Polaris’ Adelaide show at The Gov is now sold out and due to popular demand, the Sydney metalcore outfit have added a 2nd and final Adelaide show to their The Death Of Me Australian Tour supported by Wage War, Crystal Lake and Alpha Wolf on Monday 24 February at The Gov. Tickets are on sale now.
This is the first of many shows to sell out, so don’t wait!
THE DEATH OF ME AUSTRALIAN TOUR
WITH SPECIAL GUESTS: WAGE WAR (USA), CRYSTAL LAKE (JAPAN)
& ALPHA WOLF (AUS)FRIDAY 21 FEBRUARY: THE GOV, ADELAIDE LIC AA SOLD OUT!SATURDAY 22 FEBRUARY: THE FORUM, MELBOURNE 18+
Tickets available from www.ticketmaster.com.auSUNDAY 23 FEBRUARY: ASTOR THEATRE, PERTH LIC AA*
Tickets available from www.ticketek.com.au
MONDAY 24 FEBRUARY: THE GOV, ADELAIDE LIC AA NEW SHOW ADDED
Tickets available from www.oztix.com.au
FRIDAY 28 FEBRUARY: ENMORE THEATRE, SYDNEY LIC AA
Tickets available from www.ticketek.com.au
SATURDAY 29 FEBRUARY: THE TIVOLI, BRISBANE 18+
Tickets available from www.ticketmaster.com.au
*Crystal Lake not appearing
Saturday 11 January 2020: UNIFY Gathering, South Gippsland VIC
When it came time to making their new album, The Death Of Me, the Sydney outfit knew they had a tall order on their hands.“We wanted to walk a line between maintaining what’s defined our band and brought people to our music in the first place, while trying to write for ourselves and keep ourselves interested,” begins drummer Daniel Furnari, one of the main songwriters in the unit. “Being our second full-length, we knew it was important for us to surprise the listener as well – nobody wants to hear the same record twice. We wanted to give them things they wouldn’t expect, take them to new places, but also for it to be definitively a Polaris record, building on what we’ve been working towards.”
Polaris returned to the house in the small South Coast town of Mollymook where they made The Mortal Coil, converting it into a temporary studio. The familiar surrounds acted as something of a refuge after the high-pressure claustrophobia of touring.
Accompanying the band was their front of house sound engineer, Lance Prenc, and long-time friend Scott Simpson (of Melbourne band Alpha Wolf), both of whom co-produced the album with the band.
They tried a few new approaches to song writing, with tracks such as the anthemic first single, Masochist starting life as a vocal melody, around which the riffs were built, as opposed to the other way around.