Music interviews the definitive archive of stories behind the music

Jay Shetty LIVE TOUR – THIS CHANGES EVERYTHING! Presented by Wanderlust True...

May 14, 2026

Maggie Lindemann Is Bringing Her Biggest Australian Tour Yet in 2026

May 14, 2026

Arky Waters ‘Run It Up’ ~ out now ~

May 8, 2026

Interview: Capacity – Doomscrolling Through Sound: Inside CAMEO HD

May 7, 2026

Interview: Monsieur Mellow – Following Feeling on Dreaming In Colour

May 5, 2026

G̱a̱mksimoon Unleash “Ḵ’ap Ha’yin” – A Defiant Soundtrack of Ts’msyen Resistance and...

May 5, 2026

Interview: Sola Rosa on Instinct, Collaboration, and the Evolution of In The...

May 3, 2026

JVLY – WALKED THE SUN (dj poolboi remix) ~ out now ~

May 3, 2026

The Velvet Club announce highly anticipated debut album Are You Falling In...

May 1, 2026

Monsieur Mellow – Dreaming In Colour (EP) ~ out now ~

May 1, 2026

by the partae

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Where are you currently based and what is the music scene like there? I live in Los Angeles, CA. The music scene is wide and varied, but is a surprisingly small world. I’m always meeting musicians that know friends of mine or have played music with them. There is a lot of music to be heard on any given night and that is an exciting thing to be around. How did you first start playing music? There was a family heirloom upright piano in my house growing up. I started playing around with that as a child. I would sit and figure out melodies of songs I heard my parents listening to, and come up with my own ideas. Later, I started learning saxophone in school and by my teenage years, picked up the guitar and quickly got very serious about it. What been happening recently? I'm consistently working on new music for Missives, collaborative projects, and instrumental music. Looking forward to releasing my debut single Dissolve. Your new single 'Dissolve' is about to be released from your debut EP, what influenced the sound and songwriting for Dissolve and the EP? My influences span quite a far and wide spectrum. Since I first heard "Music for 18 Musicians" by Steve Reich, the idea of repetitive musical figures changing over time or staying constant while everything changes around them has been an important part of how I hear musical ideas. Moving harmony versus static figures, textures, and atmosphere inform a lot of my sound. My music is an amalgam of that minimalist influence and inspiration from artists like FKA Twigs, Thom Yorke, James Blake, and Bjork. The songwriting revolves around concepts of discovery, transformation, loss, acceptance, and the passage of time. How did you go about writing Dissolve? I had recently bought a Dave Smith Instruments Prophet 08 synth. I was exploring the sounds it was capable of and stumbled into a bass line that felt like it was falling over itself. It turned into a fully realized song shortly after that once I added a beat, some synth pads for harmony and a vocal melody. Lyrically, the song is about experiencing loss and navigating the disorientation that comes along with it. Where and when did you record and who with? Dissolve and the other tracks on “Patterns of Us” (EP) were recorded in my studio over the course of the last couple years. I've worked as a composer, producer, and multi-instrumentalist for years now and wrote, recorded, and mixed everything myself. I have two tracks with guest vocalists, very close friends of mine, Patrick Joseph and Eleanor Crane. I’m lucky to have close friends who are also incredibly talented artists in their own right. How did you approach the recording process? Recording and writing happen simultaneously. They are both the process of creation and flow back and forth between each other. I record one sound or instrument that then inspires an idea for another layer or texture, and so on and so on until a structure begins to emerge. This happens fairly quickly, so I often have place-holder takes of various parts or instruments. Once I have a solid song idea mapped out, I go back and refine individual instruments as needed. I definitely enjoy using recording as a way to explore different sounds, or altering instruments or objects to make them sound like something else. What programs/instruments did you use to record? I use Pro Tools for recording and mixing. I use some software synths, but the majority of the EP utilized hardware synths like the Prophet 08, Moog Sub37, and Mother 32. There is also a fair amount of guitar as that is my primary instrument. And a lot of guitar that doesn't sound anything like a guitar. I use an Echoplex Digital Pro Plus looper to create atmospheric and ambient textures using the guitar. I also like using vocal loops to create textures and pads. There are percussive elements in the songs sourced from random objects like a paper wrapper, scratching on cloth, tapping on things, etc. What do you like to do away from music? I spend a lot of time camping, hiking, and being outside. Anywhere I can find mountains, water, and quiet. I read as much as I can, and watch movies and documentaries. I enjoy spending time with friends and family. Who are you listening to at the moment? Thom Yorke's latest album Anima has been in heavy rotation for me. As well as Bon Iver's most recent album and Magdalene by FKA Twigs. Anything by Max Richter. What's planned for 2020? I'll be releasing my debut EP "Patterns of Us" and continuing to work on new music for Missives, possibly for another EP or a full length depending on how everything shapes up. Favourite food and place to hangout? Pho or sushi (at least today). My favourite place to hangout is in the Sierra Nevada mountains of California or Northern New Mexico where I grew up. There is also a neighborhood bar here in LA that I go to fairly regularly with friends. It feels like it should be a bar in a random mountain town somewhere, but it sits in the middle of Eagle Rock, a north east LA neighborhood I’m quite fond of.

