trophy’

Lanstan

“Velvet Bloom consistently gives me shivers. Her music is enchanting and laidback. It’s always a pleasure finding out what’s in store  with this artist.” - Nkechi Anele (Triple J Roots N All)  - “Your voice is stellar. It's got so much character and soul to it. It's so clear and it just oozes with star power.” - Claire Mooney (Triple J  Unearthed)   Hailing from Melbourne, Velvet Bloom releases a slinky new single ‘7Hundred25’  encompassing the very essence of longing and the prospect of loss.   Oozing with lush vocals and honey dipped stripped back acoustics, ’7Hundred25’ takes  listeners on a journey, subtly introducing elements until you realise that you are in the  midst of an electronic strings section with choir like harmonies, rolling cymbal crashes  and droning bass notes.   The single speaks to the fact that an acoustic style song can be entirely full without a  major drum and bass section.  Velvet Bloom is a neo-soul, alternative-pop and jazz-rock music project with captivating  ballad style vocals. The project is fronted and founded by Maddy Herbert, she performs  solo and with different variations of her live band “The Vito Collective”.  This intricate single will be released as a part of a ‘Cousin Will Records’ compilation  album with artists like ‘The Grogans’, ‘Auntie Leo And The Backstabbers’, ‘Polly And The  Pockets’ and the like.  The band had a huge 2019 with the re-release of Maddy’s debut EP ‘Bitter Sweet’, as well  as the release of singles’ ‘Isobel’s Song – Live At Box Hill’, ‘Teach Ya’ and ‘DM ME’  receiving praise and airplay from Triple J/Triple J Unearthed. Velvet Bloom also won  Listen Up Music Org’s 2019 national ‘Songs That Heal’ competition. In early 2020 saw the  release of ‘Standards’, an up beat alternative-rock, soul- pop track that showcases  Maddy’s raw and powerful vocals.   During COVID-19 Maddy was accepted into the MIME mentoring program through Boxhill  Institute and is currently being mentored by Kylie Auldist.   If that’s not enough the band has also supported many established Australian acts like  Kim Churchill, Josh Cashman, Death By Denim, Dulcie, The Grogans, Great Gable, Ben  Wright-Smith, Zoe Fox And The Rocket Clocks, Teenage Dads to name a few.  https://www.facebook.com/velvetbloom.music/ https://www.instagram.com/velvetbloom.music/ https://velvetbloom.bandcamp.com/ https://www.youtube.com/channel/UCLsOjd3he7oB58TqtCDNkgg?view_as=subscriber

Velvet Bloom

Follow & Stream RICHARD Facebook | Twitter | Instagram Amazon Music | Apple Music | Spotify | YouTube

Richard

Tenise Marie

Tenise Marie

Where are you currently based?  We’re from inner Sydney Australia. How did you first start playing music?  Olive started playing violin at 5 years old and was in many orchestras/school bands, while I was a choir nerd. In high school we became band nerds that rebelled and dreamed of being in an indie rock band. How did Egoism form? So those two rebellious band nerds realised they had a really similar taste in music and decided that they could maybe sorta form a real band! What's been happening recently and how has your Covid experience been so far? It’s been just busy with us recording, writing and producing this Ep as well as a whole bunch of other songs! Your new single 'Here's The Thing' is out now, what influenced the sound and songwriting? We’re both very influenced by British pop, particularly trip hop but also some modern artists like No Rome and the 1975. Just the idea of chopping up these dirty sampled instruments and putting them over the top of an emotional guitar based song feels so exciting.  How did you go about writing Here's The Thing?  Olive wrote the song as a reflection on a really hard time in their relationship. They had this sad melody and lyrics but decided to play it on top of this cool breakbeat sample they were obsessed with at the time. You have an EP on the way, please tell us what we can expect:  A whole bunch of sad ass songs with good pop sensibilities! Where and when did you record/produce? It’s pretty darn DIY, cause recorded and produced pretty much everything (other than the drums) on this EP ourselves, at either Scout or Olive’s house.  How did you approach the recording/production process? Our songs almost always start off as weird little demo on Logic that we’ll show each other before the other says “hmm, it’s good but keep working on it”. Then we tinker and tinker until eventually it’s ready to be mixed and mastered!  What did you find most challenging/rewarding during the creation on the EP? Going into the production of each track we’d often have a really specific sound we wanted. So there was a lot of fiddling and trying wild stuff until we got the sound we were looking for. Matthew Neighbour mixed all the songs on the EP and honestly he’s a trooper for working with us to get it right.  Who are you listening to at the moment?  Really loving the singles from the upcoming Vacations album, but other than that I’ve been on a bit of an electronic binge so mainly Four Tet. What do you like to do away from music?  Olive has been really getting closer to their hipster roots by diving into the analogue photography world. I really love having a million other hobbies that I don’t take seriously nor get that good at (like baking, hand-sewing and gardening I’m terrible at them but they’re darn fun). What's planned for the remainder of 2020 going into 2021?  Oh definitely writing and recording more, hopefully playing shows and just trying to enjoy ourselves as much as possible. Favourite food and place to hangout? I can say with confidence that our fav food is definitely banh mi and fancy woodfired margarita pizza. And I’d say we both like to hang out at either a friend’s house or on a walk in a really pretty place.

