Pretty Bleak With Sam Thomas

by the partae
Where are you currently based and what is the music scene like there? We’re currently based in Melbourne, and the music scene is so expansive and heavily saturated with artists that its insane. If you meet someone from Melbourne there’s a 90% chance they’re in a band. How did you first start playing music? My dad is a musician so I pretty much grew up around it from the day of my birth. ever since I could hold a guitar or drum sticks I’ve been playing music.  How did Pretty Bleak form? My dad used to teach Kyle guitar at my house, so we always sort of knew each other. When we were about 14 or 15 we decided to start a band with Kyles friend Brandon, and another one of our mutual friends on bass. We went through a few different bass players until we met Sanji and now we find ourselves in the modern day as PRETTY BLEAK. What's been happening recently? Recently we’ve just finished recording an EP full of the best songs we’ve written so far in our lives.  Your debut single 'Jawline' is out now, what influenced the sound and songwriting for this track, how did you go about writing Jawline?  The origin and evolution of Jawline was definitely pretty arduous. I had the idea for my guitar riff in that song for a long time, and ended up writing three different songs using it before I finally fit it into something I was happy with. I recorded a demo for each one of the ideas and every time I wasn’t satisfied with the result. None of them seemed to fit with the rest of the songs on our EP, and they weren’t really ‘single’ kind of songs. I guess the intention behind it was to write a pop song that we could use as a single, but also not overly conform to typical pop song conventions. Basically I just wanted to write a song that could come on in a playlist and grab someone’s attention, even if it’s just merely out of curiosity.  Where and when did you record/produce and who with? We recorded the drums with Jon Grace at Homesurgery Studios, and then recorded all the guitars, keys, and vocals at my place. The mixing for Jawline was also done by Jon.  How did you approach the recording process? We always approach recording hungover. What programs/equipment did you use?  Homesurgery has heaps of awesome recording gear and mics that we had the pleasure of using for the drum tracks. In terms of the guitars we just recorded straight into my mac with a couple of mics. I always use logic pro to record/produce, its got a lot of good software instruments and synths that serve as starting points for  sound design. Usually I’ll take a preset and morph it into an interesting sound that serves as the underlying tone of the song we’re working on.  You also have a film clip for Jawline, please tell us about the concept and how it came about, where and when did filming take place and who did you work with? It was definitely our intention from the start to make a video that complimented the more sombre undertones of the song. We worked with our collaborator Tom Thomas, and he was definitely the right fit for the video because he understands the one between decadent, exaggerated pop stereotypes and the dark obscurities that our music exists within. And he has a vision about how we can manifest that in the visuals. Creating a dirty and menacing looking set and then lighting it with strikingly vibrant colours and smoke effects is a really complimenting analogy for the sound of the song. What did you find most challenging and rewarding during the filming and editing? The most challenging thing was definitely the equipment we had to work with. It was a very low budget production and every singly shoot there was some kind of technical problem we had to overcome at the last second. Whether it be the camera fucking up or the lights or smoke machines not working at the crucial moment. The most rewarding thing was being able to end with a finished product that we are really happy with despite all of those obstacles.  Who are you listening to at the moment?  The new album by Bon Iver is the last thing I listened to.  What do you like to do away from music?  I don’t do anything away from music, I’m involved in it all day every day in some capacity.  What's planned for the remainder of 2019 going into 2020? We’re playing a single launch show on November 15th at the Grace Darling Hotel which will pretty much see out the year for us. Going into 2020 we’ll have a new single out around Feb, and then our debut EP is set later in the year.  Favourite food and place to hangout? Favourite food is fear.  https://www.facebook.com/prettybleakband/
Where are you currently based and what is the music scene like there?
We’re currently based in Melbourne, and the music scene is so expansive and heavily saturated with artists that its insane. If you meet someone from Melbourne there’s a 90% chance they’re in a band.
 
How did you first start playing music?

My dad is a musician so I pretty much grew up around it from the day of my birth. ever since I could hold a guitar or drum sticks I’ve been playing music. 

 
How did Pretty Bleak form?
My dad used to teach Kyle guitar at my house, so we always sort of knew each other. When we were about 14 or 15 we decided to start a band with Kyles friend Brandon, and another one of our mutual friends on bass. We went through a few different bass players until we met Sanji and now we find ourselves in the modern day as PRETTY BLEAK.
 
What’s been happening recently?

Recently we’ve just finished recording an EP full of the best songs we’ve written so far in our lives. 

 
Your debut single ‘Jawline’ is out now, what influenced the sound and songwriting for this track, how did you go about writing Jawline? 

The origin and evolution of Jawline was definitely pretty arduous. I had the idea for my guitar riff in that song for a long time, and ended up writing three different songs using it before I finally fit it into something I was happy with. I recorded a demo for each one of the ideas and every time I wasn’t satisfied with the result. None of them seemed to fit with the rest of the songs on our EP, and they weren’t really ‘single’ kind of songs. I guess the intention behind it was to write a pop song that we could use as a single, but also not overly conform to typical pop song conventions. Basically I just wanted to write a song that could come on in a playlist and grab someone’s attention, even if it’s just merely out of curiosity. 

 
Where and when did you record/produce and who with?

We recorded the drums with Jon Grace at Homesurgery Studios, and then recorded all the guitars, keys, and vocals at my place. The mixing for Jawline was also done by Jon. 

 
How did you approach the recording process?
We always approach recording hungover.
 
What programs/equipment did you use?

 Homesurgery has heaps of awesome recording gear and mics that we had the pleasure of using for the drum tracks. In terms of the guitars we just recorded straight into my mac with a couple of mics. I always use logic pro to record/produce, its got a lot of good software instruments and synths that serve as starting points for 

sound design. Usually I’ll take a preset and morph it into an interesting sound that serves as the underlying tone of the song we’re working on. 

 
You also have a film clip for Jawline, please tell us about the concept and how it came about, where and when did filming take place and who did you work with?
It was definitely our intention from the start to make a video that complimented the more sombre undertones of the song. We worked with our collaborator Tom Thomas, and he was definitely the right fit for the video because he understands the one between decadent, exaggerated pop stereotypes and the dark obscurities that our music exists within. And he has a vision about how we can manifest that in the visuals. Creating a dirty and menacing looking set and then lighting it with strikingly vibrant colours and smoke effects is a really complimenting analogy for the sound of the song.
 
What did you find most challenging and rewarding during the filming and editing?

The most challenging thing was definitely the equipment we had to work with. It was a very low budget production and every singly shoot there was some kind of technical problem we had to overcome at the last second. Whether it be the camera fucking up or the lights or smoke machines not working at the crucial moment. The most rewarding thing was being able to end with a finished product that we are really happy with despite all of those obstacles. 

 
Who are you listening to at the moment?

 The new album by Bon Iver is the last thing I listened to. 

 
What do you like to do away from music?

 I don’t do anything away from music, I’m involved in it all day every day in some capacity. 

 
What’s planned for the remainder of 2019 going into 2020?

We’re playing a single launch show on November 15th at the Grace Darling Hotel which will pretty much see out the year for us. Going into 2020 we’ll have a new single out around Feb, and then our debut EP is set later in the year. 

 
Favourite food and place to hangout?

Favourite food is fear. 

 

https://www.facebook.com/prettybleakband/

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