Missives

PRAISE FOR JAY COOPER "Australian mood lord" Tim Shiel (triple j) "Arca meets SOPHIE meets something new and fresh and exciting" Andy Garvey (triple j Unearthed '21 Personnel') "He continues to strive towards being one of Australia's most exciting rising names" Pilerats "Shallow Anthem defies its name" Purple Sneakers Today Australian raised, Canadian based producer Jay Cooper releases his debut EP INTERIM, a concept project about navigating the city as an artist, building and destroying to forge the new. Listen HERE. Of the EP Cooper says “The concept of INTERIM is navigating a building, one that's constantly shifting and changing as you move. It's like urban life, trying to scale this structure and forge a path for yourself. It's up to you who you trust and how you move through the levels. It's a recurring dream I have where I'm in some kind of living & breathing building that's endless, and everybody I know is in there somewhere. These songs will have views into the basement, as it fills up with water, the elevators, the echoing stairs, the rooftop overlooking the garden maze, the ventilation system, a forgotten outpost, and wings of the building that you weren't supposed to go to.” INTERIM traverses further into the bleary-eyed RNB of previous singles ‘21 Personnel’, ‘nonethewiser’ and 'Shallow Anthem', taking the time to formally introduce us to Cooper’s world. Inspired by moments of reprieve and reflection on relationships and his career trajectory, the sheer unpredictability of life dawned on Cooper. A lack of roots and being adaptable begs the question, does one rely on their instincts and emotions or stick to what they know? Over eight tracks the EP unpacks how an artist's creative world is built and deconstructed, what values are compromised or upheld. Ultimately dependant on one's ability to keep up. Catching himself moving through these motions, INTERIM illustrates the internal conflict of “wondering if you’re acting as a true reflection of yourself, or just another moving part within the building." Having gained early acclaim under the JaysWays moniker, Cooper’s previous releases have featured on playlists across Spotify, triple j Unearthed and FBi Radio, with support from Pilerats, Purple Sneakers, CLIPPED.TV and more. Since relocating to North America Cooper has worked in collaboration with artists such as Annahstasia, Selasie Wussah, Robert Glasper and Common plus more as a singer-songwriter and producer. His work with Annahstasia on the album Sacred Bull went on to see the artist tour alongside Lenny Kravitz on his Raise Vibration tour. Actively maintaining a steady creative flow, the release of INTERIM demonstrates Jay Cooper's fierce creative direction and his multidisciplinary abilities continue to shine. INTERIM by Jay Cooper is out now. Buy/stream it on Spotify, Apple Music, Soundcloud, Bandcamp and more. INTERIM TRACK LIST 1. CHOICE II 2. Shallow Anthem (ft. Apollo Renegade) 3. 21 Personnel 4. Irrelevant 5. Ellipsis 6. Some Continuity 7. Nobody / A Place To Vent 8. Outpost Stay connected with Jay Cooper: Website | Facebook | Twitter | Soundcloud | Bandcamp

JAY COOPER RELEASES DEBUT EP ‘INTERIM’

Karnivool are thrilled to announce The Decade of Sound Awake tour where, exclusively for Australia, they will play the whole album in its entirety. Marking some of the band's biggest headline shows to date, the tour takes in Brisbane, Sydney, Melbourne, Adelaide and Fremantle. Karnivool's Sound Awake captured a moment in time when circumstance, influence and individuals collided, restructured and, with a lot of time, pain and joy became elevated above the sum of the parts. A decade and platinum sales have passed the landmark moment in the career of this band who have always gone their own way - meandered when they could have rushed, explored a sonic roadmap forward, then sideways, then backwards. And then forward again. Sound Awake is an album heavily informed by the art and science of Cymatics and questioning of an ever changing world. From the structured rage of 'Set Fire to the Hive’, the monster riffing of 'Goliath’ and the single that was never a single 'New Day’, Sound Awake is a record full of fan favourites that Kenny, Drew, Hoss, Steve and Jon see as their benchmark. Attaining worldwide success over this last decade, it launched Karnivool to an intensely loyal, passionate audience that lifted them from an opening act with some interesting tuning to international festival headline act with, well, more interesting tuning in more interesting places... Youngstown, Istanbul, Glasgow, Helsinki, Pune, Bratislava, Auckland, Cape Town, Moscow, Wiesbaden and some place they were told was Chicago, but clearly wasn’t. The Decade of Sound Awake tour will visit Brisbane, Sydney, Adelaide, Melbourne and Fremantle for ONE NIGHT ONLY. No additional shows, no encore performances, no take backsies. Don't miss out. KARNIVOOL - THE DECADE OF SOUND AWAKE TOUR SIGN UP AT KARNIVOOL.COM FOR PRE-SALE TICKETS TICKETS ON SALE THURSDAY FEBRUARY 27 AT 10AM Friday April 17 Fortitude Music Hall, Brisbane Saturday April 18 Enmore Theatre, Sydney Wednesday April 22 Thebarton Theatre, Adelaide Thursday April 23 Festival Hall, Melbourne Friday April 24 Fremantle Arts Centre, Fremantle Karnivool @karnivool_official @karnivool

KARNIVOOL ANNOUNCE ‘THE DECADE OF SOUND AWAKE’ NATIONAL TOUR PLAYING THEIR SEMINAL ALBUM ‘SOUND AWAKE’ IN FULL

One month out from their Australian tour and Milwaukee via Hobart band Violent Femmes have locked in all supports. True to their eclectic nature the Femme’s choices span the sublime to the ridiculous and include band South Sudanese performer Gordon Koang (with full band), all female Cretan traditionalists Bandidas, indigenous singer / songwriter Chris Tamwoy and Femmes’ bass player Brian Ritchie’s own side act The Toilet Brushes… Full details below. With Melbourne, Gold Coast and Sydney all long sold out plus extra seats added in Perth and just a trickle of tickets left in each other city Australia’s love affair with ageless trio stands strong some 37 years since they first toured the continent. Watch Violent Femmes - Busking in Sydney, 1990 Feel Presents... VIOLENT FEMMES MARCH '20 Thursday 19th March 2020 - Odeon, Hobart TAS with guests The Toilet Brushes - SOLD OUT - Friday 20th March 2020 - Forum Theatre, Melbourne VIC - SOLD OUT with guests Bandidas Saturday 21st March 2020 - Sandstone Rocks, Sandstone Point QLD w/ Hoodoo Gurus - SOLD OUT - Sunday 22nd March 2020 - Miami Marketta, Gold Coast QLD with guests Spirit of Churaki & Chris Tamwoy - SOLD OUT - Friday 27th March 2020 - Enmore Theatre, Sydney NSW with guests Gordon Koang Saturday 28th March 2020 - Thebarton, Adelaide SA with guests Gordon Koang Sunday 29th March 2020 - Concert Hall, Perth WA (no support) Tickets on sale now www.feelpresents.com/ www.vfemmes.com/