Egoism

Where are you currently based? I live in the Czech Republic, and I like it here so far, but who knows what the future brings. How did you first start playing music? I started playing music when I was about 2 years old because I was highly influenced by my siblings who are great musicians. They played at home often so I became familiar with different tones and sounds. They used to play punk, which may explain why my music is alternative. What's been happening recently and how has your Covid experience been so far? I don´t know how to correctly explain that as it was a very new experience, but for me it has been a disaster. The economy is in trouble and Covid PR is unbelievable. We are constantly being fed information 24/7. There have been a lot of restrictions put in place and this has created a worldwide panic. It’ll be interesting to see the information and end result of everything once things settle down. Your debut album 'Discovery' will be coming out in the next few months of 2020, what influences your sound and songwriting? This is something connected to my inner self. A bit of my life, but mostly, imaginary stories or ideas. I like imagination and the concept of dreaming. It’s as if you feel that there can be another part of yourself which is struggling through the world. Do we know who we really are? I think that there is a new phenomena in this world and we actually aren´t supposed to be ourselves. We are just parts of a machine and our inner selves are hidden somewhere behind that chaos of malicious thoughts and ideas coming from the outer world. And I suppose my songwriting is highly influenced by the unrecognizable inner motions that keep me alive, separated from things happening outside. I have to say, music is protecting me from going crazy sometimes, especially when I think about what´s been happening around the world. How do you usually go about writing music? Technically, I start with rhythm, then I do some music, like melodies and other components. Then I think about lyrics and so on. This is all technical, but there is the question of mood, a very important topic for me but it´s hard to say, this is a process of random behaviour. Please tell us about the way you approach recording the process that you go through: There is actually no process I go through. Our current state is the one we have been living in since birth and we have to just “enjoy and live”. The whole process is a manifestation of joy. What programs/instruments do you use? I play the bass, guitar, drums, piano and I use my voice mostly. As for programs, I use various ones that I discovered mostly one my own. Each artist has a different style so I’ve definitely found the programs that work for me personally. What do you find most rewarding and challenging when creating and recording music? To create the best piece of music I have ever heard. What do you like to do away from music? I like travelling, partying and meeting new people. Who are you listening to at the moment? It's hard to say because there isn’t much that I connect with. The other day I listened to ZHU and Radiohead, who I’ve always liked. Apart from that, nothing brand new that has caught my attention. What's planned for the remainder of 2020 going into 2021? To save the world, maybe, because this is the most important thing, and I am not the only one. There are many people who would like to do the same. So, when we all try our best, we will achieve that, and everything will be fine. There are many ways to accomplish that. Favourite food and place to hangout? I love a lot of pubs here in the Czech Republic. One of the greatest Mexican restaurants is situated in Pilsen where I used to live. When I want to go out for a meal, I like to choose that one. When I want to hang out, I prefer going to Zach´s Pub, which is an Irish pub, or other local places such as Raven.