VIOLENT FEMMES All Supports Announced

Your new self titled album is out now, how has the response been from peers, fans and industry? Our new album is titled 'Vol. 3', so I guess as the name probably suggests it's the 3rd one we've recorded since starting the band back in 2012. The album is actually released in a few days so as I'm writing this it's still not out in the world yet! Looking forward to finally having it out, we've released a handful of singles over the last year in the build up to it and the response from peers and fans has been great, industry not so much, haha. I've never worried too much about the industry though, you gotta just make the music you want to make and hope for the best, can't let the machine dictate how you create. What have you learned through the creation and release of this album? One thing that always drives me nuts is taking too long to release something, I think a lot of artists suffer this plight. The time from conception to birth is way longer than 9 months, I wanna try and avoid that as the years go by. In the creation process we made solid draft copies of everything before taking it to our producer Chris Taylor (Grizzly Bear band member and producer, excellent cook and motorbike enthusiast), I like that method but I want to always change things so next time I would want to get the producer in earlier so they can have a bit more say early on in how the songs should go. What did you find most challenging and rewarding during the creative process? Most challenging is getting everything recorded in the small window of time you have that the budget can afford. There is not a lot of time for experimenting hence the aforementioned draft copies, we needed a solid script before the ad libs came in. It is rewarding though after 5 days of mania to listen back and feel that sense of pride of creating something that only a week ago was silence. It's a hard one to answer, but are there any tracks that stand out to you most? If so which and why? I think for me (Joshua Moriarty) it's the song Waste. Lyrically it has the most potent lines, I think the story is cohesive (if I do say so myself, ha..) and gels perfectly with the music, it has the apocalyptic melancholy I wanted to lock down for that song. How was the music written? I wrote a lot of the music myself on the acoustic guitar while in LA across the course of a year. When I got back to Melbourne we amplified everything and then the other boys brought their songs to the table and we nutted it out in the jam room. We had also done a few writing trips through the year to different locations in Victoria where we would setup the computer and record a bunch of jams etc, sift through the best bits. How were the lyrics written? I took the most care I've ever taken on this record to get the lyrics right!! Took me months and months, I figure if you are gonna say something you may as well say it right and make it compelling, I didn't settle on any phrase until it was perfect. The chorus of Tear It Down took me months, I tweaked it over and over and over until I had it exactly right. I would demo things on Ableton then go for a bike ride and listen and make notes and repeat the process until it was perfect. I don't think their is one lyric on the record I would change, very happy with the message How do you usually go about writing music and was anything new or different with your approach to writing for this album? I'll write a lot of stuff just sitting around with an acoustic guitar, I have a wee one and I'll watch the telly with it in my hands twiddling away, something about that unconscious way of playing can lead to cool ideas. You gotta keep fishing, casting the line out. Then we bring those small ideas into the rehearsal rooms and see what feels good and if they stick after 6 months then we know it's a keeper. What are your plans for the album? Put it on the internet and hope for the best, what the fuck else does anyone do?? Any advice for less experienced musicians who are wanting to make a living in the music industry? Get lots of followers on tik tok. Who are you listening to at the moment? Kashmir from Denmark are a band favourite. I missed that most recent Father John Misty record so getting into that currently. The Phoenix Foundation from New Zealand are one of my fave bands ever so I'm always listening to them. Ainslie Wills is a bad ass, Lee Hazelwood, The Karen O and Danger Mouse record is sick too. What's planned for 2020? Play, make more music, write, record, play, make more music, rest, perform, record, basically all I've been doing the last 15 years so can't see it changing, it's either that or become a pool boy or go back in time and get good at cricket. Our new album is titled 'Vol. 3', so I guess as the name probably suggests it's the 3rd one we've recorded since starting the band back in 2012. The album is actually released in a few days so as I'm writing this it's still not out in the world yet! Looking forward to finally having it out, we've released a handful of singles over the last year in the build up to it and the response from peers and fans has been great, industry not so much, haha. I've never worried too much about the industry though, you gotta just make the music you want to make and hope for the best, can't let the machine dictate how you create. What have you learned through the creation and release of this album? One thing that always drives me nuts is taking too long to release something, I think a lot of artists suffer this plight. The time from conception to birth is way longer than 9 months, I wanna try and avoid that as the years go by. In the creation process we made solid draft copies of everything before taking it to our producer Chris Taylor (Grizzly Bear band member and producer, excellent cook and motorbike enthusiast), I like that method but I want to always change things so next time I would want to get the producer in earlier so they can have a bit more say early on in how the songs should go. What did you find most challenging and rewarding during the creative process? Most challenging is getting everything recorded in the small window of time you have that the budget can afford. There is not a lot of time for experimenting hence the aforementioned draft copies, we needed a solid script before the ad libs came in. It is rewarding though after 5 days of mania to listen back and feel that sense of pride of creating something that only a week ago was silence. It's a hard one to answer, but are there any tracks that stand out to you most? If so which and why? I think for me (Joshua Moriarty) it's the song Waste. Lyrically it has the most potent lines, I think the story is cohesive (if I do say so myself, ha..) and gels perfectly with the music, it has the apocalyptic melancholy I wanted to lock down for that song. How was the music written? I wrote a lot of the music myself on the acoustic guitar while in LA across the course of a year. When I got back to Melbourne we amplified everything and then the other boys brought their songs to the table and we nutted it out in the jam room. We had also done a few writing trips through the year to different locations in Victoria where we would setup the computer and record a bunch of jams etc, sift through the best bits. How were the lyrics written? I took the most care I've ever taken on this record to get the lyrics right!! Took me months and months, I figure if you are gonna say something you may as well say it right and make it compelling, I didn't settle on any phrase until it was perfect. The chorus of Tear It Down took me months, I tweaked it over and over and over until I had it exactly right. I would demo things on Ableton then go for a bike ride and listen and make notes and repeat the process until it was perfect. I don't think their is one lyric on the record I would change, very happy with the message How do you usually go about writing music and was anything new or different with your approach to writing for this album? I'll write a lot of stuff just sitting around with an acoustic guitar, I have a wee one and I'll watch the telly with it in my hands twiddling away, something about that unconscious way of playing can lead to cool ideas. You gotta keep fishing, casting the line out. Then we bring those small ideas into the rehearsal rooms and see what feels good and if they stick after 6 months then we know it's a keeper. What are your plans for the album? Put it on the internet and hope for the best, what the fuck else does anyone do?? Any advice for less experienced musicians who are wanting to make a living in the music industry? Get lots of followers on tik tok. Who are you listening to at the moment? Kashmir from Denmark are a band favourite. I missed that most recent Father John Misty record so getting into that currently. The Phoenix Foundation from New Zealand are one of my fave bands ever so I'm always listening to them. Ainslie Wills is a bad ass, Lee Hazelwood, The Karen O and Danger Mouse record is sick too. What's planned for 2020? Play, make more music, write, record, play, make more music, rest, perform, record, basically all I've been doing the last 15 years so can't see it changing, it's either that or become a pool boy or go back in time and get good at cricket.