Keoni

Okkaido

Okkaido

Where are you currently based? I'm currently based in the humble western suburbs of Sydney. What's been happening recently and how did you first start playing music? I recently released my EP "Warm Blooded" and very happy with the reception and attention it has been receiving. I'm currently working on some photo shoots and collaborative projects with talented people, and hope to release more visuals to support the EP. I started exploring music as a child playing piano, my mother enrolled me in piano lessons which I didn't really like. From that point onward I started to teach myself music as a hobby which eventually led to creating my own brand of music. How did you first start playing music? During high school I started to teach myself guitar and explored musical hardware. I purchased some synthesisers and started playing around with Garageband. A couple years later I picked up Ableton and taught myself how to create songs and produce. It's the year of 2018 and at this point I wanted to learn how to rap and sing. I was very inspired by Brockhampton and their DIY approach to releasing amazing visuals and creating music, and I knew If I put some work in I could create projects which would could display everything I've taught myself. Your new EP 'Warm Blooded' is out now, what influenced the sound and songwriting? The EP was highly inspired by Artists such as Brockhampton, Jpeg Mafia, Sade and various other artists. The song writing elements and theme of the EP is based around my personal experiences with people I've met, situations that tested me and love. I wanted to continue to create instrumentals that reflected the moods of my circumstances. The EP was created during some tough times, and for most artists trials and tribulations have a strange way of inspiring us to express and make something of the hardships. How did you go about writing the EP and who did you work with? I collaborated with Thinkbot films for the production of the film clip, and also worked with Evergreen Artists to push the release. In relation to the musical and graphic elements of "Warm Blooded" I worked alone. I love working on musical projects because I can produce and write the story of the project with full control. I am also a digital artist and designer, and love that I can make two worlds collide under one concept. Where and when did you record/produce/master and who with? I have a home studio where I do all of the above. The project was written during late 2019 and the duration of 2020. How did you approach the recording process? It changes with every song I create, Sometimes I jump straight into the booth, other times I spend a lot of time crafting the lyrics and then build the song around the narrative. Having constant access to my studio is a highly valuable resource and I do my best to spend as much time as possible recording or writing. At times I do hit obstacles and have to encourage myself to keep working. What programs/instruments did you use? I use a variety of instruments and software to create my music. I love Ableton and software instruments, having a whole orchestra at your finger tips is pretty wild. I liked to use my Roland electronic piano to start melodies and occasionally pick up my Electric and acoustic guitar to also lead the direction of my songs. What did you find most challenging and rewarding during the creation of Warm Blooded? The challenging part was to create something that still had elements of my last album "Planet Cool" whilst evolving it at the same time. I don't like boxing myself in and want to be able to grab elements of all the genres I like to create my work. When I wrote "Genuflect" and "Apple" I knew I was on to something different and I started to nourish that seed. Releasing "Aversion" was very fulfilling and I was stoked that I finally let the project loose into the world. Who are you listening to at the moment? A lot of Latin lounge/jazz, Freddie Gibs, Action Bronson, Brockhampton, Soulection radio and Nujabes. What do you like to do away from music? I love creating art both digital and traditional, I read a lot books and comics and love video games and film. Any form of digital entertainment really. I'm always on my road bicycle and spend a lot of time with my friends. What's planned for the remainder of 2020 going into 2021? At this point in time I can't really say, I tend not to think too far ahead. I'd like to release some more film clips possibly for songs from "Warm Blooded". I'm currently working on another musical project with a friend of mine and plan to release that hopefully this year or early next year. Favourite food and place to hangout? I am a fiend for dumplings and you can often find me lurking around Parramatta CBD. https://www.facebook.com/raroisraro https://www.instagram.com/raroisraro/

Raro

What is your name and role within Pelts? Hello! I’m Ralph, and I play keys in Pelts. I also run Iffy Folk Records, our record label. Where are you currently based? Just outside Glasgow (Scotland), near the river Clyde. The rest of the band are also based in or around the edges of Glasgow. It’s a great city for playing music. How did you first start playing music? I don’t remember there being a specific moment of clarity, but I was around 17 and really wanted to learn to play the guitar. We had a piano in the house, and I ended up learning piano and guitar at the same time, which turned out to be a good combination. I couldn’t get a handle on reading music, so I used to work out how to play songs by ear, which was pretty good prep for being in a band. How did Pelts form? Pelts rose from the ashes of a band where many of our paths crossed. The driving force was Graham, who was looking for something fresh and new, and wanted to play with old friends again. Graham, Stu, and Olly had been in bands together years before, and Ben and I met Graham along the way. Natasha met Graham through a book group and discovered that their voices worked realty well together. That became a great focal point. You have an album coming out on the 18th of September, what influenced the sound and songwriting? We’d like to think the album has a ‘Pelts’ sound, that only really happens when we all make music together. We all bring our own individual influences to the melting pot. The 8 songs on the album are thematically linked, and there’s a lyrical thread that runs throughout, charting the last few years of our lives, big and small life events, hope, redemption, and love. How did you go about writing the music? We’re a very open band when it comes to ideas. Some songs arrive from a single source fully formed – ‘Haunted’ was written by Graham and was the very first Pelts song. Songs like ‘Dolphin Road’ have existed in various, mad incarnations until we found the right fit. ‘London Runner’ was one of my home demos, then Ben added lyrics and melody and the band worked it up in the studio to make it an album-closing behemoth! So, pretty much anything goes, and nobody is too precious about music & lyrics ideas, which makes it a joy to make music with this band. Where and when did you record and who with? We recorded the album in autumn 2019, at Anchor Lane studios in Glasgow with Luigi Pasquini & Melanie Dutton in the control room. It was great working with that team. The bulk of the recording went quite quickly, but we spent some time recording our vocals, editing and mixing. We all have day jobs, so that slows things down a bit. We mastered the album in early 2020, so it’s amazing to finally hold it in physical format, especially with that beautiful artwork (by Beth Cowey). How did you approach the recording process? We spent a long time on these songs, rehearsing in practise rooms and road testing at gigs, so when we took the songs to the studio we wanted to record as live as possible. So, drums, bass, guitars and keys were all recorded live, with guide vocals, to give everything the right feel. Then we added additional layers of instrumentation, and Graham & Natasha’s vocals. What programs/instruments did you use? I love technical questions, but I’ll keep this short, and not take us down a guitar pedal or plugin rabbit hole! Logic was the DAW of choice in the studio (although I prefer ProTools in my home studio). I got to play a beautiful upright piano, and the two synths I used were my trusty microKorg and the amazing Waldorf Streichfett String Synthesizer. Your single 'Throwing Sticks' is out now, how do you go about deciding on which track to release as a single? Doodle poll! Although Throwing Sticks was a unanimous choice, and it’s a song we’ve always known would be a single – it’s a real favourite to play live. Deciding on the second single will be trickier. What do you like to do away from music? The label means I’m never far from music, but I do love running. I never listen to music when I’m running (I’ve never liked that), so I use it as a chance to power down my brain for a while. Who are you listening to at the moment? Our label recently released Pure Concrete, an amazing new album by Kevin P. Gilday & The Glasgow Cross, so that has been played a lot in our house as we tested the vinyl & CD pressings (sorry for the plug!). But I’ve been listening to a lot of other great stuff this year, new and old, and a lot of beautiful instrumental and ambient albums since working at home became a thing. This is a short list of current favourites, in no particular order; Björk, Nils Frahm, Alice Coltrane, Le Groupe Obscur, Brigid Mae Power, William Basinski, Jill Lorean, Julianna Barwick, KOKOKO!, Khruangbin, Tindersticks, Joanna Newsom. Loma are my favourite band in the world right now, and I can’t wait for their new album to come out. What's planned for the remainder of 2020 going into 2021? A Little Less Lost comes out later this month, so we’ll be trying to get that into as many ears as possible. It would be lovely to play live, but that doesn’t look like it’s going to happen for a while, unfortunately. We’ll be releasing another single (or two) from the album and making some home-made videos. We’ve already got a healthy-looking demo folder for Pelts album #2, so there will be a lot to get our teeth into when we eventually all get together as a band again and start making some noise. Favourite food and place to hang out? Seafood at Inver, a rural restaurant on the west coast of Scotland, would be a perfect meal. I’m going to pick some Glasgow gig venues, which we miss so much! The Hug and Pint and The Glad Café are two of our favourites – great food, and great venues. We’ve all had so many good nights there. https://www.facebook.com/Peltsband https://www.instagram.com/peltsband/ https://twitter.com/peltsband https://www.pelts.band/