All The Colours

Photo credit: The Sauce / Tyler Bell “An electrifying bout of rock revival” – Ones To Watch "The bigger the stage, the better Ocean Alley get" – triple j After less than a week on sale, Ocean Alley are thrilled to announce the Sydney and Brisbane legs of their upcoming Australian tour have sold out, with second shows added and on sale now. The surf-rockers have expanded the tour to a total of seven shows across five cities, adding an all-ages show to Brisbane’s Fortitude Music Hall on Saturday 23 May, and a hometown encore performance at Sydney’s Hordern Pavilion on Saturday 6 June. Perth outfits Psychedelic Porn Crumpets and Dulcie will both continue their support run across these dates. All shows are selling fast, tickets on sale now from oceanalley.com.au. These shows mark Ocean Alley’s first national headline tour since 2018, when they last toured off the back of their then newly-released, critically acclaimed second album Chiaroscuro. In the two years since, the band have been writing and recording new music between international tours and festival appearances, releasing singles ‘Stained Glass’, ‘Infinity’ and most recently ‘Tombstone’ in that time. Launching into the new decade, Ocean Alley are fresh off the national Laneway Festival run and a stint in New Zealand over the New Year period, however 2019 ended with 30 sold out performances around the world after playing their biggest international shows to date. The band gave a career-defining, Saturday night main stage performance at Splendour In The Grass and were widely-praised for electric and commanding sets at Bluesfest, One Night Stand, Land of Plenty, Spilt Milk and the sold out, inaugural A Day For The Beaches – a community event they curated on the Northern Beaches to raise money for local charities. To round out their breakthrough year, smash hit single and #1 Hottest 100 of 2018 'Confidence' saw the band receive their first ARIA nomination for Song of the Year, and stand-out moments from that 12 month journey are chronicled in the new 'Tombstone’ video. Hailing from Sydney’s Northern Beaches, Ocean Alley have solidified their position as one of Australia’s most exciting and increasingly booming exports. Having surpassed 200 million catalogue streams, as well as achieving the impressive feat of attaining more than 1.5 million monthly Spotify listeners, Ocean Alley continue to captivate audiences worldwide with their infectious blend of psychedelic surf-rock, selling out a slew of shows at home and abroad, plus performing festivals including Falls Festival (AU), Reading & Leeds Festival (UK), BottleRock (US), Sziget (HU) and Bay Dreams (NZ). OCEAN ALLEY AUSTRALIAN TOUR 2020 with Psychedelic Porn Crumpets & Dulcie Tickets on sale now from oceanalley.com.au Friday 1 May – Fremantle Arts Centre, Perth SELLING FAST Friday 8 May – Thebarton Theatre, Adelaide SELLING FAST Friday 15 May – Melbourne Arena, Melbourne SELLING FAST Friday 22 May – Fortitude Music Hall, Brisbane SOLD OUT Saturday 23 May – Fortitude Music Hall, Brisbane NEW SHOW ADDED Friday 5 June – Hordern Pavilion, Sydney SOLD OUT Saturday 6 June – Hordern Pavilion, Sydney NEW SHOW ADDED Presented by triple j, Lonely Lands Agency & UNIFIED Music Group OCEAN ALLEY – ‘Tombstone' [Single] OUT NOW Available to stream and purchase here.

OCEAN ALLEY SELL OUT IN SYDNEY AND BRISBANE SECOND SHOWS ADDED, ON SALE NOW

Where are you currently based and what is the music scene like there? I’m Based in Brisbane, I moved from the UK 13 years ago. If you look at the scene in Australia from history back in the 80s / 90s then you can’t compare with the enthusiasm of both venues and punters. Db limits and pokies have plagued the scene somewhat. Venues don’t have the budget or are not prepared to pay for original artists the way cover bands and Tributes get paid. Apparently bands back then were finding a gig at least 3 times per week. Now we have agents selecting their "favourites". Brisbane is a place of diverse talent but we still haven’t seen anything that will put Australia back on the map yet for A & R visits. However, please feel free to check out my new single called 'DumbStruck' How can we progress and expose new music? Great question! and I believe radio have much to answer for where educating the public and artists are concerned. A particular radio station for example, still have the same play list from when I moved here 13 years ago!! Friends and family in the UK are always saying to me "have you heard this new song" "have you seen this new rocking band" well no I haven’t ha ha, because radio in Australia does not fully support the cause for what’s developing and happening overseas unfortunately. How did you first start playing music? My late father use to sing to me and my brother. We shared a room growing up and my old man would pick a classic tune and play and sing to us on his rusty old acoustic guitar instead of reading a bedtime story. Bearing in mind we were 6 and 4 year old knippers. My father taught me the "3 chord wonder" as he called it haha. I practiced those 3 chords for weeks, I then taught myself some more from guitar books, that was before google lol. It was when I met a good old pal at the first year of high school that it really began. I taught him a scale or two and now he is a top blues rock player in the South West of the UK. We put together a little novice garage band and rehearsed in bedrooms, garages and school halls. We had real passion man! We learn’t fast and soon booked our first gig at Plymstock Comprehensive School haha. It was the Christmas school disco that we would premiere at the age of 14. From here we grew as trio with myself on bass. Let’s just say the rest is history! What's been happening recently? It’s been a hectic few weeks of late getting everything across the line ready for the single, video, EP and live show launch, and now interviews and promo. March 28th I marry the most amazing lady, so as one can imagine there is much to do. I’m also a full time driving instructor in Brisbane. Your new single is out now, what influenced the sound and songwriting? I wrote ‘DumbStruck’ over 14 years ago back in the UK, as a band then with my brother Del on drums we jammed it but never recorded these songs. At the time I was listening to a mix of bands from Trouble, Kyuss, Audioslave, Soundgarden to Stereophonics and HIM. I put an emphasis on melody and hooks as this formula gives colour and emotion. This was probably inherited from growing up listening to The Beatles. With ‘DumbStruck’ it was a progressive experience to write. It has evolved from its basic form and has guitar work that Slash himself could have written haha. The Canadian guitarist who wrote the solos, performed, mixed and mastered on the track goes by the name of Trevor (Hanuman) Stefiuk. Where and when did you record/produce? It has been an ongoing project that has spanned over the last two years with Allan Lahey at Taramalin Sound recording studio in Kingston QLD. Allan has been a pioneer and platform for original artists to record in Brisbane for many years. Due to life’s obstacles and funding it has taken longer than I had hoped, but it was worth the wait. Ben Kerswell played a major role in instrumentation and producing something a bit more contemporary. Unfortunately, Ben has had a life changing illness that stopped him in his tracks. Therefore, I was required to hire guys to help perform and complete the last track called 'Plunge' While in the process of mastering the track Strive and Repair, the decision was made to invest in a music video to align with this rocking tune. So if you like it rocking and loud this is your chance to hear something new. On the 28th February 2020 the EP ‘A Thousand Years High’ will be launched in Brisbane and be available online and for hard copies of the CD. I am proud of what has been achieved here as a whole, and I humbly say that the single ‘DumbStruck’ needs to be heard on every radio station across the globe to justify its existence! You have a EP on the way, how did you go about writing the EP and what influenced the writing? All of the 5 songs were written firstly on the acoustic guitar over a decade ago. It was a great formula, I would pour a glass or two and put pen to paper. Melody always comes first with me then lyrics to fit the vocal melody. I was heavily influenced from the stoner rock and the grunge era. AIC showed how vox harmonies can be used with heavy crunching riffs. Over the years, vocally I have been influenced by Chris Cornell, Layne Staley. In the early days it was Axl Rose, David Coverdale, Paul Rodgers and Sebastian Bach I took vocal lessons from. What have you found most rewarding and challenging during the creation of the new EP? We all knew that the final track recorded on the EP 'Plunge' was going to be a challenge. With its unconventional structure and longer than average duration it turned out to certainly be that. All efforts and focus went into a performance for recording that we were happy with. The result is an epic, progressive original sounding track. Funding and time was a major factor for completing this EP. What's the EP title? ‘A Thousand Years High’ What do you like to do away from music? I like to spend time with my kids, however they are now adults and doing their own thing! I like to walk somewhere scenic, visit the mountains and coast, wine and dine. I went through an obsessive stage of practicing the ancient Martial art known as the commercial name of Ninjutsu Who are you listening to at the moment? Clutch, Killswitch Engage and Paradise Lost What's planned for 2020? Get married in March and to push this EP, Single and video and obtain as many gigs as possible. I will be writing and still have some heavy tunes to show the lads to later record a full album. Favourite food and place to hangout? Being a pomme I do like a decent hot Indian curry. There are a few good Thai restaurants at Westfield Garden City and Raby Bay harbour that I like to visit.

MARSHALL | BRISBANE ROCKERS RELEASE NEW SINGLE ‘DUMBSTRUCK’ + ANNOUNCE UPCOMING EP RELEASE + LAUNCH SHOW

Channel Tres returns in April-May 2020 The Compton-born artist will perform headline shows in Perth, Melbourne, Brisbane and Sydney Single ‘Controller’ has amassed 60 million+ streams since its 2018 release Tickets on sale Friday 28 February Frontier Touring and I OH YOU are thrilled to announce today that for the third consecutive year, Compton-born artist Channel Tres will return to Australia this April-May, performing four sweaty headline shows in Perth, Melbourne, Brisbane and Sydney. While in the country, he’ll also hit the stage nationally with Groovin The Moo festival. ‘Can’t wait to come back to Oz and see my people’ – Channel Tres 2020 is shaping up to be a huge year for the artist, with Channel heading to Australia fresh off the back of his highly-anticipated set in the Californian desert at Coachella 2020. His last tour down under went ballistic; just watch this footage out of Melbourne! ‘True to form, the production is tight, the delivery executed with flair and for Channel Tres, it’s an indicator of a powerful musical presence continuing to grow.’ – Music Feeds ‘Channel Tres made sure that his second visit to Australia within nine months was one that fans would remember, ripping through a run of exceptional tracks.’ – Tone Deaf Also booked for Manchester’s Parklife in June and Melt! in Germany in July, first up Channel will head down under for four killer shows: Mojos Bar in Perth on Wednesday 29 April; Melbourne’s The Corner Hotel on Friday 1 May; Brisbane’s Outpost on Tuesday 5 May; followed by Sydney’s Oxford Art Factory on Thursday 7 May. Tickets are on sale Friday 28 February via frontiertouring.com/channeltres. Name-checked by the likes of Sir Elton John, Anderson .Paak, Disclosure, Mark Ronson, Robyn and Childish Gambino, Channel first broke into the LA rap scene back in 2018 with his debut single ‘Controller’. Praised by Pitchfork as his ‘commanding first impression’, ‘Controller’ has amassed more than 60 million combined streams to date. https://www.youtube.com/watch?v=n82NSRfmM4M&feature=youtu.be&fbclid=IwAR0Zq99RVY3sWoIdgFRx85D2e5fRqbXgsFNM6F1ukOsG_QsVuRgDs2Yyk0s 2019 saw Channel take his mesmerising mix of music, movement and energy to the world’s most elite festivals including Primavera Sound, Movement, and Splendour in the Grass - blowing the roof off three headline AU/NZ shows while in town - and finished the year off joining Toro Y Moi for a stellar 11-city tour across North America. Along the way Channel has been profiled by FADER and befriended, remixed and collaborated with a who’s-who of chart-toppers including English singer-songwriter James Blake; King Princess (check out track ‘Hit The Back’ released last month); the first official remix for Tyler, The Creator (the epic ‘EARFQUAKE’) and peers Baauer and Danny Brown (who he collaborated with on single ‘READY TO GO’). Between all this, he also released the excellent Black Moses EP. Watch: James Blake x Channel Tres in the Studio With the likes of Pitchfork, NPR, Gorilla vs. Bear, triple j, BBC Radio 1, Beats1 and KCRW lining up as early champions, find out just why Channel Tres is the name on everyone’s lips when he hits our shores again in April-May! CHANNEL TRES AUSTRALIA APRIL & MAY 2020 Presented by Frontier Touring & I OH YOU FRONTIER MEMBERS PRE-SALE via frontiertouring.com/channeltres Runs 24 hours from: Wednesday 26 February (11am local time) or until pre-sale allocation exhausted GENERAL PUBLIC ON SALE Begins: Friday 28 February (11am local time) Mojos Bar | Perth, WA 18+ oztix.com.au | Ph: 1300 762 545 Corner Hotel | Melbourne, VIC 18+ eventbrite.com.au | Ph: 1300 438 849 Outpost | Brisbane, QLD 18+ moshtix.com.au | Ph: 1300 438 849 Oxford Art Factory | Sydney, NSW 18+ moshtix.com.au | Ph: 1300 438 849 ** While in Australia, also performing nationally at Groovin The Moo (not promoted by Frontier Touring & I OH YOU)