Pelts

Where are you currently based? We're currently based in sunny Brisbane and suspicious of anyone that bails to arguably better interstate music scenes, so it'll probably stay that way for now. How did you first start playing music? I'll be honest, I was only 50% interested in being in another guitar-based rock band and only went along for a jam but it was so good right from the start, it was love at first strum.   What's been happening recently and how has your Covid experience been so far? Apart from having some shows cancelled earlier in the year, we've been busy where we can, trading ideas though group chats, doing responsible video content and I think a rehearsal was booked the second day the studio was open. With restrictions lifting, we've been starting to get things rolling again, finally releasing the EP, merch etc Your new EP God Damn! is out now, what influenced the sound and songwriting? I think that's pretty obvious, haha. One thing that we've been conscious of is making the tunes swing and not being too heavy or plodding. That's fine but there's enough of that round at the moment. We want booty-shakin' toe-tappers in our set. How did you go about writing the music? Everyone has a stockpile of riffs laying around, so it's just a case of bringing them to rehearsals and seeing what works. Sometimes things get re-worked a lot, change key, tempo etc. The opening riff for Coup de Grace was something I've had for years but that chorus was worked out on the spot by everyone and took about 10 minutes to come together. Where and when did you record/produce/master and who with? We recorded with Brock Weston at Bedlam Studios and got it mastered at Truth Studios. What programs/equipment did you use? I can't comment on the recording set-up. I should've paid more attention but I trusted Brock knew what he was doing and just focused on the guitar-playing. That was a Les Paul through the house amp. I'm not really a gear/tech guy; as long as it sounded good and had the energy, that's my main concern. What did you find most challenging and rewarding throughout the creation of the EP? It wasn't really that challenging because we were well-rehearsed and knew what we were doing heading in. I'd had a good idea of what I wanted for the guitars so I just went and did it. Reward-wise, hearing the songs without playing them was great and listening back to all the guitar ideas come together. But I think hearing the harmony vocals getting layered up was really great to hear as I've never been in a band that did anything like that before. What do you like to do away from music? Worry that I'm not doing enough music. Who are you listening to at the moment? Right now, Beastie Boys-Check Your Head. Lately, I've been listening to a lot of stuff that's not Void-related; Bohren and Der Club of Gore, Air, William Basinski, Ennio Morricone...got to keep a balance! Can't be all late 60s/early 70s rock. I suppose it can......   What's planned for the remainder of 2020 going into 2021? Got a couple of gigs lined up, release of the EP and a clip and already talking about going back to record. We've got a few new songs in the set ready to go, so always moving forward. Favourite food and place to hangout? Well, I'm the only non-vegetarian in the band so it's not very representative. That's a big question.....I do love a good wood-fired pizza. Favourite cuisine is probably French but Spanish and Italian goes pretty hard too...all the cheese...and now with all the burger joints around....can I just say I love food. The worse it is for my health or wallet, the better Favourite place to hang out is Junk Bar! Such a wonderful atmosphere, great staff, amazing drinks. Just an overall cool vibe. It's a shame that we're probably a bit loud for it but maybe we could re-arrange the set to something a bit more acoustic and stripped-back. https://www.facebook.com/VibrationsFromTheVoid/

Vibrations From The Void

Caspia

A Is For Arrows

Phil Stack

Phil Stack

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