Channel Tres announces headline shows in Perth, Melbourne, Brisbane & Sydney | April-May 2020

COURTNEY BARNETT

COURTNEY BARNETT MTV Unplugged (Live In Melbourne) out now on CD & vinyl Watch performance of ‘Nameless, Faceless’ Supporting Nick Cave & The Bad Seeds in UK + Ireland

caroline are pleased to share their debut live session and signing to Rough Trade Records - the track is called 'Dark blue'. The session was shot in January 2020, in a disused swimming pool in North London. The band hail from London. caroline began as a three-piece (Jasper Llewellyn, Mike O'Malley, Casper Hughes) in early 2017, initially evolving out of weekly improvisation sessions. Bringing together shared influences in, and experiences of playing, midwestern ‘emo’ guitar music, Appalachian folk, minimalist classical and various forms of dance music. The group spent a year and a half playing privately, without a project name. Reiterating, deconstructing and re-building the same small handful of songs over and over again, the group slowly expanded their on-stage members before playing their debut show as caroline in 2018. caroline are currently working on their debut album. caroline are - Jasper Llewellyn - acoustic guitar, cello, drums, vocals, Mike O'Malley - electric guitar, vocals Casper Hughes - electric guitar, vocals Oliver Hamilton – violin Magdalena McLean – violin Freddy Wordsworth - trumpet, bass Alex McKenzie – clarinet Hugh Aynsley - drums, percussion.

CAROLINE Sign to Rough Trade Records Share debut live session ‘Dark blue’

Where are you currently based and what is the music scene like there? I’m Based in Brisbane, I moved from the UK 13 years ago. If you look at the scene in Australia from history back in the 80s / 90s then you can’t compare with the enthusiasm of both venues and punters. Db limits and pokies have plagued the scene somewhat. Venues don’t have the budget or are not prepared to pay for original artists the way cover bands and Tributes get paid. Apparently bands back then were finding a gig at least 3 times per week. Now we have agents selecting their "favourites". Brisbane is a place of diverse talent but we still haven’t seen anything that will put Australia back on the map yet for A & R visits. However, please feel free to check out my new single called 'DumbStruck' How can we progress and expose new music? Great question! and I believe radio have much to answer for where educating the public and artists are concerned. A particular radio station for example, still have the same play list from when I moved here 13 years ago!! Friends and family in the UK are always saying to me "have you heard this new song" "have you seen this new rocking band" well no I haven’t ha ha, because radio in Australia does not fully support the cause for what’s developing and happening overseas unfortunately. How did you first start playing music? My late father use to sing to me and my brother. We shared a room growing up and my old man would pick a classic tune and play and sing to us on his rusty old acoustic guitar instead of reading a bedtime story. Bearing in mind we were 6 and 4 year old knippers. My father taught me the "3 chord wonder" as he called it haha. I practiced those 3 chords for weeks, I then taught myself some more from guitar books, that was before google lol. It was when I met a good old pal at the first year of high school that it really began. I taught him a scale or two and now he is a top blues rock player in the South West of the UK. We put together a little novice garage band and rehearsed in bedrooms, garages and school halls. We had real passion man! We learn’t fast and soon booked our first gig at Plymstock Comprehensive School haha. It was the Christmas school disco that we would premiere at the age of 14. From here we grew as trio with myself on bass. Let’s just say the rest is history! What's been happening recently? It’s been a hectic few weeks of late getting everything across the line ready for the single, video, EP and live show launch, and now interviews and promo. March 28th I marry the most amazing lady, so as one can imagine there is much to do. I’m also a full time driving instructor in Brisbane. Your new single is out now, what influenced the sound and songwriting? I wrote ‘DumbStruck’ over 14 years ago back in the UK, as a band then with my brother Del on drums we jammed it but never recorded these songs. At the time I was listening to a mix of bands from Trouble, Kyuss, Audioslave, Soundgarden to Stereophonics and HIM. I put an emphasis on melody and hooks as this formula gives colour and emotion. This was probably inherited from growing up listening to The Beatles. With ‘DumbStruck’ it was a progressive experience to write. It has evolved from its basic form and has guitar work that Slash himself could have written haha. The Canadian guitarist who wrote the solos, performed, mixed and mastered on the track goes by the name of Trevor (Hanuman) Stefiuk. Where and when did you record/produce? It has been an ongoing project that has spanned over the last two years with Allan Lahey at Taramalin Sound recording studio in Kingston QLD. Allan has been a pioneer and platform for original artists to record in Brisbane for many years. Due to life’s obstacles and funding it has taken longer than I had hoped, but it was worth the wait. Ben Kerswell played a major role in instrumentation and producing something a bit more contemporary. Unfortunately, Ben has had a life changing illness that stopped him in his tracks. Therefore, I was required to hire guys to help perform and complete the last track called 'Plunge' While in the process of mastering the track Strive and Repair, the decision was made to invest in a music video to align with this rocking tune. So if you like it rocking and loud this is your chance to hear something new. On the 28th February 2020 the EP ‘A Thousand Years High’ will be launched in Brisbane and be available online and for hard copies of the CD. I am proud of what has been achieved here as a whole, and I humbly say that the single ‘DumbStruck’ needs to be heard on every radio station across the globe to justify its existence! You have a EP on the way, how did you go about writing the EP and what influenced the writing? All of the 5 songs were written firstly on the acoustic guitar over a decade ago. It was a great formula, I would pour a glass or two and put pen to paper. Melody always comes first with me then lyrics to fit the vocal melody. I was heavily influenced from the stoner rock and the grunge era. AIC showed how vox harmonies can be used with heavy crunching riffs. Over the years, vocally I have been influenced by Chris Cornell, Layne Staley. In the early days it was Axl Rose, David Coverdale, Paul Rodgers and Sebastian Bach I took vocal lessons from. What have you found most rewarding and challenging during the creation of the new EP? We all knew that the final track recorded on the EP 'Plunge' was going to be a challenge. With its unconventional structure and longer than average duration it turned out to certainly be that. All efforts and focus went into a performance for recording that we were happy with. The result is an epic, progressive original sounding track. Funding and time was a major factor for completing this EP. What's the EP title? ‘A Thousand Years High’ What do you like to do away from music? I like to spend time with my kids, however they are now adults and doing their own thing! I like to walk somewhere scenic, visit the mountains and coast, wine and dine. I went through an obsessive stage of practicing the ancient Martial art known as the commercial name of Ninjutsu Who are you listening to at the moment? Clutch, Killswitch Engage and Paradise Lost What's planned for 2020? Get married in March and to push this EP, Single and video and obtain as many gigs as possible. I will be writing and still have some heavy tunes to show the lads to later record a full album. Favourite food and place to hangout? Being a pomme I do like a decent hot Indian curry. There are a few good Thai restaurants at Westfield Garden City and Raby Bay harbour that I like to visit.

Marshall

Encourages Attendees to Experience the ByeByePlastic Beach Cleanup, SXM Doet Volunteer Program, Offset Carbon Impact with Official Partners, and Gear Up with the Festival’s Sustainable Clothing Line. For Tickets and More Info Visit: www.sxmfestival.com @SXMFestival Today, SXM Festival has announced its phase three lineup, completing the underground soundtracking for the event’s fourth expedition on the paradisal island of Saint Martin/Sint Maarten. Adorned with some of the scene’s most recognized stars and rising tastemakers alike, these masters of their craft will guide attendees through five days of sonic exploration and cultural immersion, March 11-15. SXM Festival’s phase three turns its sights on scene innovators from around the world, representing the communities that make up the the event’s wide reaching attendee-core. Burning Man mainstay turned avant-garde talent Tara Brooks makes her return to the festival, New York’s Stranger Than captain Tal Ohana will bring along his deep shades of techno, plus fans can expect a journey through the deep from Canadian legend Nitin. For the 2020 edition, the event will continue to build upon its deep connection with the cultural and ecological fabric of the beautiful host locale of Saint Martin/Sint Maarten. Spawned in 2019 to help encourage the prosperity and health of the island, SXM Festival created a partnership with SXM Doet, the largest volunteer initiative in Saint Martin/Sint Maarten and the Dutch Kingdom. Attendees are encouraged to take a break from the party and meet the locals and other travelers, while offering their service to the island at specific, sponsored projects. On March 13+14, guests are encouraged to join the SXM Art Deco team and a number of artists including Amine K and Maga in two key charitable action projects. Register to build a playground at Ideal Preschool or assemble an eco-friendly, recycled playground at Green Learning Academy. There is an angle for everyone to get involved and ensure that the people of Saint Martin/Sint Maarten can enjoy their home as much as festival-goers do. The festival has also partnered with longtime SXM artist Blond:ish, Toronto’s Summerdaze, and global dance music sustainability project ByeByePlastic to host a cleanup of the iconic Sandy Ground Beach. This continues SXM’s anti-single use plastic ethos and overall commitment to the protection of the island’s sensitive ecosystem. More info on the beach cleanup here. With global impact in mind, SXM Festival has forged strategic partnerships with leaders in sustainability, focused on offsetting the carbon released by air-travel to the island. All SXMF-goers will be encouraged to calculate the emissions released via their journey and offset by donating to Climate Futures’ Peace Boat Project though a $10 per month subscription, or a one-time $25 contribution. SXM Festival is committed to a net-zero emissions strategy that is measurable and permanent. Through their new partnership with Climeworks, the world’s first commercial direct air capture company, guests can now capture carbon dioxide from the air and turn it into stone in their name. Become a Climeworks SXM Festival Pioneer with a one-time contribution or subscription. Those who maintain their subscriptions will have lifetime access to super early bird rates to any SXM Festival event as of April 2020. Additionally, SXM Festival has partnered with Ungalli Clothing Co. to deliver sustainable merch that is ethically sourced from Canada out of recycled and organic materials. Produced in Canadian facilities where workers are safe, respected, and paid fair wages, pre-orders are available until February 28. In just one month, SXM Festival will open its gates to the global party elite with the shared purpose of celebrating our diverse scene as well as the rich culture and natural beauty of Saint Martin/Sint Maarten. SXM 2020 Full Line-Up (A-Z) Adisyn Akufen Alex Orias Allan P. Alya V Amine K Apache Audiofly Baham Bas Ibellini Bedouin Behrouz Birds of Mind BLOND:ISH Bonobo (DJ Set) Britta Arnold Carerra & Tavares Cassy Chaim Chubby Chuck Woodward Danny Tenaglia Dead-Tones Defam Deric Frey Desostoa DimitrY DJ Franck DJ Leo DJ Ming aka Mr Garcia DJ Rudy DJ Tennis DJ W!LD Dyed Soundorom Echonomist Enzo Siragusa Feather Hed Gab Rhome Guillaume Michaud Guy Laliberté Hauy Head Nodders Heimat (Live) Hernan Cattaneo Holmar Igor Vicente Iluminat Inessa Raum Ivan De La Ganesherie J. Remy Jade (CA) Jan Blomqvist (Live) Jayson Miro Jenia Tarsol Jenner Jimmy Be Joeski John Acquaviva Kidzman Kike Mayor Kora Lar Gibbons Loco Dice Luca Bacchetti Ludovic Coudert MAGA Magician On Duty Maher Daniel M.A.N.D.Y. Marco Carola Master Gee Mister T Mitch Oliver M.O.N.R.O.E. Moody Jones Nicolas Massayeff Nitin Nomads Oxia Parallells (Live) Paul Matta Pheek (Live) Phil Dark (Cercle) Raphael Scemama Raresh Revah Brothers Ricardo Villalobos Rony Seikaly Sabo Sainte Vie Live Serge Devant Shalev Shaun Reeves SIS Sonja Moonear Stabtone Swamy Swann Decamme Tal Ohana Tara Brooks The Neighbors The Wallet Brothers Thugfucker tINI Unders Vector Verlk wAFF WhoMadeWho (Hybrid DJ Set) Wild Dark YokoO

SXM Festival Completes Lineup for March 11-15 Event on Caribbean Island of Saint Martin/Sint Maarten Announced Alongside Social and Environmental Responsibility Partners and Activations for 2020 Event

Yellow Claw & Juyen Sebulba & RayRay Release "Supernoize." First Single from Upcoming Barong Family's "Hard in Bangkok" Album

Yellow Claw & Juyen Sebulba & RayRay Release “Supernoize.” First Single from Upcoming Barong Family’s “Hard in Bangkok” Album

LISTEN HERE Julian Jordan switches between club and pop styles with more ease than almost anyone, and his latest anthem ‘Love You Better’ is set to dominate both arenas with its memorable songwriting and tight production. The yearning vocals set the tone immediately over graceful, muted puds and handclaps. The powerful chorus arrives with piano chords in support before we explode into a taut house groove powered by elastic bass tones and super-punchy beats. A dazzling vox synth riff arrives as a melodic counterpoint, its digitised feel contrasting beautifully with the smooth vocal. It’s a personal track for Jordan, as the vocals come from his very own love, Kimberly Fransens. Known for her appearances on TV show ‘The Voice Holland’, she tried her hand at the vocal for fun after Jordan tried out a few different vocalists. He quickly realised the track was destined to be sung by her, and the rest is history! The official follow-up to the glorious radio single ‘To The Wire’, ‘Love You Better’ looks like another absolute smash for Mr. Jordan, and this is only the start of 2020.. CONNECT W/ JULIAN JORDAN CONNECT W/ KIMBERLY FRANSENS

Julian Jordan finally releases long awaited radio track ‘Love You Better’

Where are you currently based and what is the music scene like there? I’m from amsterdam and the music scene here is very urban and techno minded. But during Amsterdam Dance Event the whole city is EDM focussed and there’s a crowd for every genre of house music haha! How did you first start playing music? When I was 12 years old I started saving money for a DJ set, around the same age I started producing as well. I heard The Prodigy and Tiësto on the radio and I knew I wanted to do something with electronic music. I was always into music, I started drumming when I was 5 years old and always loved to perform. I wrote my own rap lyrics as a kid and I still love to write lyrics now ;) What's been happening recently? A LOT, it really feels like i’m showing the world a next level Julian Jordan. I’m super motivated and I love to lock myself in the studio after touring. I have so many tracks ready and seeing my recent tracks on the top of so many charts feels like a reward for all the hard work! You have new music being released on February 21, please tell us about what has influenced the sound and songwriting for the upcoming releases: I got this vocal in my email and I was immediately hooked on it, I started making the production and finished it within a few days, but i was still trying to find the right fit with the vocals for this track. When I showed the track to my girlfriend (she’s an amazing singer from Amsterdam) and she told me she would love to give it a try to see if her voice would be a good fit. It turned out to be the perfect match and that’s how this collaboration came together. Where and when did you record/produce? When I got the vocal I was at the airport and I think I made most parts of the production on the plane haha. What programs/equipment do you use? I work with FL Studio and a basic studio at home and mostly with my laptop haha. I also work a lot in the STMPD RCRDS studios as well, those studios are really next level. How do you go about writing and recording music? I love the journey of how a track comes together because it’s always different. The thing I love about producing music is that there are no rules, creative freedom all the way. Trying out new stuff and surprising fans with new music is the best thing in the world. You are relaunching your YouTube show, what do you planned? I want to show the world a more personal side of Julian Jordan. A side they can connect with more. The thing I love about social media is that you can choose what you want to show the world and your audience, but this also means that they never see the whole story. I try to show my personal side and take the viewers with me on this journey in my life. To show that I’m just a human having fun making and playing music all around the world. You're playing Ultra Music Miami, how do you prepare for live shows and what do you most enjoy about playing live? I never actually prepare, because i think it’s important to read the crowd as a DJ. But I do make sure that I have a ton of new tracks ready when I’m playing festivals like Ultra! Especially when a lot of people are going to check out the set online, it’s important to have the best tracks ready for that! What do you like to do away from music? Kickboxing is a big passion of mine, and since I’m touring so much I think the most important thing for me now is to stay in touch with my family and friends after touring. Who are you listening to at the moment? I’m currently listening to Josh Charm - Trust. Very talented producer! What's planned for 2020? A lot of new music and dope gigs, I think 2019 was about showing the world the ‘Julian Jordan sound’ but 2020 is just about firing all the tracks at the right time. I just share my love for music with the world and I’ll just keep on doing that every day! Favourite food and place to hangout? Amsterdam during the summer and pizza:)

Julian Jordan

Artists: GRAVEDGR Title: 6 FEET UNDER Label: Heavyweight Records Release date: February 21, 2020 Download / Stream After over a year of releasing some of the most menacing, bone-shaking sounds ever heard, GRAVEDGR finally unleashes his debut album "6 FEET UNDER" on the world. The epic fourteen-track project is designed to take the listener on a sonic journey through GRAVEDGR's own psyche when he was literally digging the final resting places for the departed as a teenager when he helped his father work in a graveyard. The sinister sounds of familiar favorites like "RAMPAGE" and "JESSE JAMES" are accompanied by raw, hard-hitting new tracks such as "FICK DICH" with Carnage & Dither and "Shallow Graves" with Flosstradamus - just two next to several other guest appearances on the album - Krischvn, City Morgue, Junkie Kid, Vulgatron, Awotalk, and Lit Lords. Fans of GRAVEDGR since the beginning are finally treated to his full story on the album, which serves to open another door to the mystery that is GRAVEDGR. Press play on "FEET UNDER" and get ready to plummet to the darkest depths with your favorite grave digger! Take one look at GRAVEDGR, and it's easy to see where his name comes from - constantly donning black attire and his signature face mask, it's no surprise that his day job is literally digging graves. All the time spent contemplating mortality must have inspired his musical sound, which can be summed up as simultaneously scary, melodic and hard. His wildly popular debut single "RAMPAGE" has amassed over 13 million streams on Spotify alone, placing him firmly on the map, and was quickly followed up by the equally relentless "JESSE JAMES," "BE WARY," "KAMIKAZE" and more. GRAVEDGR is currently on tour for "6 FEET UNDER" in the US, so check out the dates below and catch him in a city near you. https://open.spotify.com/album/25r8pqNVU29qtWSvIxdxGl Feb 21 - Green Door - El Paso, TX Feb 25 - The Marc - San Marcos, TX Feb 26 - Soundcheck - Washington, DC Feb 27 - Trio - Charleston, SC Feb 28 - Believe Music Hall - Atlanta, GA Mar 06 - DNA Lounge - San Francisco, CA Apr 23 - Stereo Live - Houston, TX Apr 25 - Skyway Theatre - Minneapolis, MN Jul 03 - Kristalpark - Lommel, BE More info on GRAVEDGR / Heavyweight Records: GRAVEDGR: Facebook | Instagram | Twitter | Spotify Heavyweight Records: Facebook | Instagram | Twitter | Youtube

GRAVEDGR Drops Highly Anticipated Debut Album “6 FEET UNDER” to Fulfill Your Darkest Nightmares. Out on Heavyweight Records

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